Rewind Film Quotes

We've searched our database for all the quotes and captions related to Rewind Film. Here they are! All 15 of them:

Biology The film turns out to be about bees. It is a film about a bee center. How crap is this going to be? An hour later That was the best thing I have seen for ages. We made Miss Wilson rewind the bit where the two queens were having a bitch fight.
Louise Rennison (Love Is a Many Trousered Thing (Confessions of Georgia Nicolson, #8))
Nyaman adalah berbagi waktu tanpa perlu merasa canggung. Nyaman adalah menikmati keberadaan masing-masing, walau yang dapat kami berikan kepada satu sama lain hanyalah kehadiran itu sendiri. Nyaman berarti tidak perlu meminta maaf saat lengan kami bersenggolan secara tak sengaja, merokok dalam mobil dan bebas mengutak-atik stereo tanpa meminta ijin terlebih dahulu. Nyaman adalah meneleponnya tanpa alasan, hanya karena ingin mengobrol, atau karena ada film baru yang ingin kutonton tapi tidak punya teman untuk diajak. Rasa ini tidak perlu dilabeli, diartikan, atau dianalisa.
Winna Efendi (Melbourne: Rewind)
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
For him time stood still and then every few years accelerated in a rush, like the quick re-wind of a film, but for Nicole the years slipped away by clock and calendar and birthday, with the added poignance of her perishable beauty.
F. Scott Fitzgerald (Tender Is the Night)
This time, something different happens, though. It’s the daydreaming that does it. I’m doing the usual thing—imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she’ll look when she’s pregnant, to names of children—until suddenly I realize that there’s nothing left to actually, like, happen. I’ve done it all, lived through the whole relationship in my head. I’ve watched the film on fast-forward; I know the whole plot, the ending, all the good bit. Now I’ve got to rewind and watch it all over again in real time, and where’s the fun in that? And fucking … when’s it all going to fucking stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even, during British Summer Time. I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
As he sat on the side of the bed, he felt the room, the house and the night as empty. In the next room Nicole muttered something in her sleep. For him time stood still and then every few years accelerated in a rush, like the quick re-wind of a film, but for Nicole the years slipped away by clock and calendar and birthday, with the added poignance of her perishable beauty.
F. Scott Fitzgerald (Tender Is the Night)
And so now, having been born, I’m going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I’m sucked back between my mother’s legs. She gets really fat again.
Jeffrey Eugenides (Middlesex)
Life is like a movie. Just roll up a film. When you finish it, just be kind and rewind. Don't live it to regret in the end, give it some room for reflections, meditate then leave like you were just starting it again. Life is like a book, all unique and exclusive, filled with blank pages ready to be written, with many thoughts and creativity. So roll up your sleeve. Be bright and rewrite!
Ana Claudia Antunes (How to Make a Book (How-To 1))
And so now, having been born, I’m going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I’m sucked back between my mother’s legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There’s a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he’s in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we’re out of America completely; we’re in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we’re up on dry land again, where the film unspools, back at the beginning . . .
Jeffrey Eugenides (Middlesex)
As silly as it may sound, consumer market research regularly found the elimination of having to rewind as one of the most significant benefits of a DVD, which was statistically on par with the improved picture quality.
Jeff Ulin (The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World (American Film Market Presents))
I wanted life to be a film so that I could rewind it to when I first saw Gringo on the big screen. I was sitting happily between Flathead and Hercules, feeling the luckiest and most protected child in the world. Back to the time when I rode with Happiness on the bike in Qala, when Aida and I first kissed, and when Papula and I danced under the cascading water from the hose. I did not want to stop running, or stop thinking of those wonderful times when I had been happy,
Kae Bahar (Letters from a Kurd)
Win drove, Myron took the front passenger seat, and Big Cyndi squeezed into the back, which was a little like watching a film of childbirth on rewind. Then they were off.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
Rewind the Film I wish I had a film of you. I’d love to see you move again, to see the gestures that I knew when you were here, as we were then, and know I’d not forgotten what was true of you and what was not. I’d watch as if through window panes and you still moved beyond the glass, knowing memory remains although the years and lives must pass, and from your movements could infer the unity of what you were. Perhaps I’d hear your voice again, if no more than a sound or two, and know it as I knew it when we rested on the grass, and you would close your eyes and feel the sun as if the end had not begun. I’d know that what I heard and saw was not the shadow of my mind and know you almost as before, when in the outward form I’d find the creature that I couldn’t see or hear, and all you were to me, as if I felt a wind that blew across that insubstantial day or sun illuminating you because I’ve felt the sunlight play on flesh, and though the hours pass had reached the world beyond the glass.
Stuart Payne (Voices from Another Room)
The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
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