Riders Love Quotes

Three years? That's a thousand tomorrows, ma'am.

And woman is the same as horses: two wills act in opposition inside her. With one will she wants to subject herself utterly. With the other she wants to bolt, and pitch her rider to perdition.

I love to kill fish,' Sayle went on. 'But when I saw this specimen of Physalia physalis, I knew I had to capture it and keep it. You see, it reminds me of myself.' 'It's ninety-nine per cent water. It has no brain, no guts and no anus.' Alex had dredged up the facts from somewhere and spoken them before he knew what he was doing.

Do whatever you must, Karigan," he told her, his voice so quiet it would not carry, "to come back. You must come back. To me." ~King Zachary

Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it

Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard. Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes. She abandoned all pretense of decorum and ran at him.

I stand in Minas Anor, the Tower of the Sun; and behold! the Shadow has departed! I will be a Shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.

Umm. Wow. Did it grow? Because it looks bigger." "Kissin' your red-hot love flower made this stem grow big and hard just for you, baby doll." AJ managed to meet his eyes. "Love flower?" "Thought maybe you wanted some kinda sweet-talkin' love words first.

Will you walk with me out on the wire, cuz baby, I'm just a scared and lonely rider, but I gotta know how it feels... I want to know love is wild, babe, I want to know love is real.

You love me, and-' 'Loved,' I correct him, sidestepping so I can get some fucking space and then taking it. 'Love!' he shouts, stopping me in my tracks and earning us a glance from every rider within hearing distance. 'You love me.

She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost, she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: a papier-mâché horse.

I love you. When I say it, I don’t say it lightly. I say it because when I look at you, I see an angel who God let slip through his fingers to leave behind just for me.

You are the woman I love. You’re my wife. I never put my ring on another woman. I never gave them my love. I never gave them me. Not once. Only to you, my wife, have I given myself to. Don’t you ever doubt that again.

It is far. But there is no journey upon this earth that a man may not make if he sets his heart to it. There is nothing, Umbopa, that he cannot do, there are no mountains he may not climb, there are no deserts he cannot cross; save a mountain and a desert of which you are spared the knowledge, if love leads him and he holds his life in his hand counting it as nothing, ready to keep it or to lose it as Providence may order.

And now let us love and take that which is given us, and be happy; for in the grave there is no love and no warmth, nor any touching of the lips. Nothing perchance, or perchance but bitter memories of what might have been.

You were always saying you were gonna shoot him," he mutters, but it's kind of half-hearted. "Stupid fucking little tit, he needs a bullet in his head. What do you keep him round for, anyway?" Because he makes me laugh. Because, fuck knows why, he adores me. Because he needs somebody to look after him and nobody else knows how. Because everything about us is wrong and I never ever want to be right. Because I wake up in the morning and see him sleeping next to me with his stupid dyed hair and his stupid painted nails and his stupid toy monkey and I remember I love him so much I don't know what to do, I love him I love him I LOVE HIM.

Who in the world has not yearned for a loved one, has never said, If only he or she could come back just once, just one more time...? Despite the fact that it can never happen, never ever. Surely this is the saddest thing about our mortal world, and its sadness will go on shrouding human life like a blanket of fog until its final extinction.

I must court her now,' said the Prince. 'Leave us alone for a minute.' He rode the white expertly down the hill. Buttercup had never seen such a giant beast. Or such a rider. 'I am your Prince and you will marry me,' Humperdinck said. Buttercup whispered, 'I am your servant and I refuse.' 'I am your Prince and you cannot refuse.' 'I am your loyal servant and I just did.' 'Refusal means death.' 'Kill me then.' 'I am your Prince and I’m not that bad — how could you rather be dead than married to me?' 'Because,' Buttercup said, 'marriage involves love, and that is not a pastime at which I excel. I tried once, and it went badly, and I am sworn never to love another.' 'Love?' said Prince Humperdinck. 'Who mentioned love? Not me, I can tell you. Look: there must always be a male heir to the throne of Florin. That’s me. Once my father dies, there won’t be an heir, just a king. That’s me again. When that happens, I’ll marry and have children until there is a son. So you can either marry me and be the richest and most powerful woman in a thousand miles and give turkeys away at Christmas and provide me a son, or you can die in terrible pain in the very near future. Make up your own mind.' 'I’ll never love you.' 'I wouldn’t want it if I had it.' 'Then by all means let us marry.

He loved them deeply, but sometimes love becomes a power game between the ambitions that parents have for their children and the ambitions that children have for themselves.

In the old days, spies had done they'd done because they loved their country, because they believed in what they were doing. But he'd never been given a choice. Nowadays, spies weren't employed. They were used.

Women love the last blow as well as the last word, and when they fight for love they are pitiless as a wounded buffalo.

I know it’s stupid, but I’m just so crazy in love with her I wanted everyone to know it. To see how lucky I am. To brag that this…perfect woman is mine. That she picked me. That she loves me.” “What do you care that the whole world knows that?” Colt said. “Jeez, Carter, the only important thing is you know.” Colby and Cord both gave Colt an odd look.

Kiss me. I love the way you kiss me. Like I'm the only thing in the world. When I'm kissin' you, sweetheart you are the only thing in my world

Oh, hell, no. I saw you with the rifle.” He glanced over at her, and his voice went a notch deeper. “It was fucking hot. I love a badass female.

I swear...I'll deliver the message for the love of my country.

Xaden loves me. He chose me. I will be the most powerful rider of my generation.

Yes." His gaze grew distant. "If I'd have the chance, if my position permitted, I would have pleaded with her not to accept the mission because of the danger, and because I couldn't bear the thought of..." "Of losing her?

You may question our knowledge, test our honor or dedication as riders and fliers. Serve up riddles, fake scenarios, chess games for all I care. But if you think I’m going to leave the only woman I’ve ever loved to contract marriage with a woman I do not get along with, then the lack of wisdom is yours, not mine.

Why do you like show jumping?" "... Beauty and excitement. The elements of trust, talent, training, love, and danger make show jumping a thrilling and aesthetic experience. It's really the ultimate test of two nervous systems--the kinetic transfer of the rider's muscle to the horse's muscle enables them to clear those jumps. And there's nothing like it--horse and rider forming an arc of beauty, efficiency, and power, like a double helix." "DNA," "Yes, DNA, the code to life.

Don't you love being alive?" asked Miranda. "Don't you love weather and the colors at different times of the day, and all the sounds and noises like children screaming in the next lot, and automobile horns and little bands playing in the street and the smell of food cooking?" "I love to swim, too." said Adam. "So do I," said Miranda, "we never did swim together.

Man doeth this and doeth that from the good or evil of his heart; but he knows not to what end his sense doth prompt him; for when he strikes he is blind to where the blow shall fall, nor can he count the airy threads that weave the web of circumstance. Good and evil, love and hate, night and day, sweet and bitter, man and woman, heaven above and the earth beneath--all those things are needful, one to the other, and who knows the end of each?

Brother, please. I can’t lose her. I’m not like you and the others. I can pretend I have emotions, but they’re not there for anyone. There’s nothing inside of me except shadows. Lily drives the shadows away. She feels everything she can’t even stand to crush a fucking flower under her foot and I don’t feel anything unless I’m with her, I can’t lose that. I waited so long for her, I’ve loved her for years; she’s only loved me for a few weeks.

I love you” he whispered against her lips. “I want you. I didn’t see you coming. You blindsided me, and I wouldn’t change a thing.

Poor innocent me, just going about my business, then you raped me down the ear with your gun." Lindsay nicks the bottle, smirking just slightly, and say's " You loved it, you tart.

God, she loved this man. She loved his gruff, sweet, thoughtful sides. And his edgy side. She wasn’t in love with the perfect Cord McKay she’s been fantasizing over forever, but the real flesh and blood man. The real man. Flaws and all.

Valentine clears his throat. "So. Why can't you just say it?" "Say what?" "You know what." "It's hardly the time or place." "It is if you're dying." "I can't." "You're a dick. Just fucking say it!" "I can't! I'm... English." "What am I, a Martian? I say it all the time. I know you love me, why can't you say it?" "If you know, then why do I have to?" "You're missing the point a bit." "I took your bullet, you little twat, don't you dare question whether I love you." "Yeah, but you could say it." The throb of the gunshots is pounding all down his arm and body. The pain's so bad he wants to cry, like he's five and he's skinned his knee coming off his bike. "Je t'aime," he says, through gritted teeth, to shut the kid up. "Je ne sais pas pourquoi. Tu es... complètement bête, tu t'habilles comme une pute travestie, je hais ta musique, tu es fou, tu me rends fou, mais je suis fou de toi et je pense à toi tout le temps et je t'aime, oui. Tu comprends? Je t'aime. Seulement... pas en anglais. Je ne peux pas." Valentine's shifting about like he's uncomfortable. "I ain't got no idea what you just said but I think I need to change my pants." "Maintenant, ta gueule.

A great fear came over me, and my body went entirely cold, and I stood as if paralyzed with fear; for I knew that the horse was no earthly horse, but the pale horse that will be sent at the Day of Reckoning, and the rider of it is Death; and it was Death himself who stood behind me, with his arms wrapped around me as tight as iron bands, and his lipless mouth kissing my neck as if in love. But as well as the horror, I also felt a strange longing.

She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I

The Clock on the Morning Lenape Building Must Clocks be circles? Time is not a circle. Suppose the Mother of All Minutes started right here, on the sidewalk in front of the Morning Lenape Building, and the parade of minutes that followed--each of them, say, one inch long-- headed out that way, down Bridge Street. Where would Now be? This minute? Out past the moon? Jupiter? The nearest star? Who came up with minutes, anyway? Who needs them? Name one good thing a minute's ever done. They shorten fun and measure misery. Get rid of them, I say. Down with minutes! And while you're at it--take hours with you too. Don't get me started on them. Clocks--that's the problem. Every clock is a nest of minutes and hours. Clocks strap us into their shape. Instead of heading for the nearest star, all we do is corkscrew. Clocks lock us into minutes, make Ferris wheel riders of us all, lug us round and round from number to number, dice the time of our lives into tiny bits until the bits are all we know and the only question we care to ask is "What time is it?" As if minutes could tell. As if Arnold could look up at this clock on the Lenape Building and read: 15 Minutes till Found. As if Charlie's time is not forever stuck on Half Past Grace. As if a swarm of stinging minutes waits for Betty Lou to step outside. As if love does not tell all the time the Huffelmeyers need to know.

Rider: I want to be the guy with a future, with his shit togetherand wo has hope. I want to be the guy worthy of your love, and I'll swear, if you'll have me, I'll do everything in my power to be that man. I'll never stop trying. Ever.

the usual graffiti on the wall. JRH WAS HERE. NICK LOVES CASS. Visitors leaving the worst parts of themselves behind in fluorescent paint.

I was, and still am, a dramatic rider. I believe that there’s no point in doing something if you aren’t going to do it with all of your heart.

Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it.

For deep love unsatisfied is the hell of noble hearts and a portion of the accursed, but love that is mirrored back more perfect from the soul of our desired doth fashion wings to lift us above ourselves, and makes us what we might be.

To the young, indeed, death is sometimes welcome, for the young can feel. They love and suffer, and it wrings them to see their beloved pass into the land of shadows.

I’ll park somewhere dark.” She fisted his T-shirt, not even ashamed of her desperation. “Out of the way—“ ”Tempting…so…fucking…tempting.” He gently peeled her hand away, slammed the door, and got in the driver’s side. Then he turned to her, the harsh planes of his face in the shadows creating a savage expression the stuck her tongue to the roof of her mouth. ”I need you in a bed tonight, Jillian. I need more than a fuck. I need to make love to you until neither one of us can move, because after tonight, I don’t want there to be even the slightest doubt that you’re mine.

When you love someone, their struggles become yours, and their hurt is your hurt.

I love you, Mackenzie. This may be crazy, but I don’t give a fuck. I’m obsessed with you, and I can’t shake it.

What is love but a pain we choose?

I'm here. Right here, right beside you where I've always been and where I'm always gonna be. I ain't goin' nowhere. I love you. Come back to me. Please.

You are like the beach at dawn when the fog comes in; each of those things is lovely on its own, but together, they can be magical.

You’re still a rider, with all the benefits and shit that come with wearing black. So with all the love in my heart, put your fucking uniform on, because we need you.

There are two things in the world, as I have found out, which cannot be prevented: you cannot keep a Zulu from fighting, or a sailor from falling in love upon the slightest provocation!

It would be nice to believe that we humans were designed to love everyone unconditionally. Nice, but rather unlikely from an evolutionary perspective. Parochial love—love within groups—amplified by similarity, a sense of shared fate, and the suppression of free riders, may be the most we can accomplish.

He tries again, swallowing hard to ease away the painful lump in his throat. "It's just important. I love you. I'm yours. I need people to know." "Alright," Lindsay says suddenly. He leans down to grab at Pip's bag, throwing stuff out onto the carpet, his iPod and phone and wallet and gloves and Attitude magazine until he finds what he's looking for, a green marker pen, and holds it between his teeth while he starts tugging at the hem of Pip's t-shirt. Pip's too surprised to do anything but submit, he lets Lindsay peel off his t-shirt and throw that on top of all the things from his bag then just watches as Lindsay pulls the pen out of the cap in his mouth and signs his name in big green letters on the side of Pip's stomach. He holds his breath, trying not to suck in the belly fat everybody else keeps telling him is imaginary. "There, you're mine, are you fucking happy now?" Lindsay snaps, and throws the recapped pen across the room to get lost in the bookcase somewhere.

I love you, Jillian. I love you, and I want this to be the start of something new.” … “I love this life, I love you, and I want to start our lives together now.” “You’re… serious?” “Can you handle not knowing who I was? … Can you deal with the man I am now?” “Yes,” she whispered in a husky rasp. “Oh, yes.” “Good,” he said, lowering his mouth to her throat. “Because the man I am now is who I want to be. Forever.

but as far as his Icy was concerned he was just a man taking care who what he loved most. Priorities shifted so subtly it was hard to see sometimes, but when she’d come back into his life his priorities had taken a hard swerve in her favor, and he didn’t apologize for it.

Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.

The love she felt for Rider never quit. He was handsome and then some. The kind of sexy that tied her belly in knots just having his blue eyes rake over her. It banked a fire from within and spread out with just one of his signature smiles. The kind that was part smug-bastard and charming Romeo.

I love you, Caro. I ain't an easy man to love. I'm grateful every damn day that you see past what's on the surface and know the man I am down deep. It's never scared you - even when it's scared me. You give me more happiness and love in one day than I ever thought I'd have in a lifetime. Thank you.

He'd loved that she'd fought back, that she was no pushover. That wasn't wanted in a woman, but maybe it was just what he needed.

E anche se aveva problemi di lavoro e una storia infelice con una donna dalla lingua lunga, almeno aveva imparato a ridere meglio di chiunque altro al mondo.

...it wasn't for the love of a man that she took those chances, but for the love of a horse.

Fedeli al duro accordo non ci cerchiamo più. Così i bambini giocano a non ridere per primi guardandosi negli occhi e alcuni sono così bravi che diventano tristi per la vita intera.

Bullshit. The love of my life was a scribe.” Steadily, we climb, twisting along the staircase. “I put you into the Riders Quadrant so you’d have a shot at surviving, and then I called in the favor Riorson owed me for putting the marked ones into the quadrant.

Do you love your country and your king?" Karigan paused. What a curious question. King Zachary was relatively new to the throne and she knew little of his policies or methods, but it wouldn't do to sound disloyal to a dying servant of Sacoridia. "Yes." "I'm a messenger...Green Rider." The young man's body spasmed with pain, and blood dribbled over his lip and down his chin. "The satchel on the saddle...important message for...king. Life or death. If you love Sacor...Sacoridia and its king, take it. Take it to him.

Making her happy was his vocation. Sure, he loved making money, thrived on it sometimes. The chase was his adrenalin. Being top dog, another high. Even when it brought headache after another. But his girl’s being happy with everything they both could possibly need? Rider had no ceiling on what he wouldn’t do for Zara and Harper.

When I love, Francesca, it’s with everything in me. I’m loyal and I’m a fighter, which means I’ll fight with my last breath to make certain my woman is happy. I expect those in my life to be the same way.

How...how do you feel about me?” “I think it’s pretty obvious.” “Let’s just say I need a detailed account.” His lashes lifted and his eyes met mine. “I can do that for you.” “Okay.” I leaned toward him. “I never once stopped thinking about you when you were taken away. Four years. All I could hope was that you were in a good place. Never expected you to walk into school. Didn’t even allow myself to dream about that. And then you did, and seeing you blew me away. You were just like I remembered, but different. The hints of the girl I saw in you when we were younger were now right in front of me. The moment you said my name—the moment you hugged me I knew.” Rider reached between us, folding his hand around mine. “I knew I’d fall in love with you and I did. I love you, Mallory.” My lips parted on an inhale. “What?” “I love you, and not the kind of love we had for each other when we were younger, you know? Paige knows that. So does Hector. So did Jayden. I love you.

And I want you to know that I heard what you said in that speech,' Rider said, his voice scratchy. 'I might've saved you all those years ago, but now you've saved me,' My heart stuttered and then sped up. I reacted without thought. Placing the book on the bed, I launched myself at Rider just as he came off the window seat. We collided. I folded my arms around him as we went down onto the floor, me partially in his lap and his arms tight around my waist, his face burrowed against my neck. I felt a tremor run through his body and then he shook in my arms. I held him tighter as he broke into pieces, and years of holding it together shattered. I held him through it all. Then it was me who put Rider back together.

Any man that's got the guts to sell his soul for love has got the power to change the world. You didn't do it for greed, you did it for the right reason. Maybe that puts God on your side. To them that makes you dangerous, makes you unpredictable. That's the best thing you can be right now.

She wondered if you could love someone too much. If you could it wasn't fair. People didn't have a chance. Love was all you had in the end. It was like sleep, like clean water. When you fell off the world there was still love because love made the world. That's what she believed. That's how it was.

Stop it,' he whispered. Hid lidded eyes winced. His hands faltered up to cover his face. Dusty did not stop. 'If I'd known you-if I'd known you when you were alive, I think I would have loved you, too.' Dusty, please stop.' He could barely speak. I think I do love you.' Her voice had dropped to a whisper, because it was a truth like a silver sword. 'I think I do. I cry, too.

Dear Father, thank You for this beautiful day, fulfilling Willa’s and my desire to join our two souls together with Your holy blessing. Hand in hand, we come before You, giving our hearts to You, and in return, we trust our faith to guide us through the journey You have set forth for us. “Make our marriage as flexible as this cord I wrap around our wrists so that our love will continue to grow through the years. Make our marriage as strong as the diamond I placed on her hand. I promise to give Willa a smile for every smile, a kiss for every kiss, to hurt every time she hurts until our bond is as unbreakable as our devotion to You. Amen

Now I must get up and go while they are all quiet. Where are my things? Things have a will of their own in this place and hide where they like. Daylight will strike a sudden blow on the roof startling them all up to their feet; faces will beam asking, Where are you going, What are you doing, What are you thinking, How do you feel, Why do you say such things, What do you mean? No more sleep. Where are are my boots and what horse shall I ride? Fiddler or Graylie or Miss Lucy with the long nose and the wicked eye? How I have loved this house in the morning before we are all awake and tangled together like badly cast fishing lines.

You have the lovers, they are nameless, their histories only for each other, and you have the room, the bed, and the windows. Pretend it is a ritual. Unfurl the bed, bury the lovers, blacken the windows, let them live in that house for a generation or two. No one dares disturb them. Visitors in the corridor tip-toe past the long closed door, they listen for sounds, for a moan, for a song: nothing is heard, not even breathing. You know they are not dead, you can feel the presence of their intense love. Your children grow up, they leave you, they have become soldiers and riders. Your mate dies after a life of service. Who knows you? Who remembers you? But in your house a ritual is in progress: It is not finished: it needs more people. One day the door is opened to the lover's chamber. The room has become a dense garden, full of colours, smells, sounds you have never known. The bed is smooth as a wafer of sunlight, in the midst of the garden it stands alone. In the bed the lovers, slowly and deliberately and silently, perform the act of love. Their eyes are closed, as tightly as if heavy coins of flesh lay on them. Their lips are bruised with new and old bruises. Her hair and his beard are hopelessly tangled. When he puts his mouth against her shoulder she is uncertain whether her shoulder has given or received the kiss. All her flesh is like a mouth. He carries his fingers along her waist and feels his own waist caressed. She holds him closer and his own arms tighten around her. She kisses the hand besider her mouth. It is his hand or her hand, it hardly matters, there are so many more kisses. You stand beside the bed, weeping with happiness, you carefully peel away the sheets from the slow-moving bodies. Your eyes filled with tears, you barely make out the lovers, As you undress you sing out, and your voice is magnificent because now you believe it is the first human voice heard in that room. The garments you let fall grow into vines. You climb into bed and recover the flesh. You close your eyes and allow them to be sewn shut. You create an embrace and fall into it. There is only one moment of pain or doubt as you wonder how many multitudes are lying beside your body, but a mouth kisses and a hand soothes the moment away.

He loved the city most at night. The night hid many of the sorrows. It silenced the city yet brought deep undercurrents to the surface. It was in this dark slipstream that he believed he moved most freely. Behind the cover of shadows. Like a rider in a limousine, he looked out but no one looked in. There was a random feel to the dark, the quirkiness of chance played out in the blue neon light. So many ways to live. And to die.

Strolling, keeping step, his stout polished well-made boots setting themselves down firmly beside her thin-soled black suede, they put off as long as they could the end of their moment together, and kept up as well as they could their small talk that flew back and forth over little grooves worn in the thin upper suface of the brain, things you could say and hear clink reassuringly at once without disturbing the radiance which played and darted about the simple and lovely miracle of being two persons named Adam and Miranda, twenty-four years old each, alive and on earth at the same moment: 'Are you in the mood for dancing, Miranda?' and 'I'm always in the mood for dancing, Adam!' but there were things in the way, the day that ended with dancing was a long way to go.

Our teachers urged us toward the example of freedom marchers, Freedom Riders, and Freedom Summers, and it seemed that the month could not pass without a series of films dedicated to the glories of being beaten on camera. The black people in these films seemed to love the worst things in life - love the dogs that rent their children apart, the tear gas that clawed at their lungs, the firehorses that tore off their clothes and tumbled them into the streets. They seemed to love the men who raped them, the women who cursed them, love the children who spat on them, the terrorists that bombed them. Why are they showing this to us? Why were only our heroes nonviolent? I speak not of the morality of nonviolence, but of the sense that blacks are in especial need of this morality.

My goodness, I am made from planets and wood, diamonds and orange peels, now and then, here and there; the iron in my blood was once the blade of a Roman plow; peel back my scalp and you will see my cranium covered in the scrimshaw carved by an ancient sailor who never suspected he was whittling at my skull — no, my blood is a Roman plow, my bones are being etched by men with names that mean sea wrestler and ocean rider and the pictures they are making are pictures of northern stars at different seasons, and the man keeping my blood straight as it splits the soil is named Lucian and he will plant wheat, and I cannot concentrate on this apple, this apple, and the only thing common to all of this is that I feel sorrow so deep, it must be love, and they are upset because while they are carving and plowing they are troubled by visions of trying to pick apples from barrels.

Love's empire is this globe and all mankind; the most refined and the most degraded, the cleverest and the most stupid, are all liable to become his faithful subjects. He can alike command the devotion of an archbishop and a South-Sea Islander, of the most immaculate maiden lady (whatever her age) and of the savage Zulu girl. From the pole to the equator, and from the equator to the further pole, there is no monarch like Love.

In Rome on the Campo dei Fiori Baskets of olives and lemons, Cobbles spattered with wine And the wreckage of flowers. Vendors cover the trestles With rose-pink fish; Armfuls of dark grapes Heaped on peach-down. On this same square They burned Giordano Bruno. Henchmen kindled the pyre Close-pressed by the mob. Before the flames had died The taverns were full again, Baskets of olives and lemons Again on the vendors' shoulders. I thought of the Campo dei Fiori In Warsaw by the sky-carousel One clear spring evening To the strains of a carnival tune. The bright melody drowned The salvos from the ghetto wall, And couples were flying High in the cloudless sky. At times wind from the burning Would drift dark kites along And riders on the carousel Caught petals in midair. That same hot wind Blew open the skirts of the girls And the crowds were laughing On that beautiful Warsaw Sunday. Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on. Already they were back at their wine Or peddled their white starfish, Baskets of olives and lemons They had shouldered to the fair, And he already distanced As if centuries had passed While they paused just a moment For his flying in the fire. Those dying here, the lonely Forgotten by the world, Our tongue becomes for them The language of an ancient planet. Until, when all is legend And many years have passed, On a great Campo dei Fiori Rage will kindle at a poet's word.

Love...love is the only thing that doesn't hurt. So many people are afraid of it. I think I was five years ago. Afraid that loving you would hurt me, one way or the other. But love doesn't hurt. Abuse hurts, and loneliness hurts, and jealousy hurts, and lies hurt. But love? Love heals. Love puts back together things that were broken before. Which is what you've done for me. So promising you, that's easy. I don't want to be anywhere else but with you. No matter what.

I loved Rider. Oh, God. I was in love with him. I knew that much was true. Love was the swelling, hopeful feeling in my chest every time I saw him. Love was the way I could forget about everything when I was with him. Love was the catch in my breath when he looked at me in his intense way. Love was the gasp he could draw out of me with the simplest of touches. Love was the way I could...I could be myself around him, know that I didn’t need to be perfect or worry about what he was thinking, because he accepted me.

As Kate fell into the rhythm of Darby’s stride—horse and rider becoming one—she felt her spirits soar. For a little while, with the scenery blurring by, she was no longer Traitor Kate. No longer the girl despised by a kingdom. No longer the girl cast aside by the friend and prince she had once loved. In moments like these, atop a horse and flying over the ground, she glimpsed her old life. She became Kate Brighton again. Daughter of Hale Brighton, master of horse to the high king. She was free. A girl with a future. Someone who mattered.

Cycling has nothing to do with the Tour de France. Racing a bike is a totally different sport than just being into cycling. Cycling is this therapeutic, beautiful mode of transportation where you attach yourself to this machine and it becomes part of you. Then you can go to all of these new places that you weren’t able to go before, and that has nothing to do with racing. I’m not a bike racer; I’m a bike rider. I love riding my bike, but I also love testing what I can do on my bike. So, in that regard, I am a racer. But if I had been born in Belgium and I had to race in Belgium all the time, I would’ve never gotten to the level that I am now, because the racing over there is so stressful. It just takes everything away from the niceness of being able to ride a bike.

You’re right.” A wicked little grin tugged at his lips. “I think we should celebrate.” Pausing, he waggled his brows at me. “We have fifty minutes now. I only need, like, five of them.” “Oh my God,” I laughed, shoving at his shoulders. “You’re terrible.” “I’m not terrible.” His eyes met mine, and the flutter was back, deeper and more dizzying. “I’m in love.” Oh, gosh. My heart swelled like a balloon, and all I could do was stare at him for several seconds before I managed to whisper, “I love you, too.” “I know.” Rider lowered his mouth to mine, and the kiss scattered my thoughts.

I die, and yet not dies in me The ardour of my love for Thee, Nor hath Thy Love, my only goal, Assuaged the fever of my soul. To Thee alone my spirit cries; In Thee my whole ambition lies, And still Thy Wealth is far above The poverty of my small love. I turn to Thee in my request, And seek in Thee my final rest; To Thee my loud lament is brought, Thou dwellest in my secret thought. However long my sickness be, This wearisome infirmity, Never to men will I declare The burden Thou has made me bear. To Thee alone is manifest The heavy labour of my breast, Else never kin nor neighbors know The brimming measure of my woe. A fever burns below my heart And ravages my every part; It hath destroyed my strength and stay, And smouldered all my soul away. Guidest Thou not upon the road The rider wearied by his load, Delivering from the steeps of death The traveller as he wandereth? Didst Thou not light a beacon too For them that found the Guidance true But carried not within their hand The faintest glimmer of its brand? O then to me Thy Favour give That, so attended, I may live, And overwhelm with ease from Thee The rigor of my poverty.

Please, please, you have to, I never ask you for anything, please just do it." "What are you talking about? You always ask me for everything." "Okay, then, but you always do it, so don't change the rules now." He knows its true. That's just the way they work. As much as he grouses and sneers and makes a big show of authority, he can't deny the kid a thing. If he wants a vintage Aston Martin so he can play at being James Bond, he gets one. If he wants to go one top, he can. He says he's never been to Africa and Lindsay goes online and books flights that same day to Morocco because he wants to see the smile when he presents Valentine with tickets. When the kid suggests setting a camcorder up in the bedroom so they can watch the tape back later and laugh at their stupid sex-faces, Lindsay goes along with it, wincing all the way, because he always says no and he never really means it in the end. This is love, he supposes, and it's mental.

Uneasy Rider" Falling in love with a mustache is like saying you can fall in love with the way a man polishes his shoes which, of course, is one of the things that turns on my tuned-up engine those trim buckled boots (I feel like an advertisement for men’s fashions when I think of your ankles) Yeats was hung up with a girl’s beautiful face and I find myself a bad moralist, a failing aesthetician, a sad poet, wanting to touch your arms and feel the muscles that make a man’s body have so much substance, that makes a woman lean and yearn in that direction that makes her melt/ she is a rainy day in your presence the pool of wax under a burning candle the foam from a waterfall You are more beautiful than any Harley-Davidson She is the rain, waits in it for you, finds blood spotting her legs from the long ride.

A cowboy is someone who loves his work. Since the hours are long—ten to fifteen hours a day—and the pay is $30 he has to. What's required of him is an odd mixture of physical vigor and maternalism. His part of the beef-raising industry is to birth and nurture calves and take care of their mothers. For the most part his work is done on horseback and in a lifetime he sees and comes to know more animals than people. The iconic myth surrounding him is built on American notions of heroism: the index of a man's value as measured in physical courage. Such ideas have perverted manliness into a self-absorbed race for cheap thrills. In a rancher's world, courage has less to do with facing danger than with acting spontaneously—usually on behalf of an animal or another rider. If a cow is stuck in a bog hole he throws a loop around her neck, takes his dally (a half hitch around the saddle horn), and pulls her out with horsepower. If a calf is born sick, he may take her home, warm her in front of the kitchen fire, and massage her legs until dawn. One friend, whose favorite horse was trying to swim a lake with hobbles on, dove under water and cut her legs loose with a knife, then swam her to shore, his arm around her neck lifeguard-style, and saved her from drowning. Because these incidents are usually linked to someone or something outside himself, the westerner's courage is selfless, a form of compassion.

I don’t want you involved in any of that.” “Because you care about me?” “Of course.” I narrowed my eyes. “I don’t want to worry about you getting hurt.” He stepped in and his other hand settled just above my hip. “Because you want to be with me?” “Yes.” That word was easy to speak. Rider smiled then and the right dimple appeared. “You want to be my girlfriend.” I opened my mouth and then I laughed. It sounded strange after the seriousness of our conversation, but the statement was sweet and silly. His cheeks pinked. “Not sure how I feel about that laugh,” he teased. “But I do love the sound of it.” My breath caught at the word. Love. Oh, gosh, was that what was happening here? “So do you? Want to be my girlfriend?” he asked, and then chuckled. “Probably should’ve brought this up before I kissed you, but I want...I want to see where this goes, Mallory. I feel like we got a second chance, you know? I’ve been thinking that since I sat down in speech and saw you sitting there. We have a second chance. And who gets second chances?” I searched his gaze, feeling a rightness deep in my chest. I had thought the same thing before, about second chances. “I don’t want to pass that up.

Abraxos hurtled in, wings spread as he made one pass and then a second, the canyon appearing too fast below. By the time he finished the second glide, almost close enough to touch that bloodstained leathery hide, Manon understood. He couldn’t stop Keelie—she was too heavy and he too small. Yet they could save Petrah. He’d seen Asterin make that jump, too. She had to get the unconscious witch out of the saddle. Abraxos roared at Keelie, and Manon could have sworn that he was speaking some alien language, bellowing some command, as Keelie made one final stand for her rider and leveled out flat. A landing platform. My Keelie, Petrah had said. Had smiled as she said it. Manon told herself it was for an alliance. Told herself it was for show. But all she could see was the unconditional love in that dying wyvern’s eyes as she unbuckled her harness, stood from the saddle, and leapt off Abraxos.

Leo Vincey, know now the truth; that all things are illusions, even that there exists no future and no past, that what has been and what shall be already is eternally. Know that I, Ayesha, am but a magic wraith, foul when thou seest me foul, fair when thou seest me fair; a spirit-bubble reflecting a thousand lights in the sunshine of thy smile, grey as dust and gone in the shadow of thy frown. Think of the throned Queen before whom the shadowy Powers bowed and worship, for that is I. Think of the hideous, withered Thing thou sawest naked on the rock, and flee away, for that is I. Or keep me lovely, and adore, knowing all evil centred in my spirit, for that is I. Now, Leo, thou hast the truth. Put me from thee for ever and for ever if thou wilt, and be safe; or clasp me, clasp me to thy heart, and in payment for my lips and love take my sin upon thy head! Nay, Holly, be thou silent, for now he must judge alone.

I wasn’t asking for my father, Vi. I was asking for me.” “You what?” I forget all pretense of watching the sparring match, giving Halden my full attention. “I never told you I was sorry.” His face softens, and his gaze skims over my face like he’s noticing every detail that’s changed. “And I should have. If you’re not with Riorson—” “I am in love with him.” I bristle. “I haven’t so much as thought about you in years. Don’t chase just because you like a challenge. You’ll lose.” Halden scoffs. “Anyone who’s ever dated a rider knows their first priority—their first love—is their dragon. Once you accept that, another man hardly feels like a challenge.” My lips part. He’s right. Our first priorities are our dragons. They’re irreplaceable. “Besides, with all this time we have coming up together on this mission, I thought maybe you’d at least be willing to have a quiet dinner with me?” His smirk slips. “Tell me you don’t let your non-boyfriend control you. Allow me to apologize properly, the way I should have three years ago.” He lifts a hand toward the loosened strands of my braid, but never makes it. Shadows blast straight through the wards and hit Halden in the chest like a battering ram, sending the crown prince of Navarre flying backward—straight into the rock wall. Shit.

In Tibet, we have a traditional image, the windhorse, which represents a balanced relationship between the wind and the mind. The horse represents wind and movement. On its saddle rides a precious jewel. That jewel is our mind. A jewel is a stone that is clear and reflects light. There is a solid, earthly element to it. You can pick it up in your hand, and at the same time you can see through it. These qualities represent the mind: it is both tangible and translucent. The mind is capable of the highest wisdom. It can experience love and compassion, as well as anger. It can understand history, philosophy, and mathematics—and also remember what’s on the grocery list. The mind is truly like a wish-fulfilling jewel. With an untrained mind, the thought process is said to be like a wild and blind horse: erratic and out of control. We experience the mind as moving all the time—suddenly darting off, thinking about one thing and another, being happy, being sad. If we haven’t trained our mind, the wild horse takes us wherever it wants to go. It’s not carrying a jewel on its back—it’s carrying an impaired rider. The horse itself is crazy, so it is quite a bizarre scene. By observing our own mind in meditation, we can see this dynamic at work. Especially in the beginning stages of meditation, we find it extremely challenging to control our mind. Even if we wish to control it, we have very little power to do so, like the infirm rider. We want to focus on the breathing, but the mind keeps darting off unexpectedly. That is the wild horse. The process of meditation is taming the horse so that it is in our control, while making the mind an expert rider.

I do love a good tree. There it stands so strong and sturdy, and yet so beautiful, a very type of the best sort of man. How proudly it lifts its bare head to the winter storms, and with what a full heart it rejoices when the spring has come again! How grand its voice is, too, when it talks with the wind: a thousand aeolian harps cannot equal the beauty of the sighing of a great tree in leaf. All day it points to the sunshine and all night to the stars, and thus passionless, and yet full of life, it endures through the centuries, come storm, come shine, drawing its sustenance from the cool bosom of its mother earth, and as the slow years roll by, learning the great mysteries of growth and of decay. And so on and on through generations, outliving individuals, customs, dynasties -- all save the landscape it adorns and human nature -- till the appointed day when the wind wins the long battle and rejoices over a reclaimed space, or decay puts the last stroke to his fungus-fingered work. Ah, one should always think twice before one cuts down a tree!

Mmm, nice," he said close to her ear. She turned her head to look at him and their lips were almost touching. "What's nice?" she asked breathlessly. "You." He sat down and pulled her into his arms, brushing her lips lightly and then deepening the kiss. "Lord, I've been wanting to hold you all day," he whispered against her lips. She cupped his lean, square jaw in her hands. "Me,too. Please, can we go someplace to be alone?" "Darlin', God knows I crave that delectable little body of yours but we really shouldn't. It's not fair to you." Willow slid off his lap and knelt, shaking her finger at him. "Listen, Tumbleweed, I'll tell you what's not fair. It's that damn kiss-and-run routine! It ain't fair to get me so...so...horny!" Rider burst out laughing. God how he wished he could tell her how much he loved her. He settled for folding her in his arms and showing her instead. When they both came up for air, she smiled seductively and threaded her fingers through the dark hair exposed in the vee of his shirt. "Rider," she whispered seductively. "I love touching you." Rider was lost.

Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try. “Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control. “I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.” But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer. “Sally,” he says. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.

Willow gazed up at him, her silly grin still in place. "You know wha'? You're kinda cute when you crook your eyebrows down like tha'." Rider muttered a curse, lifted her off the floor, and tossed her over his shoulder. "Juan, you and Hicks help Mrs. Brigham to her room. I'll take care of this little hellion." Willow lifted her head from where she dangled over Rider's shoulder. "See yuh later, Mrs. B." Miriam smiled and waved. "i think Mrs. B is pickled," Rider's passenger said in a loud whisper as he hauled her out the door. "No thanks to you,hellion," he growled, and smacked her bottom. "Ow!" As he carried Willow into the house, Rider was hard pressed to quell a sudden urge to laugh. In her bedroom, he unceremoniously dumped her on her bed, but when he turned to leave, her pitiful sounding voice halted his exit. "Rider,come here a min-it." "Oh,hell, I suppose you're going to be sick." Grabbing a basin off her dresser, he shoved it under her chin. "It serves you right, you know." He watched nervously as she knocked the bowl aside. "Dun...don't be mad." She held her arms out to him. "Come closer. Gimme a kiss and we'll make up. I like your kisses so-o-o-o much." This time Rider couldn't stall his grin and inadvertently leaned closer. She was on him like a duck on a June bug. With two hearty handfuls of his shirt, she yanked him down on top of her and plastered her mouth against his. Talking against his lips, the tipsy girl had the audacity to complain, "Not like this. Do it like before. You know, with your tongue." Rider squeezed his eyes shut and groaned. This isn't fair, he bemoaned silently. He tried to rise but Willow held tight, squirming her voluptuous little body against his. Sweat broke out on his forehead. If he didn't put a stop to this soon...He lifted his mouth from hers. "If I promise to kiss you with my tongue, will you let go of me and go to sleep?" "Uh-huh." Willow's eyes drooped, but the affect appeared more seductive than drunken. Lifting her shoulders slightly off the bed, he wound his arms around her and covered her mouth with his. His tongue explored hers in a long, liquid kiss, tasting of wine and desire. Rider savored its promise, wishing just this once, he could be less a gentleman. Willow wrapped one of her legs over his and shifted her hips, innocently aligning his swelling heat with hers. He started and bolted off the bed. "Holy hell! You did it again!" "What?" Her voice was sluggish and sleepy now. Disgusted with himself, Rider stomped to the door. "Sleep it off, Freckles." Outside Willow's door, Rider slumped against the wall and shook his head. Willow Vaughn was a constant surprise, and he loved the girl so bad it hurt.