Ribs Cracking Quotes

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It's okay," I said soothingly. "You're just getting your stride back. Once you're up to full power, I'll go crack a rib or something so we can test it." She groaned. "The horrible part is that I don't think you're joking.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I crush her against me. I want to be part of her. Not just inside her but all around her. I want our rib cages to crack open and our hearts to migrate and merge. I want our cells to braid together like living thread.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
I hugged him without any kind of fear or self-consciousness, fiercely, with a rush of emotion that almost brought tears to my eyes. "I could kiss you!" Chubs cried. "Please don't!" I gasp out, feeling his arms tighten around my ribs to the point of cracking them.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I knew that a part of him would never be the same. They cracked more than his ribs.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
At Camp Half-Blood. The Hades cabin needs a head counsellor. Have you seen the decor? It’s disgusting. I’ll have to renovate. And someone needs to do the burial rites properly, since demigods insist on dying heroically.’ ‘That’s – that’s fantastic! Dude!’ Jason opened his arms for a hug, then froze. ‘Right. No touching. Sorry.’ Nico grunted. ‘I suppose we can make an exception.’ Jason squeezed him so hard Nico thought his ribs would crack.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind. I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind. I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.
Anne Sexton (To Bedlam and Part Way Back)
The difference between being loved and being fucked is I can’t remember how the first feels. I come to bed quiet, kiss with my eyes closed, hate how easily I touch you. Find me the sweetest boy, with a heart more hopeful than spun sugar on a hot day, I will teach him the meaning of meaningless nights. The whole time, every moment, wishing he’d crack me open, rib by rib, to see how I work. How I bleed.
Clementine von Radics
How are you?" "Perfectly fine," he said. "Are your ribs broken?" "Probably not. Cracked at most. We fought very carefully." "Did this settle anything?" "It made me feel better," he said, sitting up. "Did you see me kick him in the kidneys?" "I saw.
Ilona Andrews (On the Edge (The Edge, #1))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
That evening, Dudley paraded around the living room for the family in his brand new uniform...As he looked at Dudley in his new knickerbockers, Uncle Vernon said gruffly that if was the proudest moment of his life. Aunt Petunia burst into tears and said she couldn't believe it was her Ickle Dudleykins, he looked so handsome and grown-up. Harry didn't trust himself to speak. He thought two of his ribs might already have cracked from trying not to laugh.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
It still hurts," she whispered. "Even when you're doing it for someone else, that doesn't stop your ribs from getting cracked, or your wrist swelling, or your cuts from bleeding.
Jodi Picoult (Picture Perfect)
You’re cruel to make me laugh right now,” Perry said, trying to keep as still as possible. Any sharp movement and his ribs felt like they’d crack. “Sorry,” Aria said. She was smiling, her lower lip trapped between her teeth. “Yeah… you look sorry.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
Like we could hug and hug and hug until our ribs crack and our hearts burst and our lungs collapse and our arms break off and still. We’d still be hugging air. No body.
Mona Awad (Bunny)
Gabriel woke him up at the crack of dawn with a cup of water to the face and a kick in the ribs.
Brigid Kemmerer (Spirit (Elemental, #3))
You are flowers in my stomach. Cutting me open nightly, blooming through the cracks of the ribs. I only want to be the sun for you.
Elke River
So, so you made a lot of mistakes Walked down the road a little sideways Cracked a rib when you hit the wall Yeah, you've had a pocket full of regrets Pull you down faster than a sunset Hey, it happens to us all When the cold hard rain just won't quit And you can't see your way out of it You find your faith has been lost and shaken You take back what's been taken Get on your knees and dig down deep You can do what you think is impossible Keep on believing, don't give in It'll come and make you whole again It always will, it always does Love is unstoppable
Rascal Flatts
She'd never broken a bone, had surgery. But the worst damage didn't leave a mark. When Hellie died, it was as if someone had cut into Alex's chest, cracked her open like balsa wood. What if it really had been like that and she'd had to walk down the street bleeding, trying to hold her ribs together, her heart and her lungs and every part of her open to the world? Instead, the thing that had broken her had left no mark, no scar for her to point to and say, This is where I ended.
Leigh Bardugo (Ninth House (Alex Stern, #1))
WHERE HAVE YOU BEEN?' Annabeth interrupted, shoving aside the other campers. I thought she was going to punch me, but instead she hugged me so fiercely she nearly cracked my ribs. The other campers fell silent. Annabeth seemed to realize she was making a scene and pushed me away. 'I - we thought you were dead, Seaweed Brain!
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
The day he came home from the hospital, he cried. I held him. I thought he would never stop. I knew that a part of him would never be the same. They cracked more than his ribs.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
Harry swallows, still staring, still caught. Almost dazed. "That doesn't make sense, either." Louis dares to smile wider. "Good. I should hate to make sense." "To be great is to be misunderstood." Harry quotes mindlessly, unblinkingly, lost. Louis' ribs are cracking. He grins.
Velvetoscar (Young & Beautiful)
I saw every soft moment we had shared flicker over your face, and you were so beautiful. Desperate, vulnerable. Fear for your life made you look like a man who could really love and be loved, like you might hand over your heart and all its secrets without my having to crack your ribs open to get to them.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Imagine you are Siri Keeton: You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae. You'd scream if you had the breath. Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
Peter Watts (Blindsight (Firefall, #1))
I stare at her above me and want her to pry me open, to crack my ribs, lick my heart, break my bones and suck out the marrow. I want to live inside of her.
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
I don't know why you would even want to stay with me," I said. T.R. looked stunned for a second and then whipped her elbow into my side as hard as she could--months later it was determined that the jab cracked a rib. Oh, get fucked!" she said, jumping up. "No wonder you don't have no girlfriend if you don't have no more feelings than to say a horrible thing like that. All I want to do is love you. Ain't you even gonna let me?
Larry McMurtry (Some Can Whistle)
By seeing the way a joke worked in the horseplay of a printing shop two centuries ago, we may be able to recapture that missing element—laughter, sheer laughter, the thigh-slapping, rib-cracking Rabelaisian kind, rather than the Voltairian smirk with which we are familiar.
Robert Darnton
Her lungs, like moldering cheesecloth sacks, hung visible between cracked and yellowing ribs. Her internal organs, long absent, only flaked brown gristle clung to her spine. Sparse clumps of pale hair clung to the few shreds of flesh still gripping her skull. Five other Cotardist assassins stood mutely behind her. Though none looked to be such an advanced state of decay, they all showed signs of rot and neglect.
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
Prendergast’s ribs spread open with a wet crack.
Rob Lloyd Jones (Wild Boy and the Black Terror (Wild Boy 1))
IMAGINE YOU ARE Siri Keeton. You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate, flesh peels apart from flesh, ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You’re a stick man, frozen in some perverse rigor vitae. You’d scream if you had the breath.
Peter Watts (Blindsight (Firefall, #1))
Eurydice" It’s more like the sound a doe makes when the arrowhead replaces the day with an answer to the rib’s hollowed hum. We saw it coming but kept walking through the hole in the garden. Because the leaves were bright green & the fire only a pink brushstroke in the distance. It’s not about the light—but how dark it makes you depending on where you stand. Depending on where you stand his name can appear like moonlight shredded in a dead dog’s fur. His name changed when touched by gravity. Gravity breaking our kneecaps just to show us the sky. We kept saying Yes— even with all those birds. Who would believe us now? My voice cracking like bones inside the radio. Silly me. I thought love was real & the body imaginary. But here we are—standing in the cold field, him calling for the girl. The girl beside him. Frosted grass snapping beneath her hooves.
Ocean Vuong
I looked at my sister's white knees nestled together like a pair of Brenda's eggs and had the urge, not for the first time, to crack her right open. I wanted to pick her ribs apart until I got to the messy center of her - surely somewhere inside my sister there must be some sort of mess, I thought - and dip my fingers in
Tiffany Baker (The Little Giant of Aberdeen County)
A HOW-TO ON DISAPPEARING No one understands the way we break. Not jagged. Not knife sliding between ribs. Not the spine, cracking. That would be too easy. That would be being able to know that you're broken. That would be X-rays showing the gaps, the fissures. Clean breaks are easier to heal. We do not break cleanly. We break without breaking. Not a crack, but a fog. We dissipate. Body here one moment and not here the next. Hands working one moment and a dead weight the next. We watch ourselves turn colourless. Watch ourselves become invisible / invincible. This way, at least the pain is our own. That's what I wanted all along, I guess.
Darshana Suresh (Howling at the Moon)
Cyrus walked straight to the tallest crack of light, a seam between two doors. They were locked, but they were also thin and old, and they bent a little with pressure from his shoulder. He backed up. "Try one of Skelton's keys," said Antigone. "Is there a keyhole?" "Nope." Cyrus threw himself against the doors. Wood popped, but he bounced back. "I can break it." "You mean a rib? Maybe your shoulder?" Antigone adjusted her grip, propping Horace in front of her. "There's just one little bolt," said Cyrus. "And it's set in old wood." He paused. What was he hearing? Voices. Shouting. "You hear that?" he asked. Antigone nodded. "They don't sound happy." This time, Cyrus used his foot. The wood splintered, and the two doors wobbled open onto a world of emerald and sunlight.
N.D. Wilson (The Dragon's Tooth (Ashtown Burials, #1))
To me he seems equal to gods, the man who sits facing you and hears you near as you speak softly and laugh in a sweet echo that jolts the heart in my ribs. Now when I look at you a moment my voice is empty and can say nothing as my tongue cracks and slender fire races under my skin. My eyes are dead to light, my ears pound, and sweat pours over me. I convulse, greener than grass and feel my mind slip as I go close to death Yet I must suffer, even poor
Sappho
The jester smiled as bleak a smile as ever was seen. “My sides are splitting, my ribs are cracking, and my mirth is positively uncontainable, Your Grace,” he said.
Neil Gaiman (Neverwhere (London Below, #1))
They cracked more than his ribs.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
Their eyes locked for a single moment, and Nick felt his heart jackhammering violently in his chest like it wanted to crack his rib cage open.
Poem Schway (Speaking Up for Each Other: A Collection of Short Stories for Tweens and Middle Grade Readers)
If Mattel ever makes a Drag Queen Barbie, they damn well ought to pattern that doll’s proportions after Sister Rose. Those were legs that could crack a horse’s ribs, and they knew how to move.
Cherie Priest (Bloodshot (Cheshire Red Reports, #1))
Feet scraped inside-out next to unblemished boots. Black-and-gold Kel uniforms braided into cracked rib cages. Gape-jawed, twisted skulls with eye sockets staring out their sides and strands of tendon knotted through crumbling teeth. A book of profanities written in every futile shade of red the human body had ever devised, its pages upended over the battlefield from horizon to horizon.
Yoon Ha Lee (Ninefox Gambit (The Machineries of Empire, #1))
Crack some ribs or crush a skull, Stuff down hearts ’til he is full, Rip paws and tails off any poor seabeast, Lock your cabin doors this night, Shake with terror, quake with fright, For the Bogle may invite you to his feast!
Brian Jacques (The Legend of Luke: A Tale from Redwall)
I’ve heard that the way to someone’s heart is through their stomach. It’s not the only way, although you do have to make sure to go to your right and toward the head. And it does save the trouble of having to crack open the rib cage.
Patrick Thomas (Fairy Rides The Lightning: Terrorbelle Book 2)
There was cracking in my ribs, a yawning open of bones, and then with a brutal thud that robbed me of breath, I felt her there, my girl, my heart, slotted into my chest. I was destroyed by her love, the dead man murdered by sweet hands.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
I put the withered leaf in my mouth first. Then I place the bone on the cut root where my tongue used to be, close my eyes, and concentrate. Immediately, I feel as though my chest is being squeezed, as though my ribs are cracking. Something is wrong. Something is wrong with me. I fall to my knees, palms pressed against the ice of the floor. Something seems to twist inside my chest, then split, like a fissure opening in a glacier. The hard knot of my magic, the part of me that has felt in danger of unravelling when I push myself too hard, splits completely apart. I gasp, because it hurts. It hurts so much my mouth opens on a scream I cannot make. It hurts so much that I black out. ... With astonishment, I realise my tongue is in my mouth. It feels odd to have it there. Thick and heavy. I cannot decide if it is swollen of if I am just oddly conscious of it. 'I'm scared,' I whisper to myself. Because it's true. Because I need to know if my tongue belongs to me and will say the things I mean it to. 'I'm so tired. I'm so tired of being scared.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
But they were clean breaks, so the marrow regenerator should seal them pretty fast. Same goes for his cracked ribs. Then it’s just all the nerve and tissue damage from the force field, and—” “Uh, I don’t think this is making her feel better,” Dex warned. And he was right.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
Yet something else trickles in between the cracks of this despairing thought. The hope of something to fill that emptiness. The hope that, perhaps, I have found it already. And suddenly hope is a thing alive, soaring in me. Its wings beat against my ribs, wild with the promise of joy.
Ashlee Willis (A Wish Made of Glass)
This is why I run. Because caring was a thing with claws. It sank them in, and didn't let go. Caring hurt more than a knife to the leg, more than a few broken ribs, more than anything that bled or broke or healed again. Caring didn't break you clean. It was a bone that wouldn't set, a cut that wouldn't close. It was better not to care—Lila tried not to care—but sometimes, people got in. Like a knife against armor, they found the cracks, slid past the guard, and you didn't know how deep they were buried until they were gone and you were bleeding on the floor. And it wasn't fair.
V.E. Schwab (Darker Shade of Magic / A Gathering of Shadows / Vicious)
They heard the thud of wood on flesh. Boot on bone. On teeth. The muffled grunt when a stomach is kicked in. The muted crunch of skull on cement. The gurgle of blood on a man’s breath when his lung is torn by the jagged end of a broken rib. Blue-lipped and dinner-plate-eyed, they watched, mesmerized by something that they sensed but didn’t understand: the absence of caprice in what the policemen did. The abyss where anger should have been. The sober, steady brutality, the economy of it all. They were opening a bottle. Or shutting a tap. Cracking an egg to make an omelette.
Arundhati Roy (The God of Small Things)
That’s how much you should love the woman you’re going to marry. You should love her so much that if she were taken away from you it would feel like your rib cage had been cracked open and some sadistic son of a bitch was cutting away tiny pieces of your heart, slathering them in salt, and eating them right in front of you.
Lili Valente (Hot as Puck (Bad Motherpuckers, #1))
Quran: Chapter 86: The Nightcomer By the sky and the Nightcomer! What will make you realize what the Nightcomer is? The star shining before dawn! Each soul has a guardian set up over it. So let everyman notice what he has been created from. He was created from a fluid ejected from between his backbone and his ribs. He is Able to revive him On a day when secrets will be tested; So he will have no strength left nor any supporter. By the sky with its cycle, By the earth cracking open, It is a decisive statement! It is no joke. They are hatching some plot While I too am hatching a plot; So put up with disbelievers; Put up with them as long as you can!
T. B. Irving (The Noble Qur'an: The First American Translation and Commentary)
—What are you doing now?— —I’m under my covers— —Alone?— —y— —A crime— I smiled, and the feeling of levity cracked the brittle shell of sorrow, if only for a second, and tears streamed down my face. —Don’t make me laugh, fuckhead— —May I join you under those lucky covers?— When I read the message, I didn’t feel his request in my loins, but on my skin. I wanted him to touch me. Kiss me. Breathe on me. Talk to me. Hold me for hours. The desire wasn’t just between my legs, but in my rib cage, my marrow, my fingertips. Could I give up the consuming protection of loneliness and indulge in a few hours with Jonathan? Was I worthy of a little comfort? Probably not. And I hadn’t forgotten the submissive thing. No. He was going to drag me into a pit of defilement and humiliation. Seeing him would only draw him closer to me than he should be, ever. I texted: —I need you— I hit send. I shouldn’t have.
C.D. Reiss (Submit (Songs of Submission, #3))
And it was all because Calvin continued to omit one simple truth: the pair is the hardest boat to row. It’s like trying to learn to fly by starting out in a B-52. But what choice did he have? He knew the men weren’t going to let her row with them in a bigger boat like an eight; besides being female, her lack of experience meant she’d ruin the row. Worse, she’d probably catch a crab and crack a few ribs. He hadn’t mentioned crabs yet. For obvious reasons.
Bonnie Garmus (Lessons in Chemistry)
And you might also remember you are the greatest healer among us. That is unchallenged by anyone." "I am the greatest killer, also unchallenged." He tried to give her truth again. She touched his hard mouth. "I will hunt with you then,lifemate." His heart slammed against his ribs. Her smile was mysterious, scretive, and so beautiful,it broke his heart. "What is behind this smile,bebe." His hand caught and spanned her throat, his thumb brushing her lips in a gentle caress. "What do you know that I do not?" His mind slipped into hers, a sensuous thrust, the ultimate intimacy, not unlike the way his tongue sometimes dueled with her-or his body took possession of hers. She was familiar with his touch in her mind. She knew he tried to keep its invasiveness to a minimum. He allowed her to set the bounderies and never pushed beyond any barrier she erected, even though he could do so easily. Both of them needed the intimate union of their minds merging, Savannah as much as Gregori. And her newfound knowledge of him was secure behind a miniature barricade she had hastily erected. Wide-eyed and innocent, she looked at him. His thumb pressed into her lower lip, half mesmerized by the satin perfection of it. "You will never hunt vampires, ma cherie, not ever.And if I were ever to catch you attempting such a thing,there would be hell to pay." She didn't look scared. Rather, amusement crept into the deep blue of her eyes. "Surely you aren't threatening me,Dark One, bogey man of the Carpathians." She laughed softly, a sound that feathered down his spine and somehow took away the sting of that centuries-old designation. "Stop looking so serious, Gregori-you haven't lost your reputation entirely. Everyone else is still terrified of the big bad wolf." His eyebrows shot up. She was teasing him. About his dark reputation, of all things. Her gaze was clear and sparkling, hinting at mischeif. Savannah wasn't railing against her fate, of being tied to him, a monster. She was too filled with life and laughter, with joy. He felt it in her mind, in her heart, in her very soul. He wished it could somehow rub off on him,make him a more compatible lifemate for her. "You are the only one who needs to worry about the big bad wolf, mon amour," he threatened with mock gravity. She leaned over to stare up into his eyes, a smile curving her soft mouth. "You cracked a joke, Gregori. We're making progress.Why,we're practically friends." "Practically?" he echoed gently. "Getting there fast," she told him firmly with her chin up,daring him to contradict her. "Can one be friends with a monster?" He said casually, as if he were simply musing out loud,but there was a shadow in his silver eyes. "I was being childish, Gregori, when I made such an accusation," she said softly, her eyes meeting his squarely.
Christine Feehan (Dark Magic (Dark, #4))
Aomame knew that he worked for a corporation connected with oil. He was a specialist on capital investment in a number of Middle Eastern countries. According to the information she had been given, he was one of the more capable men in the field. She could see it in the way he carried himself. He came from a good family, earned a sizable income, and drove a new Jaguar. After a pampered childhood, he had gone to study abroad, spoke good English and French, and exuded self-confidence. He was the type who could not bear to be told what to do, or to be criticized, especially if the criticism came from a woman. He had no difficulty bossing others around, though, and cracking a few of his wife’s ribs with a golf club was no problem at all. As far as he was concerned, the world revolved around him, and without him the earth didn’t move at all. He could become furious—violently angry—if anyone interfered with what he was doing or contradicted him in any way.
Haruki Murakami (1Q84 (Vintage International))
The giant's blue left arm uncoiled from the Bloody-Nine's body, his blue hand seized hold of the Bloody-Nine's wrist, but there could be no stopping it. When the sapling seed finds a crack in the mountain, over long years its deep roots will burst the very rock apart. So the Bloody-Nine strained with every muscle and let the slow time pass, hissing out his hatred into the Feared's twitching mouth. The blade crept onwards, slowly, slowly, and its very point bit into painted flesh, just below the giant's bottom rib.
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
Darius, please. You’re hurting me.” He opened his eyes at once. “Nicole?” She lay draped across his chest, her face angled up to his, her dark braid curling beneath her chin. A ragged breath escaped him. She was the most beautiful sight he’d ever beheld. Until she winced, and he realized he was holding her tight enough to crack her ribs. He released her immediately. She wiggled against him as she struggled to sit up, finally bracing a hand upon his chest to lever herself upward. His pulse reacted to her touch, and he had to close his eyes to keep from clutching her to himself again. The haze of sleep was clearing, but his control hadn’t yet been fully restored. A small groan vibrated in his throat. Cool fingers stroked his brow, his face, his hair. “Darius, it’s all right. It was just a dream. I’m here, now. Safe. We’re both safe.” He opened his eyes and turned his face toward her voice. She had slid from atop him but knelt by the side of the sofa near his head. His gaze roamed her face, her shoulders, the area around her ribs. “Did I hurt you?” She shook her head, and he expelled a heavy breath in relief.
Karen Witemeyer (Full Steam Ahead)
The day after you pop up at your distillery alive and kicking, someone will come to finish you off." "Let them try," Keir shot back. "I can defend myself." The duke arched a mocking brow. "Impressive. Only a matter of days ago, we were celebrating that you were able to drink through a straw. And now apparently you're well enough for an alley fight." Keir was instantly hostile. "I know how to keep up my guard." "That doesn't matter," Kingston replied. "As soon as your arm muscles fatigue, your elbows will drift outward, and he'll find an opening." "What would a toff like you know about fighting? Even with my ribs cracked, you couldn't take me down." The older man's stare was that of a seasoned lion being challenged by a brash cub. Calmly he picked up a small open pepper cellar from the table and dumped a heap of ground black pepper in the center of Keir's plate. Perplexed, Keir glanced down at it, as a puff of gray dust floated upward. His nose stung, and in the next breath, he sneezed. A searing bolt of agony shot through his rib cage. "Aghhh! He turned away from his plate and doubled over. "Devil take your sneakit arse!" he managed to gasp.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look." "She barely caught me." "Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans. "Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private." "Shut up.God, Brian, you said it was nothing." "It's not much." His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up." He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them." "You could have a cracked rib. You need an X ray." "I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again. "Stand still,and don't be a baby." "A minute ago it was don't be macho, now it's don't be a baby. What do you want?" "For you to behave sensibly." "It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens." "I'm sure that's terribly amusing.One of the men can drive you to the emergency room" "No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it." She spotted another, riding high on his hip,and gave that a poke. This time he groaned. "Keeley,you're torturing me here." "Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?" It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?" His throat hurt. "You make my head swim. And you know it." "Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would." "You pick a fine time to tell me when there's people everywhere, and your father one of them.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Riley shook her head. “I married Brad after I got my Associate's degree in culinary arts. I worked in the Bakery at the same grocery store as Brad, and now I'm a stay at home mom.” She paused. “If you remember my senior yearbook, I was voted most likely to be the best mom.” “Oh, you have time yet.” Stella joked and Riley backhanded her in the ribs. “You're an awesome mom. Be glad you haven't proven anyone wrong. It's not all it's cracked up to be.” She paused. “That same yearbook said I'd be in prison with a wife named Roberta.” ~Conversation between Riley and Stella, "Sugar and Spies: Spy Sisters Book 1
Rebekah Martin
Screams died in them and floated belly up, like dead fish. Cowering on the floor, rocking between dread and disbelief, they realized that the man being beaten was Velutha. Where had he come from? What had he done? Why had the policemen brought him here? They heard the thud of wood on flesh. Boot on bone. On teeth. The muffled grunt when a stomach is kicked in The muted crunch of skull on cement. The gurgle of blood on a man's breath when his lung is torn by the jagged end of a broken rib. Blue-lipped and dinner-plate-eyed, they watched, mesmerized by something that they sensed but didn't understand: the absence of caprice in what the policemen did. The abyss where anger should have been. The sober, steady brutality, the economy of it all. They were opening a bottle. Or shutting a tap. Cracking an egg to make an omelette. The twins were too young to know that these were only history’s henchmen. Sent to square the books and collect the dues from those who broke its laws. Impelled by feelings that were primal yet paradoxically wholly impersonal. Feelings of contempt born of inchoate, unacknowledged fear — civilization’s fear of nature, men’s fear of women, power’s fear of powerlessness. Man’s subliminal urge to destroy what he could neither subdue nor deify. Men’s Needs. What Esthappen and Rahel witnessed that morning, though they didn’t know it then, was a clinical demonstration in controlled conditions (this was not war after all, or genocide) of human nature’s pursuit of ascendancy. Structure. Order Complete monopoly. It was human history, masquerading as God’s Purpose, revealing herself to an under-age audience. There was nothing accidental about what happened that morning. Nothing incidental. It was no stray mugging or personal settling of scores. This was an era imprinting itself on those who lived in it. History in live performance.
Arundhati Roy (The God of Small Things)
The audience howled as Trump sat in silence, cracking a tepid smile. I couldn’t begin to guess what went through his mind during the few minutes I spent publicly ribbing him. What I knew was that he was a spectacle, and in the United States of America in 2011, that was a form of power. Trump trafficked in a currency that, however shallow, seemed to gain more purchase with each passing day. The same reporters who laughed at my jokes would continue to give him airtime. Their publishers would vie to have him sit at their tables. Far from being ostracized for the conspiracies he’d peddled, he in fact had never been bigger.
Barack Obama (A Promised Land)
I wished Adam weren’t jumping in for his turn. Because watching Adam wakeboard was not relaxing. He wasn’t careful when wakeboarding. Or in general. He was the opposite of careful. His life was one big episode of Jackass. He would do anything on a dare, so the older boys dared him a lot. My role in this game was to run and tell their mom. If I’d been able to run faster when we were kids, I might have saved Adam from a broken arm, several cracked ribs, and a couple of snake bites. Knowing this, it might not make a lot of sense that Mr. Vader let us wakeboard for the marina. But we’d come to wakeboarding only gradually. When we first started out, it was more like, Look at the very young children on water skis! How adorable. One time the local newspaper ran a photo of me and Adam waterskiing double, each of us holding up an American flag. It’s okay for you to gag now. I can take it. But Mr. Vader was no fool. He understood things changed. After the second time Adam broke his collarbone, Mr. Vader put us under strict orders not to get hurt, because it was bad for business. Customers might not be so eager to buy a wakeboard and all the equipment if they witnessed our watery death. To enforce this rule, the punishment for bleeding in the boat was that we had to clean the boat. Adam cleaned the boat a lot last summer.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
And you,' she hissed at me. 'You,' Her teeth gleamed- turning sharp. 'I'm going to kill you.' Someone cried out, but I couldn't move, couldn't even try to get out of the way as something far more violent than lightning struck me, and I crashed to the floor. 'I'm going to make you pay for your insolence,' Amarantha snarled, and a scream ravaged my throat as pain like nothing I had know erupted through me. My very bones were shattering as my body rose and then slammed onto the hard floor, and I was crushed beneath another wave of torturous agony. 'Admit you don't really love him, and I'll spare you,' Amarantha breathed, and through my fractured vision, I saw her prowl toward me. 'Admit what a cowardly, lying, inconstant bit of human garbage you are.' I wouldn't- I wouldn't say that even if she splattered me across the ground. But I was being ripped apart from the inside out, and I thrashed, unable to out-scream the pain. 'Feyre!' someone roared. No, not someone- Rhysand. But Amarantha still neared. 'You think you're worthy of him? A High Lord? You think you deserve anything at all, human?' My back arched, and my ribs cracked, one by one. Rhysand yelled my name again- yelled it as though he cared. I blacked out, but she brought me back, ensuring that I felt everything, ensuring that I screamed every time a bone broke.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Hello, my name is Francine Luftson and I’m from San Diego! And I just want to say, I’m such a fan even if you don’t believe in God! I was just wondering: Is there some sort of diet you recommend? I know I need to lose weight, but I really don’t want to feel hungry. I do take diet pills every day. Thank you!” “Thanks, Francine,” Elizabeth said. “But I can clearly see that you are not overweight. Therefore, I have to assume you’ve been unduly influenced by the relentless imagery of the too-thin women that now fill our magazines, destroying your morale and submerging your self-worth. Instead of dieting and taking pills—” She paused. “Can I ask?” she said. “How many people in this audience take diet pills?” A few nervous hands went up. Elizabeth waited. Most of the other hands went up. “Stop taking those pills,” she demanded. “They’re amphetamines. They can lead to psychosis.” “But I don’t like to exercise,” Francine said. “Maybe you haven’t found the right exercise.” “I watch Jack LaLanne.” At the mention of Jack’s name, Elizabeth closed her eyes. “What about rowing?” she said, suddenly tired. “Rowing?” “Rowing,” she repeated, opening her eyes. “It’s a brutal form of recreation designed to test every muscle in your body and mind. It takes place before dawn, too often in the rain. It results in thick calluses. It broadens the arms, chest, and thighs. Ribs crack; hands blister. Rowers sometimes ask themselves, ‘Why am I doing this?’ ” “Jeepers,” Francine said, worried. “Rowing sounds awful!” Elizabeth looked confused. “My point is rowing precludes the need for both diet and pills. It’s also good for your soul.” “But I thought you didn’t believe in souls.” Elizabeth sighed. She closed her eyes again. Calvin. Are you actually saying women can’t row?
Bonnie Garmus (Lessons in Chemistry)
A month from now, in early April, at the time when far away, outside the city, the water hyacinths would be covering every inch of bayou, lagoon, creek, and backwater with a spiritual-mauve to obscene-purple, violent, vulgar, fleshy, solid, throttling mass of bloom over the black water, and the first heartbreaking, misty green, like girlhood dreams, on the old cypresses would have settled down to be leaf and not a damned thing else, and the arm-thick, mud-colored, slime-slick mocassins would heave out of the swamp and try to cross the highway and your front tire hitting one would give a slight bump and make a sound like kerwhush and a tinny thump when he slapped heavily up against the underside of the fender, and the insects would come boiling out of the swamps and day and night the whole air would vibrate with them with a sound like an electric fan, and if it was night the owls back in the swamps would be whoo-ing and moaning like love and death and damnation, or one would sail out of the pitch dark into the rays of your headlights and plunge against the radiator to explode like a ripped feather bolster, and the fields would be deep in that rank, hairy or slick, juicy, sticky grass which the cattle gorge on and never get flesh over their ribs for that grass is in that black soil and no matter how far the roots could ever go, if the roots were God knows how deep, there would never be anything but that black, grease-clotted soil and no stone down there to put calcium into that grass—well, a month from now, in early April, when all those things would be happening beyond the suburbs, the husks of the old houses in the street where Anne Stanton and I were walking would, if it were evening, crack and spill out onto the stoops and into the street all that life which was now sealed up within.
Robert Penn Warren (All The King's Men)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I’ve no intention of sitting by the fire on such a beautiful day,” Loki sad. “Then let us walk in the woods.” “Walk? Wouldn’t you rather ride with me?” “I couldn’t keep up.” “No,” he said, grasping her elbow gently. “With me. On Heror.” He whistled loudly and Heror turned and walked toward them. A shiver of fear frosted her skin. She was uncomfortable on horseback - preferred her feet on the ground-let alone a fast powerful beast like Heror with Loki at the reins. “I’m not sure…” “Didn’t you say you would keep me company? Come.” “Must we go very fast?” Loki laughed his wild laugh. “Of course we must!” With swift grace, he mounted Heror, then put down his hand for her. “Come, Aud. Don’t be frightened. You may trust me.” Trust Loki? Aud almost laughed. She wondered if Vidar would appreciate her actions when she told him this evening. “Very well,’ she said. She tied her skirts around her hips and, reaching up, allowed Loki to help her onto Heror’s back. “Hold on tight,” Loki said, slapping her thigh playfully. Aud needed no prompting. She locked her arms about his waist, her hands tight over his hollow stomach. No warmth emanated from his body. His black hair caught against her cheek and lip. She screwed her eyes tightly closed. Heror need little encouragement from Loki. Almost as soon as they were settled, he sped off like lightning. Aud cracked open one eye to see where they were going, but hurriedly closed it when the branches of the wood loomed close enough to terrify her and the shadows between the trees flew past like wild ghosts. She tightened her grip on Loki’s ribs wishing they were not so narrow and cool. From time to time, she could feel his body shake with mad laughter. Their journey, while it probably only lasted twenty minutes, seemed interminable as she willed him and willed him to slow down. Finally she felt Loki pull on Heror’s reins. The horse slowed to a walk, and she ventured to open her eyes. They had left the woods and were entering a sunlit field of waving grass, daisies and orange hawkweed. Heror stopped, they dismounted and Loki sent the horse off to cool down. Aud’s legs were shaking too much to stand so she sank into the grass, feeling the warm sunshine fill her hair. Loki sat next to her and began idly to pick daisies. “Did you enjoy our ride, Aud?” “No,” she answered, taking a deep breath and stilling her trembling hands. “I’ll try harder on the way home,” He said reaching over to twine a daisy in her hair.
Kim Wilkins (Giants of the Frost)
So certain were experts that neonates felt no pain that through the mid-1980s major surgeries on newborn babies were sometimes performed without anesthesia. These included major cardiovascular procedures requiring prying open rib cages, puncturing lungs, and tying off major arteries. Though provided with no pharmacologic agents to blunt the pain that cracking ribs or cutting through the sternum might have induced, babies were given powerful agents to induce paralysis—ensuring an immobile (and undoubtedly terrified) patient on whom to operate. Jill Lawson’s remarkable story of her premature son, Jeffrey, and his unanesthetized heart surgery provides a heartbreaking account of such a procedure. After Jeffrey’s death in 1985, Lawson’s campaign to educate the medical profession about the need to treat pain in the young literally changed the field. And likely led to improved awareness of pain in animals, too. bA technique called clicker training pairs a metallic tick-tock! with a food treat every time the animal performs a desired behavior. Eventually the animal comes to associate the sound of the clicker with the feel-good neurochemical rewards of the food. When the treat is discontinued, the animal will continue doing the behavior, because
Barbara Natterson-Horowitz (Zoobiquity: What Animals Can Teach Us About Health and the Science of Healing)
Why are you helping me?” It was something I just couldn’t understand. His body shifted, I swear coming into even more contact with mine than it already was. He brought up his free hand and brushed back my hair, pushing it so it fell behind my shoulder. “It’s my job to protect people.” “Is it your job to bring them home, too?” I felt a little breathless. Just beneath my ribs my heart fluttered wildly. It felt like there was a little bird inside me, flapping its wings, trying to fly. “That’s just a perk of the job.” He smirked. “So you do this often?” I said, feeling slightly bruised. “Never.” “Then why me?” He took a few steps, backing me up so I was pinned between him and the wall. From this angle, the hall light fell behind him so his face was in the shadows. But even still, the lightness of his eyes pierced me like a crack of thunder in a storm. “I don’t know.” I wasn’t expecting those words. In fact, I barely heard them over the thundering of the blood in my veins. His nearness affected me in ways I didn’t understand. I felt hot yet cold. Nervous but bold. Part of me wanted to rush away and the other part of me yearned to arch closer, to slide my hands up the hem of his shirt and run my fingers across the wide expanse of his bare back.   “That’s not a very good reason to get mixed up with a girl on the run from a killer.” He cocked his head to the side. “No?” I shook my head. “How about this?” he said, leaning down so his lips brushed my jaw. The stubble on his face tickled my chin. “Because even in the center of a blazing fire, my body reacted to you. Because seeing you so small and helpless in a hospital bed twisted my guts. Because the day I walked into your room and those stormy gray eyes landed on mine, I felt like there was something tethering us together. Or maybe it was because of the way you sighed and leaned into my chest the night I carried you to my bed. Your scent still lingers on my sheets, Katie.” Oh my.
Cambria Hebert (Torch (Take It Off, #1))
Tom carried with him a glass full of wine, which clearly hadn’t been his first of the evening. He swaggered and swayed as he started to speak, and his eyes, while not quite at half mast, were certainly well on their way. “In my mind,” Tom began, “this is what love is all about.” Sounded good. A little slurred, but it was nice and simple. “And…and…and in my mind,” Tom continued, “in my mind, I know this is all about…this is all love here.” Oh dear. Oh no. “And all I can say is that in my mind,” he went on, “it’s just so great to know that true love is possible right now in this time.” Crickets. Tap-tap. Is this thing on? “I’ve known this guy for a long, long time,” he resumed, pointing to Marlboro Man, who was sitting and listening respectfully. “And…in my mind, all I have to say is that’s a long…long time.” Tom was dead serious. This was not a joke toast. This was not a ribbing toast. This was what was “in his mind.” He made that clear over and over. “I just want to finish by saying…that in my mind, love is…love is…everything,” he continued. People around the room began to snicker. At the large table where Marlboro Man and I sat with our friends, people began to crack up. Everyone except Marlboro Man. Instead of snickering and laughing at his friend--whom he’d known since they were boys and who, he knew, had recently gone through a rough couple of years--Marlboro Man quietly motioned to everyone at our table with a tactful “Shhhh,” followed by a quietly whispered “Don’t laugh at him.” Then Marlboro Man did what I should have known he’d do. He stood up, walked up to his friend, who was rapidly entering into embarrassing territory…and gave him a friendly handshake, patting him on the shoulder. And the dinner crowd, rather than bursting into the uproarious laughter that had been imminent moments before, clapped instead. I watched the man I was about to marry, who’d always demonstrated a tenderness and compassion for people--whether in movies or in real life--who were subject to being teased or ridiculed. He’d never shown a spot of discomfort in front of my handicapped brother Mike, for all the times Mike had sat on his lap or begged him for rides to the mall. He’d never mocked or ridiculed another person as long as I’d known him. And while his good friend Tom wasn’t exactly developmentally disabled, he’d just gotten perilously close to being voted Class Clown by a room full of people at our rehearsal dinner. But Marlboro Man had swept in and ensured that didn’t happen. My heart swelled with emotion.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
She’d once heard that when you have heart surgery—your chest sawed open, your ribs cracked, the action of your heart replaced for hours by the action of a machine—the suffering you undergo for the next few months, that peculiarly spiritual sorrow, is the sorrow of a body in mourning for itself, a body that believes it has died.
Brian Morton (Starting Out in the Evening)
It’s not that I don’t love you. It’s the sound I heard when I was 9 and my father slammed the front door so hard behind him I swear to god it shook the whole house. For the next 3 years I watched my mother break her teeth on vodka bottles. I think she stopped breathing when he left. I think part of her died. I think he took her heart with him when he walked out. Her chest is empty, just a shattered mess or cracked ribs and depression pills. It’s not that I don’t love you. It’s all the blood in the sink. It’s the night that I spent 12 hours in the emergency room waiting to see if my sister was going to be okay, after the boy she loved, told her he didn’t love her anymore. It’s the crying, and the fluorescent lights, and white sneakers and pale faces and shaky breaths and blood. So much blood. It’s not that I don’t love you. It’s the time that I had to stay up for two days straight with my best friend while she cried and shrieked and threw up on my bedroom floor because her boyfriend fucked his ex. I swear to god she still has tear streaks stained onto her cheeks. I think when you love someone, it never really goes away. It’s not that I don’t love you. It’s the six weeks we had a substitute in English because our teacher was getting divorced and couldn’t handle getting out of bed. When she came back she was smiling. But her hands shook so hard when she held her coffee, you could see that something was broken inside. And sometimes when things break, you can’t fix them. Nothing ever goes back to how it was. I got an A in English that year. I think her head was always spinning too hard to read any essays. It’s not that I don’t love you. It’s that I do.
Anonymous
Another knock sounded at the door, this one louder. He strode across the room, and instinctively his hand slid to the knife sheathed at his rib cage. He cracked the door and peered into the hollow blackness of the hallway. Instantly the cold tip of a rifle rammed into his temple. “Where’s Lily, you worthless piece of pond scum?” Oren growled at him. “I haven’t seen her.” Connell shoved the rifle away and refrained from pulling out his knife. He wouldn’t. Not on Oren. “I thought she was going with you.” Oren lowered his gun and muttered several oaths under his mustache. “Isn’t she in her room?” Connell had been listening for the squeak of the floorboards, for the click of her door down the hall from his room. How had he missed the sounds? Oren muttered again. Cold fear jabbed into him like the sharp end of a pike pole. “She didn’t start off to Merryville on her own, did she?” “That’s what I’m afraid of.” Oren’s voice wavered, all bluster suddenly gone. Connell’s fear exploded into near panic. Without stopping to think, he grabbed the blankets from his bed and rolled them into a tight bundle. “What time do you think she left?” he asked, stuffing the bundle into one of his bags and then cramming in a pair of socks, his ax, and anything else he could find in his hurry. “I’m guessing she had no intention of letting me drive her,” Oren said. “She’s too impatient.” “So she got a sizable head start?” Oren didn’t say anything. But his silence spoke volumes.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Just remember what happened the last time you went after an unavailable woman.” As if Mitch could forget. He spoke through gritted teeth. “It’s not like that.” Charlie shrugged. “It’s close enough to be cousins.” A hot poker of anger jabbed in his stomach. “It’s not remotely the same.” “You have a thing for unavailable women,” Charlie said, his expression as flat as his tone. “And Maddie, as cute as she is, fits the bill.” “I don’t have a thing for unavailable women,” Mitch insisted. Charlie’s mouth firmed into a hard line. “Do I need to give you a list?” A completely irrational, stubborn defiance had Mitch clenching his beer bottle hard enough to shatter. “I know who I’ve slept with, and this isn’t the same. Maddie’s not married.” “A technicality,” Charlie said. “I know what I’m doing.” What a joke. He didn’t have a clue. Charlie put his own bottle down and rested his hand on the counter. “The last time you knew what you were doing, you went down in a blaze.” The reminder was like an uppercut to the jaw. This wasn’t the same. Besides, he had nothing left to lose. He leveled Charlie with a hard-eyed stare. “Do you really want to start comparing fuck-ups?” Their mutual history covered a lot of sordid ground. “Hey,” Gracie said sharply before Charlie could answer. “Let’s not start rehashing the past. We like Maddie. We just don’t want to you to get hurt.” “Don’t be dramatic. It’s a couple days.” How much damage could she do? It wasn’t like he was getting attached. He just wanted to keep her for a little while. Was that so wrong? Sam sat forward, resting his elbows on the worn table. “Save your breath, he’s a goner.” “I am not,” Mitch said. “And why is this any of your business?” Charlie’s expression darkened, his mouth firming into a hard line. Mitch ground out, “Leave it. Alone.” Charlie gave him the look he used to intimidate criminals, and Mitch took a sip of beer with a laziness he didn’t even come close to feeling. “Stop it,” Gracie said, poking her friend-with-benefits in the ribs. “He’s being an idiot,” Charlie said, and the stubborn set of his jaw made Mitch want to take a swing at him. He put down the bottle and cracked his knuckles. Actually, violence sounded damned good. Gracie’s
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Roselyn corseted Shane in her second best bodice, causing Shane to question in gasps how women who could not heal cracked ribs managed the feat of breathing. “Breathing,” Roselyn assured her, “was overrated.
Thomm Quackenbush (Flies to Wanton Boys)
Today I saw my inner planet: a cracked rib, air in the lungs, fatty liver and an open heart.
Jaime García
I think you might be cracking my ribs,” Lucetta mumbled into his chest, her words having him release his death grip on her before he took a step—but only a step—away from her. “You have no idea how happy I am to see you” was all he could think to say. Lucetta smiled. “You have no idea how happy I am to see you as well, and”—she nodded to Stanley, Ernie, and Mr. Skukman, who were currently sitting on top of Silas Ruff, while Tilda stood guard at the door they’d blown open, looking rather menacing as she kept a pistol at the ready—“I’m delighted to see you brought some assistance as well.” She nodded toward the blown-apart door. “Assistance proficient in the use of dynamite, if I’m not mistaken.” “That was me,” Ernie said, sending Lucetta a grin. “Not that I use dynamite all that often anymore,” he hurried to assure her. “But my expertise with the substance does come in remarkably handy at the oddest of times.” “Should I ask why Ernie’s an expert with dynamite?” Lucetta asked, turning back to Bram. “I would suggest not,” Bram said. Wrinkling her nose, Lucetta nodded. “You’re probably right, but tell me, how did you find me?” “Using a wide variety of interesting contacts spread throughout the city.” Bram blew out a breath. “Everyone’s been so worried about you.” “I’ve been fine,” Lucetta began, nodding when he quirked a brow her way. “Honestly, I have been. I mean, yes, the men Silas hired to abduct me scared me half to death—especially the man I heard was some sort of tracker—but as soon as they delivered me here, they left and I never saw them again. Truth be told, until today, it’s just been me along with a pack of intimidating women Silas hired to make certain I didn’t escape from this cozy little nest he’s been holding me in.” “Silas left you alone until today?” “Curious as that may seem, yes. He only showed up about an hour ago.” She smiled. “I do believe he had a most romantic dinner planned for the two of us, but matters got off to a rough start when he demanded I play him a piece by Bach, and discovered I . . . Well, let’s just say that, if you’d compared my playing with Ruby’s, your sister would sound downright competent at the keys.” Brushing
Jen Turano (Playing the Part (A Class of Their Own, #3))
I watch the waves swell and break down the coastline, swell and break. My chest threatens to crack on the left side. The heart is such a strange little beast - a lump of thick muscle with pipes sticking out. Sometimes I think my heart is made of rubber, and the world stretches it and twists so that it writhes in my chest and aches. This is why I have spent most of my time on this planet here but hurting. Sometimes I think a hear of porcelain would be easier. Let it drop out of my rib cage and break on the floor, no heartbeat, the end. Instead, I get a bouncy heart that bleeds when the world claws at it but keeps beating though the pain.
Emery Lord (When We Collided)
Next time a rattlesnake bites you, or you crack a rib, or find some whore with a sliced-up arm, don’t call me. Call somebody who doesn’t care.” ~0~
Theresa Weir (Cool Shade)
If you so much as hurt one hair on her head or leave one tiny crack in her heart, I will destroy you. The only thing you're allowed to do is pound her uterus into her ribs if she asks you to." I blink. "Uh ... is that an American euphemism I don't know? It sounds painful.
Lauren Landish (My Big Fat Fake Honeymoon)
Gabrielle’s eyes glistened like twin stars. “Alex… thank you!” “Woah!” Completely overcome with emotion, Gabrielle lunged at Alex, bowling him over and landing on top of him, before squeezing him in a hug of Angelisian proportions. “What the—! G-Gabrielle, get off me!” “Hahaha! Thank you so much, Alex!” “Mars above! I think I just felt my ribs crack!” “I’m so glad I met you! You’re such an amazing person!” “Urk… can’t breathe…” And that was how Alex discovered that Angelisians were a thousand times stronger than humans.
Brandon Varnell (A Most Unlikely Hero (A Most Unlikely Hero, #1))
It doesn’t seem real. The fire. The people in the forest. The helicopter crash. Mayor Tillson. Rafe.” I looked up at him again. “It can’t be real. I’m asleep. It’s a nightmare. Tell me it is.” He hugged me so tight my ribs protested. “I wish I could.” His voice cracked and I hugged him back, as hard as I could. Someone cleared his throat behind us. It was Corey. He crouched and said, in a low voice, “I know this is a bad time, guys. I’m really sorry. But the girls-- They’re freaked out and they need someone to tell them what to do and…that’s not me.
Kelley Armstrong (The Calling (Darkness Rising, #2))
You have to rest, Luna. Cillian said you used enough magic to knock out an entire coven. He didn’t expect you to wake up for days.” She exhaled slowly. “He’s pretty pissed at you by the way.” I rolled my eyes and my temples throbbed, making me wince. “Oh yeah, and you had a concussion, and a few cracked ribs.
G.K. DeRosa (Demons (Darkblood Academy, #3))
With Angela's help I'd become much more confidant in my abilities yet I still didn't know who I was, what music I liked or felt stable enough to set my home up as a home and why was I training? It made me feel better but it wasn't leading to a fight so what was the point? I let the art therapy or self work as I'd started calling it slack and I'd stopped meditating. Before I knew it I was taking the late night parties home with me. Just a small bottle of baileys of a night and then within weeks I was getting up hungover, going for a run and picking up more on the way home. I'd just survived, I'd won at everything and who cared? What did it change? One night I fell off a P.C chair and cracked a rib because I'd drank tequila too fast,
Tracie Daily (Checkmate: Care Abuse Love Murder)
I couldn’t blame them; Emily’s grief had given her a measure of hysterical strength that seemed likely to crack one of my ribs.
Mira Grant (The Rising: The Newsflesh Trilogy)
A small warehouse. Dark inside, against the bright daylight. Reacher walked closer. There was a sound inside. Fast wheezing breaths, bubbling and gurgling, each one ending in a tiny gasp or yelp. The sound of a guy breathing hard with broken ribs and blood in his throat. Reacher took his Colt out of his pocket. He clicked the safety. He put his finger on the trigger. He kept close to the wall, and tried to see in through the crack of the hinge. A big dark mass. He followed the angle of the left-hand door, and flattened his back against the last part of it. Neagley waited a yard away. She would replace him when he moved. He listened to the breathing. Wheezing, bubbling, yelping. He moved off the door and peered around its edge. He
Lee Child (Night School (Jack Reacher, #21))
She wondered how long this was going to take, then mentally chastised herself. Day off, day off, day off. She kept repeating the words until Sam blew in the door. Wearing sweats and flip-flops, dragging a large Birkin bag that was stuffed with God knew what, she barked a brief hello in Vietnamese to the shop owner, then enfolded Taylor in a rib-cracking hug. Her nose was cold against Taylor’s cheek. “Morning, sugar! I am so frickin’ excited. Are you not just about to die? It’s tomorrow, finally. Seriously, T, you’re getting married tomorrow! I feel like we’ve been planning this for months.
J.T. Ellison (14 (Taylor Jackson, #2))
A fucking cop.” “What do you have against cops, man? They protect and serve,” Doug argued. “Yeah they serve and protect other people, not people like me.” “What do you mean, people like you?” Furi pushed his fists into his eyes and winced at the memories. “When I was first beaten by Patrick. He’d cracked two ribs, busted my lip and given me a black eye. I had other bruises on my legs and back from being kicked repeatedly. All because that motherfucker thought it would make him a man. After sex he had to do something to feel like he was in control. I got myself to the hospital and after I was released I took a cab to the police station. I was going to file a restraining order against Patrick. But the cops, they, they ...” Doug noticed Furi was shaking and scooted closer to put his arm around him. “Shhh. It’s okay. You don’t have to talk about it.” Doug rubbed soothing circles on Furi’s shoulder. Furi nuzzled in close to Doug and was immediately calmed by the contact with his friend. “It’s fine. The cops there wouldn’t help me. It was because I was gay, I know it was. They looked at me with disgust on their faces. Cops are fucking homophobic as hell. There I was, all banged up, begging for help but all they were concerned about was my sexual preference. The bruises meant nothing. Like they felt I deserved it.
A.E. Via
My mother, Woman with Many Robes, asks if you want to eat?” Loretta gave an emphatic shake of her head, pressing closer to his chest. In a toss-up, she chose to stay with Hunter. He leaned forward so he could look into her eyes. “You will not be afraid. My mother will crack heads. Your good friend, eh? You will trust.” Loretta scanned the wall of leather-clad bodies and, for the first time, hugged her captor’s arm more closely around her. The dark depths of his eyes shifted, warming on hers. A ghost of a smile flitted across his harsh mouth, and his fingertips tightened their hold on her ribs. Looking up, he said something in Comanche. The woman nodded and turned to shoo the onlookers out of the way, her spoon tapping a hollow tattoo on slow-moving heads. Hunter chuckled, his chest vibrating against Loretta’s shoulder blades as he steered the mare along the path his mother cleared. The crowd formed walls on each side of them, hanging back only when Hunter drew up before a lodge. When he began to dismount, Loretta clutched his wrist, terrified he might abandon her. “Yo-oh-hobt pa-pi! Yo-oh-hobt pa-pi!” a small girl cried, dancing around the mare’s legs, her button eyes gleaming, her plump brown bottom jiggling so hard that she was about to lose her breechcloth. “Ein mah-heepicut?” Hunter pried Loretta’s frantic fingers from his arm and slid off the horse. Smiling at the child, he leaned over and retied her breechcloth thong. “Huh, yes.” Glancing up at Loretta, he said, “She is a yellow-hair, and she is mine.
Catherine Anderson (Comanche Moon (Comanche, #1))
Loretta’s shoulders slumped in defeat. With numb hands she lowered the rifle to the dirt. A nasty grin twisted Hunter’s mouth. “So it is a trade? You are my woman?” For once, she was glad she couldn’t talk. “You can make sign language, herbi.” His eyes locked with hers, glinting, watchful. Amy cried, “No, Loretta, no, don’t do it!” Lifting an eyebrow, the Comanche waited. The tension mounted, reminding Loretta of the lull right before a storm, thick, heavy, unnaturally quiet. She caught the inside of her cheek between her teeth and forced herself to nod. His eyes flickered with satisfaction. Nudging his mount forward, he closed the distance between them and leaned down to encircle her waist with a steely arm. With little effort he lifted her onto his horse, positioning her sideways in front of him so her shoulder pressed against his chest, her bottom wedged between him and the ridge of his stallion’s neck. Never had she felt such quivering, helpless fear. He was going to take her. The reality of it sank home now that he had her on his horse. “Tani-har-ro,” he said softly. She turned her head to find that he was sniffing her hair, his expression quizzical. The moment their eyes met, her insides tightened. Up close, his face seemed even harsher than it had the night before, features chiseled, lips narrowed to an uncompromising line, his skin baked brown by the sun. She could see in minute detail the tiny cracks in his grease paint, the thick sweep of his lashes, the knife scar that slashed his cheek. His eyes were without question the darkest blue she had ever seen and seemed to cut right through her. If she had been entertaining the thought of pleading with him, it fled her mind now. She remembered what he had said to her that first day. Look at me and know the face of your master. She supposed, by his standards, he had a right to smell her hair since he had paid dearly for every strand. A flush slid up her neck. In nothing but a nightgown, she would have been embarrassed in front of any man; with Hunter her humiliation was tenfold. He swept his gaze over her with no sign of guilt, no hesitation, his attention lingering on whatever drew his interest. When he traced her collarbone with a fingertip and gave her arm a squeeze, she felt like a head of beef at auction. “You are too skinny. Your father should feed you more.” Catching hold of her chin, he tipped her head back and forced her mouth open to check her teeth. “Hmph-hh,” he grunted, returning his arm to her waist. “This Comanche paid too many horses. Without your pitsikwina to cover you, you are all bones.” She flashed him a glare, only to discover that his eyes were filled with laughter. He slid a hand up her side, his fingers firm and warm where they hugged the curve of her ribs. She stiffened when he cupped the underside of her breast, but she didn’t resist his touch. “Maybe not all bones. What do you have there, herbi? Do you try to hide the sweet places your mother promised me?” He watched her for a moment, as if trying to predict what her reaction might be to such outrageous familiarity. Then his mouth twisted in a mocking smile. “You do not spit when your sister may suffer my wrath. I should keep her, I think. She is a brave warrior, no?
Catherine Anderson (Comanche Moon (Comanche, #1))
...as my fist drove through her ribs. Bone cracked. Shifted. The numbers in my optics hit steel-bending digits and Muerte lost her footing. My meat flagged, but the arm Orchard had fixed up and the shoulder girdle she’d strengthened didn’t.
K.C. Alexander (Nanoshock (SINless, #2))
they drop us, it could be career ending—horror stories abounded of women who’d had their bones broken, their spinal cords snapped, their ribs cracked. Which just made it all the more important that the boys knew their shit.
Rachel Kapelke-Dale (The Ballerinas)
Nisong slammed her cudgel into another soldier, feeling ribs crack beneath the force of the blow. Was this what vengeance cost? Was this the price of bringing justice to her enemies? She’d paid in blood already.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
When you left, I didn’t think I’d survive it, Not after you tore open my chest cracked open my ribs and took my heart away I felt so empty then. But I did survive it, I am here, All these forevers later and I am okay I survived you, I did.
Elisabet Salas (The Chaos Inside Me)
You have grown a backbone where your wishbone used to be. You have learned how to say no, you have learned how to walk away. Do you remember when they broke you? It felt like life as you knew it was over. It felt like your rib cage cracked apart. You have rebuilt yourself; you have stitched loss into gain, sadness into joy.
Kirsten Robinson (Evergreen)
Trenton’s disgusted look answered that question even as Wilhelm shook his head and said, “They’ll be almost as useless as the sword. With something that big, it probably won’t even notice unless we hit an eye.”   Which most likely still wouldn’t kill it.   The same with any attacks on the body. At most, they’d be a minor nuisance.   “That leaves one option,” Shea said in a resigned voice.   “You have a plan, then?” Witt asked, keeping an eye on their surroundings.   “Yup, but I don’t think any of you are going to like it.” Shea’s expression turned sour. If she was being honest, she didn’t like her plan either.   Trenton stared at her for several beats before he shook his head. “No, that’s crazy.”   “It’s the best option we’ve got ,” Fallon agreed, his mind already following where hers had gone.   Surprise and understanding dawned on Wilhelm and Witt’s faces as they realized what she was thinking.   “I feel like your plans get worse and worse the longer I know you—like gone ‘round the bend crazy worse,” Trenton said. To Fallon, he said, “At least tell me we’re not letting her do the honors.”   Fallon’s eyes were dark as he stared at Shea. It was obvious he wanted to order her to abandon their group and head to the Keep by herself, even at the expense of his own safety. It was just as obvious she would refuse.   “No, we’re not,” he agreed with Trenton. “One of us will do it.”   “I didn’t expect anything else.” Shea gave Fallon a half smile. “I could never make that throw. That’s why Wilhelm will do it.”   Wilhelm lifted an eyebrow. “I will?”   “Wait a minute. Why not me?” Trenton asked in outrage.   Shea ignored him to answer Wilhelm’s question. “I’m not skilled enough with a spear. Same for Witt, and the doubter over there is still recovering from cracked ribs and internal bleeding. And if we let Fallon do it, I’m pretty sure Caden would murder us all once he found out about it. That leaves you.”   “Hey!” Trenton protested.   Fallon looked like he wanted to argue, but he must have seen her point. Of the five of them, Wilhelm was the one with the best marksmanship. Beyond all of the other reasons, that was the one that counted the most and Fallon knew it.   Wilhelm stared off into the mist with a considering expression before looking sideways at Shea, his face serious and intent. “We’ll only get one chance at this.”   “Guess you’d better make the shot count, then,” she told him.   “Incoming,” Witt murmured.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
Stay away from that boy. He’s angrier than the devil. Sophomore year, he and Nate Bergen got into a fight in the hallway. Bash walked away with a bloody lip and a black eye. Nate’s ribs were cracked, wrist broken, and his eyes were swollen shut. He had to sit out most of the football season, and Sebastian got sent to a school for troubled youth. He’s psycho.
Julia Wolf (Start a Fire (The Savage Crew, #1))