Ripped Movie Quotes

How will I survive this missing? How do others do it? People die all the time. Every day. Every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?

Do you know anything about silent films?” “Sure,” I said. “The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn’t until the 1920s that sound become truly incorporated into films, eventually making silent ones obsolete in cinema.” Bryan gaped, as though that was more than he’d been expecting. “Oh. Okay. Well, um, there’s a silent film festival downtown next week. Do you think you’d want to go?” I shook my head. “No, I don’t think so. I respect it as an art form but really don’t get much out of watching them.” “Huh. Okay.” He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? “What about Starship 30? It opens Friday. Do you want to see that?” “I don’t really like sci-fi either,” I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. “Is there any movie out there you want to see?” I ran through a mental list of current entertainment. “No. Not really.” The bell rang, and with a shake of his head, Bryan slunk back to his desk. “That was weird,” I muttered. “He has bad taste in movies.” Glancing beside me, I was startled to see Julia with her head down on her desk while she shook with silent laughter. “What?” “That,” she gasped. “That was hilarious.” “What?” I said again. “Why?” “Sydney, he was asking you out!” I replayed the conversation. “No, he wasn’t. He was asking me about cinema.” She was laughing so hard that she had to wipe away a tear. “So he could find out what you wanted to see and take you out!” “Well, why didn’t he just say that?” “You are so adorably oblivious,” she said. “I hope I’m around the day you actually notice someone is interested in you.” I continued to be mystified, and she spent the rest of class bursting out with spontaneous giggles.

She touches me The jungle lights up with incinerating fire Looks like a flaming serpent I look into her eyes I see a movie flickering Car crashes People kicking corpses Men ripping their tracheas out and shaking them at the sky I think to myself: I don’t want to survive this one I want to burn up in the wreckage Cooking flesh in the jungle

Constantine cursed the faujis again, and then he cursed Tom Cruise for having made that bloody Top Gun movie. Since then, an entire generation of faujis had grown up thinking they could be like him just by buying those cheap rip-off sunglasses for 200 rupees from Zainab Market.

Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.

I'm a Christian, but if God is truly a God of love, then why would he have a private torture chamber where he put people that he was suppose to love and forgive to punish forever? if you actually read the Bible, the idea of hell like in the movies and most books was invented by a writer. Dante's inferno was ripped off by the Church to give people something to ba afraid of...

So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.

I drop on my back on the bed, panting and sweating. How will I survive this missing? How do others do it? People die all the time. Every day. Every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?

What are we watching?" [...] [...] He hugged her closer. "The sacrifices I make for you -just watch." She was intrigued enough to pay attention to the screen. "Pride and Prejudice," she read out. "It's a book written by a human. Nineteenth century?" "Uh-huh." "The hero is... Mr. Darcy?" "Yes. According to Ti, he's the embodiment of male perfection." Dev ripped open a bag of chips he'd grabbed and put it in Katya's hands. "I don't know -the guy wears tights.

The way things are going, I wouldn't be surprised if pretty soon I start wearing ripped-up fishnet stockings and dyeing my hair black. Maybe I'll even start smoking and get my ears double-pierced or something. And then they'll make a TV movie about me and call it Royal Scandal. It will show me going up to Prince William and saying,'Who's the most popular young royal now, huh, punk?' and then headbutting him or something.

I want you to imagine for a minute,” she begins. “I know it’s going to be hard for both of you, but just imagine—that literally nothing was made for you. Your parents were denied a house because of their skin color, your grandparents were sprayed with fire hoses and ripped apart by dogs in the streets, your great-grandparents were housemaids and mammies and barely paid entertainers, and your great-great-grandparents were slaves. Every movie in your life is majority Black, all the characters in your favorite books have been cast darker in the movie adaptation for no reason, and every mistake you make is because of your skin color and because of “your background” and because of the music you listen to. You are the only white kids at a school of five hundred Blacks, and every Black person at that school asks you to weigh in on what it’s like to be white, or what white people think about this or that. It’s not fun.

And even if it never makes it to the big screen, millions of people have watched a very impressive version of the opening in the box office hit Independence Day. So when/if Childhood’s End is finally made into a movie, the popcorn set will undoubtedly think we’ve ripped off I.D.

Can I make you happier with powder on my chest? Do you need a thousand movie shows? Sixteen million people to ride the bus with, hit the stop—I shoulda never let you go away from home—“ Rich lips brooded in my deaf ear. “The fog’ll fall all over you, Jacky, you’ll wait in fields—You’ll let me die—you wont come save me—I wont even know where your grave is—remember what you were like, where your house, what your life—you’ll die without knowing what happened to my face—my love—my youth—You’ll burn yourself out like a moth jumping in a locomotive boiler looking for light—Jacky—and you’ll be dead—and lose yourself from yourself—and forget—and sink—and me too—and what is all this then?” “I dont know—“ “Then come back to our porch of the river the night time the trees and you love stars—I hear the bus on the corner—where you’re getting off—no more, boy, no more—I saw, had visions and idees of you handsome my husband walking across the top of the America with your lantern... Out of her eyes I saw smoldering I’d like to rip this damn dress off and never see it again!

But what if I would’ve started dating someone?” Rip tipped his head closer to mine, bringing his mouth just inches from me. “I would’ve made sure there hadn’t been a second date, baby girl. I know you went on seven of them until this bullshit recently. I know you went to dinner on three, to the movies on two, a baseball game on one, and Mickey’s on another. I listened. I know. I was there the night you got your place broken into. I just wanted to make sure you were all right.

Think about it: If you have saved just enough to have your own house, your own car, a modicum of income to pay for food, clothes, and a few conveniences, and your everyday responsibilities start and end only with yourself… You can afford not to do anything outside of breathing, eating, and sleeping. Time would be an endless, white blanket. Without folds and pleats or sudden rips. Monday would look like Sunday, going sans adrenaline, slow, so slow and so unnoticed. Flowing, flowing, time is flowing in phrases, in sentences, in talk exchanges of people that come as pictures and videos, appearing, disappearing, in the safe, distant walls of Facebook. Dial fast food for a pizza, pasta, a burger or a salad. Cooking is for those with entire families to feed. The sala is well appointed. A day-maid comes to clean. Quietly, quietly she dusts a glass figurine here, the flat TV there. No words, just a ho-hum and then she leaves as silently as she came. Press the shower knob and water comes as rain. A TV remote conjures news and movies and soaps. And always, always, there’s the internet for uncomplaining company. Outside, little boys and girls trudge along barefoot. Their tinny, whiny voices climb up your windowsill asking for food. You see them. They don’t see you. The same way the vote-hungry politicians, the power-mad rich, the hey-did-you-know people from newsrooms, and the perpetually angry activists don’t see you. Safely ensconced in your tower of concrete, you retreat. Uncaring and old./HOW EASY IT IS NOT TO CARE

There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds.

I ripped it off from that old movie They Live. You remember They Live, with the glasses?” I shrug, and he shakes his head. “Nobody watches the classics anymore.

I’m Christian, but if God is truly a God of love, then why would he have a private torture chamber where he put people that he was supposed to love and forgive to be punished forever? If you actually read the Bible, the idea of hell like in the movies and most books was invented by a writer. Dante’s Inferno was ripped off by the Church to give people something to be afraid of, to literally scare people into being Christian.

I knew Reed was charming, but his one-liners are impressive. And he makes every conversation feel like an enemies-to-lovers movie where the characters are brimming with sexual tension and ready to rip each other’s clothes off.

The person standing in the doorway is a frail blonde who looks like she’s been plucked off the poster of some Gothic horror movie. She’s wearing a ripped wedding dress, torn in several places, dusty and bloodstained at the hem.

El Lindo tastes like the line from that famous murder mystery movie “Rambo,” when Nicolas Cage rips off his tuxedo and says, “I may be a lot of things, but I ain’t a man to call Taco Bell Mexican cuisine." I love a good romance.

Some children sit in their warm cosy beds with snacks and hot cocoas watching Hollywood movies with age rating while others shivering in the freezing blizzards drinking from icy broken pipes and ripping pieces of jewellery off bloody bombed up limbs.

When the high-speed chases and mandatory shoot-outs become too repetitive, I head over to the revival houses and watch gentler movies, in which the couples sleep in separate beds and everyone wears a hat. As my ticket is ripped, I briefly consider all the constructive things I could be doing. I think of the parks and the restaurants, or the pleasantries I'll never use on the friends I am failing to make. I think of the great city teaming on the other side of that curtain, and then the lights go down, and I love Paris.

Mexican Loneliness" And I am an unhappy stranger grooking in the streets of Mexico- My friends have died on me, my lovers disappeared, my whores banned, my bed rocked and heaved by earthquake - and no holy weed to get high by candlelight and dream - only fumes of buses, dust storms, and maids peeking at me thru a hole in the door secretly drilled to watch masturbators fuck pillows - I am the Gargoyle of Our Lady dreaming in space gray mist dreams -- My face is pointed towards Napoleon ------ I have no form ------ My address book is full of RIP's I have no value in the void, at home without honor, - My only friend is an old fag without a typewriter Who, if he's my friend, I'll be buggered. I have some mayonnaise left, a whole unwanted bottle of oil, peasants washing my sky light, a nut clearing his throat in the bathroom next to mine a hundred times a day sharing my common ceiling - If I get drunk I get thirsty - if I walk my foot breaks down - if I smile my mask's a farce - if I cry I'm just a child - - if I remember I'm a liar - if I write the writing's done - - if I die the dying's over - - if I live the dying's just begun - - if I wait the waiting's longer - if I go the going's gone if I sleep the bliss is heavy the bliss is heavy on my lids - if I go to cheap movies the bedbugs get me - Expensive movies I can't afford - if I do nothing nothing does

The pizza at Brick Oven tastes like that classic line from that famous murder mystery movie “Rambo,” where Nicholas Cage rips off his tuxedo and says, “I may be a lot of things, but I ain’t no bowl of duck soup, sloshing around in a hurricane." Rambo II is even more romantic.

The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

So what happened?" "I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment. No.Not funny.One hundred percent the exact opposite of funny. "I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened." Underwear,on. "Did you turn the ringer back on last night?" "What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red. "You went to see a film,right? Don't you set your mobile to silent at the theater?" He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror. A mirror St. Clair is facing. "It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..." "Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.

Bryan gaped, as though that was more than he'd been expecting. "Oh. Okay. Well, um, there's a silent film festival downtown next week. Do you think you'd want to go?" I shook my head. "No, I don't think so. I respect it as an art form but really don't get much out of watching them." "Huh. Okay." He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? "What about Starships 30? It opens Friday. Do you want to see that?" " I don't really like sci-fi either," I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. "Is there any movie out there you want to see?" I ran through a mental list of current entertainment. "No. Not really." The bell rang, and with a shake of his head, Bryan slunk back to his desk. "That was weird," I muttered. "He has bad taste in movies." Glancing beside me, I was startled to see Julia with her head down on the desk while she shook with silent laughter. "What?" "That," she gasped. "That was hilarious." "What?" I said again. "Why?" "Sydney, he was asking you out!

You forgot the straws,” I told him. He ripped the plastic off of the Twizzler box and bit the ends off of two Twizzlers. Then he put them in the cup. He grinned broadly. He looked so proud of himself. I’d forgotten all about our Twizzler straws. We used to do it all the time. We sipped out of the straws at the same time, like in a 1950s Coke commercial—heads bent, foreheads almost touching. I wondered if people thought we were on a date. Jeremiah looked at me, and he smiled in this familiar way, and suddenly I had this crazy thought. I thought, Jeremiah Fisher wants to kiss me. Which, was crazy. This was Jeremiah. He’d never looked at me like that, and as for me, Conrad was the one I liked, even when he was moody and inaccessible the way he was now. It had always been Conrad. I’d never seriously considered Jeremiah, not with Conrad standing there. And of course Jeremiah had never looked at me that way before either. I was his pal. His movie-watching partner, the girl he shared a bathroom with, shared secrets with. I wasn’t the girl he kissed.

How will I survive this missing? How do others do it? People die all the time. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?

How will I survive this missing? How do others do it? People die all the time. EThere are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?

How will I survive this missing? How do others do it? People die all the time. Everyday, every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn, families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside their hearts are ripping to shreds, for years, for their whole lives. I don't believe time heals, I don't want it to. If I heal, doesn't it mean I've accepted the world without her?

How will I survive this missing? How do others do it? People die all these time. Everyday, every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn, families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside their hearts are ripping to shreds, for years, for their whole lives. I don't believe time heals, I don't want it to. If I heal, doesn't it mean I've accepted the world without her?

For me, food is better than sex, and way more adventurous and innocent at the same time. I lose myself in finding the balance of the flavors. finding a way to invoke all the senses." I pause, meet his eyes. "What about you?" "You took the words right out of my mouth," he says, leaning forward on the prep table. "I feel the same way, mostly." He chuckles. "But better than sex? No way." This is a conversation I want to avoid, because all I'm thinking about right now is Charles picking me up, placing me on the prep counter, and ripping off my clothes. Angry sex. Passionate sex. Movie sex.

No, they were not real. TV monsters and movie monsters and comic-book monsters were not real. Not until you went to bed and couldn’t sleep; not until the last four pieces of candy, wrapped in tissues and kept under your pillow against the evils of the night, were gobbled up; not until the bed itself turned into a lake of rancid dreams and the wind screamed outside and you were afraid to look at the window because there might be a face there, an ancient grinning face that had not rotted but simply dried like an old leaf, its eyes sunken diamonds pushed deep into dark sockets; not until you saw one ripped and clawlike hand holding out a bunch of balloons: See the sights, have a balloon, feed the elephants, ride the Chute-the-Chutes! Ben, oh, Ben, how you’ll float—

My favorite scene was my dying scene, when I had to stand up and suddenly in that moment recall my wife and everything I stood for, and I say "My queen, my wife, my love" and I think of all my movies, that is the most powerful moment I ever had. In preparation for each take, I would scream at the ground, clench my fists, and scrape the ground, and cut all my knuckles and rip my nails... I would scream, and scrape, and scratch, and then I would stand and go "GO." And they would film. And it felt so visceral, and so powerful, and the next day, that was my last day of filming, the next day I was leaving Montreal and I went through US IMMIGRATION and the officer asked "what happened to your hands" and I said "I was just scratching the ground" and she took me for secondary questioning, and I missed my flight, and had to stay another day. So the next day I wore gloves.

Galveston?” he asked in that amazing voice, still surprising me by keeping our conversation going. “Yeah. Staying at a beach house and everything. Totally slumming it and having a miserable time, you know?” I gave him a real smile that time. Rip just raised his brows. “I promised her I would go visit, and she promised she would come up too... What’s that face for?” I surprised myself by laughing. “I don’t believe it either. I’ll get lucky if she comes once. I’m not that delusional.” I didn’t imagine the way his cheek twitched again, just a little, just enough to keep the smile on my face. “I’m stuck making my own lunches from now on. I have nobody to watch scary movies with who’s more dramatic than I am screaming at the scary parts. And my house is empty,” I told him, going on a roll. “Your lunches?” was what he picked up on. I wasn’t sure how much he’d had to drink that he was asking me so many questions, but I wasn’t going to complain. “I can’t cook to save my life, boss. I thought everyone knew. Baking is the only thing I can handle.” “You serious?” he asked in a surprised tone. I nodded. “For real?” “Yeah,” I confirmed. “I can’t even make rice in an Instant Pot. It’s either way too dry or it’s mush.” Oh. “An Instant Pot is—” “I know what it is,” he cut me off. It was my turn to make a face, but mine was an impressed one. He knew what an Instant Pot was but not a rom-com. Okay. “Sorry.” He didn’t react to me trying to tease him, instead he asked, “You can’t even make rice in that?” “Nope.” “You know there’s instructions online.” Was he messing with me now? I couldn’t help but watch him a little. How much had he drunk already? “Yeah, I know.” “And you still screw it up?” I blinked, soaking up Chatty Cathy over here like a plant that hadn’t seen the sun in too long. “I wouldn’t say I screw it up. It’s more like… you either need to chew a little more or a little less.” It was his turn to blink. “It’s a surprise. I like to keep people on their toes.” If I hadn’t been guessing that he’d had a couple drinks before, what he did next would have confirmed it. His left cheek twitched. Then his right one did too, and in the single blink of an eye, Lucas Ripley was smiling at me. Straight white teeth. That not-thin but not-full mouth dark pink and pulled up at the edges. He even had a dimple. Rip had a freaking dimple. And I wanted to touch it to make sure it was real. I couldn’t help but think it was just about the cutest thing I had ever seen, even though I had zero business thinking anything along those lines. But I was smart enough to know that I couldn’t say a single word to mention it; otherwise, it might never come out again. What I did trust myself to do was gulp down half of my Sprite before saying, “You can make rice, I’m guessing?” If he wanted to talk, we could talk. I was good at talking. “Uh-huh,” he replied, sounding almost cocky about it. All I could get myself to do in response was grin at him, and for another five seconds, his dimple—and his smile—responded to me.

Zane continued to look at her. Even better, he kept her hand in his, his thumb rubbing up and down the length of her fingers. Over and over. Up and down. It was very rhythmic. And sexual. Her thighs took on a life of their own, getting all hot and shaking slightly. Her mouth went dry, her breasts were jealous of the attention her hand was getting and her hormones were singing the “Hallelujah Chorus.” Obviously she needed intensive therapy…or maybe just sex. Zane’s eyes darkened. The muscles in his face tightened, and he stared at her with a hawkish expression. Had he been anyone else, she would have sworn that he’d just had a physical awakening of his own. Awareness crackled around them, like self-generated lightning. The tightness in her chest eased just enough for her to suck in a breath, which was really good, because the next second it all came rushing out again when he kissed her. Just like that. With no warning, Zane Nicholson bent his head and claimed her mouth. It wasn’t a movie-perfect kiss. They didn’t magically melt into each other. Instead their noses bumped, and somehow the hand still holding hers got trapped between them. But all that was fairly insignificant when compared with the intense, sensual heat generated by the pressure of his lips on hers. That part was exactly right. Not too hard, not too soft. When he moved against her, need shot through her body. Had she been breathing again, she would have whimpered. Had he tried to pull away, she would have fallen at his feet and begged him not to stop. Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away.

I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.

The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!

He read to me from novels and poetry books and the newspaper. Mostly the newspaper; he liked to read out savage film reviews in a swashbuckling voice, and when he ran out of those, he moved on to the good ones. Together, we made a list of movies to see. He was appalled to find out I'd never seen Alien. After he demonstrated said alien ripping its way out of someone's chest, I found I was appalled too.

Emma ripped the sticky note off the bathroom mirror and threw it in the trash. Sean didn’t have to worry about her rubbing the back of his neck again anytime soon. And he certainly didn’t have to worry about her wanting to get naked. Not with him. If they were a real couple, she’d throw his pillow onto the couch and let his feet dangle over the edge for a change. It was pathetic how fast he’d come up with a lame excuse to run away just because he’d kissed her. It was just a kiss. A great kiss, yes, but still just a kiss. She hadn’t asked him to marry her—to really marry her, of course—or told him she wanted to have his baby. A hot, steamy, toe-curling, bone-melting kiss between two single adults was nothing to run from. But now he’d made a big deal out of it and everything was going to be even more awkward than it had been for the past few days. She’d been curled up on the couch, fuming, for almost an hour when she heard Sean’s truck pull in to the driveway. It was another ten minutes before he crept into the bedroom and closed the door behind him. Since she was facing the back of the couch, she didn’t have to make much of an effort to ignore him. He was in the shower so long she must have fallen asleep to the drone of running water, because the next thing Emma knew, her alarm was going off and it was time to face another day in the hell she’d created. But first she had to face Sean. She got first crack at the bathroom, and when she came out, he was sitting on the side of the bed, fully clothed. Thank goodness. He scrubbed his hands over his face. “We should talk about last night.” “How’s Kevin?” “He’s good. And I meant before that.” “You should have stayed for the end of the movie. It was good.” “Dammit, Emma, you know that’s not what I’m talking about.” “Oh, you mean the practice kiss?” She clipped her cell phone onto her front pocket. “We’re getting better at it. That was almost convincing.” “Practice kiss?” He stood, probably so he could look down at her, but she was tall enough it didn’t make much of an impact. “Almost convincing?” “Yeah,” she said, though she turned her back on him, heading toward the door to avoid eye contact, because that was no practice kiss and it could have convinced even the CIA’s finest. He was muttering when she left the room, but she shut the door on him and went downstairs. She didn’t want to talk about it. And she didn’t want to think about the fact he wasn’t happy she called it a practice kiss. That meant he considered it a real kiss. And not only a real kiss, but one that had shaken him up. The only reason kissing a woman should bother a man like him was if he was trying to fight being attracted to her. Hopefully, he’d win, she thought as she headed toward the kitchen, because she was waging that battle herself and didn’t appear to be headed for a victory. Maybe he had enough willpower and self-control for both of them.

If you’re reading this, you are the resistance.’—a rip off of that quote from that one movie (but nevertheless it’s completely true.)

If you’re reading this, you are the resistance.’—a rip off of that quote from that one movie, (but nevertheless it’s completely true.)

A large horsefly accidentally flies directly into her oral cavity before she can speak. Outside in the air, this creature doesn’t seem that big, but from inside her mouth it feels like that giant flying reptile Rodan she once saw in a movie on cable. Her jaws are no match for this frightening pest, who, temporarily blinded in panic, begins biting her tongue with its tiny bloodsucking mouth. But Marsha is ready for any curveball nature might throw her. At first she considers spitting out this invasive monster, but then her reflexes take over and her snapping-turtle-like tongue, hidden behind her freshly glossed lips, rips the unwanted tormentor from the roof of her mouth, and with one bite of her cavity-free teeth, the execution of this pesky intruder is complete. Yes, she swallows.

When he came back, he had a large soda and a pack of Twizzlers. I reached for the soda to take a sip, but there were no straws. “You forgot the straws,” I told him. He ripped the plastic off of the Twizzler box and bit the ends off of two Twizzlers. Then he put them in the cup. He grinned broadly. He looked so proud of himself. I’d forgotten all about our Twizzler straws. We used to do it all the time. We sipped out of the straws at the same time, like in a 1950s Coke commercial—heads bent, foreheads almost touching. I wondered if people thought we were on a date. Jeremiah looked at me, and he smiled in this familiar way, and suddenly I had this crazy thought. I thought, Jeremiah Fisher wants to kiss me. Which, was crazy. This was Jeremiah. He’d never looked at me like that, and as for me, Conrad was the one I liked, even when he was moody and inaccessible the way he was now. It had always been Conrad. I’d never seriously considered Jeremiah, not with Conrad standing there. And of course Jeremiah had never looked at me that way before either. I was his pal. His movie-watching partner, the girl he shared a bathroom with, shared secrets with. I wasn’t the girl he kissed.

Andrei avoided the internet as well and this evasion only added to his gloom. He loved music, especially old songs, and he loved movies, of all sorts. If he had the patience, sometimes he would read. While most of the pages he turned bored him to sleep, certain books with certain lines disarranged him. Some literature brought him to his feet, laughing and howling in his room. When the book was right, it was bliss and he wept. His room hushed with serenity and indebtedness. When he turned to his computer, however, or took out his phone, he would inevitably come across a viral trend or video that took the art he loved and turned it into a joke. The internet, in Andrei’s desperate eyes, managed to make fun of everything serious. And if one did not laugh, they were not intelligent. The internet could not be slowed and no protest to criticize its exploitation of art could be made because recreations of art hid perfectly under the veneer of mockery and was thus, impenetrable. It was easy to use Chopin’s ‘Sonata No. 2’ for a quick laugh, to reduce the ‘Funeral March’ to background music. It was a sneaky way for a digital creator to be considered an artist—and parodying the classics made them appear cleverer than the original artist. Meanwhile, Andrei’s body had healed playing Chopin alone in his apartment. He would frailly replay movie moments, too, that he later found the world edited and ripped apart with its cheap teeth. And everyone ate the internet’s crumbs. This cruel derision was impossible to escape. But enough jokes, memes, and glam over someone’s precious source of life would eventually make a sensitive body numb. And Andrei was afraid of that. He needed his fountain of hope unblemished. For this reason, he escaped the internet’s claws and only surrendered to it for e-mails, navigation, and the weather.

Sometimes the wake-and-bake feels like snuggling a lover while the sun creeps further across the floor with each passing hour. Sometimes those midday bong rips are like sharing mimosas and appetizers with a friend at a cute restaurant in a big city like in the movies. And sometimes at night when she sits on the porch with a joint between her fingers and one behind her ear — as Erica so often did — it feels like being cradled in a rocking chair and then carried to bed by a mother that loves her.

One of our great problems today is that we have gotten caught up in our culture-wide quest for authenticity. We want our jeans authentic (pre-ripped at the factory), we want our apples authentic (grown locally instead of somewhere else), we want our music authentic (underground bands nobody ever heard of), we want our lettuce authentic (organically manured), we want our literature authentic (full of angst), we want our movies authentic (subtitles), and we want our coffee tables authentic (purchased from a genuine peasant while we were on some eco-tour). In short, we are a bunch of phonies. We are superficial all the way down.

Take content protection, Windows 7’s copy-protection initiative for so-called premium content like high-definition movies from Blu-Ray and HD DVD discs. According to Microsoft’s standards, software and hardware manufacturers are supposed to disable “premium content” across all interfaces that don’t provide copy protection. One such interface is the S/PDIF digital audio port — usually in the form of a TOSlink optical plug — that comes on most high-end audio cards. Since S/PDIF doesn’t support copy protection — meaning that you could theoretically plug it into another PC and rip the soundtrack off an HD movie — Windows 7 requires that your TOSlink plug be disabled whenever you play back that HD movie on your PC. As a result, you’ll only be able to use your analog audio outputs when watching HD content, and that expensive sound card you just bought is now trash. Why would Microsoft hobble an important feature? For you, the consumer? Of course not. Windows 7’s content-protection feature is intended to appease piracy-wary movie studios, so Microsoft won’t be left behind as the home theater industry finds new ways to rake in cash. And ironically, Microsoft boasts content protection as a feature of Windows 7.

I’m a rare fox-human, with the souls of witches inside me. Can you imagine what a certain mindset would like to do with me? I’ll give you a clue; it’s not to re-create a cherished Roald Dahl novel.” I could imagine. It wasn’t a pleasant thought. “And to make matters worse, there was a movie with a talking fucking raccoon in it. Did you know that Camelot has a cinema? That they import movies from Earth? Well, they fucking well do. For months all I heard was how maybe for the sequel they could have me be his stunt double, or that they should paint me brown and make me a star. I began to get angry with the rabid little fucker. And he’s not even real! I was angry at a fucking comic book character.” I didn’t really know what else to say. “Good film though.” Remy stared at me. “You’re sort of missing the point of my anger, here.” “No, I get it. You know, even for my life it’s a little weird that I’m talking to a fox about how unhappy he is that people compared him to a raccoon in a science fiction film about a bunch of comic book characters saving the galaxy.” “When you put it like that, I sound downright silly.” “Yeah, wording, that’s the issue here.” Remy chuckled for a moment,

When you use more than 3-5% of your brain, you don't want to be on Earth!" -Bob Diamond, Interdimensional Attorney, from the Albert Brooks' movie, Defending Your Life

Traditionally, the needs of ethnically diverse consumers had been met by smaller companies—the equivalent, in movie terms, of independent filmmakers. In the seventies, Shindana introduced two Barbie-like fashion dolls: Malaika, taller and stouter than Barbie; and Career Girl Wanda, about three-quarters as tall as Barbie and as proportionately svelte. But in 1991, when Mattel brought out its "Shani" line—three Barbie-sized African-American dolls available with mahogany, tawny, or beige complexions— there could be no doubt that "politically correct" was profitable. "For six years, I had been preaching these demographics—showing pie charts of black kids under ten representing eighteen percent of the under-ten population and Hispanic kids representing sixteen percent—and nobody was interested," said Yla Eason, an African-American graduate of Harvard Business School who in 1985 founded Olmec Corporation, which makes dolls and action figures of color. "But when Mattel came out with those same demographics and said, 'Ethnically correct is the way,' it legitimatized our business." Some say that the toy industry's idea of "ethnically correct" doesn't go far enough, however. Ann duCille, chairman of the African-American Studies Program and an associate professor of English at Wesleyan University, is a severe critic. After studying representations of race in fashion dolls for over a year, she feels that the dolls reflect a sort of "easy pluralism." "I'm not sure I'd go so far as to say I'd rather see no black dolls than see something like Shani or Black Barbie," she told me, "but I would hope for something more—which is not about to happen." Nor is she wholly enamored of Imani and Melenik, Olmec's equivalent of Barbie and Ken. "Supposedly these are dolls for black kids to play with that look like them, when in fact they don't look like them. That's a problematic statement, of course, because there's no 'generic black kid.' But those dolls look too like Barbie for me. They have the same body type, the same long, straight hair—and I think it sends a problematic message to kids. It's about marketing, about business—so don't try to pass it off as being about the welfare of black children." Lisa Jones, an African-American writer who chronicled the introduction of Mattel's Shani dolls for the Village Voice, is less harsh. Too old to have played with Christie—Barbie's black friend, born in 1968—Jones recalls as a child having expressed annoyance with her white classmates by ripping the heads and arms off her two white Barbie dolls. Any fashion doll of color, she thinks, would have been better for her than those blondes. "Having been a little girl who grew up without the images," she told me, "I realize that however they fail to reach the Utopian mark, they're still useful.

The hot blond in shark movies always gets ripped to shreds.

In a straight up movie montage scene, ten things happened around me at once: someone pulled the broom from my hand, another person ripped the shirt off my head, a measuring tape appeared around my boobs, and two women crouched down in front of my legs. HEYO. “Nice tits,” one assistant said as she finished measuring my chest. “Uhh, thanks,” I replied as she ran in the opposite direction, having acquired the measurement she needed. “Is this your natural color?” a hairstylist asked as she ripped the hat and ponytail from my head.

The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.

She prays here, intercedes there, and brings hope, comfort, and a zest for life with her wherever she goes. And when, exhausted, she is all alone again in the evening, the only purpose of her tiny television is to link her up once more with the other children for whom she had no time that day. The clichés that politicians spout remind her how political prisoners are forced to endure the despotism of these men, and how the populace is turned into beasts of burden. Perversely violent movies make her ponder the people upon whom these crimes are inflicted, and in her nightly prayers she has a word or two for God about perversion, violence, and their innumerable victims—prostitutes and delinquents, her other brood, who have been dumped into the street and for whom her heart bleeds in compassion. Even in her delayed and furtive sleep, Auntie Roz is never cut off from her thousands of children: In her dreams she fights the crooked cops who, on every corner and for all to see, rip off her poor little public transportation drivers and street vendors and get away with it! She fights and fights, surrounded by angels with swords of light, striking the evildoers and liberating the virtuous, healing some and feeding others, until she wakes up, always with a start. And once she’s up, the first prayer is a new surge of inspiration to serve her youthful thousands. For them, Auntie Roz imagines a better world made up of small certainties, a world just livable enough for all of them as they wait for the Eden that’s far too long in coming and impossible to foresee honestly, at the center of a world that’s worse than hell and not even truthful enough to call itself by that name. With

I’m not a dress girl at all. I feel completely awkward and, honestly, not very beautiful wearing this purple dress and insanely high heels that Chloe and Rayne talked me into when we went dress shopping a few weeks ago. I really want to go home and throw on an old faded T-shirt and ripped jeans and curl up on the couch with a book or maybe watch a movie and binge on chocolate and ice cream.

The dialogue seems to have been ripped throbbing with passion from the pages of Investor’s Business Daily.

We advertise good friendships as part of the Complete Teenage Experience, because good friendships make for great stories. Content creators romanticize adolescent friendships the same way Hallmark movies treat love: there is a lid for every pot, a yin for every yang, and a savior for every screwup. Turn on any Netflix original movie about teenagers or read any great YA book, and you will see that the perfect sidekick (funny! supportive! quirky! endlessly loyal!) is a fixture in each teen’s life. In reality, middle school friendships play out less like Netflix originals, and more like those toy commercials that came on during Saturday morning cartoons when we were kids. As an only child, I remember yearning to have the same fun those kids were having, begging my parents for the Barbie Jeep or Hot Wheels Track until they gave in. But soon after ripping the toy from its packaging, I came to the stark realization that it was nothing like advertised. Those kids were only pretending to have fun, the set designers made the toys seem infinitely cooler than they actually were, and more often than not, we didn’t even have the right-sized batteries. What a colossal disappointment! Especially when those kids on TV looked like they were having the time of their lives.

HOLLYWOOD CAN NEVER BE ACCUSED of originality. If a movie is successful at the box office, it will be cloned in the form of sequels, remakes, even unauthorized rip-offs. When a producer, writer or director commits plagiarism it is affectionately called homage.

Being idle in such a miserable city cleared space in my head for a theater of memory, like choppy movie clips replaying over and over behind my eyes. They had begun to feel less like memories and more like talons ripping at my entrails.

The scene is an early example of a theme that preoccupied Lang throughout his career: the speed at which ordinary, law-abiding citizens can turn into a savage mob.

Shortly before Valentine’s Day in 1948, the two miscreants—posing as brother and sister-in-law—traveled to Royersford, Pennsylvania, to meet Ray’s latest mark, Esther M. Henne, a forty-one-year-old teacher at the Pennhurst Asylum for “feeble-minded” children.

One of our great problems today is that we have gotten caught up in our culture-wide quest for authenticity. We want our jeans authentic (pre-ripped at the factory), we want our apples authentic (grown locally instead of somewhere else), we want our music authentic (full of angst), we want our movies authentic (subtitles), and we want our coffee tables authentic (purchased from a genuine peasant while we were on some eco-tour), In short, we are a bunch of phonies. We are superficial all the way down

Because what would you rather read about: a swashbuckling starship captain? Or a being as incomprehensible to us as we are to an amoeba? To be fair, science fiction novels have been written about a future in which this transformation has occurred. And I could write one of these, as well. The problem is that for the most part, people like reading about other people. People who are like them. People who act and think like, you know . . . people. Even if we imagine a future society of omniscient beings, we wouldn’t have much of a story without conflict. Without passions and frailties and fear of death. And what kind of a story could an amoeba write about a man, anyway? I believe that after a few hundred years of riding up this hockey-stick of explosive technological growth, humanity can forge a utopian society whose citizens are nearly-omniscient and nearly-immortal. Governed by pure reason rather than petty human emotions. A society in which unrecognizable beings live in harmony, not driven by current human limitations and motivations. Wow. A novel about beings we can’t possibly relate to, residing on an intellectual plane of existence incomprehensible to us, without conflict or malice. I think I may have just described the most boring novel ever written. Despite what I believe to be true about the future, however, I have to admit something: I still can’t help myself. I love space opera. When the next Star Trek movie comes out, I’ll be the first one in line. Even though I’ll still believe that if our technology advances enough for starships, it will have advanced enough for us to have utterly transformed ourselves, as well. With apologies to Captain Kirk and his crew, Star Trek technology would never coexist with a humanity we can hope to understand, much as dinosaurs and people really didn’t roam the earth at the same time. But all of this being said, as a reader and viewer, I find it easy to suspend disbelief. Because I really, really love this stuff. As a writer, though, it is more difficult for me to turn a blind eye to what I believe will be the truth. But, hey, I’m only human. A current human. With all kinds of flaws. So maybe I can rationalize ignoring my beliefs long enough to write a rip-roaring science fiction adventure. I mean, it is fiction, right? And maybe dinosaurs and mankind did coexist. The Flintstones wouldn’t lie, would they?  So while the mind-blowing pace of scientific progress has ruined far-future science fiction for me, at least when it comes to the writing of it, I may not be able to help myself. I may love old-school science fiction too much to limit myself to near-future thrillers. One day, I may break down, fall off the wagon, and do what I vowed during my last Futurists Anonymous meeting never to do again: write far-future science fiction.  And if that day ever comes, all I ask is that you not judge me too harshly.

doctor’s white coat. Ripped from the victim no doubt. Gus hoped the person was dead at the time, and he hoped he wouldn’t remember any unpleasant sights yet to be discovered. He suffered during the nights when he was home, trying to sleep. Booze helped when he had it, and drank heavily when he did. It would knock him out and keep the nightmares at bay. Nightmares that brought their own private movies, with mouths full of rotting teeth. Gus took a breath and became still, listening for anything beyond the room. He moved to the doorway and glanced about. All clear. He possessed

When Rip Torn dies - heaven forbid - but when he dies, you'll only have to write RIP Torn.

You can’t mean to marry her!” Roslyn’s shrill voice rose. “Do you forget how she stole from you? That she tried to ruin your company? If you need any reminders, just look at the new hotels going up in Paris and Rome. Your hotels, Chrysander. Only they’re going up under your competitor’s name.” A haze blew through Marley’s mind. Red hot. Like a swarm of angry bees, tidbits of information began buzzing in her head. And suddenly it was as if a dam broke. The locked door in her mind that she’d tried so hard to budge simply opened, and the past came roaring through with vicious velocity. She swayed and gripped the door frame tighter. Nausea boiled in her stomach as each and every moment flashed like a movie in fast-forward. Chrysander’s angry accusation of thievery. His ordering her from their apartment, his life. Her abduction and the months she’d spent in hopeless fear, waiting for Chrysander to answer the ransom demands. Demands he’d ignored. Oh God, she was going to be sick. He’d left her. Discarded her like a piece of rubbish. The half million dollars, a paltry sum to a man of Chrysander’s means, was an amount he’d been unwilling to part with to ensure her return. Everything had been a lie. He’d lied to her nonstop since she’d awoken in the hospital. He didn’t love her or want her. He despised her. She hadn’t been worth half a million dollars to him. Pain splintered through her chest as she shattered. As everything she’d known as true suddenly turned black. Her heart withered and cracked, falling in pieces around her. He hadn’t tried to save her. The tortured cry that ripped from her mouth echoed through the room. She clamped a hand over her lips, but it was too late. Everyone looked her way. Theron flinched, and an odd discomfort settled over Piers’s face. She met Chrysander’s gaze, and she could see the truth in his eyes as he realized that she remembered.