Retro Night Quotes

It's simple. If you go to see 'Saturday Night Fever' expecting it to be good, it's a corker. However, if you go expecting it to be a crock of shit, it's that, too. Thus 'Saturday Night Fever' can exist in two mutually opposing states at the very same time, yet only by the weight of our expectations. From this principle we can deduce that any opposing states can be governed by human expectation - even, as in the case of retro-deficit-engineering, the present use of a future technology." "I think I understand that. Does it work with any John Travolta movie?" "Only the artistically ambiguous ones such as 'Pulp Fiction' or 'Face/Off.' 'Battlefield Earth' doesn't work, because it's a stinker no matter how much you think you're going to like it, and 'Get Shorty' doesn't work either, because you'd be hard-pressed not to enjoy it, irrespective of any preconceived notions.

It’s not a crime to wish for other worlds. You’ll get taxed for it but they can’t throw you in jail for creating your own private world…yet. Dramatics are fun, an indulgence. ‘You can’t go backward,’ ‘You can’t live in the past,’ they tell you. Why not? ‘You’ve got to put all that behind you and move on to other things,’ they say. Bullshit! These are all expressions of modern disposability. It’s a mediocritizing technique—trying to get rid of what I call ‘past orthodoxies.’ It’s our past that makes us unique, therefore it’s our past that economic interests want to rob from us, so they can sell us a new, improved future. Society now depends on a disposable world—out with the old, in with the new, including relationships. But how we weep and wish we could hold onto those cherished moments forever, to those long-whispered dreams, those tortured nights—how we want to grasp them and stop them from sifting through our fingers. I say, ‘Don’t let it happen. Keep things the way you want them and let the rest of the world be duped.

they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

What a fucking night," I mumble. "So that brings us to where we are at now." Retro points to the closed door. "Your dog isn't a very good watch dog.

Tonight, I decided to take a stroll down to my local liquor store. Maybe I’ll find a refreshment to wash down this full moon. Some nights you feel like you're on an alien planet or some kind of time machine entering a liquor store with its neon signs and retro touches; besides the new done up stores looking like a polished toilet. I prefer the beaten down, rough and strange liquor store. I’m a regular and the man at the counter always asked me about my latest book, he told me to stay away and write until old age. Anyways got my shit, walked out and the alarm beep went off, barely covering the tax. Took the long way home, to get away from that haunting typewriter. Sat down at some park bench, as I started to open my poison, a memory rushed into me. A empty bottle of Jack Daniel’s under the Christmas tree. I thought my dad would want another drink, so started to pour my bottle into the dirt and cry as the moon went over the horizon and crossed into the section where my heart was filled up with the hidden moons glow.

Pierre wakes up for good. As he's lying there yawning, he vaguely remembers a couple of false starts inspired by a ringing phone. He looks to his left. It's eleven. Next thing, he's stumbling down the hall toward his phone machine. 'Wait. Coffee,' he whispers in a shredded voice, veering back into the kitchen. He does what he has to, then plays back the messages, sips. Beep. 'It's Paul at Man Age. Appointment, twelve-thirty P.M., hour, Gramercy Park Hotel, room three-forty-four, name Terrence. Later.' Beep. 'Paul again. Appointment, two P.M., Washington Annex Hotel, room six-twenty, a play-it-by-ear, name Dennis, I think the same Dennis from last night. Check with us mid-afternoon. You're a popular dude. Later.' Beep. 'P., it's Marv, you there? . . . No? . . . Call me at work. Love ya.' On his way to the shower Pierre makes a stop at the stereo, plays side one of Here Comes the Warm Jets, an old Eno album. It's still on his turntable. It has this cool, deconstructive, self-conscious pop sound typical of the '70s Art Rock Pierre loves. He doesn't know why it's fantastic exactly. If he were articulate, and not just nosy, he'd write an essay about it. Instead he stomps around in the shower yelling the twisted lyrics. ' "By this time / I'd got to looking for a kind of / substitute . . ." ' It's weird to get lost in something so calculatedly chaotic. It's retro, pre-punk, bourgeois, meaningless, etc. ' ". . . I can't tell you quite how / except that it rhymes with / dissolute." ' Pierre covers his ears, beams, snorts wildly. Tying his sneakers, he flips the scuffed-up LP, plays his two favorite songs on the second side, which happen to sit third and fourth, and are aurally welded together by some distorted synthesizer-esque percussion, maybe ten, fifteen seconds in length. Pierre flops back in his chair, soaks the interlude up. It screeches, whines, bleeps like an orgasming robot.

Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.” I’m happy to be pussy whipped. Logan walks over and high-fives me, and Emily grins at Reagan. “Thanks for taking one for the team,” I say to Paul. It won’t be hard on him. The girl is gorgeous. “The things I have to do so you guys can have sex.

Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.

I smiled and we both just stood there. Neither one of us made a move to go, even though it was late. A mischievous grin crept across her face. “Are you tired?” I liked the glint in her eye and I had no intention of ending this night if she didn’t want to, no matter how tired I was. “No.” “Do you want to go TP Sloan and Brandon’s house?” My laugh made her eyes dance. “I know it’s a little tenth-grade retro,” she said. “But I’ve always wanted to do it. And you can’t TP a house alone—it’s a rule.” “We’ll have to show up there tomorrow and help them clean it up. Pretend it’s just a lucky coincidence,” I said. “Can you borrow a tool from Brandon? I can text Sloan in the morning to tell her we’re going to pick it up. She’ll cook if she knows we’re coming. Then we’ll get breakfast and atone for our sins.” She grinned. A half an hour later I was crouched behind my truck two houses down from Brandon’s, game-planning with Kristen. She still hadn’t taken out her curlers. “If they wake up,” she whispered, “we scatter and reconvene at the donut place on Vanowen.” “Got it. If you’re captured, no matter what they do to you, don’t break under interrogation.” She scoffed quietly. “As if. I can’t be broken.” She snatched her roll and darted from behind the truck. We made short work of it. Operation TP Sloan and Brandon’s was completed in less than five minutes. No casualties. We got back into the truck laughing so hard it took me three tries to get the key in the ignition. Then I noticed she’d lost a curler. I got unbuckled. “No curlers left behind. It’s Marine Corps policy.” We got out for a recon mission on Brandon’s lawn. I located the fallen curler under a pile of TP by the mailbox. “Hey,” I whispered, holding it up. “Found it.” She beamed and jogged across the toilet-papered grass, but when she reached for the curler, I palmed it. “You’re injured,” I whispered. “You’ve lost a curler. The medics can reattach it, but I’ll need to carry you out. Get on my back.” I was only about 50 percent sure she would go for this. I banked on her not wanting to break character. She didn’t skip a beat. “You’re right,” she whispered. “Man down. Good call.” She jumped up and I piggybacked her to the truck, laughing the whole way. Those thirty seconds of her arms around my neck made my entire night.

Former pastry chef Sam Mason opened Oddfellows in Williamsburg with two business partners in 2013 and has since developed upwards of two hundred ice cream flavors. Many aren't for the faint of heart: chorizo caramel swirl, prosciutto mellon, and butter, to name a few. Good thing there are saner options in the mix like peanut butter & jelly, s'mores, and English toffee. A retro scoop shop off Bowery, Morgenstern's Finest Ice Cream has been bringing fanciful flavors to mature palettes since opening in 2014. Creator Nicholas Morgenstern, who hails from the restaurant world, makes small batches of elevated offerings such as strawberry pistachio pesto, lemon espresso, and Vietnamese coffee. Ice & Vice hails from the Brooklyn Night Bazaar in Greenpoint, and owners Paul Kim and Ken Lo brought it to the Lower East Side in 2015. Another shop devoted to quality small batches, along with weird and wacky flavors, you'll find innovations like Farmer Boy, black currant ice cream with goat milk and buckwheat streusel, and Movie Night, buttered popcorn-flavored ice cream with toasted raisins and chocolate chips.