Resin Art Quotes

In the wake of the Patriot Act, during the second administration of George W., you made a series of small, handheld weapons. The rule was that each weapon had to be assembled from household items within minutes. You’d been gay-bashed before, two black eyes while waiting in line for a burrito (you ran after him, of course). Now you thought, if the government comes for its citizens, we should be prepared, even if our weapons are pathetic. Your art-weapons included a steak knife affixed to a bottle of ranch dressing and mounted on an axe handle, a dirty sock sprouting nails, a wooden stump with a clump of urethane resin stuck to one end with dull bolts protruding from it, and more.

(You will find it again at an art show: the latest work of the sculptor Irnerio. The page whose corner you had folded down to mark your place is spread out on one of the bases of a compact parallelepiped, glued, varnished with a transparent resin. A charred shadow, as of a flame that is released from inside the book, corrugates the surface of the page and opens there a succession of levels like a gnarled rind.)

What she wanted was technique. She wanted to paint like a Renaissance old master. She wanted to know what color Titian tinted his canvas before he started working on it. She wanted to know what colors Caravaggio mixed to make his lights. She wanted to know exactly which pigments Rubens utilized to achieve those juicy fleshy tones, what brown Rembrandt used in his shadows, what combination of oils and resins went into Vermeer's painting medium. She wanted someone to show her how to make Raphael's line and Michelangelo's muscle masses. She wanted to know what made a good composition, and what made a bad one. She wanted to know.

A shopping bag from a local hobby store contained kits for making buzzers and doorbells. Jugs of liquid resin and rolls of plastic food wrap sat beside the bag, and a mini-loaf baking pan was wedged between the jugs. Plastic sewing kits were stacked next to X-Acto knives, and so many arts and crafts supplies Amy could open a hobby shop. The

Elegance and simplicity . . . plastic, including polyester resin, which has several attractions: permanence (indoors), an aura of difficulty and technical expertise, and preciousness . . . rivaling bronze or marble. . . . in short, the aroma of Los Angeles in the sixties — newness, postcard sunset color, and intimations oif aerospace profundity.