Robe Money Quotes

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The Calormens have dark faces and long beards. They wear flowing robes and orange-colored turbans, and they are a wise, wealthy, courteous, cruel and ancient people. They bowed most politely to Caspian and paid him long compliments all about the fountains of prosperity irrigating the gardens of prudence and virtue --and things like that-- but of course what they wanted was the money they had paid.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
The Death of Allegory I am wondering what became of all those tall abstractions that used to pose, robed and statuesque, in paintings and parade about on the pages of the Renaissance displaying their capital letters like license plates. Truth cantering on a powerful horse, Chastity, eyes downcast, fluttering with veils. Each one was marble come to life, a thought in a coat, Courtesy bowing with one hand always extended, Villainy sharpening an instrument behind a wall, Reason with her crown and Constancy alert behind a helm. They are all retired now, consigned to a Florida for tropes. Justice is there standing by an open refrigerator. Valor lies in bed listening to the rain. Even Death has nothing to do but mend his cloak and hood, and all their props are locked away in a warehouse, hourglasses, globes, blindfolds and shackles. Even if you called them back, there are no places left for them to go, no Garden of Mirth or Bower of Bliss. The Valley of Forgiveness is lined with condominiums and chain saws are howling in the Forest of Despair. Here on the table near the window is a vase of peonies and next to it black binoculars and a money clip, exactly the kind of thing we now prefer, objects that sit quietly on a line in lower case, themselves and nothing more, a wheelbarrow, an empty mailbox, a razor blade resting in a glass ashtray. As for the others, the great ideas on horseback and the long-haired virtues in embroidered gowns, it looks as though they have traveled down that road you see on the final page of storybooks, the one that winds up a green hillside and disappears into an unseen valley where everyone must be fast asleep.
Billy Collins
The robe open just enough for me to see his beautiful saggy chest. A chest that would give Betty White a run for her money.
Elijah Daniel (Trump Temptations: The Billionaire & The Bellboy)
Here one comes upon an all-important English trait: the respect for constituitionalism and legality, the belief in 'the law' as something above the state and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible. It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like 'They can't run me in; I haven't done anything wrong', or 'They can't do that; it's against the law', are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney's Walls Have Mouths or Jim Phelan's Jail Journey, in the solemn idiocies that take places at the trials of conscientious objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a 'miscarriage of British justice'. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory. An illusion can become a half-truth, a mask can alter the expression of a face. The familiar arguments to the effect that democracy is 'just the same as' or 'just as bad as' totalitarianism never take account of this fact. All such arguments boil down to saying that half a loaf is the same as no bread. In England such concepts as justice, liberty and objective truth are still believed in. They may be illusions, but they are powerful illusions. The belief in them influences conduct,national life is different because of them. In proof of which, look about you. Where are the rubber truncheons, where is the caster oil? The sword is still in the scabbard, and while it stays corruption cannot go beyond a certain point. The English electoral system, for instance, is an all but open fraud. In a dozen obvious ways it is gerrymandered in the interest of the moneyed class. But until some deep change has occurred in the public mind, it cannot become completely corrupt. You do not arrive at the polling booth to find men with revolvers telling you which way to vote, nor are the votes miscounted, nor is there any direct bribery. Even hypocrisy is powerful safeguard. The hanging judge, that evil old man in scarlet robe and horse-hair wig,whom nothing short of dynamite will ever teach what century he is living in, but who will at any rate interpret the law according to the books and will in no circumstances take a money bribe,is one of the symbolic figures of England. He is a symbol of the strange mixture of reality and illusion, democracy and privilege, humbug and decency, the subtle network of compromises, by which the nation keeps itself in its familiar shape.
George Orwell (Why I Write)
I walked her to her door and said good night, while Romeo waited. "I'll see you in the morning," I said, 'when the barking dogs arouse the sleeping tepee village and the smell of roasting coyote is in the air." "My sisters will prepare me," she said. "I shall come to your wickiup in my white doeskin dress and lose my innocence on your buffalo robe." "I will give you little ornaments to put in your hair, black as the crow's wing. I will give you red flannel and a looking-glass so that you may groom yourself." "I'd also like to have a little spending money and a charge account at Wormser's," she said. "Good night, Maiden Who Walks Like a Duck." "Good night, Warrior Who Chickens Out at the Least Sign of Trouble.
Richard Bradford (Red Sky at Morning)
I got my boots out of the closet, put them on, and buckled a belt with a knife on it around my waist under my robe. Baha-char was the place where you went to find things. Sometimes things found you instead and tried to take your money.
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
But the superheroes showed me how to overcome the Bomb. Superhero stories woke me up to my own potential. They gave me the basis of a code of ethics I still live by. They inspired my creativity, brought me money, and made it possible for me to turn doing what I loved into a career. They helped me grasp and understand the geometry of higher dimensions and alerted me to the fact that everything is real, especially our fictions. By offering role models whose heroism and transcendent qualities would once have been haloed and clothed in floaty robes, they nurtured in me a sense of the cosmic and ineffable that the turgid, dogmatically stupid "dad" religions could never match. I had no need for faith. My gods were real, made of paper and light, and they rolled up into my pocket like a superstring dimension.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
Let your mistress’s birthday be one of great terror to you: that’s a black day when anything has to be given. However much you avoid it, she’ll still win: it’s a woman’s skill, to strip wealth from an ardent lover. A loose-robed pedlar comes to your lady: she likes to buy: and explains his prices while you’re sitting there. She’ll ask you to look, because you know what to look for: then kiss you: then ask you to buy her something there. She swears that she’ll be happy with it, for years, but she needs it now, now the price is right. If you say you haven’t the money in the house, she’ll ask for a note of hand – and you’re sorry you learnt to write. Why - she asks doesn’t she for money as if it’s her birthday, just for the cake, and how often it is her birthday, if she’s in need? Why - she weeps doesn’t she, mournfully, for a sham loss, that imaginary gem that fell from her pierced ear? They many times ask for gifts, they never give in return: you lose, and you’ll get no thanks for your loss. And ten mouths with as many tongues wouldn’t be enough for me to describe the wicked tricks of whores.
Ovid (The Art of Love)
You don’t need money to be generous. You don’t need education to be wise. You don’t need fame to be important. You don’t need charisma to be influential. You don’t need titles to be honorable. You don’t need awards to be special. You don’t need medals to be extraordinary. You don’t need consent to be yourself. You don’t need approval to be unique. You don’t need a license to be creative. You don’t need authorization to dream. You don’t need acceptance to be gifted. You don’t need youth to be a champion. You don’t need old age to be a hero. You need skill, not temper, to be a warrior. You need love, not rage, to be an activist. You need compassion, not robes, to be a priest. You need confidence, not ego, to be a politician. You need integrity, not charm, to be a leader. You need wisdom, not theories, to be a master. You need character, not size, to be a champion.
Matshona Dhliwayo
O, ho, are you there with me? No eyes in your head, nor no money in your purse? Your eyes are in a heavy case, your purse in a light: yet you see how this world goes. Ear; of Gloster, “I see it feelingly.” Lear, “What, art mad? A man may see how this world goes with no eyes. Look with thine ears: see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and handy-dandy, which is the justice, which is the thief? - Thou hast seen a farmer’s dog bark at a begger? Earl of Gloster, ‘Ay, sir. Lear, “And the creature run from the cur? There thou mightst behold the great image of authority: a dog’s obey’d in office. - Thou rascal beadle, hold thy bloody hand! Why dost though lash that whore? Strip thine own back; Thou hotly lusts to use her in that kind For which thou whipst her. The usurer hangs the cozener. Through tattere’d clothes small vices to appear; Robes and furr’d gowns hide all. Plate sin with gold, And the strong lance of justice hurtless breaks; Arm it in rags, a pygmy’s straw does pierce it. None does offend, none, - I say, none; I’ll able ‘em to seal the accuser’s lips. Get thee glass eyes; To see the things thou dost not. - Now, now, now, now: Pull off my boots: - harder, harder: - so. Edgar (aside), “O, matter and impertinency mixt! Reason in madness!
William Shakespeare
Well, they’re okay!” said Ron angrily, looking at Harry’s robes. “Why couldn’t I have some like that?” “Because … well, I had to get yours secondhand, and there wasn’t a lot of choice!” said Mrs. Weasley, flushing. Harry looked away. He would willingly have split all the money in his Gringotts vault with the Weasleys, but he knew they would never take it. “I’m never wearing them,” Ron was saying stubbornly. “Never.” “Fine,” snapped Mrs. Weasley. “Go naked. And, Harry, make sure you get a picture of him. Goodness knows I could do with a laugh.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
He told me that a maester’s collar is made of chain to remind him that he is sworn to serve,” Jon said, remembering. “I asked why each link was a different metal. A silver chain would look much finer with his grey robes, I said. Maester Luwin laughed. A maester forges his chain with study, he told me. The different metals are each a different kind of learning, gold for the study of money and accounts, silver for healing, iron for warcraft. And he said there were other meanings as well. The collar is supposed to remind a maester of the realm he serves, isn’t that so? Lords are gold and knights steel, but two links can’t make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Heidi began to read of the son when he was happily at home, and went out into the fields with his father's flocks, and was dressed in a fine cloak, and stood leaning on his shepherd's staff watching as the sun went down, just as he was to be seen in the picture. But then all at once he wanted to have his own goods and money and to be his own master, and so he asked his father to give him his portion, and he left his home and went and wasted all his substance. And when he had nothing left he hired himself out to a master who had no flocks and fields like his father, but only swine to keep; and so he was obliged to watch these, and he only had rags to wear and a few husks to eat such as the swine fed upon. And then he thought of his old happy life at home and of how kindly his father had treated him and how ungrateful he had been, and he wept for sorrow and longing. And he thought to himself, "I will arise and go to my father, and will say to him, 'Father, I am not worthy to be called thy son; make me as one of thy hired servants.' " And when he was yet a great way off his father saw him . . . Here Heidi paused in her reading. "What do you think happens now, grandfather?" she said. "Do you think the father is still angry and will say to him, 'I told you so!' Well, listen now to what comes next." His father saw him, and had compassion, and ran, and fell on his neck and kissed him. And the son said to him, "Father, I have sinned against heaven and in thy sight, and am no more worthy to be called thy son." But the father said to his servants, "Bring forth the best robe, and put it on him; and put a ring on his hand and shoes on his feet: and bring hither the fatted calf and kill it; and let us eat and be merry, for this my son was dead and is alive again; he was lost and is found. And they began to be merry." "Isn't that a beautiful tale, grandfather," said Heidi, as the latter continued to sit without speaking, for she had expected him to express pleasure and astonishment.
Johanna Spyri (Heidi)
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
Paul Torday (Salmon Fishing in the Yemen)
Sebastian nodded his way. “This is Hadrian … er, Hadrian…” He snapped his fingers and looked for help. “Blackwater.” He extended his hand and shook with each. “And where do you hail from, Hadrian?” Eugene asked. “Nowhere really.” “A man with no home?” Samuel’s voice was nasal and a bit suspicious. Hadrian imagined him the type of man to count money handed him by a priest. “What do you mean?” Eugene asked. “He came off the boat from Calis. We talked about it just last night.” “Don’t be a fool, Eugene,” Sebastian said. “Do you think Calians have sandy hair and blue eyes? Calians are swarthy brutes and clever beyond measure. Never trust one, any of you.” “What were you doing in Calis, then?” Eugene’s tone was inquisitorial and spiteful, as if Hadrian had been the one to declare him foolish. “Working.” “Making his fortune, I suspect,” Sebastian said, motioning toward Hadrian. “The man wears a heavy purse. You should be half as successful, Eugene.” “All Calian copper dins, I’ll wager.” Eugene sustained his bitter tone. “If not, he’d have a fine wool robe like us.” “He wears a fine steel sword, two of them in fact. So you might consider your words more carefully,” Sebastian said. “Three,” Samuel added. “He keeps another in his cabin. A big one.” “There you have it, Eugene. The man spends all his coin on steel, but by all means go right on insulting him. I’m certain Samuel and I can manage just fine without you.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Church is important to most folks in the South. So the most important thing going is basically ruled by men as decreed by the Big Man himself. Not only that, but the church puts pressures on women that it does not put on men. Young women are expected to be chaste, moral, and pure, whereas young men are given way more leeway, ’cause, ya know, boys will be boys. Girls are expected to marry young and have kids, be a helpmate to their husbands (who are basically like having another child), and, of course, raise perfect little Christian babies to make this world a better place. So while it’s the preacher man who controls the church, it’s the women—those helpmates—who keep that shit going. They keep the pews tidy and wash the windows; type up the bulletins; volunteer for Sunday school, the nursery, youth group, and Vacation Bible School; fry the chicken for the postchurch dinners; organize the monthly potluck dinners, the spaghetti supper to raise money for a new roof, and the church fund drive; plant flowers in the front of the church, make food for sick parishioners, serve food after funerals, put together the Christmas pageant, get Easter lilies for Easter, wash the choir robes, organize the church trip, bake cookies for the bake sale to fund the church trip, pray unceasingly for their husband and their pastor and their kids and never complain, and then make sure their skirts are ironed for Sunday mornin’ service. All this while in most churches not being allowed to speak with any authority on the direction or doctrine of the church. No, no, ladies, the heavy lifting—thinkin’ up shit to say, standing up at the lectern telling people what to do, counting the money—that ain’t for yuns. So sorry.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
Oh, sure, they all went through the motions. For almost two weeks, they paraded out witnesses and experts and walked us through a chain of custody and exhibits A to Z, all of which I guess gave legitimacy to what was already a foregone conclusion. I was guilty. Hell, as far as the police and the prosecutor and the judge and even my own defense attorney were concerned, I was born guilty. Black, poor, without a father most of my life, one of ten children—it was actually pretty amazing I had made it to the age of twenty-nine without a noose around my neck. But justice is a funny thing, and in Alabama, justice isn't blind. She knows the color of your skin, your education level, and how much money you have in the bank. I may not have had any money, but I had enough education to understand exactly how justice was working in this trial and exactly how it was going to turn out. The good old boys had traded in their white robes for black robes, but it was still a lynching.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
You can't walk on the yellow brick road without having your red shoes on. The color represents what I've been forgiven of and what I'm washed in but keeps my robe white as snow. See it started in '13 and I would call it a well-knitted finding of marketing and money handling, pass-porting through the port as I ass through the deceit that creates defeat, a price tag on each heartbeat. But I desire to be different for my desiring in life is in contrast to the cattle of life.
Jose R. Coronado (The Land Flowing With Milk And Honey)
While visiting Mali’s capital, Ibn Battuta was received by the king, who was at that time Mansa Musa’s son. Ibn Battuta was offended by the king’s lack of generosity. The traveler complained that the king was miserly and instead of giving him “robes of honor and money,” he offered Ibn Battuta … three cakes of bread, a piece of beef fried in native oil, and a calabash of sour curds.
Patricia C. McKissack (The Royal Kingdoms of Ghana, Mali, and Songhay: Life in Medieval Africa)
laughter; Crabbe and Goyle guffawed stupidly. ‘So … going to enter, Weasley? Going to try and bring a bit of glory to the family name? There’s money involved as well, you know … you’d be able to afford some decent robes if you won …’ ‘What are you talking about?’ snapped Ron. ‘Are you going to enter?’ Malfoy repeated. ‘I suppose you will, Potter? You never
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Here one comes upon an all-important English trait: the respect for constitutionalism and legality, the belief in 'the law' as something above the State and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible. It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes it for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. […] The totalitarian idea that there is no such thing as law, there is only power, has never taken root. […] An illusion can become a half-truth, a mask can alter the expression of a face. […] Even hypocrisy is a powerful safeguard. The hanging judge, that evil old man in scarlet robe and horse-hair wig, whom nothing short of dynamite will ever teach what century he is living in, but who will at any rate interpret the law according to the books and will in no circumstances take a money bribe, is one of the symbolic figures of England. He is a symbol of the strange mixture of reality and illusion, democracy and privilege, humbug and decency, the subtle network of the subtle network of compromises, by which the nation keeps itself in its familiar shape.
George Orwell (The Lion and the Unicorn: Socialism and the English Genius)
Horrible — well, not all of them. My aunt and uncle and cousin are, though. Wish I’d had three wizard brothers.” “Five,” said Ron. For some reason, he was looking gloomy. “I’m the sixth in our family to go to Hogwarts. You could say I’ve got a lot to live up to. Bill and Charlie have already left — Bill was head boy and Charlie was captain of Quidditch. Now Percy’s a prefect. Fred and George mess around a lot, but they still get really good marks and everyone thinks they’re really funny. Everyone expects me to do as well as the others, but if I do, it’s no big deal, because they did it first. You never get anything new, either, with five brothers. I’ve got Bill’s old robes, Charlie’s old wand, and Percy’s old rat.” Ron reached inside his jacket and pulled out a fat gray rat, which was asleep. “His name’s Scabbers and he’s useless, he hardly ever wakes up. Percy got an owl from my dad for being made a prefect, but they couldn’t aff — I mean, I got Scabbers instead.” Ron’s ears went pink. He seemed to think he’d said too much, because he went back to staring out of the window. Harry didn’t think there was anything wrong with not being able to afford an owl. After all, he’d never had any money in his life until a month ago, and he told Ron so, all about having to wear Dudley’s old clothes and never getting proper birthday presents. This seemed to cheer Ron up.
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
Diderot Effect Around 250 Years ago, the French philosopher Denis Diderot was quite well-known but despite his popularity, he was poor. His daughter was planning on getting married but he didn’t have the money to give her a dowry. When Catherine the Great, Empress of Russia, heard about his predicament, she offered to buy the Diderot library. Suddenly, the philosopher found himself with a lot of money. He replaced his old robe with a new scarlet robe. Although he loved the robe, he realized that the other things he owned weren’t as beautiful. His shoes didn’t match the beauty of the robe and, in a short time, he bought new leather shoes, a wooden desk to write, a golden clock, and many works of art. All these expenses eventually led to him ending up in debt. This kind of behavior is now known as the Diderot Effect.
Library Mindset (The Art of Laziness: Overcome Procrastination & Improve Your Productivity)
With the safety of his family secured, Marshal’s mind turned to the well-being of his knights. He had spent the first forty years of his own life in service, and cherished the intimate bonds of friendship and trust forged with the members of his own mesnie. Most of William’s closest retainers had already been well rewarded with lands and offices, but the obligation to provide for his warriors remained a pressing concern. In these final weeks, one of Marshal’s clerks suggested that the store of eighty fine, fur-trimmed scarlet robes held in the manor house might be sold off. He apparently told the earl that the money raised could be used ‘to deliver you from your sins’, but William was appalled by this suggestion. ‘Hold your tongue you wretch,’ he reputedly countered, ‘I have had enough of your advice.’ Marshal’s firmly held view was that these robes should be distributed to his men, as a last token of his duty to provide for their needs, and he bid John of Earley to commend him to all the household knights to whom he had been unable to speak in person. Beyond the inner circle of his family, the mesnie had been the cradle of William’s life – a priceless sanctuary – and it remained so to the very end.
Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
These windows were dedicated to the patron saints of the guilds and often showed the donors at work: furriers displaying a fur robe, money-changers testing their coin, butchers killing oxen. Even the common laborers, who somehow managed to pool their meager resources, donated a window, which was dedicated to Adam, “who first dug the earth by the sweat of his brow.”5
Peter Turchin (Ultrasociety: How 10,000 Years of War Made Humans the Greatest Cooperators on Earth)
As their uncle, Earl Spencer, says their characters are very different from the public image. “The press have always written up William as the terror and Harry as a rather quiet second son. In fact William is a very self-possessed, intelligent and mature boy and quite shy. He is quite formal and stiff, sounding older than his years when he answers the phone.” It is Harry who is the mischievous imp of the family. Harry’s puckish character manifested itself to his uncle during the return flight from Necker, the Caribbean island owned by Virgin airline boss Richard Branson. He recalls: “Harry was presented with his breakfast. He had his headphones on and a computer game in front of him but he was determined to eat his croissant. It took him about five minutes to manoeuvre all his electronic gear, his knife, his croissant and his butter. When he eventually managed to get a mouthful there was a look of such complete satisfaction on his face. It was a really wonderful moment.” His godparent Carolyn Bartholomew says, without an ounce of prejudice, that Harry is “the most affectionate, demonstrative and huggable little boy” while William is very much like his mother, “intuitive, switched on and highly perceptive.” At first she thought the future king was a “little terror.” “He was naughty and had tantrums,” she recalls. “But when I had my two children I realized that they are all like that at some point. In fact William is kind-hearted, very much like Diana. He would give you his last Rolo sweet. In fact he did on one occasion. He was longing for this sweet, he only had one left and he gave it to me.” Further evidence of his generous heart occurred when he gathered together all his pocket money, which only amounted to a few pence, and solemnly handed it over to her. But he is no angel as Carolyn saw when she visited Highgrove. Diana had just finished a swim in the open air pool and had changed into a white toweling dressing gown as she waited for William to follow her. Instead he splashed about as though he were drowning and slowly sank to the bottom. His mother, not knowing whether it was a fake or not, struggled to get out of her robe. Then, realizing the urgency, she dived in still in her dressing gown. At that moment he resurfaced, shouting and laughing at the success of his ruse. Diana was not amused. Generally William is a youngster who displays qualities of responsibility and thoughtfulness beyond his years and enjoys a close rapport with his younger brother whom friends believe will make an admirable adviser behind the scenes when William eventually becomes king. Diana feels that it is a sign that in some way they will share the burdens of monarchy in the years to come. Her approach is conditioned by her firmly held belief that she will never become queen and that her husband will never become King Charles III.
Andrew Morton (Diana: Her True Story in Her Own Words)
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.
Sherwood Smith (Court Duel (Crown & Court, #2))
Huh. The Collector is here. That should make for an interesting bit of bidding.” “The Collector?” I asked. “What’s that?” “Not what. Who. His name is Pontius Aquila.” She pointed with one gnarled finger at a man with sharp features and silvering hair seated in the second row of the stands. He sat beneath a fringed shade, tended to by an oiled, muscular slave. Aquila’s robes were also fringed and banded with a purple stripe. He glared above the heads of the audience as if their presence were not worth acknowledging. “He’s a politician with a fancy title, the so-called Tribune of the Plebs, but he’s as base as they come.” She snorted. “No manners, and rich off other people’s money. But he knows a valuable piece of flesh when he sees it. And he’ll stop at nothing to add to his collection once he does. I’ve seen his bullyboys start brawls at the auctions if he’s outbid.
Lesley Livingston (The Valiant (The Valiant, #1))
You want to know what gets on my nerves? When people say 'you can't be a Christian because you're LGBT+, or you used to be a Muslim/Hindu/atheist/pretty much anything else really'. The reason people say those things is because we believe doing so is sinning, but haven't we all sinned? Aren't we all in the same boat, at the mercy of the storm raging outside? If so, why keep to ourselves in what we think is the safest corner, but the whole boat sinks nonetheless? Every sin, whether it's stealing a cookie from the cookie jar to murdering and robbing an innocent child is sin. Even if you have never done any wrong, except did one thing, isn't your soul still poisoned, still doomed to being a sinner? Why must we separate ourself because we believe we are 'righteous', when in doing so we simply dirty ourselves in sinful dust even more so, yet continue to believe ourselves better then anyone else? If you don't think you are worthy, or can possibly be righteous, well, I'm afraid your not on track. The only reason we are even not-dead-yet is because a perfect soul died after never sinning, Jesus payed the price we so selfishly went into debt for because we wanted temporary satisfaction and worthless paper called money. If we have all been called to be clean, why must we refuse this and say others are dirty, when if that's true we are dirty as well ourselves? We sink the boat we are on to see others drown, yet in the process we drown ourselves. We have been selfish, lazy, prideful, and sinful, every one of is, and yet are so blind we cannot even see the great light that calls us to be clean and perfect. There is no such thing as too far gone, so why do we say others are too far gone yet set the bar lower for ourselves? Are we more perfect, more righteous, more forgiven then people who don't know God as well as we do? Surely not! If we know God, instead of keeping him to ourselves we are quite clearly instructed to give freely in the Bible, and yet we refuse to do so for the sake of our sinful pride. Why do we not reach down, and get our knees dirty to help the poor? What is stopping us from going that extra mile, from giving more then you have, from reaching out with the great news of the savior? We are too prideful, we don't want our silken robes to get muddy in someone else's sin even when they're already disgusting in ours. We tell ourselves we're are too tired to walk the extra mile, yet powerful enough to strike down the needy and ones in poverty. We are too greedy, we would rather keep the Savior to ourselves then give it, even though in giving you get even more. What right do we have to choose who should come with us into heaven? What heavenly authority gave us the power to say 'you sin, you cannot come to heaven', even though we sinners think we can when there is no difference between us? Any one can truly believe, there is no 'special requirement' to be a Christian other then to know God exists (well, duh you didn't need to tell us that) and to know you are a sinner and to try to not sin, even though we all fail miserably at that, and to love God with all your heart and soul and mind, and to love your neighbor as much as God loves them. (No, autocorrect is not a human, I hate it too). There is no human on earth who is perfect, if you believe yourself to be so you are even more wrong then before. If there is anyone reading this, who is suicidal or LGBT+ and have been bullied or just don't know, trust me, there is nothing, NOTHING preventing you from believing except for your own will. I don't know if this is a quote or a rant ;;
Unicornfarts2000
Fred — George — wait a moment.” The twins turned. Harry pulled open his trunk and drew out his Triwizard winnings. “Take it,” he said, and he thrust the sack into George’s hands. “What?” said Fred, looking flabbergasted. “Take it,” Harry repeated firmly. “I don’t want it.” “You’re mental,” said George, trying to push it back at Harry. “No, I’m not,” said Harry. “You take it, and get inventing. It’s for the joke shop.” “He is mental,” Fred said in an almost awed voice. “Listen,” said Harry firmly. “If you don’t take it, I’m throwing it down the drain. I don’t want it and I don’t need it. But I could do with a few laughs. We could all do with a few laughs. I’ve got a feeling we’re going to need them more than usual before long.” “Harry,” said George weakly, weighing the money bag in his hands, “there’s got to be a thousand Galleons in here.” “Yeah,” said Harry, grinning. “Think how many Canary Creams that is.” The twins stared at him. “Just don’t tell your mum where you got it . . . although she might not be so keen for you to join the Ministry anymore, come to think of it. . . .” “Harry,” Fred began, but Harry pulled out his wand. “Look,” he said flatly, “take it, or I’ll hex you. I know some good ones now. Just do me one favor, okay? Buy Ron some different dress robes and say they’re from you.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
NEED, a voice rumbled in the ground beneath his feet. Leo staggered, suddenly feeling like he was standing on the surface of a trampoline. NEED is an overused word. A swirling human figure erupted from the sand—Leo’s least favorite goddess, the Mistress of Mud, the Princess of Potty Sludge, Gaea herself. Leo threw a pair of pliers at her. Unfortunately she wasn’t solid, and they passed right through. Her eyes were closed, but she didn’t look asleep, exactly. She had a smile on her dust devil face, as if she were intently listening to her favorite song. Her sandy robes shifted and folded, reminding Leo of the undulating fins on that stupid shrimpzilla monster they’d fought in the Atlantic. For his money, though, Gaea was uglier. You want to live, Gaea said. You want to join your friends. But you do not need this, my poor boy. It would make no difference. Your friends will die, regardless. Leo’s legs shook.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
It’s strange to hold money that represents what I did last night. It was embarrassing and probably degrading—but also transformative. And it was, for the biggest surprise of the night, pleasurable. Though I know, standing there naked underneath a fluffy robe, money in hand, that I can never, ever do this again.
Skye Warren (The Professor (Tanglewood University, #1))
Aye, they are noble. Noble bastards, they are. How did it begin? And how will it end? I’ll tell you how. The story’s in the history books, if you know how to read them’ [...] ‘Together, they stole from weaker people and then used the money to create armed theater. That’s what is was, lad. That’s what it is! Armed theater! Castles and music and fine robes and crowns and jewels-- it’s all theater. Acting! Performing! And all of it made possible by the use of swords nad muskets and cannon, and driven by jealousy and theft! [...] They bow down to the Great Actor, the King Himself, [...] The kings sneer at them for being fools, and with all that stolen money, they build armies and fleets and export their skills at robbery to the entire world! That’s how it all began, lad. A few cynical actors who fooled entire nations!’ ‘And how will it end?’ ‘If there’s a God in Heaven,’ he said, ‘it will end at the gallows.’ He sighed. ‘Any civilized man must be against homicide,’ he said ‘But negicide seems a most admirable crime
Pete Hamill (Forever)
In the Old Testament book of 2 Kings, we read the story of Naaman, a wealthy and powerful general of the Syrian army.149 He was suffering terribly, dying slowly of leprosy. Hearing of a powerful God in Israel, he traveled there with both money and a threatening letter from his own ruler. He went to the king of Israel and demanded to be cured of his leprosy. Like so many of us today, Naaman thought money, influence, and expertise could address his suffering. So he went to the person in the culture who had the most of these things and expected a resolution. In response, the Israelite king tore his robes and replied: “Am I God? Can I kill and bring back to life?” (2 Kings 5:7). In other words, he said, “Don’t look to me to do something only God can do!” The whole Western world today needs to listen to this cry of the king of Israel. When we confront suffering, we think that what will solve it is a change in public policy, or the best expertise in psychology and therapy, or technological advances. But the world’s darkness is too deep to be dispelled merely by such things. It is wrong, in our pride, to believe that we can control and defeat the darkness with our knowledge.
Timothy J. Keller (Walking with God through Pain and Suffering)
Jael said grimly, "You're overconfident, Mallow. You're ignoring the possibility of a popular rebellion." Mallow looked up, grim in his turn, "Once and for all, Jael, there is no possibility of a popular rebellion." I'm sure of the Seldon crisis and the historical validity of their solutions, externally and internally. There are some things I didn't tell Suit right now. He tried to control the Foundation itself by religious forces as he controlled the outer worlds, and he failed, which is the surest sign that in the Seldon scheme, religion is played out. "Economic control worked differently. And to paraphrase that famous Salvor Hardin quotation of yours, it's a poor nuclear blaster that won't point both ways. If Korell prospered with our trade, so did we. If Korellian factories fail without our trade; and if the prosperity of the outer worlds vanishes with commercial isolation; so will our factories fail and our prosperity vanish. "And there isn't a factory, not a trading center. not a shipping line that isn't under my control; that I couldn't squeeze to nothing if Sutt attempts revolutionary propaganda. Where his propaganda succeeds, or even looks as though it might succeed, I will make certain that prosperity dies. Where it fails, prosperity will continue, because my factories will remain fully staffed. "So by the same reasoning which makes me sure that the Korellians will revolt in favor of prosperity, I am sure we will not revolt against it. The game will be played out to its end." "So then," said Jael, "you're establishing a plutocracy. You're making us a land of traders and merchant princes. Then what of the future?" Mallow lifted his gloomy face, and exclaimed fiercely, "What business of mine is the future? No doubt Seldon has foreseen it and prepared against it. There will be other crises in the time to come when money power has become as dead a force as religion is now. Let my successors solve those new problems, as I have solved the one of today.
Isaac Asimov
and corporate power, in the states, in the nation, could use its money to still get what it wanted.” The Alliances were not getting real power, but they were spreading new ideas and a new spirit. Now, as a political party, they became the People’s party (or Populist party), and met in convention in 1890 in Topeka, Kansas. The great Populist orator from that state, Mary Ellen Lease, told an enthusiastic crowd: Wall Street owns the country. It is no longer a government of the people, by the people, and for the people, but a government of Wall Street, by Wall Street and for Wall Street…. Our laws are the output of a system which clothes rascals in robes and honesty in rags…. the politicians said we suffered from overproduction. Overproduction, when 10,000 little children … starve to death every year in the U.S. and over 100,000 shop girls in New York are forced to sell their virtue for bread…. There
Howard Zinn (A People's History of the United States)
The sun shone brightly on a stack of cauldrons outside the nearest shop. Cauldrons- All Sizes- Copper, Brass, Pewter, Silver- Self-Stirring- Collapsible, said a sign hanging over them. "Yeah, you'll be needin' one," said Hagrid, "but we gotta get yer money first." Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, "Dragon liver, seventeen Sickles an ounce, they're mad...." A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium- Tawny, Screech, Barn, Brown, and Snowy. Several boys about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand- fastest ever-" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon....
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))