Roast Someone Quotes

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But while I'd be their daughter, while I'd eat the roast and come home from dates and wash the dishes, I would also be myself. I would love my mother, but I'd never want to be her again. I would never be what someone else wanted me to be. I would never laugh at a joke I didn't think was funny. I would never tell another lie. I would be the truth-teller, starting today. That would be tough. But I was tougher.
Judy Blundell (What I Saw and How I Lied)
It is putting a very high price on one's conjectures to have someone roasted alive on their account.
Michel de Montaigne
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
How perfectly whimsical. I expect we’ll be roasting marshmallows over the fireplace and singing happy sing-alongs round about midnight, yes? Perhaps someone could point me in the direction of the dormitories.
G. Norman Lippert (James Potter and the Curse of the Gatekeeper (James Potter, #2))
Pick on someone your own size,” Cassian said to Amren, shoveling roast chicken into his mouth. “I’d feel bad for the mice,” Azriel muttered.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
When someone steals your goat, my son, it is roasted and eaten and you forget it. When someone steals your corn, it is ground into meal and eaten and you forget it. But when someone steals your land, it is always there and you can never forget it.
Barbara Wood
If someone tells you they love turkey smothered with cranberry sauce, that they love it more than anything else in the world, you might spend the day roasting that someone a turkey and smothering it with cranberry sauce. If that same someone then takes one little bite and says, 'That'll be all, thank you,' you'll likely go red in the face and hurl both these turkeys our the nearest window because clearly, this person never loved turkey smothered with cranberry sauce in the first place. Little bites are never enough when you love something. When you love something, you want it all. That's how it works. And that's how it was for Archer. Archer didn't want a little taste of adventure with a side of leftover discoveries. Archer wanted the whole turkey and he wanted it stuffed with enough salts and spices to turn his taste buds into sparklers.
Nicholas Gannon (The Doldrums (The Doldrums #1))
The very beginning of Genesis tells us that God created man in order to give him dominion over fish and foul and all creatures. Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion that he had usurped for himself over the cow and the horse. Yes, the right to kill a deer or a cow is the only thing all of mankind can agree upon, even during the bloodiest of wars. The reason we take that right for granted is that we stand at the top of the hierarchy. But let a third party enter the game - a visitor from another planet, for example, someone to whom God says, "Thou shalt have dominion over creatures of all other other stars" - and all at once taking Genesis for granted becomes problematic. Perhaps a man hitched to the cart of a Martian or roasted on the spit by inhabitants of the Milky Way will recall the veal cutlet he used to slice on his dinner plate and apologize (belatedly!) to the cow.
Milan Kundera (The Unbearable Lightness of Being)
I don’t believe in any actual thinking God that marks the fall of every bird in Australia or every bug in India, a God that records all our sins in a big golden book and judges us when we die—I don’t want to believe in a God who would deliberately create bad people and then deliberately send them to roast in a hell He created—but I believe there has to be something. Yeah, something. Some kind of insensate force for the good … I think there’s a force that keeps drunken teenagers—most drunken teenagers—from crashing their cars when they’re coming home from the senior prom or their first big rock concert.That keeps most planes from crashing even when something goes wrong. Not all, just most. Hey, the fact that no one’s used a nuclear weapon on actual living people since 1945 suggests that there has to be something on our side. Sooner or later someone will, of course, but over a half a century … that’s a long time. There’s something that keeps most of us from dying in our sleep. No perfect loving all-seeing God, I don’t think the evidence supports that, but a force.
Stephen King (The Girl Who Loved Tom Gordon)
The church has a reputation for being antipleasure. Many characterize Christians in general the way H. L. Mencken wryly described Puritans: people with a “haunting fear that someone, somewhere might be happy.”3 In reality, the church has led the way in the art of enjoyment and pleasure. New Testament scholar Ben Witherington points out that it was the church, not Starbucks, that created coffee culture.4 Coffee was first invented by Ethiopian monks—the term cappuccino refers to the shade of brown used for the habits of the Capuchin monks of Italy. Coffee is born of extravagance, an extravagant God who formed an extravagant people, who formed a craft out of the pleasures of roasted beans and frothed milk.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
Take it from someone who knows. Fold your cards when the odds are against you.
Ava Miles (French Roast (Dare Valley, #2))
It is taking one's conjectures rather seriously to roast someone alive for them.
Michel de Montaigne
Dragos asked, “What on earth is that?” “It’s a vegan harvest roast.” He shook his head. “I’m sorry, lover, someone should have taught you this by now. The word ‘vegan’ and ‘roast’ do not go together in the same sentence.
Thea Harrison (Dragos Takes a Holiday (Elder Races, #6.5))
And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
George Saunders (Lincoln in the Bardo)
we all deserve to be someone’s priority. Trust me, one thing I learned from my last marriage is that marriage won’t work any other way.
Ava Miles (French Roast (Dare Valley, #2))
besides, it was “putting a very high price on one’s conjectures” to have someone roasted alive on their account.
Sarah Bakewell (How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer)
THERE ARE THREE THINGS THAT feel like searing tongues of fire, licking at your soul, each one bringing you closer to the roasting pit of a private hell. 1. Loving someone you can never have. 2. Having someone you love, but never completely. 3. Loving the part of them you can never have, because that too is something you honor, admire, cherish—the part that makes them achingly, exasperatingly them.
Leylah Attar (From His Lips (53 Letters for My Lover, #1.5))
He might tolerate someone dipping into his stash of dark-roast coffee, but nobody messed with his pot. Not even if she was cuter than a bug's ear, with that faint sprinkling of freckles across her nose.
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
Cars do not reflect the character of a person. A car is tangible, while a soul is spiritual. How can one represent the other? If cars represent our character, then we should all be driving convertibles. Because people change depending on if things are good or bad, and so are as fickle as the weather. A car can never fulfill someone the way a solid friendship, memorable experience or a good lamb roast can.
Simon Williams (Torn 3: The Continued Story of an Undeserving Wallaby Drowning in a Septic Tank.)
At some point, I figured that it would be more effective and far funnier to embrace the ugliest, most terrifying things in the world--the Holocaust, racism, rape, et cetera. But for the sake of comedy, and the comedian's personal sanity, this requires a certain emotional distance. It's akin to being a shrink or a social worker. you might think that the most sensitive, empathetic person would make the best social worker, but that person would end up being soup on the floor. It really takes someone strong--someone, dare I say, with a big fat wall up--to work in a pool of heartbreak all day and not want to fucking kill yourself. But adopting a persona at once ignorant and arrogant allowed me to say what I didn't mean, even preach the opposite of what I believed. For me, it was a funny way to be sincere. And like the jokes in a roast, the hope is that the genuine sentiment--maybe even a goodness underneath the joke (however brutal) transcends.
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
It will not be easy to let go of your deceased mother, who stands in her kitchen slicing potatoes and roast, who hacks ice from the sidewalk with shovels; she is marrow and bone, a kernel of morals, values, and lessons compacted like some astronomical amount of matter into tablespoons, one with sugar for your cereal, another, for your fever, with a crushed aspirin and orange juice. You love her. You mark time and space by her: she is someone you are always either near to or very far from.
Jill Sisson Quinn
And there, in small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffman was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under glass. You could hear someone singing in a high sweet voice. You could smell bread baking, too, and you knew it was real bread that would soon be covered with real butter. Everything was there and it was working. . . . "Sure," he murmured. "There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.
Ray Bradbury (Dandelion Wine)
Holly has been a movie buff all her life and has found things to enjoy even in films the critics have roasted (she believes, for example, that Stallone’s Cobra is woefully underestimated), but It’s a Wonderful Life has always made her uneasy. She can relate to George Bailey at the beginning of the film, but by the end he strikes her as someone with a serious bipolar condition who’s arrived at the manic part of his cycle. She has even wondered if, after the movie ends, he creeps out of bed and murders his whole family.
Stephen King (If It Bleeds)
Whether you are attending someone else's or holding your own dinner party, your main objective should be to lead guests away from the usual road of predictable behaviour and tedious conversation, and towards a shared voyage of epicurean delight. In much the same way as caged animals in zoos are kept mentally healthy by being set mealtime tasks by their keepers, dinner guests will find their repast far more satisfying if it is presented as a challenge and an opportunity for self-expression. For example, instead of the dry old formula of a plate flanked by serried ranks of knives, forks and spoons, today's modern host should show a little more ingenuity when selecting eating utensils. The novelty of using a Black & Decker two-speed drill to sheer flakes of the roast beef or a 15-inch spanner to negotiate the foie gras, will firmly place your party in the minds of your guests as a night to remember.
Gustav Temple and Vic Darkwood (The Chap Manifesto: Revolutionary Etiquette for the Modern Gentleman)
Hesitantly, Grandfather, Douglas, and Tom peered through the large windowpane. And there, in the small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffmann was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under the glass. You could hear someone singing in a high sweet voice. You could smell bread baking too, and you knew it was real bread that would soon be covered in real butter. Everything was there and it was working. Grandfather, Douglas, and Tom turned to look at Leo Auffmann, who gazed serenely through the window, the pink light on his cheeks. "Sure," he murmured," There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.
Ray Bradbury (Dandelion Wine)
Things were different back then. Today if a woman was asked to do the things we did back then, she would revolt, declare that she wasn’t anyone’s slave, wouldn’t be put upon in that fashion. But you have to remember that this was before automatic washers and dishwashers, before blenders and electric knives. If the carpet was going to get cleaned, someone, usually a woman, would have to take a broom to it, or would have to haul it on her shoulders to the yard and beat the dirt out of it. If the wet clothes were going to get dry, someone had to hang them in the yard, take them down from the yard, heat the iron on the fire, press them, and finally fold or hang them. Food was chopped by hand, fires were stoked by hand, water was carried by hand, anything roasted, toasted, broiled, dried, beaten, pressed, packed, or pickled, was done so by hand. Our version of a laborsaving device was called a spouse. If a man had a woman by his side, he didn’t have to clean and cook for himself. If a woman had a man by her side, she didn’t have to go out, earn a living, then come home and wrestle the house to the ground in the evening.
Susan Lynn Peterson (Clare)
Your mother can’t produce food out of thin air,” said Hermione. “No one can. Food is the first of the five Principal Exceptions to Gamp’s Law of Elemental Transfigur--” “Oh, speak English, can’t you?” Ron said, prising a fish bone out from between his teeth. “It’s impossible to make good food out of nothing! You can Summon it if you know where it is, you can transform it, you can increase the quantity if you’ve already got some--” “Well, don’t bother increasing this, it’s disgusting,” said Ron. “Harry caught the fish and I did my best with it! I notice I’m always the one who ends up sorting out the food, because I’m a girl, I suppose!” “No, it’s because you’re supposed to be the best at magic!” shot back Ron. Hermione jumped up and bits of roast pike slid off her tin plate onto the floor. “You can do the cooking tomorrow, Ron, you can find the ingredients and try and charm them into something worth eating, and I’ll sit here and pull faces and moan and you can see how you--” “Shut up!” said Harry, leaping to his feet and holding up both hands. “Shut up now!” Hermione looked outraged. “How can you side with him, he hardly ever does the cook--” “Hermione, be quiet, I can hear someone!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Zombies?” There was definite interest in that word. “Are you a brother in arms? Do you also kill those brain sucking monsters?” I realized I was talking to someone who probably killed people every day, well not every day because that’s excessive. The deli man didn’t put enough rare roast beef on his sandwich and so he slit his throat with the dagger he had hidden up his sleeve. I giggled at the thought. Again
L.A. Fiore (Devil You Know (Lost Boys #1))
How can I describe Pippa? Pippa is the kind of person who would give 30p to a stranger at a train station so they could use the loo. The kind of person who isn’t afraid of the rain and enjoys a Sunday roast. She’s someone who seems like she might, but doesn’t actually, own a dog. A sandy one. Pippa is someone who makes her own earrings for special occasions, and who has hundreds of incredible paintings that have yet to be seen or sold because she hasn’t quite figured out how to use her own website yet.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
That was the greatest appeal Hans Christian Andersen (and most nineteenth-century child-adjacent literature, really) had for me: how often and in how many different ways he could ask the question “What if you were extremely beautiful and then you died, and dying made you even more beautiful, and then a lot of sympathetic people watched you dying and said things like, ‘Oh, how terrible that someone so beautiful is dying, how awful’?” My appetite at six, at nine, at twelve, at thirty, for stories like that were as boundless as my appetite for roast chicken skin; any fantasy that involved doing nothing when faced with important decisions while being praised for my appearance appealed to me.
Daniel Mallory Ortberg (Something That May Shock and Discredit You (A Collection of Essays and Observations))
A barbeque in Jasper County does not mean hamburgers and chicken breasts on a fancy gas grill. Yankees call anything you cook outside "barbeque." The word 'barbeque' in Ray's neck of the woods is a 'noun,' not a verb, and it means a whole hog tied to a spit with chicken wire and rope and roasted in an outdoor oven, usually in someone's backyard or some parking lot. And the fixin's that must accompany it are baked beans, collard greens, white rolls, cole slaw, and rice topped with a sweet gravy made from the drippings and other unmentionables that the packs call hash. Jasper folks sort of take the "don't ask, don't tell" approach with the hash. 'We don't want to know what's in it,' Ray thinks, 'but it sure tastes good.
Beth Webb Hart (The Wedding Machine (Women of Faith Fiction))
That was close," I said at last. My heart was still hammering so hard, it felt as if it might burst. We'd snuck into someone else's house and nearly been caught. We'd committed a crime! The adrenaline coursed through my veins. But we'd escaped! We'd pulled it off! I suddenly felt wonderfully light. Darcy looked at me. "Yes." He grinned. The twinkle in his eyes made him look much younger than usual. "We did a pretty good job. Maybe we should turn professional." "Professional housebreakers?" I asked, and now I found myself grinning, too. "Sounds cool." "I reckon we've got what it takes. How about we try a bank robbery next?" "Or a roast dinner?" Darcy glanced at the clock on the dashboard. "Oh, crap!" he exclaimed. Then he started the engine.
Mechthild Gläser (Emma, der Faun und das vergessene Buch)
This might baffle you, but despite not being a physician, I do have some pride. Although most certainly not enough to withstand the kind of beating you're capable of dealing it. The kind of beating you've repeatedly dealt it from the first time we've met. You're right, I value honesty, so I'll tell you that I make it a practice not to find women who insult me at every opportunity attractive." Color flooded her cheeks and traveled down her neck. Finally, she stepped away from him, too, and found the back of a chair to clutch. She looked entirely devastated. Had no one ever denied her anything? He hated the hurt in her eyes. But it was done now. "How is telling you I'm attracted to you an insult?" He pressed the back of his hand into his forehead. It made him feel like a drama queen in some sort of musical farce. Which this had to be. "Telling me how unworthy I am of your attraction, that's the insulting part. And, no, that's not all it is. Even if you hadn't told me at every opportunity how inferior to you I am... all I do is cook... every assumption you've made about me is insulting. Culinary school is definitely college. And Le Cordon Bleu is one of the most competitive institutions in the world. The fact that that's so wholly incomprehensible to you... that's the insulting part. And it wasn't thrown in my overly privileged lap either. I had to work my bottom off to make it in." Ammaji had sold her dowry jewels to pay for his application, something her family would have thrown her out on the street for had they found out. Trisha squared her shoulders, the devastation draining fast from her face, leaving behind the self-possession he was so much more used to. And the speed with which she gathered herself shook something inside him. "I might not do what you see as important work, but I work hard at being a decent human being, and I would need anyone I'm with to be that first and foremost. Even if I didn't find snobbery in general incredibly unattractive, I would never go anywhere near a person as self-absorbed and arrogant as you, Dr. Raje. I would have to be insane to subject myself to your view of me and the world." "Wow." She was panting, or maybe it was him. He couldn't be sure. "You wanted honesty. I'm sorry if I hurt you." She cleared her throat. "I'm surprised you think someone as... as... self-absorbed and arrogant as me is even capable of being hurt.
Sonali Dev (Pride, Prejudice, and Other Flavors (The Rajes, #1))
A man on his deathbed left instructions For dividing up his goods among his three sons. He had devoted his entire spirit to those sons. They stood like cypress trees around him, Quiet and strong. He told the town judge, 'Whichever of my sons is laziest, Give him all the inheritance.' Then he died, and the judge turned to the three, 'Each of you must give some account of your laziness, so I can understand just how you are lazy.' Mystics are experts in laziness. They rely on it, Because they continuously see God working all around them. The harvest keeps coming in, yet they Never even did the plowing! 'Come on. Say something about the ways you are lazy.' Every spoken word is a covering for the inner self. A little curtain-flick no wider than a slice Of roast meat can reveal hundreds of exploding suns. Even if what is being said is trivial and wrong, The listener hears the source. One breeze comes From across a garden. Another from across the ash-heap. Think how different the voices of the fox And the lion, and what they tell you! Hearing someone is lifting the lid off the cooking pot. You learn what's for supper. Though some people Can know just by the smell, a sweet stew From a sour soup cooked with vinegar. A man taps a clay pot before he buys it To know by the sound if it has a crack. The eldest of the three brothers told the judge, 'I can know a man by his voice, and if he won't speak, I wait three days, and then I know him intuitively.' The second brother, 'I know him when he speaks, And if he won't talk, I strike up a conversation.' 'But what if he knows that trick?' asked the judge. Which reminds me of the mother who tells her child 'When you're walking through the graveyard at night and you see a boogeyman, run at it, and it will go away.' 'But what,' replies the child, 'if the boogeyman's Mother has told it to do the same thing? Boogeymen have mothers too.' The second brother had no answer. 'I sit in front of him in silence, And set up a ladder made of patience, And if in his presence a language from beyond joy And beyond grief begins to pour from my chest, I know that his soul is as deep and bright As the star Canopus rising over Yemen. And so when I start speaking a powerful right arm Of words sweeping down, I know him from what I say, And how I say it, because there's a window open Between us, mixing the night air of our beings.' The youngest was, obviously, The laziest. He won.
Jalal ad-Din Muhammad ar-Rumi
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.
Ian Fleming (Casino Royale (James Bond, #1))
And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one's clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone's kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease/ A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one's own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one's beloved's name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
George Saunders (Lincoln in the Bardo)
Chicken Roast Puff your plume in anger and fight, cock, delight the owner of knife smear sting with pollen and flap your wings As I said: Twist the arms and keep them bent roll the rug and come down the terrace after disturbed sleep Shoeboots-rifle-whirring bullets-shrieks The aged undertrial in the next cell weeps and wants to go home Liberate me let me go let me go home On its egg in the throne the gallinule doses asphyxiate in dark fight back, cock, die and fight, shout with the dumb Glass splinters on tongue-breast muscles quiver Fishes open their gills and enfog water A piece of finger wrapped in pink paper With eyes covered someone wails in the jailhouse I can't make out if man or woman Keep this eyelash on lefthand palm- and blow off with your breath Fan out snake-hood in mist Cobra's abdomen shivers in the hiss of female urination Deport to crematorium stuffing blood-oozing nose in cottonwool Shoes brickbats and torn pantaloons enlitter the streets I smear my feet with the wave picked up from a stormy sea That is the alphabet I drew on for letters. (Translation of Bengali original 'Murgir Roast')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
There's history books you haven't read," Harry said quietly. "There's books you haven't read yet, Hermione, and they might give you a sense of perspective. A few centuries earlier - I think it was definitely still around in the seventeenth century - it was a popular village entertainment to take a wicker basket, or a bundle, with a dozen live cats in it, and -" "Stop," she said. "- roast it over a bonfire. Just a regular celebration. Good clean fun. And I'll give them this, it was cleaner fun than burning women they thought were witches. Because the way people are built, Hermione, the way people are built to feel inside -" Harry put a hand over his own heart, in the anatomically correct position, then paused and moved his hand up to point toward his head at around the ear level, "- is that they hurt when they see their friends hurting. Someone inside their circle of concern, a member of their own tribe. That feeling has an off-switch, an off-switch labeled 'enemy' or 'foreigner' or sometimes just 'stranger'. That's how people are, if they don't learn otherwise. So, no, it does not indicate that Draco Malfoy was inhuman or even unusually evil, if he grew up believing that it was fun to hurt his enemies -
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Today I've prepared roasted quail spiced with sumac, coriander, and chili, atop sweet corn cachapas, which, as you see, are griddle cakes made from corn. I've also battered and fried fresh courgette blossoms stuffed with farmer's cheese." Elijah swallowed again. It was a deceptively simple dish. The cachapas were perhaps the least complicated, and possibly something royalty might find rather humble, but his uncle Jonathan had gotten the recipe on a voyage that had put in at a port in Venezuela long ago, and Elijah had perfected it over the years whenever he could get enough sweet corn. Princess Adelaide eyed the dish, as though surprised it didn't look more elaborate. She looked up at him with a quizzical expression. He kept his gaze steady. He'd always thought that food was a great equalizer, for whatever someone's creed or race or religion, every person had to eat to survive. This exhibition seemed to confirm his belief. The Royal Exhibition was showcasing the different cultures and cuisines of over thirty countries, and from what Elijah had seen, everyone was welcome, no matter where they hailed from in the world. Elijah's first instinct had been to make something from his food culture, something that would subtly---or perhaps, not so subtly---say, I'm Jewish and there shouldn't be anything wrong with that.
Jennieke Cohen (My Fine Fellow)
Pasta with Garlic Scapes and Fresh Tomatoes In Italy, you can find a garden anywhere there is a patch of soil, and in many areas, the growing season is nearly year round. It’s common to find an abundant tomato vine twining up the wall near someone’s front stoop, or a collection of herbs and greens adorning a window box. Other staples of an Italian kitchen garden include aubergine, summer squash varieties and peppers of all sorts. Perhaps that’s why the best dishes are so very simple. Gather the fresh ingredients from your garden or local farmers’ market, toss everything together with some hot pasta and serve. In the early summer and mid-autumn, look for garlic scapes, prized for their mild flavor and slight sweetness. Scapes are the willowy green stems and unopened flower buds of hardneck garlic varieties. Roasting garlic scapes with tomatoes and red onion brings out their sweet, rich flavor for a delightful summer meal. 2 swirls of olive oil 10 garlic scapes 1 pint multicolored cherry tomatoes 1 red onion, thinly sliced Sea salt and red pepper flakes, to taste ½ lb. pasta—fettuccine, tubini or spaghetti are good choices 1 cup baby spinach, arugula or fresh basil leaves, or a combination 1 lemon, zested and juiced Toasted pine nuts for garnish Heat oven to 400 ° F. Toss together olive oil, garlic scapes, tomatoes, onion, salt and pepper flakes and spread in an even layer on a parchment-lined baking sheet. Roast for 12–15 minutes, until tomatoes are just beginning to burst. If you have other garden vegetables, such as peppers, zucchini or aubergine, feel free to add that. Meanwhile, cook pasta according to package directions. Toss everything together with the greens, lemon zest and juice. Garnish with pine nuts. Serve immediately with a nice Barolo wine.
Susan Wiggs (Summer by the Sea)
When we first started dating, my talent in the kitchen was a turn-on. The prospect of me in the kitchen, wearing a skimpy apron and holding a whisk in my hand- he thought that was sexy. And, as someone with little insight into how to work her own sex appeal, I pounced on the opportunity to make him want and need me. I spent four days preparing my first home-cooked meal for him, a dinner of wilted escarole salad with hot bacon dressing, osso bucco with risotto Milanese and gremolata, and a white-chocolate toasted-almond semifreddo for dessert. At the time, I lived with three other people in a Columbia Heights town house, so I told all of my housemates to make themselves scarce that Saturday night. When Adam showed up at my door, as the rich smell of braised veal shanks wafted through the house, I greeted him holding a platter of prosciutto-wrapped figs, wearing nothing but a slinky red apron. He grabbed me by the waist and pushed me into the kitchen, slowly untying the apron strings resting on my rounded hips, and moments later we were making love on the tiled kitchen floor. Admittedly, I worried the whole time about when I should start the risotto and whether he'd even want osso bucco once we were finished, but it was the first time I'd seduced someone like that, and it was lovely. Adam raved about that meal- the rich osso bucco, the zesty gremolata, the sweet-and-salty semifreddo- and that's when I knew cooking was my love language, my way of expressing passion and desire and overcoming all of my insecurities. I learned that I may not be comfortable strutting through a room in a tight-fitting dress, but I can cook one hell of a brisket, and I can do it in the comfort of my own home, wearing an apron and nothing else. Adam loved my food, and he loved watching me work in the kitchen even more, the way my cheeks would flush from the heat of the stove and my hair would twist into delicate red curls along my hairline. As the weeks went by, I continued to seduce him with pork ragu and roasted chicken, creamed spinach and carrot sformato, cannolis and brownies and chocolate-hazelnut cake.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
And all I can think about is that it's not over and I'm tired and I'm ready to go but I'm still here. And I have to do it again and again and again." He leaned back in his chair. "You think about that before you tell me I've got it easy." I stayed silent a while before speaking. "So why don't you end it?" "Suicide?" "If your life is such a hell," I asked, "why bother? Why go through it again and again and all those times?" "Because of..." He stopped and looked at the ceiling. After a moment he shrugged. "Because of children," he said, "because of smiles and sunshine and ice cream." "You've got to be kidding." "You don't like ice cream?" Elijah shook his head, "It's the best. Imagine how excited I was when someone finally invented it. " "Sunshine and smiles don't make all that other stuff go away." I said, "This isn't a fairy land." "No," he said. "It's the real world. And the real world is the most amazing thing any of us will ever experience. Have you ever climbed a mountain? Walked through a garden? Played with a child? This isn't exactly a revelation John. People have been praising the simple pleasures since even before I was born, and that's a very long time." "You don't do any of those things." "But I have my memories," Said Elijah. "And I have even simpler things. Music. Food. Everybody likes bacon." "I'm a vegetarian." "Asparagus then," said Elijah, "roasted in pan. A little olive oil and a little salt - you the get the most incredible flavor - almost like a nut. But deep and rich and the textures just perfect..." "I've tried it." "The world is more than sadness," said Elijah, "i have a hundred thousand memories in my head. I can't remember all of them, or maybe even most of them, but they are so much happier than sad. For every dead mother or brother or child there are a hundred breezes, a hundred sunsets, a hundred memories of falling in love. Have you ever kissed anyone, John?" "I don't see how that's any of your business." "A first kiss is important. Most people only get one. But I can remember a hundred thousand of them. How could I give that up?" he shook his dead, smiling for the first time. "The world never gets old, John.
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
I'll make a steak pie and some roast potatoes, peas, and maybe a bramble and raspberry crumble. How you loved that crumble and I was so mean about it, I wouldn't give you the recipe in case you left me and made it for someone else. Doesn't matter now I suppose.
Lisa O'Donnell (The Death of Bees)
I don’t even have a sister, ignoramus,” Alternate Virgil would say. Then he’d grab the Bull’s shirt collar in his skinny little hand, the one with the fingers of a gifted pianist, and shove him against the nearest tree. “Take it back,” he’d say. But the Bull wouldn’t be able to talk because his collar would be too tight, so Virgil would lift him up with one hand and throw him across the neighborhood. The Bull would fly over thirty rooftops before landing on top of someone’s chimney, which would be burning hot even though it was summer and no one was using their fireplace. And he’d get stuck there and start cooking like a lump of pot roast.
Erin Entrada Kelly (Hello, Universe)
Can you smell roasting chestnuts?” he asks me. I shake my head, and he shrugs. “I hope someone’s cooking them. They’re my favourite at Christmas.
Lily Morton (On a Midnight Clear)
Driving along Broadway, he sees a young guy exit a bus and then turn to help an old woman who was waiting to board that bus. In his entire life, Bobby’s never seen more people help little old ladies cross streets, avoid puddles or potholes, carry their groceries, or find their car keys in purses overstuffed with rosary beads and damp tissues. Everyone knows everyone here; they stop one another in the streets to ask after spouses, children, cousins twice removed. Come winter, they shovel walks together, join up to push cars out of snowbanks, freely pass around bags of salt or sand for icy sidewalks. Summertime, they congregate on porches and stoops or cluster in lawn chairs along the sidewalks to shoot the shit, trade the daily newspapers, and listen to Ned Martin calling the Sox games on ’HDH. They drink beer like it’s tap water, smoke ciggies as if the pack will self-destruct at midnight, and call to one another—across streets, to and from cars, and up at distant windows—like impatience is a virtue. They love the church but aren’t real fond of mass. They only like the sermons that scare them; they mistrust any that appeal to their empathy. They all have nicknames. No James can just be a James; has to be Jim or Jimmy or Jimbo or JJ or, in one case, Tantrum. There are so many Sullivans that calling someone Sully isn’t enough. In Bobby’s various incursions here over the years, he’s met a Sully One, a Sully Two, an Old Sully, a Young Sully, Sully White, Sully Tan, Two-Time Sully, Sully the Nose, and Little Sully (who’s fucking huge). He’s met guys named Zipperhead, Pool Cue, Pot Roast, and Ball Sac (son of Sully Tan). He’s come across Juggs, Nicklebag, Drano, Pink Eye (who’s blind), Legsy (who limps), and Handsy (who’s got none). Every guy has a thousand-yard stare. Every woman has an attitude. Every face is whiter than the whitest paint you’ve ever seen and then, just under the surface, misted with an everlasting Irish pink that sometimes turns to acne and sometimes doesn’t. They’re the friendliest people he’s ever met. Until they aren’t. At which point they’ll run over their own grandmothers to ram your fucking skull through a brick wall. He has no idea where it all comes from—the loyalty and the rage, the brotherhood and the suspicion, the benevolence and the hate. But he suspects it has something to do with the need for a life to have meaning.
Dennis Lehane (Small Mercies)
At eighteen, Lady Joanna ben Luke had a talent for being invisible. The night of the Coronation Ball, she applied herself to the task and blended into the yellow and gold wallpaper like a chameleon. Invisibility, unfortunately, did nothing to ease her physical discomfort. She surmised the seventh ring of Hell was not much hotter than the Palace ballroom tonight. Her brown eyes widened with dread as she felt a slow rivulet of sweat run down the inside of her arm. A covert glance confirmed it, wet armpits. Great, just great. Even if they dried, which was unlikely in this heat, silk stained. She resigned herself to keeping her arms plastered to her sides for the rest of the night, which did nothing to improve her mood or ease the pain from the corset stays. Those medieval torture devices were supposed to make her appear trim. Instead, they dug painfully into her soft belly and forced her ample bosom so high she was afraid one of the straining gold buttons was going to launch and put someone’s eye out. She couldn’t even take a deep breath, trussed up and sweating like a pale chicken ten minutes into the roasting cycle.
Staci Morrison (M2-Rise of the Giants (Millennium))
Pick on someone your own size, 'Cassian said to Amren, shoveling roast chicken into his mouth. 'I'd feel bad for the mice,' Azriel muttered. Mor and Cassian howled...
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Coorie camping gives life to experimentation. Recipes cobbled together with what's left in our packs are part of the fun. Have you ever eaten a griddled cheese toastie in the woods for breakfast? The excitement is in the preparation; someone firing up the kettle for a round of coffees, someone else getting the table (an upturned log) ready while the chef eases the sandwiches over, molten goo seeping from the sides and filling the air with the smell of roasted cheese. The radio might be on low, but more likely everyone is waking up slowly, listening to the sounds of the woods and working together to create a greater good. It's not what you'd eat at home. Any sense of a schedule is left behind and the experience is richer for it. Told you a griddle pan was the key to happiness.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Whenever you’re about to find fault with someone, hit pause and ask yourself: What flaw of mine is the evil twin of the one I’m about to criticize? It’s like holding up a mirror before pointing a finger. We can turn those fingers into peace signs & high-fives, fostering empathy. This little trick can turn your inner critic into a sage, swapping judgment for a bit of humility & understanding. So, next time, think twice and see if you’re about to roast your own twin flaw.
Life is Positive
She was mortal, wasn’t she? The woman who brought the food to us?” Cutting up his roasted meat into neat pieces that all appeared to be the same size, he nodded. “She is.” Then she must be a Descenter, a mortal of Solis. I used to wonder what sort of hardships someone had to face in their life to lead them to support the Dark One and the fallen kingdom. But that was before I knew the truth. Now, I wondered what hardship had awoken her to the truth.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
There are actually some exercises that can help you lose face fat. Turn your head to your left, then turn your head to your right. Do this a few times. Now do that everytime someone offers you fatty food.
N P (Best savage comeback / insult by sigma male part 1: One line roasting)
Do not treat this as a time of introspective penitence. To the extent you must clean up, do it with the attitude of someone showering and changing clothes, getting ready for the best banquet you have ever been to. This does not include three weeks of meditating on how you are not worthy to go to banquets. Of course you are not. Haven’t you heard of grace? Celebrate the stuff. Use fudge and eggnog and wine and roast beef. Use presents and wrapping paper. Embedded in many of the common complaints you hear about the holidays (consumerism, shopping, gluttony, etc.) are false assumptions about the point of the celebration. You do not prepare for a real celebration of the Incarnation through thirty days of Advent Gnosticism. At the same time, remembering your Puritan fathers, you must hate the sin while loving the stuff. Sin is not resident in the stuff. Sin is found in the human heart—in the hearts of both true gluttons and true scrooges—both those who drink much wine and those who drink much prune juice. If you are called up to the front of the class, and you get the problem all wrong, it would be bad form to blame the blackboard. That is just where you registered your error. In the same way, we register our sin on the stuff. But—because Jesus was born in this material world, that is where we register our piety as well. If your godliness won’t imprint on fudge, then it is not true godliness. Some may be disturbed by this. It seems a little out of control, as though I am urging you to “go overboard.” But of course I am urging you to go overboard. Think about it—when this world was “in sin and error pining,” did God give us a teaspoon of grace to make our dungeon a tad more pleasant? No. He went overboard.
Douglas Wilson (God Rest Ye Merry: Why Christmas is the Foundation for Everything)
What could I say about Bellingrath Junior High? Not much, except it was named after my secret hero, Bernard Bellingrath. But Barney wasn’t the kind of hero who rescued a kid from a burning building or found a cure for a disease. Barney dropped a big load of money on our school to build the gym, stadium, and later the library annex. As his reward, a faded portrait hung on the wall of the visitors’ area inside the main entrance. But that wasn’t the reason he was my hero. According to legend, Barney had been born with a tail. A tail. Grand-mere Robichaud, who’d once seen such a tail on a baby’s pink bottom, said he could’ve been mistaken for the main course at a cochon de lait—a Cajun pig roast. But Barney’s parents were very religious, so they refused to have the tail removed. In spite of that decision, Barney grew up to be the richest and most powerful man in town. But that still wasn’t the reason he was my hero. The fact that he decided to keep the tail anyway—that was the reason. Now, all these years later, you’d think physical imperfections would be tolerated at a school practically founded by someone with a tail. But no.
Cynthia T. Toney (Bird Face)
Contemporary demonologist Jean Bodin argued that, in crisis conditions such as these, standards of evidence must be lowered. Witchcraft was so serious, and so hard to detect using normal methods of proof, that society could not afford to adhere too much to “legal tidiness and normal procedures.” Public rumor could be considered “almost infallible”: if everyone in a village said that a particular woman was a witch, that was sufficient to justify putting her to the torture. Medieval techniques were revived specifically for such cases, including “swimming” suspects to see if they floated, and searing them with red-hot irons. The numbers of convicted witches kept rising as standards of evidence went down, and the increase amounted to further proof that the crisis was real and that further adjustment of the law was necessary. As history has repeatedly suggested, nothing is more effective for demolishing traditional legal protections than the combined claims that a crime is uniquely dangerous, and that those behind it have exceptional powers of resistance. It was all accepted with hardly a murmur, except by a few writers such as Montaigne, who pointed out that torture was useless for getting at the truth since people will say anything to stop the pain—and that, besides, it was “putting a very high price on one’s conjectures” to have someone roasted alive on their account.
Sarah Bakewell (How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer)
Don’t know if you have any hobbies.” She nodded. “I do. I may have to take a break from it for a bit while I’m out here, but normally when I have a light day on campus, I go to a class . . .” I waited. “It’s . . . pole dancing.” I stopped breathing, but at least I didn’t choke. Nodding, I took a sip of my wine to block my face, which I was pretty sure had turned the shade of a beet. “So, like Flashdance? Welder by day, dancer by night?” I barked out, feeling a stirring in my pants that was wholly inappropriate for my roomie, who’d been talking about diode lasers a minute earlier. She’s a goddamn pole dancer. She chuckled and crossed her arms over her chest as though trying to keep me from picturing her dancing. “Excellent movie reference. But no, that’s not even close to what I do.” It hardly mattered. My brain was stuck. Like a white-hot strobe had blinded me to everything except Sarah wearing lingerie and grinding on a pole under hot lights. For me. Stop picturing it. Fuck! “Cool,” I finally managed to say with a straight face. Like it meant nothing. She nodded. Like it meant nothing. Then she spread some brie cheese on a cracker and took a bite. I choked out an excuse and went to the bathroom to get a grip. This will be okay. It will. It has to be. In the bathroom, I splashed some cold water on my face and took a hard look at myself in the mirror. What was happening? I hadn’t been this jacked up over a woman anytime in the past two years. My emotions had been buried in caverns so deep I felt confident they were gone for good. I was fine with that. It made no sense. Or . . . maybe it did. I’ve always been competitive as fuck. If I’m told I can’t have something, I want it all the more and do anything in my power to make it mine. That had to be what was happening here. It was all in my head. I knew she was off limits, so the competitive motherfucker in me started bucking against that. I just needed to get my head together and think of her like any other human who happened to be using my second bedroom. When I got back to the table, Sarah looked up at me with a thin slice of Parma ham twirled around her fork and put the bit into her mouth. I had no defensible reason to focus on her lips or the soft contour of her jaw while she chewed. She swallowed and smiled at me. “I figured I should get a head start on eating while you were gone. In case you had more questions.” “Good plan. Maybe we should focus on the food for a few minutes, or we could be here all night.” I bit into a slider and closed my eyes at how delicious the slow-roasted meat tasted on the brioche bun. Who needed to cook when someone else could make food that tasted like this? It was how I’d become addicted to takeout and why I rarely ate at home anymore. That, and I spent a lot of time at work. Sarah finished the last of the cheesy bread and wiped her lips gingerly on a napkin before looking right at me with those gorgeous eyes. “This is weird, right? It’s not just me?” I tilted my head, trying to read her expression and decipher her meaning. “Could you be specific? She waved her hands between us. “This. Us. We’re in our thirties and we’re roommates. I don’t know about you, but I haven’t had a roommate for about ten years. Does it freak you out a little bit?” Yes, but not for the reasons she meant.
Stacy Travis (The Spark Between Us (Berkeley Hills, #4))
It took five minutes for the barkeep to come around. He was an old salt—tall and thin. So grizzled he looked like he’d been here back when Ponce de León first showed up. Letty ordered a vodka martini. While he shook it, she eavesdropped on a conversation between an older couple seated beside her. They sounded midwestern. The man was talking about someone named John, and how much he wished John had been with them today. They had gone snorkeling in the Dry Tortugas. The woman chastised her husband for getting roasted in the sun, but he expertly steered the conversation away from himself. They talked about other places they’d been together. Their top three bottles of wine. Their top three sunsets. How much they were looking forward to a return trip to Italy. How much they were looking forward to Christmas next week with their children and grandchildren. These people had seen the world. They had loved and laughed and lived.
Blake Crouch (Good Behavior)
Our tapas look exquisite: little squares of spiced honey-cake decorated with goat's cheese and roast pears, chicken livers on port on slices of potato with onion marmalade, rolled up radicchio with honey and haddock. Ben has been to buy some boxes from the patisserie to stow our treasures. The exotic menu is made up of taramasalata, roulade of tuna and capers, salad of peppers sautéed in garlic, and aubergine caviar. It isn't very exotic for an inhabitant of the Balkans but it probably would be for someone from Vietnam or Brittany. The giant salad really is a giant: there's a whole meal in it, from the first course to the dessert and all that with no rice and no tinned sweet corn. Slivers, slivers of all sorts of different things- vegetables, cheese, fruit- all blended without crushing each other, side by side without working against each other.
Agnès Desarthe (Chez Moi: A Novel)
The inside of the tavern was well lit and filled with men and women in plain but sturdy clothes, most covered with some kind of fur, as though everyone worked with animals. They didn’t have the look of farmers. An odd stink rode under the scents of roasted meat and bread, but the food made his stomach grumble loudly. It was all he could do to keep from launching himself onto the nearest plate. Conversation died as everyone stopped what they were doing and turned to look at him. “Ah, hello.” He gathered his courage. This was just like reading poetry, but subtract poems and add people casually placing hunting knives and daggers on their tables. One of the women was filing her fingernails into sharp points, like claws. Just like reading poetry. G regathered his courage and strode to the far end of the room, toward the bar. He had to squeeze in between two burly men with tear-shaped scars on their faces. They all smelled vaguely like wet dog. A young man at the end of the bar leaned forward and smirked at him in a decidedly unpleasant manner. The bartender eyed him. “What do you want?” “I—” G had never needed to admit to not having money before. “I don’t suppose you have any work that needs doing around here?” “Work?” This fellow clearly had not so much brain as ear wax. “I could clean the tables or scrub the floor.” The bartender pointed to a haggard-looking serving wench, who scowled at him. “Nell here does that.” “Or I could peel potatoes. Or carrots. Or onions. Or any root vegetable, really.” G had never peeled anything before, but how hard could it be? “We have someone who does that, too,” the man said. “Why don’t you push off. This isn’t the place for you.” G would have suggested yet more menial tasks he’d never attempted, but at that moment, he put together the hints: the wet-dog smell; the fur on everyone’s clothes; the defensive/protective behavior when he, a stranger, entered. That, and they were eating beef. Cow. Possibly that village’s only cow. All at once, he knew. This was the Pack. “Er, yes, perhaps I should be pushing off, as you suggest—” he started to say. “Rat!” Someone near the door lurched from his chair, making it topple over behind him. “There’s a rat!” It couldn’t be Jane, he thought. He’d told her to stay put. “It’s not a rat, you daft idiot,” cried another. “It’s a squirrel!” “It’s some kind of weasel!” Bollocks. It was his wife. “It’s dinner, that’s what it is.” That was the man directly to G’s right. “And he’s a spy. Asking all those questions about vegetables.” “She’s clearly a ferret!” G yelled as he lunged toward the dear little creature dashing about on the floor. 
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
The curious fact about Oxo cubes is that we have probably never really needed them. These little cubes of salt, beef extract and flavourings were, and I suppose still are, used to add ‘depth’ to stews, gravies and pie fillings made with ‘inferior’ meat. Two million are sold in Britain each day. Yet any half-competent cook knows you can make a blissfully flavoursome stew with a bit of scrag and a few carrots, without recourse to a cube full of chemicals and dehydrated cow. Apart from showing disrespect to the animal that has died for our Sunday lunch (imagine bits of someone else being added to your remains after you have been cremated), the use of a strongly seasoned cube to ‘enhance’ the gravy successfully manages to sum up all that is wrong about the British attitude to food. How could we fail to understand that the juices that drip from a joint of decent meat as it cooks are in fact its heart and soul, and are individual to that animal. Why would anyone need to mask the meat’s natural flavour? By making every roast lunch taste the same, smothering the life out of the natural pan juices seems like an act of culinary vandalism, and people did, and still do, just that on a daily basis.
Nigel Slater (Eating for England: The Delights and Eccentricities of the British at Table)