“
Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.
”
”
Jack Kerouac (On the Road)
“
Fang: "There is one bright side to this."
Max: "Yeah? What's that?" The new and improved Erasers would mutilate us before they killed us?
Fang: *grins* You looove me. (holds out arms) You love me this much.
Max: My shriek of appalled rage would probably be heard in California, or maybe Hawaii.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Love entered in my heart one day
A sad, unwelcome guest.
But when it begged that it might stay
I let it stay and rest
It broke my nights with sorrowing
It filled my heart with fears
And, when my soul was prone to sing,
It filled my eyes with tears.
But...now that it has gone its way,
I miss the dear ole pain.
And, sometimes, in the night I pray
That Love might come again.
”
”
J. California Cooper
“
There is one bright side to this," said Fang.
Yeah? What's that?" The new and improved Erasers would mutilate us before they killed us?
He grinned at me so unexpectedly I forgot to flap for a second and dropped several feet. "You looove me," he crooned smugly. Holding his arms out wide he added, "You love me this much."
My shriek of appalled rage could probably be heard in California, or maybe Hawaii.
”
”
James Patterson (Max (Maximum Ride, #5))
“
I'm with you in Rockland
in my dreams you walk dripping from a sea-journey on the highway across America in tears to the door of my cottage in the Western night.
”
”
Allen Ginsberg (Howl and Other Poems)
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
We would be outnumbered a couple hundred to two, by something worse than Erasers. I had no idea if the rest of the Flock would be able to help.
It was pretty much a suicide mission.
Again.
'There is one bright side to this,' said Fang.
'Yeah? What's that?' The new and improved Erasers would mutilate us before they killed us?
He grinned at me so unexpectedly that I forgot to flap for a second and dropped several feet. 'You looove me,' he crooned smugly. Holding his arms out wide, he added, 'You love me this much.'
My shriek of appalled rage could probably be heard in California, or maybe Hawaii.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
contiguous, adj.
I felt silly for even mentioning it, but once I did, I knew I had to explain.
"When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are."
For a moment, you were quiet. And then you nestled in and whispered.
"Contiguous."
And I knew you understood.
”
”
David Levithan (The Lover's Dictionary)
“
The yard was full of tomato plants about to ripen, and mint, mint, everything smelling of mint, and one fine old tree that I loved to sit under on those cool perfect starry California October nights unmatched anywhere in the world.
”
”
Jack Kerouac (The Dharma Bums)
“
I wanted to hear what she was saying. I wanted to smell that burnt midnight again, I wanted to feel that wind. It was a secret wanting, like a song I couldn't stop humming, or loving someone I could never have. No matter where I went, my compass pointed west. I would always know what time it was in California.
”
”
Janet Fitch (White Oleander)
“
Don’t bury it, use it. Don’t keep it in, give it away. Don’t turn that love in, turn that love out.
”
”
J. California Cooper (Some Love, Some Pain, Sometime: Stories)
“
I love it when my justifications for avoiding housework are actually legitimate.
”
”
Julie Kenner (California Demon (Demon-Hunting Soccer Mom, #2))
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
Good morning, Hell-A. In the land of the lotus-eaters, time plays tricks on you. One day you’re dreaming, the next, your dream has become your reality. It was the best of times. If only someone had told me. Mistakes were made, hearts were broken, harsh lessons learned. My family goes on without me, while I drown in a sea of pointless pussy. I don’t know how I got here. But here I am, rotting away in the warm California sun. There are things I need to figure out, for her sake, at least. The clock is ticking. The gap is widening. She won’t always love me “no matter what
”
”
Hank Moody
“
Once," he says, "I was flying to California on the Fourth of July."
She turns her head, just slightly.
"It was a clear night, and you could see all the little fireworks displays along the way, these tiny flares going off below, one town after another.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
There is always some beauty in life. Look up … and get on with it. Build you a rainbow. Do it yourself! If you can’t do that, build your mind near one. Learn how to fly. Then … soar a little.
”
”
J. California Cooper (Some Love, Some Pain, Sometime: Stories)
“
You settle for less, you get less.
”
”
Brandi L. Bates (Remains To Be Seen)
“
If no one on this planet ever loves you, I always will.
”
”
C.J. Reid (RUSH Book Two: California Nights)
“
I am, and always have been - first, last, and always - a child of America.
You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand.
I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House.
You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down.
Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too.
The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms.
We were not afforded that liberty.
But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice.
Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us.
If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election.
And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Without respect, there is no love … for long, for anyone, but a fool.
”
”
J. California Cooper (Life is Short But Wide)
“
When love doesn’t work, we hurt. Indeed, “hurt feelings” is a precisely accurate phrase, according to psychologist Naomi Eisenberger of the University of California. Her brain imaging studies show that rejection and exclusion trigger the same circuits in the same part of the brain, the anterior cingulate, as physical pain.
”
”
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
“
Sometimes it's a struggle to get over self-love first. Sometimes in this struggle for love, we give up, or lose everything, and we still don't achieve love. Some people don't even recognize real love when it comes without being called or sought.
”
”
J. California Cooper (Life Is Short But Wide)
“
If you've had good gin on a hot day in Southern California with the people you love, you forget Nebraska. The two things cannot coexist. The stronger, better of the two wins.
”
”
Ann Patchett (The Magician's Assistant)
“
I love California; I practically grew up in Phoenix.
”
”
Dan Quayle
“
When I was 13 years old, my beautiful mother and my father moved me from a conservative Mormon home in San Antonio, Texas, to California, and I heard the story of Harvey Milk. And it gave me hope. It gave me the hope to live my life; it gave me the hope that one day I could live my life openly as who I am and that maybe even I could fall in love and one day get married. Most of all, if Harvey had not been taken from us 30 years ago, I think he'd want me to say to all of the gay and lesbian kids out there tonight who have been told they are less than by their churches, or by the government, or by their families, that you are beautiful, wonderful creatures of value. And that no matter what everyone tells you, God does love you, and that very soon, I promise you, you will have equal rights federally across this great nation of ours.
”
”
Dustin Lance Black
“
Love and violence-not to conquer one with the other but to live with both, that's what I've learned. Each pulling me a different way. If I relax my struggles they don't tear me in two, but lift me up.
”
”
Denis Johnson (Already Dead: A California Gothic)
“
Next time!" In what calendar are kept the records of those next times which never come?
”
”
Helen Hunt Jackson (Ramona (Signet Classics))
“
The house itself was not so much. It was smaller than Buckingham Palace, rather gray for California, and probably had fewer windows than the Chrysler Building.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
This entire time I'd been thinking about where my home was. At first it was California, then Wisconsin. But in truth, home isn't necessarily where you sleep at night.
It's where you feel like yourself.
Where you're most comfortable.
Where you don't have to pretend, where you can just be you.
I had finally reached that place because Macallan is home to me.
”
”
Elizabeth Eulberg (Better Off Friends)
“
So everybody who talks about homosexuals as a damnation better look in a mirror and try to heal their own selves. Who they call homosexuals do, at least, act out of their love. That’s better than the hate a whole lot of people act out of.
”
”
J. California Cooper (Some Soul to Keep)
“
Everyone in California is from somewhere else.
”
”
Wright Morris (Love Among the Cannibals)
“
Home can be the Pennsylvania Turnpike
Indiana's early morning dew
High up in the hills of California
Home is just another word for you
”
”
Billy Joel
“
The Western States nervous under the beginning change.
Texas and Oklahoma, Kansas and Arkansas, New Mexico,
Arizona, California. A single family moved from the land.
Pa borrowed money from the bank, and now the bank wants
the land. The land company--that's the bank when it has land
--wants tractors, not families on the land. Is a tractor bad? Is
the power that turns the long furrows wrong? If this tractor
were ours it would be good--not mine, but ours. If our tractor
turned the long furrows of our land, it would be good.
Not my land, but ours. We could love that tractor then as
we have loved this land when it was ours. But the tractor
does two things--it turns the land and turns us off the land.
There is little difference between this tractor and a tank.
The people are driven, intimidated, hurt by both. We must think
about this.
One man, one family driven from the land; this rusty car
creaking along the highway to the west. I lost my land, a
single tractor took my land. I am alone and bewildered.
And in the night one family camps in a ditch and another
family pulls in and the tents come out. The two men squat
on their hams and the women and children listen. Here is the
node, you who hate change and fear revolution. Keep these
two squatting men apart; make them hate, fear, suspect each
other. Here is the anlarge of the thing you fear. This is the
zygote. For here "I lost my land" is changed; a cell is split
and from its splitting grows the thing you hate--"We lost our
land." The danger is here, for two men are not as lonely and
perplexed as one. And from this first "we" there grows a still
more dangerous thing: "I have a little food" plus "I have
none." If from this problem the sum is "We have a little
food," the thing is on its way, the movement has direction.
Only a little multiplication now, and this land, this tractor are
ours. The two men squatting in a ditch, the little fire, the side-
meat stewing in a single pot, the silent, stone-eyed women;
behind, the children listening with their souls to words their
minds do not understand. The night draws down. The baby
has a cold. Here, take this blanket. It's wool. It was my mother's
blanket--take it for the baby. This is the thing to bomb.
This is the beginning--from "I" to "we."
If you who own the things people must have could understand
this, you might preserve yourself. If you could separate
causes from results, if you could know Paine, Marx,
Jefferson, Lenin, were results, not causes, you might survive.
But that you cannot know. For the quality of owning freezes
you forever into "I," and cuts you off forever from the "we."
The Western States are nervous under the begining
change. Need is the stimulus to concept, concept to action.
A half-million people moving over the country; a million
more restive, ready to move; ten million more feeling the
first nervousness.
And tractors turning the multiple furrows in the vacant land.
”
”
John Steinbeck (The Grapes of Wrath)
“
Don’t defend him! This is bullshit!” he said as he turned for the door, and then turned back to face me. “I’ve been sitting at work this whole time, staring at those fucking things. I wanted to calm down before I got here, but this is just . . . it’s fucking disrespectful, is what it is! I bust my ass trying to prove to you that I’m better for you than he ever was. But he keeps pulling this shit, and showing up, and . . . I can’t compete with some rich college boy from California. I’m barely getting by, with no degree, and up until a few days ago I still lived with my dad. But I am so fucking in love you, Cami,” he said, reaching for me. “I have been since we were kids. The first time I saw you on the playground, I knew what beauty was. The first time you ignored me was my first broken heart. I thought I was playing this right, from the moment I sat down at your table at the Red. No one has ever wanted someone as much as I want you. For years I . . .” He was breathing hard, and he clenched his jaw. “When I heard about your dad, I wanted to rescue you,” he said, chuckling, but not out of humor. “And that night at your apartment, I thought I’d finally gotten something right.” He pointed to the ground. “That my purpose in life was to love you and keep you safe . . . but I didn’t prepare for having to share you.
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
This burger is so good, it’s stupid,” I burst out. “I thought California was supposed to be full of vegans sprinkling sprouts on everything.”
“That’s at the restaurant across the street. You detox there, you come here when you want real food.”
“I love you,” I said, stroking my burger like a kitten.
“Me or the cheeseburger?”
“I can no longer separate the two.
”
”
Alice Clayton (Screwdrivered (Cocktail, #3))
“
My life had been peaceful, safe, quiet and restful. I had done invited trouble in and I had done put trouble out.
”
”
J. California Cooper (Some Love, Some Pain, Sometime: Stories)
“
It made me love them more because I knew the day would come when I would also be unrecognizable to myself.
”
”
Mary Miller (The Last Days of California)
“
Draft-dodging is what chicken-hawks do best. Dick Cheney, Glenn Beck, Karl Rove, Rush Limbaugh (this capon claimed he had a cyst on his fat ass), Newt Gingrich, former Attorney General John Ashcroft—he received seven deferments to teach business education at Southwest Missouri State—pompous Bill O’Reilly, Jeb Bush, hey, throw in John Wayne—they were all draft-dodgers. Not a single one of these mouth-breathing, cowardly, and meretricious buffoons fought for his country. All plumped for deferments. Former New York Mayor Rudy Giuliani? Did not serve. Former Massachusetts Governor Mitt Romney? Did not serve in the military. (He served the Mormon Church on a thirty-month mission to France.) Former Senator Fred Thompson? Did not serve. Former President Ronald Reagan? Due to poor eyesight, he served in a noncombat role making movies for the Army in southern California during WWII. He later seems to have confused his role as an actor playing a tail gunner with the real thing. Did Rahm Emanuel serve? Yes, he did during the Gulf War 1991—in the Israeli Army. John Boehner did not serve, not a fucking second. Senate Minority Leader Mitch McConnell, R-KY? Not a minute! Former Senate Majority Leader Trent Lott, R-MS? Avoided the draft. Senate Minority Whip Jon Kyl, R-AZ—did not serve. National Republican Senatorial Committee Chair John Cornyn, R-TX—did not serve. Former Senate Republican Policy Committee Chair John Ensign, R-NV? Did not serve. Jack Kemp? Dan Quayle? Never served a day. Not an hour. Not an afternoon. These are the jackasses that cherish memorial services and love to salute and adore hearing “Taps.
”
”
Alexander Theroux
“
I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader’s mind so that the mind, like the author’s, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness.
”
”
Philip K. Dick (Paycheck and Other Classic Stories)
“
To think of the Midwest as a whole as anything other than beautiful is to ignore the extraordinary power of the land. The lushness of the grass and trees in August, the roll of the hills (far less of the Midwest is flat than outsiders seem to imagine), the rich smell of soil, the evening sunlight over a field of wheat, or the crickets chirping at dusk on a residential street: All of it, it has always made me feel at peace. There is room to breathe, there is a realness of place. The seasons are extreme, but they pass and return, pass and return, and the world seems far steadier than it does from the vantage point of a coastal city.
Certainly picturesque towns can be found in New England or California or the Pacific Northwest, but I can't shake the sense that they're too picturesque. On the East Coast, especially, these places seem to me aggressively quaint, unbecomingly smug, and even xenophobic, downright paranoid in their wariness of those who might somehow infringe upon the local charm. I suspect this wariness is tied to the high cost of real estate, the fear that there might not be enough space or money and what there is of both must be clung to and defended. The West Coast, I think, has a similar self-regard...and a beauty that I can't help seeing as show-offy. But the Midwest: It is quietly lovely, not preening with the need to have its attributes remarked on. It is the place I am calmest and most myself.
”
”
Curtis Sittenfeld (American Wife)
“
This week
in live current
events: your eyes.
All power can be
dangerous:
Direct
or alternating,
you, socket to me.
Plugged in and the grid
is humming,
this electricity,
molecule-deep desire:
particular friction, a charge
strong enough to stop
a heart
or start it
again; volt, re-volt--
I shudder, I stutter, I start
to life. I've got my ion
you, copper-top,
so watch how you
conduct yourself.
Here's today's
newsflash: a battery of rolling
blackouts in California, sudden,
like lightning kisses:
sudden, whitehot
darkness and you're
here, fumbling for
that small switch
with an urgent surge
strong enough to kill
lesser machines.
Static makes hair raise,
makes things cling,
makes things rise like
a gathering storm
charging outside
our darkened house
and here I am:
tempest, pouring out
mouthfulls
of tsunami on the ground,
I've got that rain-soaked kite,
that drenched key.
You know what it's for,
circuit-breaker, you know
how to kiss until it's hertz.
”
”
Daphne Gottlieb (Why Things Burn)
“
Poem (Lana Turner has collapsed!)
Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up
”
”
Frank O'Hara
“
We have flattered ourselves by inventing proverbs of comparison in matter of blindness,--"blind as a bat," for instance. It would be safe to say that there cannot be found in the animal kingdom a bat, or any other creature, so blind in its own range of circumstance and connection, as the greater majority of human beings are in the bosoms of their families. Tempers strain and recover, hearts break and heal, strength falters, fails, and comes near to giving way altogether, every day, without being noted by the closest lookers-on.
”
”
Helen Hunt Jackson (Ramona (Signet Classics))
“
New skin, a new land! And a land of liberty, if that is possible! I chose the geology of a land that was new to me, and that was young, virgin, and without drama, that of America. I traveled in America, but instead of romantically and directly rubbing the snakeskin of my body against the asperities of its terrain, I preferred to peel protected within the armor of the gleaming black crustacean of a Cadillac which I gave Gala as a present. Nevertheless all the men who admire and the women who are in love with my old skin will easily be able to find its remnants in shredded pieces of various sizes scattered to the winds along the roads from New York via Pittsburgh to California. I have peeled with every wind; pieces of my skin have remained caught here and there along my way, scattered through that "promised land" which is America; certain pieces of this skin have remained hanging in the spiny vegetation of the Arizona desert, along the trails where I galloped on horseback, where I got rid of all my former Aristotelian "planetary notions." Other pieces of my skin have remained spread out like tablecloths without food on the summits of the rocky masses by which one reaches the Salt Lake, in which the hard passion of the Mormons saluted in me the European phantom of Apollinaire. Still other pieces have remained suspended along the "antediluvian" bridge of San Francisco, where I saw in passing the ten thousand most beautiful virgins in America, completely naked, standing in line on each side of me as I passed, like two rows of organ-pipes of angelic flesh with cowrie-shell sea vulvas.
”
”
Salvador Dalí (The Secret Life of Salvador Dalí)
“
I love California, I practically grew up in Phoenix.
”
”
Dan Quayle
“
Tell me once more about the eternal surf.
”
”
Rob Bignell
“
I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat at a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved those things – beyond reason, and with a longing that made me want to hang my head – but it was a love that felt an awful lot like nostalgia.
”
”
Michael Chabon (Wonder Boys)
“
I love women whose hidden desires make horses put an end to their lives at the threshold — Mahmoud Darwish, Unfortunately, It Was Paradise: Selected Poems (University of California Press; 0 edition, January 6, 2003)
”
”
Mahmoud Darwish (Unfortunately, It Was Paradise: Selected Poems)
“
Gazing around, looking up at the lofty pinnacles above, which seemed to pierce the sky, looking down upon the world,--it seemed the whole world, so limitless it stretched away at her feet,--feeling that infinite unspeakable sense of nearness to Heaven, remoteness from earth which comes only on mountain heights, she drew in a long breath of delight, and cried: "At last! at last, Alessandro! Here we are safe! This is freedom! This is joy!
”
”
Helen Hunt Jackson (Ramona (Signet Classics))
“
From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.
”
”
Bobby Underwood (Nautica City)
“
Everything in her wanted to run -fly back to California, back to her quiet existence working among strangers. Hiding out in the folds of tree trunks and tropical petals, tucked away safely among so many foreign plants and people.
”
”
Alice Sebold (The Lovely Bones)
“
I met Rob in Austin, Texas. He was hitchhiking to California and I was driving to California, so it seemed like a perfect match. He had long blond hair and blue eyes and golden skin and so did I. It was like falling in love with myself.
”
”
Lorena Cassady
“
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
”
”
Bret Easton Ellis (Lunar Park)
“
My father wore drugstore cologne. But right now, in this moment, I love this drugstore cologne more than I love the smell of Wimbledon grass or California oranges or the rubber of a freshly popped can of tennis balls. This drugstore cologne is my home.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
I drank a little California Mountain Red at home and thought--why not--wherever you turn someone is shouting give me liberty of I give you death. Perfectly sensible, thing-owning, Church-fearing neighbours flop their hands over their ears at the sound of a siren to keep fallout from taking hold of their internal organs. You have to be cockeyed to love, and blind in order to look out the window at your own ice-cold street.
”
”
Grace Paley (Enormous Changes at the Last Minute: Stories)
“
But undying memories stood like sentinels in her breast. When the notes of doves, calling to each other, fell on her ear, her eyes sought the sky, and she heard a voice saying, "Majella!
”
”
Helen Hunt Jackson (Ramona (Signet Classics))
“
Don't get me wrong. Sacramento is a lovely place, particularly for those with a fondness for methamphetamines. For the meth-addled, Sacramento had conveniently placed a Greyhound bus station just yards from the statehouse where Austria's finest was sworn in as governor of the great state of California.
”
”
J. Maarten Troost (Lost on Planet China)
“
Another hour it would come streaming through the Golden Gate to shroud the romantic city in white, and a young man would hold his girl by the hand and climb slowly up a long white sidewalk with a bottle of Tokay in his pocket. That was Frisco; and beautiful women standing in white doorways, waiting for their men; and Coit Tower, and the Embarcadero, and Market Street, and the eleven teeming hills.
I spun around till I was dizzy; I thought I'd fall down as in a dream, clear off the precipice. Oh where is the girl I love? I thought, and looked everywhere, as I had looked everywhere in the little world below. And before me was the great raw bulge and bulk of my American continent; somewhere far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded -- at least that's what I thought then.
”
”
Jack Kerouac (On the Road)
“
But everything evened out eventually, didn’t it – every wave subsided, lapsed back into the ocean, returning, giving them time to put themselves back together again. He was her moon. He balanced out her tides.
”
”
Katie Neipris
“
Occasionally my mother called from California. My parents had hurried and difficult conversations. She asked after Buckley and Linsey and Holiday. She asked how the house was holded up and whether there was anything he needed to tell her.
'We still miss you,' he said in December 1977, when the leaves had all fallen and been blown or raked away but even still, with the ground waiting to recieve it, there had been no snow.
'I know that,' she said.
'What about teaching? I thought that was your plan,'
'It was,' she conceded. She was on the phone in the office of the winery. Things had slowed up after the lunch crowd, but five limos of old ladies, three sheets to the wind, were soon due in. She was silent and then she said something that no one, least of all my father, could have argued with. 'Plans change.'
~pgs 226; Changing plans
”
”
Alice Sebold (The Lovely Bones)
“
You aren't like your mom."
"I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right."
"So." I'm cautious,hardly daring to believe. "You're moving to California?"
"I have to."
"Right." I swallow hard. "Because of your mom."
"Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night."
His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding-
"You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much."
I'm holding my breath.I can't talk,but my eyes are filling with tears.
He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-"
He starts to stand,but I grab his arm. "No!"
His body freezes. "I'm so sorry," he says. "I never mean to hurt you."
I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne."
"Say my name again," he whispers.
I close my eyes and lean forward. "Etienne."
He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?"
Our foreheads touch. "Yes?"
"Will you please tell me you love me? I'm dying here."
And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too.
And in between kisses,I tell him I love him.
Again and again and again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
up in Pacific Grove, a coastal town on the Monterey Peninsula in California, I had spent many Sunday mornings combing beaches, hunting for sea glass. I once believed the surf-tumbled glass had come from mermaids when the mythical creatures wept for sailors lost at sea, their tears hardened and washed ashore by the latest storm front. Mermaid tears were treasure, meant to be guarded close to one’s heart. They brought wishes of true love and kept you safe
”
”
Kerry Lonsdale (All the Breaking Waves)
“
And it wasn't that I didn't love Rob anymore; it was more like every day since I came home from California I felt like I was losing myself more and and more. And the relationship you have with yourself is the one that you really can't afford to lose.
”
”
Jenna Beaugh (White Jacket Required: A Culinary Coming-of-Age Story)
“
Dr. R scratches out a note on his pad.
"Losing you both was only the practice pain, wasn't it? For my mum and dad..."
He puts his finger on his lips, his elbow at his chest, not racked with cancer. "Yes."
"And when that happens, this will seem like nothing."
He nods.
"When it happens," he asks me, "what will get you through?"
"Friends who love me."
"And if your friends weren't there?"
"Music through headphones."
"And if the music stopped?"
"A sermon by Rabbi Wolpe."
"If there was no religion?"
"The mountains and the sky."
"If you leave California?"
"Numbered streets to keep me walking."
"If New York falls into the ocean?"
Your voice in my head.
”
”
Emma Forrest
“
We proclaimed the freedom of the individual, bought and drove millions of cars to prove it, built more roads for the cars to drive on so we could go the everywhere that was nowhere. We watered our lawns, we washed our cars, we gulped plastic bottles of water to stay hydrated in our dehydrated land, we put up water parks.
We built temples to our fantasies--film studios, amusement parks, crystal cathedrals, megachurches--and flocked to them.
We went to the beach, rode the waves, and poured our waste into the water we said we loved.
We reinvented ourselves every day, remade our culture, locked ourselves in gated communities, we ate healthy food, we gave up smoking, we lifted our faces while avoiding the sun, we had our skin peeled, our lines removed, our fat sucked away like our unwanted babies, we defied aging and death.
We made gods of wealth and health.
A religion of narcissism.
In the end, we worshipped only ourselves.
In the end, it wasn't enough.
”
”
Don Winslow (Savages (Savages #2))
“
I really want us to grow old together, you know? Go through all the typical life stuff together, even if that means we can only e-mail each other once a week because you moved to the middle of nowhere in Nebraska with your ten kids, and I'm still California because it's amazing. Just like in that one movie - we'll never lose touch with each other, ever. Is that weird?!
No, Feenie said. It's perfectly fucking normal.
”
”
Claire Kann (Let's Talk About Love)
“
And yeah, okay, the majority of guys I have met since moving to California have turned out either to have psychopathic killers stalking them, or were actually psychopathic killers themselves. But that's really not a very good excuse for falling in love with a ghost. It really isn't.
”
”
Meg Cabot (Darkest Hour (The Mediator, #4))
“
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
”
”
Hunter S. Thompson (Hell's Angels)
“
She's who he imagines calling first when he gets his letter from Princeton, the audience he pictures when he's collecting all the important and also the stupid insignificant parts of his day to give to someone? When he imagines disasters happening, cancer or nuclear fallout or the Big One we're supposed to get in California, at night when it's quiet and he feels all the weight of his own life pressing in on him, she's the lurch in his stomach and the hand he gropes around for in the dark?
”
”
Kelly Loy Gilbert (Picture Us in the Light)
“
I pulled the lever repeatedly not even paying attention to whether or not I was winning anything. Her voice startled me. “You look like you have something on your mind.” “I do?” “Who is he, and what did he do?” I’d never see this woman again after today. Maybe I should just let it all out. “You want the long version or the short version?” “I’m ninety, and the dinner buffet opens in five minutes. Give me the short version.” “Okay. I’m here with my stepbrother. Seven years ago, we slept together right before he moved away.” “Taboo…I like it. Go on.” I laughed. “Okay…well, he was the first and last guy I ever really cared about. I never thought I’d see him again. His father died this week, and he came back for the funeral. He wasn’t alone. He brought a girl he supposedly loves. I know she loves him. She’s a good person. She had to go back to California early. Somehow, I ended up at this casino with him. He leaves tomorrow.” A single teardrop fell down my face. “It looks to me like you still care about him.” “I do.” “Well, then you have twenty-four hours.” “No, I don’t plan to screw things up for him.” “Is he married?” “No.” “Then, you have twenty-four hours.” She looked at her watch and leaned on her walker to stand herself up. She gave me her hand. “I’m Evelyn.” “Hi, Evelyn. I’m Greta.” “Greta…fate gave you an opportunity. Don’t fuck it up,” she said before she scooted away on the walker.
”
”
Penelope Ward (Stepbrother Dearest)
“
It’s important to remember something: California is not a state built on moderation. We invented motion pictures. We made an electric sports car. We’re both the brain (Silicon Valley) and the heart (Hollywood, alas) of this great nation, and meanwhile we grow everyone’s strawberries. We’re open to innovation. We’re open to new ideas. We’re open to odd couples—and to strays from all parts of the world. Look at our last governor: an Austrian body builder and son of a Nazi married to John F. Kennedy’s niece. Anything can happen.
”
”
Scott Hutchins (A Working Theory of Love)
“
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with?
America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag.
And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail.
Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead?
In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning.
Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything.
We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground.
Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
Avoidants often use sex to distance themselves from their partner. It doesn’t necessarily mean they will cheat on their partner, although studies have shown that they are more likely to do so than other attachment types. Phillip Shaver, in a study with then University of California-Davis graduate student Dory Schachner, found that of the three styles, avoidants would more readily make a pass at someone else’s partner or respond to such a proposition.
Intriguingly, they also found that avoidant men and women were more likely to engage in less sex if their partner had an anxious attachment style! Researchers believe that in relationships like Marsha and Craig’s, there is less lovemaking because the anxious partner wants a great deal of physical closeness and this in turn causes the avoidant partner to withdraw further. What better way to avoid intimacy than by reducing sex to a bare minimum.
”
”
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
“
They asked me to tell you what it was like to be twenty and pregnant in 1950 and when you tell your boyfriend you’re pregnant, he tells you about a friend of his in the army whose girl told him she was pregnant, so he got all his buddies to come and say, “We all fucked her, so who knows who the father is?” And he laughs at the good joke…. What was it like, if you were planning to go to graduate school and get a degree and earn a living so you could support yourself and do the work you loved—what it was like to be a senior at Radcliffe and pregnant and if you bore this child, this child which the law demanded you bear and would then call “unlawful,” “illegitimate,” this child whose father denied it … What was it like? […] It’s like this: if I had dropped out of college, thrown away my education, depended on my parents … if I had done all that, which is what the anti-abortion people want me to have done, I would have borne a child for them, … the authorities, the theorists, the fundamentalists; I would have born a child for them, their child. But I would not have born my own first child, or second child, or third child. My children. The life of that fetus would have prevented, would have aborted, three other fetuses … the three wanted children, the three I had with my husband—whom, if I had not aborted the unwanted one, I would never have met … I would have been an “unwed mother” of a three-year-old in California, without work, with half an education, living off her parents…. But it is the children I have to come back to, my children Elisabeth, Caroline, Theodore, my joy, my pride, my loves. If I had not broken the law and aborted that life nobody wanted, they would have been aborted by a cruel, bigoted, and senseless law. They would never have been born. This thought I cannot bear. What was it like, in the Dark Ages when abortion was a crime, for the girl whose dad couldn’t borrow cash, as my dad could? What was it like for the girl who couldn’t even tell her dad, because he would go crazy with shame and rage? Who couldn’t tell her mother? Who had to go alone to that filthy room and put herself body and soul into the hands of a professional criminal? – because that is what every doctor who did an abortion was, whether he was an extortionist or an idealist. You know what it was like for her. You know and I know; that is why we are here. We are not going back to the Dark Ages. We are not going to let anybody in this country have that kind of power over any girl or woman. There are great powers, outside the government and in it, trying to legislate the return of darkness. We are not great powers. But we are the light. Nobody can put us out. May all of you shine very bright and steady, today and always.
”
”
Ursula K. Le Guin
“
Ecology is beginning to slowly shift focus with tentative explorations of what the world would look like if process, rather than matter were the basis for reality What if we defined a species in terms of its life processes? We might seriously doubt whether the California condor or the tall grass prairie can be 'saved' or even 'restored.' Perhaps we can re-create some local conditions that foster a few nests of condors or a few acres of prairie. But the life process of the condor ended with the urbanization of the California foothills and the living ebb and flow of the tall grass prairies died with the plowing of the Great Plains. What if we suggested that a thing is what it does? In this light, the Rocky Mountain locust was a immense aperiodic energy flow that linked life processes on a continental scale.
This notion of life-as-process might seem unusual in a society in which material existence is primary. But such a perception informs our deepest understanding of life. Indeed, life-as-process underlies our notion of euthanasia. When loved ones are simply bodies, devoid of the capacity to care, respond, or relate again a away that we can recognize as being "them," we understand that they are gone even before they are dead.
”
”
Jeffrey A. Lockwood
“
Did I ever tell you I went to school in America?"
"What? No."
"It's true,for a year. Eighth grade. It was terrible."
"Eighth grade is terrible for everyone," I say.
"Well,it was worse for me. My parents had just seperated,and my mum moved back to California.I hadn't been since I was an infant,but I went with her,and I was put in this horrid public school-"
"Oh,no. Public school."
He nudges me with his shoulder. "The other kids were ruthless. They made fun of everything about me-my height,my accent, the way I dressed.I vowed I'd never go back."
"But American girls love English accents." I blurt this without thinking, and then pray he doesn't notice my blush.
St. Clair picks up a pebble and tosses it into the river. "Not in middle school, they don't.Especially when it's attached to a bloke who comes up to their kneecaps."
I laugh.
"So when the year was over,my parents found a new school for me. I wanted to go back to London,where my mates were, but my father insisted on Paris so he could keep an eye on me. And that's how I would up at the School of America.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
To his Own Beloved Self
The Author Dedicates
These Lines"
Six.
Ponderous. The chimes of a clock.
“Render unto Caesar ... render unto God...”
But where’s
someone like me to dock?
Where’11 I find a lair?
Were I
like the ocean of oceans little,
on the tiptoes of waves I’d rise,
I’d strain, a tide, to caress the moon.
Where to find someone to love
of my size,
the sky too small for her to fit in?
Were I poor
as a multimillionaire,
it’d still be tough.
What’s money for the soul? –
thief insatiable.
The gold
of all the Californias isn’t enough
for my desires’ riotous horde.
I wish I were tongue-tied,
like Dante or Petrarch,
able to fire a woman’s heart,
reduce it to ashes with verse-filled pages!
My words
and my love
form a triumphal arch:
through it, in all their splendour,
leaving no trace, will pass
the inamoratas of all the ages!
Were I
as quiet as thunder,
how I’d wail and whine!
One groan of mine
would start the world’s crumbling cloister shivering.
And if
I’d end up by roaring
with all of its power of lungs and more –
the comets, distressed, would wring their hands
and from the sky’s roof
leap in a fever.
If I were dim as the sun,
night I’d drill
with the rays of my eyes,
and also
all by my lonesome,
radiant self
build up the earth’s shriveled bosom.
On I’ll pass,
dragging my huge love behind me.
On what
feverish night, deliria-ridden,
by what Goliaths was I begot –
I, so big
and by no one needed?
”
”
Vladimir Mayakovsky
“
From a Berkeley Notebook'
~Denis Johnson
One changes so much
from moment to moment
that when one hugs
oneself against the chill
air at the inception
of spring, at night,
knees drawn to chin,
he finds himself in the arms
of a total stranger,
the arms of one he might move
away from on the dark playground.
Also, it breaks the heart
that the sign revolving like
a flame above the gas
station remembers the price
of gas, but forgets entirely
this face it has been
looking at all day.
And so the heart is exhausted
that even the face
of the dismal facts we wait
for the loves of the past
to come walking from the fire,
the tree, the stone, tangible
and unchanged and repentant
but what can you do.
Half the time I think
about my wife and child,
the other half I think how
to become a citizen
with an apartment, and sex
too is quite on my mind,
though it seems the women
have no time for you here,
for which in my larger, more
mature moments I can’t blame them.
These are the absolute
Pastures I am led to:
I am in Berkeley, California,
trapped inside my body,
I am the secret my body
is going to keep forever,
as if its secret were
merely silence. It lies
between two mistakes
of the earth,
the San Andreas
and Hayward faults,
and at night from
the hill above the stadium
where I sleep,
I can see the yellow
aurora of Telegraph
Avenue uplifted
by the holocaust.
My sleeping
bag has little
cowboys lassoing bulls
embroidered all over
its pastel inner
lining, the pines are tall
and straight, converging
in a sort of roof
above me, it’s nice,
oh loves, oh loves, why
aren’t you here? Morgan,
my pyjamas are so
lonesome without
the orangutans—I write
and write, and transcend
nothing, escape
nothing, nothing
is truly born from me,
yet magically it’s better
than nothing—I know
you must be quite
changed by now, but you
are just the same, too,
like those stars that keep
shining for a long time after
they go out—but it’s just a light
they touch us with this
evening amid the fine
rain like mist, among the pines.
”
”
Denis Johnson (The Incognito Lounge: And Other Poems)
“
Much as I loved the job and the people I worked with, I didn’t fit into the Shearson organization. I was too wild. For example, as a joke that now seems pretty stupid, I hired a stripper to drop her cloak while I was lecturing at a whiteboard at the California Grain & Feed Association’s annual convention. I also punched my boss in the face. Not surprisingly, I was fired. But the brokers, their clients, and even the ones who fired me liked me and wanted to keep getting my advice. Even better, they were willing to pay me for it, so in 1975 I started Bridgewater Associates.
”
”
Ray Dalio (Principles: Life and Work)
“
I loved my life in California, where it never snowed and the sun was always shining. Now, my favorite day of the year is when daylight savings begins. It’s usually when the air starts to thaw and the only precipitation you can be threatened with is a little rain. You’re tired in the morning because you’ve lost an hour of sleep. But by seven o’clock at night, the sun is still out. And it’s warmer than it was yesterday at that time. It feels like the world is opening up, like the worst is over, and flowers are coming. They don’t have that in Los Angeles. The flowers never leave.
”
”
Taylor Jenkins Reid (One True Loves)
“
WE have to take care of this world. WE can't wait any longer. WE need to stop using fossil fuels. Get behind the green new deal. WE are running out of time. Stop being distracted by reality TV shows in the White House. Climate Change is what Reality looks like.
The mud slides are coming. The rain is coming. The timing is all off. The rain could have saved California. Now it is coming to bury the things we've done. This is what you and I are leaving our kids. Wake up. Love one another. Save one another. The Earth is talking to us. LOVE.
- more at the neil young archives website
”
”
Neil Young
“
You said it in a simple way,
4 AM, the second day,
How strange that I don't know you at all.
Stumbled through the quick goodbye,
One last text, then unfriended me
Right when I was just about to fall
I used to tell myself, "Don't get attached,"
But in my mind I would play it back,
Spinning faster than the text that you sent...
The delicate beginning rush,
The feeling you can know so much,
Without knowing anything at all.
And now that I can't put this down,
If I had known what I'd known now,
I never would have played so nonchalant.
Taxi cabs and busy streets,
That never bring you back to me,
I can't help but wish you took me with you...
And this is when the feeling sinks in,
I don't wanna miss you like this,
Come back... be here, come back... be here.
I guess you're in California now,
I don't wanna need you this way,
Come back... be here, come back... be here.
”
”
EJR
“
The desert frightens me, I think. It looks too much like the seventh circle of hell. I'm afraid of damnation."
"Why?"
"Why?" Evelyn repeated, peering at Ann from behind her hand. She lay back again and closed her eyes. "I don't know. I've always supposed everyone is."
"Well, they're not. I, for instance, am a hell of a lot more frightened of being saved." Evelyn chuckled.
"I'm serious," Ann protested. "Virtue smells to me of rotting vegetation. Here you burn or freeze. Either way it's clean."
"Sterile," Evelyn said and felt the word a laceration of her own flesh. "I wonder. It's fertility that's a dirty word for me."
"Is it?"
"Yes, I'm terrified of giving in, of justifying my own existence by means of simple reproduction. So many people do or try to. And there are the children, so unfulfilling after all. And they grow up to do nothing but reproduce children who will reproduce, everyone so busy reproducing that there's no time to produce anything. But it's such a temptation. It seems so natural — another dirty word for me. What's the point?"
"You'd have the human race die out?"
"No. We'll multiply in spite of ourselves always. We'll populate the desert. One day there will be little houses and docks all along this shore, signs of our salvation."
"What would you have us do instead?" Evelyn asked.
"Accept damnation," Ann said. "It has its power and its charm. And it's real."
"So we should all get jobs in gambling casinos."
"We all do," Ann said, her voice amused. "What do you think the University of California is? It's just a minor branch of the Establishment. The only difference is that it has to be subsidized."
"Are you talking nonsense on purpose?"
"No, I'm serious."
"You think nothing has any value?"
"No, I think everything has value, absolute value, a child, a house, a day's work, the sky. But nothing will save us. We were never meant to be saved."
"What were we meant for then?"
"To love the whole damned world," Ann said…
"I live in the desert of the heart," Evelyn said quietly, "I can't love the whole damned world." 'Love me, Evelyn.' 'I do.
”
”
Jane Rule (Desert of the Heart)
“
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two.
Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic.
Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.
You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea.
It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas.
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
I think New Mexico was the greatest experience from the outside world that I have ever had. It certainly changed me for ever. Curious as it may sound, it was New Mexico that liberated me from the present era of civilization, the great era of material and mechanical development. Months spent in holy Kandy, in Ceylon, the holy of holies of southern Buddhism, had not touched the great psyche of materialism and idealism which dominated me. And years, even in the exquisite beauty of Sicily, right among the old Greek paganism that still lives there, had not shattered the essential Christianity on which my character was established. Australia was a sort of dream or trance, like being under a spell, the self remaining unchanged, so long as the trance did not last too long. Tahiti, in a mere glimpse, repelled me: and so did California, after a stay of a few weeks. There seemed a strange brutality in the spirit of the western coast, and I felt: O, let me get away!
But the moment I saw the brilliant, proud morning shine up over the deserts of Santa Fe, something stood still in my soul, and I started to attend. There was a certain magnificence in the high-up day, a certain eagle-like royalty, so different from the equally pure, equally pristine and lovely morning of Australia, which is so soft, so utterly pure in its softness, and betrayed by green parrot flying. But in the lovely morning of Australia one went into a dream. In the magnificent fierce morning of New Mexico one sprang awake, a new part of the soul woke up suddenly, and the old world gave way to a new.
”
”
D.H. Lawrence
“
There had been no crises of incident, or marked movements of experience such as in Felipe's imaginations of love were essential to the fulness of its growth. This is a common mistake on the part of those who have never felt love's true bonds. Once in those chains, one perceives that they are not of the sort full forged in a day. They are made as the great iron cables are made, on which bridges are swung across the widest water-channels,--not of single huge rods, or bars, which would be stronger, perhaps, to look at; but myriads of the finest wires, each one by itself so fine, so frail, it would barely hold a child's kite in the wind: by hundreds, hundreds of thousands of such, twisted, re-twisted together, are made the mighty cables, which do not any more swerve from their place in the air, under the weight and jar of the ceaseless traffic and tread of two cities, than the solid earth swerves under the same ceaseless weight and jar. Such cables do not break.
”
”
Helen Hunt Jackson (Ramona (Signet Classics))
“
The Dope Show"
The drugs they say make us feel so hollow
We love in vain narcissistic and so shallow
The cops and queers to swim you have to swallow
Hate today, no love for tomorrow
We're all stars now in the dope show
We're all stars now in the dope show
[Chorus:]
There's a lot of pretty, pretty ones
That want to get you high
But all the pretty, pretty ones
Will leave you low and blow your mind
We're all stars now in the dope show
We're all stars now in the dope show
[x2]
They love you when you're on all the covers
When you're not then they love another
The drugs they say are made in California
We love your face
We'd really like to sell you
The cops and queers make good-looking models
I hate today
Who will I wake up with tomorrow?
[Chorus]
[x2]
They love you when you're on all the covers
When you're not then they love another
[Chorus]
They'll blow your mind
We're all stars now in the dope show
We're all stars now in the dope show
”
”
Marilyn Manson
“
It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.
”
”
David Levithan (Are We There Yet?)
“
Life everywhere is affected by these fires. Residents of Malibu have brought their animals to the beaches for safety, shelter and companionship...
California is a paradise for all. A gift. We are sad to not be able to defend it against Mother Nature's wrath. We love California. We are not ill-prepared. We are up against something bigger than we have ever seen. It's too big for some to see at all. Firefighters have never seen anything like this in their lives. I have heard that said countless times in the past two days, and I have lost my home before to a California fire, now another.
Hopefully we can come together to take Climate Change on. We have the tools and could do it if we tried. There is no downside...
- more at neil young archives website
”
”
Neil Young
“
I used to think one day we'd tell the story of us ; How we met, and the sparks flew instantly. People would say have said they're the lucky ones. I used to know my place was a spot next to you and then it went to me searching the room for an empty seat
'Cause lately I don't even know what page you're on
Oh, a simple complication, Miscommunications lead to fall out. So many things that I wish you knew oh and So many walls up, I can't break through
Now I'm back again on this website after five years
And I'm dying to know does it still hurt you like it hurts me?
I don't know what to say since a twist of fate, when it all broke down and the story of us looks a lot like a tragedy now
How'd we end up this way? With both of us deleting our accounts and going our separate ways
So, today I'm telling the story of us of how I was losing my mind when I saw you had deleted the account and gone away without a goodbye and no I miss yous leaving me with just your quotes on Goodreads
How you held your pride like you should've held me
Why did we pretend this is nothing?
I'd tell you I miss you, but I don't know how
I never heard silence quite this loud
Now I'm standing alone in a crowded room in a UK library reminiscing about the days when I was 15 and you were a 16 California boy; how we fell for each and how we fought both too immature to realize what we were setting up in flames
How I still recall your replies and my singing heart and shining eyes. Didn't tell you back then and now I'm saying I liked it better when you were on my side
So many things that you wish I knew ; So many that I wish I had told you
But the story of us has broken, burned and ended
Now I'm standing alone in a crowded room
And we're not speaking : And I'm dying to know
Is it killing you like it's killing me?
But I don't know what to say
Since a twist of fate, when it all broke down
And the story of us looks a lot like a tragedy now.
”
”
Hearts Can Break and Never Make a Sound
“
A reflection on Robert Lowell
Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that.
To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called.
A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage.
Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials.
Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers.
“They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.”
His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air.
“You look like somebody famous,” she said to him, “but I can’t remember who.”
“Do I?”
“Yes . . . now I remember!— Benjamin Franklin.”
“He was a terrible man, just awful.”
“Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.”
That left Robert Lowell with nothing to do but repeat himself:
“Well, he was a terrible man.”
That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
”
”
Robert Pinsky
“
Exciting news,” she said. “Today we’re going to study three different types of chemical bonds: ionic, covalent, and hydrogen. Why learn about bonds? Because when you do you will grasp the very foundation of life. Plus, your cakes will rise.” From homes all over Southern California, women pulled out paper and pencils. “Ionic is the ‘opposites attract’ chemical bond,” Elizabeth explained as she emerged from behind the counter and began to sketch on an easel. “For instance, let’s say you wrote your PhD thesis on free market economics, but your husband rotates tires for a living. You love each other, but he’s probably not interested in hearing about the invisible hand. And who can blame him, because you know the invisible hand is libertarian garbage.” She looked out at the audience as various people scribbled notes, several of which read “Invisible hand: libertarian garbage.” “The point is, you and your husband are completely different and yet you still have a strong connection. That’s fine. It’s also ionic.” She paused, lifting the sheet of paper over the top of the easel to reveal a fresh page of newsprint.
”
”
Bonnie Garmus (Lessons in Chemistry)
“
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges?
Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash.
Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
”
”
Nathanael West
“
Greenery
Juniper, Oracle Oak and Hop Tree,
California Buckeye, and Elderberry.
Pacific Dogwood and the pale green Eucalyptus,
Quaking Aspen and Flannelbush.
raw, sprouting, lush
green love
green with envy
green with youth
green with early spring
olive, emerald, avocado,
greenlight
ready, set, GO!
greenhouse, greenbelts, ocean kelp,
cucumber, lizard, lime and forest green,
spruce, teal, and putting green.
green-eyed, verdant, grassy, immature
green and leafy
green half-formed
tender, pleasant, alluring
temperate
freshly sawed
vigorous
not ripe
yet
promising
greenbriar, greenbug, green dragon
greenshanks running along the ocean's edge
greenlings swimming
greenlets singing
greengage plums
green thumbs
greenhorns
and greenflies-
how on earth
amid sage swells
kelly hillsides
and swirls of firs
did I ever find
that green of
hers?
holly, drake, and brewster green,
pistachio, shamrock, serpentine
terre verde, Brunswick, tourmaline,
lotus, jade, and spinach green:
start to finish
lowlands to highs
no field, no forest, no leaf, no blade
can catch the light or trap the shade;
no earthly tones will ever rise
to match the green
enchantment
of her eyes.
”
”
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
“
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries.
I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched.
I said, "Let me help."
She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again.
That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist.
I left the old woman at her door.
The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
”
”
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
“
That spring everyone in Judy Chicago’s class collaborated on a 24 hour performance called Route 126. The curator Moira Roth recalls: “the group created a sequence of events throughout the day along the highway. The day began with Suzanne Lacy’s Car Renovation in which the group decorated an abandoned car…and ended with the women standing on a beach watching Nancy Youdelman, wrapped in yards of gossamer silk, slowly wade out to sea until she drowned, apparently…” There’s a fabulous photo taken by Faith Wilding of the car—a Kotex-pink jalopy washed up on desert rocks. The trunk’s flung open and underneath it’s painted cuntblood red. Strands of desert grass spill from the crumpled hood like Rapunzel’s fucked-up hair. According to Performance Anthology—Source Book For A Decade Of California Art, this remarkable event received no critical coverage at the time though contemporaneous work by Baldessari, Burden, Terry Fox boasts bibliographies several pages long. Dear Dick, I’m wondering why every act that narrated female lived experience in the ’70s has been read only as “collaborative” and “feminist.” The Zurich Dadaists worked together too but they were geniuses and they had names.
”
”
Chris Kraus (I Love Dick)
“
Part 3
Anna: St. Clair…
Etienne: And that. Why don’t you call me Etienne any more?
Anna: But … no one else calls you that. It was weird. Right?
Etienne: No. It wasn’t And every time you say St. Clair, it’s like you’re rejecting me again.
Anna: I have never rejected you.
Etienne: But you have. And for Dave.
Anna: And you rejected me for Ellie on my birhtday. I don’t understand. If you liked me so much, why didn’t you break up with her?
Etienne: I’ve been confused. I’ve been so stupid.
Anna: Yes. You have.
Etienne: I deserve that.
Anna: Yes. You do. But I’ve been stupid, too. You were right. About … the alone thing.
Etienne: I’ve been thinking lately. About my mum and dad. How she gives in to him. How she won’t leave him. And as much as I love her, I hate her for it. I don’t understand why she won’t stand up for herself, why she won’t go for what she wants. But I’ve been doing t he same thing. I’m just like her.
Anna: You aren’t like your mom.
Etienne: I am. But I don’t want to be like that any more, I want what I want. I told my father’s friends that I’m studying at Berkeley next year. It worked. He’s really, really angry with me, but it worked. You told me to go for his pride. You were right.
Anna: So.You’re moving to California?
Etienne: I have to.
Anna: Right. Because of your mom.
Etienne: Because of you. I’ll only be a twenty-minute train ride from your school, and I’ll make the commute to see you every night. I’d take a commute ten times that just tob e with you every night. You’re the most incredible girl I’ve ever known. You’re gorgeous and smart, and you make me laugh lilke no one else can. And I can talk to you. And I know after all this I don’t deserve you, but what I’m trying to say ist hat I love you, Anna. Very much.Oh God, And I’ve mucked things up again, haven’t I? I didn’t mean to attack you like this. I mean I did but … all right. I’ll leave. Or you can go down first, and then I’l come down, and I promise I’ll never bother you again…
Anna: No.
Etienne: I’m so sorry. I never meant to hurt you.
Anna: Please stopl apologizing, Etienne.
Etienne: Say my name again
Anna: Etienne.
Etienne: Anna?
Anna: Yes?
Etienne: Will you please tell me you love me? I’m dying here.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Speaking of the happy new year, I wonder if any year ever had less chance of being happy. It’s as though the whole race were indulging in a kind of species introversion — as though we looked inward on our neuroses. And the thing we see isn’t very pretty.
Before the year is over, I think I will be looking back longingly on the Gulf of Lower California — that sea of mirages and timelessness. It is a very magical place.
It is cold and clear here now - the leaves all fallen from the trees and only the frogs are very happy. Great cheering sections of frogs singing all the time. The earth is moist and water is seeping out of the ground everywhere. So we go into this happy new year, knowing that our species has learned nothing, can, as a race, learn nothing — that the experience of ten thousand years has made no impression on the instincts of the million years that preceded.
Maybe you can find some vague theology that will give you hope. Not that I have lost any hope. All the goodness and the heroisms will rise up again, then be cut down again and rise up. It isn’t that the evil thing wins — it never will — but that it doesn’t die. I don’t know why we should expect it to. It seems fairly obvious that two sides of a mirror are required before one has a mirror, that two forces are necessary in man before he is man. I asked Paul de Kruif once if he would like to cure all disease and he said yes. Then I suggested that the man he loved and wanted to cure was a product of all his filth and disease and meanness, his hunger and cruelty. Cure those and you would have not man but an entirely new species you wouldn’t recognize and probably wouldn’t like.
There it is — It is interesting to watch the German efficiency, which, from the logic of the machine is efficient but which (I suspect) from the mechanics of the human species is suicidal. Certainly man thrives best (or has at least) in a state of semi-anarchy. Then he has been strong, inventive, reliant, moving. But cage him with rules, feed him and make him healthy and I think he will die as surely as a caged wolf dies. I should not be surprised to see a cared for, thought for, planned for nation disintegrate, while a ragged, hungry, lustful nation survived. Surely no great all-encompassing plan has ever succeeded. And so I'll look to see this German plan collapse because they do not know enough to plan for everything.
”
”
John Steinbeck (Steinbeck: A Life in Letters)
“
There are Californians who waiver in their allegiance to the climate of California. Sometimes the climate of San Francisco has made me cross. Sometimes I have thought that the winds in summer were too cold, that the fogs in summer were too thick. But whenever I have crossed the continent—when I have emerged from New York at ninety-five degrees, and entered Chicago at one hundred degrees—when I have been breathing the dust of alkali deserts and the fiery air of sagebrush plains—these are the times when I have always been buoyed up by the anticipation of inhaling the salt air of San Francisco Bay.
If ever a summer wanderer is glad to get back to his native land, it is I, returning to my native fog. Like the prodigal youth who returned to his home and filled himself with husks, so I always yearn in summer to return to mine, and fill myself up with fog. Not a thin, insignificant mist, but a fog—a thick fog—one of those rich pea-soup August fogs that blow in from the Pacific Ocean over San Francisco.
When I leave the heated capitals of other lands and get back to California uncooked, I always offer up a thank-offering to Santa Niebla, Our Lady of the Fogs. Out near the Presidio, where Don Joaquin de Arillaga, the old comandante, revisits the glimpses of the moon, clad in rusty armor, with his Spanish spindle-shanks thrust into tall leathern boots—there some day I shall erect a chapel to Santa Niebla. And I have vowed to her as an ex-voto a silver fog-horn, which horn will be wound by the winds of the broad Pacific, and will ceaselessly sound through the centuries the litany of Our Lady of the Fogs.
Every Californian has good reason to be loyal to his native land. If even the Swiss villagers, born in the high Alps, long to return to their birthplace, how much more does the exiled Californian yearn to return to the land which bore him. There are other, richer, and more populous lands, but to the Californian born, California is the only place in which to live. And to the returning Californian, particularly if he be native-born, the love of his birthplace is only intensified by visits to other lands.
Why do men so love their native soil? It is perhaps a phase of human love for the mother. For we are compact of the soil. Out of the crumbling granite eroded from the ribs of California’s Sierras by California’s mountain streams—out of earth washed into California’s great valleys by her mighty rivers—out of this the sons of California are made, brain, and muscle, and bone. Why then should they not love their mother, even as the mountaineers of Montenegro, of Switzerland, of Savoy, lover their mountain birth-place? Why should not exiled Californians yearn to return? And we sons of California always do return; we are always brought back by the potent charm of our native land—back to the soil which gave us birth—and at the last back to Earth, the great mother, from whom we sprung, and on whose bosom we repose our tired bodies when our work is done.
”
”
Jerome Hart (Argonaut Letters)