“
Marco opened the walkway gate just as a sprightly grey lizard skittered across the stone path. A bougainvillea vine laden with a riot of purple blooms scaled the right side of the house, and the heady scent of gardenias saturated the air.
”
”
Margarita Barresi (A Delicate Marriage)
“
You know the old saying: 'one riot, one Ranger.'"
The saying stemmed from a legendary event in the past. A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his mano house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary figure.
They sent one Ranger?" he said incredulously. "One man?"
How many riots do you have?" the Ranger replied.
On this occasion, however, Duncan was not inclined to be swayed by a legend. "I have a new saying," he replied. "One daughter, two Rangers."
Two and a half," Will corrected him. The King couldn't help smiling at the eager young face before him.
Don't sell yourself short," he said. "Two and three-quarters.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
There were plotters, there was no doubt about it. Some had been ordinary people who'd had enough. Some were young people with no money who objected to the fact that the world was run by old people who were rich. Some were in it to get girls. And some had been idiots as mad as Swing, with a view of the world just as rigid and unreal, who were on the side of what they called 'the people'. Vimes had spent his life on the streets, and had met decent men and fools and people who'd steal a penny from a blind beggar and people who performed silent miracles or desperate crimes every day behind the grubby windows of little houses, but he'd never met The People.
People on the side of The People always ended up disappointed, in any case. They found that The People tended not to be grateful or appreciative or forward-thinking or obedient. The People tended to be small-minded and conservative and not very clever and were even distrustful of cleverness. And so the children of the revolution were faced with the age-old problem: it wasn't that you had the wrong kind of government, which was obvious, but that you had the wrong kind of people.
As soon as you saw people as things to be measured, they didn't measure up. What would run through the streets soon enough wouldn't be a revolution or a riot. It'd be people who were frightened and panicking. It was what happened when the machinery of city life faltered, the wheels stopped turning and all the little rules broke down. And when that happened, humans were worse than sheep. Sheep just ran; they didn't try to bite the sheep next to them.
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
Or maybe you’ll see that I am a monster. And maybe you’ll fall in love with me anyway.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
For somewhere," said Poirot to himself, indulging in an absolute riot of mixed metaphors, "there is in the hay a needle, and among the sleeping dogs there is one on whom I shall put my foot, and by shooting the arrows into the air, one will come down and hit a glass house!
”
”
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
“
You are going to be mine, Elodie Stillwater. Of all my sins and misdeeds, making you fall in love with me will be the very worst of them.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
In case you haven’t realized it yet, you are endgame for me, Elodie Stillwater. And everyone else in the entire world can go and eat a dick.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
A minor fief had risen up against their
cruel and avaricious lord, with hundreds of people surrounding his Manor house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary cowled figure.
'They sent one Ranger?' he said incredulously. 'One man?'
'How many riots do you have?' the Ranger replied.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
I care very deeply about your happiness. More than I should. I care about being personally responsible for your happiness, and that--” he shakes his head, “—is a confounding realization, believe me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
What do zombies chant at a riot?”
“Grrarphsnarg?” he asked, in a surprisingly well-done bit of mindless zombie imitating.
“No, but that was really good. Disconcertingly good.”
“I was deceased for a time.”
“True. But anyway, the rioters get all riled up, and they chant: ‘What do we want? Brains! When do we want them? Brains!’” I fell into a wave of appropriately boisterous laughter; Ethan seemed less impressed.
“I truly hope the stipend we pay you doesn’t get spent on the development of jokes like that.
”
”
Chloe Neill (House Rules (Chicagoland Vampires, #7))
“
There’s a very real danger that he’ll hold his cup to my lips, and I’ll drink down his poison like I’m dying and he’s the cure.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
In the last months of the war, when I raped in uniform – we were, by then, so full of death (and the destruction of everything we had and knew) that the act of love, even in travesty, felt like a spell against the riot of murder.
”
”
Martin Amis (House of Meetings)
“
I am besieged by you, and it fucking sucks. You’re in my head when I wake up. You’re in my head when I wander around this wretched place, and you’re still there, tormenting the ever-loving shit out of me when I close my eyes at night.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Sunflowers and seashells and logarithmic spirals (said Kerewin); sweep of galaxies and the singing curve of the universe (said Kerewin); the oscilating wave thrumming in the nothingness of every atom’s heart (said Kerewin); did you think I could build a square house? So the round shell house holds them all in its spiralling embrace. Noise and riot, peace and quiet, all is music in this sphere.
”
”
Keri Hulme (The Bone People)
“
A secret is a terrible and wonderful thing. It’s a flickering candle flame in your chest, warming you from the inside.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I always thought I'd find the ultimate happiness within the pages of a book. I've been so convinced of that fact that I devoted so much of my life disappearing inside them, searching for that which has always eluded me. I should have known I wouldn't find what I was looking for on ink and paper. Even the poets entrusted their foolish hearts into the hands of others.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Good poets bleed their pain out in their words. They capture the desolation and the hopelessness of life and transcribe it to paper in a way that makes you feel like your throat’s just been cut. It’s visceral. All troubled souls have a favorite poet.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Breathe,” I tell her. “Unless you’re into auto-erotic asphyxiation. In which case, carry on.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I’ve always been a depraved and dirty thing, Elodie Stillwater, but the idea of you has corrupted me to the point of insanity.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I haven’t lied to you. I never will. I’ll give you all my dark, ugly truths, even though they’ll frighten you, Little E.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Behind every action, every thought, and every word lies the nagging question: what would Elodie think of me if she could see me now?
It’s a burden, this shift in attitude. It doesn’t come naturally; it requires constant work, and the new restrictions I’ve placed upon myself chafe like nothing else.
She didn’t ask me to change.
She hasn’t really asked anything of me, but this gnawing desire to make her happy, to make her proud of me, is ever constant. For her, I want to be better than my soiled, rotten soul has ever been before.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Because I've found my person now. In case you haven't realized it yet, you are endgame for me, Elodie Stillwater.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I’m cursed with this bewildering fascination over you, and it’s really becoming… inconvenient, Stillwater.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
”
”
Paddy Chayefsky (Network [Screenplay])
“
A feather is a miraculous thing. So commonplace and every day, we barely even notice them poking out of our pillows, or caught on a gentle breeze, or bobbing along the surface of a lazy river, caught in the eddies and rushing vortexes as it’s swept downstream. But a feather is a feat of engineering. And this feather, the one that must have been slipped beneath my bedroom door, is a beautiful one to be sure.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
The principal advantages of living in your station’s section house is that it is cheap, close to work and it’s not your parents’ flat. The disadvantages are that you’re sharing your accommodation with people too weakly socialised to live with normal human beings, and who habitually wear heavy boots. The weak socialisation makes opening the fridge an exciting adventure in microbiology, and the boots mean that every shift change sounds like an avalanche.
”
”
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
“
And as the recession continues and our prospects look bleaker and bleaker, I’m excited. I look to the past to see what our future will be like. And in times of economic hardship and harsh governments, of pointless wars and mass unemployment, there was pop art and there was punk, there was hip hop and grafitti, there was acid house and riot grrrl. There was art and music and books that could bring you to your knees with their utter perfection. Because, when everything else is gone, all we’re left with is our imaginations.
”
”
Sarra Manning (Adorkable)
“
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
”
”
Anne Rivers Siddons (Colony)
“
You are going to be mine, Elodie Stillwater. Of all my sins and misdeeds, making you fall in love with me will be the very worst of them all.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I will not be the one to wreck Elodie. She’ll be the one to wreck me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
This girl has no idea the power she holds over me. She can't begin to imagine the lengths I will go to or the worlds I will burn down in my mission to make her happy.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I care very deeply about your happiness. More than I should. I care about being personally responsible for your happiness, and that—” he shakes his head, “—is a confounding realization, believe me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Why am I so dead set on her?
Because she’s innocent, and I’m not.
Because she’s wholesome, and I’m not.
Because she’s untainted, and I’m not.
And most importantly of all, because she’ll be so pretty when I make her cry.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
”
”
Luis Alberto Urrea (The House of Broken Angels)
“
For the author as for God, standing outwith his creation, all times are one; all times are now. In mine own country, we accept as due and right – as very meet, right, and our bounden duty – the downs and their orchids and butterflies, the woods and coppices, ash, beech, oak, and field maple, rowan, wild cherry, holly, and hazel, bluebells in their season and willow, alder, and poplar in the wetter ground. We accept as proper and unremarkable the badger and the squirrel, the roe deer and the rabbit, the fox and the pheasant, as the companions of our walks and days. We remark with pleasure, yet take as granted, the hedgerow and the garden, the riot of snowdrops, primroses, and cowslips, the bright flash of kingfishers, the dart of swallows and the peaceful homeliness of house martins, the soft nocturnal glimmer of glow worm and the silent nocturnal swoop of owl.
”
”
G.M.W. Wemyss
“
It’s nothing but a book. There’s nothing magical about it. Or…rather, it’s magical in the same way that all books are magical.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
We’re both so afraid of the ending before we’ve even truly arrived at the beginning, but there’s nothing either of us can do to stop this thing now.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Wren’s a barren wasteland, and I have no intention of wandering that wasteland, knowing I won’t find anything to nourish me there.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
First is a good start,” I rumble. “But I plan on being the only guy you love, Little E. Period. For the rest of time.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Many people in Nixon’s camp had genuine faith in affirmative action. It wasn’t designed to fail, but it wasn’t designed to succeed, either; the intent behind it was not rooted in a desire to help black people attain equal standing in society. It was riot insurance. It was a financial incentive for blacks to stay in their own communities and out of the suburbs.
”
”
Tanner Colby (Some of My Best Friends Are Black: The Strange Story of Integration in America)
“
See, last year a kid was murdered by a cop just a few streets away from my grandparents’ house. He was unarmed, but the grand jury decided not to charge the officer. There were riots and protests for weeks.
”
”
Angie Thomas (On the Come Up)
“
As Hoffa put it, “Nobody can describe the sit-down strikes, the riots, the fights that took place in the state of Michigan, particularly here in Detroit, unless they were a part of it.” And on another occasion he said, “My scalp was laid open sufficiently wide to require stitches no less than six times during the first year I was business agent of Local 299. I was beaten up by cops or strikebreakers at least two dozen times that year.” And
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
Sir Edmund’s home is an architectural grotesque, the ornate facade the unlikely union of a warship and a wedding cake. A riot of musket loops, carved shells, liquorice-twist chimneys, mock battlements, a first-floor prow, and an exuberance of portholes. On the carved stone pediment above the wide front door Neptune cavorts with sea nymphs. The lower-floor windows are festooned with theatrical swags of stone starfish and scallop shells. For all this, the house looks unlived in.
”
”
Jess Kidd (Things in Jars)
“
NOBODY LIKES a riot except looters and journalists. The Metropolitan Police, being the go-ahead and dynamic modern police service that it is, has any number of contingency plans for dealing with civil disturbance. From farmers with truckloads of manure to suburban anarchists on a weekend break and Saturday jihadists. What I suspect they didn’t have plans for was just over two thousand enraged opera lovers pouring out of the Royal Opera House and going on a mad rampage through Covent Garden.
”
”
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
“
I always thought I'd find ultimate happiness within the pages of a book. I've been so convinced of that fact that I've devoted so much of my life to disappearing inside them, searching for that which has always eluded me. I should have known that I wouldn't find what I was looking for on ink and paper. Even the poets entrusted their foolish hearts into the hands of others. Especially the poets. That was both their salvation and their ultimate downfall; without knowing the joy of loving another human being, they would never have been able to write about the soaring joy that always made my heartbeat quicken. And they'd never have been able to capture true desolation and sorrow without enduring the kind of suffering that can only come from lost love.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Seeing her this worked up has something inside me pulling taut like a bowstring until I feel like I can’t breathe around the wretchedness of it. I’m such a fucking joke. Once upon a time, I thought I wanted to hurt this girl. It’s karma that it hurts me more than I can bear to see her in distress.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Of course, you can’t literally think like this all the time, or you’d drive yourself crazy. And so for most lawyers, a house is, finally, just a house, something to fill and fix and repaint and empty. But there’s a period in which every law student—every good law student—finds that their vision shifts, somehow, and realizes that the law is inescapable, that no interaction, no aspect of daily life, escapes its long, graspy fingers. A street becomes a shocking disaster, a riot of violations and potential civil lawsuits. A marriage looks like a divorce. The world becomes temporarily unbearable. He
”
”
Hanya Yanagihara (A Little Life)
“
Tell me I’m wrong. You don’t imagine me. You’re not plagued by me day and night, the way I’m plagued by you. See, I have no problem with the truth. I made friends with it a long time ago. A lie only makes a fool of the liar. The truth always comes out. I am besieged by you, and it fucking sucks. You’re in my head when I wake up. You’re in my head when I wander around this wretched place, and you’re still there, tormenting the ever-loving shit out of my when I close my eyes at night.
…
“Fine. You’re right. I’m rotten and eaten up on the inside because of you. Is that what you want to hear? I let something spoiled and bad into my head, and now I can’t rid myself of it, and it’s festering away, driving me madder and madder by the day. Congratu-fucking-lations. I’m going against every ounce of common sense I own every damn day, and I’m making decisions I know are fucking stupid, and I can’t do anything about it! How fucked up is that!
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Someone has to champion us if the government won’t. During the Draft Riots back home, mobs attacked members of the race all over the city. They even burned down a Colored orphanage. Those who hate us have no shame, and if dragging them from their houses teaches them a lesson, I’m all for dragging them out every night until they learn.
”
”
Beverly Jenkins (Rebel (Women Who Dare, #1))
“
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
Gail told amusing stories about wildlife rescue and trying to bandage up an injured great blue heron. “I had to wear a welding face mask,” she said. “And if I’d had a riot shield, I’d have used it. Those beaks are like a spring-loaded javelin, and they’re never grateful.” She smiled fondly at the memory of a bird trying to put its beak through her eye.
”
”
T. Kingfisher (A House with Good Bones)
“
I told her stories. They were only a sentence long, each one of them. That’s all I knew how to find. So I told her broken stories. The little pieces of broken stories I could find. I told her what I could.
I told her that the Global Alliance had issued more warnings about the possibility of total war if their demands were not met. I told her that the Emperor Nero, from Rome, had a giant sea built where he could keep sea monsters and have naval battles staged for him. I told her that there had been rioting in malls all over America, and that no one knew why. I told her that the red-suited Santa Claus we know — the regular one? — was popularized by the Coca-Cola Company in the 1930s. I told her that the White House had not confirmed or denied reports that extensive bombing had started in major cities in South America.
I told her, “There’s an ancient saying in Japan, that life is like walking from one side of infinite darkness to another, on a bridge of dreams. They say that we’re all crossing the bridge of dreams together. That there’s nothing more than that. Just us, on the bridge of dreams.
”
”
M.T. Anderson (Feed)
“
Things like that might happen in the United States—anything can happen there, where the riot police shoot people and the crime rate is so high—but not here. Not on the Island, where there are so many trees and people don’t lock the door when they go out. Not in this country, familiar to her and drab, undramatic and flat. Not in her house, with the hens cooing peacefully in the yard.
”
”
Margaret Atwood (The Robber Bride)
“
Methinks I am a prophet new inspired
And thus expiring do foretell of him:
His rash fierce blaze of riot cannot last,
For violent fires soon burn out themselves;
Small showers last long, but sudden storms are short;
He tires betimes that spurs too fast betimes;
With eager feeding food doth choke the feeder:
Light vanity, insatiate cormorant,
Consuming means, soon preys upon itself.
This royal throne of kings, this scepter'd isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear'd by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry,
Of the world's ransom, blessed Mary's Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!
”
”
William Shakespeare (Richard II)
“
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box.
But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
”
”
Virginia Woolf (Flush)
“
Belial came last, than whom a spirit more lewd,
Fell not from Heaven, or more gross to love
Vice for itself: to him no temple stood
Or altar smoked; yet who more oft than he
In temples and at altars, when the priest
Turns atheist, as did Eli's sons, who filled
With lust and violence the house of God.
In courts and palaces he also reigns
And in luxurious cities, where the noise
Of riot ascends above their loftiest tow'rs
”
”
John Milton (Paradise Lost)
“
Rockweiler (nickname) has settled down over the years, he is a man mountain, he stands some six-and-a-half foot tall, and is round about eighteen or nineteen stones in weight. He too works in Barlinnie, this dog was responsible for giving the Wendy House seg unit the tough name tag, as he dished out the beatings to some very hard prisoners in the past. I can’t take that away from him, but he was a bit of a shit bag as well because he wore the full riot body armour when he offered to fight.
”
”
Stephen Richards (Scottish Hard Bastards)
“
A 1967 New York Times editorial declared Milwaukee “America’s most segregated city.” A supermajority in both houses had helped President Johnson pass the Civil Rights Act of 1964 and the Voting Rights Act of 1965, but legislators backed by real estate lobbies refused to get behind his open housing law, which would have criminalized housing discrimination. It took Martin Luther King Jr. being murdered on a Memphis balcony, and the riots that ensued, for Congress to include a real open housing measure later that year in the 1968 Civil Rights Act, commonly called the Fair Housing Act.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
O Tell Me The Truth About Love - Poem by WH Auden
Some say love's a little boy,
And some say it's a bird,
Some say it makes the world go round,
Some say that's absurd,
And when I asked the man next door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.
Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.
Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway guides.
Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.
I looked inside the summer-house;
It wasn't even there;
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.
Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.
When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.
”
”
W.H. Auden
“
Nothing today more clearly indicates the residue of racism still lodging in our society than the responses of white America to integrated housing. Here the tides of prejudice, fear and irrationality rise to flood proportions. This is not a new backlash caused by the Black Power movement; there had been no ominous riots in Watts when white Californians defeated a fair housing bill in 1964. The present resistance to open housing is based on the same premises that came into being to rationalize slavery. It is rooted in the fear that the alleged depravity or defective nature of the out-race will infiltrate the neighborhood of the in-race.
”
”
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community? (King Legacy Book 2))
“
when the riot controls had been put into effect, and a nervous white population was waiting, it took little to set it off. In Wichita, a few white youths drove down into the black area and simply fired off guns. This brought black people out of their houses; in rage at seeing the harassment, they hurled stones or sticks at a passing car, and the battle was on. In that particular instance the police arrested the five whites who were armed and twelve young black men who had only rocks and sticks. All were jailed. The next morning, all were released on bail, but the bail set for the five armed whites was only one-fifth the amount set for the twelve unarmed black students.
”
”
John Howard Griffin (Black Like Me)
“
One cannot argue with the President's position that riots are destructive or that they frighten away allies. Nor can one find fault with his sympathy for the plight of the poor; surely the poor need sympathy. But one can question whether the government has been working seriously enough to eliminate the conditions which lead to frustration-politics and riots. The President's very words, "all this takes time," will be understood by the poor for precisely what they are--an excuse instead of a real program, a cover-up for the failure to establish real priorities, and an indication that the administration has no real commitment to create new jobs, better housing, and integrated schools.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
I never met anybody who didn't like Rumours It got played a lot around my house in the year of 'Anarchy in the U.K.' and 'White Riot,' and I think the reason why so many people who got airsick of being in the same room with Eagle records might find songs like 'Dreams' bringing them to tears was that Fleetwood Mac transcended FM Hollywood, not only by playing and singing with open-eyed passion but by articulating the painful questions of love (and the real answers that hurt). 'Thunder only happens when it's raining/Players only love you when they're playing' may have been obvious, but that was its very purity: you had been there, and could remember all too well when you first learned you can't change anybody.
”
”
Lester Bangs (Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader)
“
I’d asked Tink about good fae when I got home. He’d been busy on my computer, creating If Daryl Dies We Riot memes. He’d genuinely appeared confused by my line of questioning. According to my pint-sized roommate, all fae were bad. There was no such thing as a good fae. Something had occurred to me while I’d watched him concentrate, the white glare from my computer lighting up his face. “Do you ever leave this house, Tink? Go anywhere?” He’d frowned up at me like I’d asked him why I should watch The Walking Dead. “Why would I leave? This place has everything I need, and if it doesn’t, I can order it from Amazon.” He’d paused. “Though, on second thought, we could use a live-in chef, because you can’t cook for shit.
”
”
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
“
I had forgotten to bring anything to read with me, so I passed the time waiting for my pizza by staring thoughtfully at the emptiness around me, sipping a glass of water and making up Scandinavian riddles –
Q. How many Swedes does it take to paint a wall?
A. Twenty-seven. One to do the painting and twenty-six to organize the spectators.
Q. What does a Norwegian do when he wants to get high?
A. He takes the filter off his cigarette.
Q. What is the quickest way in Sweden of getting the riot police to your house?
A. Don’t take your library book back on time.
Q. There are two staples in the Swedish diet. One is the herring. What is the other?
A. The herring.
Q. How do you recognize a Norwegian on a Mediterranean beach?
A. He’s the one in the snowshoes.
”
”
Bill Bryson (Neither Here nor There: Travels in Europe)
“
Once inside the hedge, the garden, though sleeping for the winter, nevertheless seemed to glimmer with hidden life. A winding flagstone path made its leisurely way to the door of the house, lined on both sides with tufts of sage, thyme, rosemary, and lavender, grayed with cold. In place of grass, the earth on either side of the path was a riot of plants in varying stages of hibernation and decay. To this side, the dried stalks of full-grown asparagus rustled together. In the far corner, their roots sunk into the wood of the house, an array of nightshades — tomato plants, dried and brown, the gnarled tangles of henbane and moonshade lying in wait for spring. The webbed vines overhead cast the garden in long blue shadow, blurred at the corners, hard to make out, and yet strangely the air inside the garden was not as bitingly cold as it was in the outside world.
”
”
Katherine Howe (The Daughters of Temperance Hobbs (The Physick Book, #2))
“
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.”
Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.”
Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.”
Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.”
Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.”
Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.”
The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.”
She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.”
(...)
“We are the ultimate expression of human rationality.”
She said: “We need humans to form a pool of individuality and innovation on which we can draw.”
He said, “And you’re funny.”
She said, “And we love you.
”
”
John C. Wright (The Phoenix Exultant (Golden Age, #2))
“
At this crisis certain inventions in machinery were introduced into the staple manufactures of the north, which, greatly reducing the number of hands necessary to be employed, threw thousands out of work, and left them without legitimate means of sustaining life. A bad harvest supervened. Distress reached its climax. Endurance, overgoaded, stretched the hand of fraternity to sedition. The throes of a sort of moral earthquake were felt heaving under the hills of the northern counties. But, as is usual in such cases, nobody took much notice. When a food-riot broke out in a manufacturing town, when a gig-mill was burnt to the ground, or a manufacturer’s house was attacked, the furniture thrown into the streets, and the family forced to flee for their lives, some local measures were or were not taken by the local magistracy. A ringleader was detected, or more frequently suffered to elude detection; newspaper paragraphs were written on the subject, and there the thing stopped. As to the sufferers, whose sole inheritance was labour, and who had lost that inheritance — who could not get work, and consequently could not get wages, and consequently could not get bread — they were left to suffer on, perhaps inevitably left. It
”
”
Charlotte Brontë (The Brontës Complete Works)
“
To Anita Pollitzer
Canyon, Texas
11 September 1916
Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it.
But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking —
The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —.
I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon —
Well I just sat there and had a great time all by myself — Not even many night noises — just the wind —
I wondered what you are doing —
It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home —
I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful —
Pat.
”
”
Georgia O'Keeffe
“
If administration actions are not to mock its own rhetoric, the President must now take the lead in mobilizing public opinion behind a new resolve to meet the crisis in our cities. He should now put before Congress a National Emergency Public Works and Reconstruction bill aimed at building housing for homeless victims of the riot-torn ghettos, repairing damaged public facilities, and in the process generating maximum employment opportunities for unskilled and semiskilled workers. Such a bill should be the first step in the imperative reconstruction of all our decaying center cities.
Admittedly, the prospects for passage of such a bill in the present Congress are dismal. Congressmen will cry out that the rioters must not be re-warded, thereby further penalizing the very victims of the riots. This, after all, is a Congress capable of defeating a meager $40 million rat extermination program the same week it votes $10 million for an aquarium in the District of Columbia!
But the vindictive racial meanness that has descended upon this Congress, already dominated by the revived coalition of Republicans and Dixiecrats, must be challenged—not accommodated. The President must go directly to the people, as Harry Truman did in 1948. He must go to them, not with slogans, but with a timetable for tearing down every slum in the country.
There can be no further delay. The daydreamers and utopians are not those of us who have prepared massive Freedom Budgets and similar programs. They are the smugly "practical" and myopic philistines in the Congress, the state legislatures, and the city halls who thought they could sit it out. The very practical choice now before them and the American people is whether we shall have a conscious and authentic democratic social revolution or more tragic and futile riots that tear our nation to shreds.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters. Whether or not you register for china, crystal, and silver does not matter. Whether or not you have a full set of Tiffany dessert forks on Thanksgiving does not matter. If you want to register for these things, by all means, go ahead. My Waterford pattern is Lismore, one of the oldest. I do remember one time when I had a harrowing day at the hospital, and Nick had a Rube Goldberg project due and needed my help, and Kevin was playing Quiet Riot at top decibel in his bedroom, and Margot was tying up the house phone, and you had been plunked by the babysitter in front of the TV for five hours, and I came home and took one of my Lismore goblets out of the cabinet. I wanted to smash it against the wall. But instead I filled it with cold white wine and for ten or so minutes I sat in the quiet of the formal living room all by myself and I drank the cold wine out of that beautiful glass crafted by some lovely Irishman, and I felt better. It was probably the wine, not the glass, but you get my meaning. I will remember the impressive heft of the glass in my hand, and the way the cut of the crystal caught the day’s last rays of sunlight, but I will not miss that glass the way I will miss the sound of the ocean, or the taste of fresh-picked corn.
”
”
Elin Hilderbrand (Beautiful Day)
“
Rebel
[Verse 1]
I don't give a fuck my brudda, I never have
I'm straight from the gutter my brudda, we never had
We living on a budget - holes in the rooftop
Room full of buckets, it's getting bad
Things could be worse I suppose, school trips, school kids
Cursing my clothes, is it the same in every house
When the curtains are closed? (daydreamin')
I'm in a world of my own (I ain't leavin')
It must be because I hate my reality
That's why I'm on the verge of embracing insanity
Put me in a padded room
Throw away the key and let me escape the anarchy
I can't take it, I turn my back on the world
I can't face it, Ray-Ban gang fam
Can't see my eyes cause I'm on my dark shades shit (Ray Charles)
[Bridge]
Black everything, you can ask David
Cameron if we're living in the dark ages
Black everything, you can ask David
Black everything, you can ask David
Black everything, you can ask David
Cameron if we're living in the dark ages
[Hook]
(It's a living hell) I'm a rebel
Always have been
Where I'm come from it's a mad ting
(It's a living hell) Standing in my Stan Smiths
Stamping on the canvas for action
(It's a living hell) All I acquired from the riot
Is people are sick and tired of being quiet
(It's a living hell) Dying to be heard
That's why there's fire in my words
[Verse 2]
I don't give a fuck my brudda, I never will
Straight from the gutter my brudda, rare real
We been living life like "fuck it", living life like there's nothing
To live for but the money, I'mma keep it 100
The hunger inside is what drives us
That's why there's youngers inside who are lifers
They say love is blind so you might just
Fall in love with them crimes that'll blind us
And I'd be lying if I said I wasn't out late
Around H, scales out, another ounce weighed
More pounds made, sounds great
Salts under my tongue, my mouth's laced
So many feds chasing me down, the ground shakes
Helicopters, bikes and cars chasing
So many officers behind, my heart's racing
[Bridge]
[Hook x2]
”
”
Ghetts
“
The appeasers had been powerful; they had controlled The Times and The BBC; they had been largely drawn from the upper classes, and their betrayal of England's greatness would be neither forgotten nor forgiven by those who, gulled by the mystique of England's class system, had believed as Englishmen had believed for generations that public school boys governed best. The appeasers destroyed oligarchic rule which, though levelers may protest, had long governed well. If ever men betrayed their class, these were they.
Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, Anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold all that had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.
”
”
William Manchester (The Last Lion: Winston Spencer Churchill: Alone, 1932-40)
“
The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.”
---
Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort.
---
Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.”
----
After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.
”
”
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
“
The White House espionage group was responsible for killing 28 Black Panthers and other minority leaders. They also were determined to exterminate leaders inside the prison. Eldridge Cleaver, writer and Panther, fled to Algeria to avoid a prison sentence. Alcohol, Tobacco and Firearms agents were making a deal with Sonny Barger, Hell’s Angels leader, to “bring Cleaver home dead in a box.” Larry Shears, the agent who exposed this arrangement, also revealed the plans of ATF to kill Cesar Chavez.47 This was at a time when John Caulfield and G. Gordon Liddy worked for the Treasury Department’s ATF. Tackwood stated at his 1971 press conference that the LAPD Criminal Conspiracy Section, with links to the CIA and FBI, had foreknowledge of the Judge Haley murder, Marin Courthouse shootout and the San Quentin killing of George Jackson. In line with murdering political leaders, writers and Black Panthers, George Jackson had been marked for death several years in advance of the shootout. Many prisoners were offered parole to kill or frame him. Refusal to comply brought more charges and punishments. Ronald Reagan, Governor of California, had information on the San Quentin killings on his desk four months in advance. But like other staged riots and acts of violence, this was meant to take place.
”
”
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
“
On the first day of the meeting that would become known as the United States Constitutional Convention, Edmund Randolph of Virginia kicked off the proceedings. Addressing his great fellow Virginian General George Washington, victorious hero of the War of Independence, who sat in the chair, Randolph hoped to convince delegates sent by seven, so far, of the thirteen states, with more on the way, to abandon the confederation formed by the states that had sent them—the union that had declared American independence from England and won the war—and to replace it with another form of government. “Our chief danger,” Randolph announced, “arises from the democratic parts of our constitutions.” This was in May of 1787, in Philadelphia, in the same ground-floor room of the Pennsylvania State House, borrowed from the Pennsylvania assembly, where in 1776 the Continental Congress had declared independence. Others in the room already agreed with Randolph: James Madison, also of Virginia; Robert Morris of Pennsylvania; Gouverneur Morris of New York and Pennsylvania; Alexander Hamilton of New York; Washington. They wanted the convention to institute a national government. As we know, their effort was a success. We often say the confederation was a weak government, the national government stronger. But the more important difference has to do with whom those governments acted on. The confederation acted on thirteen state legislatures. The nation would act on all American citizens, throughout all the states. That would be a mighty change. To persuade his fellow delegates to make it, Randolph was reeling off a list of what he said were potentially fatal problems, urgently in need, he said, of immediate repair. He reiterated what he called the chief threat to the country. “None of the constitutions”—he meant those of the states’ governments—“have provided sufficient checks against the democracy.” The term “democracy” could mean different things, sometimes even contradictory things, in 1787. People used it to mean “the mob,” which historians today would call “the crowd,” a movement of people denied other access to power, involving protest, riot, what recently has been called occupation, and often violence against people and property. But sometimes “democracy” just meant assertive lawmaking by a legislative body staffed by gentlemen highly sensitive to the desires of their genteel constituents. Men who condemned the working-class mob as a democracy sometimes prided themselves on being “democratical” in their own representative bodies. What Randolph meant that morning by “democracy” is clear. When he said “our chief danger arises from the democratic parts of our constitutions,” and “none of the constitutions have provided sufficient checks against the democracy,” he was speaking in a context of social and economic turmoil, pervading all thirteen states, which the other delegates were not only aware of but also had good reason to be urgently worried about. So familiar was the problem that Randolph would barely have had to explain it, and he didn’t explain it in detail. Yet he did say things whose context everyone there would already have understood.
”
”
William Hogeland (Founding Finance: How Debt, Speculation, Foreclosures, Protests, and Crackdowns Made Us a Nation (Discovering America))
“
Etienne’s son Paul, a surly fellow whose erratic conduct had probably provoked the riot which wiped out the family, was particularly a source of speculation; and though Providence never shared the witchcraft panics of her Puritan neighbours, it was freely intimated by old wives that his prayers were neither uttered at the proper time nor directed toward the proper object.
”
”
H.P. Lovecraft (The Shunned House)
“
I first heard of antisemitism only later, when my father told me how Oswald Mosley had fomented riots in the thirties by marching his paramilitary Fascist thugs called “Blackshirts” through Jewish districts in London’s East End. It disgusted him. Mosley’s line was that it was only “big Jews” he hated, not the “little Jews.” The “big Jews” were conspiring to get Britain into war with Germany, whereas the “little Jews” were harmless. But Mosley did nothing to stop his thugs from hurling bricks through the windows of humble houses displaying lighted Sabbath candles.
”
”
Phyllis Goldstein (A Convenient Hatred: The History of Antisemitism)
“
I went round the side of the house, and stared at the garden in horror. The ivy had almost taken over. There were still flowers in the borders, but weeds rioted everywhere, choking all the blooms. The stream still trickled in spite of vast tangles of waterweed. I followed it to the end of the garden. The little Japanese house was lurid green with moss. I sat on the cold seat and shut my eyes tight.
”
”
Jacqueline Wilson (Opal Plumstead)
“
The elder members of the family never failed to marvel at the attitude of the kids, how Big Angel was a rolling laugh riot to them, arbiter of bad jokes, spiritual insight, ice cream money, and shelter when they were bounced out of their houses or were let out of jail or rehab or needed to come in off the streets at midnight.
”
”
Luis Alberto Urrea (The House of Broken Angels)
“
We are ethnically Chinese—one of the ethnic and religious minority groups that face discrimination in Malaysia. When my father was a kid, his uncle, mother, and eldest sister were living in Kuala Lumpur when a race riot broke out, and hundreds of Chinese people were massacred. His sister left her office barely in time to find a safe house in a Chinese neighborhood, where the family hid for days—a friend with connections with the police had to bring them food so they wouldn’t go hungry.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Somewhere in the city of Vadodara, a young woman named Zaheera Sheikh stood on the balcony of her friend’s house and watched in helpless stupefaction all the members of her family along with a couple of their staff being engulfed by fires of hatred. Best Bakery which also served as their residence was in flames. It was locked from outside by some people whose slogans would remain beyond Zaheera Sheikh’s comprehension for years. The religious fervour of those slogans would go on scorching her in a different way even years after all her beloved people were interred.
”
”
Tomichan Matheikal (Black Hole)
“
It was a civics lesson which cities across the northern tier of the country would all learn in similar fashion. Dzink and his Polish supporters had, in good American fashion, convinced their elected representatives of the justice of their cause, only to have the federal government countermand their efforts with a combination of black intelligence operations directed against American citizens and overwhelming military force. The government’s actions in the Sojourner Truth case would also establish a precedent in both housing and racial matters for the post-war period. Whenever blacks claimed discrimination, they could be sure of the federal government’s concern. Whenever the Catholic ethnics
would claim that their neighborhoods were being targeted for destruction, they were written off as racists suffering from paranoid delusion. No matter how much clout the ethnics could muster locally, it could always be countered by some judge, appealing to higher moral principles. The same was true of Poles in Detroit, where “vested powers might have considered Polish Detroiters and neighborhood brokers expendable.” One year later when the worst race riot in the history of the country broke out in Detroit, the Poles again were blamed, but with the experience of Sojourner Truth behind them, Detroit’s residents were skeptical. “After the street battles of 1943,” Capeci writes, “Conant Gardens residents remembered ‘something funny’ about the 1942 housing controversy, something phoney that seemed to come from outside the neighborhood.” Residents of Chicago would soon notice the same thing.
”
”
E. Michael Jones (The Slaughter of Cities: Urban Renewal as Ethnic Cleansing)
“
And if McCloy couldn’t get government money to fund these operations, there were other options available to him. Toward the end of his tenure as high commissioner in Germany in the early 50s, McCloy wrote to the Ford Foundation mentioning Der Monat and asking them to “help to carry on certain operations which the future U.S. Embassy may find it difficult to continue, but which are of great significance to United States objectives in Germany.”
The Ford Foundation, we are told, “obliged.” Other organizations were happy to oblige as well. One of the things one notices in the reports on the housing riots in Chicago is that the reports which were filed by spies working for the Office of War Information and the Office of Facts and Figures during the war years started getting filed by spies working for the American Civil Liberties Union and the American Friends Service Committee once the war was over. This was precisely the devolution of government policy by “private” agency which McCloy was urging at the Ford Foundation, which would in turn become a major benefactor of the American Friends Service Committee, which in turn became a major player in disrupting ethnic neighborhoods in cities like Philadelphia, Chicago, Oakland, California and elsewhere by promoting racial “integration.
”
”
E. Michael Jones (The Slaughter of Cities: Urban Renewal as Ethnic Cleansing)
“
The Ferguson riots of 2014 immediately preceded the midterm elections, where the Republicans picked up a mindboggling sixty-three seats in the House and six seats in the Senate. (Fun fact: the Wikipedia entry is listed as “Ferguson unrest,” which is the leftist euphemism for rioting.)
”
”
Michael Malice (The New Right: A Journey to the Fringe of American Politics)
“
There are serious doubts that Meghan saw any violence, not even the minor looting in a store near the ABC studio. In her absence the riots spread to Sunset and Hollywood Boulevards. After five days the curfew was lifted and they returned to Los Angeles. Meghan drove past burnt-out buildings, though no houses near her home were damaged. More than 20 years later Meghan recalled a different experience: ‘I remember the curfew and I remember rushing back home and on that drive home, seeing ash fall from the sky and smelling the smoke and seeing it billow out of buildings and seeing people run out of buildings carrying bags and looting.’22 She also saw ‘men in the back of a van just holding guns and rifles’. Equally memorable was a familiar tree outside her father’s home ‘completely charred. And those memories don’t go away.’23
”
”
Tom Bower (Revenge: Meghan, Harry and the war between the Windsors)
“
In February 2022, in Nashville, Tennessee, Pastor Greg Locke accused six members of his Global Vision Bible Church of being quite literally “devil-worshipping Satanist witches,” two of them in the ladies’ Bible study group. In a video shared on social media, he screamed accusations of “pharmakeia” (witchcraft with drugs, poisons, and remedies), burning sage (a Native American cleansing practice), being Freemasons, and bewitching fellow worshippers. He has also made QAnon-inspired accusations that then House of Representatives speaker Nancy Pelosi was a “demon baby-killing pedophile” and former secretary of state and first lady Hillary Clinton a “high priestess in the Satanic church.” These claims were also made by those responsible for the Capitol riot of 2021 and an attack on Nancy Pelosi’s husband in 2022.
”
”
Marion Gibson (Witchcraft: A History in Thirteen Trials)
“
Then what are you afraid of? Monsters? Ghouls? Flesh-eating beasts?” “No,” I tell her, staring up at the house with a steely resolve. “I’m afraid of real life. The people who are supposed to care for you the most.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
She glares at me balefully, crossing her arms over her chest. “Are you insane? Have you lost your fucking mind?” “Better not curse so much in front of my father. He’s a republican. And a Christian.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and forever grew still…
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
A lie only makes a fool of the liar.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Elodie, child. Be extra careful of the handsome ones. They’ll trick you with their beauty, but it’s all a façade. Their eyes may peer into your soul, and their mouths may leave you breathless, but beneath their pleasing exterior lies a wickedness bestowed by Saint Nick himself. All good-looking men have been tapped on the shoulder by evil.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
The best butchers don’t scare the animals before they take them to the slaughter, Elodie. The fear taints the meat.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Catherine lived in a two-story Craftsman. It wasn’t much from the outside. No landscaping, a crumbling porch, paint chipping off the rails and trim. The windows couldn’t have done much to regulate the temperature. They had to be at least thirty years old, and only half had screens. This surprised me. Catherine was fastidious in all ways, but her house was a bit of a wreck. The neighborhood was all right. At least she wasn’t in imminent danger of being shot or mugged when she stepped outside. There were no cars in her driveway, so I wasn’t certain she was home. I reached for the doorbell but hesitated. Probably better to knock, just in case Josephine was sleeping. As I’d been told more than once, babies did a lot of that. It took a while. So long, I was about to give up when the door finally swung open. “Elliot?” Catherine stood in the open doorway, waiting for me to say something. The problem was, I’d been rendered speechless. The Catherine I knew was buttoned up to her neck, hair tied back, conservative, and almost modest in her style. The woman in front of me was barely dressed. Her shorts stopped at the top of thick, creamy, tattooed thighs. Her tank top didn’t cover any more of her. Her breasts nearly spilled out of the low neckline, belly button peeking out from the gap above her shorts. Her bare arms were covered in colorful tattoos from wrist to shoulder. Her hair, which was always tamed into submission, spilled around her shoulders and neck in a violent riot. It wasn’t curls like I’d always suspected, but wild, licking, wavy flames that shot out in all directions. I met her eyes, which were wide with alarm, and finally found my voice. “This isn’t what you look like.
”
”
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
“
up, going to the living room window, looking through the blinds to Earl’s place. At any moment, I expected to see a fleet of Ladas with Russian mobsters pull into the driveway, guns a-blazin’. Or maybe the cops, driving up on the lawn, pouring out of their cars in riot gear, guns drawn, surrounding the house. Tear gas is lobbed in. Men in gas masks break down the door, and moments later, Earl is dragged out by an officer on either side of him, thrown facedown onto the driveway, his hands cuffed together behind his back. Men in spacesuits start hauling out hundreds of plants and packing them into the back of a specially sealed van. But nothing like that happened. The housecoat
”
”
Linwood Barclay (Bad Move)
“
I’m going back in,” I said as I turned toward the door. Clay sprang to his feet before I reached it and crowded behind me. I looked down at him then back at Rachel, who watched us with an enormous grin. “Looks like another guy who can’t take his eyes off you. Living with you is going to be a riot.” She laughed and picked up the towels. “Let’s all go in. The neighbor’s tree is going to shade the deck soon anyway.” Having little choice, I opened the door for Clay. His fur brushed my bare thighs as he moved past me into the house. His head came to about my sternum. He really was huge...a huge problem. Sam had warned me Clay had taken my speech as an invitation to live together. At least, Clay had shown up in his fur. However, any relief I might have felt went unnoticed as I contemplated how he’d found me in a completely different state. If Sam told him, I’d have to kill Sam. Since I didn’t have the stomach for outright murder, I’d break his coffee maker. I
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
The Wall Street Journal (The Wall Street Journal) - Clip This Article on Location 1055 | Added on Tuesday, May 5, 2015 5:10:24 PM OPINION Baltimore Is Not About Race Government-induced dependency is the problem—and it’s one with a long history. By William McGurn | 801 words For those who see the rioting in Baltimore as primarily about race, two broad reactions dominate. One group sees rampaging young men fouling their own neighborhoods and concludes nothing can be done because the social pathologies are so overwhelming. In some cities, this view manifests itself in the unspoken but cynical policing that effectively cedes whole neighborhoods to the thugs. The other group tut-tuts about root causes. Take your pick: inequality, poverty, injustice. Or, as President Obama intimated in an ugly aside on the rioting, a Republican Congress that will never agree to the “massive investments” (in other words, billions more in federal spending) required “if we are serious about solving this problem.” There is another view. In this view, the disaster of inner cities isn’t primarily about race at all. It’s about the consequences of 50 years of progressive misrule—which on race has proved an equal-opportunity failure. Baltimore is but the latest liberal-blue city where government has failed to do the one thing it ought—i.e., put the cops on the side of the vulnerable and law-abiding—while pursuing “solutions” that in practice enfeeble families and social institutions and local economies. These supposed solutions do this by substituting federal transfers for fathers and families. They do it by favoring community organizing and government projects over private investment. And they do it by propping up failing public-school systems that operate as jobs programs for the teachers unions instead of centers of learning. If our inner-city African-American communities suffer disproportionately from crippling social pathologies that make upward mobility difficult—and they do—it is in large part because they have disproportionately been on the receiving end of this five-decade-long progressive experiment in government beneficence. How do we know? Because when we look at a slice of white America that was showered with the same Great Society good intentions—Appalachia—we find the same dysfunctions: greater dependency, more single-parent families and the absence of the good, private-sector jobs that only a growing economy can create. Remember, in the mid-1960s when President Johnson put a face on America’s “war on poverty,” he didn’t do it from an urban ghetto. He did it from the front porch of a shack in eastern Kentucky’s Martin County, where a white family of 10 eked out a subsistence living on an income of $400 a year. In many ways, rural Martin County and urban Baltimore could not be more different. Martin County is 92% white while Baltimore is two-thirds black. Each has seen important sources of good-paying jobs dry up—Martin County in coal mining, Baltimore in manufacturing. In the last presidential election, Martin Country voted 6 to 1 for Mitt Romney while Baltimore went 9 to 1 for Barack Obama. Yet the Great Society’s legacy has been depressingly similar. In a remarkable dispatch two years ago, the Lexington Herald-Leader’s John Cheves noted that the war on poverty sent $2.1 billion to Martin County alone (pop. 12,537) through programs including “welfare, food stamps, jobless benefits, disability compensation, school subsidies, affordable housing, worker training, economic development incentives, Head Start for poor children and expanded Social Security, Medicare and Medicaid.” The result? “The problem facing Appalachia today isn’t Third World poverty,” writes Mr. Cheves. “It’s dependence on government assistance.” Just one example: When Congress imposed work requirements and lifetime caps for welfare during the Clinton administration, claims of disability jumped. Mr. Cheves quotes
”
”
Anonymous
“
With the November election looming and the president’s campaign rhetoric about decimating al-Qaeda becoming laughable, the White House endeavored to defraud the American people into believing that the Benghazi massacre was not a terrorist operation foreseeably carried out by al-Qaeda affiliates on the eleventh anniversary of the 9/11 atrocities, but a spontaneous riot provoked by an anti-Muslim video.
”
”
Andrew McCarthy (Faithless Execution: Building the Political Case for Obama’s Impeachment)
“
Recent disclosures by some of the combatants about the night of the Benghazi attack remind us that almost everything Jay Carney, Susan Rice, Hillary Clinton, and President Obama swore in the aftermath of the debacle was knowingly false. A video did not cause the attack. The rioting was not spontaneous. A video-maker, an American resident, was soon jailed, while one of the suspected killers was giving taped interviews at a coffee house in Benghazi. There were ways of securing the consulate and the annex that were not explored, both before and during the assault. Talking points were altered. Again, the catalyst for untruth was reelection worries by an administration that believes its exalted ends of social justice allow any means necessary for reaching them.
”
”
Anonymous
“
There were history's gifts to my family-and if the resources of that grocer, the fruits of those riots, the possibilities of that culture, and the privileges of that skin tone had been extended to others, how many more would now live a life of fulfillment, in a beautiful house high on a hill?
”
”
Malcolm Gladwell (Outliers: The Story of Success)