“
He needed to tell her...what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn't pull himself together into some semblance of a man for her. That without meaning to, he'd begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I smiled to fight the tears. "Fifty bucks says you'll be thanking me for this when you meet your future wife."
Travis's eyebrow pulled together as his face fell. "That's an easy bet. The only woman I'd ever wanna marry just broke my heart.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
You just want me to hold you until you fall asleep?"
I didn't answer.
He shifted to look straight into my eyes. "I should say no to prove a point," he said, his eyebrows pulling together. "But I would hate myself later if I said no and you never asked me again.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Pour yourself a drink, put on some lipstick, and pull yourself together.
”
”
Elizabeth Taylor
“
We're in this together, right?" he whispers. "You and me? You want to be here, yeah?" There's guilt in his questions. "Yes," I reply. "I chose this." Day pulls me close enough for our noses to touch. "I love you.
”
”
Marie Lu (Prodigy (Legend, #2))
“
William: "I'm sure we can all pull together, sir."
Vetinari: "Oh, I do hope not. Pulling together is the aim of despotism and tyranny. Free men pull in all kinds of directions.
”
”
Terry Pratchett (The Truth: Stage Adaptation)
“
Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Falconers,” she continued, sternly. “Pull yourselves together. People are dying. The police don’t have the family history to solve murders forty years apart.
”
”
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
“
Occasionally, Fate pulls itself together again and Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
If your actions inspire others to dream more, learn more, do more and become more, you are a leader.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
Don’t ever leave me again,” I said in a tiny voice.
I won’t,” he promised into my hair, sounding most un-Fang-like. “I won’t. Not ever.”
And just like that, a cold shard of ice that had been inside my chest ever since we’d split up-well, it just disappeared. I felt myself relax for the first time in I don’t known how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together.
Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
”
”
James Patterson
“
Sometimes the thing that brings us together also pulls us apart. Sort of like a zipper.
”
”
Jarod Kintz (This Book Title is Invisible)
“
If you let hope inside, it takes you over. It feeds on your insides and uses your bones to climb and grow. Eventually it becomes the thing that is your bones, that holds you together. Holds you up until you don't know how to live without it anymore. To pull it out of you would kill you entirely.
”
”
Ally Condie (Reached (Matched, #3))
“
You can easily judge the character of a man by how he treats those who can do nothing for him.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
But see that you get on. That's your job in this hard world, to keep your love alive and see that you get on, no matter what. Pull your act together and just go on.
”
”
Stephen King (The Shining (The Shining, #1))
“
Are you kidding?” I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. “You’ve spoken to me maybe once in the two weeks I’ve been here. I hardly even notice you anymore.”
“Okay, hold up,” he says, turning to block my path. “We both know there’s no way you haven’t noticed all of this” — he gestures to himself — “so if you’re trying to play games with me, I should let you know up front that it’s not going to work.”
“What?” I frown. “What are you talking abou—”
“You can’t play hard to get, kid.” He raises an eyebrow. “I can’t even touch you. Takes ‘hard to get’ to a whole new level, if you know what I mean.”
“Oh my God,” I mouth, eyes closed, shaking my head. “You are insane.”
He falls to his knees. “Insane for your sweet, sweet love!
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Pull yourself together, bitch. He's just a guy.
”
”
Sara Shepard (The Lying Game (The Lying Game, #1))
“
What is wrong with you?' I shake my head. 'Pull it together.'
And that's what it feels like: pulling the different parts of me up and in like a shoelace. I feel suffocated, but at least I feel strong.
”
”
Veronica Roth
“
As the Zen Buddhist saying goes, how you do anything is how you do everything.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
We can't, and we should not, compare sufferings. We come together as a family of God, hand in hand. And then together coming and standing upon the promises of God, knowing that no matter who you are, no matter what you're going through, that God knows it, He is with you, He is going to pull you through.
”
”
Nick Vujicic
“
The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country. ...We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of. This is a logical result of the way in which our democratic society is organized. Vast numbers of human beings must cooperate in this manner if they are to live together as a smoothly functioning society. ...In almost every act of our daily lives, whether in the sphere of politics or business, in our social conduct or our ethical thinking, we are dominated by the relatively small number of persons...who understand the mental processes and social patterns of the masses. It is they who pull the wires which control the public mind.
”
”
Edward L. Bernays (Propaganda)
“
I have to ask. Why do you like me?”
He shifted away from me then, his brows pulled together making him look even cuter, if that was possible. “I don’t understand the question.” His hands were squeezing mine tightly as he looked down at them. “You’re my Lilly. You’ve always been my Lilly.
”
”
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
“
The true price of leadership is the willingness to place the needs of others above your own. Great leaders truly care about those they are privileged to lead and understand that the true cost of the leadership privilege comes at the expense of self-interest.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
When she spoke again it was in the thin, careful and above all brave voice of someone who has pulled themselves together despite overwhelming odds but might let go again at any moment.
”
”
Terry Pratchett (Mort (Mundodisco, #4))
“
Got you. You're mine now. For the rest of the day, week, month, year, life. Have you guessed who I am? Sometimes I think you have. Sometimes when you're standing in a crowd I feel those sultry, dark eyes of yours stop on me. Are you too afraid to come up to me and let me know how you feel? I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say "I love you I love you I love you" while stripping. I want you so bad it stings. I want to kill the ugly girls that you're always with. Do you really like those boring, naive, coy, calculating girls or is it just for sex? The seeds of love have taken hold, and if we won't burn together, I'll burn alone.
”
”
Bret Easton Ellis (The Rules of Attraction)
“
You wanted us all back together again!" Bonnie shouted at Caroline, and pulled the scandalized girl into the dance. Meredith, her dignity forgotten, joined them too.
And for a long time in the clearing there was only rejoicing.
”
”
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
“
Let us all be the leaders we wish we had.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
Returning from work feeling inspired, safe, fulfilled and grateful is a natural human right to which we are all entitled and not a modern luxury that only a few lucky ones are able to find.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
Too much was between us, pulling us together at the same time as it pushed us apart. Our need for each other would always be in constant battle with our need to keep the other safe.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.
”
”
Bram Stoker (Dracula)
“
You're waiting because you thought it would follow, you thought there would be some logic, perhaps, something to pull it all together but here we are in the weeds again, here we are in the bowels of the thing: your world doesn't make sense.
”
”
Richard Siken (Crush)
“
I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging into my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
She sucked in a shuddering breath, and he pulled back far enough for them to share breath. Her fingers shook as she brushed them against his mouth, and his control nearly shredded apart right there.
'What are you waiting for?' he said, the words near guttural.
'Bastard,' she murmured, and kissed him.
Her mouth was soft and warm, and he bit back a groan. His body went still—his entire world went still—at that whisper of a kiss, the answer to a question he’d asked for centuries. He realized he was staring only when she withdrew slightly. His fingers tightened at her waist.
'Again,' he breathed.
She slid out of his grip. 'If we live through tomorrow, you’ll get the rest.'
He didn’t know whether to laugh or roar. 'Are you trying to bribe me into surviving?'
She smiled at last. And damn if it didn’t kill him, the quiet joy in her face.
They had walked out of darkness and pain and despair together. They were still walking out of it. So that smile … It struck him stupid every time he saw it and realized it was for him.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
A decoy,” said the Darkling, coming up beside me. “We’ll take the southern trails. It’s what we should have done in the first place.”
“So you do make mistakes,” I said without thinking.
He paused in the act of pulling on his gloves, and I pressed my lips together nervously. “I didn’t mean—”
“Of course I make mistakes,” he said. His mouth curved into a half smile. “Just not often.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
The first action to be taken is to pull ourselves together. If we are going to be destroyed by an atomic bomb, let that bomb, when it comes, find us doing sensible and human things -- praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts -- not huddled together like frightened sheep and thinking about bombs.
”
”
C.S. Lewis
“
He’d moved toward me again. His hands released mine and moved to my waist, and I noticed I wasn’t the only one breathing heavily. He pulled me to him, bringing our bodies together. The world was all heat and electricity, thick with tension that was only one spark away from exploding around us. I was balancing on another precipice, which wasn’t easy to do in heels. I wrapped my arms around his neck, and this time I was the one who drew him closer.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Falling for someone is like pulling a loose thread. It happens stitch by stitch. You feel whole most of the time even while the seams pop, the knots loosen, everything that holds you together coming undone. It feels incredible, this opening of yourself to the world. Not like the unraveling it is. Only afterward do you glance down at the tangle of string around your feet that used to be a person who was whole and self-contained and realize that love is not a thing that we create. It's an undoing.
”
”
Leah Raeder (Black Iris)
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
To all the secret writers, late-night painters, would-be singers, lapsed and scared artists of every stripe, dig out your paintbrush, or your flute, or your dancing shoes. Pull out your camera or your computer or your pottery wheel. Today, tonight, after the kids are in bed or when your homework is done, or instead of one more video game or magazine, create something, anything.
Pick up a needle and thread, and stitch together something particular and honest and beautiful, because we need it. I need it.
Thank you, and keep going.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
I realized right then and there, in that hallway, that I wanted no other... I became the man she needed me to be because she had sense enough to have requirements-standards that she needed in her relationship in order to make the relationship work for her.
She knew she wanted a monogamous relationship-a partnership with a man who wanted to be a dedicated husband and father. She also knew this man had to be faithful, love God, and be willing to do what it took to keep this family together. On a smaller scale she also made it clear that she expected to be treated like a lady at every turn-I'm talking opening car doors for her, pulling out her seat when she's ready to sit at the table, coming correct on anniversary, Mother's Day, and birthday gifts, keeping the foul talk to a minimum. These requirements are important to her because they lay out a virtual map of what I need to do to make sure she gets what she needs and wants. After all, it's universal knowledge that when mama is happy, everybody is happy. And it is my sole mission in life to make sure Marjorie is happy.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
And when a leader embraces their responsibility to care for people instead of caring for numbers, then people will follow, solve problems and see to it that that leader’s vision comes to life the right way, a stable way and not the expedient way.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.”
His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair.
“I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.”
Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine.
When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.”
I couldn’t tear my eyes from his. “What I want?”
“Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.”
“What?”
“That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.”
My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.”
He gave me a hard look. “That’s not what I’m talking about.”
“Why are you asking me this?” I tried to pull back, but he held me against him.
The glimmer of a smile appeared on his lips. “Why not?”
My temper flared. “Are you trying to say that you love me?”
I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire.
“What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian. Kissing him was as mind-blowing as ever, full of that same passion and need I had never believed I’d feel. But today, there was even more to it. I no longer had any doubt about whether this was wrong or right. It was a culmination of a long journey . . . or maybe the beginning of one.
I wrapped my arms around his neck and pulled him closer. I didn’t care that we were out in public. I didn’t care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us.
I don’t know how long we stood there kissing. Like I said, the world around me was gone. Time had stopped. I was awash in the feel of Adrian’s body against mine, in his scent, and in the taste of his lips. That was all that mattered right now.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
I just pulled a pretty big job and needed to hide out for awhile."
"...Where's all the loot?"
"That, as my cousin Nord would say, is where my improvised lie falls apart."
Artemis put two and two together and arrived at a very unpleasant four.
"You were here to rob me!"
"No, I wasn't. How dare you?!
”
”
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
“
Women buy underwear for the men they love. It’s economics. Data supports this claim.”
“Are you telling me you love me, Stella?”
She hugged Karate Bear tight and nodded, suddenly overcome by shyness.
“You’re not going to give me the words?” he asked.
“I’ve never said them to anyone but my parents.”
“You think I run around telling women I love them?”
He pulled her close and pressed their foreheads together.
“I’m going to get the words out of you. Tonight.
”
”
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
“
Mare,” he whispers. “Choose me.”
Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for.
I find my thread of steel too. Thin but unbreakable.
“I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.”
Slowly, my eyelids flutter open. He finds the spine to match my gaze.
“Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.”
My breathing turns ragged.
I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice.
“You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
Literature, real literature, must not be gulped down like some potion which may be good for the heart or good for the brain — the brain, that stomach of the soul. Literature must be taken and broken to bits, pulled apart, squashed — then its lovely reek will be smelt in the hollow of the palm, it will be munched and rolled upon the tongue with relish; then, and only then, its rare flavor will be appreciated at its true worth and the broken and crushed parts will again come together in your mind and disclose the beauty of a unity to which you have contributed something of your own blood.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
Everything is connected, like a delicate web. Ever growing, ever changing. New silvery strands come together every day, and once the strand is formed, no matter what superficial circumstances may sometimes keep you apart, it is never broken. You will meet again, perhaps in another lifetime. The connection is unbreakable, lying dormant in your subconscious.
”
”
Chelsie Shakespeare (The Pull)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Every time I run into you for the rest of our lives, I'll ask you to make a game with me. There's some groove in my brain that insists it is a good idea."
"Isn't that the definition of insanity? Doing the same thing over and over but expecting a different result."
"That's a game character's life, too," Sam said. "The world of infinite restarts. Start again at the beginning, this time you might win. And it's not as if all our results were bad. I love the things we made. We were a great team."
Sam offered Sadie his hand, and she shook it. She pulled him into her, and she kissed Sam on the cheek. "I love you, Sadie," Sam said.
"I know, Sam. I love you, too.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone else’s
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
”
”
Tyler Knott Gregson
“
Well, here goes," said Harry, and he raised the little bottle and took a carefully measured gulp.
"What does it feel like?" whispered Hermione.
Harry did not answer for a moment. Then, slowly but surely, an exhilarating sense of infinite opportunity stole through him; he felt as though he could have done anything, anything at all...and getting the memory from Slughorn seemed suddenly not only possible, but positively easy....
He got to his feet, smiling, brimming with confidence.
"Excellent," he said. "Really excellent. Right...I'm going down to Hagrid's."
"What?" said Ron and Hermione together, looking aghast. "No, Harry - you've got to go and see Slughorn, remember?" said Hermione.
"No," said Harry confidently. "I'm going to Hagrid's, I've got a good feeling about going to Hagrid's."
"You've got a good feeling about burying a giant spider?" asked Ron, looking stunned.
"Yeah," said Harry, pulling his Invisibility Cloak out of his bag. "I feel like it's the place to be tonight, you know what I mean?" "No," said Ron and Hermione together, both looking positively alarmed now.
"This is Felix Felicis, I suppose?" said Hermione anxiously, holding up the bottle to the light. "You haven't got another little bottle full - I don't know -"
"Essence of Insanity?" suggested Ron, as Harry swung his cloak over his shoulders.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
Koschei smiled. His pale lips sought hers, crushing her into a kiss like dying. She tasted sweetness there, as though he still kissed her with honey and sugar on his tongue. When he pulled away, his eyes shone.
"I don't care, Marya Morevna. Kiss him. Take him to your bed, and the vila, too, for all it matters to me. Do you understand me, wife? There need never be any rules between us. Let us be greedy together; let us hoard. Let us hit each other with birch branches and lock each other in dungeons; let us drink each other's blood in the night and betray each other in the sun. Let us lie and lust and take hundreds of lovers; let us dance until snow melts beneath us. Let us steal and eat until we grow fat and roll in the pleasures of life, clutching each other for purchase. Only leave me my death — let me hold this one thing sacred and unmolested and secret — and I will serve you a meal myself, served on a platter of all the world's bounty. Only do not leave me, swear that you will never leave me, and no empress will stand higher. Forget the girls in the factory. Be selfish and cruel and think nothing of them. I am selfish. I am cruel. My mate cannot be less than I. I will have you in my hoard, Marya Morevna, my black mirror.
”
”
Catherynne M. Valente (Deathless)
“
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning.
"Nice," he said. "As graceful as a falling snowflake."
"Was I screaming?" She asked, genuinely curious. "You know, on the way down."
He nodded. "Thankfully no one's home, or they would have assumed I was murdering you."
"Ha. You can't even reach me." She kicked out a leg and spun lazily in midair.
Jace's eyes glinted. "Want to bet?"
Clary knew that expression. "No," she said quickly. "Whatever you're going to do-"
But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her.
"Now," he said, "that was much better. You didn't scream at all."
"I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Eventually, the room was cleared, and we stood there together, chests heaving, a spray of shifters and humans on the floor in front of us. We weren’t entirely undamaged—I’d taken a bruising shot to my right thigh, and Ethan had slices across his belly where he’d been caught with the edge of a bar of steel broken from someone’s office chair.
But we were alive.
We glanced over at each other. I was just about to speak, but before I could get out words, his hand was at the back of my head, his mouth pressing against mine. The intensely possessive kiss left me gasping for breath, but even as he pulled back, his fingers stayed knotted in the back of my hair.
”
”
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
“
Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.
”
”
Caitlyn Siehl
“
I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close.
"I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her.
She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH."
Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?"
"I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it."
"Aye. I...I liked it some. No one taught you such?"
"There's been no one," he confessed. "Only you.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
He pulls free before we make contact. “A moment, please. Allow me to bask in your devotion.” He’s referring to my ankle tattoo.
I blush. “I’ve told you a hundred times. It’s only a set of wings.”
“Nonsense.” Morpheus grins. “I know a moth when I see one.”
I groan in frustration, and he surrenders, letting me press our markings together. A spark rushes between them, expanding to a firestorm through my veins. His gaze locks on mine, and the bottomless depths flicker—like black clouds alive with lightning. For that instant, I’m bared to the bone. He looks inside my heart; I look inside his. And the similarities there terrify me.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
Imagine saying to somebody that you have a life-threatening illness, such as cancer, and being told to pull yourself together or get over it.
Imagine being terribly ill and too afraid to tell anyone lest it destroys your career.
Imagine being admitted to hospital because you are too ill to function and being too ashamed to tell anyone, because it is a psychiatric hospital.
Imagine telling someone that you have recently been discharged and watching them turn away, in embarrassment or disgust or fear.
Comparisons are odious. Stigmatising an illness is more odious still.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
I was only then, when I knew I was alone, at least for the moment, that I reached under my gown into the pocket of my dress. As I pulled out my key from the yellow house, which I'd kept on my bureau since the day Nate left, I traced the shape one last time before folding my hand tightly around it.
Behind me, Cora was calling again. My family was waiting. Looking down at the pond, all I could think was that it is an incredible thing, how a whole world can rise from what seems like nothing at all. I stepped closer to the edge, keeping my eyes on my reflection as I dropped the key into the water, where it landed with a splash. At first, the fish darted away, but as it began to sink they circled back, gathering around. Together, they followed it down, down until it was gone.<3
”
”
Sarah Dessen (Lock and Key)
“
But all he could think of was Inej. She had to live. She had to have made it out of the Ice Court. And if she hadn't, then he had to live to rescue her.
The ache in his lungs was unbearable. He needed to tell her... what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn't pull himself together into some semblance of a man for her. That without meaning to, he'd begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I need to hear you say it.”
“I love you,” she said. She touched her lips to mine, and then pulled a few inches away. “Now quit being such a baby.”
Once she kissed me, my heart slowed, and every muscle in my body relaxed. How much I needed her terrified me. I couldn’t imagine love was like this for everyone, or men would all be walking around like lunatics the second they were old enough to notice girls.
Maybe it was just me. Maybe it was just me and her. Maybe together we were this volatile entity that would either implode or meld together. Either way, it seemed the moment I met her, my life had been turned upside down. And I didn’t want it any other way.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
fuck
she pulled her dress off
over her head
and I saw the panties
indented somewhat into the
crotch.
it's only human.
now we've got to do it.
I've got to do it
after all that bluff.
it's like a party--
two trapped
idiots.
under the sheets
after I have snapped
off the light
her panties are still
on. she expects an
opening performance.
I can't blame her. but
wonder why she's here with
me? where are the other
guys? how can you be
lucky? having someone the
others have abandoned?
we didn't have to do it
yet we had to do it.
it was something like
establishing new credibility
with the income tax
man. I get the panties
off. I decide not to tongue her. even then
I'm thinking about
after it's over.
we'll sleep together
tonight
trying to fit ourselves
inside the wallpaper.
I try, fail,
notice the hair on her
head
mostly notice the hair
on her
head
and a glimpse of
nostrils
piglike
I try it again.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
The days will rally, wreathing
Their crazy tarantelle;
And you must go on breathing,
But I'll be safe in hell.
Like January weather,
The years will bite and smart,
And pull your bones together
To wrap your chattering heart.
The pretty stuff you're made of
Will crack and crease and dry.
The thing you are afraid of
Will look from every eye.
You will go faltering after
The bright, imperious line,
And split your throat on laughter,
And burn your eyes with brine.
You will be frail and musty
With peering, furtive head,
Whilst I am young and lusty
Among the roaring dead.
”
”
Dorothy Parker
“
Everyone has always said I look like Bailey, but I don't.
I have grey eyes to her green,
an oval face to her heart-shaped one,
I'm shorter, scrawnier, paler, flatter, plainer, tamer.
All we shared is a madhouse of curls
that I imprison in a ponytail
while she let hers rave
like madness
around her head.
I don't sing in my sleep
or eat the petals off flowers
or run into the rain instead of out of it.
I'm the unplugged-in one,
the side-kick sister,
tucked into a corner of her shadow.
Boys followed her everywhere;
they filled the booths at the restaurant where she waitressed,
herded around her at the river.
One day, I saw a boy come up behind her
and pull a strand of her long hair
I understood this-
I felt the same way.
In photographs of us together,
she is always looking at the camera,
and I am always looking at her.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
Those who love their dream of a Christian community more than they love the Christian community itself become destroyers of that Christian community even though their personal intentions may be ever so honest, earnest and sacrificial. God hates this wishful dreaming because it makes the dreamer proud and pretentious. Those who dream of this idolized community demand that it be fulfilled by God, by others and by themselves. They enter the community of Christians with their demands set up by their own law, and judge one another and God accordingly. It is not we who build. Christ builds the church. Whoever is mindful to build the church is surely well on the way to destroying it, for he will build a temple to idols without wishing or knowing it. We must confess he builds. We must proclaim, he builds. We must pray to him, and he will build. We do not know his plan. We cannot see whether he is building or pulling down. It may be that the times which by human standards are the times of collapse are for him the great times of construction. It may be that the times which from a human point are great times for the church are times when it's pulled down. It is a great comfort which Jesus gives to his church. You confess, preach, bear witness to me, and I alone will build where it pleases me. Do not meddle in what is not your providence. Do what is given to you, and do it well, and you will have done enough.... Live together in the forgiveness of your sins. Forgive each other every day from the bottom of your hearts.
”
”
Dietrich Bonhoeffer
“
I’d do it all over again, you know. I wouldn’t trade one second if it meant we were right here, in this moment.”
She took in a deep breath, and I gently kissed her forehead.
“This is it,” I whispered.
“What?”
“The moment. When I watch you sleeping . . . that peace on your face? This is it. I haven’t had it since before my mom died, but I can feel it again.” I took another deep breath and pulled her closer. “I knew the second I met you that there was something about you I needed. Turns out it wasn’t something about you at all. It was just you.”
Abby offered a tired smile as she buried her face into my chest. “It’s us, Trav. Nothing makes sense unless we’re together. Have you noticed that?”
“Noticed? I’ve been telling you that all year!” I teased.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
She was breathtaking in her beauty and her human spirit, he thought, unable to speak as he gazed upon her. Hers was the sort that would not fade or grow jaded with time and years, but flourish, grow more radiant with life and its experience. Hers was a beauty that no other possessed. A beauty he longed to keep, to hide away, to bask in, himself alone. She had become his. He didn’t know when, whether it had been the moment her fingertips had touched him when he was hurt, or if it had grown, like a seed, slowing spreading until Jane had become the root anchoring the shattered pieces of his heart, pulling them tight together until it resembled the organ it should.
”
”
Charlotte Featherstone (Sinful (Addicted, #2))
“
Listen,” he says, pulling a curled fist out of his pocket. He takes one of Alex’s hands and turns it to press something small and heavy into his palm. “I want you to know, I’m sure. A thousand percent.”
He removes his hand and there, sitting in the center of Alex’s callused palm, is the signet ring.
“What?” Alex’s eyes flash up to search Henry’s face and find him smiling softly. “I can’t—”
“Keep it,” Henry tells him. “I’m sick of wearing it.”
It’s a private airstrip, but it’s still risky, so he folds Henry in a hug and whispers fiercely, “I completely fucking love you.”
At cruising altitude, he takes the chain off his neck and slides the ring on next to the old house key. They clink together gently as he tucks them both under his shirt, two homes side by side.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track.
My thoughts were flashes in between the downbeats.
beat:
my hand pressed on Cole's stomach
beat:
our hips crushed together
beat:
Cole's laugh
beat:
we were one person
Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies.
When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart.
"You're an addiction," I told him.
"You should know.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
Prove it!" she hissed. "Prove you are who you are!"
"We don't have time for this! You really want me to prove who I am?" he asked.
"Yes!" she challenged.
In answer, he took her in his arms, lifting her up and against the wall. He pressed his lips against hers, and with each kiss she could see into his mind, into his soul. She saw a year of hate...saw him alone, alienated, hurt. She had lied to him and had left him. With every kiss he made her see, made her feel...every emotion, every dream he had of her...every ounce of his wanting and his need...and his love...his all-consuming, life-affirming love for her. In the darkness they found each other again...and she kissed him back, so greedily and hungrily, she never wanted to stop kissing him...to feel his heart against hers, the two of them intertwined together, his hands in her hair, then down the small of her back. She wanted to cry from the overwhelming emotion that engulfed the two of them....
"Now do you belive me?" Jack asked huskily, pulling away from a moment so they could look into each other's eyes. Schuyler nodded, breathless. Jack. Every fiber of her being tingled with love and desire and remorse and forgiveness. Oh Jack...the love of her life, her sweet, her soul...
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
I want you to remember something. Zo. It's important, and it'll make more sense when you have yourself together again. I'm gonna leave here and get another chance at life.You're gonna be a big, famous vamp High Priestess. That means you're gonna live like a gazillion years. I'll find you again. Even if it takes a hundred of those years. I promise you, Zoey Redbird, we'll be together again." Heath pulled her into his arms and kissed her trying through touch to show her that his love was never-ending. When he finally forced himself to let her go, he thought he saw understanding in her haunted, shocked gaze. "I'll love you forever, Zo."
Then Heath turned and walked away from his true love. The air before him opened, curtainlike, and he stepped from one realm to another and disappeared completely.
”
”
P.C. Cast (Burned (House of Night, #7))
“
A little present from my run-in with a sword. Or should I say from when the sword had a run-in with me?” His eyes lit up.
“Want to see the scar? It’s cool.” He started pulling his shirt out of his pants.
“Janco,” Ari warned. “We’re not supposed to be fraternizing with the Sitians.”
“But she’s not Sitian. Right, Yelena? You haven’t gone south on us, have you?” Janco’s voice held mock horror.
“Because if you have I can’t give you your present.”
I took my switchblade out, showing the inscription to Janco. “What about ‘Sieges weathered, fight together, friends forever’? Does that change if I become an official southerner?”
Janco rubbed the hair on his chin, considering.
“No,” Ari said. “You could change into a goat and it would still apply.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
You didn't think I really liked you? Do you think I really like you now?"
He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that."
Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?"
He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat.
And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them.
You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that."
She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
”
”
Holly Black (Valiant (Modern Faerie Tales, #2))
“
You don't fall in love like you fall in a hole. You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.)
And you can bring your friends to visit. And read your favourite stories to each other. And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it.
PS You have to be brave.
”
”
Jeanette Winterson
“
I pushed passed him. He grabbed my hand and swung me back towards him. Then he pushed me against the wall and... he kissed me.
He ran his thumb along my jawline and down my throat, hips pinning me to the wall. He kissed me slowly and with intensity, and once I got over the mind-numbing shock and comprehended what was actually happening, it was incredible. I had never been kissed like that before. We melted together. Every movement of mine was somehow perfectly mirrored by his. My heart was pounding so hard I knew he must be able to feel it and I was sure my legs were giving way, but he held me up, pushed me harder against the wall.
I grabbed a handful of his hair, remembering all the times I'd dreamed of doing it. I let my hand drift down his back and pulled him even closer to me. It all happened so quickly. I heard him make a low kind of growl and lean into me. His hand slid down my leg behind my knee, drawing it to him. I moaned and felt him tense.
”
”
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
“
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
”
”
Annie Proulx (Brokeback Mountain)
“
A man walks into a bar and says:
Take my wife–please.
So you do.
You take her out into the rain and you fall in love with her
and she leaves you and you’re desolate.
You’re on your back in your undershirt, a broken man
on an ugly bedspread, staring at the water stains
on the ceiling.
And you can hear the man in the apartment above you
taking off his shoes.
You hear the first boot hit the floor and you’re looking up,
you’re waiting
because you thought it would follow, you thought there would be
some logic, perhaps, something to pull it all together
but here we are in the weeds again,
here we are
in the bowels of the thing: your world doesn’t make sense.
And then the second boot falls.
And then a third, a fourth, a fifth.
A man walks into a bar and says:
Take my wife–please.
But you take him instead.
You take him home, and you make him a cheese sandwich,
and you try to get his shoes off, but he kicks you
and he keeps kicking you.
You swallow a bottle of sleeping pills but they don’t work.
Boots continue to fall to the floor
in the apartment above you.
You go to work the next day pretending nothing happened.
Your co-workers ask
if everything’s okay and you tell them
you’re just tired.
And you’re trying to smile. And they’re trying to smile.
A man walks into a bar, you this time, and says:
Make it a double.
A man walks into a bar, you this time, and says:
Walk a mile in my shoes.
A man walks into a convenience store, still you, saying:
I only wanted something simple, something generic…
But the clerk tells you to buy something or get out.
A man takes his sadness down to the river and throws it in the river
but then he’s still left
with the river. A man takes his sadness and throws it away
but then he’s still left with his hands.
”
”
Richard Siken
“
She turned suddenly, and before I could react, framed my face with her hands and pressed her lips to mine.
I froze, mostly in shock, but after a moment my body uncoiled and I closed my eyes, relaxing into her. I remembered this; the feel of her lips on mine,
cool and soft, the touch of her fingers on my skin. I remembered her scent, those long nights when we would lie under the cold, frozen stars,
dreaming in each other’s arms.
For a second, my body reacted instinctively. I started to pull us closer, to wrap my arms around her and return the kiss with equal passion…but, then
I stopped.
I remembered this perfectly; every shining moment with Ariella was forever etched into my mind. What we’d had, what we’d shared, everything. I’d
built a shrine to her in my memories, carefully tended with grief and anger and regret. I knew every inch of our relationship, the passion, the feeling
of emptiness when we weren’t together, the longing and, yes, the love. I had been in love with Ariella. I remembered what she’d meant to me once,
what I’d felt for her then…
…and what I didn’t feel for her now.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
You’re late.”
Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me.
We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut.
Don’t ever leave me again,” I said in a tiny voice.
I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.”
And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together.
“Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
”
”
James Patterson
“
Warner has collapsed in the corner.
He's curled into himself, kness pulled up to his chest. arms wrapped around his legs, his head buried in this arms. And he's shaking.
Tremors are rocking his entire body.
I've never, ever seen him look like a child before. Never, not once, not in all the time I've known him. But right now, he looks just like a little boy. Scared, Vulnerable. All alone.
...
I touch his arms, so gently. I run my hand down his back, his shoulders. And then I dare to wrap myself around him until he slowly breaks apart, unfolding in front of me.
He lifts his head.
His eyes are red-rimmed and a startling, striking shade of green, shining with barely restrained emotion. His face is the picture of so much pain.
I almost can't breathe.
An earthquake hits my heart then, cracks it right down the middle. And It hink here, in him, there is more feeling then any one person should ever have to contain.
I try to hold him closer but he wraps his arms around my hips instead, his head falling into my lap. I bend over him instinctively, shielding his body with my own.
I press my cheek to his forehead. Press a kiss to his temple.
And then he breaks.
Shaking violently, shattering in my arms, a million gasping, choking pieces I'm trying so hard to hold together. And I promise myself then, in that moment that I will hold him forever, just like this, until all the pain and torture and suffering is gone, until he's given a chance to live the kind of life where no one can wound him this deeply ever again.
”
”
Tahereh Mafi
“
The Viscount stepped into the room. "Came to see if you was dead," he said. "Laid Pom odds you weren't."
Lethbridge passed his hand across his eyes. "I'm not," he replied in a faint voice.
"No. I'm sorry," said the Viscount simply. He wandered over to the table and sat down. "Horry said she killed you, Pom said So she might, I said No. Nonsense."
Lethbridge still holding a hand to his aching head tried to pull himself together. "Did you?" he said. His eyes ran over his self invited guest. "I see. Let me assure you once more that I am very much alive."
"Well I wish you'd put your wig on," complained the Viscount. "What I want to know is why did Horry hit you on the head with a poker?"
Lethbridge gingerly felt his bruised scalp. "With a poker was it? Pray ask her, though I doubt if she will tell you."
"You shouldn't keep the front door open," said the Viscount. "What's to stop people coming in and hitting you over the head? It's preposterous."
"I wish you'd go home," said Lethbridge wearily.
The Viscount surveyed the supper-table with a knowing eye.
"Card-party?" he inquired.
”
”
Georgette Heyer (The Convenient Marriage)
“
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name.
I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us.
“Asp-aspirant Veturius.”
It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes.
“What is it?” I ask calmly.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
She felt as if she had been crying without end for minutes now.
Yet this parting, this final farewell ...
Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other.
“I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.”
“We will see you again,” Chaol said, but even his voice was thick with tears.
“Together,” Dorian breathed, shaking. “We’ll rebuild this world together.”
She couldn’t stand it, this ache in her chest. But she made herself pull away and smile at their tear-streaked faces, a hand on her heart. “Thank you for all you
have done for me.”
Dorian bowed his head. “Those are words I’d never thought I’d hear from you.”
She barked a rasping laugh, and gave him a shove. “You’re a king now. Such
insults are beneath you.”
He grinned, wiping at his face.
Aelin smiled at Chaol, at his wife waiting beyond him. “I wish you every happiness,” she said to him. To them both.
Such light shone in Chaol’s bronze eyes—that she had never seen before.
“We will see each other again,” he repeated.
Then he and Dorian turned toward their horses, toward the bright day beyond the castle gates. Toward their kingdom to the south. Shattered now, but not forever.
Not forever.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Nico leaned over the edge o the chasm, thrusting out his hand, but he was much too far away to help. Hazel was yelling for the others, but even if they heard her over the chaos, they'd never make it in time.
Annabeth's leg felt like it was pulling free of her body. Pain washed everything in red. The force of the Underworld tugged at her like dark gravity. She didn't have the strength to fight. She knew she was too far down to be saved.
"Percy, let me go," she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them there!" Percy shouted. "Promise me!"
"I- will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never been more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A oneway trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
At nearly three in the morning sleepiness weighted my body as we lay there together so still. I heard his breathing even out as we both hovered in that place between wake and sleep. And then his hand wandered lazily down my back and over my hip until he was cupping the full curve of my behind, part of me that he’d actively avoided touching all night.
Scratch that sleepy thing.
His firm hands clutched me closer and I breathed a heady gust of air at his throat. I’d been careful all night not to be too vocal about how good his touches felt. I knew each noise would act as fuel, making it even harder for him. He rolled to his back, pulling me on top of him with both hands fully on my backside now.
“Kaidan,” I whispered.
Looking half-asleep, he shushed me with a hot kiss, pulling my hips to crush us together. I whimpered into his mouth.
“God, those little sounds,” he said against my lips. “I want to hear how you sound when I make you—”
“Kai!” I practically leaped off him, and he sat up, eyes blazing, licking his lips. I was breathing hard. He had to be as tired as me after our long day, and it was starting to weaken us big-time. Oh, how I’d love to indulge that weakness.
I scooted farther away.
“Maybe we should try to get some sleep,” I suggested, though I was feeling wide-awake now.
He stared at me with roaring passion. “I think a third shower might be necessary,” he said.
A silly laugh wanted to escape me, but there was no humor in his eyes. Only want.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butcher’s face and the butcher a poet’s; nature, who delights in muddle and mystery, so that even now (the first of November, 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon: Is there land or is there none? to which, if we are prophets, we make answer “Yes”; if we are truthful we say “No”; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect ragbag of odds and ends within us—a piece of a policeman’s trousers lying cheek by jowl with Queen Alexandra’s wedding veil—but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind. Instead of being a single, downright, bluff piece of work of which no man need feel ashamed, our commonest deeds are set about with a fluttering and flickering of wings, a rising and falling of lights.
”
”
Virginia Woolf (Orlando)
“
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.
Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
”
”
J.M. Barrie
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
You’re thinking, maybe it would be easier to let it slip
let it go
say ”I give up” one last time and give him a sad smile.
You’re thinking
it shouldn’t be this hard,
shouldn’t be this dark,
thinking
love could flow easily with no holding back
and you’ve seen others find their match and build something great
together,
of each other,
like two halves fitting perfectly and now they achieve great things
one by one, always together, and it seems grand.
But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and
maybe this is your fairytale. Maybe this is your castle.
You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden
but that’s not yours. This is yours. The cracks and the faults,
the ugly words in the winter
walking home alone and angry
but falling asleep thinking you love him.
This is your fairy tale.
The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you
like you need me
and maybe it’s not a Jane Austen novel but this is your novel and
your castle
and you can run from it your whole life but this is here
in front of you.
Maybe nurture it?
Sweet girl, maybe close the world off and look at him for an hour
or two.
This is your fairy.
It ain’t perfect and it ain’t honey sweet with roses on the bed.
It’s real and raw and ugly at times. But this is your love.
Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go.
Be someone’s someone for someone.
Be that someone for him.
That’s your fairy tale. This is your castle.
Now move in. Build a home. Build a house. Build a safety around things you love.
It’s yours if you make it so.
Welcome home, sweet girl, it will be all be fine.
”
”
Charlotte Eriksson
“
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
”
”
Terence McKenna
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.)
This purple hair clip?
It really is magic…just like your dad told you it was.
It’s magic because, no matter how many times it lets you down…you keep having hope in it.
You keep trusting it.
No matter how many times it fails you,
You never fail it.
Just like you never fail me.
I love that about you,
because of you.
(I set it back down and pull out a strip of paper and unfold it.)
Your mother.
(I sigh)
Your mother was an amazing woman, Lake.
I'm blessed that I got to know her,
And that she was a part of my life, too.
I came to love her as my own mom…just as she came to love Caulder and I as her own.
I didn’t love her because of you, Lake.
I loved her because of her.
So, thank you for sharing her with us.
She had more advice about
Life and love and happiness and heartache than anyone I've ever known.
But the best advice she ever gave me?
The best advice she ever gave us?
(I read the quote in my hands)
"Sometimes two people have to fall apart, to realize how much they need to fall back together."
(She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.)
The last item I have wouldn’t fit, because you’re actually sitting in it.
That booth.
You’re sitting in the exact same spot you sat in when you watched your first performance on this stage.
The way you watched this stage with passion in your eyes…I'll never forget that moment.
It's the moment I knew it was too late.
I was too far gone by then.
I was in love with you.
I was in love with you because of you.
(I back up and sit down on the stool behind me, still holding her stare.)
I could go on all night, Lake.
I could go on and on and on about all the reasons I'm in love with you.
And you know what? Some of them are the things that life has thrown our way.
I do love you because you're the only other person I know that understands my situation.
I do love you because both of us know what it's like to lose your mom and your dad.
I do love you because you're raising your little brother, just like I am.
I love you because of what you went through with your mother.
I love you because of what we went through with your mother.
I love the way you love Kel.
I love the way you love Caulder.
And I love the way I love Kel.
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I don’t need days, or weeks, or months to think about why I love you.
It’s an easy answer for me.
I love you because of you.
Because of
every
single
thing
about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))