Richard Steele Quotes

We've searched our database for all the quotes and captions related to Richard Steele. Here they are! All 100 of them:

I'm steel-toed boots in a ballet-slipper world.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
Reading is to the mind what exercise is to the body.
Richard Steele
The finest steel has to go through the hottest fire.
Richard M. Nixon
I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (“Advance Notice”)
Richard Matheson (Collected Stories, Vol. 1)
...the tongues of men are not much leashed by concerns for accuracy or truth.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Congratulations," he said, his voice dry. "You finally managed to find a woman as tragically noble as yourself. I didn't think one existed." "I'm not tragic." Kaldar held up his hand. "Spare me. Some children are born wearing a silk shirt; you were born wrapped in melancholy. When they slapped you to make you cry, you just sighed heavily and a single tear rolled from your eye." He dragged his finger from the corner of his left eye to his cheek. " Your first words were probably 'woe is me.'" "My first words were 'Kaldar, shut up!' because you talked too much. Still do.
Ilona Andrews (Steel's Edge (The Edge, #4))
When a man you know to be of sound mind tells you his recently deceased mother has just tried to climb in his bedroom window and eat him, you only have two basic options. You can smell his breath, take his pulse and check his pupils to see if he's ingested anything nasty, or you can believe him.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Is he a scumbag in training?” Richard glanced at the gunman. “At least have the decency to hold the gun properly, you fool. If you don’t know how, pass it to someone who does. I’m not going to suffer being shot at by anything less than a full- fledged lowlife. (Richard)
Ilona Andrews (Steel's Edge (The Edge, #4))
If she died as a result of this journey, it wouldn't be because of slavers. It would be because Richard's inability to communicate would give her a heart attack.
Ilona Andrews (Steel's Edge (The Edge, #4))
The big rules of knife fighting are (a) do not try it at home, and (b) the whole point is never, ever use the blade. It is there to distract your opponent. While he stares at the gleaming steel, you kick his balls to kingdom come--he's all yours. Just a tip!
Keith Richards (Life)
Reading is to the mind what exercise is to the body.
Richard Steele
Potential, and the will to deploy it. That's all magic is in the end, you know.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
I have often lamented that we cannot close our ears with as much ease as which we close our eyes.
Richard Steele
Running away just makes your arse a bigger target.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
I'd appreciate it if in the future when you come up with a plan that makes a hardened criminal pause, you could at least give me the gist of it ahead of time. In broad strokes.
Ilona Andrews (Steel's Edge (The Edge, #4))
Where’d you learn to drive? (Steele) Richard Petty’s School of Driving. Had a great instructor there named Steven Norbert who showed me how to dog the shit out of en engine. Why? (Joe)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
If you don’t know the men at your back by name, don’t be surprised if they won’t follow you into battle. On the other hand, don’t be surprised if they will, either, because there are countless other factors you must take into account. Leadership is a slippery commodity, not easily manufactured or understood.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Everyone's afraid of what they don't understand," Ringil said quietly.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
A good businessman is hard to bruise and quick to heal.
Richard Preston (American Steel)
Whenever you commend, add a compelling reason for doing so; it is this which distinguishes the approbation of a man of sense from the flattery of sycophants and the admiration of fools.
Richard Steele
People are sheep, Ringil raged. Moronic fucking sheep.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
You should have heard the boatman who brought me up here from the Glades. Fire in the northern sky, lights in the marshes, a black dog heard barking through the night. Doesn’t occur to anyone to wonder how exactly you can tell it’s a black dog just from the fucking bark it makes.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
I’ve heard that said about outlanders and enemies before, and I don’t generally trust it. Just too bloody convenient, the quick and easy way to deal with difference. Oh, they’re not like us, they’re insane. It saves you having to think too much.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Men were like blades, they would all break sooner or later, you included. But you looked around at the men you led, and in their eyes you saw what kind of steel you had to hand, how it had been forged and tempered, what blows, if any, it would take.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
She was beautiful and radiant. He remembered the concern in her eyes. The same concern drove her now, pushing her toward acts of violence. On the surface, he'd be a fool to turn her down. She was driven by tragedy, just like him, and she would be incorruptible, just like him. He needed a blade to kill, but she could kill dozens at once empty-handed. She was Death, and she had just asked to be his ally.
Ilona Andrews (Steel's Edge (The Edge, #4))
What do you have in this car?" he asked. "What do you mean, like weapons?" "That would be a good start." "Well, I 've got a mini Swiss Army Knife on my key chain." "A two-inch stainless steel blade and a nail file. They might as well surrender to us now....
Richard Castle (Storm Front (Derrick Storm, #4))
You know nothing of me.” Through clenched teeth. “Nothing. You’ve fucked me, that’s all. Well, that’s a crowded hole you’re in, darling. And us humans, we’re a lying, dissembling bunch, remember. Doesn’t pay to trust us between the sheets any more than anywhere else.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
From a legal point of view—” He shook his head. “Forget the law. It isn’t going to help. They’ll cite it where it suits them, ignore it where it doesn’t. They’re clerics, Archeth. They spend their whole fucking lives selectively interpreting textual authority to advantage.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Books — the warm, leather-skinned weight of them in your hands, the way they smelled when you lifted them close to your face. The unfeasibly heart-jolting shock once, as a tome fell heavily open at some much-visited page, divided itself neatly in two blocky halves along the spine — and you thought, guiltily, that you’d broken it.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
In that case, it's good that you're a human Cuisinart," she said. "I'm sorry?" "A Cuisinart. It's an appliance from the Broken. You put vegetables into it, push a button, and it chops them into tiny pieces." Richard frowned. "Why would you need an appliance to chop vegetables? Wouldn't it be easier to chop them with a knife?" "It's meant to save time," she explained. "Does it?" "Well, cleaning it usually eats up most of the time you save on chopping." "So you're telling me that I'm useless." "It's a neat gadget!" "And I'm hard to clean, apparently." She checked his face. Tiny sparks danced in his eyes. He was pulling her leg. Well. If that's how it is... "Considering last night's argument, I think that you're remarkably difficult to clean." "There probably is a retort to this that's not off-color," he said. "But I can't think of one.
Ilona Andrews (Steel's Edge (The Edge, #4))
His lack of condemnatory zeal gave him a reputation in the religious hierarchy that ensured he would always remain a humble teacher in a backwater town.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
These are pious, clean-living men, worshipping at the temple of their own bodies.” “Hmm. Sounds distinctly erotic.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
People spend their lives in the service of their passions instead of employing their passions in the service of their lives.
Richard Steele
Your definition of ‘well’ is troubling at best.” He suddenly smiled and affected a slight accent. “‘I do not think that word means what you think it means.’” He was obviously quoting something he and Jason seemed to know that she did not. Jason grinned. “Ha, she ain’t a princess, and you wish you were that good a swordsman.
Ilona Andrews (Steel's Edge (The Edge, #4))
The Lady Ishil gestured. "Oh, we asked. It wasn't difficult. Everyone in this pigsty of a town seems to know where you sleep." A delicately curled lip. She let him go. "And with who." Ringil ignored that one. "I'm a hero, Mother. What do you expect?
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
...you and I will be dust and half-remembered tales before they even start to build that city. But it will come, and when it does, this sword will still be there to see it. Kiriath steel — built to harm, built to last. When all the damage it’s done and the grief it’s caused have been forgotten, even by the gods, when the Kiriath themselves have passed into discredited myth, this murderous fucking ... thing ... will hang unused, and harmless, and gaped at by children. That’s how it ends, Gil. With no one to remember, or care, or understand what this thing could do when you set it free.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
It was the blue-tinged taste of a regret so deep you could never plumb its depths. It was the victory at Rajal that never came, it was his brother walking away down the long dark wood corridor, it was a life he might have had in Yhelteth if disgust and fury had not sent him away in disgrace instead. It was the slaves he could not free, the screaming women and children of Ennishmin he could not save, the piled-up, silent dead and the smashed-in, ruined homes. It was every wrong decision he'd ever made, every path he'd failed to walk, fanned out and held up for him to understand, and it hurt.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Humans, short-lived and locked out of the gray places for life, do not do well with uncertainty. If they cannot have what might, what could, what should, and perhaps most awful of all what should have been, then they will dream it up instead, imagine it into being in whatever twisted or beautiful form suits, and then drive their fellows to their knees in chains by the thousand and million to pretend in chorus that it is so.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Reading is to the mind what exercise is to the body.
null
Reading is to the mind what exercise is to the body
Joseph Addison
In the end, she realized, he had successfully invited them all to die simply by promising to do it with them. It was all they would ask of any commander.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
We should employ our passions in the service of life,” Sir Richard Steele wrote, “not spend life in the service of our passions.
Joan D. Chittister (Following the Path: The Search for a Life of Passion, Purpose, and Joy)
Asked how this affected "detente," Sir Alec said the Soviets move when they see an opportunity. They always have. Like a knife, they push ahead when they hit butter, and back away when they hit steel...Soviet policy seeks a "maximum of confusion and a minimum of commitment.
Patrick J. Buchanan (The Greatest Comeback: How Richard Nixon Rose from Defeat to Create the New Majority)
Well.” Ringil gave the Throne Eternal captain another brittle little smile. “You know, the thing about fucking is, it’s a lot less wear and tear than trying to kill each other with bits of steel. And it’s the sort of thing that does tend to lead to confidences and favours if you play it right. Ask any woman, she’ll tell you that. Unless of course your experiences in that direction are limited, as, come to think of it, yours probably are, to whores and rape.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Freed hands both rising for the pommel now, so natural, so smooth, it was like Kiriath machinery, as if he were machinery, a cunningly crafted clockwork Kiriath mannequin, built to complement the steel. He felt the accustomed kiss of the grip on his palms, felt the grin on his face turn into a snarl. Cold chime as the scabbard gave up its embrace. And the Ravensfriend came out.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Ringil lifted his right hand as if it pained him, put it slowly and wonderingly up to his shoulder and touched the pommel of his sword like, well, like he was caressing someone's prick, to be honest.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
And now he couldn’t cloak it any longer, the leaking sense of loss, more fucking loss, soaking through into the same old general, swirling sense of betrayal, years upon pissed-away years of it, made bitter and particular on his tongue now, as if Grace-of-Heaven had come wormwood into his mouth in those final clenched, pulsing seconds.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Awakened by a thousand dogs, a passing truck, the tailspin of a poisoned mosquito (or, perhaps, merely the silence of my dreams), I had, before remembering who and where I was, seen only that green sun suspended in the firmament of my room (her uterus bottled in preserving fluids) and, through seconds that became millennia, millennia aeons, felt the steadfastness of my orbit around that cold glow of love, a marvelous fatal steadfastness, before my pupils dilated and shadows and unease once more defined reality, the steel box naked but for a mattress and insomnious bugs where I had lived, in a coma of heartbreak and drunkenness, the six months since Primavera's death.
Richard Calder (Dead Girls, Dead Boys, Dead Things)
And I pray mark how he begins: he sets not up trophies to himself, but triumphs in his God-- "I will love thee, O Lord, my strength." As the love of God is the beginning of all our mercies, so love to God should be the end and effect of them all. As the stream leads us to the spring, so all the gifts of God must lead us to the giver of them.
Richard Steele
He had torn a ragged wound in it, laying open its moist white meat, but it wouldn’t break, it wouldn’t give, and it made the children laugh each time the shovel bounced and rang in his hands. The delicate noise of their laughter, the look of their tulip-soft skin and of their two sunny skulls, as fragile as eggshell, made a terrible contrast to the feel of biting steel and shuddering pulp, and it was his sense of this that made his eyes commit a distortion of truth.
Richard Yates (Revolutionary Road)
Sophie raised her head. Light filtering through the trees dappled her face. “Hawk.” Charlotte looked up as well. A bird of prey soared above the treetops, circling around them. “It’s dead,” Sophie said. “George is guiding it. He is very powerful.”The realization washed over Charlotte in a cold gush of embarrassment. “Is George spying on Richard and me?” “Always,” Sophie said. “All those perfect manners are a sham. He spies on everyone and everything. Declan hasn’t been able to conduct a single business meeting in the past year without George’s knowing all the details. He does let go when you make love. He is a prude.” “‘Prude’ is a coarse word. He has a sense of tact,” Charlotte corrected before she caught herself. “A sense of tact,” Sophie repeated, tasting the words. “Thank you. The other one is somewhere around here, too.” “The other one?” Sophie surveyed the woods. “I can smell you, Jack!” “No, you can’t,” a distant voice answered
Ilona Andrews (Steel's Edge (The Edge, #4))
In the distance Richard could see the skyscrapers of Los Angeles rising out of the ocean; barnacle crusted concrete and steel emerging from crashing waves. Once a symbol of economic might, they were now a macabre monument to the mortality of man.
Alexander Ferrick (HACK3R)
It seems lies come very easily to your race. They lie to those they lead, to their mates and fellows no matter how close- drawn, even to themselves if it will make the world around them more bearable. It is hard to know what to believe in this place.” Something
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
The sunset competes with the red glow over Johnstown. And I know, at any given moment, metal is liquid fire lighting the night sky, becoming steel that will build tracks to anywhere she might be. It will build bridges between the glittering stars and the likes of me.
Jame Richards (Three Rivers Rising: A Novel of the Johnstown Flood)
No one in that city understands, Gil, because it doesn’t matter to them anymore. They’ve never learned to fear the steel and the men who carry it, and none of them ever will, because they don’t have to. Because in this place I’ve seen, men like that don’t exist anymore. We don’t exist anymore. Sounds like a beautiful fucking place. How do I get there? Ringil grinned fiercely up at the Kiriath clan captain. Oh wait — you’re going to tell me the rents are sky-high, right? And how am I going to earn a living if they keep their swords in a museum?
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
Common men make a distinction between gods and demons, Poltar, but it’s ignorance to talk that way. When the powers do our will, we worship them as gods; when they thwart and frustrate us, we hate and fear them as demons. They are the same creatures, the same twisted unhuman things. The shaman’s path is negotiation, nothing more. We tend the relationship with the powers so they bring us more benefit than ruin. We can do no more.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Pull on the cold, clinking mail of your professional detachment, Archeth Indamaninarmal, inhabit it until it starts to feel warm and accustomed, and in time you’ll forget you’re wearing it at all. You’ll only notice when it works, when it stops you feeling the steel-edged bite of something that might otherwise have gotten through and done you some damage. And then you’ll just grin and shiver and shake off the blow, like warriors do.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Can’t fucking believe it’s come to this,” it muttered. “Negotiating with a fucking herdsman — you know, sometimes it’s — listen, I was the thief of fire once, you goat-shagging thug. You know that? The fucking doom bringer to kings.” An arm thrown out in exasperation. “Back when the earth was young, back when there was still a moon in the fucking sky, I pulled on whatever flesh was needful and I struck terror into the hearts of the powerful and enthroned all across this mudball world, and another dozen like it. I took the spirit form and strode across measureless ... ah, fuck it, never mind.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Take up citizenship and the conversion it entailed, send a couple of your sons to the levy when they were of age, pay taxes calculated not to drive you and your family into penury or the mountains and the life of a bandit. Oh, and while you’re at it, steer clear of debt and disease. Chances were — mostly — if you did all that, you’d never starve, never have your home burned down and your children raped before your eyes, never have to wear a slave collar.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
But I won’t watch them go to war again. I’ve been to war, you know, to save civilization from the reptile hordes. I bled for it, I saw friends and other men die for it. And then I watched men like you piss it away again, the civilization we’d saved, in squabbles over a few hundred square miles of territory and what language the people get to speak there, what color their skin and hair is and what kind of religious horseshit they get crammed down their throats.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
You know God does not manifest Himself,” Halgan shouted. “That is also heresy. The Revelation is not corporeal. You know this. Why do you persist in this perverted speech?” “I like perverted. Maybe you would, too, if you gave it a chance.” “Leave my men alone,” Rakan said coldly. “Degenerate.” Ringil smooched a kiss at him.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Fortified with self-loathing, with the reserves of sardonic contempt he’d absorbed in his time spent around Milacar, he’d gone to the gate tight-lipped and filled with a strange, queasy energy, as if walking to his own execution as well as Jelim’s. He’d known at some deep, cold level that he would cope. He was wrong. Utterly.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
And he remembered then where he was, remembered how he'd come to be there, the years it had taken, and last of all he remembered he was old.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
There were always the stories, of course, the war legends, but who— other than himself, in Jhesh's tavern, increasingly wearily—still told those?
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
It's no time here. I am time here. I am all the time you need.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Well, you know, there's a Skaranak saying for times like these: Running away just makes your arse a bigger target.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
It was beginning to feel practised.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
the end, she realized, he had successfully invited them all to die simply by promising to do it with them. It was all they would ask of any commander.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Hard things don't always make life harder. It takes something hard to sharpen steel.
Richard Paul Evans (The Broken Road (The Broken Road, #1))
They're brutal, moronic, they have the ethical consciousness of apes and the initiative levels of sheep. But you took the field against the reptiles for them nonetheless. Why?” Ringil
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
The taxi driver felt that it was a good observation, and said he was planning to build for the future, too: he had some money on the horses, and if he won, he would buy his own taxicab, and really do well. I felt very sorry. I told him that betting on the horses was a bad idea, but he insisted it was the only way he could do it. He had such good intentions, but his method was going to be luck. I wasn't going to go on philosophizing, so he took me to a place where there was a steel band playing some great calypso music, and I had an enjoyable afternoon.
Richard P. Feynman
I’ll tell you what I see, and at no charge. You know much of war, you carry its spirit stabbed deep inside you, just as he up there has the steel within him. Just as deeply buried, just as hard and unyielding to all the softer things you are and want and own to. And just as bitter in its wounding. You think you’ll be free of it one day; you carry it as if the wound will someday heal. But for you, just as for him, there will be no healing.” “Wow.” Ringil reached up left-handed and tapped the pommel of the Ravensfriend with his fingers. “Nice guesses. I’m sorry, Granny. It’s still no sale.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
But this you must know: the violent murder of a mother- when a boy is at the tender age, when he is just discovering girls- it is a terrible thing. confusingly mixed up with all the things feminine, it leaves a charred residue on the soul, like the black marks found at the bottom of a burned pot. no matter how much you scrub and scrub the pot bottom with steel wool and cleansers, the scars, they are permanent
Richard C. Morais (The Hundred-Foot Journey)
The building was crowded with men and women packing stuff into boxes and bags, leather stuff, nylon, canvas, and rubber stuff, with brass rings and silver chains, steel buckles and studded straps. Elephant stuff.
Richard Schmitt
Humans, short- lived and locked out of the gray places for life, do not do well with uncertainty. If they cannot have what might, what could, what should, and perhaps most awful of all what should have been, then they will dream it up instead, imagine it into being in whatever twisted or beautiful form suits, and then drive their fellows to their knees in chains by the thousand and million to pretend in chorus that it is so.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
I’m now requesting you refrain from calling me this early in the morning, before I’ve had a chance to steel my defenses against hearing you utter the word ‘lizard.’” -- spoken by Dr. Jeri Asheer... to Chris Dixon.
Richard Finney
Today the city melted in a heat wave. The crystal skyscrapers glittered like knives (this is a city of knives), steel-and-glass blades inlaid with the reflections of other knives, mirrors within mirrors within mirrors, knives that thrust up at the scorched clouds, presaging that evening's little death… As always, beneath the vaulted brilliance the infernal shadows of the streets were filled with the phantoms of murdered girls.
Richard Calder (Dead Girls, Dead Boys, Dead Things)
Except once, long ago, over an estrangement with his wife Mariotta, Lord Culter had never been jealous of the young brother he had seen grow from babyhood. Until the moment Francis had left home at sixteen, a prisoner of war to the English, Richard knew him solely as a blond and delicate boy, interested only, it seemed, in reading and music, whose apparent fragility concealed a will of steel, and a turn of phrase which could wound like a sword-cut.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
Back in the early years, before the war, there'd been another set of words up on that sign: COME IN AND LOOK AROUND— YOU MIGHT SEE SOMETHING THAT LIKES YOU, surrounded by a ring of arcane— and, Ringil always suspected, fake— Aldrain glyphs.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
There's a general hate in the hearts of men. You went to war, Gil, you should know that better than anyone. It's like the heat of the sun. Men like Kaad are just the focal figures, like lenses to gather the sun's rays on kindling. You can smash a lens, but that won't put out the sun.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
If they cannot have what might, what could, what should, and perhaps most awful of all what should have been, then they will dream it up instead, imagine it into being in whatever twisted or beautiful form suits, and then drive their fellows to their knees in chains by the thousand and million to pretend in chorus that it is so.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Some years ago, two social psychologists, Edward Jones and Richard Nisbett, argued that when it comes to explaining people's behavior-something like achievement problems, for example there is a big difference between the "observer's perspective"-the perspective of a person observing the behavior-and the "actor's perspective"-the perspective of a person doing the behavior. As observers, Jones and Nisbett said, we're looking at the actor, the person doing the behavior we are trying to explain. Thus the actor dominates our literal and mental visual field, which makes the circumstances to which he is responding less visible to us. In the resulting picture in our minds, the actor sticks out like a sore thumb and the circumstances to which he is responding are obscured from view. Jones and Nisbett held that this picture causes a bias when we try to explain the actor's behavior. We emphasize the things we can see. We emphasize things about the actor-characteristics, traits, and so on-that seem like plausible explanations for her behavior. And we deemphasize, as causes of her behavior, the things we can't see very well, namely, the circumstances to which she is adapting.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
The cultural Left has contributed to the formation of this politically useless unconscious not only by adopting “power” as the name of an invisible, ubiquitous, and malevolent presence, but by adopting ideals which nobody is yet able to imagine being actualized. Among these ideals are participatory democracy and the end of capitalism. Power will pass to the people, the Sixties Left believed only when decisions are made by all those who may be affected by the results. This means, for example, that economic decisions will be made by stakeholders rather than by shareholders, and that entrepreneurship and markets will cease to play their present role. When they do, capitalism as we know it will have ended, and something new will have taken its place. […] Sixties leftists skipped lightly over all the questions which had been raised by the experience of non market economies in the so-called socialist countries. They seemed to be suggesting that once we were rid of both bureaucrats and entrepreneurs, “the people” would know how to handle competition from steel mills or textile factories in the developing world, price hikes on imported oil, and so on. But they never told us how “the people” would learn how to do this. The cultural Left still skips over such questions. Doing so is a consequence of its preference for talking about “the system” rather than about specific social practices and specific changes in those practices. The rhetoric of this Left remains revolutionary rather than reformist and pragmatic. Its insouciant use of terms like “late capitalism” suggests that we can just wait for capitalism to collapse, rather than figuring out what, in the absence of markets, will set prices and regulate distribution. The voting public, the public which must be won over if the Left is to emerge from the academy into the public square, sensibly wants to be told the details. It wants to know how things are going to work after markets are put behind us. It wants to know how participatory democracy is supposed to function. The cultural Left offers no answers to such demands for further information, but until it confronts them it will not be able to be a political Left. The public, sensibly, has no interest in getting rid of capitalism until it is offered details about the alternatives. Nor should it be interested in participatory democracy –– the liberation of the people from the power of technocrats –– until it is told how deliberative assemblies will acquire the same know-how which only the technocrats presently possess. […] The cultural Left has a vision of an America in which the white patriarchs have stopped voting and have left all the voting to be done by members of previously victimized groups, people who have somehow come into possession of more foresight and imagination than the selfish suburbanites. These formerly oppressed and newly powerful people are expected to be as angelic as the straight white males were diabolical. If I shared this expectation, I too would want to live under this new dispensation. Since I see no reason to share it, I think that the left should get back into the business of piecemeal reform within the framework of a market economy. This was the business the American Left was in during the first two-thirds of the century. Someday, perhaps, cumulative piecemeal reforms will be found to have brought about revolutionary change. Such reforms might someday produce a presently unimaginable non market economy, and much more widely distributed powers of decision making. […] But in the meantime, we should not let the abstractly described best be the enemy of the better. We should not let speculation about a totally changed system, and a totally different way of thinking about human life and affairs, replace step-by-step reform of the system we presently have.
Richard Rorty (Achieving Our Country: Leftist Thought in Twentieth-Century America)
If a piece of steel or a piece of salt, consisting of atoms one next to the other, can have such interesting properties; if water—which is nothing but these little blobs, mile upon mile of the same thing over the earth—can form waves and foam, and make rushing noises and strange patterns as it runs over cement; if all of this, all the life of a stream of water, can be nothing but a pile of atoms, how much more is possible? If
Richard P. Feynman (Six Easy Pieces: Essentials of Physics Explained by Its Most Brilliant Teacher)
Common men make a distinction between gods and demons, Poltar, but it's ignorance to talk that way. When the powers do our will, we worship them as gods; when they thwart and frustrate us, we hate and fear them as demons. They are the same creatures, the same twisted unhuman things. The shamans path is negotiation, nothing more. We tend the relationship with the powers so they bring us more benefit than ruin. We can do no more. And
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
No.” A look of dawning comprehension. “Ah, that. The regret, is that what you’re talking about? This sense of loss? Yes, he always talked about that, too. It’s a mortal thing, as far as I can tell. The aspect storm is a warp in the fabric of every possible outcome the universe will allow. It gathers in the alternatives like a bride gathering in her gown. For a mortal, those alternatives are mostly paths they’ll never take, things they’ll never do. At some level, the organism seems to know that.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
In a city of almost three million people, a white van stands out about as much as a pigeon in a park. White vans deliver flowers, they carry plumbers, and boxes destined for front porches. This white van is unlike the rest; it has been customized. The flooring has been torn up and replaced with sheets of steel, powder-coated with black paint so they won’t rust or show stains. Metal drains have been installed, complete with catches, drilled in three separate places for easy maintenance and cleaning. There are thick metal eyebolts fastened into the frame in several spots, impossible to remove, at various heights up and down the walls. The gas tank is a custom installation, almost double the normal size, holding up to thirty gallons of gas, which means that it can drive for almost six hundred miles, to St. Louis and back, without running out of fuel. It can also cruise the dark streets all night long—for days, even weeks—before finally becoming empty, frequent gas station stops to be avoided. And the windows are tinted black, illegal of course, but hardly drawing any attention, so dark that even standing up next to them, it’s impossible to see inside. And for the driver, that’s a good thing—a very good thing, indeed.
Richard Thomas (Breaker)
A steel-grey sedan pulled up a disused track and parked beneath the grim walls of Glamtallon Castle. Alec MacCrimmon, unofficial county historian and caretaker of the timeworn tower, turned off the ignition but refused to leave the relative comfort of his car. With hands clasped so tight to the steering wheel that his knuckles turned white, he glanced up at the fortress and shivered. Even though bathed in the golden rays of the late afternoon sun, the lichen-festooned edifice exuded an algid chill. MacCrimmon never liked the look or feel of the place. He especially disliked being anywhere near it so close to sunset.
Richard H. Fay (Trio of Terror: Three Horror Stories)
One holds the knife as one holds the bow of a cello or a tulip-by-the stem. Not palmed not gripped not grasped, but lightly, with the tips of the finger. The knife is not for pressing. It is for drawing across the field of skin. Like a slender fish, it waits at the ready, then go! It darts, followed by a thin wake of red. The flesh parts, falling away to yellow globules of fat. Even now, after so many times, I still marvel at its power-cold, gleaming, silent. More, I am still struck with a kind of dread that it is I whose hand the blade travels, that my hand is its vehicle, that yet again, this steel-bellied thing and I have conspired for a most unnatural purpose, the laying open of a body of a human being. Richard Selzer: Down from Troy
Richard Selzer
Several Obama administration officials sympathetic to Holbrooke said they felt that antipathy toward him and his campaign for diplomacy may have squandered the United States’ period of maximum potential in the region. When US troop deployments were high, both the Taliban and the Pakistanis had incentives to come to the table and respond to tough talk. Once we were leaving, there was little reason to cooperate. The lack of White House support for Holbrooke’s diplomatic overtures to Pakistan had, likewise, wasted openings to steel the relationship for the complete collapse that followed. Richard Olson, who took over as ambassador to Pakistan in 2012, called the year after Holbrooke’s death an “annus horribilis.” We lost the war, and this is when it happened.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
The military actively encouraged, when it did not finance directly, the giant cyclotrons, betatrons, synchrotrons, and synchrocyclotrons, any one of which consumed more steel and electricity than a prewar experimentalist could have imagined. These were not so much crumbs from the weapons-development table as they were blank checks from officials persuaded that physics worked miracles. Who could say what was impossible? Free energy? Time travel? Antigravity? In 1954 the secretary of the army invited Feynman to serve as a paid consultant on an army scientific advisory panel, and he agreed, traveling to Washington for several days in November. At a cocktail party after one session, a general confided that what the army really needed was a tank that could use sand as fuel.
James Gleick (Genius: The Life and Science of Richard Feynman)
By the middle of the 17th century in Japan the concept of focus had evolved to a high level of sophistication and had taken on the psychological overtones that we will examine later in this chapter. In his classic on strategy, A Book of Five Rings (1645), the samurai who is best known in the West, Miyamoto Musashi, removed the concept from the physical world entirely by designating the spirit of the opponent as the focus: Do not even consider risking a decision by cold steel until you have defeated the enemy’s will to fight.59 This is a revealing statement by a man reported to have won some sixty bouts, virtually all of which ended in the death of his opponent (not surprising, when you consider that the samurai long sword, the tachi, was a four foot blade of steel, sharp as a modern razor, and strong enough to chop cleanly through a water pipe.) Once you accept Musashi’s dictum as a strategic principle, then you might ask how to carry it out, how to actually defeat the opponent’s spirit. Musashi was no mystic, and he grounded all his methods in real actions his students could take. We will encounter him and his techniques many times in this book. The ability to rapidly shift the focus of one’s efforts is a key element in how a smaller force defeats a larger, since it enables the smaller force to create and exploit opportunities before the larger force can marshal reinforcements.
Chet Richards (Certain to Win: The Strategy of John Boyd, Applied to Business)
The finest steel must go through the hottest fire.
Richard M. Nixon
An ugly blue- steeled Mauser leaped into his hand as his finger curled hungrily around its trigger.
Richard Sale (House of Terror - 6 Tales of Weird Mystery [Illustrated])
To do something like that a man must have had either nerves of steel - or a few screws loose.
Phillip Richards (C.R.O.W. (The Union Series, #1))
What was a prisoner of war anyway? Less than a man, just material to be used to make the railway, like the teak sleepers and steel rails and dog spikes.
Richard Flanagan (The Narrow Road to the Deep North)
It’s funny that I’m the one talking about helping Bert,” Victor said, “and not the other way around. I told you my grandfather came to America from Europe for a better life. My uncle died fighting communists in Poland. My dad worked for twenty-five years in an auto plant. He carried a lunch-pail every day. My mom worked part time at the five and ten. Bert’s uncles are big shots in various industries, his dad gives money to the art institute uptown. They’ve had money and position for generations. Bert wants to throw all that out and if he gets his way, no one else will ever have a chance. I used to think that the left....” Victor’s fingers trembled. Without paying attention to what he was doing, he put a spoonful of mashed potatoes into the ash tray with his pipe. “Why does he bother you?” Juliet asked. “You know his dreams will never come to pass. So does he.” She touched his hand. “It’s still warm. Let’s go outside. I’d like to look at the moon.” They walked to Lake Otrobe. The glow from a distant steel mill reddened the southern sky. “Industry,” Victor said admiringly. “Creating wealth.” He began to sputter again on the way back when they passed the apartment building where Bert lived. They looked up at a lighted window. A dark figure with his back to the street sat in a gray armchair, still, his head down. “He’s fallen asleep reading,” Victor mumbled. “Engels no doubt or Lenin or one of those other thieves.
Richard French (Guy Ridley)
An author, when he first appears in the world, is very apt to believe it has nothing to think of but his Performances.
Richard Steele
A favor well bestowed is almost as great an honor to him who confers it as to him who receives it.
Richard Steele