River Flooding Quotes

Isn't it strange how life won't flow, like a river, but moves in jumps, as if it were held back by locks that are opened now and then to let it jump forwards in a kind of flood?

Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.

Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.

Love, being in love, isn’t a constant thing. It doesn’t always flow at the same strength. It’s not always like a river in flood. It’s more like the sea. It has tides, it ebbs and flows. The thing is, when love is real, whether it’s ebbing or flowing, it’s always there, it never goes away. And that’s the only proof you can have that it is real, and not just a crush or an infatuation or a passing fancy

You know, they straightened out the Mississippi River in places, to make room for hourse and livable acreage. Occasionally the river floods these places. "Floods" is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be. All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, that valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory--what the nerves and the skin remember as well as how it appeared. And a rush of imagination is our "flooding.

Anger always leaves a large void behind it, into which a flood of sorrow pours instantly, and keeps on flowing like a great river, without beginning or end.

I went to Communism as one goes to a spring of fresh water, and I left Communism as one clambers out of a poisoned river strewn with the wreckage of flooded cities and the corpses of the drowned.

When rivers flooded, when fire fell from the sky, what a fine place the library was, the many rooms, the books. With luck, no one found you. How could they!--when you were off to Tanganyika in '98, Cairo in 1812, Florence in 1492!?

If I poured all the lies I had told into the Mississippi, the river would rise and flood the city.

Self abandoned, relaxed and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, I felt the torrent come; to rise I had no will, to flee I had no strength.

...the human race, like drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea. When all things lasted so short a time and nothing mattered very much, it seemed pitiful that men, attaching an absurd importance to trivial objects, should make themselves and one another so unhappy.

Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

You know, they straightened out the Mississippi River in places, to make room for houses and livable acreage. Occasionally the river floods these places. “Floods” is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be.

Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn’t. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light! Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth. The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light. The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion. Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.

How long does a building stand before it falls? How long does a contract last? How long will brothers share the inheritance before they quarrel? How long does hatred, for that matter, last? Time after time the river has risen and flooded. The insect leaves the cocoon to live but a minute. How long is the eye able to look at the sun? From the very beginning nothing at all has lasted. See how the dead and the sleeping resemble each other. Seen together, they are the image of death. The simple man and the ruler resemble each other. The face of the one will darken like that of the other.

This is precisely how someone speaks who imagines that he is the world's divinely appointed ruler: 'I will not LET them starve. I will not LET the drought come. I will not LET the river flood.

She (the little Naga woman – Ma Roi) told him (Captain Gribble) of hundreds of refugees being held up at the Namyung river, and planes unable to drop supplies because of the weather: “Please hurry to Tagap Ga,” she pleaded, “We will show you the way. All the rivers will soon be in flood, trees will be blown down, the track curling up and down the steep sides of the mountain will be obliterated.” She concluded with great emphasis, “There are four big rivers to cross!”. “The situation is becoming dreadfully complicated by the weather,” I said to myself, “the outlook is horrible.

If the river has a soul, it's a peaceful one. If it has a lesson to impart, that lesson is patience. There will be drought, it says; there will be floods; the ice will form, the ice will melt; the water will flow and blend into the river's brackish mouth, then join the ocean between Lewes and Cape May, endlessly, forever, amen.

Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles.

Of four infernal rivers that disgorge/ Into the burning Lake their baleful streams;/Abhorred Styx the flood of deadly hate,/Sad Acheron of sorrow, black and deep;/Cocytus, nam'd of lamentation loud/ Heard on the rueful stream; fierce Phlegethon/ Whose waves of torrent fire inflame with rage./ Far off from these a slow and silent stream,/ Lethe the River of Oblivion rolls/ Her wat'ry Labyrinth whereof who drinks,/ Forthwith his former state and being forgets,/ Forgets both joy and grief, pleasure and pain.

And I imagine... with great pleasure... all the horrible stirrings of the nonmanifested to bring forth the scream which creates the universe. Maybe one day I'll see you trembling, and you'll go into convulsion and grow larger and smaller until your mouth opens and the world will come from your mouth, escaping through the window like a river, and it will flood the city. And then we'll begin to live.

Property, marriage, the law; as the bed to the river, so rule and convention to the instinct; and woe to him who tampers with the banks while the flood is flowing.

Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

The world is a huge space, but the space that will take you in - and it doesn't have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes this prophetic voice pushes a secret switch hidden deep inside your brain. Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That's it. That's my heart.

If ever you have had a romantic, uncalculating friendship, - a boundless worship and belief in some hero of your soul, - if ever you have so loved, that all cold prudence, all selfish worldly considerations have gone down like drift-wood before a river flooded with new rain from heaven, so that you even forgot yourself, and were ready to cast your whole being into the chasm of existence, as an offering before the feet of another, and all for nothing, - if you awoke bitterly betrayed and deceived, still give thanks to God that you have had one glimpse of heaven. The door now shut will open again. Rejoice that the noblest capability of your eternal inheritance has been made known to you; treasure it, as the highest honor of your being, that ever you could so feel, -that so divine a guest ever possessed your soul.

The time of the autumn floods came and the hundred streams poured into the Yellow River. … Then the Lord of the River was beside himself with Joy, believing that all the beauty in the world belonged to him alone.

At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.

If there are forty thousand people in an area that can only support thirty thousand, it's no kindness to bring in food from the outside to maintain them at forty thousand. That just guarantees that the famine will continue." "True. But all the same, it's hard just to sit by and let them starve." "This is precisely how someone speaks who imagines that he is the world's divinely appointed ruler: 'I will not *let* them starve. I will not *let* the drought come. I will not *let* the river flood.' It is the gods who *let* these things, not you.

What did the onion juice do? It did what the world and the sorrows of the world could not do: it brought forth a round, human tear. It made them cry. At last they could cry again. To cry properly, without restraint, to cry like mad. The tears flowed and washed everything away. The rain came. The dew. Oskar has a vision of floodgates opening. Of dams bursting in the spring floods. What is the name of that river that overflows every spring and the government does nothing to stop it?

The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.

Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

Ah, drink again This river that is the taker-away of pain, And the giver-back of beauty! In these cool waves What can be lost?-- Only the sorry cost Of the lovely thing, ah, never the thing itself! The level flood that laves The hot brow And the stiff shoulder Is at our temples now. Gone is the fever, But not into the river; Melted the frozen pride, But the tranquil tide Runs never the warmer for this, Never the colder. Immerse the dream. Drench the kiss. Dip the song in the stream.

Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles. People talk about the Endarkenment like our ancestors talked about the Black Death, as if it’s an act of God. But we summoned it, with every tank of oil we burned our way through. My generation were diners stuffing ourselves senseless at the Restaurant of the Earth’s Riches knowing—while denying—that we’d be doing a runner and leaving our grandchildren a tab that can never be paid.

The morning sun burned away the mist so the valley below is now clear. The scope of what I see drowns out every other sense: There's no river, no water. Instead, hundreds of feet below the bridge the ground shifts and writhes. At first I think maybe it's a field of some sort but then individual colors begin to pull apart. And all at once I understand what it is. Like a river flooding its banks, the entire valley is full of Mudo. The sound is not that of a raging waterfall but the pounding of two hundred million feet. The moans of a hundred million mouths. They pour through the valley, more people than I have ever seen. More people than I ever thought could have existed in one world. And they sense me, reach for me but are trapped by the mountains.

Memories of the past year came tumbling down on me. The recent changes and reverses were almost overwhelming. I was learning that life flowed like a river. When the run-off was normal, the water ran smoothly. But if there came a downpour, it gushed. In the likeness to a flooding river, life events were caught up in the course of the devouring stream.

Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

We have an infinite capacity to love, but when you wrap up your love and give it to someone, they expect all of it. And that’s what you think too—that you’re giving them everything you’ve got. You really do. Until you realize that love is end-less, bottom-less, boundary-less. The more you give, the more gushes out. It spills over, refusing to be contained in neat little parcels, swelling like a river after a flash flood. And in the end, it doesn’t matter which part was whose, because in the end it’s all one, like streams merging into the ocean

Methinks I see the sunset light flooding the river valley, the western hills stretching to the horizon, overhung with trees gorgeous and glowing with the tints of autumn -- a mighty flower garden blossoming under the spell of the enchanter, frost.

All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject of great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear.

We’ve survived raging rivers, men with spears, dehydration, the Triggers, oceanic storms, jellyfish stings, Pandora Wars, hypothermia, avalanches. We’ve come out the other side alive and bitter. We want the Cure. And we want revenge.

The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition. […] We know how to carry out this rite for each other and we do it well. But imagine standing by the river, flooded with those same feelings as the Salmon march into the auditorium of their estuary. Rise in their honor, thank them for all the ways they have enriched our lives, sing to honor their hard work and accomplishments against all odds, tell them they are our hope for the future, encourage them to go off into the world to grow, and pray that they will come home. Then the feasting begins. Can we extend our bonds of celebration and support from our own species to the others who need us? Many indigenous traditions still recognize the place of ceremony and often focus their celebrations on other species and events in the cycle of the seasons. In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.

When Jordan was a baby he sat on top of me much as a fly rests on a hill of dung. And I nourished him as a hill of dung nourishes a fly, and when he had eaten his fill he left me. Jordan... I should have named him after a stagnant pond and then I could have kept him, but I named him after a river and in the flood-tide he slipped away.

Truth" when examining events and records of the past was always precarious, uncertain. No man could say for certain how the river of time would have flowed, cresting or receding, bringing floods or gently watering fields, had a single event, or even many, unfolded differently. It is in the nature of existence under heaven, the dissenting scholars wrote, that we cannot know these things with clarity. We cannot live twice, or watch as moments of the past unfurl, like a courtesan's silk fan. The river flows, the dancers finish their dance. If the music starts again it is starting anew, not repeating itself.

The truth always finds a way, Maisie, in some manner or form. You cannot deliberately change the course of the river without causing a flood or drought somewhere else.

I opened the window and my heart. The sun flooded the room, and love inundated my soul.

Here is a good message from the ocean: You will be an ocean too if you let every river, every rain, every flood and every stream flow to you freely!

I thought that there is yet hope for someone who was caught in the river’s whirlpool, but none exists for those who are trapped in the vortex of a beautiful woman’s eyes.

Are we going somewhere?” “To the river.” “But why?” “To see what we can see.” “I really d-don’t think . . .” We were going to end up as newspaper headlines: Pensioner and Homosexual Found Dead in River—Coincidence, Tragedy, or Satanic Ritual Gone Wrong?

Those who in the name of Faith embrace illusion, kill and are killed. Even the atheist gets God's blessings- Does not boast of his religion; With reverence he lights the lamp of Reason And pays his homage not to scriptures, But to the good in man. The bigot insults his own religion When he slays a man of another faith. Conduct he judges not in the light of Reason; In the temple he raises the blood-stained banner And worships the devil in the name of God. All that is shameful and barbarous through the Ages, Has found a shelter in their temples- Those they turn into prisons; O, I hear the trumpet call of Destruction! Time comes with her great broom Sweeping all refuse away. That which should make man free, They turn into fetters; That which should unite, They turn into sword; That which should bring love From the fountain of the Eternal, They turn into prison And with its waves they flood the world. They try to cross the river In a bark riddled with holes; And yet, in their anguish, whom do they blame? O Lord, breaking false religion, Save the blind! Break! O break The alter that is drowned in blood. Let your thunder strike Into the prison of false religion, And bring to this unhappy land The light of Knowledge.

Only with kisses and red poppies can I love you, with rain-soaked wreaths, contemplating ashen horses and yellow dogs. Only with waves at my back can I love you, between dull explosions of brimstone and reflective waters, swimming against cemeteries that circulate in certain rivers, drowned pasture flooding the sad, chalky tombstones, swimming across submerged hearts and faded lists of unburied children.

Now yes, yes, creation sometimes screams a confusing message—fear, pain, grief. Fire burns, rivers flood, winds go hurricane, the earth shudders so hard it levels cities. But you must remember—this was not so in Eden. Mankind fell, surrendering this earth to the evil one. St. Paul says that creation groans for the day of its restoration (see Rom. 8:18–22), making it clear that everything is not as it was meant to be. People come to terrible conclusions when they assume this world is exactly as God intended. (An assumption that has wrought havoc in the sciences.) The earth is broken. Which only makes the beauty that does flow so generously that much more astounding. And reassuring.

As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it," it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

Gone. Those weeks with Anders. Gone. Every man, in fact, who had burrowed his way inside her, kissed her and fucked her, come in her, on her. She wanted them out. She wanted a river heavy with men's bodies sucked out of her. She wanted death by flood.

The life in us is like the water in the river. It may rise this year higher than man has ever known it, and flood the parched uplands; even this may be the eventful year, which will drown out all our muskrats. It was not always dry land where we dwell.

Things that have happened to me that have generated more sympathy than depression Having tinnitus. Scalding my hand on an oven, and having to have my hand in a strange ointment-filled glove for a week. Accidentally setting my leg on fire. Losing a job. Breaking a toe. Being in debt. Having a river flood our nice new house, causing ten thousand pounds’ worth of damage. Bad Amazon reviews. Getting the norovirus. Having to be circumcised when I was eleven. Lower-back pain. Having a blackboard fall on me. Irritable bowel syndrome. Being a street away from a terrorist attack. Eczema. Living in Hull in January. Relationship break-ups. Working in a cabbage-packing warehouse. Working in media sales (okay, that came close). Consuming a poisoned prawn. Three-day migraines.

I look forward to the day when we can meet one another in our true nakedness, stripped free of unresolved emotions, pain-induced projections, the distortions of duality. For too long we have been on opposite sides of the river, the bridge between our hearts washed away by a flood of pain. But the time has come to construct a new bridge, one that comes into being with each step we take, one that is fortified with benevolent intentions and authentic self-revealing. As we walk toward one

There, about a dozen times during the day, the wind drives over the sky the swollen clouds, which water the earth copiously, after which the sun shines brightly, as if freshly bathed, and floods with a golden luster the rocks, the river, the trees, and the entire jungle.

Everything passed, and what trace of its passage remained? It seemed to Kitty that they were all, the human race, like the drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea. When all things lasted so short a time and nothing mattered very much, it seemed pitiful that men, attaching an absurd importance to trivial objects, should make themselves and one another so unhappy.

I squatted by the water as it flowed over the tumbled rocks, thought how far they must've come to have settled in the concrete channel, the stream clear and melodious, the smell of fresh water. I didn't want to think about my mother anymore. I'd rather think about the way the willows and the cottonwoods and palms broke their way through the concrete, growing right out of the flood control channel, how the river struggled to re-establish itself. A little silt was carried down, settled. A seed dropped into it, sprouted. Little roots shot downward. The next thing you had trees, shrubs, birds. My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred-year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth-emptied, malarial, into a fan of swamps that met the ocean.

We've also evolved the ability to simply 'pay it forward': I help you, somebody else will help me. I remember hearing a parable when I was younger, about a father who lifts his young son onto his back to carry him across a flooding river. 'When I am older,' said the boy to his father, 'I will carry you across this river as you now do for me.' 'No, you won't,' said the father stoically. 'When you are older you will have your own concerns. All I expect is that one day you will carry your own son across this river as I no do for you.' Cultivating this attitude is an important part of Humanism--to realize that life without God can be much more than a series of strict tit-for-tat transactions where you pay me and I pay you back. Learning to pay it forward can add a tremendous sense of meaning and dignity to our lives. Simply put, it feels good to give to others, whether we get back or not.

The weak breeze whispers nothing the water screams sublime. His feet shift, teeter-totter deep breaths, stand back, it’s time. Toes untouch the overpass soon he’s water-bound. Eyes locked shut but peek to see the view from halfway down. A little wind, a summer sun a river rich and regal. A flood of fond endorphins brings a calm that knows no equal. You’re flying now, you see things much more clear than from the ground. It's all okay, or it would be were you not now halfway down. Thrash to break from gravity what now could slow the drop? All I’d give for toes to touch the safety back at top. But this is it, the deed is done silence drowns the sound. Before I leaped I should've seen the view from halfway down. I really should’ve thought about the view from halfway down. I wish I could've known about the view from halfway down—

But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad. "And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.

We can't always be the bridge. Sometimes we have to be the flooding river.

We were going to end up as newspaper headlines: Pensioner and Homosexual Found Dead in River - Coincidence, Tragedy, or Satanic Ritual Gone Wrong?

If possible was a river, it had long since leapt its banks and become a flood.

What river can flood over the mountains of your love?

Evil magic could flow through her like a river in full flood. Fortunately for the rest of us, there’s a lot of Agnes in the way.

Louise's grief was like the river: constant and ever-changing. It rippled, flooded, ebbed and flowed, some days cold and dark and deep, some days swift and blinding.

The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.

I had no songs in my repertoire for commercial radio anyway. Songs about debauched bootleggers, mothers that drowned their own children, Cadillacs that only got five miles to the gallon, floods, union hall fires, darkness and cadavers at the bottom of rivers weren't for radiophiles. There was nothing easygoing about the folk songs I sang. They weren't friendly or ripe with mellowness. They didn't come gently to the shore. I guess you could say they weren't commercial. Not only that, my style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic. Greil Marcus, the music historian, would some thirty years later call it "the invisible republic." Whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambitions to stir things up. i just thought of popular culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk on it. I didn't know what age of history we were in nor what the truth of it was. Nobody bothered with that. If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs taught me that.

Members of the Coyote Clan are not easily identified, but there are clues. You can see it in their eyes. They are joyful and they are fierce. They can cry louder and laugh harder than anyone on the planet. And they have an enormous range. The Coyote Clan is a raucous bunch: they have drunk from desert potholes and belched forth toads. They tell stories with such virtuosity that you'll swear you've been in the presence of preachers. The Coyote Clan is also serene. They can float on their backs down the length of any river or lose entire afternoons to the contemplation of stone. Members of the Clan court risk and will dance on slickrock as flash floods erode the ground beneath their feet. It doesn't matter. They understand the earth re-creates itself day after day.

The genius, in work and deed, is necessarily a squanderer: he squanders himself. That is his greatness! … He flows out, he overflows, he uses himself up, he does not spare himself—and this is a calamitous involuntary fatality, no less than a river’s flooding the land.

Like the water, the earth, the universe, a story is forever unfolding. It floods and erupts. It births new worlds. It is circular as our planet and fluid as the words of the first people who came out from the ocean or out of the cave or down from the sky. Or those who came from a garden where rivers meet and whose god was a tempter to their fall, planning it into their creation along with all the rest.

The apparent ease of California life is an illusion, and those who believe the illusion real live here in only the most temporary way. I know as well as the next person that there is considerable transcendent value in a river running wild and undammed, a river running free over granite, but I have also lived beneath such a river when it was running in flood, and gone without showers when it was running dry.

The river speaks a language, something one isn’t born knowing but has to learn. I learned it from my dad. Some of it is wisdom, some of it skill. Some of it is the quirks and tendencies of a natural beast—the ebb and flow, the up and down, the flood draining down to a trickle. It’s all part of the river’s story, which it’s always willing to tell.

I murmur: "It's a seat," a little like an exorcism. But the word stays on my lips: it refuses to go and put itself on the thing. It stays what it is, with its red plush, thousands of little red paws in the air, all still, little dead paws. This enormous belly turned upward, bleeding, inflated—bloated with all its dead paws, this belly floating in this car, in this grey sky, is not a seat. It could just as well be a dead donkey tossed about in the water, floating with the current, belly in the air in a great grey river, a river of floods; and I could be sitting on the donkey's belly, my feet dangling in the clear water.

Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.

Neither a land nor a people ever starts over clean. Country is compact of all its past disasters and strokes of luck–of flood and drouth, of the caprices of glaciers and sea winds, of misuse and disuse and greed and ignorance and wisdom–and though you may doze away the cedar and coax back the bluestem and mesquite grass and side-oats grama, you're not going to manhandle it into anything entirely new. It's limited by what it has been, by what's happened to it. And a people, until that time when it's uprooted and scattered and so mixed with other peoples that it has in fact perished, is much the same in this as land. It inherits.

Because only once the storm has passed, only once the tears have flooded the rivers and gorged the ground and washed away the dirt and debris the destruction and decay, only then -- only then will the sun step outside smile to the sky and dare to shine

It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...

anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was

Myth is promiscuous, not dogmatic. It moves like a lively river through swarthy packs of reindeer, great aristocratic families, and the wild gestures of an Iranian carpet seller. Myth is not much to do with the past, but a kind of magical present that can flood our lives when the conditions are just so. It is not just the neurosis of us humans trying to fathom our place on earth, but sometimes the earth actually speaking back to us. That's why some stories can be hard to approach, they are not necessarily formed from a human point of view.

You should read Spanish,' he said. 'It is a noble tongue. It has not the mellifluousness of Italian--Italian is the language of tenors and organ-grinders--but it has grandeur: it does not ripple like a brook in a garden, but it surges tumultuous like a mighty river in a flood.

The last act of an historian, priest, is to live through history. It is the bravest act of them all, because it faces, unblinking, the recognition that all history is personal, and that every external truth of the world is but a reflection of our internal truths – the truths that shape our behaviours, our decisions, our fears, our purposes and our appetites. These internal truths raise monuments and flood sewers. They lift high grand works as readily as they fill graves. If you blame one appetite you blame all of our appetites. We all swim the same river.

And in the stillness of the room you heard the roar and howl and crash of the great river whose flood had caught them land shaken them and brought Magnolia Ravenal to bed ahead of her time.

I look forward to the day when we can meet one another in our true nakedness, stripped free of unresolved emotions, pain-induced projections, the distortions of duality. For too long we have been on opposite sides of the river, the bridge between our hearts washed away by a flood of pain. But the time has come to construct a new bridge, one that comes into being with each step we take, one that is fortified with benevolent intentions and authentic self-revealing. As we walk toward one another, our emotional armor falls to the ground, transforming into the light at its source. And when we are ready, we walk right into the Godself at the center of the bridge, puzzled that we ever imagined ourselves separate.

Tears carry creative power. In mythos, the giving of tears causes immense creation and heartfelt reunion. In herbal folklore, tears are used as a binder, to secure elements, unite ideas, join souls. In fairy tales, when tears are thrown, they frighten away robbers or cause rivers to flood. When sprinkled, they call the spirits. When poured onto the body, they heal lacerations and restore sight. When touched, they cause conception

But the river, though it flowed so slowly, had still a sense of movement and it gave one a melancholy feeling of the transitoriness of things. Everything passed, and what trace of its passage remained? It seemed to Kitty that they were all, the human race, like the drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea. When all things lasted so short a time and nothing mattered very much, it seemed pitiful that men, attaching an absurd importance to trivial objects, should make themselves and one another so unhappy.

That place where I was born was a cold town. Even the mountains stood away. They were not sure, no more than me, of that dark spot, those same mountains. There was a black river that flowed through the town, and if it had no grace for mortal beings, it did for swans, and many swans resorted there, and even rode the river like some kind of plunging animal, in floods.

Everything passed, and what trace of its passage remained? It seemed to Kitty that they were all, the human race, like the drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea.

People had lived by the river in Swat for 3,000 years and always seen it as our lifeline, not a threat, and our valley as a haven from the outside world. Now we had become “the valley of sorrows,” said my cousin Sultan Rome. First the earthquake, then the Taliban, then the military operation, and now, just as we were starting to rebuild, devastating floods arrived to wash all our work away.

God’s love, peace, harmony, and wisdom flood my mind and heart. I love the truth, I hear the truth, and I know the truth that God is Love, and his love surrounds me, enfolds me, and enwraps me. God’s river of peace floods my mind, and I give thanks for my freedom.

The sunset competes with the red glow over Johnstown. And I know, at any given moment, metal is liquid fire lighting the night sky, becoming steel that will build tracks to anywhere she might be. It will build bridges between the glittering stars and the likes of me.

He’d just crossed a great river. His entire country had no permanent rivers, just wadis that flooded briefly with a rare passing shower and soon went dry again. America was such a rich country. That was probably the source of their arrogance, but his mission, and that of his three colleagues, was to take that arrogance down a few pegs. And that, Insh’Allah, they would do, in less than two more days.

Love, being in love, isn’t a constant thing. It doesn’t always flow at the same strength. It’s not always like a river in flood. It’s more like the sea. It has tides, it ebbs and flows. The thing is, when love is real, whether it’s ebbing or flowing, it’s always there, it never goes away. And that’s the only proof you can have that it is real, and not just a crush or an infatuation or a passing fancy.

I've got my own moral compass to steer by A guiding star beats a spirit in the sky And all the preaching voices - Empty vessels ring so loud As they move among the crowd Fools and thieves are well disguised In the temple and market place Like a stone in the river Against the floods of spring I will quietly resist Like the willows in the wind Or the cliffs along the ocean I will quietly resist I don't have faith in faith I don't believe in belief You can call me faithless I still cling to hope And I believe in love And that's faith enough for me I've got my own spirit level for balance To tell if my choice is leaning up or down And all the shouting voices Try to throw me off my course Some by sermon, some by force Fools and thieves are dangerous In the temple and market place Like a forest bows to winter Beneath the deep white silence I will quietly resist Like a flower in the desert That only blooms at night I will quietly resist

I think music is what language once aspired to be. Music allows us to face God on our own terms because it reaches beyond life. I feel moments from the end. The muscles in my bowing arm tighten. The final notes are sonorous I steady my bow like an oar held in a river steering us all toward the bank of now and tomorrow and the day after that. Days ahead like open fields. And night pools outside the concert hall. The city is still wet. The concert hall is glassed in and overlooks a garden. Eyes of rain dot the windows and shiver with each breath of wind. Stars fill the sky then drop to flood the streets and the squares. When it rains even the most insignificant puddle is a map of the universe.

Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

Blood! Obey me! Turn around, be a lake and not a river. When you reach the open air, stop! And build a clotted wall, build it firm to hold the flood back. Blood, your sky is the skull-dome, your sun is the open eye, your wind the breath inside the lungs, blood, your world is bounded. Stay there!

There's a stream that trickles through all of us. It's always there. It's evil and we know this, so we force it to mix with the larger river inside us. We let it be consumed by the greater flow of good. But when the good in the river runs dry and there isn't enough of it to dilute the stream, then the stream flows faster and harder, uncontrolled, and it finally floods one life, then another, then another. And it's always the innocent who are easiest to pull down. It's always the innocent who are standing there on the banks and looking in, curious and trusting and sometimes, maybe, even a little brave.

The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")

On the island at our right was the machine they call the Nilometer, a stone-column whose business it is to mark the rise of the river and prophecy whether it will reach only thirty-two feet and produce a famine, or whether it will properly flood the land at forty and produce plenty, or whether it will rise to forty-three and bring death and destruction to flocks and crops—but how it does all this they could not explain to us so that we could understand.

Baldini stood up. He opened the jalousie and his body was bathed to the knees in the sunset, caught fire like a burnt-out torch glimmering low. He saw the deep red rim of the sun behind the Louvre and the softer fire across the slate roofs of the city. On the river shining like gold below him, the ships had disappeared. And a wind must have come up, for gusts were serrating the surface, and it glittered now here, now there, moving ever closer, as if a giant hand were scattering millions of louis-d’or over the water. For a moment it seemed the direction of the river had changed: it was flowing toward Baldini, a shimmering flood of pure gold.

It's raining. the kind of rain that comes down so heavy it sounds like the shower's running, even when you've turned it off. The kind of rain that makes you think of dams and flash floods, arks. The kind of rain that tells you to crawl back into bed, where the sheets haven't lost your body heat, to pretend that the clock is five minutes earlier than it really is. Ask any kid who's made it past fourth grade and they can tell you: water never stops moving. Rain falls, and runs down a mountain into a river. The river finds it way to the ocean. It evaporates, like a soul, into the clouds. And then, like everything else, it starts all over again.

These words I speak to you are not incidental additions to your life, homeowner improvements to your standard of living. They are foundational words, words to build a life on. If you work these words into your life, you are like a smart carpenter who built his house on solid rock. Rain poured down, the river flooded, a tornado hit—but nothing moved that house. It was fixed to the rock. But if you just use my words in Bible studies and don’t work them into your life, you are like a stupid carpenter who built his house on the sandy beach. When a storm rolled in and the waves came up, it collapsed like a house of cards.” — MATTHEW 7:24-27 (THE MESSAGE

No matter the border, the Mekong has been an indiscriminate giver and taker of life in Southeast Asia for thousands of years. It’s a paradox like civilization’s other great rivers—be it the Nile, Indus, Euphrates, Ganges or China’s Sorrow the Huang He—for without its waters life is a daily struggle for survival; yet with its waters life is a daily bet that natural disasters and diseases will visit someone else’s village, because it’s not if, but when it’s going to happen that’s the relevant question.

Every year several million people are killed quite pointlessly by epidemics and other natural catastrophes. And we should shrink from sacrificing a few hundred thousand for the most promising experiment in history? Not to mention the legions of those who die of under-nourishment and tuberculosis in coal and quicksilver mines, rice-fields and cotton plantations. No one takes any notice of them; nobody asks why or what for; but if here we shoot a few thousand objectively harmful people, the humanitarians all over the world foam at the mouth. Yes, we liquidated the parasitic part of the peasantry and let it die of starvation. It was a surgical operation which had to be done once and for all; but in the good old days before the Revolution just as many died in any dry year—only senselessly and pointlessly. The victims of the Yellow River floods in China amount sometimes to hundreds of thousands. Nature is generous in her senseless experiments on mankind. Why should mankind not have the right to experiment on itself?

Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That's it. That's my heart.

Emptiness is the track on which the centered person moves," said a Tibetan sage six hundred years ago, and the book where I found this edict followed it with an explanation of the word "track" in Tibetan: shul, "a mark that remains after that which made it has passed by - a footprint for example. In other contexts, shul is used to describe the scarred hollow in the ground where a house once stood, the channel worn through rock where a river runs in flood, the indentation in the grass where an animal slept last night.

THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre.

Consider a narrow deep river valley below a high dam, such that if the dam burst, the resulting flood of water would drown people for a long distance downstream. When attitude pollsters ask people downstream of the dam how concerned they are about the dam’s bursting, it’s not surprising that fear of a dam burst is lowest far downstream, and increases among residents increasingly close to the dam. Surprisingly, though, when one gets within a few miles of the dam, where fear of the dam’s breaking is highest, as you then get closer to the dam the concern falls off to zero! That is, the people living immediately under the dam who are certain to be drowned in a dam burst profess unconcern. That is because of psychological denial: the only way of preserving one’s sanity while living immediately under the high dam is to deny the finite possibility that it could burst.

And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That's it. That's my heart.

he imagined fate as a goddess, capricious and fickle, or as a river, which could flood at any moment

A dam is monumentally static; it tries to bring a river under control, to regulate its seasonal pattern of floods and low flow.

For property is robbery, but then, we are all robbers or would-be robbers together, and have found it essential to organise our thieving, as we have found it necessary to organise our lust and revenge. Property, marriage, the law; as the bed to the river, so rule and convention to the instinct; and woe to him who tampers with the banks while the flood is flowing.

We all have this same intense ability to love running through us. It wasn't only Jun. But for some reason, so many of us don't use it like he did. We keep it hidden. We bury it until it becomes an underground river. Until we barely remember it's there. Until it's too far down to tap. But maybe it's time to dig it up. To let the sun hit the water. To let it flood.

It was all due to her mother’s lack of attention to spelling, she speculated. A caring parent would have spelled Margaret correctly. And then she could have been a Peggy, or a Maggie – big, robust names, full of reliability. There wasn’t much you could do with a Magrat. It sounded like something that lived in a hole in a river bank and was always getting flooded out.

For fifteen years I have been intently studying earthly life. It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...

I was being swept up in a river, yet even then, I was old enough to know; there's a difference between those who swim with the flood and those who drown fighting it. And its name is Wisdom.

They all knew this was coming. They all knew war would reach into the pools of kinship between countless people and gut the innards of it like emptying out a pumpkin. So many seeds torn away and crushed into nothing; seeds of friendship, seeds of romance, seeds of family. All of them planted and ruined in various stages, left with nothing but growing pains and, worse than that, the pain of absent growth altogether. War is cruel. It's cancerous. The end of the world is always tied to war, isn't it? Maybe this is why; because war is so much more than just war. It goes beyond bullets and blood and bodies. War comes in like a flood, like a disease, and it claims anyone who comes in contact with it. Even the living can't get free from it; they're as claimed as the dead are. Once war touches them, they're branded to their last breath. In this world, most people have been branded for a lot longer than they stepped on their first battlefield.

It is miracle enough to find that love lies in his grasp, that it can be spoken aloud, that he, so diffident, so slow, so thwarted by the poverty of his own beginnings, is able to put into words the fevers of his heart and at the same time offer up the endearments a woman needs to hear. The knowledge shocked him at first, how language flowed straight out of him like a river in flood, but once the words burst from his throat it was as though he had found his true tongue. He cannot imagine, thinking back, why he had believed himself incapable of passionate expression.

From the will of a freedom-fighter, Farzad Kamangar: "Is it possible to be a teacher and not show the path to the sea to the little fish of the country? Is it possible to carry the heavy burden of being a teacher and be responsible for spreading the seeds of knowledge and still be silent? Is it possible to see the lumps in the throats of the students and witness their thin and malnourished faces and keep quiet? … I cannot imagine witnessing the pain and poverty of the people of this land and fail to give our hearts to the river and the sea, to the roar and the flood.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist.

How divine the coming of the morning,—the coming of the Sun,—exorcising the shadowy terrors of the night with infinite restoration of color! I look upon the woods, and they are not the same: the palms have vanished; the cypresses have fled away; trees young and comely and brightly green replace them. A hand is laid upon my shoulder,—the hand of the gray Captain: 'Go forward, and see what you have never seen before.' Even as he speaks, our boat, turning sharply, steams out of the green water into—what can I call it?—a flood of fluid crystal,—a river of molten diamond,—a current of liquid light?

You’re hurting me,” she whimpered, unable to enjoy the moment as the harrowing pain from her spanking was too intense. “This is not about you, Skylar Jeannine. It is about my claim to you,” Tralec announced through gritted teeth as his gills began to flush and his organ grew painfully tight inside of her ass. “I am claiming you as mine forever. Accept me!” he demanded, flooding her with a massive river of his juices.

Two Jokes 1. A man is standing on the bank of a river when it suddenly begins to flood. His wife and his mistress are both being swept away. Who should he save? His wife. (Because his mistress will always understand.) 2. A man is standing on the bank of a river when it suddenly begins to flood. His wife and his mistress are both being swept away. Who should he save? His mistress. (Because his wife will never understand.)

River, the word, contains within it all rivers, which flow like tributaries into it. And this word contains not only all rivers, but more important all my rivers: every accesible experience of every river I've seen, swum in, fished, heard about, felt directly or been affected by in any other manner oblique, secondhand or otherwise. These "rivers" are infinitely tessellating rills and affluents that feed fiction's ability to spur the imagination. I read the word river and, with or without context, I'll dip beneath its surface. (I'm a child wading in the moil and suck, my feet cut on a river's rock-bottom; or the gray river just out the window, now, just to my right, over the trees of the park-spackled with ice. Or-the almost seismic eroticism of a memory from my teens-of the shift of a skirt on a girl in spring, on a quai by an arabesque of a river, in a foreign city...) This is a word's dormant power, brimming with pertinence. So little is needed from the author, when you think of it. (We are already flooded by river water, and only need the author to tap this reservoir.

Humboldt was the first to relate colonialism to the devastation of the environment. Again and again, his thoughts returned to nature as a complex web of life but also to man’s place within it. At the Rio Apure, he had seen the devastation caused by the Spanish who had tried to control the annual flooding by building a dam. To make matters worse, they had also felled the trees that had held the riverbanks together like ‘a very tight wall’ with the result that the raging river carried more land away each year. On the high plateau of Mexico City, Humboldt had observed how a lake that fed the local irrigation system had shrunk into a shallow puddle, leaving the valleys beneath barren. Everywhere in the world, Humboldt said, water engineers were guilty of such short-sighted follies. He debated nature, ecological issues, imperial power and politics in relation to each other. He criticized unjust land distribution, monocultures, violence against tribal groups and indigenous work conditions – all powerfully relevant issues today. As a former mining inspector, Humboldt had a unique insight into the environmental and economic consequences of the exploitation of nature’s riches. He questioned Mexico’s dependence on cash crops and mining, for example, because it bound the country to fluctuating international market prices. ‘The only capital,’ he said, that ‘increases with time, consists in the produce of agriculture’. All problems in the colonies, he was certain, were the result of the ‘imprudent activities of the Europeans’.

On every side 450 600 men shouted out in agony and triumph, killing and being killed. The earth was flooded with blood—as when from two opposing mountains from mighty springs, two river torrents, swollen by winter storms, flow down the deep ravines, then clash, collide, and mingle in the gorge, creating an enormous flood—the shepherd high on the hilltop hears the waters roar— such was the noise of fighting and of screaming as those two armies met.

My life before the flood was manageable; during the flood it was chaos. The National Weather Service only reported river levels, and at times, crest predictions. It didn't report or predict everything else that could go wrong.

A dark, omnipresent pool of water. It was probably always there, hidden away somewhere. But when the time comes it silently rushes out, chilling every cell in your body. You drown in that cruel flood, gasping for breath. You cling to a vent near the ceiling, struggling, but the air you manage to breathe is dry and burns your throat. Water and thirst, cold and heat – these supposedly opposite elements combine to assault you. The world is a huge space, but the space that will take you in – and it doesn’t have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes these prophetic voice pushes a secret switch hidden deep inside your brain. Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still, the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.

This is what it's like to drown: You take a last look at the sky, a last breath, slowly. Air goes into your lungs and then you are under water. You let the air out molecule by molecule, realizing for the first time how precious it is, this thing that feels so much like nothing, neither liquid nor solid. Your eyes are open wide. The world goes cool and green and you keep falling. There are shapes in the darkness, fronds of river weed waving, dark indescribable things that float and then sink with you. You never knew you were so heavy. The density of your flesh has never been of such prime importance. The air leaks out of you in spite of your mightiest attempts to hold it. You need more but there is none. Leafy things flail. The water's coolness is no longer soothing. You gasp. Water rushes into your lungs and floods them. Your eyes stare wider. You thrash. You want more than anything to live, to be able to rise again, but you keep falling. The river is bottomless. It pushes you along in the direction of its current like an impatient auntie, but it won't let you to the surface. Your eyes are wide open, but slowly everything goes black. You begin to float beneath the surface. You are conscious of the coolness again, of how green everything is. You move with the water and through it. You have left your body far behind. The river has become a part of you.

Years of emotions unfurled, and like a river breaking its banks, she responded with a flood of emotions. Their kiss went on and on, and she was oblivious of everything else except his lips, and his hand pinning her body against him. Passion she never knew she had, never thought possible, flooded her body as she melted against him. And she wanted to be free, to feel these emotions for the rest of her life, to be loved and cherished, to wake up in his arms.

but this is what I think: you only see what you expect to see. Your brain lets the rest go. Because life’s tumult, with its infinite sounds and smells and signs, rushes around you like a river in flood: you can only take in, you can only grasp, so much.

THE BLUE DRESS Her blue dress is a silk train is a river is water seeps into the cobblestone steps of my sleep, is still raining is monsoon brocade, is winter stars stitched into puddles is goodbye in a flooded, antique room, is goodbye in a room of crystal bowls and crystal cups, is the ring-ting-ring of water dripping from the mouths of crystal bowls and crystal cups, is the Mississippi river is a hallway, is leaks like tears from windowsills of a drowned house, is windows open to waterfalls is a bed is a small boat is a ship, is a currant come to carry me in its arms through the streets, is me floating in her dress through the streets is the moon sees me floating through the streets, is me in a blue dress out to sea, is my mother is a moon out to sea.

My love and I are inventing a country, which we can already see taking shape, as if wheels were passing through yellow mud. But there is a problem: if we put a river in the country, it will thaw and begin flooding. If we put the river on the border, there will be trouble. If we forget about the river, there will be now way out. There is already a sky over that country, waiting for clouds or smoke. Birds have flown into it, too. Each evening more trees fill with their eyes, and what they see we can never erase.

(There is always another country and always another place. There is always another name and another face. And the name and the face are you, and you The name and the face, and the stream you gaze into Will show the adoring face, show the lips that lift to you As you lean with the implacable thirst of self, As you lean to the image which is yourself, To set the lip to lip, fix eye on bulging eye, To drink not of the stream but of your deep identity, But water is water and it flows, Under the image on the water the water coils and goes And its own beginning and its end only the water knows. There are many countries and the rivers in them -Cumberland, Tennessee, Ohio, Colorado, Pecos, Little Big Horn, And Roll, Missouri, roll. But there is only water in them. And in the new country and in the new, place The eyes of the new friend will reflect the new face And his mouth will speak to frame The syllables of the new name And the name is you and is the agitation of the air And is the wind and the wind runs and the wind is everywhere. The name and the face are you. And they are you. Are new. For they have been dipped in the healing flood. For they have been dipped in the redeeming blood. For they have been dipped in Time And Time is only beginnings Time is only and always beginnings And is the redemption of our crime And is our Saviour's priceless blood. For Time is always the new place, And no-place. For Time is always the new name and the new face, And no-name and no-face. For Time is motion For Time is innocence For Time is West.)

At four degrees, there would be eight million more cases of dengue fever each year in Latin America alone and close to annual global food crises. There could be 9 percent more heat-related deaths. Damages from river flooding would grow thirtyfold in Bangladesh, twentyfold in India, and as much as sixtyfold in the United Kingdom. In certain places, six climate-driven natural disasters could strike simultaneously, and, globally, damages could pass $600 trillion—more than twice the wealth as exists in the world today. Conflict and warfare could double.

Aubade to Langston" When the light wakes & finds again the music of brooms in Mexico, when daylight pulls our hands from grief, & hearts cleaned raw with sawdust & saltwater flood their dazzling vessels, when the catfish in the river raise their eyelids towards your face, when sweetgrass bends in waves across battlefields where sweat & sugar marry, when we hear our people wearing tongues fine with plain greeting: How You Doing, Good Morning when I pour coffee & remember my mother’s love of buttered grits, when the trains far away in memory begin to turn their engines toward a deep past of knowing, when all I want to do is burn my masks, when I see a woman walking down the street holding her mind like a leather belt, when I pluck a blues note for my lazy shadow & cast its soul from my page, when I see God’s eyes looking up at black folks flying between moonlight & museum, when I see a good-looking people who are my truest poetry, when I pick up this pencil like a flute & blow myself away from my death, I listen to you again beneath the mercy of a blue morning’s grammar. Originally published in the Southern Humanities Review, Vol. 49.3

Days after the Vignes twins left Mallard, the river flooded, turning all the roads to muck. If they’d waited a day longer, the storm would’ve flushed them out. If not rain, then the mud. They would’ve trudged halfway down Partridge Road, then thought, forget it. They weren’t tough girls. Wouldn’t have lasted five miles down a muddy country road—they would’ve returned home, drenched, and fallen asleep in their beds, Desiree admitting that she’d been impulsive, Stella that she was only being loyal. But it didn’t rain that night. The sky was clear when the twins left home without looking back.

They nailed their stakes into the earth of my life, those farmers. They knew the place in me where the river stopped, and they marked it with a new name. Shantaram Kishan Kharre. I don’t know if they found the name in the heart of the man they believed me to be, or if they planted it there, like a wishing tree, to bloom and grow. Whatever the case, whether they discovered that peace or created it, the truth is that the man I am was born in those moments, as I stood near the flood sticks with my face lifted to the chrismal rain. Shantaram. The better man that, slowly, and much too late, I began to be.

The life-giving preacher is a man of God, whose heart is ever athirst for God, whose soul is ever following hard after God, whose eye is single to God, and in whom by the power of God’s Spirit the flesh and the world have been crucified and his ministry is like the generous flood of a life-giving river.

The great human being is a finale; the great age — the Renaissance, for example — is a finale. The genius, in work and deed, is necessarily a squanderer: that he squanders himself, that is his greatness! The instinct of self-preservation is suspended, as it were: the overpowering pressure of outflowing forces forbids him any such care or caution. People call this 'self-sacrifice' and praise his 'heroism,' his indifference to his own well-being, his devotion to an idea, a great cause, a fatherland: without exception, misunderstandings. He flows out, he overflows, he uses himself up, he does not spare himself — and this is a calamitous involuntary fatality, no less than a river's flooding the land. Yet, because much is owed to such explosives, much has also been given them in return: for example, a kind of higher morality. After all, that is the way of human gratitude: it misunderstands its benefactors.

My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me.

Inexplicably, I felt a war was coming on, and for many nights I had dreams that I died in battle. I dreamed of mountains that crumbled and rivers that flooded. My dreams were apocalyptic and savage. I began to fear that I was a prophet and that I would soon be called upon to speak. I waited for God's voice.

The broken pillar of the wing jags from the clotted shoulder, The wing trails like a banner in defeat, No more to use the sky forever but live with famine And pain a few days: cat nor coyote Will shorten the week of waiting for death, there is game without talons. He stands under the oak-bush and waits The lame feet of salvation; at night he remembers freedom And flies in a dream, the dawns ruin it. He is strong and pain is worse to the strong, incapacity is worse. The curs of the day come and torment him At distance, no one but death the redeemer will humble that head, The intrepid readiness, the terrible eyes. The wild God of the world is sometimes merciful to those That ask mercy, not often to the arrogant. You do not know him, you communal people, or you have forgotten him; Intemperate and savage, the hawk remembers him; Beautiful and wild, the hawks, and men that are dying, remember him. II I'd sooner, except the penalties, kill a man than a hawk; but the great redtail Had nothing left but unable misery From the bone too shattered for mending, the wing that trailed under his talons when he moved. We had fed him six weeks, I gave him freedom, He wandered over the foreland hill and returned in the evening, asking for death, Not like a beggar, still eyed with the old Implacable arrogance. I gave him the lead gift in the twilight. What fell was relaxed, Owl-downy, soft feminine feathers; but what Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising Before it was quite unsheathed from reality

My eyes were covered and closed: eddying darkness seemed to swim around me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried up bed of a great river: I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint longing to be dead. One idea only still throbbed life like within me- a remembrance of God: it be got an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy found to express them

But he wanted to leap up, to say to her, I have been sick and I found out then, only then, how lonely I am. Is it too late? My heart puts up a struggle inside me, and you may have heard it, protesting against emptiness. . . . It should be full, he would rush on to tell her, thinking of his heart now as a deep lake, it should be holding love like other hearts. It should be flooded with love. There would be a warm spring day. . . . Come and stand in my heart, whoever you are, and a whole river would cover your feet and rise higher and take your knees in whirlpools, and draw you down to itself, your whole body, your heart too.

She sees and hears this by direct gathering, through her limbs. The fires will come, despite all efforts, the blight and windthrow and floods. Then the Earth will become another thing, and people will learn it all over again. The vaults of seed banks will be thrown open. Second growth will rush back in, supple, loud, and testing all possibilities. Webs of forest will swell with species shot through in shadow and dappled by new design. Each streak of color on the carpeted Earth will rebuild its pollinators. Fish will surge again up all the watersheds, stacking themselves as thick as cordwood through the rivers, thousands per mile. Once the real world ends.

Gutenberg (hesitantly): Perhaps the book, like God, is an idea some men will cling to. The revolution of print pursued a natural course. Like a river, print flowed to its readers, and the cheapness of the means permitted it, where the channel was narrow, to trickle. This electronic flood you describe has no banks; it massively delivers but what to whom? There is something intrinsically small about its content, compared to the genius of its working. And--if I may point out a technical problem--its product never achieves autonomy from its means of delivery. A book can lie unread for a century, and all it needs to come to life is to be scanned by a literate brain.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

From Kathmandu there is a road through Gorkha Country to Pokhara, in the central foothills; farther west, no roads exist at all. The road winds through steep gorges of the Trisuli River, now in torrent; dirty whitecaps filled the rapids, and the brown flood was thickened every now and again by thunderous rockslides down the walls of the ravine.

Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre.

In a sudden and soundless eruption, as if he has fallen into a waking dream, a stream of images pours down, images of women he has known on two continents, some from so far away in time that he barely recognizes them. Like leaves blown on the wind, pell-mell, they pass before him. A fair field full of folk: hundreds of lives all tangled with his. He holds his breath, willing the vision to continue. What has happened to them, all those women, all those lives? Are there moments when they too, or some of them, are plunged without warning into the ocean of memory? The German girl: is it possible that at this very instant she is remembering the man who picked her up on the roadside in Africa and spent the night with her? Enriched: that was the word the newspapers picked on to jeer at. A stupid word to let slip, under the circumstances, yet now, at this moment, he would stand by it. By Melanie, by the girl in Touws River; by Rosalind, Bev Shaw, Soraya: by each of them he was enriched, and by the others too, even the least of them, even the failures. Like a flower blooming in his breast, his heart floods with thankfulness.

She was a mimicry of a façade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...

They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead.

We have raped the natural world, damming rivers and carelessly using up resources, polluting the atmosphere, and battling the nurturer, Mother Earth. Now nature fights back with a fury of natural disasters: hurricanes, tsunamis, tornadoes, droughts, floods, and global warming. In response we fight climate change, seeking to stop it without addressing the underlying attitude that created the problem to begin with.

Technically, I entered Mawrth Vallis yesterday. But I only knew that by looking at a map. The entrance to the valley is wide enough that I couldn’t see the canyon walls in either direction. But now I’m definitely in a canyon. And the bottom is nice and flat. Exactly what I was hoping for. It’s amazing; this valley wasn’t made by a river slowly carving it away. It was made by a mega-flood in a single day. It would have been a hell of a thing to see.

Then a silence fell between them. She had ceased to lean against him, and he missed the cosy friendliness of it. Now that their voices and the cawings of the rooks had ceased, there was nothing heard but the dry rustle of the leaves, and the plaintive cry of a buzzard hawk hunting over the little tor across the river. There were nearly always two up there, quartering the sky. To the boy it was lovely, that silence—like Nature talking to you—Nature always talked in silences. The beasts, the birds, the insects, only really showed themselves when you were still; you had to be awfully quiet, too, for flowers and plants, otherwise you couldn't see the real jolly separate life there was in them. Even the boulders down there, that old Godden thought had been washed up by the Flood, never showed you what queer shapes they had, and let you feel close to them, unless you were thinking of nothing else.

Cutangle nodded. He felt that the last couple of hours had somehow carried him along without him actually touching the sides, and for a moment he nursed the strangely consoling feeling that his life was totally beyond his control and whatever happened no one could blame him. Filling his boots with water while adrift on a flooded river at midnight with what he could only describe as a woman seemed about as logical as anything could be in the circumstances.

She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.

Foolish man, what do you bemoan, and what do you fear? Wherever you look there is an end of evils. You see that yawning precipice? It leads to liberty. You see that flood, that river, that well? Liberty houses within them. You see that stunted, parched, and sorry tree? From each branch liberty hangs. Your neck, your throat, your heart are all so many ways of escape from slavery [...] Do you enquire the road to freedom? You shall find it in every vein of your body.

After an eventful journey - it was even life-threatening because of flooding in Como, which I only reached late at night - I arrived in Turin on the afternoon of the 21st, my proven place, my residence from then on. I took the same apartment that I had in the spring, via Carlo Alberto 6, III, across from the enormous Palazzo Carignano where Vittore Emanuele was born, with a view of the Piazza Carlo Alberto and the hills beyond. I went back to work without delay: only the last quarter of the work was left to be done. Great victory on 30 September; the conclusion of the Revaluation; the leisure of a god walking along the river Po. That same day, I wrote the Preface to Twilight of the Idols: I had corrected the manuscript for it in September, as my recuperation. - I never experienced an autumn like this before, I never thought anything like this could happen on earth, - a Claude Lorrain projected out to infinity, every day having the same tremendous perfection.

He taught me to pay attention.” “To what? “Everything. The beauty of it all. The way the earth smells wet and raw when it’s first turned in the spring or after a summer rain. How the wind bends a field of tall grass into a moving sea. The creak and moan of trees, like they’re talking to one another, or to us if we listen. Everything about the river, the Alabaster. I grew up fishing it, swimming it, watching it flood the fields again and again. My father had great respect for that river.

Long I have known and feared this day would come. Like the circle of Earth, the circle of life is changing. Here in the north, there are those who can still feel, see, and smell the changes wrought in and around Earth by Money Chiefs. The air is no longer clean, winter grows warmer, rivers flood without a sign, and the soil, once dark and rich, lies pale and weak. Bears, wolves, and other forest Spirits will soon go the way of the buffalo, for their food dwindles like birds that once ruled the skies.

The first thing which the native learns is to stay in his place and not to go beyond certain limits. This is why the dreams of the native are always of muscular prowess; his dreams are of action and aggression. I dream I am jumping, swimming, running, climbing. I dream that I burst out laughing, that I span a river in one stride, or that I am followed by a flood of motorcars which never catch up with me. During the period of colonization, the native never stops achieving his freedom from nine in the evening until six in the morning.

Crowded in the corner of where Fruitless Mountain and the Jade River met was a village that was a shade of faded brown. This was because the land around the village was hard and poor. To coax rice out of the stubborn land, the fields had to be flooded with water. The villagers had to tramp in the mud, bending and stooping and planting day after day. Working in the mud so much made it spread everywhere and the hot sun dried it onto their clothes and hair and homes. Over time, everything in the village had become the dull color of dried mud.

The fisherman-painter has the best of the bargain as far as the weather goes, for the weather that is too bright for the trout deluges his hills and his sea with floods of radiant colour; the rain that interrupts picture-making puts water into the rivers and the lochs and sends him hopefully forth with rod and creel; while on cold dull days, when there is neither purple on the hills nor fly on the river, he can join a friendly party in a cosy bar and exchange information about Cardinals and March Browns, and practise making intricate knots in gut.

You remind me of the man that lived by the river. He heard a radio report that the river was going to rush up and flood the town, and that the all the residents should evacuate their homes. But the man said, "I'm religious. I pray. God loves me. God will save me." The waters rose up. A guy in a rowboat came along and he shouted, "Hey, hey you, you in there. The town is flooding. Let me take you to safety." But the man shouted back, "I'm religious. I pray. God loves me. God will save me." A helicopter was hovering overhead and a guy with a megaphone shouted, "Hey you, you down there. The town is flooding. Let me drop this ladder and I'll take you to safety." But the man shouted back that he was religious, that he prayed, that God loved him and that God will take him to safety. Well... the man drowned. And standing at the gates of St. Peter he demanded an audience with God. "Lord," he said, "I'm a religious man, I pray, I thought you loved me. Why did this happen?" God said, "I sent you a radio report, a helicopter and a guy in a rowboat. What the hell are you doing here? He sent you a priest, a rabbi and a Quaker. Not to mention his son, Jesus Christ. What do you want from him?

The country, it seemed, was on the verge of a second civil war, this one over industrial slavery. But Frick was a gambler who cared little what the world thought of him. He was already a villain in the public’s eye, thanks to a disaster of epic proportions three years earlier. Frick and a band of wealthy friends had established the South Fork Fishing and Hunting Club on land near an unused reservoir high in the hills above the small Pennsylvania city of Johnstown, 70 miles east of Pittsburgh. The club beautified the grounds around the dam but paid little attention to the dam itself, which held back the Conemaugh River and was in poor condition from years of neglect. On May 31, 1889, after heavy rainfall, the dam gave way, releasing nearly 5 billion gallons of water from Lake Conemaugh into Johnstown and killing 2,209 people. What became known as the Johnstown Flood caused $17 million in damages. Frick’s carefully crafted corporate structure for the club made it impossible for victims to pursue the financial assets of its members. Although he personally donated several thousands of dollars to relief efforts, Frick remained to many a scoundrel, the prototype of the uncaring robber baron of the Gilded Age.

My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me—a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them

We heard the United States had a new president, that she was arranging for a loan from the Commonwealth to bail us out. We heard the White House was burning and the National Guard was fighting the Secret Service in the streets of DC. We heard there was no water left in Los Angeles, that hordes of people were trying to walk north through the drought-ridden Central Valley. We heard that the county to the east of us still had electricity and that the Third World was rallying to send us support. And then we heard that China and Russia were at war and the US had been forgotten. Although the Fundamentalists' predictions of Armageddon grew more intense, and everyone else complained with increasing bitterness about everything from the last of chewing gum to the closure of Redwood General Hospital, still, among most people there was an odd sense of buoyancy, a sort of surreptitious relief, the same feeling Eva and I used to have every few years when the river that flows through Redwood flooded, washing out roads and closing businesses for a day or two. We knew a flood was inconvenient and destructive At the same time we couldn't help but feel a peculiar sort of delight that something beyond us was large enough to destroy the inexorability of our routines.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

CHANGGAN MEMORIES When first my hair began to cover my forehead, I picked and played with flowers before the gate. You came riding on a bamboo horse, And circled the walkway, playing with green plums. We lived together, here in Changgan county, Two children, without the least suspicion. When I was fourteen, I became your wife, So shy that still my face remained unopened. I bowed my head towards the shadowed wall, And called one thousand times, I turned not once. At 15 I began to lift my brows, And wished to be with you as dust with ashes. You always kept your massive pillar faith, I had no need to climb the lookout hill. When I was sixteen, you went far away, To Yanyudui, within the Qutang gorge. You should not risk the dangerous floods of May, Now from the sky, the monkeys cry in mourning. Before the gate, my pacing's left a mark, Little by little, the green moss has grown. The moss is now too deep to sweep away, And leaves fall in the autumn's early winds. This August, all the butterflies are yellow, A pair fly over the western garden's grass. I feel that they are damaging my heart, Through worrying, my rosy face grows old. When you come down the river from Sanba, Beforehand, send a letter to your home. We'll go to meet each other, however far, I'll come up to Changfengsha.

Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it." "Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?" The question took Jax by surprise. He sat back, quite unable to find a response. I've seen you stars, he wanted to say, and this is impossible. All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died. Robb shifted, uncomfortable. "Or--or if you don't feel the same way--" "I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--" "I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away. "I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?" Robb's brow furrowed. "Screw fate. I'll tear down the stars for you." For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried. Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars." He laughed. "You make being mad at you hard, ma'alor." "I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?" Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all. Until new images came flooding across his senses like a wave of darkness across the stars.

His ranch adjoined the Rio Grande, the river that formed the boundary between the United States and Mexico, with its poverty, caste system, and systemic corruption. So the poor Mexicans migrated. Over thirteen million of them, over a fifth of the Mexican population, had crossed that border illegally in the last fifty years and were grubbing for work in the United States, usually for minimum wage, or living on welfare and food stamps. Illiterate, unskilled, and usually unable to speak English, they flooded the schools with their children, kept blue-collar wages low, and formed an underclass that resisted assimilation and required huge amounts of public assistance dollars.

The river is rising. All over the planet the floods come often and the structures we build to contain them prove more ineffectual. It does not matter what kind of dikes we build. We can throw up massive security forces and still the drugs move at will. We can build big steel walls and still the people cross and move and mock the walls. We can create quarantines and still the plagues migrate to new ground and flesh. The world we think we believe in is ending before our eyes and no amount of meetings or discussions will come up with enough sandbags to stop the flow. Our fathers and mothers placed their faith in the new high dams. We sense the rivers cannot really be tamed.

If I am asked, What do you propose to substitute for universal suffrage? Practically, What have you to recommend? I answer at once, Nothing. The whole current of thought and feeling, the whole stream of human affairs, is setting with irresistible force in that direction. The old ways of living, many of which were just as bad in their time as any of our devices can be in ours, are breaking down all over Europe, and are floating this way and that like haycocks in a flood. Nor do I see why any wise man should expend much thought or trouble on trying to save their wrecks. The waters are out and no human force can turn them back, but I do not see why as we go with the stream we need sing Hallelujah to the river god.

All the same, and so as not to give up on our free will, I reckon it may be true that luck decides the half of what we do, but it leaves the other half, more or less, to us. It’s like one of those raging rivers that sometimes rise and flood the plain, tearing down trees and buildings, dragging soil from one place and dumping it down in another. Everybody runs for safety, no one can resist the rush, there’s no way you can stop it. Still, the fact that a river is like this doesn’t prevent us from preparing for trouble when levels are low, building banks and dykes, so that when the water rises the next time it can be contained in a single channel and the rush of the river in flood is not so uncontrolled and destructive.

wet. I’d much rather have God part the river, and then I’ll step into the miracle. That way I don’t get my feet wet, but if we aren’t willing to get our feet wet, we’ll never walk through parted rivers on dry ground. At flood tide, the Jordan River was approximately two hundred feet wide. That was all that separated the Israelites from their four-hundred-year-old promise. Their dream was practically a stone’s throw away. But if the priests hadn’t stepped into the river, they may well have spent the rest of their lives on the eastern banks of the Jordan River. And that’s where many of us spend our lives. We’re so close to the dream, so close to the promise, so close to the miracle. But we’re waiting for God to part the river, while God is waiting for us to get our feet wet.

These are the forgeries of jealousy; And never, since the middle summer’s spring, Met we on hill, in dale, forest, or mead, By pavèd fountain or by rushy brook, Or in the beachèd margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. Therefore the winds, piping to us in vain, As in revenge have sucked up from the sea Contagious fogs, which, falling in the land, Hath every pelting river made so proud That they have overborne their continents. The ox hath therefore stretched his yoke in vain, The plowman lost his sweat, and the green corn Hath rotted ere his youth attained a beard. The fold stands empty in the drownèd field, And crows are fatted with the murrain flock. The nine-men’s-morris is filled up with mud, And the quaint mazes in the wanton green, For lack of tread, are undistinguishable. The human mortals want their winter here. No night is now with hymn or carol blessed. Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound. And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems’ thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set. The spring, the summer, The childing autumn, angry winter, change Their wonted liveries, and the mazèd world By their increase now knows not which is which. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original.

It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.

O my dark Rosaleen,     Do not sigh, do not weep! The priests are on the ocean green,     They march along the deep. There’s wine from the royal Pope,     Upon the ocean green;    And Spanish ale shall give you hope,        My Dark Rosaleen!     My own Rosaleen! Shall glad your heart, shall give you hope, Shall give you health, and help, and hope,     My Dark Rosaleen! Over hills, and thro’ dales,     Have I roam’d for your sake; All yesterday I sail’d with sails     On river and on lake. The Erne, at its highest flood,     I dash’d across unseen, For there was lightning in my blood,     My Dark Rosaleen!     My own Rosaleen! O, there was lightning in my blood, Red lighten’d thro’ my blood.     My Dark Rosaleen! All day long, in unrest,     To and fro, do I move. The very soul within my breast     Is wasted for you, love! The heart in my bosom faints     To think of you, my Queen, My life of life, my saint of saints,     My Dark Rosaleen!     My own Rosaleen! To hear your sweet and sad complaints, My life, my love, my saint of saints,     My Dark Rosaleen! Woe and pain, pain and woe,     Are my lot, night and noon, To see your bright face clouded so,     Like to the mournful moon. But yet will I rear your throne     Again in golden sheen; ‘Tis you shall reign, shall reign alone,     My Dark Rosaleen!     My own Rosaleen! ‘Tis you shall have the golden throne, ‘Tis you shall reign, and reign alone,     My Dark Rosaleen! Over dews, over sands,     Will I fly, for your weal: Your holy delicate white hands     Shall girdle me with steel. At home, in your emerald bowers,     From morning’s dawn till e’en, You’ll pray for me, my flower of flowers,     My Dark Rosaleen!     My fond Rosaleen! You’ll think of me through daylight hours My virgin flower, my flower of flowers,     My Dark Rosaleen! I could scale the blue air,     I could plough the high hills, Oh, I could kneel all night in prayer,     To heal your many ills! And one beamy smile from you     Would float like light between My toils and me, my own, my true,     My Dark Rosaleen!     My fond Rosaleen! Would give me life and soul anew,     My Dark Rosaleen! O, the Erne shall run red,     With redundance of blood, The earth shall rock beneath our tread,        And flames wrap hill and wood, And gun-peal and slogan-cry     Wake many a glen serene, Ere you shall fade, ere you shall die,     My Dark Rosaleen!     My own Rosaleen! The Judgement Hour must first be nigh, Ere you can fade, ere you can die,     My Dark Rosaleen!

Up rose the scent of green-apple shampoo. Of river stones once the flood has gone. The taste of winter sky laced with sulfur fumes. A kiss beneath a white-hearted tree. A hot still day holding its breath. We removed the contents one by one. There were two blue plastic hair combs. A tough girl's black rubber-band bracelet. A newspaper advertisement for a secretarial school folded in half. A blond braid wrapped in gladwrap. A silver necklace with a half-a-broken-heart pendant. An address, written in a leftward-slanting hand, on a scrap of paper. Ballet shoes wrapped in laces. From the box came the sound of bicycle tires humming on hot pavement. Of bare feet running through crackling grass. Of frantic fingers unstitching an embroidered flower. Of paper wings rising on a sudden wind. Of the lake breathing against the shore. I didn't say anything. I kept very still.

Cairo: the future city, the new metropole of plants cascading from solar-paneled roofs to tree-lined avenues with white washed facades abut careful restorations and integrated innovations all shining together in a chorus of new and old. Civil initiatives will soon find easy housing in the abandoned architectural prizes of Downtown, the river will be flooded with public transportation, the shaded spaces underneath bridges and flyovers will flower into common land connected by tramways to dignified schools and clean hospitals and eclectic bookshops and public parks humming with music in the evenings. The revolution has begun and people, every day, are supplanting the regime with their energy and initiative in this cement super colony that for decades of state failure has held itself together with a collective supraintelligence keeping it from collapse. Something here, in Cairo's combination of permanence and piety and proximity, bound people together.

Then Israel Finch got to his feet and pointed the light at Dolly. He told Tommy to hold her arms, and Tommy roared as if they were the funniest words in his reduced language. Realizing his cut wasn’t mortal, Israel slapped Dolly across the mouth, told her she was in for deep regret now, boy, and reaching forth his strong smelly hands rent open the front of her sweater. That, Dolly said, is when she would’ve started to give up inside, had she not looked over Israel’s shoulder and seen Dad coming. Keep in mind he ought not’ve been visible at all; there were no lights on but the flashlight, which was aimed at Dolly. She said Dad’s face coming toward them was luminous of itself, glowing and serene, the way you’d suppose an angel’s would be, that it rose up behind Israel Finch like a sudden moon, and when Tommy Basca saw it he was so startled he dropped her right down on her bottom. She said Dad was as silent, those next moments, as he was incandescent; he made no sound except a strange whistling, which turned out, of course, to be the broom handle, en route to any number of painful destinations. What was odd, she said, was how the boys weren’t even up to the job of running away—Tommy went screeching to his knees before the first blow landed, and Israel prostrated himself and moaned as though the devil had hold of his liver. The two of them just lost their minds, Dolly said, while her own reaction was nearly as insensible; she suddenly could not stop laughing. Here was Dad, his face still lit though now even the flashlight had gone out, smiling (Dolly said) though his eyes looked terribly melancholy, whacking Finch and Basca every second or two while the pair of them shrieked in no English you’d recognize—Dolly said the laughter just flooded through her and came not only from relief, as you might surmise, but from a reckless and holy sort of joy she had never felt before, not even while cheerleading.

STRANGE LAND Love is the strangest land It's that promised land of happiness That everyone keep talking about ======= Love means both beautiful and ugly It does not discriminate against anyone In front of a lover's heart Who cares so much for a person who was Formerly considered as a stranger ======= Love is the bridge that all friends must walk on This love can easily turn you into a martyr It can force deaf people to wish they could hear And the mute to wish he could speak and pour out his heart ======= Love is like that stream of calm water But every time it decides to flood There will be no one to hold on Since many people are mostly unprepared for the storm ======= Love is full of peace and rage It's another synonym of freedom - sacrifice is necessary Another way to fully live your potential ======= In the end, love kills, and love saves lives Love brings peace and causes endless wars It can either build or destroy everything in its path Our innocent hearts have been colonised by it.

A few days later, from a wall along the river, Martha Gellhorn watched the Soviet troops move on. ‘The army came in like a flood; it had no special form, there were no orders given. It came and rolled over the stone quays and out onto the roads like water rising, like ants, like locusts. What was moving along there was not so much an army, but a whole world.’ Many of the soldiers were wearing medals from the Battle of Stalingrad, and the entire group had fought its way at least 4,000 kilometres to the west in the last few years, most of it on foot. The trucks were kept rolling with impromptu repairs, the countless female soldiers looked like professional boxers, the sway-backed horses were driven along as though by Ben Hur himself, there seemed to be neither order nor plan, but according to Gellhorn it was impossible ‘to describe the sense of power radiating from this chaos of soldiers and broken-down equipment’. And she thought how sorry the Germans must be that they had ever started a war with the Russians.

Line of AuNor, dragon bold Flows to me from days of old, And through years lost in the mist My blood names a famous list. By Air, by Water, by Fire, by Earth In pride I claim a noble birth. From EmLar Gray, a deadly deed By his flame Urlant was freed, Of fearsome hosts of blighters dark And took his reward: a golden ark! My Mother’s sire knew battle well Before him nine-score villages fell. When AuRye Red coursed the sky Elven arrows in vain would fly, He broke the ranks of men at will In glittering mines dwarves he’d kill. Grandsire he is through Father’s blood A river of strength in fullest flood. My egg was one of Irelia’s Clutch Her wisdom passed in mental touch. Mother took up before ever I woke The parent dragon’s heavy yoke; For me, her son, she lost her life Murderous dwarves brought blackened knife. A father I had in the Bronze AuRel Hunter of renown upon wood and fell He gave his clutch through lessons hard A chance at life beyond his guard. Father taught me where, and when, and how To fight or flee, so I sing now. Wistala, sibling, brilliant green Escaped with me the axes keen We hunted as pair, made our kill From stormy raindrops drank our fill When elves and dwarves took after us I told her “Run,” and lost her thus. Bound by ropes; by Hazeleye freed And dolphin-rescued in time of need I hid among men with fishing boats On island thick with blown sea-oats I became a drake and breathed first fire When dolphin-slaughter aroused my ire. I ran with wolves of Blackhard’s pack Killed three hunters on my track The Dragonblade’s men sought my hide But I escaped through a fangèd tide Of canine friends, assembled Thing Then met young Djer, who cut collar-ring. I crossed the steppes with dwarves of trade On the banks of the Vhydic Ironriders slayed Then sought out NooMoahk, dragon black And took my Hieba daughter back To find her kind; then took first flight Saw NooMoahk buried in honor right. When war came to friends I long had known My path was set, my heart was stone I sought the source of dreadful hate And on this Isle I met my fate Found Natasatch in a cavern deep So I had one more promise to keep. To claim this day my life’s sole mate In future years to share my fate A dragon’s troth is this day pledged To she who’ll see me fully fledged. Through this dragon’s life, as dragon-dame shall add your blood to my family’s fame.

The United States dollar took another pounding on German, French, and British exchanges this morning, hitting the lowest point ever known in West Germany. It has declined there by 41% since 1971, and this Canadian thinks it is time to speak up for the Americans as the most generous, and possibly the least-appreciated, people in all the earth. As long as sixty years ago, when I first started to read newspapers, I read of floods on the Yellow River and the Yangtze. Well who rushed in with men and money to help? The Americans did, that's who. They have helped control floods on the Nile, the Amazon, the Ganges, and the Niger. Today, the rich bottom land of the Mississippi is under water and no foreign land has sent a dollar to help. Germany, Japan, and, to a lesser extent, Britain and Italy, were lifted out of the debris of war by the Americans who poured in billions of dollars and forgave other billions in debts. None of those countries is today paying even the interest on its remaining debts to the United States. When the franc was in danger of collapsing in 1956, it was the Americans who propped it up, and their reward was to be insulted and swindled on the streets of Paris. And I was there -- I saw that. When distant cities are hit by earthquake, it is the United States that hurries into help, Managua,

It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.

I know you're a chocolate lover. I can always tell. I'm about to temper the chocolate. I have my own method; want to watch?" "Could I?" Inside my head, a little voice was reminding me that I had to get back to the office, but it was drowned out by the scent of chocolate, which flooded all my senses with a heady froth of cocoa and coffee, passion fruit, cinnamon and clove. I closed my eyes, and for one moment I was back in Aunt Melba's kitchen with Genie. I opened them to find Kim dancing with a molten river of chocolate. I stood hypnotized by the scent and the grace of her motions, which were more beautiful than any ballet. Moving constantly, she caressed the chocolate like a lover, folding it over and over on a slab of white marble, working it to get the texture right. She stopped to feed me a chocolate sprinkled with salt, which had the fierce flavor of the ocean, and another with the resonant intensity of toasted saffron. One chocolate tasted like rain, another of the desert. I tried tracking the flavors, pulling them apart to see how she had done it, but, like a magician, she had hidden her tricks. Each time I followed the trail, it vanished, and after a while I just gave up and allowed the flavors to seduce me. Now the scent changed as Kim began to dip fruit into the chocolate: raspberries, blackberries, tiny strawberries that smelled like violets. She put a chocolate-and-caramel-covered slice of peach into my mouth, and the taste of summer was so intense that I felt the room grow warmer. I lost all sense of time.

Situation awareness means possessing an explorer mentality A general never knows anything with certainty, never sees his enemy clearly, and never knows positively where he is. When armies are face to face, the least accident in the ground, the smallest wood, may conceal part of the enemy army. The most experienced eye cannot be sure whether it sees the whole of the enemy’s army or only three-fourths. It is by the mind’s eye, by the integration of all reasoning, by a kind of inspiration that the general sees, knows, and judges. ~Napoleon 5   In order to effectively gather the appropriate information as it’s unfolding we must possess the explorer mentality.  We must be able to recognize patterns of behavior. Then we must recognize that which is outside that normal pattern. Then, you take the initiative so we maintain control. Every call, every incident we respond to possesses novelty. Car stops, domestic violence calls, robberies, suspicious persons etc.  These individual types of incidents show similar patterns in many ways. For example, a car stopped normally pulls over to the side of the road when signaled to do so.  The officer when ready, approaches the operator, a conversation ensues, paperwork exchanges, and the pulled over car drives away. A domestic violence call has its own normal patterns; police arrive, separate involved parties, take statements and arrest aggressor and advise the victim of abuse prevention rights. We could go on like this for all the types of calls we handle as each type of incident on its own merits, does possess very similar patterns. Yet they always, and I mean always possess something different be it the location, the time of day, the person you are dealing with. Even if it’s the same person, location, time and day, the person you’re dealing who may now be in a different emotional state and his/her motives and intent may be very different. This breaks that normal expected pattern.  Hence, there is a need to always be open-minded, alert and aware, exploring for the signs and signals of positive or negative change in conditions. In his Small Wars journal article “Thinking and Acting like an Early Explorer” Brigadier General Huba Wass de Czege (US Army Ret.) describes the explorer mentality:   While tactical and strategic thinking are fundamentally different, both kinds of thinking must take place in the explorer’s brain, but in separate compartments. To appreciate this, think of the metaphor of an early American explorer trying to cross a large expanse of unknown terrain long before the days of the modern conveniences. The explorer knows that somewhere to the west lies an ocean he wants to reach. He has only a sketch-map of a narrow corridor drawn by a previously unsuccessful explorer. He also knows that highly variable weather and frequent geologic activity can block mountain passes, flood rivers, and dry up desert water sources. He also knows that some native tribes are hostile to all strangers, some are friendly and others are fickle, but that warring and peace-making among them makes estimating their whereabouts and attitudes difficult.6

IT IS NOT UNKNOWN TO ME HOW MANY MEN HAVE HAD, AND STILL HAVE, THE opinion that the affairs of the world are in such wise governed by fortune and by God that men with their wisdom cannot direct them and that no one can even help them; and because of this they would have us believe that it is not necessary to labour much in affairs, but to let chance govern them. This opinion has been more credited in our times because of the great changes in affairs which have been seen, and may still be seen, every day, beyond all human conjecture. Sometimes pondering over this, I am in some degree inclined to their opinion. Nevertheless, not to extinguish our free will, I hold it to be true that Fortune is the arbiter of one-half of our actions,1 but that she still leaves us to direct the other half, or perhaps a little less. I compare her to one of those raging rivers, which when in flood overflows the plains, sweeping away trees and buildings, bearing away the soil from place to place; everything flies before it, all yield to its violence, without being able in any way to withstand it; and yet, though its nature be such, it does not follow therefore that men, when the weather becomes fair, shall not make provision, both with defences and barriers, in such a manner that, rising again, the waters may pass away by canal, and their force be neither so unrestrained nor so dangerous. So it happens with fortune, who shows her power where valour has not prepared to resist her, and thither she turns her forces where she knows that barriers and defences have not been raised to constrain her.

He cupped her buttocks in his hands, lifted her up, and guided her down over his shaft with a long sigh. When he was deeply inside her, their eyes locked. Susannah's breasts slid against his chest, both of their bodies sweat-sheened, as she rose up again, knowing instinctively what to do. He smiled faintly, guided her down again. Which is when she saw his eyes go black again with desire and she exulted. She loved this power to give and take, this humbling exchange of strength and vulnerability. "There's a place inside you, Susannah...," he said hoarsely. "Guide me. You'll know it when you feel it. I'll hold on to you." So she lifted up again... and slid down again... and oh, he was right. There was a place. She moved up over him again, with a sultry smile, enjoying this new knowledge, feeling that mysterious need escalating... she held it at bay for as long as she could. Which, as it turned out, wasn't very long at all. For her body took over, found the cadence it craved, and she began to ride him in an instinctive rhythm that grew ever swifter, and he held her, his hips thrusting up to meet hers. The world became the harsh roar of their breathing, incoherent sounds of pleasure, softly groaned words of urging. Susannah could feel her release pushing, pushing at the seams of her, roaring through her veins like a river of stars, until it flooded its banks and burst from her in an exultant cry. The unthinkable pleasure of it rocked her, shook her like a rag; she trembled and trembled from it. Kit held on to her, his own hoarse cry following, and she could feel his seed filling her as she breathed her exhaustion against his neck. Felt his chest heaving against hers as they clung together.

DREAMLAND             BY a route obscure and lonely,             Haunted by ill angels only,             Where an Eidolon, named NIGHT,             On a black throne reigns upright,             I have reached these lands but newly             From an ultimate dim Thule— From a wild weird clime that lieth, sublime                 Out of SPACE—out of TIME.             Bottomless vales and boundless floods,             And chasms, and caves, and Titan woods             With forms that no man can discover             For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT         Mountains toppling evermore         Into seas without a shore;         Seas that restlessly aspire,         Surging, unto skies of fire;         Lakes that endlessly outspread         Their lone waters—lone and dead,         Their still waters—still and chilly         With the snows of the lolling lily.         By the lakes that thus outspread         Their lone waters, lone and dead,—         Their sad waters, sad and chilly         With the snows of the lolling lily,—         By the mountains—near the river         Murmuring lowly, murmuring ever,—         By the grey woods,—by the swamp         Where the toad and the newt encamp,—         By the dismal tarns and pools                 Where dwell the Ghouls,—         By each spot the most unholy—         In each nook most melancholy,—         There the traveller meets aghast         Sheeted Memories of the Past—         Shrouded forms that start and sigh         As they pass the wanderer by—         White-robed forms of friends long given,         In agony, to the Earth—and Heaven.         For the heart whose woes are legion         ’Tis a peaceful, soothing region—         For the spirit that walks in shadow         ’Tis—oh, ’tis an Eldorado!         But the traveller, travelling through it,         May not—dare not openly view it;         Never its mysteries are exposed         To the weak human eye unclosed;         So wills its King, who hath forbid         The uplifting of the fringèd lid;         And thus the sad Soul that here passes         Beholds it but through darkened glasses.         By a route obscure and lonely,         Haunted by ill angels only,         Where an Eidolon, named NIGHT,         On a black throne reigns upright,         I have wandered home but newly         From this ultimate dim Thule.