“
under his dripping hair, he was as white as parchment, his hands clenched at his sides so tightly that they were shaking. It seemed clear that some terrible turmoil was ripping him apart from the inside out.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
The alley and the music all fell away, and there was nothing but her and the rain and Jace, his hands on her. . . He made a noise of surprise, low in his throat, and dug his fingers into the thin fabric of her tights. Not unexpectedly, they ripped, and his wet fingers were suddenly on the bare skin of her legs. Not to be outdone, Clary slid her hands under the hem of his soaked shirt, and let her fingers explore what was underneath: the tight, hot skin over his ribs, the ridges of his abdomen, the scars on his back. This was uncharted territory for her, but it seemed to be driving him crazy: he was moaning softly against her mouth, kissing her harder and harder, as if it would never be enough, not quite enough —
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Good evening, Mrs. Grey," Christian says softly. He's standing by the piano, dressed in a tight black T-shirt, and jeans...those jeans- the ones he wore in the playroom. Oh my. They are over washed pale-blue denim, snug, ripped at the knee and hot. He saunters over to me, his feet bare, the top button of the jeans undone, his smoldering eyes never leaving mine. "Good to have you home. I've been waiting for you.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word.
He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free.
His hand was shaking as he held it out. "It's messy."
Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU
Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.
"Maybe you can't read it," he said in a small voice. "I can do it over."
She shook her head. "I can read it just fine. It's… beautiful."
"I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
When we reached the door, Belen stepped in the way. 'If any harm—'
'Comes to her, you’ll rip out my arms. Got it,' Kerrick said.
'I’m serious,' Belen said.
'I know. Do you really think I’d put her in danger?'
'Not on purpose, but things happen that are out of your control.'
Kerrick gave him a tight smile. 'You mean I'm not omnipotent?'
'You're not even semi-potent.'
'Is that even a word?' Kerrick asked.
'He probably means you're impotent,' I offered.
”
”
Maria V. Snyder (Touch of Power (Healer, #1))
“
My dad likes to say, ‘Life is never simple’. This is one of his favourite aphorisms.
I actually think it’s incorrect. Life is often simple, but you don’t notice how simple it was until it gets incredibly complicated, like how you never feel grateful for being well until you’re ill, or how you never appreciate your tights drawer until you rip a pair and have no spares.
”
”
Beth O'Leary (The Flatshare)
“
BLUE SWEATER
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that?
That's the sound of my heart beating...
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that? That's the sound of your heart beating.
It was the first day of October. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean.
You promised to love me forever that night...
and boy
did you
ever!
It was the first day of December this time. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean.
I told you I was three weeks late
You said it was fate.
You promised to love me forever that night...
and boy
did you
ever!
It was the first day of May. I was wearing my blue sweater, although this time the double stitched hem was worn
and the strength of each thread tested as they were pulled tight against my growing belly. You know the one. The same one I bought at Dillard’s? The one with holes in the ends of the
sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the
ocean.
The SAME sweater you RIPPED off of my body as you shoved me to the
floor,
calling me a
whore
,
telling me
you didn't love me
anymore.
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that? That's the sound of my heart beating.
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that? That's the sound of your heart
beating.
(There is a long silence as she clasps her hands to her stomach, tears streaming down her face)
Do you hear that? Of course you don't. That's the silence
of my womb.
Because you
RIPPED
OFF
MY
SWEATER!
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
There are so many ways a family can unravel. All it takes is a tiny slash of selfishness, a rip of greed, a puncture of bad luck. And yet, woven tightly, family can be the strongest bond imaginable.
”
”
Jodi Picoult (The Storyteller)
“
Sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. You can't prepare for real pain. You just have to let it rip you apart.
”
”
Harlan Coben (Hold Tight)
“
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face.
"I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth.
She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
”
”
Annette Curtis Klause (Blood and Chocolate)
“
Not so long ago we were all a tightly knit group of friends. Too bad someone had ripped apart the stitches that held us together, unraveling the cozy blanket of our friendship and leaving just enough strands to hang ourselves with.
”
”
E.J. Stevens
“
I'm going to make you come harder and longer than you ever have before, baby, and I'm going to feel every shudder, every ripple of that orgasm as it rips through you because I am going to be right here holding tight to you, buried deep inside you. And, Nikki, I'm not ever letting go.
”
”
J. Kenner (Complete Me (Stark Trilogy, #3))
“
What would you do if she wanted me?”
His hand clenched tight in Six’s shirt. “She can’t have you. Not tonight.”
“Possessive, aren’t you?”
“She can’t have you.” The words ripped free of him again, rough and raw. “Maybe not ever.
”
”
Kit Rocha (Beyond Pain (Beyond, #3))
“
I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her...I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.
”
”
Harlan Coben (Hold Tight)
“
His laugh rumbled against me. Eyes closed, the wind roaring like a wild animal, I adjusted my position, gripping him tighter. My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut.
Fascinating. I blindly reached again... and dared to run a fingertip along some inner edge.
Rhysand shuddered, a soft groan slipping past my ear. "That," he said tightly, "is very sensitive".
I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the montains around us. "Does it tickle?"
He flicked his gaze to me, then on the snow and pine that went on forever. "It feels like this," he said, and learned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the carees of that breath.
"Oh", I managed to say. I felt him smile against my ear and pull away.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The waves are high and the sunset's red.
So now it's time to go to bed.
The tide is up and the wind does rip.
But this old ship'll never tip.
We're far at sea, days from land.
But if you're scared just take my hand.
Just hold on tight Boy-o-mine.
In my arms you'll be just fine.
The moon is full and the sea is deep.
And we rock and rock and rock to sleep.
”
”
Jeff Lemire (The Underwater Welder)
“
Oh God, you’re one of those pimps that takes girls off the streets and gets them addicted to drugs and turns them into prostitutes, aren’t you?!” My future suddenly maps out in front of me. I can see myself all greasy hair, short skirts and ripped tights, getting into stranger’s cars.
”
”
Samantha Towle (First Bitten (Alexandra Jones, #1))
“
The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.
”
”
Harlan Coben (Hold Tight)
“
Princess.” Puck’s voice broke through my numb trance. I glared poisoned daggers at him and he gave me a weak smile. “Scary. You can rip me to pieces later. His royal iciness isn’t looking so good. We have to get him to a healer, now.” Ethan sniffed and clamped himself to my leg, his small body tight with determination. “No!” he wailed. “No, she’s not leaving! No!” I looked at Puck helplessly, torn in several directions and feeling I could scream. “I can’t leave him here alone.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Reading a Book Don’t actually read the book, just hold it really tight so your forearms bulge out. Every time you turn a page, rip it out, because you are too strong to hold paper.
”
”
Dom Mazzetti (The Swoly Bible: The Bro Science Way of Life)
“
And, at night, in a narrow bed in her old room, Mary Morevna would hold Ivan tight inside of her, demanding his obedience to her, demanding that his soul be ripped out and emptied into her.
”
”
Catherynne M. Valente (Deathless)
“
Don’t you fucking doubt that I’ll have your soul. I’m not letting you get away. I’m not letting anything” — he grasped me so hard, so tight, that I could hardly breathe, his heat rushing over me in waves — “anything take you from me. I’ll rip Heaven and Hell and this goddamn Earth apart before I let them steal you from me.
”
”
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
“
Her hand shot to the front of his breeches, making claws of her fingers and trapping his genitals in a tight grip. He froze. As if testing, she hefted the
firm weight she found. Heavy, but so very delicate.
She bared her teeth. “And even in the dark, now I’ll know that I’m ripping off the right cods.”
His eyes narrowed, and the hot interest she saw in his gaze sent shivers skittering down her spine. That wasn’t just business now. She tightened her
grip.
”
”
Meljean Brook
“
What are we watching?" [...]
[...] He hugged her closer. "The sacrifices I make for you -just watch."
She was intrigued enough to pay attention to the screen. "Pride and Prejudice," she read out. "It's a book written by a human. Nineteenth century?"
"Uh-huh."
"The hero is... Mr. Darcy?"
"Yes. According to Ti, he's the embodiment of male perfection." Dev ripped open a bag of chips he'd grabbed and put it in Katya's hands. "I don't know -the guy wears tights.
”
”
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
“
But why, why all the hurt? Because, said Mr. Halloway. You need fuel, gas, someting to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival.
All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
The muscles in his arms and back trembled as he pushed in as deep as he could go, until all of him was buried inside her. His head sagged and a deep, primitive snarl ripped free. Sparks of light exploded behind her tightly closed lids. His hands burrowed into her hair, holding her head still while he kissed her hard and deep and wild. Then he began to move. Hard, steady strokes that ignited every nerve ending in her body.
”
”
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
“
You took life by the horns and tried to hold on tight, for fear of being ripped to shreds, left bloodied and battered.
”
”
Holly Hood (Polar (Wingless, #2))
“
Jacqueline ran like she had been saving all her running for this moment, for this place where no one could see her, or scold her, or tell her that ladies didn't behave that way, sit down, slow down, you'll rip your dress, you'll stain your tights, be good. She was getting grass stains on her knees and mud under her fingernails, and she knew she'd regret both those things later, but in the moment, she didn't care. She was finally running. She was finally free.
Jillian ran more slowly, careful not to trample the flowers, slowing down whenever she felt like it to look around herself in wide-eyed wonder. No one was telling her to go faster, to run harder, to keep her eyes on the ball; no one wanted this to be a competition. For the first time in years, she was running solely for the joy of running, and when she tripped and fell into the flowers, she went down laughing.
”
”
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
“
Then he dreamed that he was in the open door of a plane several thousand feet above the earth and he had to jump holding a baby in his arms. It was his baby. He jumped, pulled the rip cord on the parachute, and it didn’t open. The emergency release didn’t work. He was falling fast. The wind tore at him fiercely. He was gripping the baby as tightly as he could but the wind pried under his arms, strained at his muscles, and suddenly the baby was loose, falling beside him, just out of reach. He flailed and groped in the air, trying to reach it. The baby was falling just a little bit faster than he was. It was below him, falling away from him as he fell after it. The earth screamed up at him. He knew that the baby was going to hit first and he would see it, would know it for a whole fraction of a second before he was smashed into a pulp himself. The terrible millisecond of that grief burst in him and he woke shrieking. He couldn’t get the dream out of his head. He prayed that he would have the dream again but that this time he would fall faster and be allowed to die first.
”
”
Katherine Dunn (Geek Love)
“
Some instinct made her lift her hand and cup his cheek with her fingers. The room was too dark for her to see him, but she could feel the stickiness of the blood, and a wetness that was not blood. "Little bird," he said once more, his voice raw and harsh as steel on stone. Then he rose from the bed. Sansa heard cloth ripping, followed by the softer sound of retreating footsteps.
When she crawled out of bed, long moments later, she was alone. She found his cloak on the floor, twisted up tight, the white wool stained by blood and fire. The sky outside was darker by then, with only a few pale green ghosts dancing against the stars. A chill wind was blowing, banging the shutters. Sansa was cold. She shook out the torn cloak and huddled beneath it on the floor, shivering.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
When he leaves, I sit up and hug my legs tightly to my chest. My ripped clothing brings a chill to my bones and I shiver. I feel used and discarded at once, my light
shrinking and wavering in the turbulent sea of wifehood.
”
”
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
“
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
”
”
John Grisham (A Time to Kill (Jake Brigance, #1))
“
What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor...
”
”
Guy Sajer (The Forgotten Soldier)
“
That was when Estefania, who had made her pain the world’s pain, stood up, her knees dirty, shaking, her tights torn. She took a distanced look around and then she started tearing her tights even more. She kicked her expensive shoes through the wind, then she ripped off her dress, screaming as if it were burning, her second skin, her role as an actress, her one-woman show, as if she herself were on fire, as if her clothes were drenched in acid and abandoned love.
”
”
Laura Gentile (Within Paravent Walls)
“
I’d spent months carefully winding my gift into a tight spool, only letting it out by inches, and only when I needed it. The strain of keeping it bound up had been a steady, constant reminder that I had to work to keep the life I’d built for myself out here. It was a muscle I’d carefully toned to withstand nearly any pressure.
Letting it all go felt like shaking a bottle of soda and ripping off the cap. It fizzed and flooded and swept out of me, searching for the connections waiting to be made. I didn’t guide it, and I didn’t stop it—I don’t know if I could have if I tried. I was the burning center of a galaxy of faces, memories, loves, heartbreaks, disappointments, and dreams. It was like living dozens of different lives. I was lifted and shattered by it, how strangely beautiful it was to feel their minds linked with my own.
The spinning inside my head slowed with the movement around me. I felt time hovering nearby, waiting to resume its usual tempo. The darkness slid into the edges of my vision, seeping through my mind like a drop of ink in water. But I was in control of the moment, and there was one last thing that I needed to say to them, one last idea to imprint in their minds.
“I’m Green.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
He began to cry then, clutching LB. The tears came easily. He had not cried tears of such distilled regret since his son had gone missing. LB was going limp, either spent, tired of fighting, or resigned to her fate. Luke hugged her so, so tight. He wanted LB to remember his touch. The warmth and love that radiated from his whole body, coupled with the sadness that she was being ripped away from him. He wanted her to take that one physical memory with her wherever she was going. The imprint of his hands on her. He wished it to be a reminder that she was a good creature, and loved, and that there were places on the continuum where love and kindness still existed, even if she did not share that world presently. She did not deserve this. But things happened. They happened.
”
”
Nick Cutter (The Deep)
“
Their curled-up graduation programs were on the kitchen counter. I located my name, then ripped them up and threw them in the garbage pail. Back in my room, a black-and-white “My Little Margie” rerun had begun. I watched it without sound, eating strands of congealed noodles, biting into cold, sticky shrimps curled tightly into their fetal positions. When I looked out, the sky had lightened to pearl gray. A wet breeze was stirring the catalpa tree.
”
”
Wally Lamb (She's Come Undone)
“
Peter smiled as Concheetah sashayed across the ballroom floor
Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club.
Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter.
He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the
show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.
”
”
T.W. Lawless (Thornydevils (Peter Clancy #2))
“
If I could just have him until the day was over. Just a few more hours. But he was gone. I clasped my hand tightly over my mouth and felt a trembling that started deep inside move out to make all of me shake. I had a mighty impulse, it truly was mighty, to rise to my feet and howl. To overturn the chair and nightstand, to rip at my clothes, to bring down the very walls around us. But of course I did not do that. I pulled an elemental sense of outrage back inside and smoothed it down. I forced something far too big into something far too small, and this made for a surprising and unreasonable weight, as mercury does. I noticed sounds coming from my throat, little unladylike grunts. I saw that everything I’d ever imagined about what it would feel like when was pale. Was wrong. Was the shadow and not the mountain. And then, “It’s all right,” I said, quickly. “It’s all right.” To whom? I wondered later.
”
”
Elizabeth Berg
“
You like being hunted, little thing?” he hummed. “You like knowing you bring out the animal in me? That I get hard as steel imagining ripping a hole in these tight little shorts big enough for my cock to slot through straight into your wet cunt? I wouldn’t even have to prep you. You’re probably soaking wet for me already.
”
”
Giana Darling (Dangerous Temptation (Dark Dream, #1))
“
Still keeping a tight grip on my neck, Darren dragged me back into the woods, and I knew instantly he was taking me past the perimeter. I fought and kicked against him, but I had already tired myself out from the chase. Once I felt the sharp tick at the back of my head, I could tell Darren had felt it, too, and then he threw me as hard as he could into the woods, and I stumbled and rolled on the ground. I knew I only had about five seconds, and Darren wasn’t going to let me back into the safe zone. I stayed low on the ground, knowing once the volts hit me I was going to crash. Better to already be low than to fall from standing up. And then I felt it. The sharp current cut through my veins like shards of glass, and I screamed in total agony as it felt like my body was being ripped apart. I writhed in pain, thinking that my head was going to split open as my muscles and limbs convulsed under the current. It was, without a doubt, the most painful thing I had ever experienced, and my body quickly shut down, needing only a few seconds to welcome the numb blackness that claimed me.
”
”
Jay Marie (Survival (Stronger, #2))
“
And then she was there, her face pressed to his neck, her arms tight around him. A shudder rocketed through her. Grief, happiness, sorrow. A thousand emotions ripped through him, tearing at his heart and blocking his throat. He froze for a moment, not really believing that she was there, in his arms. For the first time in months, he was holding his wife. And at that moment, nothing else mattered. Not the missing hand. Not the months he’d spent away. He wrapped his arm around her and held her tight. Breathed in the scent of her hair. Savored the feel of her body against his. “I’m sorry,” he whispered. “I’m so sorry.” And when she crawled into the bed with him, he didn’t argue. He held her as best he could and tried not to embarrass himself by crying.
”
”
Jessica Scott (I'll Be Home For Christmas (Coming Home, #0.5))
“
Where, she wondered, is Elizabeth? Where in the tightness of the skin over her arms and legs, in the narrow bones of her back and the planned structure of her ribs, in the tiny toes and fingers and the vital plan for her neck and head . . . where, in all this, was there room for anyone else? Could Lizzie be seen moving furtively behind the clarity of the eyes, edging in caution to peer out at herself; was she gone far within, waiting behind the heart or the throat, to seize with both hands and take control with a murderous attack? Was she under the hair, had she found refuge in a knee? Where was Lizzie?
For a moment, staring, Betsy wanted frantically to rip herself apart, and give half to Lizzie and never be troubled again, saying take this, and take this and take this, and you can have this, and now get out of my sight, get away from my body, get away and leave me alone. Lizzie could have the useless parts, the breasts and the thighs and the parts she took such pleasure in letting give her pain; Lizzie could have the back so she would always have a backache, and the stomach so she would always be able to have cramps; give Elizabeth all the country of the inside, and let her go away, and leave Betsy in possession of her own.
”
”
Shirley Jackson (The Bird's Nest)
“
few days. Everywhere hurts, even my hands. I have cried so much that I do not think I have any water left in my body. I have never believed in God but I find myself praying. I am not sure who to, but I feel like I have to. If there is a God, how could He let this happen? I do not believe there is any kind of higher being who can help me now. My prayers are not to any kind of God, they are silent messages to keep me strong. Thoughts of Liliana and my mother fill my mind. I wish I could talk to them and tell them I miss them so much there is an ache squeezing my heart. I want to hear their voices and hold them tight. I want to wake up from this nightmare and be safe in their arms. I think of my father and my husband Stefan, too. They have been dead several years, and for once, I am glad. It would rip them apart to know what has
”
”
Sibel Hodge (Trafficked: The Diary of a Sex Slave)
“
I didn’t know if he sensed what I was about to do or if he was worried that I was about to attempt to rip his throat out again, but he caught me without falling over, even though he did wobble a bit. He folded his arms around me without a heartbeat of hesitation, holding me just as tightly as I held him. I felt Casteel’s hand on my lower back, just under Kieran’s arms, and the three of us stayed like that for a little while.
”
”
Jennifer L. Armentrout (The Crown of Gilded Bones (Blood and Ash, #3))
“
I think I know now why it is called the Kangaroo Suite. It’s because even when you no longer have a child, you carry him forever. It’s the same when a parent is ripped away from the child, but the suite is the size of the world. At Mama’s funeral, I put a handful of cold dirt from her grave in the pocket of my good wool coat. Some days I wear that coat inside the house, just because. I sift through the soil, hold it tight in my fist. I
”
”
Jodi Picoult (Small Great Things)
“
Can’t wait, baby. I’m going to rip those tight-ass pants from your body and bury my face between your creamy thighs. I want to feel that sweet cunt around my tongue. Going to make you scream, Princess, and then when you can’t take it anymore”—he pushes his denim-covered hips hard into mine, his thick erection rubbing my clit in the most delicious way—“then I’m going to lick my way up this sweet fucking body and finally I’m going make you mine.
”
”
Harper Sloan (Axel (Corps Security, #1))
“
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s.
Her light would have no effect on something that was already blind.
The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground.
Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know.
“An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.”
“Fry this fucker,” Bryce muttered to Hunt as the dog snarled.
“I’m assessing.”
“Assess faster. Roast it like a—”
“Do not make a joke about—”
“Hot dog.”
Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
tattered. Water or something more foul soaked both knees of the pants. But Thomas took all that in quickly. Most of his attention was drawn to the man’s head. Thomas couldn’t help but stare, mesmerized. It looked like hair had been ripped from his scalp, leaving bloody scabs in its place. His face was pallid and wet, with scars and sores everywhere. One eye was gone, a gummy red mass where it should have been. He also had no nose, and Thomas could actually see traces of the nasal passages in his skull underneath the terribly mangled skin. And his mouth. Lips drawn back in a snarl, gleaming white teeth exposed, clenched tightly together. His good eye glared, somehow vicious in the way it darted between Brenda and Thomas. Then the man said something in a wet and gurgly voice that made Thomas shiver. He spoke only a few words, but they were so absurd and out of place that it just made the whole thing that much more horrifying. “Rose
”
”
James Dashner (The Scorch Trials (Maze Runner, #2))
“
Fangs grew, eyes blazed, claws and scales and burning rage ripped through me. The burning shift in my frame strained, grew, roared to life in my too-tight skin until everything was covered in hard scales.
Vampires and fae alike scattered in my shadow. I guess they hadn't told all the fae of what I was. But it didn't matter because my focus lay entirely on the death-and-flesh scent of more powerful vampires just out of sight.
I roared, shaking the very skies.
I'm ready, fuckers. Come at me.
”
”
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
“
Having a few half fish in my family tree keeps my vision from blurring through the pudgy tears-I can perfectly see the solid yellow line on the road as I walk it. When I hear him following, I rip off my heels and start sprinting. Two months ago, this kind of abuse to my feet would leave them bleeding and with who-knows-what embedded in them. But with the convenience of my new thick skin, running barefoot is like running in Nike’s latest kicks.
Galen is apparently a flying fish though-his hand wraps around my arm, braking my own sad attempt at flight. He whirls me around. Pulling me to him, he lifts my chin with the pad of his thumb. When I jerk away, he grasps it tight, forcing me to look at him. The old Emma would be bruised within the next ten minutes. The new one is just pissed off.
"Let go!" I screech, pushing against his chest. Somehow this just gets me closer to him.
"Emma," he growls as I stomp his foot. "What would you have done?"
Okay, that's unexpected. I stop flailing. "What?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
It's stiff, the fabric hugging my hips, making it impossible to move freely.
"Go on." It's Kai's taunting voice I hear behind me. "Ask for my help, Gray."
I roll my eyes at the wall in front of me. "Stubborn, remember?"
I hear Kitt's chuckle before I feel hands brushing my legs. Startled, I look down, eyes landing on a bent head of messy black waves. Kai is gripping the bottom seam of my dress, his eyes flicking up to mine.
"May I?" His voice is soft, tone amused.
I swallow, roll my eyes once again, and nod against my better judgment.
And then he's ripping my dress.
He tears the fabric easily, creating a slit up the side of my thigh, freeing me from the tight confines of the fabric. His rough fingers briefly brush my skin as he says, "I am more than willing to rip your dresses for you, Gray. To help, of course." Kitt snorts while Kai smirks. "You only need to ask."
"Why ask when you're so eager to offer?"
Kai's laughter follows me as I finally pull myself up, arms burning with the strain.
”
”
Lauren Roberts, Powerless
“
Sarah gasps. “You were roofied?” She doesn’t give me time to answer before she starts on her tirade. “By Ethan, the hot groomsman? What the fuck? I’m going to kill him—no, I’m going to torture him. I’ll start at his toes and make my way up his legs. I’ll skip his manhood, make him think I’m sparing him, and move to his fingers. It can’t be too hard to rip fingernails off, right? Then I think I’ll chop the fuckers off. Just when he thinks I’m done, that’s when I’ll strike him where it really hurts. Tie a string around his balls tight, then tie the other end to the door and slam it—you know, like kids do for teeth. I’ll keep slamming that door until his balls rip off.
”
”
Kylie Kent (Merged With Him (Merge, #1))
“
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
”
”
Harper Dallas (Ride (The Wild Sequence, #1))
“
I’m standing in front of Enrique’s Auto Body, doing deep-breathing exercises to keep from being nervous. Enrique’s Camry is nowhere in sight, so I know Alex is alone.
I’m going to seduce Alex.
If what I’m wearing doesn’t capture his attention, nothing will. I’m giving this my all…bringing out all the artillery. I rap on the door, then close my eyes tight and pray this goes as planned.
I open my long, silver satin jacket and the cool night air rushes onto my exposed skin. When the creak of the door alerts me to Alex’s presence, I slowly open my eyes. But it’s not Alex’s black eyes staring at my scantily clad body. It’s Enrique--who’s staring at my pink lace bra and pom-pom skirt as if he’s won the lottery.
Ripped with embarrassment, I wrap my coat around myself. If I could wrap it around twice, I would.
“Uh, Alex,” Enrique laughs. “There’s a trick-or-treater here to see you.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
He did nothing in return. She couldn’t force him to act.
She began to pull away, but one of his hands spanned the back of her neck, keeping her in place. Then his lips moved over hers, at first tentative with the lightest touch as if he expected hell and damnation to rain down. Then he pressed in for a real kiss, pulling her tight to him until every possible part of his hard body made contact with hers.
Wow. Oh wow. She forgot about all external pain. Electricity shot through her. This was a kiss.
He moved his hands to either side of her face. Her heart swelled from how much the move made her feel cherished. This wasn’t the move of a spy-assassin-killer about to ram a knife in her gut. His mouth returned to hers and moved down her neck to her shoulder to lick over one of her wounds. “Your beautiful skin this damaged makes me furious. If that asshole wasn’t dead, I’d rip him to shreds.
”
”
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
I wanted to rip him apart limb by limb with my teeth and fingers turned into claws. I wanted to hold his lion’s heart in my hands too tightly and feel it beat and throb for me, against me. I wanted to disassemble him, piece by bloody piece, to satisfy my burning passion, my crushing rage at the changes he’d wrought on my life and me.
But then…I wanted to sit crossed-legged in the middle of the mess, smooth my claws turned fingers over the jagged edges of him and put him back together again. I wanted to trace the outline of each of his limbs, knot together his muscles and slot his bones into their joints. I wanted to sew myself into every atom of his DNA and live there forever, intrinsically tied to him so that if any force tried to tear me away like I knew they would, they’d have to kill him to separate us.
It was a gruesome way to love someone, but it was the way I felt about Lionel Danner and I knew that would never change.
”
”
Giana Darling (Good Gone Bad (The Fallen Men, #3))
“
Baseball may be called the national pastime, but it survives on the sentimentality of middle-age men who wistfully dream of playing catch with their fathers and sons. Football, with its dull stoppages, lost its military-industrial relevance with the end of the Cold War, and has become as tired and predictable in performance as it is in political metaphor. The professional game floats on an ocean of gambling, the players' steroid-laced bodies having outgrown their muscular and skeletal carriages. Biceps rip from their moorings, ankles break on simple pivots. Achilles' tendons shrivel like slugs doused with salt. Soccer and basketball are the only mainstream sports that truly plug into the modem-pulse of a dot-com society. Soccer is perfectly suited for a country of the hamster-treadmill pace, the remote-control zap and the national attention deficit—two 45-minute halves, the clock never stops, no commercial interruptions, the final whistle blows in less than two hours. It is a fluid game of systemized chaos that, no matter how tightly scripted by coaches, cannot be regulated any more than information can be truly controlled on the Internet.
”
”
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
“
A young man sought employment on a farm. He handed a letter to his potential employer that read, “He sleeps in a storm.” The desperate owner needed help, so he hired the young man despite his enigmatic letter.
Several weeks passed and, in the middle of the night, a powerful storm ripped through the valley. Awakened by the storm, the owner jumped out of bed. He called for his new employee, but the man was sound asleep. The owner dashed to the barn and to his amazement, the animals were safe with plenty of food. He hurried to the nearby field only to see that the bales of wheat were already bound and wrapped in tarpaulins. He ran to the silo. The doors were latched and the grain was dry.
And then the owner understood, “He sleeps in a storm.”
“My friends, if we tend to the things that are important in life, if we are right with those we love and behave in line with our faith, our lives will not be cursed with the aching throb of unfulfilled business. Our words will always be sincere, our embraces will be tight. We will never wallow in the agony of “I could have, I should have.” We can sleep in a storm. And when it’s time, our good-byes will be complete.
”
”
Mitch Albom (Have a Little Faith: a True Story)
“
They were all there. On the ceiling. Pulling him up. He screamed, spittle and vomit running into his beard. Hands closed around him, digging into his skin. He resisted, trying to pry the fingers loose from his neck. He felt something give, a tension slackening. As he yanked with the power of terror and adrenaline, his hands flew outwards, a clump of mottled fingers coming away with him. He felt a sharp tug as his arms fell to his sides, his body screaming at him that something bad was happening. Another pull as the most intense pain he had ever felt exploded down his back and neck. He started to convulse as they pulled him up. Something spilled out of his mouth. Hands swarmed around his back and head. With one last tug, he heard a ripping noise. Blood fell to the floor, spraying out across the foyer. Something else tore open with a slurp, heavy suction holding tight as it came loose. He had the momentary feeling of cold air rushing inside him, then watched as his body spilled away from him, crashing to the floor below. As they bit down into his skull, he watched his spine twitching underneath his chin. A noise like nuts being broken open, something mashed into his brain, and then he was gone.
”
”
Bradley Freeman (Reek)
“
Lachlain shifted restlessly. He thought he was finally strong enough for them to leave tomorrow. He was physically ready to resume relations with his wife, and wasn’t eager to do it under this roof.
He stood and offered his hand, and with a shy smile she slipped her hand in his. As they crossed in front of the screen, they barely dodged a volley of popcorn.
He didn’t know where he was taking her, maybe out into the night fog. He just knew he wanted her, needed her, right then. She was too precious to him, too good to be true. When he was inside her, with his arms tight around her, he felt less like she’d slip away.
But they only made it to an empty hall before he pressed her against the wall, cupped her neck, and demanded once again, “You’ll stay with me?”
“Always.” Her hips arched up to him. “You love me?”
“Always, Emmaline,” he grated against her lips. “Always. So damn much you make me mad with it.”
When she moaned softly, he lifted her so she could wrap her legs around his waist. He knew he couldn’t have her here, but the reasons why grew hazy with her breaths in his ear.
“I wish we were home,” she whispered. “Together in our bed.”
Home. Damn if she hadn’t said home. In our bed. Had anything ever sounded so good? He pressed her harder into the wall, kissing her more deeply, with all the love he had in him, but suddenly they were falling, his balance somehow lost. He clenched her to him and twisted to take the impact on his back.
When he opened his eyes, they were tumbling into their bed.
Eyebrows raised, jaw slack, he released her and levered himself onto his elbows. “That was . . .” He exhaled a stunned breath. “That was a wild ride, lass. Will you no’ warn me next time?”
She nodded solemnly, sitting up to straddle him, pulling her blouse over her head to bare her exquisite breasts for him. “Lachlain,” she leaned down to whisper in his ear, brushing her nipples over his chest, making him shudder and clench her hips. “I’m about to give you a very . . . wild . . . ride.”
Yet after everything that had occurred, his need for her was too strong, and he gave himself up to it, tossing her to her back and ripping her clothes from her. He made short work of his own, then covered her. When he pinned her arms over her head and thrust into her, she cried his name and writhed beneath him so sweetly. “I’ll demand that ride tomorrow, love, but first you’re going to see wild from a man who knows.
”
”
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
“
Iorek Byrnison moved around to the upper side. It was a good shelter from an enemy below, but not good enough; for among the hail of bullets that had chipped fragments off the rock had been a few that had found their target, and that lay where they had come to rest, in the body of the man lying stiff in the shadow.
He was a body, still, and not a skeleton, because the witch had laid a spell to preserve him from corruption. Iorek could see the face of his old comrade drawn and tight with the pain of his wounds, and see the jagged holes in his garments where the bullets had entered. The witch's spell did not cover the blood that must have spilled, and insects and the sun and the wind had dispersed it completely. Lee Scoresby looked not asleep, nor at peace; he looked as if he had died in battle; but he looked as if he knew that his fight had been successful.
And because the Texan aeronaut was one of the very few humans Iorek had ever esteemed, he accepted the man's last gift to him. With deft movements of his claws, he ripped aside the dead man's clothes, opened the body with one slash, and began to feast on the flesh and blood of his old friend. It was his first meal for days, and he was hungry.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
The Carver stroked the shard of bone in his palm, attention fixed upon a stone-faced Cassian. 'What if I tell you what the rock and darkness and sea and beyond whispered to me, Lord of Bloodshed? How they shuddered in fear, on that island across the sea. How they trembled when she emerged. She took something- something precious. She ripped it out with her teeth.'
Cassian's golden-brown face had drained of colour, his wings tucking in tight.
'What did you wake that day in Hybern, Prince of Bastards?'
My blood went cold.
'What come out was not what went in.' A rasping laugh as the Carver laid the shard of bone on the ground beside him. 'How lovely she is- new as a fawn and yet ancient as the sea. How she calls to you. A queen, as my sister once was. Terrible and proud, beautiful as a winter sunrise.'
Rhys had warned me of the inmates' capacity to lie, to sell anything, to get free.
'Nesta,' the Bone Carver murmured. 'Nes-ta.'
I squeezed Cassian's hand. Enough. It was enough of this teasing and taunting. But he didn't look at me.
'How the wind moans her name. Can you hear it, too? Nesta. Nesta. Nesta.'
I wasn't sure Cassian was breathing.
'What did she do, drowning in the ageless dark? What did she take?
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Then he flipped me over, my stomach pressed against the hay, my ass in the air. It was so quick, I didn’t have time to fathom the fact he tore my panties off of my body. They ripped at the seam on one side, and I cried out at the sudden discomfort, clutching the stack of straw, trying to whip my head around and see what he was doing. He quickly grabbed my jaw and turned it so I faced the floor. Then he shoved one, two…three fingers into my pussy, one after the other. He curled his middle finger, immediately hitting my G-spot. He thrust cruelly, making me squirm, every bone in my body screaming at me to get away. Don’t beg. Don’t ask for more. I already wanted too much. My spine was a candlewick, melting slowly and hotly. My first climax felt wild, unnatural. Like I was bursting at the seams, my body like a too-tight corset. Pop, pop, pop, muscles tensing, belly-clenching, toes curling, every organ in my body—his. The warmth was unbearable. Too much and not enough. I was going to explode into little atoms, into minuscule cells, and the worst part was that with Trent, I knew he wouldn’t put me back together afterwards. Shaking like my body wasn’t mine anymore, I came on his fingers, feeling myself dripping. He pulled out his hand, wiping all of my arousal on his cock, which he fisted in his palm.
”
”
L.J. Shen (Scandalous (Sinners of Saint, #3))
“
She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered.
For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet.
That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....
”
”
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
“
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air.
“No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street.
A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears.
A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more.
That must be Mrs. Harris’s coach.
I’m really going to do this.
But as I make my way toward it, a white ghost of fabric darts in front of me.
My eyes widen.
I missed a pair of knickers.
Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop.
I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind.
Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.”
“Let me get your things,” he says, stepping into the snow and reaching for my handbag.
“Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is.
“Very well, then.” He turns back toward the coach and stops.
Artist, no.
My heart drops to my shoes.
“Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?”
Death would be a mercy right about now.
I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!”
He stares at me a long moment.
“I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it.
“Here, why don’t I—” He reaches out to help detangle the fabric from the door.
“No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands.
Why. Why, why, why, why, why?
Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp.
The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible.
He clears his throat. “Should we—ah—go after them?”
“No,” I say faintly. “I—I think I’ll manage without…
”
”
Jessica S. Olson (A Forgery of Roses)
“
After school, I hurry out the front doors to catch him. He’s on his motorcycle, getting ready to leave.
“Alex, wait!”
Feeling fidgety, I curl my hair behind my ears.
“Hop on,” he orders.
“What?”
“Hop on. If you want to thank me for savin’ your ass in Mrs. P.’s class, come home with me. I wasn’t kiddin’ yesterday. You showed me a glimpse into your life, I’m gonna show you a glimpse of mine. It’s only fair, right?”
I scan the parking lot. Some people are looking our way, probably ready to spread the gossip that I’m talking to Alex. If I actually leave with him, rumors will fly.
The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.”
I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors.
I should be terrified. Then I remember how he was with Shelley yesterday.
To hell with it.
I shift my book bag around to my back and straddle his motorcycle.
“Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter.
He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into?
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Her heartbeat went from fear-frantic to lust-induced, manic tom-tom in a tenth of a second. “Sebastian.” A frisson ran from her temple to her toes and the tight place inside her chest unfurled as she breathed his name. “Are you real?”
In response he plunged his fingers into her wet hair. Gripping her head in a hard palm, he took her mouth in a rough, carnal kiss that left nothing to the imagination. She knew precisely what he wanted because ever since that night, she’d been wanting it, too. She responded with equal passion, snaking her hand around to the back of his neck and holding him in place as she thoroughly enjoyed her first real-world kiss in way, way too long.
His mouth left hers, and she whimpered in protest. “Come back; I wasn’t done.”
“Patience is a virtue.” He nibbled her earlobe, making her shudder, then swirled his hot, wet tongue in her ear until she arched her neck with a thick moan. His mouth, tongue, and teeth made her forget where she was for just a little while. Made her forget where she was and what was about to transpire.
Sebastian shifted his head the few inches required to plunder her mouth again. She saw fireworks behind her closed lids as he dragged his firm mouth back and forth across hers before plunging his tongue back to duel with hers.
Dizzy with lust and longing, heart about to burst out of her chest, Michaela couldn’t—forgot to—draw a breath and ripped her lips from his to drag in lifesaving oxygen. “You’re t-torturing me—”
“Breathing is highly overrated.
”
”
Cherry Adair (The Bodyguard (Includes: T-FLAC, #14.5))
“
My roommate has a gerbil,” Ryan said, grinning. “The little guy got loose and crapped all over my bed. It’s just been a crazy day.”
Nodding at his silly story, I heard a familiar voice. “That’s fucking fascinating,” Judd said from behind me. “Then, what happened?”
Judd was stalking me apparently.
He pulled a chair to the table. “What are we having for dinner?”
“Who are you exactly?” Ryan asked.
“Tawny’s man. I don’t do names or handshakes, so save it, kid.”
When Ryan looked at me for help, I shook my head. “I have no control over him. If I did, he wouldn’t be here.”
“Oh, don’t be like that,” Judd said, caressing the back of my hair. “I like that sweater on you. Very autumn. Looks good with your eyes.”
“Please, go away.”
“I can’t. I’m your ride tonight.”
“Should I leave?” Ryan asked.
Judd glanced at my date. “Just catch onto that, did you?”
Ryan stood up. “See you around, Tawny.”
“Can’t you stay and ignore him?”
Judd’s eyes narrowed. “No, he can’t.”
“We can still talk,” I said, praying Ryan would stay. “He might leave if we treat him like static in the background.”
Ryan considered staying until Judd’s amused expression faded. “She’s not fucking you, if that’s what you’re holding out for. In fact, you ain’t even getting a goodnight kiss. Well, unless you want that to be the last thing your lips ever do before I rip them off your face.”
“I’m going to leave,” Ryan said, giving me a tight smile. “See you around.”
“If you see her,” Judd growled, “you just keep on walking.”
Nodding, Ryan hurried away, leaving me alone with Judd who switched into the seat across from me.
“Alone at last.
”
”
Bijou Hunter (Damaged and the Knight (Damaged, #2))
“
Hey, you’re the one who came here talking about ‘I’m sorry’ and ‘let’s be friends.’ You don’t get to force me into accepting your half-assed apology.”
“Well, I wish you a happy new year anyway.” Now I’m the one being sarcastic, and it sure is satisfying. “Have a nice life. Auld lang syne and all that.”
“Fine. Bye.”
I turn to go. I was so hopeful this morning. I had such stars in my eyes imagining how this was all going to go. God, what a jerk Peter is. Good riddance to him!
“Wait a minute.”
Hope leaps into my heart like Jamie Fox-Pickle leaps into my bed--swift and unbidden. But I turn back around, like Ugh, what do you want now, so he doesn’t see it.
“What’s that you’ve got crumpled up in your pocket?”
My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.”
“Give it to me and I’ll recycle it right now,” he says, holding out his hand.
“No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me.
I pant, “Give it back, Peter!”
Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp.
I try to grab harder, but it’s too late. He has it.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
The date rape drug he’d intended to give me has knocked him out so hard he’s barely even flinched, despite being dragged to the top of a twelve-storey building, stripped naked and bound to a post.
His head lolls towards his chest. I stand back to admire him, taking in his slumped frame as he wilts against the pressure of his rope bindings. He looks Christ-like, vulnerable. His skin is grey in the murky moonlight. His body is incredible. Hardly surprising, since he seems to spend half his life at the gym. His stomach is taut, rippled with abs. His pecs are straight from a swimwear ad, his broad shoulders and ripped arms are built like a boxer’s. His biceps are strong, lined with veins that will soon cease to pump blood. He has the kind of arms that could pin you down so tightly you wouldn’t be able to move a muscle. His hands are large – the least attractive part of him: dry, thick, stubby. They’re the type of hands that could grip your wrists and stifle screams. Hands that could have killed me tonight. Hands that would have hurt me. Hands that would have held me in place while he raped me.
I let my eyes wander down to his cock, which would probably have been pounding away inside me around now if things had gone his way. I could tell pretty early into our date that he was a predator. Perhaps it takes one to know one, but I could see it in his dark eyes and sly glances, the hungry way he took in my body, the type of questions he asked, his eagerness to buy me drinks. He probably didn’t think I had it in me to notice. Of course he didn’t. He just saw my shiny, sweeping hair, my lashes, my clothes, my smile. He saw what everybody else sees: my mask.
”
”
Zoe Rosi (Pretty Evil)
“
But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized.
My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?”
“I left early,” he says.
“You? John Ambrose McClaren cut school?”
He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.”
I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?”
“If you want.”
I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear.
Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April.
“I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe.
I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
You’re mine,” he said when he drew back, gazing down at her with a hunger that should have made her run. “No one else’s.” He gripped her hips and set her on the edge of his desk. Before she could figure out what he was doing, he brushed her dress up, spread her thighs, and ripped her thong. “Gavin, what—?” His tongue slipped into her vagina, and her mind went blank with shock. He dragged her to the edge of the desk and ate her as if his life depended on it. One hand pinned her thigh open while the other cupped her ass, drawing her tight to his intimate kiss. She couldn’t think as pleasure ricocheted through her. His talented mouth suckled her clit. Before she could counteract the pleasure or get a hold on it, her climax, violent and unstoppable, blasted through her. She wrapped her legs around his head, body bowing as he slammed his fingers into her, eliciting mind-numbing pleasure so great, her mind shut down and her body took over. When it became too much, she yanked on his hair, trying to get his mouth away from her. He moaned but didn’t budge. She could hear him swallow as he lapped up her juices. “G-Gavin, please stop,” she said hoarsely, shuddering. Without moving his head, he pushed her, so she sprawled on her back in a boneless heap on the slick surface of his desk. He used his fingers this time, curling and stroking. The heat began to build again. She tried to kick him, but his hands pinned her wide, and she had no defense as he teased oversensitive nerves. “I-I can’t,” she panted even as another climax punched through her. She erupted, body jerking as he pulled the strings like the master he was. When rational thought returned, she found him standing over her, fingers still buried between her legs. His eyes were ablaze with lust. “I didn’t ask the first time. You say I raped you. Will you let me have you?” It would feel damn good, but... “No.
”
”
Mia Knight (Crime Lord's Captive (Crime Lord, #1))
“
You look... refreshed,' Lucien observed with a glance at Tamlin. I shrugged. 'Sleep well?'
'Like a babe.' I smiled at him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck.
'What is that bruise?' Lucien demanded.
I pointed with my fork at Tamlin. 'Ask him. He did it.'
Lucien looked from Tamlin to me and then back again. 'Why does Feyre have a bruise on her neck from you?' he asked with no small amount of amusement.
'I bit her,' Tamlin said, not pausing as he cut his steak. 'We ran into each other in the hall after the Rite.'
I straightened in my chair.
'She seems to have a death wise,' he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad- furious at my foolishness for leaving my room- but somehow managed to keep his anger on a tight, tight leash. 'So, if Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences.'
'Accountable?' I sputtered, placing my hands flat on the table. 'You cornered me in the hall like a wolf with a rabbit!'
Lucien propped an arm on the table and covered his mouth with his hand, his russet eye bright.
'While I might not have been myself, Lucien and I both told you to stay in your room,' Tamlin said, so calmly that I wanted to rip out my hair.
I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. 'Faerie pig!' I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left.
It took me a couple of hours to stop painting little portraits of Tamlin and Lucien with pigs' features. But as I finished the last one- Two faerie pigs wallowing in their own filth, I would call it- I smiled into the clear, bright light of my private painting room. The Tamlin I knew had returned.
And it made me... happy.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I’m standing in front of Enrique’s Auto Body, doing deep-breathing exercises to keep from being nervous. Enrique’s Camry is nowhere in sight, so I know Alex is alone.
I’m going to seduce Alex.
If what I’m wearing doesn’t capture his attention, nothing will. I’m giving this my all…bringing out all the artillery. I rap on the door, then close my eyes tight and pray this goes as planned.
I open my long, silver satin jacket and the cool night air rushes onto my exposed skin. When the creak of the door alerts me to Alex’s presence, I slowly open my eyes. But it’s not Alex’s black eyes staring at my scantily clad body. It’s Enrique--who’s staring at my pink lace bra and pom-pom skirt as if he’s won the lottery.
Ripped with embarrassment, I wrap my coat around myself. If I could wrap it around twice, I would.
“Uh, Alex,” Enrique laughs. “There’s a trick-or-treater here to see you.”
My face is probably beet red, but I’m determined to see this through. I’m here to show Alex I’m not going to desert him.
“Who is it?” comes Alex’s voice from somewhere inside the garage.
“I was just leavin’,” Enrique says, slipping past me. “Tell Alex to lock up. Adiós.”
Enrique walks across the darkened street, humming to himself.
“Yo, Enrique. ¿Quién está ahi?” Alex’s voice fades when he reaches the front of the shop. He looks at me with contemp. “Need directions or your car fixed.”
“None of the above,” I say.
“Trick-or-treatin’ on my side of town?”
“No.”
“It’s over, mujer. ¿Me oyes? Why do you keep droppin’ into my life and fuckin’ with my head? Besides, aren’t you supposed to be at the Halloween dance with some college guy?”
“I blew him off. Can we talk?”
“Listen, I’ve got a shitload of work that still needs to get done. What did you come here for? And where’s Enrique?”
“He, uh, left,” I say nervously. “I think I scared him away.”
“You? I don’t think so.”
“I showed him what I was wearing under my coat.”
Alex’s eyebrows shoot up.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
What’s that you’ve got crumpled up in your pocket?”
My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.”
“Give it to me and I’ll recycle it right now,” he says, holding out his hand.
“No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me.
I pant, “Give it back, Peter!”
Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp.
I try to grab harder, but it’s too late. He has it.
Peter holds the envelope above my head and tears it open and begins to read. It’s torturous standing there in front of him, waiting--for what, I don’t know. More humiliation? I should probably just go. He’s such a slow reader.
When he’s finally done, he asks, “Why weren’t you going to give me this? Why were you just going to leave?”
“Because, I don’t know, you didn’t seem so glad to see me…” My voice trails off lamely.
“It’s called playing hard to get! I’ve been waiting for you to call me, you dummy. It’s been six days.”
I suck in my breath. “Oh!”
“Oh.” He pulls me by the lapels of my coat, closer to him, close enough to kiss. He’s so close I can see the puffs his breath makes. So close I could count his eyelashes if I wanted. In a low voice he says, “So then…you still like me?”
“Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up.
Peter gives me a look like Get real, you know you like me. I do, I do.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
He sweeps his fingers over her folds, teasing her entrance.
"So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?"
Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do."
He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?"
"Please," Eden shouts. "Please, I want---"
"Use your words. Come on, sweetheart. I know you can do it."
"I want your cock in me," she whines. "Fuck me like you own me---"
A loud moan rips itself from her throat as Shang presses into her. Splits her open.
Stretched her to the fullest.
It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips.
Feral. An animal. A man on a mission.
"'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden."
"Shang---"
"What is it, sweetheart? Don't tell me I'm too much for you."
"No, never. I want---"
"What? You want what? You close already?"
Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight.
He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me."
"Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy.
He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it."
Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse.
Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
”
”
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
“
My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut.
Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge.
Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.'
I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?'
He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath.
'Oh,' I managed to say, I felt him smile against my ear and pull away.
'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.'
'And during sex?' The question blurted out.
Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.'
My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?'
His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.'
'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone.
'Why?' he asked warily.
I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.'
Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but-
Something dark and fast and sleek shot for us, and he plunged down and away, swearing.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Dear, What’s the Point of it All?
What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs.
What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles.
What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me.
What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling.
What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another.
What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all?
What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point?
I don’t know why I am here.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?”
“Yes,” she breathed out. “Yes.”
I dropped to the marble, resting my back against the vanity. “Ask nicely.”
“Please.”
“Nicer.”
She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth.
My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed.
I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could.
Her lips drifted to the shell of my ear. “Please, please, please.”
I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt.
Her head fell forward. She bit my shoulder, drawing blood, her hips bucking.
She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum.
I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours.
The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph.
I entered her from behind. She drove back, meeting each of my thrusts.
My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth.
Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass.
“Rom,” she whined. “I need to come.”
“What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps.
I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.”
I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock.
More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples.
“Who owns your ass?” I growled.
“You.”
“Louder.”
“You.”
“Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.”
With a reluctant moan, she inched away from my cock, writhing about two feet away.
She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.”
She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet.
I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of.
I grinned, the release tickling my shaft. “Embarrassed?”
“No. Empty.”
Fuck me sideways.
How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception.
(Chapter 55)
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples. “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
”
”
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
“
We tend to be unaware that stars rise and set at all. This is not entirely
due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution).
I wondered what could be wrong. Our modern civilization does not ignore
the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist
in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us.
It is only the integral part of the landscape which can relate to the stars.
Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans,
and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an
almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there').
We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world.
They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.
”
”
Robert K.G. Temple (The Sirius Mystery: New Scientific Evidence of Alien Contact 5,000 Years Ago)
“
that everything that had ever happened to me had been a loving step in that process of my progression. every person, every circumstance, and every incident was custom created for me. It was as if the entire universe existed for my higher good and development. I felt so loved, so cherished, and so honored. I realized that not only was I being embraced by deity, but also that I myself was divine, and that we all are. I knew that there are no accidents in this life. That everything happens for a reason. yet we always get to choose how we will experience what happens to us here. I could exercise my will in everything, even in how I felt about the wreck and the death of my family members. God didn't want me to hurt and feel put upon as if my son and wife had been taken from me. He was simply there assisting me to decide how I was going to experience it. He was providing me with the opportunity, in perfect love, to exercise my personal agency in this entire situation. I knew my wife and son were gone. They had died months earlier, but time didn't exist where I was at that moment. rather than having them ripped away from me, I was being given the opportunity to actually hand them over to God. To let them go in peace, love, and gratitude. Everything suddenly made sense. Everything had divine order. I could give my son to God and not have him taken away from me. I felt my power as a creator and cocreator with God to literally let go of all that had happened to me. I held my baby son as God himself held me. I experienced the oneness of all of it. Time did not matter. Only love and order existed. Tamara and Griffin had come into my life as perfect teachers. And in leaving me in such a way, they continued as perfect teachers to bring me to that point of remembering who I was. remembering that I was created in God's image and actually came from Him. I was aware now that I could actually walk with God, empowered by what I was learning in my life. I felt the divine energy of the being behind me inviting me to let it all go and give Griffin to Him. In all that peace and knowledge, I hugged my little boy tightly one last time, kissed him on the cheek, and gently laid him back down in the crib. I willingly gave him up. No one would ever take him away from me again. He was mine. We were one, and I was one with God. As soon as I breathed in all that peace, I awoke, back into the pain and darkness of my hospital bed, but with greater perspective. I marveled at what I had just experienced. It was not just a dream. It felt too real. It was real to me, far more real than the pain, the grief, and my hospital bed. Griffin was alive in a place more real than anything here. And Tamara was there with him. I knew it. As the years have passed, I've often wondered how I could have put my son back in the crib the way I did. Maybe I should have held on and never let go. But in that place, it all made sense. I realized that no one ever really dies. We always live on. I had experienced a God as real and tangible as we are. He knows our every heartache, yet allows us to experience and endure them for our growth. His is the highest form of love; He allows us to become what we will. He watches as we create who we are. He allows us to experience life in a way that makes us more like Him, divine creators of our own destiny. My experience showed me purpose and order. I knew there was a master plan far greater than my limited earthly vision. I also learned that my choices were mine alone to make. I got to decide how I felt, and that made all the difference in the universe. even in this tragedy, I got to determine the outcome. I could choose to be a victim of what had happened or create something far greater.
”
”
Jeff Olsen (I Knew Their Hearts: The Amazing True Story of Jeff Olsen's Journey Beyond the Veil to Learn the Silent Language of the Heart)
“
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before.
He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met.
I was entirely lost to the deepest and most carnal desire I'd ever felt.
His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed.
With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me.
Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer.
He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth.
We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that.
I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again.
He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.”
“We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal.
I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave.
“Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow.
“No.”
He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.”
I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.”
What happens at the bottom of the pool, stays at the bottom of the pool.
“Come on then, Blue.” He held out his hand.
I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.”
(DARCY)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
So you aren’t angry with me?” Cass buried her shaking hands in the folds of her skirts. How could he not be furious? She had lied to him. Well, practically. She had let him kiss her, even though she couldn’t be his bride. She had even kissed him back.
Falco smiled at her through the dark. “Is that what’s been worrying you? No, starling. I’m not angry.” He pulled her body close to his again, burying his face in her hair. “You smell amazing,” he said. “Like roses and butterflies and cool spring mornings.” He held her hand up to his mouth, his fingers untying one of her lacy cuffs.
Cass’s relief started to fade as Falco’s lips found the bare skin of her wrist. “Wait a minute.” She pulled away. “Why aren’t you angry with me? You and I, we kissed, we might have--” Cass couldn’t bring herself to finish the sentence. Exactly how far would she have let things go if she hadn’t been ripped from her moment of fantasy by the stranger on the bridge? When he had loosened her bodice and reached beneath her chemise to stroke the skin of her upper back, all she had wanted was for him to loosen the rest of the laces. She definitely hadn’t been thinking about telling him to stop.
Falco’s eyes gleamed in the night. “Go on. We might have what?”
Coldness filled Cass’s whole body. She reached out and pushed Falco away from her. “I think I understand.” She pulled the lace on her cuff tight so that her wrist disappeared beneath the fabric. “All you wanted was a sordid little tryst? You were just going to keep going until I stopped you? That is so--so…” She struggled to find the correct words, but the cold fury that filled her made it difficult to speak.
“Improper?” Falco said. “Fun?”
“Fun?” Cass had half a mind to push Falco out of the boat and right into the murky water of the canal. She reached behind her back and made a futile attempt to retighten her bodice. “You’re disgusting,” she spat out.
“Would you like help with that?” Falco reached toward her.
“Don’t touch me.” Cass gave up on the bodice. She wrapped herself tightly in the woolen blanket.
Falco laughed aloud. “You’re the one with the fiancé, and I’m disgusting?” He shook his head. “Women.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
But this kiss tells me he understands. Death and kisses. Blood and sex. They twine together in a dark braid I bury deep inside. He pulls it out of me, rips it from my heart and leaves my throat raw and tight.
”
”
Annika Martin (Prisoner (Criminals & Captives, #1))
“
Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart. Put your arms around my neck.” She groped for him blindly, feeling sick and weak and disoriented. The flat muscles at the back of his neck shifted as he bent toward her, gathering her up as easily as if she were a child. “There,” he murmured. “I’ve got you.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Hello, said Loo.
What's wrong? Hawley asked.
You're not outside.
Not tonight.
But you're *always* outside.
Hawley did not know how to answer. All this time he had been watching her window, it had never occurred to him that she was watching for him, too. He could hear Loo's breath, heavy and expectant, blowing hard into the mouthpiece, and for a moment all he could think of was the sound of the whale's spout--the blast of air and water as the giant rose to the surface, the salted spray that had rained down upon him in Puget Sound and filled him with terror and longing and a sense that he could right the path he was on. He had not realized that he'd been waiting for this sound until he heard it. He knew only that he had been waiting--for something that had never arrived, that had failed him, that had made him rage and murder int he silence it had left. But now here it was again. His daughter, still breathing. And so was he.
I'll come now.
Right now?
Yes, said Hawley. Put your coat on. And get your toothbrush. Your real toothbrush.
Hawley wrapped the phone cord around his arm, tighter and tighter, waiting to hear what she would say. Instead he heard the sound of footsteps. A door open and close. Then a clattering as the phone dropped to the ground. Hawley called Loo's name. He pressed his ear tightly against the receiver, straining to listen. Something dragged across the floor. Shuffling. Thumps. A noise like Velcro being ripped apart. And then she came back to him.
I've got my shoes on, Loo said. I've got the candy, too.
”
”
Hannah Tinti (The Twelve Lives of Samuel Hawley)
“
She couldn’t go looking for loss. Of any kind. Because it would awaken those old feelings, the ones she kept tightly coiled inside, the ones she knew she couldn’t survive a second time. And they were already stirring. She could feel them as if they were living creatures, hibernating snakes sensing spring, sensing the dread that grew within her at every news report out of Europe, at every letter. Waiting to rip her apart.
”
”
B.A. Shapiro (The Muralist)
“
But then your husband dies, and you think how you’d beg for the apocalypse of the torn pants. Because now it’s your life that has ripped apart at the seams you thought were so tightly sewn.
”
”
Liz Fenton (The Good Widow)
“
Knowing what he wanted, he went after it with single-minded intensity, until a hoarse moan ripped from her and she arched toward him, her body jerking with every pass of his tongue. His, at last.
Hunter rose over her, his gaze riveted to her flushed face and dazed blue eyes. Skimming his breeches down his hips, he undressed quickly and took off his medicine pouch. Then, positioning himself over her, he seized her hips and drew her toward him. Carefully and with a slowness that was agonizing for him, he pressed himself into her. As he feared, the passage was tight, so tight that he nearly pulled back. His guts clenched, and a tremor crawled up his spine. There wasn’t any way he could spare her pain this first time. She was a slightly built woman, narrow of hip. He was not a small man. Sweat sprang to his brow.
She was as ready as he could get her. If he didn’t take her now, he never would. Setting his jaw, Hunter eased farther into her, filled with self-loathing because, even now, though he knew how much he was about to hurt her, fire flared in his belly and his body ached for release. Her eyes widened at the pain, and the color washed from her lips. When he met with the resistance of her maidenhead, he hesitated, then drove forward in one smooth thrust, sheathing himself in liquid heat.
She screamed--a shrill, broken cry that cut through him. The next instant she scrambled to escape. Hunter quickly blanketed her body with his and captured her flailing arms.
“Toquet, it is well, little one. It is finished, eh?”
She panted, tossing her head. “It h-hurts!”
“It will pass,” he assured her huskily. “It will pass. It is a promise I make for you.”
She went rigid when he began to move within her, her small face drawing tight. Tears sprang to Hunter’s eyes when she reached up to hug his neck, clinging to him even though he was the one hurting her. He had asked her to trust him this one last time. And she had.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Knowing what he wanted, he went after it with single-minded intensity, until a hoarse moan ripped from her and she arched toward him, her body jerking with every pass of his tongue. His, at last.
Hunter rose over her, his gaze riveted to her flushed face and dazed blue eyes. Skimming his breeches down his hips, he undressed quickly and took off his medicine pouch. Then, positioning himself over her, he seized her hips and drew her toward him. Carefully and with a slowness that was agonizing for him, he pressed himself into her. As he feared, the passage was tight, so tight that he nearly pulled back. His guts clenched, and a tremor crawled up his spine. There wasn’t any way he could spare her pain this first time. She was a slightly built woman, narrow of hip. He was not a small man. Sweat sprang to his brow.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
You. Are. Mine.” He lifts my gown, rips my panties and slides a finger right between my folds, stroking lovingly as I cream in his hand. Every attempt to resist him fails miserably. I close my eyes tightly, but can’t help but whimper and squirm as his fingers slide through my arousal, making me so wet it slips down my inner thighs.
”
”
Ana Calin (Prince of Blood (Dracula’s Bloodline #3))
“
Billy had drunk himself to death. He had, at some point, ripped apart, plowed through, as alcoholics tend to do, the great, deep, tightly woven fabric of affection that was some part of the emotional life, the life of love, of everyone in the room.
”
”
Alice McDermott (Charming Billy)
“
He dips his head. “And the most powerful, but once you make peace with it, it’s easier taking bigger risks to seek greater rewards. But that’s no excuse to make a stupid move.” And it’s the truth. In every aspect of life, safety is an illusion. I can lock this house up tight, but a storm could rip the roof from over my head. I could safeguard my heart and never let anyone in, but I would still feel the pain of isolation. I could make all the right moves every single day of my life out of fear, and with the sweep of the right hand, get wiped off the board altogether. Every decision we make in life is a move, our opponent invisible. Whether it be the enemy of illness, or the enemy you sleep with, you don’t get that knowledge until the opponent makes itself known. His logic is that we’re all pawns playing invisible opponents and one wrong move or stupid decision away from revealing our enemy. Simply by inserting myself into this mix of dangerous men, I might have switched up my opponents and lined my life up differently. Up
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
McGee made a gagging sound deep in his throat and scrubbed the bloody hand against his wet raincoat. His eyes were muddy, his bony angular face tight and shiny from the rain and the tension of taut nerves and muscles. Rain drummed steadily on the car’s metal roof and the windshield wipers squeaked monotonously, louder and more nerve-wracking than the endless sucking whine of the tires on the wet pavement. But louder than all these sounds was the mournful, sobbing wail of squad cars ripping through the night, converging on the neighborhood McGee was desperately fleeing.
”
”
Joseph J. Millard (The Noir Mystery MEGAPACK ™: 25 Modern and Classic Mysteries)
“
I’m explaining something to you. I didn’t understand for a long time. But I do now. The sad songs are a safe hurt. It’s a diversion. It’s controlled. And maybe it helps you imagine that real pain will be like that. But it’s not. Lucy knows that, of course. You can’t prepare for real pain. You just have to let it rip you apart.
”
”
Harlan Coben (Hold Tight)
“
I allowed his arms to enfold me as he tried to absorb my grief. Sobs ripped from my chest as if they would splinter my sternum in two, but he held me tight, pressing kisses in my hair, stroking my back, keeping me together and whole.
”
”
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt, #1))
“
Inside the white screen of the mosquito net, bathed in the sunlight streaming through the windows, she felt as if she were in her own little oasis. Isolated from the rest of the world and its hostility. Although she could barely see past the bright, sunlit cloth, a movement in the shadows behind the net caught her eye. She frowned, straining her eyes to see what it was when, slowly, the net parted to reveal a gigantic figure. The light shone on his body and face to reveal what turned out to be a dark-eyed, broad-shouldered man.
A strange feeling was born in Bianca’s chest. A mixture of panic and embarrassment left her body in the shape of a scream. With no clear thoughts in mind, she yelled for someone to help her, until it dawned on her that she was in an unfamiliar apartment, in a town where no one knew about her, and where there was no one who could help her. She was alone, and the pervert in front of her undoubtedly wanted to take advantage of the situation. Stopping just enough to breathe and continue screaming, she got on her knees in the bed and kept on yelling at him, who then seemed to fall off whatever disgusting trance he was, and took a surprised step back. His fingers, still tangled in the mosquito net, ripped the fabric from the ceiling, exposing her further.
Bianca knew she was on her own. She could not count on anyone else to save her. When that realization hit, an unknown instinct made its way inside her and all the accumulated frustration caused by the situation with the paparazzi, the betrayal of her husband and losing her company concentrated inside her like a laser to focus on a single aim: the man in front of her. Feeling powerful, she grabbed the sheet tight around her with one arm to cover the front of her body, set one foot on the ground, and grabbed the closest thing to her: the purse. Her screams, which initially were meant to ask for help, transformed into a sound of pure rage.
Without taking her eyes off him, Bianca reached into her bag and threw everything she found inside it: a phone, an agenda, a bottle of water, a lipstick, a tissue, the box of condoms, a book. Even a small toiletry bag. When the bag was empty, she used it as a projectile too.
”
”
Sienna Mercier (The Woman In The Red Dress (Mediterranean Love #1))