“
Marco opened the walkway gate just as a sprightly grey lizard skittered across the stone path. A bougainvillea vine laden with a riot of purple blooms scaled the right side of the house, and the heady scent of gardenias saturated the air.
”
”
Margarita Barresi (A Delicate Marriage)
“
You know the old saying: 'one riot, one Ranger.'"
The saying stemmed from a legendary event in the past. A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his mano house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary figure.
They sent one Ranger?" he said incredulously. "One man?"
How many riots do you have?" the Ranger replied.
On this occasion, however, Duncan was not inclined to be swayed by a legend. "I have a new saying," he replied. "One daughter, two Rangers."
Two and a half," Will corrected him. The King couldn't help smiling at the eager young face before him.
Don't sell yourself short," he said. "Two and three-quarters.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
There were plotters, there was no doubt about it. Some had been ordinary people who'd had enough. Some were young people with no money who objected to the fact that the world was run by old people who were rich. Some were in it to get girls. And some had been idiots as mad as Swing, with a view of the world just as rigid and unreal, who were on the side of what they called 'the people'. Vimes had spent his life on the streets, and had met decent men and fools and people who'd steal a penny from a blind beggar and people who performed silent miracles or desperate crimes every day behind the grubby windows of little houses, but he'd never met The People.
People on the side of The People always ended up disappointed, in any case. They found that The People tended not to be grateful or appreciative or forward-thinking or obedient. The People tended to be small-minded and conservative and not very clever and were even distrustful of cleverness. And so the children of the revolution were faced with the age-old problem: it wasn't that you had the wrong kind of government, which was obvious, but that you had the wrong kind of people.
As soon as you saw people as things to be measured, they didn't measure up. What would run through the streets soon enough wouldn't be a revolution or a riot. It'd be people who were frightened and panicking. It was what happened when the machinery of city life faltered, the wheels stopped turning and all the little rules broke down. And when that happened, humans were worse than sheep. Sheep just ran; they didn't try to bite the sheep next to them.
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
Or maybe you’ll see that I am a monster. And maybe you’ll fall in love with me anyway.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
For somewhere," said Poirot to himself, indulging in an absolute riot of mixed metaphors, "there is in the hay a needle, and among the sleeping dogs there is one on whom I shall put my foot, and by shooting the arrows into the air, one will come down and hit a glass house!
”
”
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
“
You are going to be mine, Elodie Stillwater. Of all my sins and misdeeds, making you fall in love with me will be the very worst of them.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
In case you haven’t realized it yet, you are endgame for me, Elodie Stillwater. And everyone else in the entire world can go and eat a dick.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
A minor fief had risen up against their
cruel and avaricious lord, with hundreds of people surrounding his Manor house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary cowled figure.
'They sent one Ranger?' he said incredulously. 'One man?'
'How many riots do you have?' the Ranger replied.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
I care very deeply about your happiness. More than I should. I care about being personally responsible for your happiness, and that--” he shakes his head, “—is a confounding realization, believe me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
What do zombies chant at a riot?”
“Grrarphsnarg?” he asked, in a surprisingly well-done bit of mindless zombie imitating.
“No, but that was really good. Disconcertingly good.”
“I was deceased for a time.”
“True. But anyway, the rioters get all riled up, and they chant: ‘What do we want? Brains! When do we want them? Brains!’” I fell into a wave of appropriately boisterous laughter; Ethan seemed less impressed.
“I truly hope the stipend we pay you doesn’t get spent on the development of jokes like that.
”
”
Chloe Neill (House Rules (Chicagoland Vampires, #7))
“
There’s a very real danger that he’ll hold his cup to my lips, and I’ll drink down his poison like I’m dying and he’s the cure.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
In the last months of the war, when I raped in uniform – we were, by then, so full of death (and the destruction of everything we had and knew) that the act of love, even in travesty, felt like a spell against the riot of murder.
”
”
Martin Amis (House of Meetings)
“
I am besieged by you, and it fucking sucks. You’re in my head when I wake up. You’re in my head when I wander around this wretched place, and you’re still there, tormenting the ever-loving shit out of me when I close my eyes at night.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Sunflowers and seashells and logarithmic spirals (said Kerewin); sweep of galaxies and the singing curve of the universe (said Kerewin); the oscilating wave thrumming in the nothingness of every atom’s heart (said Kerewin); did you think I could build a square house? So the round shell house holds them all in its spiralling embrace. Noise and riot, peace and quiet, all is music in this sphere.
”
”
Keri Hulme (The Bone People)
“
A secret is a terrible and wonderful thing. It’s a flickering candle flame in your chest, warming you from the inside.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I always thought I'd find the ultimate happiness within the pages of a book. I've been so convinced of that fact that I devoted so much of my life disappearing inside them, searching for that which has always eluded me. I should have known I wouldn't find what I was looking for on ink and paper. Even the poets entrusted their foolish hearts into the hands of others.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Good poets bleed their pain out in their words. They capture the desolation and the hopelessness of life and transcribe it to paper in a way that makes you feel like your throat’s just been cut. It’s visceral. All troubled souls have a favorite poet.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Breathe,” I tell her. “Unless you’re into auto-erotic asphyxiation. In which case, carry on.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I haven’t lied to you. I never will. I’ll give you all my dark, ugly truths, even though they’ll frighten you, Little E.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I’ve always been a depraved and dirty thing, Elodie Stillwater, but the idea of you has corrupted me to the point of insanity.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Behind every action, every thought, and every word lies the nagging question: what would Elodie think of me if she could see me now?
It’s a burden, this shift in attitude. It doesn’t come naturally; it requires constant work, and the new restrictions I’ve placed upon myself chafe like nothing else.
She didn’t ask me to change.
She hasn’t really asked anything of me, but this gnawing desire to make her happy, to make her proud of me, is ever constant. For her, I want to be better than my soiled, rotten soul has ever been before.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Because I've found my person now. In case you haven't realized it yet, you are endgame for me, Elodie Stillwater.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I’m cursed with this bewildering fascination over you, and it’s really becoming… inconvenient, Stillwater.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
”
”
Paddy Chayefsky (Network [Screenplay])
“
A feather is a miraculous thing. So commonplace and every day, we barely even notice them poking out of our pillows, or caught on a gentle breeze, or bobbing along the surface of a lazy river, caught in the eddies and rushing vortexes as it’s swept downstream. But a feather is a feat of engineering. And this feather, the one that must have been slipped beneath my bedroom door, is a beautiful one to be sure.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
The principal advantages of living in your station’s section house is that it is cheap, close to work and it’s not your parents’ flat. The disadvantages are that you’re sharing your accommodation with people too weakly socialised to live with normal human beings, and who habitually wear heavy boots. The weak socialisation makes opening the fridge an exciting adventure in microbiology, and the boots mean that every shift change sounds like an avalanche.
”
”
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
“
And as the recession continues and our prospects look bleaker and bleaker, I’m excited. I look to the past to see what our future will be like. And in times of economic hardship and harsh governments, of pointless wars and mass unemployment, there was pop art and there was punk, there was hip hop and grafitti, there was acid house and riot grrrl. There was art and music and books that could bring you to your knees with their utter perfection. Because, when everything else is gone, all we’re left with is our imaginations.
”
”
Sarra Manning (Adorkable)
“
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
”
”
Anne Rivers Siddons (Colony)
“
You are going to be mine, Elodie Stillwater. Of all my sins and misdeeds, making you fall in love with me will be the very worst of them all.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
This girl has no idea the power she holds over me. She can't begin to imagine the lengths I will go to or the worlds I will burn down in my mission to make her happy.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I will not be the one to wreck Elodie. She’ll be the one to wreck me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I care very deeply about your happiness. More than I should. I care about being personally responsible for your happiness, and that—” he shakes his head, “—is a confounding realization, believe me.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Why am I so dead set on her?
Because she’s innocent, and I’m not.
Because she’s wholesome, and I’m not.
Because she’s untainted, and I’m not.
And most importantly of all, because she’ll be so pretty when I make her cry.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
”
”
Luis Alberto Urrea (The House of Broken Angels)
“
For the author as for God, standing outwith his creation, all times are one; all times are now. In mine own country, we accept as due and right – as very meet, right, and our bounden duty – the downs and their orchids and butterflies, the woods and coppices, ash, beech, oak, and field maple, rowan, wild cherry, holly, and hazel, bluebells in their season and willow, alder, and poplar in the wetter ground. We accept as proper and unremarkable the badger and the squirrel, the roe deer and the rabbit, the fox and the pheasant, as the companions of our walks and days. We remark with pleasure, yet take as granted, the hedgerow and the garden, the riot of snowdrops, primroses, and cowslips, the bright flash of kingfishers, the dart of swallows and the peaceful homeliness of house martins, the soft nocturnal glimmer of glow worm and the silent nocturnal swoop of owl.
”
”
G.M.W. Wemyss
“
We’re both so afraid of the ending before we’ve even truly arrived at the beginning, but there’s nothing either of us can do to stop this thing now.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
First is a good start,” I rumble. “But I plan on being the only guy you love, Little E. Period. For the rest of time.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
It’s nothing but a book. There’s nothing magical about it. Or…rather, it’s magical in the same way that all books are magical.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Wren’s a barren wasteland, and I have no intention of wandering that wasteland, knowing I won’t find anything to nourish me there.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Many people in Nixon’s camp had genuine faith in affirmative action. It wasn’t designed to fail, but it wasn’t designed to succeed, either; the intent behind it was not rooted in a desire to help black people attain equal standing in society. It was riot insurance. It was a financial incentive for blacks to stay in their own communities and out of the suburbs.
”
”
Tanner Colby (Some of My Best Friends Are Black: The Strange Story of Integration in America)
“
See, last year a kid was murdered by a cop just a few streets away from my grandparents’ house. He was unarmed, but the grand jury decided not to charge the officer. There were riots and protests for weeks.
”
”
Angie Thomas (On the Come Up)
“
As Hoffa put it, “Nobody can describe the sit-down strikes, the riots, the fights that took place in the state of Michigan, particularly here in Detroit, unless they were a part of it.” And on another occasion he said, “My scalp was laid open sufficiently wide to require stitches no less than six times during the first year I was business agent of Local 299. I was beaten up by cops or strikebreakers at least two dozen times that year.” And
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
Sir Edmund’s home is an architectural grotesque, the ornate facade the unlikely union of a warship and a wedding cake. A riot of musket loops, carved shells, liquorice-twist chimneys, mock battlements, a first-floor prow, and an exuberance of portholes. On the carved stone pediment above the wide front door Neptune cavorts with sea nymphs. The lower-floor windows are festooned with theatrical swags of stone starfish and scallop shells. For all this, the house looks unlived in.
”
”
Jess Kidd (Things in Jars)
“
NOBODY LIKES a riot except looters and journalists. The Metropolitan Police, being the go-ahead and dynamic modern police service that it is, has any number of contingency plans for dealing with civil disturbance. From farmers with truckloads of manure to suburban anarchists on a weekend break and Saturday jihadists. What I suspect they didn’t have plans for was just over two thousand enraged opera lovers pouring out of the Royal Opera House and going on a mad rampage through Covent Garden.
”
”
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
“
I always thought I'd find ultimate happiness within the pages of a book. I've been so convinced of that fact that I've devoted so much of my life to disappearing inside them, searching for that which has always eluded me. I should have known that I wouldn't find what I was looking for on ink and paper. Even the poets entrusted their foolish hearts into the hands of others. Especially the poets. That was both their salvation and their ultimate downfall; without knowing the joy of loving another human being, they would never have been able to write about the soaring joy that always made my heartbeat quicken. And they'd never have been able to capture true desolation and sorrow without enduring the kind of suffering that can only come from lost love.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Seeing her this worked up has something inside me pulling taut like a bowstring until I feel like I can’t breathe around the wretchedness of it. I’m such a fucking joke. Once upon a time, I thought I wanted to hurt this girl. It’s karma that it hurts me more than I can bear to see her in distress.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Of course, you can’t literally think like this all the time, or you’d drive yourself crazy. And so for most lawyers, a house is, finally, just a house, something to fill and fix and repaint and empty. But there’s a period in which every law student—every good law student—finds that their vision shifts, somehow, and realizes that the law is inescapable, that no interaction, no aspect of daily life, escapes its long, graspy fingers. A street becomes a shocking disaster, a riot of violations and potential civil lawsuits. A marriage looks like a divorce. The world becomes temporarily unbearable. He
”
”
Hanya Yanagihara (A Little Life)
“
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
Tell me I’m wrong. You don’t imagine me. You’re not plagued by me day and night, the way I’m plagued by you. See, I have no problem with the truth. I made friends with it a long time ago. A lie only makes a fool of the liar. The truth always comes out. I am besieged by you, and it fucking sucks. You’re in my head when I wake up. You’re in my head when I wander around this wretched place, and you’re still there, tormenting the ever-loving shit out of my when I close my eyes at night.
…
“Fine. You’re right. I’m rotten and eaten up on the inside because of you. Is that what you want to hear? I let something spoiled and bad into my head, and now I can’t rid myself of it, and it’s festering away, driving me madder and madder by the day. Congratu-fucking-lations. I’m going against every ounce of common sense I own every damn day, and I’m making decisions I know are fucking stupid, and I can’t do anything about it! How fucked up is that!
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Methinks I am a prophet new inspired
And thus expiring do foretell of him:
His rash fierce blaze of riot cannot last,
For violent fires soon burn out themselves;
Small showers last long, but sudden storms are short;
He tires betimes that spurs too fast betimes;
With eager feeding food doth choke the feeder:
Light vanity, insatiate cormorant,
Consuming means, soon preys upon itself.
This royal throne of kings, this scepter'd isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear'd by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry,
Of the world's ransom, blessed Mary's Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!
”
”
William Shakespeare (Richard II)
“
Someone has to champion us if the government won’t. During the Draft Riots back home, mobs attacked members of the race all over the city. They even burned down a Colored orphanage. Those who hate us have no shame, and if dragging them from their houses teaches them a lesson, I’m all for dragging them out every night until they learn.
”
”
Beverly Jenkins (Rebel (Women Who Dare, #1))
“
Gail told amusing stories about wildlife rescue and trying to bandage up an injured great blue heron. “I had to wear a welding face mask,” she said. “And if I’d had a riot shield, I’d have used it. Those beaks are like a spring-loaded javelin, and they’re never grateful.” She smiled fondly at the memory of a bird trying to put its beak through her eye.
”
”
T. Kingfisher (A House with Good Bones)
“
I told her stories. They were only a sentence long, each one of them. That’s all I knew how to find. So I told her broken stories. The little pieces of broken stories I could find. I told her what I could.
I told her that the Global Alliance had issued more warnings about the possibility of total war if their demands were not met. I told her that the Emperor Nero, from Rome, had a giant sea built where he could keep sea monsters and have naval battles staged for him. I told her that there had been rioting in malls all over America, and that no one knew why. I told her that the red-suited Santa Claus we know — the regular one? — was popularized by the Coca-Cola Company in the 1930s. I told her that the White House had not confirmed or denied reports that extensive bombing had started in major cities in South America.
I told her, “There’s an ancient saying in Japan, that life is like walking from one side of infinite darkness to another, on a bridge of dreams. They say that we’re all crossing the bridge of dreams together. That there’s nothing more than that. Just us, on the bridge of dreams.
”
”
M.T. Anderson (Feed)
“
Etienne’s son Paul, a surly fellow whose erratic conduct had probably provoked the riot which wiped out the family, was particularly a source of speculation; and though Providence never shared the witchcraft panics of her Puritan neighbours, it was freely intimated by old wives that his prayers were neither uttered at the proper time nor directed toward the proper object.
”
”
H.P. Lovecraft (The Shunned House)
“
Things like that might happen in the United States—anything can happen there, where the riot police shoot people and the crime rate is so high—but not here. Not on the Island, where there are so many trees and people don’t lock the door when they go out. Not in this country, familiar to her and drab, undramatic and flat. Not in her house, with the hens cooing peacefully in the yard.
”
”
Margaret Atwood (The Robber Bride)
“
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box.
But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
”
”
Virginia Woolf (Flush)
“
Belial came last, than whom a spirit more lewd,
Fell not from Heaven, or more gross to love
Vice for itself: to him no temple stood
Or altar smoked; yet who more oft than he
In temples and at altars, when the priest
Turns atheist, as did Eli's sons, who filled
With lust and violence the house of God.
In courts and palaces he also reigns
And in luxurious cities, where the noise
Of riot ascends above their loftiest tow'rs
”
”
John Milton (Paradise Lost)
“
Rockweiler (nickname) has settled down over the years, he is a man mountain, he stands some six-and-a-half foot tall, and is round about eighteen or nineteen stones in weight. He too works in Barlinnie, this dog was responsible for giving the Wendy House seg unit the tough name tag, as he dished out the beatings to some very hard prisoners in the past. I can’t take that away from him, but he was a bit of a shit bag as well because he wore the full riot body armour when he offered to fight.
”
”
Stephen Richards (Scottish Hard Bastards)
“
All they have touched or seen they make their own,
In Nature’s basement lodge, mind’s passages fill,
Disrupt thought’s links and musing sequences,
Break through the soul’s stillness with a noise and cry
Or they call the inhabitants of the abyss,
Invite the instincts to forbidden joys,
A laughter wake of dread demoniac mirth
And with nether riot and revel shake life’s floor.
Impotent to quell his terrible prisoners
Appalled the householder helpless sits above,
Taken from him his house is his no more.
07.02_117:032-033
”
”
Sri Aurobindo (Savitri: A Legend and a Symbol)
“
A 1967 New York Times editorial declared Milwaukee “America’s most segregated city.” A supermajority in both houses had helped President Johnson pass the Civil Rights Act of 1964 and the Voting Rights Act of 1965, but legislators backed by real estate lobbies refused to get behind his open housing law, which would have criminalized housing discrimination. It took Martin Luther King Jr. being murdered on a Memphis balcony, and the riots that ensued, for Congress to include a real open housing measure later that year in the 1968 Civil Rights Act, commonly called the Fair Housing Act.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
O Tell Me The Truth About Love - Poem by WH Auden
Some say love's a little boy,
And some say it's a bird,
Some say it makes the world go round,
Some say that's absurd,
And when I asked the man next door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.
Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.
Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway guides.
Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.
I looked inside the summer-house;
It wasn't even there;
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.
Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.
When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.
”
”
W.H. Auden
“
Nothing today more clearly indicates the residue of racism still lodging in our society than the responses of white America to integrated housing. Here the tides of prejudice, fear and irrationality rise to flood proportions. This is not a new backlash caused by the Black Power movement; there had been no ominous riots in Watts when white Californians defeated a fair housing bill in 1964. The present resistance to open housing is based on the same premises that came into being to rationalize slavery. It is rooted in the fear that the alleged depravity or defective nature of the out-race will infiltrate the neighborhood of the in-race.
”
”
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community? (King Legacy Book 2))
“
When we arrived at the small clearing overlooking the valley, the scene was breathtaking. Wildflowers dotted the hillside in a riot of color. The light was golden and buttery, the kind of light photographers dream about. It should have been perfect. Ruby’s eyes were darting around the clearing, her gaze sharp and assessing. When they landed on Dwight, our three-year-old Cavapoo, her lip curled in distaste. He was sitting at Kevin’s feet, his tongue lolling happily, his tail thumping against the ground in a steady rhythm, oblivious to the crackle of unspoken anger in the air. “I don’t want him in my pictures,” Ruby said. “He’s not part of the family; he’s a dog.
”
”
Shari Franke (The House of My Mother: A Daughter's Quest for Freedom)
“
when the riot controls had been put into effect, and a nervous white population was waiting, it took little to set it off. In Wichita, a few white youths drove down into the black area and simply fired off guns. This brought black people out of their houses; in rage at seeing the harassment, they hurled stones or sticks at a passing car, and the battle was on. In that particular instance the police arrested the five whites who were armed and twelve young black men who had only rocks and sticks. All were jailed. The next morning, all were released on bail, but the bail set for the five armed whites was only one-fifth the amount set for the twelve unarmed black students.
”
”
John Howard Griffin (Black Like Me)
“
One cannot argue with the President's position that riots are destructive or that they frighten away allies. Nor can one find fault with his sympathy for the plight of the poor; surely the poor need sympathy. But one can question whether the government has been working seriously enough to eliminate the conditions which lead to frustration-politics and riots. The President's very words, "all this takes time," will be understood by the poor for precisely what they are--an excuse instead of a real program, a cover-up for the failure to establish real priorities, and an indication that the administration has no real commitment to create new jobs, better housing, and integrated schools.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
I never met anybody who didn't like Rumours It got played a lot around my house in the year of 'Anarchy in the U.K.' and 'White Riot,' and I think the reason why so many people who got airsick of being in the same room with Eagle records might find songs like 'Dreams' bringing them to tears was that Fleetwood Mac transcended FM Hollywood, not only by playing and singing with open-eyed passion but by articulating the painful questions of love (and the real answers that hurt). 'Thunder only happens when it's raining/Players only love you when they're playing' may have been obvious, but that was its very purity: you had been there, and could remember all too well when you first learned you can't change anybody.
”
”
Lester Bangs (Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader)
“
I’d asked Tink about good fae when I got home. He’d been busy on my computer, creating If Daryl Dies We Riot memes. He’d genuinely appeared confused by my line of questioning. According to my pint-sized roommate, all fae were bad. There was no such thing as a good fae. Something had occurred to me while I’d watched him concentrate, the white glare from my computer lighting up his face. “Do you ever leave this house, Tink? Go anywhere?” He’d frowned up at me like I’d asked him why I should watch The Walking Dead. “Why would I leave? This place has everything I need, and if it doesn’t, I can order it from Amazon.” He’d paused. “Though, on second thought, we could use a live-in chef, because you can’t cook for shit.
”
”
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
“
I had forgotten to bring anything to read with me, so I passed the time waiting for my pizza by staring thoughtfully at the emptiness around me, sipping a glass of water and making up Scandinavian riddles –
Q. How many Swedes does it take to paint a wall?
A. Twenty-seven. One to do the painting and twenty-six to organize the spectators.
Q. What does a Norwegian do when he wants to get high?
A. He takes the filter off his cigarette.
Q. What is the quickest way in Sweden of getting the riot police to your house?
A. Don’t take your library book back on time.
Q. There are two staples in the Swedish diet. One is the herring. What is the other?
A. The herring.
Q. How do you recognize a Norwegian on a Mediterranean beach?
A. He’s the one in the snowshoes.
”
”
Bill Bryson (Neither Here nor There: Travels in Europe)
“
Once inside the hedge, the garden, though sleeping for the winter, nevertheless seemed to glimmer with hidden life. A winding flagstone path made its leisurely way to the door of the house, lined on both sides with tufts of sage, thyme, rosemary, and lavender, grayed with cold. In place of grass, the earth on either side of the path was a riot of plants in varying stages of hibernation and decay. To this side, the dried stalks of full-grown asparagus rustled together. In the far corner, their roots sunk into the wood of the house, an array of nightshades — tomato plants, dried and brown, the gnarled tangles of henbane and moonshade lying in wait for spring. The webbed vines overhead cast the garden in long blue shadow, blurred at the corners, hard to make out, and yet strangely the air inside the garden was not as bitingly cold as it was in the outside world.
”
”
Katherine Howe (The Daughters of Temperance Hobbs (The Physick Book, #2))
“
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.”
Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.”
Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.”
Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.”
Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.”
Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.”
The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.”
She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.”
(...)
“We are the ultimate expression of human rationality.”
She said: “We need humans to form a pool of individuality and innovation on which we can draw.”
He said, “And you’re funny.”
She said, “And we love you.
”
”
John C. Wright (The Phoenix Exultant (Golden Age, #2))
“
At this crisis certain inventions in machinery were introduced into the staple manufactures of the north, which, greatly reducing the number of hands necessary to be employed, threw thousands out of work, and left them without legitimate means of sustaining life. A bad harvest supervened. Distress reached its climax. Endurance, overgoaded, stretched the hand of fraternity to sedition. The throes of a sort of moral earthquake were felt heaving under the hills of the northern counties. But, as is usual in such cases, nobody took much notice. When a food-riot broke out in a manufacturing town, when a gig-mill was burnt to the ground, or a manufacturer’s house was attacked, the furniture thrown into the streets, and the family forced to flee for their lives, some local measures were or were not taken by the local magistracy. A ringleader was detected, or more frequently suffered to elude detection; newspaper paragraphs were written on the subject, and there the thing stopped. As to the sufferers, whose sole inheritance was labour, and who had lost that inheritance — who could not get work, and consequently could not get wages, and consequently could not get bread — they were left to suffer on, perhaps inevitably left. It
”
”
Charlotte Brontë (The Brontës Complete Works)
“
To Anita Pollitzer
Canyon, Texas
11 September 1916
Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it.
But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking —
The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —.
I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon —
Well I just sat there and had a great time all by myself — Not even many night noises — just the wind —
I wondered what you are doing —
It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home —
I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful —
Pat.
”
”
Georgia O'Keeffe
“
If administration actions are not to mock its own rhetoric, the President must now take the lead in mobilizing public opinion behind a new resolve to meet the crisis in our cities. He should now put before Congress a National Emergency Public Works and Reconstruction bill aimed at building housing for homeless victims of the riot-torn ghettos, repairing damaged public facilities, and in the process generating maximum employment opportunities for unskilled and semiskilled workers. Such a bill should be the first step in the imperative reconstruction of all our decaying center cities.
Admittedly, the prospects for passage of such a bill in the present Congress are dismal. Congressmen will cry out that the rioters must not be re-warded, thereby further penalizing the very victims of the riots. This, after all, is a Congress capable of defeating a meager $40 million rat extermination program the same week it votes $10 million for an aquarium in the District of Columbia!
But the vindictive racial meanness that has descended upon this Congress, already dominated by the revived coalition of Republicans and Dixiecrats, must be challenged—not accommodated. The President must go directly to the people, as Harry Truman did in 1948. He must go to them, not with slogans, but with a timetable for tearing down every slum in the country.
There can be no further delay. The daydreamers and utopians are not those of us who have prepared massive Freedom Budgets and similar programs. They are the smugly "practical" and myopic philistines in the Congress, the state legislatures, and the city halls who thought they could sit it out. The very practical choice now before them and the American people is whether we shall have a conscious and authentic democratic social revolution or more tragic and futile riots that tear our nation to shreds.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters. Whether or not you register for china, crystal, and silver does not matter. Whether or not you have a full set of Tiffany dessert forks on Thanksgiving does not matter. If you want to register for these things, by all means, go ahead. My Waterford pattern is Lismore, one of the oldest. I do remember one time when I had a harrowing day at the hospital, and Nick had a Rube Goldberg project due and needed my help, and Kevin was playing Quiet Riot at top decibel in his bedroom, and Margot was tying up the house phone, and you had been plunked by the babysitter in front of the TV for five hours, and I came home and took one of my Lismore goblets out of the cabinet. I wanted to smash it against the wall. But instead I filled it with cold white wine and for ten or so minutes I sat in the quiet of the formal living room all by myself and I drank the cold wine out of that beautiful glass crafted by some lovely Irishman, and I felt better. It was probably the wine, not the glass, but you get my meaning. I will remember the impressive heft of the glass in my hand, and the way the cut of the crystal caught the day’s last rays of sunlight, but I will not miss that glass the way I will miss the sound of the ocean, or the taste of fresh-picked corn.
”
”
Elin Hilderbrand (Beautiful Day)
“
Rebel
[Verse 1]
I don't give a fuck my brudda, I never have
I'm straight from the gutter my brudda, we never had
We living on a budget - holes in the rooftop
Room full of buckets, it's getting bad
Things could be worse I suppose, school trips, school kids
Cursing my clothes, is it the same in every house
When the curtains are closed? (daydreamin')
I'm in a world of my own (I ain't leavin')
It must be because I hate my reality
That's why I'm on the verge of embracing insanity
Put me in a padded room
Throw away the key and let me escape the anarchy
I can't take it, I turn my back on the world
I can't face it, Ray-Ban gang fam
Can't see my eyes cause I'm on my dark shades shit (Ray Charles)
[Bridge]
Black everything, you can ask David
Cameron if we're living in the dark ages
Black everything, you can ask David
Black everything, you can ask David
Black everything, you can ask David
Cameron if we're living in the dark ages
[Hook]
(It's a living hell) I'm a rebel
Always have been
Where I'm come from it's a mad ting
(It's a living hell) Standing in my Stan Smiths
Stamping on the canvas for action
(It's a living hell) All I acquired from the riot
Is people are sick and tired of being quiet
(It's a living hell) Dying to be heard
That's why there's fire in my words
[Verse 2]
I don't give a fuck my brudda, I never will
Straight from the gutter my brudda, rare real
We been living life like "fuck it", living life like there's nothing
To live for but the money, I'mma keep it 100
The hunger inside is what drives us
That's why there's youngers inside who are lifers
They say love is blind so you might just
Fall in love with them crimes that'll blind us
And I'd be lying if I said I wasn't out late
Around H, scales out, another ounce weighed
More pounds made, sounds great
Salts under my tongue, my mouth's laced
So many feds chasing me down, the ground shakes
Helicopters, bikes and cars chasing
So many officers behind, my heart's racing
[Bridge]
[Hook x2]
”
”
Ghetts
“
The appeasers had been powerful; they had controlled The Times and The BBC; they had been largely drawn from the upper classes, and their betrayal of England's greatness would be neither forgotten nor forgiven by those who, gulled by the mystique of England's class system, had believed as Englishmen had believed for generations that public school boys governed best. The appeasers destroyed oligarchic rule which, though levelers may protest, had long governed well. If ever men betrayed their class, these were they.
Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, Anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold all that had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.
”
”
William Manchester (The Last Lion: Winston Spencer Churchill: Alone, 1932-40)
“
Solemnly, for once looking a little awed, a little like a small-town boy on Broadway, Windrip took the oath, administered by the Chief Justice (who disliked him very much indeed) and, edging even closer to the microphone, squawked, "My fellow citizens, as the President of the United States of America, I want to inform you that the real New Deal has started right this minute, and we're all going to enjoy the manifold liberties to which our history entitles us—and have a whale of a good time doing it! I thank you!"
That was his first act as President. His second was to take up residence in the White House, where he sat down in the East Room in his stocking feet and shouted at Lee Sarason, "This is what I've been planning to do now for six years! I bet this is what Lincoln used to do! Now let 'em assassinate me!"
His third, in his role as Commander-in-Chief of the Army, was to order that the Minute Men be recognized as an unpaid but official auxiliary of the Regular Army, subject only to their own officers, to Buzz, and to High Marshal Sarason; and that rifles, bayonets, automatic pistols, and machine guns be instantly issued to them by government arsenals. That was at 4 P.M. Since 3 P.M., all over the country, bands of M.M.'s had been sitting gloating over pistols and guns, twitching with desire to seize them.
Fourth coup was a special message, next morning, to Congress (in session since January fourth, the third having been a Sunday), demanding the instant passage of a bill embodying Point Fifteen of his election platform—that he should have complete control of legislation and execution, and the Supreme Court be rendered incapable of blocking anything that it might amuse him to do.
By Joint Resolution, with less than half an hour of debate, both houses of Congress rejected that demand before 3 P.M., on January twenty-first. Before six, the President had proclaimed that a state of martial law existed during the "present crisis," and more than a hundred Congressmen had been arrested by Minute Men, on direct orders from the President. The Congressmen who were hotheaded enough to resist were cynically charged with "inciting to riot"; they who went quietly were not charged at all. It was blandly explained to the agitated press by Lee Sarason that these latter quiet lads had been so threatened by "irresponsible and seditious elements" that they were merely being safeguarded. Sarason did not use the phrase "protective arrest," which might have suggested things.
”
”
Sinclair Lewis (It Can't Happen Here)
“
The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.”
---
Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort.
---
Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.”
----
After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.
”
”
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
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ON JULY 1, 2006, Cory Booker officially took office as the new mayor of Newark. He’d gained fame in the late ’90s as a city councilman who would sleep in a tent at city housing projects, hold hunger strikes and live on food stamps, patrol bad neighborhoods himself and physically confront the dealers holding down their corners. His victory was the first regime change in two decades, and it happened only after six years of near-bloody battling between the young, charismatic, light-skinned, Stanford-Yale-Oxford-educated upstart and the old, grizzled, but equally charismatic incumbent. The tension between Cory Booker and Sharpe James had been national news for most of the ’00s. The 2002 election, which Booker lost, was documented in the Oscar-nominated Streetfight, which between talking head interviews showed intense footage of the predominantly poor, black constituents who ardently supported James’s altercating with the working-class whites and Puerto Ricans who fought for Booker and his eloquent calls for public service and revitalization. The documentary was a near-perfect picture of a specific place and time: the declining city at risk of being left behind, the shoulder-height view of the vast number of problems in play, and the presentation of two equal and opposing paths forward whose backers were split almost definitively along socioeconomic lines. The 2002 election had been beyond combative; a riot nearly broke out when Booker showed up at a street basketball tournament that Sharpe James was already attending, and James called Booker “a Republican who took money from the KKK and the Taliban . . . who’s collaborating with the Jews to take over Newark.” When James—who was constantly being investigated for various alleged corruptions—won the election by a margin of 53 percent to 47 percent, his victory seemed to cement Newark’s representation of “permanent poverty,” a culture of violence and corruption (at least if you subscribed to the New York Times).
”
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Jeff Hobbs (The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League)
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2020 Quarantine Killings by Playon Patrick
And they ask: how do black boys write about their city?
How do we know street if we don't know un-cracked sidewalk?
They ask: how do these black boys know anything about their city?
How the buildings are sitting on corners where brothers' bodies
are still learning how to rot.
There are small crosses placed in the grass
where families cannot afford to bury their loved ones
Reminds my brothers and I that we are early graves
before we are anything else.
We call those corners playgrounds,
We call those corners the killing fields.
We call our bodies bullets even if we were never aimed in the right direction
We called the remnants of our mother's family the Diaspora tree.
We make a catalog of prayers out of broken hands
We pray for our family tree to make its way back home to this soil.
We use our hands to dig the graves we cannot afford.
We are farmers - our broken black bodies -
We have never know city, never known comfort,
Never known safe street in any city.
We use our feet to walk streets paved by sunlight,
And asked our shadows if they meant to choose this skin.
We make a catalyst of bodies our dinner menu
And we eat with our eyes closed.
We are fed lies so easily it tastes like medicine.
Always conflicted between being black and being people.
I wish God could have given us a choice.
For years we have been told that there is something we need to scrub off this body
As if this dirt could go away
Working in the field make you realize how easily black can cook in the sun.
How easily we turn on each other for a little slice of the pie.
We don't know this city - how it was built with our grandmother's arthritic hands.
how we wouldn't have gotten a house or a bed when it was first built
When it was first settled - when it was first taken from the Indians
When our God believed in the same beginning.
We don't know home.
We don't know how generations of our people could use these legs
Could run miles on end into the night
Our faces bedazzled with the remnants of the stars
We will forever search for our forefathers' footsteps
We don't know home - we know run
We know this land has never been ours
We know how to fold ourselves into nothing
We know our sweat and tears tenderize this soil
Somehow we make fertilizer for the soil
We know how to make these hands be useful
We are the farmers of every revolution
No country was built without the piling up of dead bodies
This country just happens to be where our dead were dragged and hung up.
America: the land of the free and home of the brave
We fought and died for that slogan right beside our white brothers
Doesn't that make us worth something?
Tonight a riot is the language of the unheard
”
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Playon Patrick
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Babylon is built by the noisy machinery of war, conquest, and power politics, but not the kingdom of God. Almost all of Jesus’ kingdom parables are quiet stories. According to Jesus the kingdom of God is like seed being sown, like plants growing, like bread rising. It’s domestic, not militant. It’s like a woman sweeping her house, like a shepherd searching for a lost sheep, like a wayward son coming home at last. It never gets much louder than the music and dancing of a house party. This is a long way from a riot.
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Brian Zahnd (Water To Wine: Some of My Story)
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Somewhere in the city of Vadodara, a young woman named Zaheera Sheikh stood on the balcony of her friend’s house and watched in helpless stupefaction all the members of her family along with a couple of their staff being engulfed by fires of hatred. Best Bakery which also served as their residence was in flames. It was locked from outside by some people whose slogans would remain beyond Zaheera Sheikh’s comprehension for years. The religious fervour of those slogans would go on scorching her in a different way even years after all her beloved people were interred.
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Tomichan Matheikal (Black Hole)
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As to the technique employed at Ahmedabad Girish Mathur gave the following description:
“What happened in Ahmedabad was not a communal riot in the ordinary sense. Rachi, Rourkela, Calcutta were put to shame by Ahmedabad. There more people were burnt alive than died of stabbings or as a result of clashes, and they were burnt alive not because they were caught in the fire. The technique was to set fire to a group of houses belonging to the minorities and, as men and women and children rushed out they were caught hold of, their hands and feet were tied and then they were thrown into the fire. This could not have been the spontaneous action of an angry mob. And the largest number of cases of arson and this type of murder took place during the curfew hours, which can mean only one thing, that the curfew was ineffective.”
Prime Minister Indira Gandhi’s shock with pain over what she saw and heard in Ahmedabad could be seen on her face as she stepped out of her plane at Palam on her return to Delhi. A dog feeding on a half-burnt corpse in the midst of the ruins of buildings razed to the ground; five thousand refugees confined without food or even drinking water in a small chawl stinking with human excreta, there being no lavatories nearby; scores of young and old men, women and children rushing towards her crying, some with folded hands–“Indraben, I have lost all my children, I have lost my parents, my wife was cut to pieces, they caught hold of my son and threw him into the burning house; now at least save us, for God’s sake, save us, may you live long.
”
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K.L. Gauba (Passive Voices: A Penetrating Study of Muslims in India)
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The long fuse leading up to the L.A. riots was the history of housing segregation, outsourcing of manufacturing jobs, and federal stripping of public programs, which is why I was upset that the media conveniently scapegoated Korean merchants as the source of black rage despite the fact that those merchants were barely above destitution.
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Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
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Of course he wrote it. I am the most unsurprised person in the world. It totally tracks that this devil in a black t-shirt handed in Victorian porn as his English assignment.
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Callie Hart (Riot House (Crooked Sinners, #1))
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Then let me fill in the rest,” he rumbles. “I’m arrogant. I like to fuck. I’m intense as hell sometimes. It’s all or nothing with me. That’s just who I am. I don’t do things in half measures. There are days that you’ll hate me more than you’ll love me. And you will love me, Elodie. It’s already too late for that. I’ll love you, and you’ll love me, and there won’t be any turning back for either of us. So let me ask you again. Do you have an idea of what it will be like now? And do you still want that, knowing that it might not always be perfect? That it might be hard sometimes?
”
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Callie Hart (Riot House (Crooked Sinners, #1))
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Jesus. You take everything so fucking personally.”
“I’ll drive over to DC and finger bang your mom then, shall I? See how personally you take that?
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
My heart’s a grenade. It’s safer where it is, locked in its cage. You take it outta there and you’re essentially pulling the pin.”
“What happens then?” I’m shaking all over.
Wren’s reached the bottom of the bed. He lets go of his straining erection and places his hands on my ankles, curling his fingers around them tightly. “I don’t know. No one’s ever tried.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
I can’t promise I’m not gonna hurt you, Little E. But I can promise that, if I do, it won’t be on purpose. I can also promise that I’ll do everything in my power not to.” He swallows thickly, his throat bobbing. “Do you think that might be enough?
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
Raw honesty looks a lot like arrogance to the untrained eye.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
Don’t,” Carina warns. “Remember Persephone? She accepted those pomegranate seeds from Hades and doomed herself to the fucking underworld.”
Wren grins wickedly at Carina. “I appreciate the comparison, but you’re being a little dramatic. It’s nothing but a book. There’s nothing magical about it. Or…rather, it’s magical in the same way that all books are magical. But it’ll hardly bind her to hell.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
Oh, and I’m sure you just love that, don’t you? The begging. Must do wonders for your over-inflated ego.”
“Begging leaves no room for misunderstanding.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
I’ll have you know I’m a very tender lover.”
Dash nearly chokes to death on a scathing fit of laughter. “Bullshit. You wouldn’t know tender if it leapt up and knocked your front fucking teeth out.”
“That’s exactly the kind of tender I’m talking about.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
So, yeah. I waited up for her to arrive. I volunteered, which should have been a pretty glaring warning to the Wolf Hall administration, since I’ve never volunteered for anything in my entire fucking life.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
I’ve loved conditioning myself ever since I was a kid. Exposing myself to some kind of stimulus and then training myself to expect a certain outcome. I love nothing more than mastering myself, both mind and body, and my first thought when I saw that girl’s smiling face, was that I wanted to make myself hate her. Why, you ask? Why the hell not? Just for the fun of it. For a way to pass the time.
”
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Callie Hart (Riot House (Crooked Sinners, #1))
“
Laws permitting segregation had been struck down, but in the opinion of many whites the government continued to give blacks unfair advantages, everything from college and hiring quotas to a welfare system that leached away even the most marginal financial security from hardworking, law-abiding white folks. These beliefs were at complete variance from the daily experience of African Americans trapped in crushing poverty and inadequate housing. Far from effortlessly benefiting from federal largesse and rioting at the slightest perceived provocation, they struggled with bureaucratic red tape in the social service and legal systems. Applying for welfare, Social Security, and disability payments was a complex, often tortuous process. Gangs and drugs were rampant in slums and public housing. A disproportionate percentage of poor black males were either in prison or at risk of it. In too many instances, black women had to raise extended families without an adult male presence or financial support. And, always, there was the despairing sense that things were never going to get much better.
”
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Jeff Guinn (The Road to Jonestown: Jim Jones and Peoples Temple)
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One random Friday, the president announced that an asteroid was on a collision course for Earth. My world and everyone else’s—the entire planet—fell into chaos. Everything that was capable of collapsing eventually did. My grandfather showed up the next day as stores were being ransacked and riots were erupting in the streets. He begged us to run. Escape to his survival-adapted cabin in the middle of nowhere where he’d stored up years’ worth of food and provisions. My parents finally agreed, but they insisted on taking the time to pack all their favorite possessions while Grandpa and I waited impatiently in his old truck. The delay was a mistake. Large groups of violent looters were already hitting the wealthy neighborhoods in town, plundering houses and killing anyone who resisted. My mom and dad didn’t resist. Neither of them had ever thrown a punch or loaded a gun in their lives. But they were killed anyway, and Grandpa and I barely made it out of there alive. By then the interstates and highways were impossible, clogged with cars and roadblocked by aggressive militia groups whose day had finally arrived. Grandpa took us on smaller back roads, shooting at or running over anyone who tried to stop us, until we reached his remote cabin and left the remains of civilization behind. We stayed there—living off everything he’d stored up and using the self-sustaining energy and plumbing systems he’d installed—for more than eight years. A couple of years ago, as our supplies were running low, we realized we’d finally have to leave the safe isolation of our home long enough to scavenge for food and provisions. This region of the Ozarks was abandoned a long time ago as the protected forests and uncultivated wildland overtook the former pockets of residents, but there are still plenty of abandoned buildings remaining.
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Claire Kent (Homestead (Kindled, #7))
“
The usual snafu. Bad guys are too weak to take the towns, good guys are too crapped out to take the countryside and nobody wants to fight except the Coms. Students ready to set fire to the place soon as they’re no longer exempt from the war, food riots any day now, corruption like there was no tomorrow, no one can live on his salary, fortunes being made and the place bleeding to death. Palace is unreal and the Embassy is a nut-house, more spooks than straight guys and all pretending they’ve got a secret. Want more?
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John Le Carré (The Honourable Schoolboy)
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NETFEED/NEWS: Stuttgart Protest Memorial (visual: parade of people bearing candles) VO: Thousands gathered in Stuttgart for a candlelight vigil to honor the twenty-three homeless people slain by German federal police in a riot over housing. (visual: young man in tears, head bloodied) WITNESS: “They had body armor. Big spikes sticking out. They just kept coming and coming. . . .
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Tad Williams (City of Golden Shadow (Otherland, #1))
“
In February 2022, in Nashville, Tennessee, Pastor Greg Locke accused six members of his Global Vision Bible Church of being quite literally “devil-worshipping Satanist witches,” two of them in the ladies’ Bible study group. In a video shared on social media, he screamed accusations of “pharmakeia” (witchcraft with drugs, poisons, and remedies), burning sage (a Native American cleansing practice), being Freemasons, and bewitching fellow worshippers. He has also made QAnon-inspired accusations that then House of Representatives speaker Nancy Pelosi was a “demon baby-killing pedophile” and former secretary of state and first lady Hillary Clinton a “high priestess in the Satanic church.” These claims were also made by those responsible for the Capitol riot of 2021 and an attack on Nancy Pelosi’s husband in 2022.
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Marion Gibson (Witchcraft: A History in Thirteen Trials)