Buried Giant Quotes

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But then again I wonder if what we feel in our hearts today isn't like these raindrops still falling on us from the soaked leaves above, even though the sky itself long stopped raining. I'm wondering if without our memories, there's nothing for it but for our love to fade and die.
Kazuo Ishiguro (The Buried Giant)
When it was too late for rescue, it was still early enough for revenge.
Kazuo Ishiguro (The Buried Giant)
But God will know the slow tread of an old couple’s love for each other, and understand how black shadows make part of its whole.
Kazuo Ishiguro (The Buried Giant)
Who knows what will come when quick-tongued men make ancient grievances rhyme with fresh desire for land and conquest?
Kazuo Ishiguro (The Buried Giant)
How can old wounds heal while maggots linger so richly?
Kazuo Ishiguro (The Buried Giant)
How is it possible to hate so deeply for deeds not yet done?
Kazuo Ishiguro (The Buried Giant)
The giant, once well buried, now stirs. When soon he rises, as surely he will, the friendly bonds between us will prove as knots young girls make with the stems of small flowers.
Kazuo Ishiguro (The Buried Giant)
Are you still there, Axl?” “Still here, princess.
Kazuo Ishiguro (The Buried Giant)
A couple may claim to be bonded by love, but we boatmen may see instead resentment, anger, even hatred. Or a great barrenness. Sometimes a fear of loneliness and nothing more.
Kazuo Ishiguro (The Buried Giant)
Well, here goes," said Harry, and he raised the little bottle and took a carefully measured gulp. "What does it feel like?" whispered Hermione. Harry did not answer for a moment. Then, slowly but surely, an exhilarating sense of infinite opportunity stole through him; he felt as though he could have done anything, anything at all...and getting the memory from Slughorn seemed suddenly not only possible, but positively easy.... He got to his feet, smiling, brimming with confidence. "Excellent," he said. "Really excellent. Right...I'm going down to Hagrid's." "What?" said Ron and Hermione together, looking aghast. "No, Harry - you've got to go and see Slughorn, remember?" said Hermione. "No," said Harry confidently. "I'm going to Hagrid's, I've got a good feeling about going to Hagrid's." "You've got a good feeling about burying a giant spider?" asked Ron, looking stunned. "Yeah," said Harry, pulling his Invisibility Cloak out of his bag. "I feel like it's the place to be tonight, you know what I mean?" "No," said Ron and Hermione together, both looking positively alarmed now. "This is Felix Felicis, I suppose?" said Hermione anxiously, holding up the bottle to the light. "You haven't got another little bottle full - I don't know -" "Essence of Insanity?" suggested Ron, as Harry swung his cloak over his shoulders.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
The danger isn't the river's speed, friend, but its slowness.
Kazuo Ishiguro (The Buried Giant)
What use is a god with boundless mercy, sir? You mock me as a pagan, yet the gods of my ancestors pronounce clearly their ways and punish severely when we break their laws. Your Christian god of mercy gives men licence to pursue their greed, their lust for land and blood, knowing a few prayers and a little penance will bring forgiveness and blessing.
Kazuo Ishiguro (The Buried Giant)
Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?" "It may be for some, father, but not for us. Axl and I wish to have again the happy moments we shared together. To be robbed of them is as if a thief came in the night and took what's most precious from us." "Yet the mist covers all memories, the bad as well as the good. Isn't that so, mistress?" "We'll have the bad ones come back too, even if they make us weep or shake with anger. For isn't it the life we've shared?
Kazuo Ishiguro (The Buried Giant)
It would be the saddest thing to me, princess. To walk separately from you, when the ground will let us go as we always did.
Kazuo Ishiguro (The Buried Giant)
Foolishness, sir. How can old wounds heal while maggots linger so richly? Or a peace hold for ever built on slaughter and a magician’s trickery?
Kazuo Ishiguro (The Buried Giant)
Some of you will have fine monuments by which the living may remember the evil done to you. Some of you will have only crude wooden crosses or painted rocks, while yet others of you must remain hidden in the shadows of history.
Kazuo Ishiguro (The Buried Giant)
Then he took the sword in both hands and raised it—and Gawain’s posture took on an unmistakable grandeur.
Kazuo Ishiguro (The Buried Giant)
What kind of god is it, sir, wishes wrong to go forgotten and unpunished?
Kazuo Ishiguro (The Buried Giant)
I was wondering, princess. Could it be our love would never have grown so strong down the years had the mist not robbed us the way it did? Perhaps it allowed old wounds to heal.
Kazuo Ishiguro (The Buried Giant)
The black asphalt wouls shimmer with vapors I had a theory about those vapors...not released by the sun but by a huge onion buried under the city. This onion made us cry... I thought about the giant onion, that remarkable bulb of sadness.
Gary Soto (Buried Onions)
When the hour’s too late for rescue, it’s still early enough for revenge.
Kazuo Ishiguro (The Buried Giant)
Perhaps God’s so deeply ashamed of us, of something we did, that he’s wishing himself to forget.
Kazuo Ishiguro (The Buried Giant)
The stranger thought it might be God himself had forgotten much from our pasts, events far distant, events of the same day. And if a thing is not in God’s mind, then what chance of it remaining in those of mortal men?
Kazuo Ishiguro (The Buried Giant)
Abiding love that has endured the years—that we see only rarely. When we do, we’re only too glad to ferry the couple together.
Kazuo Ishiguro (The Buried Giant)
Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?
Kazuo Ishiguro (The Buried Giant)
Boatman, I’ve spoken honestly to you, and I hope it doesn’t cast your earlier judgement of us in doubt. For I suppose there’s some would hear my words and think our love flawed and broken. But God will know the slow tread of an old couple’s love for each other, and understand how black shadows make part of its whole.
Kazuo Ishiguro (The Buried Giant)
Be merciful and leave this place. Leave this country to rest in forgetfulness.
Kazuo Ishiguro (The Buried Giant)
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them. "Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years." "Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?" "That's right." "OK, I got one word to ask you, a one word question, ready?" "Uh huh." "Dinosaurs." You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point: And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!" "I'm sure gonna mention this in my book," Luke said. "Well, I'm sure gonna mention it in my book," Matthew said. But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!" Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes: "God put those here to test our faith." "I think God put you here to test my faith, dude. I think I've figured this out." Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter: "Did you believe in dinosaurs?" "Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!" "You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!" "It seemed so plausible, aaaaaahh!" "Enjoy the lake of fire, fucker!" They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it. Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet. "Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
Some of you will have fine monuments by which the living may remember the evil done to you. Some of you will have only crude wooden crosses or painted rocks, while yet others of you must remain hidden in the shadows of history.
Kazuo Ishiguro (The Buried Giant)
Foolishness, sir. How can old wounds heal while maggots linger so richly? Or a peace hold for ever built on slaughter and a magician’s trickery? I see how devoutly you wish it, for your old horrors to crumble as dust. Yet they await in the soil as white bones for men to uncover.
Kazuo Ishiguro (The Buried Giant)
وقتی مسافرها از عزیزترین خاطراتشان حرف می‌زنند، به‌هیچ‌وجه قادر نیستند حقیقت را پنهان کنند. زن‌وشوهری ممکن است ادعا کنند عاشق همدیگران، اما ما به‌جای عشق در وجودشان بیزاری، خشم، یا حتی نفرت می‌بینیم. یا نوعی بیهودگی عمیق، گاهی فقط ترس از تنهایی و بس.
Kazuo Ishiguro (The Buried Giant)
The giant, once well buried, now stirs. When soon he rises,
Kazuo Ishiguro (The Buried Giant)
Can it be, husband, you still fear the mist’s fading, never mind the promise I made you?
Kazuo Ishiguro (The Buried Giant)
Our life together's like a tale with a happy end, no matter what turns it took in the way.
Kazuo Ishiguro (The Buried Giant)
خدایی که بخشایش بی‌حدواندازه دارد، چه فایده دارد آقا؟ خدایان اجداد من قواعد و شیوه‌های خودشان را به‌وضوح اعلام می‌کنند و وقتی ما قوانینشان را نقض می‌کنیم، به‌شدت مارا مجازات می‌کنند. خدای شما به انسان‌ها اجازه طمع ورزیدن، شهوت تصرف زمین و ریختن خون را می‌دهد، با این تصور که باکمی دعا همه گناهانشان بخشیده می‌شود و آمرزیده می‌شوند.
Kazuo Ishiguro (The Buried Giant)
He wakes! The steel giant wakes! Long, long ago he rose from the sea, with the blood of life streaming from his belly. And then they buried him with thunder...and...carrots...at Stonehenge. But now he wakes again. The Age of Rotten Fish is over; the Age of Steel and Bombs is upon us. And he had come to give us life and strength, to free us form these cells, to restore us once again to baseball and ping pong! Sent by God from the Great Beyond!!!
Ryū Murakami (Coin Locker Babies)
In the sky was a sliver of moon. What kind of moon? A moon like a clipped fingernail, like a smudge of powdered sugar, like a yellow laddoo, like a shattered dinner plate, like the tusk of a wounded mammoth, like a scimitar buried in the enemy’s skull, like a horned demon drowned in blood, like a fallen warrior’s silver visor, like the prow of a ghostly mothership, like the smile of a giant black cat, like God’s half-closed night-time eye, a low murder moon
Jeet Thayil (The Book of Chocolate Saints)
when travellers speak of their most cherished memories, it’s impossible for them to disguise the truth. A couple may claim to be bonded by love, but we boatmen may see instead resentment, anger, even hatred. Or a great barrenness. Sometimes a fear of loneliness and nothing more. Abiding love that has endured the years – that we see only rarely.
Kazuo Ishiguro (The Buried Giant)
Навіть коли вже запізно для порятунку — ще не запізно для помсти.
Кадзуо Ішіґуро (The Buried Giant)
nothing and yet everything had passed between us.
Kazuo Ishiguro (The Buried Giant)
We may pray to different gods, yet surely yours will bless this dragon as does mine.” Wistan
Kazuo Ishiguro (The Buried Giant)
This circle of hate is hardly broken, sir, but forged instead in iron by what’s done today.
Kazuo Ishiguro (The Buried Giant)
Ghosts don’t stay buried when they’re laced in gold.
Emory R. Frie (Giant Country (Realms, #4))
It is a common sentence that Knowledge is power; but who hath duly Considered or set forth the power of Ignorance? Knowledge slowly builds up what Ignorance in an hour pulls down. Knowledge, through patient and frugal centuries, enlarges discovery and makes record of it; Ignorance, wanting its day’s dinner, lights a fire with the record, and gives a flavor to its one roast with the burned souls of many generations. Knowledge, instructing the sense, refining and multiplying needs, transforms itself into skill and makes life various with a new six days’ work; comes Ignorance drunk on the seventh, with a firkin of oil and a match and an easy “Let there not be,” and the many-coloured creation is shriveled up in blackness. Of a truth, Knowledge is power, but it is a power reined by scruple, having a conscience of what must be and what may be; whereas Ignorance is a blind giant who, let him but wax unbound, would make it a sport to seize the pillars that hold up the long-wrought fabric of human good, and turn all the places of joy dark as a buried Babylon.
George Eliot (Daniel Deronda)
Then pointing to Edwin’s shoes, he said: “Those look skilfully crafted. Did you make them yourself?” “Master Baldwin made them for me. The most skilled shoemaker in the village,
Kazuo Ishiguro (The Buried Giant)
This country awakens so many memories, though each seems like some restless sparrow I know will flee any moment into the breeze.
Kazuo Ishiguro (The Buried Giant)
But they did eventually set off, with walking sticks and bundles on their backs, on a bright morning of wispy white clouds and a strong breeze.
Kazuo Ishiguro (The Buried Giant)
night, and besides, was ably helped by brave comrades.” “The comrades he speaks of,” Ivor said, “were too busy
Kazuo Ishiguro (The Buried Giant)
صلحی که بر پایه کشتار بناشده، چطور تا ابد دوام خواهد آورد؟
Kazuo Ishiguro (The Buried Giant)
When the hour’s too late for rescue, it’s still early enough for revenge
Kazuo Ishiguro (The Buried Giant)
What kind of god is it, sir, wishes wrongs to go forgotten and unpunished?
Kazuo Ishiguro (The Buried Giant)
Because Earth has been a dumping ground for so many creative souls, your world is one giant pot of creative talent, all buried and suppressed under political, patriarchal power.
James Carwin (Pleiadian Prophecy 2020: The New Golden Age)
for if we’re mortal let us at least shine handsomely in God’s eyes while we walk this earth! Like
Kazuo Ishiguro (The Buried Giant)
Your Christian god of mercy gives men licence to pursue their greed, their lust for land and blood, knowing a few prayers and a little penance will bring forgiveness and blessing.
Kazuo Ishiguro (The Buried Giant)
What advantage does it bring a man to be so tall? For every high-dangling pear I reached there's been an arrow threatened me would have flown over a smaller man!
Kazuo Ishiguro (The Buried Giant)
Where once we fought for land and God, we now fought to avenge fallen comrades, themselves slaughtered in vengeance. Where could it end? Babes growing to men knowing only days of war.
Kazuo Ishiguro (The Buried Giant)
The town itself had been swallowed, strangled, and buried. In a very real sense there was no Augustam and there were no more fat ladies, or pretty girls, or pompous men, or wet-crotched children waving puffy clouds of cotton candy. There was no bustling Italian man here to throw slices of watermelon. Only Crowd, a creature with no body, no head, no mind. Crowd was nothing but a Voice and an Eye, and it was not surprising that Crowd was both God and Mammon. Garraty felt it. He knew the others were feeling it. It was like walking between giants electrical pylons, feeling the tingles and shocks stand every hair on end, making the tongue jitter nuttily in the mouth, making the eyes seem to crackle and shoot of sparks as they rolled in their beds of moisture. Crowd was to be pleased. Crowd was to be worshiped and feared. Ultimately, Crowd was to be made sacrifice unto.
Richard Bachman (The Long Walk)
[...] An old burial ground. And so it may be. I dare say, sir, our whole country is this way. A fine green valley. A pleasant copse in the springtime. Dig its soil, and not far beneath the daisies and buttercups come the dead. And I don't talk, sir, only of those who received Christian burial. Beneath our soil lie the remains of old slaughter. Horace and I, we've grown weary of it. Weary and we no longer young.
Kazuo Ishiguro (The Buried Giant)
But such monsters were not cause for astonishment. People then would have regarded them as everyday hazards, and in those days there was so much else to worry about. How to get food out of the hard ground; how not to run out of firewood; how to stop the sickness that could kill a dozen pigs in a single day and produce green rashes on the cheeks of children.
Kazuo Ishiguro (The Buried Giant)
Boatman," she says. "There's a tale I once heard, perhaps as a small child. Of an island full of gentle woods and streams, yet also a place of strange qualities. Many cross to it, yet for each who dwells there, it's as if he walks the island alone...
Kazuo Ishiguro (The Buried Giant)
The problem,’ writes the archaeologist Þóra Pétursdóttir, ‘is not that things become buried deep in strata – but that they endure, outlive us, and come back at us with a force we didn’t realise they had . . . a dark force of “sleeping giants”’, roused from their deep time slumber. ‘Deep
Robert Macfarlane (Underland: A Deep Time Journey)
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
E.L. Doctorow (Ragtime)
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
Louise Erdrich (The Sentence)
What Axl and I feel today in our hearts for each other tells us the path taken here can hold no danger for us, no matter that the mist hides it now. It's like a tale with a happy end, when even a child knows not to fear the twists and turns before. Axl and I would remember our life together, whatever its shape, for it's been a thing dear to us.
Kazuo Ishiguro (The Buried Giant)
their points sharpened like giant pencils, completely
Kazuo Ishiguro (The Buried Giant)
Pero Dios sabrá valorar el lento discurrir del amor que una pareja de anciones siente el uno por el otro, y comprender que las negras sombras forman parte de su totalidad
Kazuo Ishiguro (The Buried Giant)
—Es descabellado, señor. ¿Cómo pueden cerrarse las viejas heridas mientras los gusanos siguen moviéndose con impunidad por ahí?
Kazuo Ishiguro (The Buried Giant)
The Giant, once buried, now stirs.
Kazuo Ishiguro (The Buried Giant)
The Giant, once well buried, now stirs.
Kazuo Ishiguro (The Buried Giant)
Never mind the red-haired woman, Axl. It’s what else we’re not remembering.
Kazuo Ishiguro (The Buried Giant)
the slow tread of an old couple’s love for each other, and understand how black shadows make part of its whole.
Kazuo Ishiguro (The Buried Giant)
—Me deleitaría si pudiese, honorable Axl, porque será una venganza justa. Pero me debilitan los años pasados entre vosotros, y por mucho que lo intente, una parte de mí da la espalda a las llamas del odio
Kazuo Ishiguro (The Buried Giant)
For I suppose there’s some would hear my words and think our love flawed and broken. But God will know the slow tread of an old couple’s love for each other, and understand how black shadows make part of its whole.
Kazuo Ishiguro (The Buried Giant)
In any case, ogres were not so bad provided one did not provoke them. One had to accept that every so often, perhaps following some obscure dispute in their ranks, a creature would come blundering into a village in a terrible rage, and despite shouts and brandishings of weapons, rampage about injuring anyone slow to move out of its path. Or that every so often, an ogre might carry off a child into the mist. The people of the day had to be philosophical about such outrages.
Kazuo Ishiguro (The Buried Giant)
And yet Arthur charged us at all times to spare the innocents caught in the clatter of war. More, sir, he commanded us to rescue and give sanctuary when we could to all women, children and elderly, be they Briton or Saxon. On such actions were bonds of trust built, even as battles raged.
Kazuo Ishiguro (The Buried Giant)
Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?
Nicole Krauss (The History of Love)
I do, Axl. But then again I wonder if what we feel in our hearts today isn’t like these raindrops still falling on us from the soaked leaves above, even though the sky itself long stopped raining. I’m wondering if without our memories, there’s nothing for it but for our love to fade and die.
Kazuo Ishiguro (The Buried Giant)
We are like dwarfs standing on the shoulders of giants; thanks to them, we see farther than they. Busying ourselves with the treatises written by the ancients, we take their choice thoughts, buried by age and human neglect, and we raise them, as it were from death to renewed life." -Peter of Blois (d. 1212).
Carter Lindberg (The European Reformations)
The connective tissue between large Texas cities is brown nothingness. Buildings sprout from the flat ground in the distance when you get close enough to a city, their tallest structures reaching up to the sky like the blocky dark fingers of some buried giant from an alien race, but before you get there, the only thing around you is dirt, a few weathered shrubs, and an endless blue sky that sometimes makes you think it’s close enough to shatter if you throw a big rock at it. It’s like whichever deity was in charge of the terrain just gave up and copied and pasted the same mile over and over again all the way along I-10.
Gabino Iglesias (The Devil Takes You Home)
Men may perish, but the world will neither celebrate nor mourn. It will go on.' His smile thinned. 'Would you like to know how?' 'No.' 'Animals will swell to fill the void left by men," he told her. 'And over-swell it, perhaps. There will be other extinctions and other recoveries. The sky will clear, but those who see it will not marvel at its many colors. Those ruins will collapse, burying treasures like this-' He waved at the walls. '-and this-' He picked up the spoon from her coffee tray and tossed it down again with a clatter. '-forever, but the world will go on. Years become centuries so easily when no one is there to count them. Centuries become millennia. The forests will reclaim the lands that Men have razed. Rivers will carve canyons across the scars left by this fallen cities. Mountains will rise up, trapping seas to dry under and uncaring sun and leaving the bones of whales to bleach in the newborn deserts for no one to find, no one to be inspired by thoughts of giants and dragons. And still the worlds will go on, and I will go on with it through ages that can only be measured by the coming and going of glaciers. The stars themselves will shift in the heavens and no one will be there to invent names for their new alignments or remember the stories of the old ones, no one but me. In time, the sun itself will begin to cool. Here on Earth, the world goes on and on as its remaining life passes through its last changes and dies away. It will be quiet. And lonely.' His mouth curved into a bitter line. 'But I'll live.' 'Stop it,' Lan whispered through numb lips. 'I read once that the sun will someday swell and engulf this world before it burns itself out. Perhaps I will finally die with it. Or perhaps I' will continue to endure... my ashes pulled eternally apart through the frozen vacuum of space, and I with no more mouth to scream... still alive.
R. Lee Smith (Land of the Beautiful Dead)
Whither thou goest I will go, and where thou lodgest I will lodge; thy people shall be my people, and thy God my God; where thou diest . . .’” She stopped, unable to speak for the constriction in her throat; then, after a moment, she swallowed hard and resumed. “ ‘Where thou diest will I die, and there will I be buried.
Ken Follett (Fall of Giants (The Century Trilogy #1))
When I read things like, “The foundations of capitalism are shattering,” I’m like, maybe we need some time where we’re walking around with a donkey with pots clanging on the sides. . . . ’Cause now we live in an amazing world, and it’s wasted on the crappiest generation of spoiled idiots. . . . Flying is the worst one, because people come back from flights, and they tell you their story. . . . They’re like, “It was the worst day of my life. . . . We get on the plane and they made us sit there on the runway for forty minutes.” . . . Oh really, then what happened next? Did you fly through the air, incredibly, like a bird? Did you soar into the clouds, impossibly? Did you partake in the miracle of human flight, and then land softly on giant tires that you couldn’t even conceive how they fuckin’ put air in them? . . . You’re sitting in a chair in the sky. You’re like a Greek myth right now! . . . People say there’s delays? . . . Air travel’s too slow? New York to California in five hours. That used to take thirty years! And a bunch of you would die on the way there, and you’d get shot in the neck with an arrow, and the other passengers would just bury you and put a stick there with your hat on it and keep walking. . . . The Wright Brothers would kick us all in the [crotch] if they knew.1
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
The giant, once buried, now stirs. When soon he rises, as surely he will, the friendly bonds between us will prove as knots young girls make with the stems of small flowers. Men will burn their neighbours' houses by night. Hang children fro trees at dawn. The rivers will stink with corpses bloated from their days of voyaging. And even as they move on, our armies will grow larger, swollen by anger and thirst for vengeance. For you Britons, it'll be as a ball of fire rolls towards you. You'll flee or perish. And country by country, this will become a new land, a Saxon land, with no more trace of your people's time here than a flock or two of sheep wandering the hills untended.
Kazuo Ishiguro (The Buried Giant)
What about this, then?” The metal surface rippled at his touch, stretching and splitting into a million thin wires that made it look like a giant version of one of those pin art toys Sophie used to play with as a kid. He tapped his fingers in a quick rhythm, and the pins shifted and sank, forming highs and lows and smooth, flat stretches. Sophie couldn’t figure out what she was seeing until he tapped a few additional beats and tiny pricks of light flared at the ends of each wire, bathing the scene in vibrant colors and marking everything with glowing labels. “It’s a map,” she murmured, making a slow circle around the table. And not just any map. A 3-D map of the Lost Cities. She’d never seen her world like that before, with everything spread out across the planet in relation to everything else. Eternalia, the elvin capital that had likely inspired the human myths of Shangri-la, was much closer to the Sanctuary than she’d realized, nestled into one of the valleys of the Himalayas—while the special animal preserve was hidden inside the hollowed-out mountains. Atlantis was deep under the Mediterranean Sea, just like the human legends described, and it looked like Mysterium was somewhere in the Bermuda Triangle. The Gateway to Exile was in the middle of the Sahara desert—though the prison itself was buried in the center of the earth. And Lumenaria… “Wait. Is Lumenaria one of the Channel Islands?” she asked, trying to compare what she was seeing against the maps she’d memorized in her human geography classes. “Yes and no. It’s technically part of the same archipelago. But we’ve kept that particular island hidden, so humans have no idea it exists—well, beyond the convoluted stories we’ve occasionally leaked to cause confusion.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
the wisdom to tame dragons. It’s my king’s fear Lord Brennus means to capture Querig to fight in the ranks of his army. This she-dragon would make a fierce soldier indeed, and Brennus would then rightly harbour ambition. It’s for this I’m sent to destroy the dragon before her savagery turns on all who oppose Lord Brennus. Sir Gawain, you look aghast, but I speak sincerely.
Kazuo Ishiguro (The Buried Giant)
Hubris you say, brother? Please, tell us the nature of the prince's actions against you. Let everyone know exactly how Prince Styxx offended you." Bethany Disguised as Athena "He has held himself up as a god. His arrogance and pride are an affront to us all." Apollo "Held himself up as a god? Pray tell, when was this? .... Ah, yes, I remember... It was when he dared to slay your Atlantean grandson during battle. Is that not right, brother? I'm sure, like me, you remember that day well. The Atlanteans, led to our shores by your own blood kin, were slaughtering hundreds of Greeks until the beach sands turned red from good Greek blood. The onslaught was so fierce that entire veteran regiments fled from the Atlanteans and cowered. Even the brave, noble Dorians pulled back in fear. But not Prince Styxx. He rode in like a lion and jumped from his horse to save the life of a young shield-bearer who was about to be killed by one of the Atlantean giants." Bethany/Athena Bethany swept her gaze around the people there, who were completely silent now. "And with reckless disregard for his own life and limb, this prince picked the boy up and put him on the back of his royal steed and told him to ride to safety. He spent the rest of the day fighting on foot. Not as a prince or a god, but as a mere, heroic Greek soldier." She turned back to Apollo. "His actions so enraged the Atlantean gods that they turned all of their animosity toward him. And still Prince Styxx fought on for his people, wounded, bloody, and tired. He never backed off or backed down. Not even when your own grandson almost buried his axe through the prince's skull. He hit Styxx's hoplon so hard, it splintered a portion of it off. And as Xan held the prince down, the prince, who was barely more than a child, managed to stab him through the ribs. But now that I think about it, you don't remember that day, do you, Apollo? You weren't even there when it was fought, but later that very night-
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
The castle is situated at the terminus of a long and upward-winding mountain road. It presents a somewhat forbidding aspect to the world, for there is little about it to suggest gaiety or warmth or any of those qualities that might assure a wayfarer of welcome. Rather, this vast edifice of stone exudes an austerity, cold and repellent, a hint of ancient mysteries long buried, an effluvium of medieval dankness and decay. At night, and most particularly on nights when the moon is slim or cloud-enshrouded, it is a heavy blot upon the horizon, a shadow only, without feature save for its many-turreted outline; and should the moon be temporarily released from her cloudy confinement, her fugitive rays lend scant comfort, for they but serve to throw the castle into sudden, startling chiaroscuro, its windows fleetingly assuming the appearance of sightless though all-seeing orbs, its portcullis becoming for an instant a gaping mouth, its entire form striking the physical and the mental eye as would the sight of a giant skull.
Ray Russell (Haunted Castles: The Complete Gothic Stories (Penguin Horror))
We need not quarrel, Master Axl. Here are the skulls of men, I won't deny it. There an arm, there a leg, but just bones now. An old burial ground. And so it may be. I dare say, sir, our whole country is this way. A fine green valley. A pleasant copse in the springtime. Dig its soil, and not far beneath the daisies and buttercups come the dead. And I don't talk, sir, only of those who received Christian burial. Beneath our soil lie the remains of old slaughter. Horace and I, we've grown weary of it. Weary and we no longer young" (171)
Kazuo Ishiguro (The Buried Giant)
Men är ni säker, bästa fru, att ni vill bli fri från denna dimma? Är det inte bättre att vissa saker förblir dolda för oss?" "Så är det kanske för vissa, fader, men inte för oss. Axl och jag vill återuppleva de lyckliga stunder vi delat. Att bli berövad dem känns som om en tjuv kom in om natten och tog våra högst skattade ägodelar". "Men dimman lägger sig över alla minnen, de dåliga såväl som de goda. Är det inte så, min fru?" "Vi får låta de dåliga komma tillbaka också, även om det får oss att gråta eller darra av vrede. För är det inte livet vi delat?" (s. 165).
Kazuo Ishiguro (The Buried Giant)
Many people have a moment, after they have kids, when they begin to understand and empathize with their own parents, when suddenly all the difficult moments make sense. The discipline was all about keeping you safe, about teaching you life lessons. I saw those terrible years that had culminated in my packing up the blue and maroon Samsonite and leaving my parents’ house as newly galling. An aberration. How could they send me out into the world? How could they have done what they did? I had spent years apologizing for my behavior to my parents. I lamented the trouble I had caused, the revolt I stirred. I had been a terrible child, I admitted. The drugs, the rebellion, the sneaking out, the violence. Over and over I had apologized and taken what I believed to be my share of the blame. But when I became a parent myself, I understood, finally, the source of my anger. They themselves had never apologized. Not really. On the few occasions over the years when I suggested that they had kicked us out, they always maintained that we had moved out of our own accord after refusing to follow the rules. I didn’t challenge this framing until I gave birth to my own daughter. There, in my hospital bed at Samitivej, holding my newborn baby with her giant blue eyes and her punk-rock hair, I thought, “No. You were the adults. I was the child. Fuck you.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)
—Simplemente eso, pricesa. Si Querig muere de verdad y la niebla empieza a disiparse. Si vuelven los recuerdos y entre ellos las ocasiones en que te decepcioné. O los actos turbios que yo haya podido cometer y que hayan provocado que al mirarme ya no vieses al hombre que ves ahora. Prométeme al menos eso. Prométeme, princesa, que no olvidará lo que en este momento sientes por mí en tu corazón. Porque, ¿qué sentido tiene que vuelvan los recuerdos hurtados por la niebla si es sólo para alejarnos el uno del otro?, ¿Me lo prometes, princesa? Prométeme guardar para siempre en tu corazónlo que sientes por mí en este momento, sea lo que sea lo que recuerdes cuando la niebla se disipe.
Kazuo Ishiguro (The Buried Giant)
Senseless people name evil good, call good evil. As you are doing. You accuse Us of passing false judgement: you do Us injustice. We shall prove this to you. You ask who We are: We are God’s handle, Master Death, a truly effective reaper. Our scythe works its way. It cuts down white, black, red, brown, green, blue, grey, yellow, and all kinds of lustrous flowers in its path, irrespective of their splendour, their strength, their virtue. And the violet’s beautiful colour, rich perfume, and palatable sap, avail it nought. See: that is justice. Our justification was acknowledged by the Romans and the poets, for they knew Us better than you do. You ask what We are: We are nothing, and yet something. Nothing, because We have neither life, nor being, nor form, and We are no spirit, not visible, not tangible; something, because We are the end of life, the end of existence, the beginning of nullity, a cross between the two. We are a happening that fells all people. Huge giants must fall before Us; all living beings must be transformed by Us. You ask where We are: We are not ascertainable. But Our form was found in a temple in Rome*, painted on a wall, as a hoodwinked man sitting on an ox; this man wielded a hatchet in his right hand and a shovel in his left hand, with which he was beating the ox. A great crowd of all kinds of people was hitting him, fighting him, and making casts at him, each one with the tools of his trade: even the nun with her psalter was there. They struck and made casts at the man on the ox, he who signified Us; yet Death contested and buried them all. Pythagoras likens Us to a man’s form with the eyes of a basilisk: they wandered to the ends of the Earth, and every living creature had to die at their glance. You ask where We are: We are from the Earthly Paradise. God created Us there and gave Us Our true name, when he said: «The day that ye bite of this fruit, ye shall die the death.» And for that reason We call ourself: «We, Death, mighty ruler and master on Earth, in the air, and in the rivers of the sea.» You ask what good We do: you have already heard that We bring the world more advantage than harm. Now cease, rest content, and thank Us for the kindness we have done you!
Johannes von Saaz (Death and the Ploughman)
There were two brothers and a sister. And they had heard from the sky, or from the winds, that Jesus Christ had been born and had grown to manhood. There were portents and dreams that told them about him. Finally the two brothers started for Jerusalem, leaving their sister at home in this place. And they arrived on the day of the crucifixion, so they only saw him dead. And these two brothers from this pass in the Georgian mountains were heartbroken, and they begged a piece of the body-cloth of Jesus, and they brought it home to their sister. She was grief-stricken by the crucifixion, and she clutched the cloth, and fell sick and died of sorrow, and her dead hand held the cloth against her heart. Then the brothers tried to release the cloth, but her hand held firm and they could not get it away from her. And so she was buried with the cloth still held in her hand. She was buried right in this place where the church now stands. And almost immediately a plant grew out of the grave and became a giant tree. After a number of years it was desired to build a church in this place to commemorate the event. And woodsmen came and tried to cut the tree, but their axes flew to pieces against its trunk. Everyone tried to cut the tree, and they couldn't make a dent in it. Finally two angels came and cut the tree, and the church was built over the spot. The dark woman pointed to a curious tent-like structure of clay inside the church, and this is where the grave was, she said, and this is where the tree stood. And under the clay tent undoubtedly was the body of the holy woman, still clutching the piece of the cloth that had been worn by Jesus.
John Steinbeck (A Russian Journal)
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
Excellent,” he said. “Really excellent. Right . . . I’m going down to Hagrid’s.” “What?” said Ron and Hermione together, looking aghast. “No, Harry — you’ve got to go and see Slughorn, remember?” said Hermione. “No,” said Harry confidently. “I’m going to Hagrid’s, I’ve got a good feeling about going to Hagrid’s.” “You’ve got a good feeling about burying a giant spider?” asked Ron, looking stunned. “Yeah,” said Harry, pulling his Invisibility Cloak out of his bag. “I feel like it’s the place to be tonight, you know what I mean?” “No,” said Ron and Hermione together, both looking positively alarmed now. “This is Felix Felicis, I suppose?” said Hermione anxiously, holding up the bottle to the light. “You haven’t got another little bottle full of — I don’t know —” “Essence of Insanity?” suggested Ron, as Harry swung his Cloak over his shoulders. Harry laughed, and Ron and Hermione looked even more alarmed. “Trust me,” he said. “I know what I’m doing . . . or at least” — he strolled confidently to the door — “Felix does.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter #6))
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
It is a common sentence that Knowledge is power, but who hath duly considered or set forth the power of Ignorance? Knowledge slowly builds up what Ignorance in an hour pulls down. Knowledge, through patient and frugal centuries, enlarges discovery and makes record of it; Ignorance, wanting its day's dinner, lights a fire with the record, and gives a flavour to its one roast with the burnt souls of many generations. Knowledge, instructing the sense, refining and multiplying needs, transforms itself into skill and makes life various with a new six days' work; comes Ignorance drunk on the seventh, with a firkin of oil and a match and an easy 'Let there not be' - and the many-coloured creation is shrivelled up in blackness. Of a truth, Knowledge is power, but it is a power reined by scruple, having a conscience of what must be and what may be; whereas Ignorance is a blind giant who, let him by wax unbound, would make it a sport to seize the pillars that hold up the long-wrought fabric of human good, and turn all the places of joy dark as a buried Babylon. And looking at life parcel-wise, in the growth of a single lot, who having a practiced vision may not see that Ignorance of the true bond between events, and false conceit of means whereby sequences may be compelled - like that falsity of eyesight which overlooks the gradations of distance, seeing that which is afar off as if it were within a step or a grasp - precipitates the mistaken soul on destruction?
George Eliot (Daniel Deronda)
Lava is best. It’d certainly help in this situation. WAIT, I HAVE SOME IN MY BACKPACK!” “NOOOO!” we all cried out. But of course, it was too late. The Head Admin emptied the bucket as we ran, and although it did a fantastic job in cooking the giant zombie, it also did a fantastic job in setting fire to the forest around us. “YOU DOLT!” I screamed, as we accelerated our speed, “DO YOU REALIZE WHAT YOU’VE DONE!?” “ALL HAIL THE LAVA GODS!” I’m starting to think he may have hit his head on the way down here. To prevent any further incidents, I grabbed a roll of duct tape and buried him in the stuff. “HAVE MERCY!” With the Head Admin unable to inflict any more trouble, I threw him over my shoulder and ran with the others to safety. And whilst I can’t say I enjoy fleeing for my life, being chased by boiling flames, I will say it did look quite pretty. Oh, and as a plus, it took out all the evil creatures following us. I guess that’s a bonus. “The lava gods are pleased,” the Head Admin grinned, before I stuck duct tape over his mouth as well. That would keep him quiet, I hoped to myself. “OVER THERE!” Dinnerbone shouted, pointing forward to what looked like a mountain. “IT’S A MOUNTAIN!” Charles cried. “A BEAUTIFUL MOUNTAIN!” Dr. Boom looked like he was going to cry out of happiness, “WE’RE SAVED!” “MMMMPHPHPHPHPH!” I could only assume the Head Admin was glad as well. I later found out he had a fear of mountains, and was begging to be left to the lava instead. Oh well.
Minecrafters (Minecraft: Diary of a Minecraft Explorer - A New Adventure "PART 1" (Unofficial Minecraft Books. 30 BONUSES INCLUDED!))
refuge imagine how it feels to be chased out of home. to have your grip ripped. loosened from your fingertips, something you so dearly held on to. like a lover’s hand that slips when pulled away you are always reaching. my father would speak of home. reaching. speaking of familiar faces. girl next door who would eventually grow up to be my mother. the fruit seller at the market. the lonely man at the top of the road who nobody spoke to. and our house at the bottom of the street lit up by a single flickering lamp where beyond was only darkness. there they would sit and tell stories of monsters that lurked and came only at night to catch the children who sat and listened to stories of monsters that lurked. this is how they lived. each memory buried. an artefact left to be discovered by archaeologists. the last words on a dying family member’s lips. this was sacred. not even monsters could taint it. but there were monsters that came during the day. monsters that tore families apart with their giant hands. and fingers that slept on triggers. the sound of gunshots ripping through the sky became familiar like the tapping of rain fall on a window sill. monsters that would kill and hide behind speeches, suits and ties. monsters that would chase families away forcing them to leave everything behind. i remember when we first stepped off the plane. everything was foreign. unfamiliar. uninviting. even the air in my lungs left me short of breath. we came here to find refuge. they called us refugees so, we hid ourselves in their language until we sounded just like them. changed the way we dressed to look just like them. made this our home until we lived just like them and began to speak of familiar faces. girl next door who would grow up to be a mother. the fruit seller at the market. the lonely man at the top of the road who nobody spoke to. and our house at the bottom of the street lit up by a flickering lamp to keep away the darkness. there we would sit and watch police that lurked and came only at night to arrest the youths who sat and watched police that lurked and came only at night. this is how we lived. i remember one day i heard them say to me they come here to take our jobs they need to go back to where they came from not knowing that i was one of the ones who came. i told them that a refugee is simply someone who is trying to make a home. so next time when you go home tuck your children in and kiss your families goodnight, be glad that the monsters never came for you. in their suits and ties. never came for you. in the newspapers with the media lies. never came for you. that you are not despised. and know that deep inside the hearts of each and every one of us we are all always reaching for a place that we can call home.
J.J. Bola (REFUGE: The Collected Poetry of JJ Bola)
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
Adam M. Grant (Originals: How Non-Conformists Move the World)