Rising Damp Quotes

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Zoya and I gaped at him. Then she scowled. "You know, if you turned a bit of that poetry on me, I might consider giving you a change." "Who says I want one?" "I want one!" called Harshaw. Zoya blew a damp curl from her forehead. "Oncat as a better chance than you." Harshaw held the little tabby above him. "Why, Oncat," he said. "You rogue.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
We walked at night towards a cafe blooming with Japanese lanterns and I followed your white shoes gleaming like radium in the damp darkness. Rising off the water, lights flickered an invitation far enough away to be interpreted as we liked; to shimmer glamourously behind the silhouette of retrospective good times when we still believed in summer hotels and the philosophies of popular songs.
Zelda Fitzgerald
A silent road stretched before me, damp with rain and littered with cars. As I watched, pale figures began to slip through the trees or claw their way out of the earth. Rabids edged onto the pavement, filling the road, their hisses and snarls rising into the air. Their empty white eyes blazed with madness and Hunger, and they began to sprint forward . Reaching back, I drew my bladem feeling it rasp free, gleaming as it came into the light. Looking up at the approaching rabids, I smiled.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
But it is growing damp and I must go in. Memory’s fog is rising.
Emily Dickinson (Selected Letters)
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
I am alone. They have gone into the house for breakfast, and I am left standing by the wall among the flowers. It is very early, before lessons. Flower after flower is specked on the depths of green. The petals are harlequins. Stalks rise from the black hollows beneath. The flowers swim like fish made of light upon the dark, green waters. I hold a stalk in my hand. I am the stalk. My roots go down to the depths of the world, through earth dry with brick, and damp earth, through veins of lead and silver. I am all fibre. All tremors shake me, and the weight of the earth is pressed to my ribs. Up here my eyes are green leaves, unseeing.
Virginia Woolf (The Waves)
Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them-- in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.
James Baldwin (Giovanni’s Room)
I returned to the courtyard and saw that the sun had grown weaker. Beautiful and clear as it had been, the morning (as the day approached the completion of its first half) was becoming damp and misty. Heavy clouds moved from the north and were invading the top of the mountain, covering it with a light brume. It seemed to be fog, and perhaps fog was also rising from the ground, but at that altitude it was difficult to distinguish the mists that rose from below and those that come down from above. It was becoming hard to discern the bulk of the more distant buildings.
Umberto Eco (The Name of the Rose)
The inexchangeable pleasure of her conversation. Just to walk the streets saying things, anything, just the act itself, walking together at the same speed, and talking, purely to amuse and please one another, to make each other stupidly laugh, for no further accomplishment, no higher purpose, to let their words rise and disperse forever in the damp brackish air.
Sally Rooney (Intermezzo)
The Tide Rises, The Tide Falls The tide rises, the tide falls, The twilight darkens, the curlew calls; Along the sea-sands damp and brown The traveller hastens toward the town, And the tide rises, the tide falls. Darkness settles on roofs and walls, But the sea, the sea in the darkness calls; The little waves, with their soft, white hands, Efface the footprints in the sands, And the tide rises, the tide falls. The morning breaks; the steeds in their stalls Stamp and neigh, as the hostler calls; The day returns, but nevermore Returns the traveller to the shore, And the tide rises, the tide falls.
Henry Wadsworth Longfellow (Ultima Thule)
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Until i die there will be these moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them--in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.
James Baldwin
Her eyes sparkle with a rising dampness. “I’ve seemed to overstep myself, Samuel.
Nathan Reese Maher
Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted.
Kate Morton (The Lake House)
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver
I guess the difference is that dampness comes down but dankness rises up out of rot and fermentation.
John Steinbeck (East of Eden)
Nowadays people stood outside their newly refurbished houses and boasted as if they’d built them with their own bare hands, even though they hadn’t so much as lifted a screwdriver. And they weren’t even trying to pretend that it was any other way. They boasted about it! Apparently there was no longer any value in being able to lay your own floorboards or refurbish a room with rising damp or change the winter tyres. And if you could just go and buy everything, what was the value of it? What was the value of a man?
Fredrik Backman (A Man Called Ove)
Kaladin spun through the last motions of the kata, chasm forgotten, bridgemen forgotten, fatigue forgotten. For a moment, it was just him. Him and the wind. He fought with her, and she laughed. He snapped the spear back into place, holding the haft at the one-quarter position, spearhead down, bottom of the haft tucked underneath his arm, end rising back behind his head. He breathed in deeply, shivering. Oh, how I’ve missed that. He opened his eyes. Sputtering torchlight revealed a group of stunned bridgemen standing in a damp corridor of stone, the walls wet and reflecting the light. Moash dropped a handful of spheres in stunned silence, staring at Kaladin with mouth agape. Those spheres plopped into the puddle at his feet, causing it to glow, but none of the bridgemen noticed. They just stared at Kaladin, who was still in a battle stance, half crouched, trails of sweat running down the sides of his face. He blinked, realizing what he’d done. If word got back to Gaz that he was playing around with spears…Kaladin stood up straight and dropped the spear into the pile of weapons. “Sorry,” he whispered to it, though he didn’t know why. Then, louder, he said, “Back to work! I don’t want to be caught down here when night falls.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
What, after all that subterfuge?” Jannik steps back and looks at me from under his rain-damp hair. “Far be it from me to stop you, but all that hiding behind umbrellas and engaging in nefarious clinches is going to seem wasted.” He grins. He is not afraid to show me his teeth.
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted. Two decades ago now, and yet here, on the No. 168 bus towards Hampstead Heath, Peter was beset with an almost bodily sense of being back there. His lips twitched with the memory of being nine years old and lanky as a foal. His mood lifted as he remembered how large, how filled with possibilities, and yet, at once, how safe and navigable the world had seemed when he was shut within those four walls .
Kate Morton (The Lake House)
I was sitting in front of the hut and watching the ground darken and the sea grow a phosphorescent green. Not a soul was to be seen from one end of the beach to the other, not a sail, not a bird. Only the smell of the earth entered through the window. I rose and held out my hand to the rain like a beggar. I suddenly felt like weeping. Some sorrow, not my own but deeper and more obscure, was rising from the damp earth: the panic which a peaceful grazing animal feels when, all at once, without have seen anything, it rears its head and scents in the air about it that it is trapped and cannot escape. I wanted to utter a cry, knowing that it would relieve my feelings, but I was ashamed to. The clouds were coming lower and lower. I looked through the window; my heart was gently palpitating. What a voluptuous enjoyment of sorrow those hours of soft rain can produce in you! All bitter memories hidden in the depths of your mind come to the surface: separations from friends, women’s smiles which have faded, hopes which have lost their wings like moths and of which only a grub remains – and that grub had crawled on to the leaf of my heart and eating it away.
Nikos Kazantzakis (Zorba the Greek)
That was how I met Giovanni. I think we connected the instant that we met. And remain connected still, in spite of our later separation de corps, despite the fact that Giovanni will be rotting soon in unhallowed ground near Paris. Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming - God grant me the grace to live them: in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.
James Baldwin (Giovanni’s Room)
As long as I'm between home and the clinic I do all right. But out in the real world, I feel like prey. I slink around and can feel people looking at me. I feel their eyes boring into me. I feel what they're thinking: Watch her, she could go off anytime. But within the walls of my farmhouse, I climb out of the protective shell, my arms slowly rise like a phoenix, and I dance, wail, fly around the room and then collapse, crying, in front of my mirrors. I start to see in the mirror what it is I really look like, instead of what I was trained from the womb to see. I do not write about it. I do not talk about it. I do not know what I am doing. But just like a baby bird, I am blinking once-sealed eyes and unfolding damp wings. I cannot articulate the past. A part of me knows it's there, lurking, just behind what I can acknowledge, but it is not within sight. And I am keeping it that way.
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
Mrs Loudon was even more successful than her husband thanks to a single work, Practical Instructions in Gardening for Ladies, published in 1841, which proved to be magnificently timely. It was the first book of any type ever to encourage women of elevated classes to get their hands dirty and even to take on a faint glow of perspiration. This was novel almost to the point of eroticism. Gardening for Ladies bravely insisted that women could manage gardening independent of male supervision if they simply observed a few sensible precautions – working steadily but not too vigorously, using only light tools, never standing on damp ground because of the unhealthful emanations that would rise up through their skirts.
Bill Bryson (At Home: A Short History of Private Life)
Complexity arises from the interaction of many parts, giving rise to difficulties in linear or reductionist analysis due to the nonlinearities generated by the interactions. Such nonlinear effects emerge from both positive (amplifying) and negative (damping) feedbacks, the key ingredients of complex systems.
György Buzsáki (Rhythms of the Brain)
Me own mam saw things," he said, looking at the fire as if she might be there behind it. "And they always came true. She didn't say anything about spirits. She just called it the Second Sight. Said it was hereditary and dangerous sometimes,if you didn't take care." "Do you have it? Do you see things?" He shook his head. "Colin." If he thought I was going to be fobbed off with a vague reply, the day's events had clearly addled his wits. He had to know I had no intention of letting this lie. "She told me about a girl with violet eyes," he said quietly, rising to his feet. I looked up at him, startled. "She did?" "Aye." He nodded. "I should go." He stalked toward the door, opening it slightly to make sure the hallway was deserted. His hair was still damp, tousled. I couldn't help but remember the weight of his body pressing me into the grass. "Colin?" I said quietly. "I have to go." He didn't turn around. The door closed behind him.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
This time I keep to the long shadows where the darkness gathers thickest, picking my way across the silvery damp grass until I reach the edge of the world. Below, the rocks and waves are grinding against each other, and the wind sucks at me, begging me to take one more step, to throw myself down. Sacrifice, the water says in its sea-witch voice, full of whispers and promises. Sometimes I have to wonder if the Hob belief that the sea is animate, alive and full of magic, is more than just primitive nonsense.
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
The year was dying early, the leaves were falling fast, it was a raw cold day when we took possession, and the gloom of the house was most depressing. The cook (an amiable woman, but of a weak turn of intellect) burst into tears on beholding the kitchen, and requested that her silver watch might be delivered over to her sister (2 Tuppintock’s Gardens, Liggs’s Walk, Clapham Rise), in the event of anything happening to her from the damp. Streaker, the housemaid, feigned cheerfulness, but was the greater martyr. The Odd Girl, who had never been in the country, alone was pleased, and made arrangements for sowing an acorn in the garden outside the scullery window, and rearing an oak.
Charles Dickens (Three Ghost Stories)
There was a chill in the air, to be sure, a damp cool vapour drifting round corners and rising from drains. But I had just come from London, where November vapours were like ill-intentioned hands sliding beneath your collar to encircle your coat-chafed, chicken-skinned throat, where November winds cut more deeply than my stolen scalpel ever did.
Poppy Z. Brite (Exquisite Corpse)
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.
Ernest Hemingway (The Sun Also Rises)
FEBRUARY IN SALINAS is likely to be damp and cold and full of miseries. The heaviest rains fall then, and if the river is going to rise, it rises then. February of 1915 was a year heavy with water.
John Steinbeck (East of Eden)
Let me in,’ he said, and Laurent made a new sound, his head dropped between his shoulder blades, his breath ribboning out of him. ‘Let me inside you.’ There was some give, and he pushed, slowly. He felt every inch, as the room faded into sensation. There was only the feel of it, the slide of his chest against Laurent’s back, the dip of Laurent’s head, and the sweat-damp hair at the nape of Laurent’s neck. Damen
C.S. Pacat (Kings Rising (Captive Prince, #3))
He looked like a baby, his mouth half open, his cheek flused, his curly hair darkening the pillow and half hiding his damp round forehead and his long eyelashes glinting slightly in the summer sun. We were both naked and the sheet we had used as a cover was tangled around our feet. Joey's body was brown, was sweaty, the most beautiful creation I had ever seen til then. I would have touched him to wake him up but something stopped me. I was suddenly afraid. Perhaps it was because he looked so innocent lying there, with such perfect trust; my own body suddenly seemed gross and crushing and the desire which was rising in me seemed monstrous.
James Baldwin (Giovanni’s Room)
I hadn’t gone anywhere. I was alone in a vacant room. I blinked up at the damp ceiling. It was better that way. At the Little Palace, my isolation had nearly destroyed me, but that was because I had hungered for something else, for the sense of belonging I’d been chasing my whole life. I’d buried that need in the ruins of a chapel. Now I would think in terms of alliance instead of affection, of who and what would make me strong enough for this fight.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Despite the reservations of Wren, Vanbrugh and their successors, burial in vaults beneath churches had continued. The processes of decomposition, shaky foundations and the British disease of rising damp caused particular difficulties. Chadwick noted that, however solid the coffin, ‘Sooner or later every corpse buried in the vault of a church spreads the products of decomposition through the air which is breathed, as readily as if it had never been enclosed.
Catharine Arnold (Necropolis: London and Its Dead)
far back in the forest. Just when the pavement began to rise again, the headlights caught a sign on the left that announced FIRE ROAD / FORESTRY DEPT ONLY. In the absence of a fire, no one would be using that rough dirt track. Mrs. Fischer parked on it, facing out toward the state route, but in far enough among the trees to avoid being seen by passing traffic, of which we had encountered none since turning off the interstate. She damped the headlights, cut the engine.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
They watch her when she comes to City Hall, they watch her at the social events, they watch the way she walks, hips rolling with no suggestion of provocation but with every sense that she knows more than any of the rest. A woman like that, they seem to be thinking, a woman like that has lived. Their wives from Orange County, they come from Minnesota or Dallas or St.Louis. They come from places with families, with sagging mothers and fathers with dead eyes and heavy-hanging brows. They carry their own promise of future slackness and clipped lips and demands. They have sisters, sisther with more babies, babies with sweet saliva hanging and more appliance and with husbands with better salaries and two cars and club membership. They iron in housedresses in front of the television set or by the radio, steam rising, matting their faces, as the children with the damp necks cling on them, sticky-handed. They are this. And Alice… and Alice…
Megan Abbott (Die a Little)
I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if…” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!
Elizabeth Gilbert (The Signature of All Things)
In the morning it was raining. A fog had come over the mountains from the sea. You could not see the tops of the mountains. The plateau was dull and gloomy, and the shapes of the trees and the houses were changed. I walked out beyond the town to look at the weather. The bad weather was coming over the mountains from the sea. The flags in the square hung wet form the with poles and the banners were wet and hung damp against the front of the houses, and in between the steady drizzle the rain came down and drove every one under the arcades and made pools of water in the square, and the streets were dark and deserted; yet the fiesta kept up without any pause. It was only driven under covers. The covered seats of the bull-ring had been crowded with people sitting out of the rain watching the concourse of Basque and Navarrais dancers and singers, and afterward the Val Carlos dancers in their costumes danced down the street in the rain, the drums sounding hallow and damp, and the chiefs of the bands riding ahead of their big, heavy-footed horse, their costumes wet, the horses’ coats wet in the rain. The crowd was in the cafés and the dancers came in, too, and sat, their tight-wound white legs under the tables, shaking the water from their belled caps, and spreading their red and purple jackets over the chairs to dry. It was raining hard outside.
Ernest Hemingway (The Sun Also Rises)
Save me from hatred, that destructive impulse, the poison that ravages the heart and liver. I must stop wanting to take revenge on other lives, on other minds; I must forget hatred, reject it, refuse to answer it with more hatred. I must rise above it. Help me to renounce this crippling bond, to leave without hindrance this body that no longer looks like one, but like a jumble of deformed bones; direct my eyes to other stones. This darkness suits me: when I look inside myself, I see more clearly the world, even if my feet are still freezing on this damp cement floor. The back of my neck hurts because I cannot stand up straight. No--I feel no pain. I am certain that I feel no pain. I do not feel anything any more. My prayer has been answered. I am not ill. I will never be, here, no matter how I suffer. O my God, I have learned from You that a healthy body teaches us about the beauty of the world. It is the echo of enchantment, produced by life and light. It is light. Light in life. When it is withdrawn from life, isolated and imprisoned in a black hole, it no longer echoes anything, it reflects nothing. Thanks to Your will, I shall never be extinguished.
Tahar Ben Jelloun (تلك العتمة الباهرة)
He felt a little queasy, and more than a little light-headed. More and more, he felt the disorientation, the fragmenting of himself between day and night. By day, he was a creature of the mind alone, as he escaped his damp immobility by a stubborn, disciplined retreat into the avenues of thought and meditation, seeking refuge in the pages of books. But with the rising of the moon, all sense fled, succumbing at once to sensation, as he emerged into the fresh air like a beast from its lair, to run the dark hills beneath the stars, and hunt, driven by hunger, drunk with blood and moonlight.
Diana Gabaldon (Voyager (Outlander, #3))
You may have been born on the rubbish damp. But be careful not to believe that the rubbish damp was born in you! Your environment may try to set conditions that may attempt their fingers on crippling you. But you got to stand and say "I thank you Lord that I am rising against and above my limitations
Israelmore Ayivor (The Great Hand Book of Quotes)
The bluish, pale face of the house rises above me like a wall of ice and the distant, solitary barking of an owl floats toward me. I half close my eyes. Over the damp dark of the garden flowers swing back and forth like small balloons. The solemn trees, each buried in a cloud of leaves, seem lost in sleep. It is late. I like in the grass, smoking, feeling at ease, pretending the end will be like this. Moonlight falls on my flesh. A breeze circles my wrist. I drift. I shiver. I know that soon the day will come to wash away the moon's white stain, that I shall walk in the morning sun invisible as anyone.
Mark Strand (Reasons for Moving)
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bullfighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while i was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn't seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun.
Ernest Hemingway (The Sun Also Rises)
The boats bumped against the side of the ship, the sailors and passengers shouted lustily, and somewhere a child, as if crushed to death, choked itself with screaming. The damp wind blew through the doors, and outside on the sea, from a reeling boat which showed the flag of the Hotel Royal, a fellow with guttural French exaggeration yelled unceasingly : '* Rrroy-al ! Hotel Rrroy-al ! " intending to lure passengers aboard his craft. Then the Gentleman from San Francisco, feeling, as he ought to have felt, quite an old man, thought with anguish and spite of all these " Royals," " Splendids,' 1 " Excelsiors," and of these greedy, good-for-nothing, garlic-stinking fellows called Italians. Once, during a halt, on opening his eyes and rising from the sofa he saw under the rocky cliff-curtain of the coast a heap of such miserable stone hovels, all musty and mouldy, stuck on top of one another by the very water, among the boats, and the rags of all sorts, tin cans and brown fishing-nets, and,remembering that this was the very Italy he had come to enjoy, he was seized with despair. . .
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light. This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal. She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it? It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms. His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him. He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips. "Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine." Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
Anne Stuart (To Love a Dark Lord)
Old Time heaved a moldy sigh from tomb and arch and vault; and gloomy shadows began to deepen in corners; and damps began to rise from green patches of stone; and jewels, cast upon the pavement of the nave from stained glass by the declining sun, began to perish. Within the grill-gate of the chancel, up the steps surmounted loomingly by the fast darkening organ, white robes could be dimly seen, and one feeble voice, rising and falling in a cracked monotonous mutter, could at intervals be faintly heard. In the free outer air, the river, the green pastures, and the brown arable lands, the teeming hills and dales, were reddened by the sunset: while the distant little windows in windmills and farm homesteads, shone, patches of bright beaten gold. In the Cathedral, all became gee, murky, and sepulchral, and the cracked monotonous mutter went on like a dying voice, until the organ and the choir burst forth, and drowned it in a sea of music. Then, the sea fell, and the dying voice made another feeble effort, and then the sea rose high, and beat its life out, and lashed the roof, and surged among the arches, and pierced the heights of the great tower; and then the sea was dry, and all was still.
Charles Dickens (The Mystery of Edwin Drood)
Hello." Her mood deflated as if she'd been pricked with a pin. "Alan." "Shelby." She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop." "Does it? It hasn't even started." "Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time." "I have a bit to spare," he said mildly. "How was your week?" "Busy.Listen,I-" "I missed you." The simple statement threw the rest of her lecture into oblivion. "Alan, don't -" "Everyday," he continued. "Every night. Have you been to Boston, Shelby?" "Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated? "I'd like to take you there in the fall, when it smells of damp leaves and smoke." Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?" "Perfectly.Spend the day with me." Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!" "We'll call it an experimental outing," he suggested in the same even tone. "Not a date." "No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!" "Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans." "You're trying to be charming again," Shelby muttered. "Am I succeeding?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Indeed, the point of the famous story about the king and the waves, as originally told, was not to illustrate his stupidity, but rather to prove what a good Christian he had been. ‘Let all the world know’, says a damp Cnut, having conspicuously failed to stop the tide from rising, ‘that the power of kings is empty and worthless, and there is no king worthy of the name save Him by whose will heaven, earth and sea obey eternal laws.’2
Marc Morris (The Norman Conquest: The Battle of Hastings and the Fall of Anglo-Saxon England)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
He works fast," Alan commented as he lifted his wine. "David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands." "Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else." "Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided. "Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well." "I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here." "Of all the gin joints in all the towns..." This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago." "Heard it?" "Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?" "Or foolish lies?" Alan countered. Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator." "Was I?" Rising, he offered Shelby her damp jacket. "How rude of me." "It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place." "If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?" "It seems fair.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
He peeled the towel that imprisoned us away and let it fall. I felt it slide softly off my backside, and I felt, too, his rising excite¬ment, hard, erect, pressing against me. My nipples were erect, straining, aching, pressed against his strong warm damp chest, the tangle and pattern of his hair. He was a beast, an animal. My excitement was rising again, to match his. It was as if my heart were about to burst or to flip flop, breathless, into a dark abyss. “Of course, you are crazy, my darling, but, then, so am I.” He kissed me and his oh-so-clever hands seized my waist, tighten¬ing, and then sneaking up my backside, pulling me, pressing me closer, into him. He kissed me again, and his lips moved down my neck to my shoulder and then to my breasts. “Oh,” I said, “Oh.” He bent over me, kissing my collarbone and then my breasts, carefully, slowly, his hands traveling down my back, and over my backside; suddenly, he was on his knees, kissing the whorl of 101 my belly button; then he was forcing me open, gently, gently, his tongue exploring caressing, devouring … “Oh …” I exhaled a deep, shuddering breath. I tipped on the very edge. He bit me, gently. Oooooh! He pulled in the reins, the bit and bridle, of the frisky frothing filly that I had become; this sudden halt made me wilder, crazier; then, once again, he brought me, trembling, up to the very, very edge of the cliff – of orgasm, of loss of self. Then he pulled me back. I blinked and trembled. Around the two of us, there was a whole world, a whole universe. It seemed too vivid to be real, like the backdrop in an opera. Venus was brighter and lower now. The sky had turned deep indigo. One by one, stars appeared.
Gwendoline Clermont (The Shaming of Gwendoline C)
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
Ray Gonzalez
That was how I met Giovanni. I think we connected the instant that we met. And remain connected still, in spite of our later séparation de corps, despite the fact that Giovanni will be rotting soon in unhallowed ground near Paris. Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming―God grant me the grace to live them―in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.
James Baldwin (Giovanni’s Room)
From somewhere in the garden came the sound of a magpie singing, and a thousand days of childhood arrived with it. Jess glanced to her right and spotted the black-and-white bird perched atop the statue in the middle of the pond. There were magpies in England, too--- Jess had seen them often on the Heath--- but although they shared a name, they were different from their antipodean cousins: smaller, neater, prettier, and without the eerily sublime song. This magpie was looking directly at her. Jess tilted her head, watching the bird as he watched her. Suddenly, he spread his wings and flew away. She crossed the turning circle toward the lawn. The grass was still damp with dew, even though the sun was rising fast, and cool shadows stretched toward the harbor. Jess reached the edge of the pond and followed the line of its curved rim until the elegant stone lady was directly before her, kneeling as she always had, arms folded above her head, face bowed to gaze at the goldfish and lilies.
Kate Morton (Homecoming)
Your future refuses to behave.” Coo-yôn yanked off the jacket he’d sourced for me. Up was down. Then he stepped back. And released me— I toppled over, falling out of my seat onto the ground. Was the sosie dumping me on the side of the road? ’Cause I was about to die? “Now, let’s just talk . . . ’bout this, coo-yôn.” He caught hold of my good ankle, then dragged me farther away from the truck. He’d hauled me into . . . a bank of snow. Jack and I had marveled at the snow. I spun in circles as flakes fell, dizziness overwhelming me. I’d known this was going to send me spiraling. Gasping for breath, I collapsed, tears streaking down my face. I lay in the snow and lifted my hand to the sky. Flakes landed on my damp face. Each one was a cool kiss good-bye. Lying in that bank of snow, I gazed up at the falling flakes. They drifted over my face. Soft, soft. Like Evie’s lips. With effort, I lifted my scarred hand to the sky. I closed my eyes and pretended my Evangeline was caring for me. J’ai savouré. I savored each cold kiss. . . .
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Whatever the weather, Bjartur always left the others when the meal was over. He would lie down on a truss of hay with his hat over his face and fall asleep at once. As soon as he moved in his sleep he would roll off the truss, sometimes into a pool, and would be awake immediately, which pleased him greatly. He considered that it was proper for a man to sleep for four minutes during the daytime, and he was always in a bad temper if he slept longer. The womenfolk wormed in under the hay-rick when they had finished eating. Then the shivering would begin, for they were sitting on wet grass, and they would rise with hands benumbed and pins and needles in their legs and go to look for their rakes. And if Bjartur heard them complaining about the damp, he would reply that it was pretty miserable wretches that minded at all whether they were wet or dry. He could not understand why such people had been born. 'It's nothing but damned eccentricity to want to be dry,' he would say. 'I've been wet more than half my life and never been a whit the worse for it.
Halldór Laxness (Independent People)
working from the center of the dough out, gently roll it back and forth until it stretches to 15 inches long. Place the loaves, seam-side down, on the kitchen towel dusted with flour and cover with plastic wrap or a damp kitchen towel. Let the loaves rise at room temperature for the final time, until they have doubled in size, about 35—45 minutes. Meanwhile, preheat the oven to 475°F. Carefully place the loaves on a baking sheet. Brush them with water using a pastry brush. With a sharp razor blade and swift motions, make 4 or 5 diagonal slashes along the length of each baguette. To do this successfully, do not drag the entire edge of the blade through the dough—use just the tip. Just before you are ready to slide the baking sheet into the oven, spray the inside of the oven with water using a spray bottle or plant mister and close the door immediately. This will create steam, which promotes a good crust. Put the bread in the oven and spray the walls of the oven two more times within the first minute of baking. Bake for 15—20 minutes or until the bread makes a hollow sound when you knock on the bottom of it with your knuckles. Transfer the bread to a rack and allow it to cool before slicing (or tearing apiece off).
Peter Mayle (Confessions of a French Baker: Breadmaking Secrets, Tips, and Recipes)
From the Waverley Kitchen Journal Fig and Pepper Bread Mary’s Note: Sometimes the two most improbable things make the best combination. Ingredients: 2 cups whole grain spelt flour 2 ½ cups unbleached all purpose flour 1 ½ cups coarsely chopped figs 2 tsp coarse black pepper 2 tsp sea salt 2 tbsp olive oil 1 dry yeast packet 1 ½ cups of warm water Whisk flour, salt, pepper, and yeast until blended, by hand or with whisk attachment of mixer. Add olive oil and warm water. Knead for 10 minutes, or use dough hook attachment of mixer for 5 minutes, until dough is smooth and springy. Oil a large bowl, place dough inside, and cover bowl with a damp hand towel. Let sit in a warm place for approximately 1 hour, or until dough has doubled in size. Softly knead in the chopped figs and evenly distribute throughout the dough (lightly flouring your hands can make handling the dough easier), shape into an oval, then place on a baking sheet. Snip three shallow lines into top of the dough with scissors, then lightly dust the dough with flour. Let rise, uncovered, until dough swells a little more—10–15 mins, or longer if the kitchen isn’t warm. Place tray in 350° oven for 40–45 mins until crust is slightly brown and the loaf sounds hollow when tapped on the underside. Cool on a wire rack.
Sarah Addison Allen (First Frost (Waverley Family, #2))
So he's right?" Sophia said. "From what I've read, yes. That was known back when you were...Never mind...Just...Technically he is right. Over." "Ick," Sophia said. "I just...Maybe calling you wasn't the best choice, Da. Over." "I'm glad you did. We never get to talk. But, I've got to get this straight. This Walker guy thinks she got pregnant from involuntary emissions on the damp bottom of a lifeboat? Over." "Yes," Sophia said. "She's...virgo intacta. And they're both...Like Olga said, only virgins could be that incoherent about it. Over." "You're not particularly incoherent about it, over." "You've been talking to us about it since we were kids in one way or another," Sophia said. "And let's just say this cruise has been a real eye-opener." "I'd say sorry but I didn't start the Plague. Okay, Walker. What's his medical background, over?" "I'm not sure," Sophia said. "He said he took a course once that included advanced midwifery. I'm not even sure what that means except it has to do with delivering babies." "God knows we're going to need it. Okay, I'm going to get the CDC to call you and see if they can confirm what you've said. I'm also going to pass this around in the official news bulletin. Over." "Uh, isn't this a little private, Da?" Sophia asked. "Well, it's that or every little old lady on the Boadicea will be beating him with their canes. Squadron, out.
John Ringo (Islands of Rage & Hope (Black Tide Rising, #3))
My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.
Barbara Brinson Curiel
A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or ‘duende’. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance. She is taking herself apart before our sceptical gaze. She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance. And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no one moves. The fact is that she has destroyed us all. Why do I dwell on this dancer? I dwell on her because she represents for me the courage to go beyond ourselves. While she danced she became the dream of the freest and most creative people we had always wanted to be, in whatever it is we do. She was the sea we never ran away to, the spirit of wordless self-overcoming we never quite embrace. She destroyed us because we knew in our hearts that rarely do we rise to the higher challenges in our lives, or our work, or our humanity. She destroyed us because rarely do we love our tasks and our lives enough to die and thus be reborn into the divine gift of our hidden genius. We seldom try for that beautiful greatness brooding in the mystery of our blood. You can say in her own way, and in that moment, that she too was a dancer to God. That spirit of the leap into the unknown, that joyful giving of the self’s powers, that wisdom of going beyond in order to arrive here – that too is beyond words. All art is a prayer for spiritual strength. If we could be pure dancers in spirit, we would never be afraid to love, and we would love with strength and wisdom. We would not be afraid of speech, and we would be serene with silence. We would learn to live beyond words, among the highest things. We wouldn't need words. Our smile, our silences would be sufficient. Our creations and the beauty of our functions would be enough. Our giving would be our perpetual gift.
Ben Okri (Birds of Heaven)
The Hunter: “Your future refuses to behave.” Coo-yôn yanked off the jacket he’d sourced for me. Up was down. Then he stepped back. And released me— I toppled over, falling out of my seat onto the ground. Was the sosie dumping me on the side of the road? ’Cause I was about to die? “Now, let’s just talk . . . ’bout this, coo-yôn.” He caught hold of my good ankle, then dragged me farther away from the truck. He’d hauled me into . . . a bank of snow. _______________ The Empress: I’d thought the sight of snow—and all the emotions it brought—would make me less likely to be with Aric. Just the opposite; because I could see my future so clearly. If he died before I did, some symbol—like snow—would mark the end of his existence. Later I would experience that waypoint (because everything was connected) and wish to God I’d taken a different path. I decided then that I would map my own journey and mark my own waypoints. The snow would symbolize both the end of one story and the beginning of another. A new slate. But not a blank one. The red ribbon would be a cherished remembrance, but I wouldn’t keep it with me at all times. I lay in the snow and lifted my hand to the sky. Flakes landed on my damp face. Each one was a cool kiss good-bye. _____________ The Hunter Lying in that bank of snow, I gazed up at the falling flakes. They drifted over my face. Soft, soft. Like Evie’s lips. With effort, I lifted my scarred hand to the sky. I closed my eyes and pretended my Evangeline was caring for me. J’ai savouré. I savored each cold kiss. . . .
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
„The air was saturated with the finest flour of a silence so nourishing, so succulent, that I could move through it only with a sort of greed, especially on those first mornings of Easter week, still cold, when I tasted it more keenly because I had only just arrived in Combray: before I went in to say good morning to my aunt, they made me wait for a moment, in the first room where the sun, still wintry, had come to warm itself before the fire, already lit between the two bricks and coating the whole room with an odour of soot, having the same effect as one of those great country ‘front-of-the-ovens’, or one of those château mantelpieces, beneath which one sits hoping that outdoors there will be an onset of rain, snow, even some catastrophic deluge so as to add, to the comfort of reclusion, the poetry of hibernation; I would take a few steps from the prayer stool to the armchairs of stamped velvet always covered with a crocheted antimacassar; and as the fire baked like a dough the appetizing smells with which the air of the room was all curdled and which had already been kneaded and made to ‘rise’ by the damp and sunny coolness of the morning, it flaked them, gilded them, puckered them, puffed them, making them into an invisible, palpable country pastry, an immense ‘turnover’ in which, having barely tasted the crisper, more delicate, more highly regarded but also drier aromas of the cupboard, the chest of drawers, the floral wallpaper, I would always come back with an unavowed covetousness to snare myself in the central, sticky, stale, indigestible and fruity smell of the flowered coverlet.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
I…I still--” “Can’t believe it?” Rafe shrugged. “I’m guessing a regular person wouldn’t have survived. But we’re part cat so maybe falls aren’t so bad. I think I lost one of my nine lives though.” He twisted to look at the stab wound. “Maybe two.” I threw my arms around his neck and kissed him, and when I did, I knew he was real--the heat of him, the smell of him, the feel of him, the taste of him so incredibly real that it surpassed anything my memory could conjure up. He wrapped his arms around me and kissed me back, and it was like every other amazing kiss he’d given me, multiplied ten-fold. I kissed him until I couldn’t breathe, and then I kissed him a little more, until I had to pull back, gasping. “I have got to die more often,” he said. And he grinned, that incredible blaze of a grin that made me kiss him again. When we finally pulled apart, he brushed his palm over my still-damp cheeks. “Your parents are okay, Maya,” he murmured. “They’ve just left. The whole town left.” “I know. That’s not…” I stepped back, out of his arms, and looked over at the fallen tree. “I came out here and I saw that, and I remembered us…You…” He looked startled and…something else I couldn’t quite put my finger on, but definitely startled, like he hadn’t ever thought I’d be crying over him. “I dreamed you were alive,” I said. “You were calling me and you needed help, and I wanted to go but…” I swallowed. “It didn’t make sense. I told myself you couldn’t be, so I didn’t, and I’m sorry if--” “You wouldn’t have found me, Maya. If I called you, it was only in my dreams, when I was out cold. I never expected you to come after me. I should be dead.” He tugged me into his arms. “I’m just really, really glad I’m not.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her. It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
Celebrating something?” she asked. A wicked smile formed on his lips, showing off his dimples. “Just a good night’s sleep.” She smiled, too, though not without some reservation. Just what kind of person had they partnered with? A thief and an arsonist? Camille placed a napkin in her lap and devoured a slice of buttered toast. Oscar hadn’t returned from his walk until well after dark the night before. Camille had already turned down the lamps, pulled the blankets up to her ears, and buried her head in her pillow to avoid having to speak to or see him. “Oscar.” She felt her pulse rise. “What I said to you yesterday was miserable.” He kept his attention on his eggs. “I didn’t mean to be so thoughtless. I was just trying to avoid your question.” Oscar finished chewing. “I’m sorry, too,” he whispered. “So what about Randall don’t you want to talk about?” The fork slipped between her damp fingers, and she set it on the rim of the plate. “It’s just…I haven’t talked about it with anyone. I don’t really know how to put it.” She wanted to be desperately in love with Randall and not just fond of him. She didn’t want to need to marry Randall; she just wanted to want to. It had been her father’s greatest hope for her-and for the company. There was no way to explain it all to Oscar, though, without going into her father’s poor finances. As she drew her palm into her lap, it left a handprint of sweat on the lacquered cherry table. Oscar eyed the evaporating mark. “What are you so nervous about?” She massaged the healed wound on her temple. It still ached, but she couldn’t stop feeling for it each time she thought of her father. “If you were about to be married, wouldn’t you be nervous?” she asked. He took a sip of his black tea. “Nothing to be nervous about if you’re marrying the right person.” Camille dumped a spoonful of sugar into her tea. She knew she shouldn’t have bothered asking anyone, especially not a man. Oscar stopped, his forkful of eggs halfway to his mouth. “Are you rethinking the wedding?” Camille choked on a bite of toast. “No!” she said, hammering out a cough. “Of course not.
Angie Frazier (Everlasting (Everlasting, #1))
From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people. Where, that was the question. And Hunter had no answers. West, as the prophecy foretold? Into the great mountain ranges? The thought frightened him. He had been raised in open spaces, able to see into tomorrow, with the north wind whispering, the grass waving, the buffalo plentiful. What would he hunt? And how? He wouldn’t know what roots and nuts to gather. He wouldn’t know which plants made good medicine, which bad. Did he dare take a woman into an unknown land, uncertain if he could feed her, care for her, or protect her? What if she came with child? Winter, the time when babies cried. How would he stand tall like a man if his family starved? Hunter opened his eyes and sat up, raking his fingers through his damp hair. Looking skyward, he searched for Loretta’s Great One, the Almighty Father to whom she gave thanks for her food. At first he had been disgruntled by her prayers. Her God didn’t bring her the food; her husband did. Loretta had explained that her God led Hunter’s footsteps so his hunts were successful. Was her God up there in the sky, as she believed? Did he truly hear a man’s whispers, his thoughts? Hunter could see his own gods, Mother Earth, Mother Moon, Father Sun, the wind coming from the four directions. It was easy to believe in what he could see. Why did Loretta’s God hide himself? Was he terrible ugly? Did he hide only from Comanches? Loretta said he was father to all, even Indians. Peace filled Hunter. With so many Great Ones, both his and hers, surely they would be blessed. Relaxing his body, he surrendered himself to fate. The Great Ones would guide them. Loretta’s God would lead his footsteps in the hunt when his own gods failed him. Together he and Loretta would find a new place where the Comanche and tosi tivo could live as one, where Hunter could sing the songs of the People and keep their ways alive. Rising, Hunter turned back toward the village, his decision made, his heart torn, acutely aware that the prophecy had foretold this moment long ago.
Catherine Anderson (Comanche Moon (Comanche, #1))
There’s my girl.” He tossed the rag to the hearth. “Now, cuddle up. Do you know, I think you put bruises on my arse, woman?” He stretched out on his side, right smack beside her. “You have slain me, Emmie Farnum.” He sighed happily and felt cautiously for her in the dark. His hand found her hair, which he smoothed back in a tender caress. “I badly needed slaying, too, I can tell you.” He bumped her cheek with his nose and pulled back abruptly. “I would have said you were in need of slaying, as well,” he said slowly, “but why the tears, Emmie, love?” There were women who cried in intimate circumstances, a trait he’d always found endearing, but they weren’t Emmie, and her cheek wasn’t damp. It was wet. “Did I hurt you?” he asked, pulling her over his body. He positioned her to straddle him and wrapped an arm around her even while his hand continued to explore her face. He thought he’d been careful, but at the end, he’d been ardent—or too rough? “Sweetheart.” He found her cheek with his lips. “I am so heartily sorry.” “For what?” she expostulated, sitting up on him. “I am the one who needs to apologize. Oh, God, help me, I was hoping you wouldn’t learn this of me, and I tried to tell you, but I couldn’t… I just…” She was working herself up to a state. Even in the dark, her voice alone testified to rising hysteria. “Emmie.” He leaned up and gathered her in his arms. “Emmie, hush.” But she couldn’t hush; she was sobbing and hiccupping and gulping in his arms, leaving him helpless to do more than hold her, murmur meaningless reassurances, and then finally, lay her gently on her side, climb out of bed, and fish his handkerchief out of his pockets. All the while though, he sorted through their encounter and seized upon a credible source of Emmie’s upset. “You were not a virgin,” he said evenly as he tucked the handkerchief into her hand and gathered her back over him. “I was n-n-not,” she said, seizing up again in misery. “And I h-h-hate to cry. But of course you know.” I do now, he thought with a small smile, though had he thought otherwise, he wouldn’t have been so willing to bed her—he hoped. “Cease your tears, Emmie love.” He tucked her closer. “I am sorry for your sake you are so upset, and I hope your previous liaisons were not painful, but as for me, I am far more interested in your future than your past.” A moment of silence went by, his hands tracing lazy patterns on her lovely back, and then she looked up at him. “You cannot mean that.” “I can,” he corrected her gently. “I know you were without anyone to protect you, and you were in service. One of my own sisters was damned near seduced by a footman, Emmie. It happens, and that’s the end of it. Has your heart been broken?” She nodded on a shuddery breath. “Shall I trounce him for you? Flirt with his wife?” “That won’t be necessary,” she said, her voice sounding a little less shaky.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
Cedric, where is my son?” I ask the man. He smiles. “I think you can guess, sir.” — The sounds of neoPlast swords knocking together and boots on stone greet Sevro and me as we enter the dueling grotto. There, vines crawl over granite fountains and along the damp stone floor. Evergreen needles drift in cumulous shapes from the top of the trees. And in the center of the grotto, under the watching eyes of the gargoyles adorning the fountains, a young boy and girl circle each other at the center of a chalk circle. The seven other children of their pack watch on, along with two Gold women. Sevro pulls me to the side so we remain unseen and sit out of sight on the edge of a granite fountain to watch.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Did she have any idea of the way she tempted him? How much she stirred him? How she tasted like rain upon dry, parched earth- God, he could still taste her! What sweet, delicious torture it was to kiss her. To taste every sleek little hollow of her mouth, every damp, tiny crevice of her tongue, and touch her nowhere but her lips. Yet he didn't regret it. Not for an instant. The reward was too great. Feeling her trapped against him, the sweet, hungry clinging of her lips no less than his, the surging rise of hot, innocent passion... It was like dying and being reborn.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
Why didn't you return it to Michael?" Needham sighed, throwing down his napkin and rising from the table, through with the conversation. "He was careless with it in the first place," he said simply before quitting the room, Lady Needham fast on his heels. It might have been sixteen years since she'd seen him last, but a part of her still considered Michael Lawler, Marquess of Bourne, a dear friend, and she did not like the way her father spoke of him, as though he were of little value and less import. But then, she really didn't know Michael- not the man. When she allowed herself to think of him, more often than she'd like to admit, he was not a twenty-one-year-old who had lost everything in a silly game of chance. No, in her thoughts, Michael remained her childhood friend- the first she'd ever made- twelve years old, leading her across the muddy landscape on one adventure or another, laughing at inopportune moments until she could not resist laughing with him, muddying his knees in the damp fields that stretched between their houses and throwing pebbles at her window on summer mornings before he headed off to fish in the lake that straddled Needham and Bourne lands. She supposed the lake was part of her dowry, now. Michael would have to ask permission to fish there. He would have to ask her husband permission to fish there. The idea would be laughable if it weren't so... wrong. And no one seemed to notice.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
John Vernall lifted up his head, the milk locks that had given him his nickname stirring in the third floor winds, and stared with pale grey eyes out over Lambeth, over London. Snowy's dad had once explained to him and his young sister Thursa how by altering one's altitude, one's level on the upright axis of this seemingly three-planed existence, it was possible to catch a glimpse of the elusive fourth plane, the fourth axis, which was time. Or was at any rate, at least in Snowy's understanding of their father's Bedlam lectures, what most people saw as time from the perspective of a world impermanent and fragile, vanished into nothingness and made anew from nothing with each passing instant, all its substance disappeared into a past that was invisible from their new angle and which thus appeared no longer to be there. For the majority of people, Snowy realised, the previous hour was gone forever and the next did not exist yet. They-were trapped in their thin, moving pane of Now: a filmy membrane that might fatally disintegrate at any moment, stretched between two dreadful absences. This view of life and being as frail, flimsy things that were soon ended did not match in any way with Snowy Vernall's own, especially not from a glorious vantage like his current one, mucky nativity below and only reefs of hurtling cloud above. His increased elevation had proportionately shrunken and reduced the landscape, squashing down the buildings so that if he were by some means to rise higher still, he knew that all the houses, churches and hotels would be eventually compressed in only two dimensions, flattened to a street map or a plan, a smouldering mosaic where the roads and lanes were cobbled silver lines binding factory-black ceramic chips in a Miltonic tableau. From the roof-ridge where he perched, soles angled inwards gripping the damp tiles, the rolling Thames was motionless, a seam of iron amongst the city's dusty strata. He could see from here a river, not just shifting liquid in a stupefying volume. He could see the watercourse's history bound in its form, its snaking path of least resistance through a valley made by the collapse of a great chalk fault somewhere to the south behind him, white scarps crashing in white billows a few hundred feet uphill and a few million years ago. The bulge of Waterloo, off to his north, was simply where the slide of rock and mud had stopped and hardened, mammoth-trodden to a pasture where a thousand chimneys had eventually blossomed, tarry-throated tubeworms gathering around the warm miasma of the railway station. Snowy saw the thumbprint of a giant mathematic power, untold generations caught up in the magnet-pattern of its loops and whorls. On the loose-shoelace stream's far side was banked the scorched metropolis, its edifices rising floor by floor into a different kind of time, the more enduring continuity of architecture, markedly distinct from the clock-governed scurry of humanity occurring on the ground. In London's variously styled and weathered spires or bridges there were interrupted conversations with the dead, with Trinovantes, Romans, Saxons, Normans, their forgotten and obscure agendas told in stone. In celebrated landmarks Snowy heard the lonely, self-infatuated monologues of kings and queens, fraught with anxieties concerning their significance, lives squandered in pursuit of legacy, an optical illusion of the temporary world which they inhabited. The avenues and monuments he overlooked were barricades' against oblivion, ornate breastwork flung up to defer a future in which both the glorious structures and the memories of those who'd founded them did not exist.
Alan Moore (Jerusalem, Book One: The Boroughs (Jerusalem, #1))
Amelia…” His hands came to her head, stilling her. The warm ripples of her hair slid over his arms, raising gooseflesh. “Monisha,” he whispered, “I won’t do anything you don’t want. I only want to give you pleasure.” Her face was glowing in the firelight, her lips the color of red currants. “What does that word mean?” “Monisha? An endearment.” He could hardly think straight. “A Roma says it to a woman he’s intimate with.” Her hands came to his, fingers slipping into the spaces between his fingers. They held each other, their lips forming soundless words, mouths grazing and catching with damp heat. Cam lowered her to the blankets, in the pool of dancing firelight. And he whispered in the old language, telling her that he wanted to chase her as the sun chased the moon across the sky, he wanted to fill her until they were corthu, one being, joined. He was only half aware of what he was saying, drunk on the scent of her and the heat rising from her body.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I was sent to school with bread an' drippin' and a stubby pencil. All the other lads had fountain pens in their top pockets, not me. That's why I never got invited to the parties. That an' the gum boots. I saw all the others going off, all the little girls with their silver shoes and the boys in their party slippers giving each other great smackers at Postman's Knock. I was outside - the face at the window.
Eric Chappell (Rising Damp: The Complete Scripts)
Yellowfang purred. “I know you’ve been up to something,” she meowed. “But I won’t pry. All I know is that my apprentice seems back to her old self again. Which is good, because she was no use to any cat while she was moping around like a damp mushroom!
Erin Hunter (Rising Storm)
haven’t encountered so much stereotyping since I watched an old episode of ‘Rising Damp’. “Give me a couple of days to get your checks done, and then you can move in, providing they come up clean.
Lily Morton (Deal Maker (Mixed Messages, #2))
This exuberant beauty was in the damp spring stars. In the many years of cold rain rippling across the screen of cypresses. In the brambles and the rose bushes. In the rabbit nibbling its way through the garden and the doves murmuring in the vines and shade. In the alpine valleys. In the bays and among the highlands. In the clouds and the eagles, the wind, and the rising sun. In the roots of the chestnut tree, in the ferns and the ghost pipe, in the spores of lion’s mane, in the sterile conk of chaga. In the rocky cliffs that rose sovereign. In the rocks over which mountain goats leaped. In the trenches of seaweed. In the crushed stones and shells from the beach. In the brush-covered resting places of deer. In the hulks and ruins of empty estates, abandoned and alone with lichen on the stucco. In the towns glistening in the heat and in the cheerful, serene sound of cathedral bells. In automobiles and pedestrians. In the children and the old people.
Brandon W. Teigland (Metapatterning for Disconnection)
No, don't," Evie said urgently, as St. Vincent reached for the ties once more. She grappled with him, her fingers tangling with his. And then suddenly his mouth was on hers, and he pushed her against the side of building, anchoring her with his own body. His free hand caught the nape of her neck, beneath the weight of her damp hair. The lush pressure of his mouth caused a shock of response in every part of her body, all at once. She didn't know how to kiss, what to do with her mouth. Bewildered and shaking, she urged her closed lips back against his, while her heart thumped wildly and her limbs went weak. He wanted things that she didn't know how to give. Sensing her confusion, he drew back and possessed her mouth with small, persistent kisses, the bristle on his face scraping gently against hers. His fingers came to the fragile structure of her jaw, tilting her chin, his thumb coaxing her lower lip apart from the upper. The instant he gained an opening, he sealed his mouth over hers. She could taste him, a subtle and alluring essence that effected her like some exotic drug. His tongue pushed inside her, exploring in caressing strokes.... sliding deeper as she offered no resistance. After a luxuriously probing kiss, he eased back and their mouths were barely touching, their breath mingling in steamy puffs that were visible in the chilled night air. He brushed a half-open kiss against her lips, and another, his soft exhalations filling her mouth. The light kisses strayed across her cheek to the intricate hollow of her ear, and she gasped shakily as she felt his tongue trace the fragile rim, just before his teeth caught softly at the tiny lobe. She writhed in response, sensation streaking down to her breasts and farther, gathering low in intimate places. Straining against him, she searched blindly for his hot, teasing mouth, the silken stroke of his tongue. He gave it to her, his kiss gentle but sure. She curled her free arm around his neck to keep from falling, while he kept the other wrist pressed against the wall, their pulses throbbing hard together beneath the wrapping of white ribbon. Another deep kiss, somehow raw and soothing at the same time... he ate at her mouth, tasted and licked inside her... the pleasure of it threatened to blot out her consciousness. No wonder... she thought dizzily. No wonder so many women had succumbed to this man, had thrown away their reputations and their honor for him... had even, if rumor could be believed, threatened to kill themselves when he left them. He was sensuality incarnate. As St. Vincent lifted his body away from hers, Evie was surprised that she didn't crumple bonelessly to the ground. He was breathing as hard as she, harder, his chest rising and falling steadily.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Dear Miss Independent, I’ve decided that of all the women I’ve ever known, you are the only one I will ever love more than hunting, fishing, football, and power tools. You may not know this, but the other time I asked you to marry me, the night I put the crib together, I meant it. Even though I knew you weren’t ready. God, I hope you’re ready now. Marry me, Ella. Because no matter where you go or what you do, I’ll love you every day for the rest of my life. —Jack I felt no fear, reading those words. Only wonder, that so much happiness could be within my reach. Noticing something else in the cup, I reached in and pulled out a diamond ring, the stone round and glittering. My breath caught as I turned it in the light. I tried on the ring, and it slid neatly onto my finger. Picking up a nearby pen, I turned over the paper and wrote my answer in a flourishing scrawl. I poured my coffee, added cream and sweetener, and went back into the bedroom with the note. Jack was sitting on the edge of the bed, his head tilted slightly as he watched me. His simmering gaze took me in from head to toe, lingering at the diamond sparkling on my hand. I saw his chest rise and fall with a quick breath. Sipping my coffee, I approached him and handed him the note. Dear Jack, I love you, too. And I think I know the secret to a long and happy marriage— just choose someone you can’t live without. For me, that would be you. So if you insist on being traditional . . . Yes. —Ella Jack let out a pent-up sigh. He took my hips in his hands as I stood before him. “Thank God,” he murmured, drawing me between his thighs. “I was afraid you were going to give me an argument.” Taking care not to spill my coffee, I leaned forward and pressed my lips against his, letting our tongues touch. “When have I ever said no to you, Jack Travis?” His lashes lowered as he glanced at my damp lower lip. His accent was as thick as sorghum. “Well, I sure as hell didn’t want you to start sayin’ it now.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
He likes reading," his parents had told their friends in the same awed tones they might have used to announce he'd been awarded the Victoria Cross. Peter did like reading. He'd read his way through the entire children's section of the Kilburn Library bu the time he was eight, a feat that might have been a source of pride and celebration but for the problem posed by his still being years off acquiring the coveted adult borrowing card. Thank God for Miss Talbot, who'd bitten her lip and straightened the library name badge on her lemon cardigan, and told him-a faint quiver of purpose enlivening her usually soft, smooth voice-that she would personally ensure he never ran out of things to read. She was a magician, as far as Peter was concerned. Decipherer of secret codes, master of index cards and Dewey decimal, opener of doors to wonderful places. Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted.
Kate Morton (The Lake House)
Furi feverishly jerked his own cock. His hand moving so fast on his length, it was a blur. Syn wished he could see his lover’s face, see him in the throes of passion. His head was too heavy to lift and Furi’s face was buried in his damp pubic hair, his red, swollen mouth still hovering near Syn's sensitive dick, panting hot breaths on him as he howled his own release into the red-lit room, coating Syn’s thigh with wet heat. Furi dropped between his thighs and rested his head on his groin, his chest rapidly rising and falling as his orgasm left him weak as well. Syn absently ran his hand through Furi’s long tresses, while they both came back down to earth. Syn
A.E. Via (Embracing His Syn)
The night air was still and damp rising from the mud banks of the creek. Our lives had been determined by the random flow of water through weaknesses in the soil. Where there was water there was humanity. Especially now, with no stable forms of transportation, our villages were all based on the flow of water. From the sides of the mountains we’d traversed just days ago it looked like an open expanse of nothing. From here it looked like an open expanse of nothing. Staring into the void above, it was the same nothing. Staring into my heart was the only form of anything solid and that was suspect at best.
Charles Miske (My Sweet Infected (My Infected Book 1))
There was a light fog in the air, softening the goal and leaving a damp trace upon the skin. The moon was still rising in the sky, shimmering behind mist, and I could just make out the weak glow of the lantern in the middle of the Park. Out in the Borough, a clock struck ten, very faint.
Antonia Hodgson (The Devil in the Marshalsea (Thomas Hawkins #1))
Philip: How can you object to feeding the poor when you spend so much on that fat, flea-bitten thing. Rigsby: Hey, shush, shush. Keep your voice down. He understands every word you say, you know. There, there love. Vienna come here. That's a good boy, yes. You've offended him now. It's all right, the dark gentleman didn't mean it. Philip: But I did mean it. Just look at him. What use is he? Rigsby: What use? Wha...he isn't supposed to be any use, he's a pet. Philip: Would you eat him if you were starving? Rigsby: Oh I shall have to cover his ears if you carry on like this. Eat him? Of course I wouldn't eat him. We don't do that sort of thing in this country. Philip: He's your sacred cow, Rigsby. he has the best of everything. Rigsby: Yes of course he does. Has that stuff they show on the television. The one the cat picks out. Always goes for that bowl. Unerring isn't he. Alan: Gets its tail trodden on if it doesn't. That food should go to feed people. Rigsby: It does - Pakistanis love it. Philip: Oh come on, Rigsby. You don't believe that old tale. Rigsby: Goes down well with a bit of curry powder that does. Alan: You'll believe anything. Rigsby: It's true! You drop a Pakistani from any height, he'll always land on his feet.
Eric Chappell (Rising Damp: The Complete Scripts)
No, the only thing I'm worried about is in case I lose me temper. Because that's why I had to give up boxing. Very nearly killed this bloke once. I mean, once the bell goes the red mist comes up, I get this singing in the ears, when it clears there's someone stretched out on the canvas. Is it you, Rigsby? Oh, very funny.
Eric Chappell (Rising Damp: The Complete Scripts)
I just don't seem to get any chances these days. Why not? I don't know. There was this woman at the pub.They all said, 'Oooh, whatever you do don't give her a lift home, she'll interfere with you'. Y'know, she was supposed to interfere with you while you were driving, y'know...so I gave her a lift home. What happened? Nothin'! She was a washout. Just talked about her feet.
Eric Chappell (Rising Damp: The Complete Scripts)
For one thing he calls me 'Ducky'. If he calls me 'Ducky' once more I shall have him. Oh, hello Ducky. Am I interrupting? Yes, as a matter of fact you are, Hilary. Oh I like your cardi Rigsby. Very you. Very 'hungry thirties'.You must let me have the name of your tailor.
Eric Chappell (Rising Damp: The Complete Scripts)
D'you know, the only woman I really fancied in those days was Greer Garson. Used to see all of her films. Her and Walter Pidgeon. My God, they don't make films like that anymore, mate. Yes, always wanted to marry a woman like that. Was your wife like Greer Garson? No...more like Walter Pidgeon...
Eric Chappell (Rising Damp: The Complete Scripts)
D'you know Rigsby, you're a snob. The way you worship the upper classes. Well at least they know how to behave. At least they're gentlemen. Gentlemen? Yeah, you wouldn't know the meaning of the word of course. What about those rugby scrums when they all stand back and somebody's earhole is on the floor? That is character building.
Eric Chappell (Rising Damp: The Complete Scripts)
Suppose you come from an old family. Yes. Yes, born to it. It was the same in war time. You know, my old captain, he came from a good family. Not like these tuppenny ha'penny 'gentlemen' you get nowadays. He always carried a walking stick. Smoked a pipe. I never saw him ruffled. Whenever Jerry opened up he'd just lean on his stick and say ' where do you think yhat is coming from, Sergeant?' Everyone else would be diving for cover. Not the captain. What happened to him? ...got blown up by a shell.
Eric Chappell (Rising Damp: The Complete Scripts)
turning his head and coming around to his side, she bent, bringing her cheek to his cheek, her temple to his temple, and let the tears come. And it was then, with her damp face pressed to his, that she felt the tremulous fluttering of a pulse, soft as a butterfly's wings, beating in his temple. She pulled back. "Adam?" she whispered, barely daring to speak. Another moment passed.  And then his shoulders rose on an inhalation of Herculean proportions, rising up, up, up, only to settle back down on an equally huge exhalation. "Breathe, Adam!  Oh, please, breathe!"  And then, when he didn't, Amy put her lips next to his ear and yelled, straight into his head, "Breathe!" Adam breathed.  Plummer came charging back in, Sylvanus right behind him.  Seeing the rise and fall of Adam's shoulders, Plummer hurried forward, opening his bag as he went.  Adam was coming back to life — literally — beneath Amy's bloodstained fingers. 
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Who's that?" Playing an old game, Roy pointed at Juanita. Serena grinned and raced to plant a kiss on Juanita's cheek. "'Nita!" she cried triumphantly. Juanita pointed her toward Lily. "Quien es?" "Mama and baby!" Serena climbed into Lily's lap for a hug. As Cade bent his large form beneath the flap to join them, Lily pointed in his direction. "What's his name?" "Papa-padre-daddy," she crowed, laughing as Cade lifted her and sat down with her in his lap. She liked having several names for everything and everyone, and could chatter incessantly in two languages. Cade pointed at an unshaven Travis who glared blearily at their laughter as he untangled himself from his damp bedroll. "Que esta?" Unaware of the Spanish niceties as to being addressed as a "what" instead of "who," Travis glared at their cheerfulness until Serena flung herself at him and hugged his neck. "Snake-oil man!" she cried. Laughter erupted all around—despite the dreary rain, despite their fear and weariness. Welcome waves of amusement relieved some of the tension. Travis growled and tickled Serena until she ran to Roy for help, then grinning, he met Cade's eyes. "Can't you teach her something else to call me?" "Tio Travis?" Cade suggested. "Tio, tio!" Serena cried, sticking her tongue out at Travis and hiding behind Roy's back. "Why do I get the feeling that means 'snake oil' in Spanish?" Travis muttered, reaching for the tin cup of coffee Juanita offered him. "It means 'uncle.' Whether you know it or not, you've just adopted a niece. That means you get to carry her today." Cade took his cup and settled back cross-legged beside Lily. "I don't think I'm ready for the responsibilities of a family man. I'm not even certain how I got into this." Travis threw Lily a wry look. "You're more trouble than you're worth, you know." "Look who's talking." Undisturbed, Lily called Serena to come eat her breakfast. She had spent eight years raising Travis's son. It was time he took on a little responsibility. Travis shrugged his shoulders, unabashed. "You could have had a smart, good-looking man like myself and you chose that man-mountain over there. You lost your chance, Lily." Lily didn't need to reply to that. She merely looked at his rumpled curls and beard-stubbled face and grinned. Relieved that she could still find humor in the midst of her grief, Cade finished his food and leaned over to kiss her before rising to finish packing the horses. Lily watched him go with astonishment. Cade never made public displays of affection. Their
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
For five hundred years my sisterhood has passed down a sacred vow,” says Caspida coldly, “to destroy the one who destroyed our queen. You know this, and you speak these words only to deceive me as you deceived her. You would have me believe that you are capable of love.” “Believe me when I say I wish that I were not!” Angrily I round on her. “I do not tell you this for myself! Aladdin will die any moment, and the only way to save him is if you make a wish! Please, Caspida—they will kill him at dawn!” I point at the horizon, where the sun is minutes away from rising. “Let me save him, I beg you!” I drop to my knees before her, doing what I never thought I could: grovel before a human. My pride unravels into smoke, carried away on the wind. Always I have thought myself above these mortals—I, immortal, powerful, able to shift from this form to that. But I let all of that go now, and I beg as I have never begged before. “Do what you like with me after that, but just let me save him!” I dig my fingers into the earth, my eyes damp with tears. My voice falls to a cracked whisper. “Please.” “Why?” I raise my face, finding her gaze unyielding. “Because it was my idea. Him wishing to be made a prince. Courting you. Lying all these weeks. I manipulated him and used him, and now they will kill him for it.” “Why would you lead him into the palace knowing that eventually the truth would come out and he would have to pay the price?” “Because . . .” I grind my teeth together, wishing the earth would swallow me up. “Because I was trying to win my freedom. Your people had captured the prince of the jinn—Nardukha’s own son. The Shaitan sent me to free him, and in turn, he would free me from my lamp. If I failed, he planned to sink your city into the sea. I had to get into the palace. Aladdin was my only way in.” “So you don’t deny that you’re a monster. You used him for your own ends.” I drop my head. “I know what I am. I know nothing can excuse what I did to Roshana, or to Aladdin, or to you. I’ve wronged so many, and there is so much I wish I could take back. I can’t save Roshana. But please—I beg of you—let me save him.” Caspida lowers to her knees and studies me. I meet her gaze, humbled utterly. “You want me to believe that you love him,” she whispers. “Yes.” The word is but a breath, a stir of air in my treacherous lungs. “We’re running out of time. I cannot reverse death or the hours. Time is the strongest magic, and no jinni—not even the Shaitan—can rewrite the past. Once Aladdin is gone, he is gone. Let me save him, and I can help you win your city.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Smitten I am standing there Gazing at your form I cannot help but reach out And touch your arm Stroking soft and slow Caressing back and forth   My lips kiss your nape My hands pass down your neck Your mounds promise more You shudder as I touch your nipple Between your legs I feel the heat The dampness is ready   Labial heat rising Stiffness between my legs Our breaths panting Our embraces melting We kiss deeply The rest is yet to come
Demetrios Anastasia (Winds of Passion: Passion - An inscrutable, indefinable specter of emotions (Passions Unfolding ... Book 1))