Tractor Driving Quotes

We've searched our database for all the quotes and captions related to Tractor Driving. Here they are! All 100 of them:

Technically speaking, you drive like a rabid chicken who has hijacked a tractor.
Sarah Rees Brennan
... " it's the Fiery Furnace." They just looked at me as if I said "It's a puppy driving a tractor.
Brodi Ashton (Everbound (Everneath, #2))
Every morning when I wake up and look in the mirror, I see a black face and I love it. Sure, I've been to Paris and grew up surfing, and yes, I speak like I'm in a commercial. But I'm just like the women you see walking on the side of the road with their laundry baskets and their Bibles. I'm just like the old men pedaling their rusty bicycles. I'm no different from the men who drive your tractors or the woman who probably raised you. I'm just like them, no better and no worse. I'm black, Remy, which means everything and nothing
Natalie Baszile (Queen Sugar)
You’re probably the kind of person who grew up in a town that has a gas station, and that doesn’t encourage students to drive to school in their tractors.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
The man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself, then the corrugated iron doors are shut, he goes home, and his home is not the land.
John Steinbeck
And if you think having a gas station is not that big of a deal, then you’re probably the kind of person who grew up in a town that has a gas station, and that doesn’t encourage students to drive to school in their tractors. Wall
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
...This is the arena in which a spiritualized disobedience means most. It doesn't mean a second New Deal, another massive bureaucratic attack on our problems. It doesn't mean taking to the streets, throwing bricks through the window at the Bank of America, or driving a tractor through the local McDonald's. It means living differently. It means taking responsibility for the character of the human world. That's a real confrontation with the problem of value. In short, refusal of the present is a return to what Thoreau and Ruskin called "human fundamentals, valuable things," and it is a movement into the future. This movement into the future is also a powerful expression of that most human spiritual emotion, Hope. p.124
Curtis White (The Spirit of Disobedience: Resisting the Charms of Fake Politics, Mindless Consumption, and the Culture of Total Work)
He was becoming an effective human being. He had learned from his birth family how to snare rabbits, make stew, paint fingernails, glue wallpaper, conduct ceremonies, start outside fires in a driving rain, sew with a sewing machine, cut quilt squares, play Halo, gather, dry, and boil various medicine teas. He had learned from the old people how to move between worlds seen and unseen. Peter taught him how to use an ax, a chain saw, safely handle a .22, drive a riding lawn mower, drive a tractor, even a car. Nola taught him how to paint walls, keep animals, how to plant and grow things, how to fry meat, how to bake. Maggie taught him how to hide fear, fake pain, how to punch with a knuckle jutting. How to go for the eyes. How to hook your fingers in a person’s nose from behind and threaten to rip the nose off your face. He hadn’t done these things yet, and neither had Maggie, but she was always looking for a chance. When
Louise Erdrich (LaRose)
The beer got him, and, for a moment, a rush of idiot compassion urged him to hug a pinch-faced man in brown overalls who sat on a stool surrounded by primitive paintings of Jesus engaged in various farm chores (milking a cow, driving a tractor, killing a hog), but the desire to comfort the untalented, the misguided, left Wally before he could act.
Ellen Datlow (Lovecraft Unbound)
You want a defenseless girl to walk home in the near dark?” “Seriously? The biggest danger in the streets of Theory, Texas is some farmer letting his dog drive the tractor. A lot of the dogs around here drink.
Raymond St. Elmo (In Theory, it Works)
That man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself.
John Steinbeck (The Grapes of Wrath)
Get in or you’ll miss the fun.” Fun? I slid into the seat. The engine purred to life. She floored the accelerator and the car jerked forward. She took a hard right and the tires screeched when she pulled out onto the main road. I gripped the armrest. “Who the f*ck gave you your license?” “Watch your language, Noah, and the state of Kentucky. Why did you miss your appointment?” I loved fast driving. Isaiah and I had drag raced all last summer. What I didn’t love was a middle-aged nut job who couldn’t steer straight. “You want to pull over and let me drive?” Mrs. Collins laughed and cut off a tractor trailer merging onto the freeway. “You’re a riot. Focus, Noah. The appointment.”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I envied the sons their life in the country. I wasn’t even jealous of how at home they were in the fields and woods and barns; of how they could do so many things I couldn’t, drive tractors, take apart and fix motors, pluck eggs from under a hen, shove their way into a stall with a stubborn horse pushing back: I just marveled at it all, and wanted it. They and the boys who lived on farms near them were also so enviably at ease in their bodies: what back in the city would be taken as a slouch of disinterest, here was an expression of physical grace. No need to be tense when everything so readily submitted to your efficiently minimal gestures: hoisting bales of hay into a loft, priming a recalcitrant pump … Something else there was as well, something more elusive: perhaps that they lived so much of the time in a world of wild, poignant odors—mown grass, the redolent pines, even the tang of manure and horse-piss-soaked hay. Just the thought of those sensory elations inflicted me with a feeling I still have to exert myself to repress that I was squandering my time, wasting what I knew already were irretrievable clutches of years, now hecatombs of years, trapped in my trivial, stifling life.
C.K. Williams (All at Once: Prose Poems)
couldn’t understand, though, why a woman would join the jihadists and openly celebrate the enslavement of girls the way Morteja’s mother did. Any woman in Iraq, no matter her religion, had to struggle for everything. Seats in parliament, reproductive rights, positions at universities—all these were the results of long battles. Men were content to stay in power, so power had to be taken from them by strong women. Even Adkee’s insistence on driving our tractor was a gesture of equality and a challenge to those men.
Nadia Murad (The Last Girl: My Story of Captivity, and My Fight Against the Islamic State)
Actually, he told me later that I had turned him gay . . . by taking codeine again. And I said, “You know, I never read that warning on the label.” I thought it said heavy machinery, not homosexuality—turns out I could have been driving those tractors all along! Turning
Carrie Fisher (Wishful Drinking)
One gleeful headline drives me to the floor, kneeling, and all paint turns to gazette paper and all memory collides into photographs we could not say happened, that is us, that’s what we did. When you lose you become ancient but this time no one will rake over these bodies gently collecting their valuables, their pots, their hearts and intestines, their papers and what they could bury. This civilisation will be dug up to burn all its manifestos. No tender archaeologist will mend our furious writings concluding, “They wanted sweat to taste sweet, that is all, some of them played music for nothing, some of them wrote poems to tractors, rough hands, and rough roads, some sang for no reason at all to judge by their condition.
Dionne Brand (Land to Light On)
But I was stuck--stuck in a delicious, glorious, beautiful, inescapable La Brea tar pit of romance with a rough, rugged, impossibly tender cowboy. As soon as I’d have any thoughts of escaping to Chicago to avoid my parents’ problems, within seconds I’d shoot myself down. Something major would have to happen to pry me out of his arms. Marlboro Man filled my daydreams, filled my thoughts, my time, my heart, my mind. When I was with him, I was able to forget about my parents’ marital problems. On our drives together, preparing our dinners, watching our VHS action movies, all of those unhappy things disappeared from view. This became a crutch for me, an addictive drug of escape. Ten seconds in Marlboro Man’s pickup, and I saw only goodness and light. And the occasional bra-and-panty-wearing grandma mowing her yard.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The clock ticked away toward seven; news circulated that the tuxedo-clad Marlboro Man had arrived. He’d spent the day with his groomsmen and guests, driving them to the big city and treating them all to black cowboy boots to match their tuxes. Black patent slip-ons--and monogrammed Dopp kits--weren’t exactly his style. Even Mike got his own pair of shit-kickers, which he proudly displayed to guests walking into the church.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled. “Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.” And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment: God help me--I love that man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Thirty minutes into my drive home, he called. I’d almost grown to need it. “Hey,” he said. His voice. Help me. “Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t. “Hey, I…,” Marlboro Man began. “I really don’t want you to go.” I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice. A long pause followed. Then, his voice serious, he continued, “That’s not what I’m talking about.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Jared laughed. “Come on, I brought a spare helmet for you,” he said, reaching into his locker again. As he spoke, she reached for him in her mind, and felt the pleasure he felt in his motorbike. She could taste some of the thrill, the speed and the danger. “Ahahaha!” said Kami. “No, you didn’t. You brought it for someone else, someone who doesn’t know that you have crashed that bike fifty-eight times!” “Technically speaking, only fifty-one of those times were my fault.” “Technically speaking, you drive like a rabid chicken who has hijacked a tractor.” “Like a bat out of hell,” Jared said. “Nice simile. Sounds sort of dangerous and cool. Consider it.” “Not a chance. I like my brains the way they are, not lightly scrambled and scattered across a road. And speaking of bad boy clichés, really, a motorcycle?” “Again, I say: rugged,” Jared told her. “Manly.” “I often see Holly on hers,” Kami said solemnly. “When she stops for traffic, sometimes she puts on some manly lip gloss. I’m not getting on a bike.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Why?” “Yes, why? I mean there’s two kinds of activities here, there’s the exploration of Mars and then there’s the life support for that exploration. And here you’ve been completely immersed in the life support, without paying the slightest attention to the reason we came in the first place!” “Well, it’s what I like to do,” Nadia said uneasily. “Fine, but try to keep some perspective on it! What the hell, you could have stayed back on Earth and been a plumber! You didn’t have to come all this way to drive a goddamn bulldozer! Just how long are you going to go on grubbing away here, installing toilets, programming tractors?
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
When we pulled up to Marlboro Man’s house, I saw my Camry sitting in his driveway. I didn’t expect it to be there; I figured it was still on Marlboro Man’s parents’ road, sitting all crooked in the ditch where I’d left it the night before. Marlboro Man had already fixed it, fishing it out of the ditch and repairing the mangled tires and probably, knowing him, filling the tank with gas. “Oh, thank you so much,” I said as we walked toward the front door. “I thought maybe I’d killed it.” “Aw, it’s fine,” he replied. “But you might want to learn to drive before you get in it again.” He flashed his mischievous grin. I slugged him in the arm as he laughed.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Put the girl at the stove, because of course she doesn’t know how to ride a horse or shoot, right? “Do you know how to tend crops instead?” he asks. I straighten my spine, already knowing what he’s getting at. “Weed, water, fertilize?” he goes on. “Aerate the land? Plant? Do you know how to prepare to store some of those crops to feed the horses and livestock over the winter months?” I still don’t look at him. “Milk cows?” he continues, enjoying himself. “Train horses? Operate a chainsaw? Skin a deer?” Yeah, okay. “Can fruits and vegetables? Drive a tractor? Build a motorcycle from scratch?” I lock my jaw, but I don’t answer. “So cooking breakfast, it is,” he chirps.
Penelope Douglas (Credence)
The sun was just dipping below the western horizon when we pulled up to our little house on the prairie. Despite the obvious turmoil I knew was swarming in the periphery, I couldn’t help but instantly smile when I saw our little home. Home, I thought to myself--a strange response, considering I’d never spent a night there. But, being back there, I felt the heartbeat of our love affair that had started on that very ranch, the drives we’d taken, the dinners we’d cooked, the nights we’d spent watching submarine movies on his old leather couch, which Marlboro Man had already moved to our new little house so we’d be able to enjoy it immediately. Poor couch. It must have been awfully lonely without us.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As it baked, the blessed casserole smelled just like it did when I was a child, which was likely the last time I’d eaten it. I marveled that the scent of a specific dish could remain in one’s consciousness for over two decades. Except for the dark brown hair and the crumbling marriage, I’d officially become my mother. Marlboro Man, happy to have something warm to eat, declared it the best thing he’d ever eaten. I looked at the mess in the kitchen and felt like moving. Marlboro Man and I watched movies that night. Our TV satellite hadn’t been hooked up yet, so he’d transported his movie collection and VCR from his old house. And I didn’t have to get up and drive home when they were over, because I already was home.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Normally, burning is carried out from a Jeep or other open vehicle, the driver holding a torch out of the side, lighting grass as he goes. I’d seen Marlboro Man do it from afar but had never been up close and personal with the flames. Maybe he needs me to drive the Jeep! I thought. Or, better yet, man the torch! This could be really fun. He asked me to meet him at the barn near his house, where his Jeep was parked. Just as I pulled up, I saw Marlboro Man exiting the barn…who two horses in hand. My stomach felt funny as I scrunched up my nose and mouthed the word crap. I wasn’t comfortable riding a horse, and like my parents’ marital problems, I’d been secretly hoping this whole “horse thing” would just up and magically disappear.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Driving home that night, I felt so much better. I was no longer a freak of nature--the kind of freak that spends every waking hour with a man for months on end but has some sort of bizarre mental defect that prevents her from articulating her feelings for him--the kind of freak that allows the man to express his love time after time but gives nothing in return. I felt good about it, too, that I’d had the uncharacteristic boldness to tell him I loved him before he’d had a chance to say it to me first that night. I wanted to say I love you, not I love you, too. I knew there was a reason I liked submarine movies. I had no idea where our relationship was headed. But I did know that I meant what I’d said. I slept like a baby that night.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When there’s a fire in the country, everyone shows up. It’s an unwritten rule, a universal rural truth. Helping neighbors fight fire on their land is the ultimate show of support and goodwill, not to mention a clear acknowledgement that prairie fires are no respecters of persons or fence lines and can quickly jump from ranch to ranch, taking nutritive grass, animals, and structures along with it. Plus, while it’s probably only a small part, it’s an excuse for a bunch of men to get together and, well, fight fire…to gather around a huge inferno and start up the sprayers…to drive around and extinguish flames…to light backfires and try to anticipate changes in the direction of the wind. Men, whether they admit it or not, thrive on that kind of thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
For nitrates are not the land, nor phosphates; and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt nor water nor calcium. He is all these, but he is much more, much more; and the land is so much more than its analysis. The man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the land.
John Steinbeck (The Grapes of Wrath)
This says Lou can drive, signed, Horace Bricker.” Aunt Lou nodded. “Yes, Horace taught me how to drive. That’s proof.” Papa’s mouth opened. He looked at me, then closed it again. “How about,” said Papa slowly, handing the paper back to Aunt Lou, “you drive on the tractor roads that go through the meadows. Could you do that?” “Oh yes!” said Aunt Lou happily. “You didn’t think I wanted to drive on the main roads, did you? With all the fools out there?” She tapped Grandfather on the shoulder. “How about it, John? Want to go driving? Past the slough and across the far meadows? We can go fast!” She stopped and looked at Papa. “We can go fast, can’t we?” Papa put his hands over his eyes and leaned on the table. Jack put his hands over his eyes and leaned on the table, too.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
C’mon!” Marlboro Man shouted, jumping onto the back of a nearby spray truck driven by an elderly man. “Hop in there with Charlie!” He pointed toward the door of the old, royal blue vehicle. Not having many other appealing options, I ran to the truck and hopped inside. “Well…hi, darlin’!” the old man said, putting his truck into gear. “You ready?” “Um, sure,” I replied. Who was Charlie? Had we met before? Why was I in his spray truck, and where was he taking me? I would have asked Marlboro Man these questions, but he’d jumped onto the back of the truck too quickly. As far as I could tell, I was riding in the pickup with an elderly gentleman who was about to drive the both of us straight into hell. I guess I’d have to ask all my questions later…when they wouldn’t be so relevant anymore.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Six horses died in a tractor-trailer fire. There. That's the hard part. I wanted to tell you straight away so we could grieve together. So many sad things, that's just one on a long recent list that loops and elongates in the chest, in the diaphragm, in the alveoli. What is it they say, heartsick or downhearted? I picture a heart lying down on the floor of the torso, pulling up the blankets over its head, thinking the pain will go on forever (even though it won't). The heart is watching Lifetime movies and wishing, and missing all the good parts of her that she has forgotten. The heart is so tired of beating herself up, she wants to stop it still, but also she wants the blood to return, wants to bring in the thrill and wind of the ride, the fast pull of life driving underneath her. What the heart wants? The heart wants her horses back.
Ada Limon
It was time for me to go that Thursday night. We’d just watched Citizen Kane--a throwback to my Cinema 190 class at USC--and it was late. And though a soft, cozy bed in one of the guest rooms sounded much more appealing than driving all the way home, I’d never really wanted to get into the habit of sleeping over at Marlboro Man’s house. It was the Pretend-I’m-a-Proper-Country-Club-Girl in me, mixed with a healthy dose of fear that Marlboro Man’s mother or grandmother would drop by early in the morning to bring Marlboro Man some warm muffins or some such thing and see my car parked in the driveway. Or even worse, come inside the house, and then I’d have to wrestle with whether or not to volunteer that “I slept in a guest room! I slept in a guest room!”, which only would have made me look more guilty. Who needs that? I’d told myself, and vowed never to put myself in that predicament.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Tim and Marlboro Man looked toward the fire. “C’mon, Charlie,” Tim said. “Why don’t you drive us around to the north side and we’ll take to it that way.” Charlie, who’d likely been through dozens of fires in his lifetime, jumped in Tim’s driver’s seat, undeterred. Did he realize how close he’d just come to being terribly injured? But Charlie, a tough, leathery cowboy, was completely unfazed. I, on the other hand, was fazed. I was extremely fazed. Adrenaline poured from my eyeballs. “C’mon,” Marlboro Man said, grabbing my hand. But my feet were firmly planted. I wasn’t moving another inch toward that fire. “Go ahead,” I said, shaking my head. “I’ll just go wait in your pickup.” “Okay,” he said, giving me a quick glance. “You’ll be fine.” Then he broke into a run and jumped onto the back of the truck with Tim…and I watched as the three brave, psychotic men drove straight back into Hades.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The land was our legacy. Most of my father’s generation spent a good part of their lives building levees just to keep the high water off us so we could farm. Most of the farm houses we lived in were raised up on stilts. My dad started me on the tractor that spring. I’d been riding with him for years, and now I got to drive it. We started in April, turned the fields over with the breaking plow, and then got on top of it again with a disk. Some years, if your soil demanded it, you went back and disked it over again into fine-tilled soil. Just before planting, you’d work the ground with a section harrow, a flat, metal-toothed rake that furrowed the ground, smoothed it, and broke up any clods of dirt. Clouds of birds whirled overhead and around the tractor, searching for worms and insects in the freshly plowed earth. Eventually you’d have big fields of fine delta soil in rows about four inches high.
Levon Helm (This Wheel's on Fire: Levon Helm and the Story of the Band)
Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He drove me home, through all the windy roads of his ranch and down the two-lane highway that eventually led to my parents’ house on the golf course. And when he walked me to the door, I marveled at how different it felt. Every time I’d stood with Marlboro Man on those same front porch steps, I’d felt the pull of my boxes beckoning me to come inside, to finish packing, to get ready to leave. Packing after our dates had become a regular activity, a ritual, an effort, on my part, to keep my plans moving along despite my ever-growing affection for this new and unexpected man in my life. And now, this night, standing here in his arms, the only thing left to do was unpack them. Or leave them there; I didn’t care. I wasn’t going anywhere. At least not for now. “I didn’t expect this,” he said, his arms around my waist. “I didn’t expect it either,” I said, laughing. He moved in for one final kiss, the perfect ending for such a night. “You made my day,” he whispered, before walking to his pickup and driving away.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Next, it was time to tell my brother Mike. “Hey, Mike!” I announced. “Guess what?” “Wh-wh-wh-what?” he asked. “I’m staying here! I’m not moving away!” I said. “Aren’t you excited?” Mike thought for a minute, then asked, “C-c-c-can you drive me to duh fire station now?” Finally I broke the news to my oldest brother. A resident of Chicago himself, he’d been looking forward to having a sister nearby. “Have you lost your f*&%#ing mind?” he said. He’d never been one to mince words. “Yes,” I conceded, attempting to defuse him. “I do believe I have.” “What the hell are you going to do back home? You’ll shrivel up and die there, it’s so backward!” To my commodity-trading, world-traveling brother, any city with a population under three million was backward. “What’s the story with this guy, anyway?” “Oh, you don’t know him,” I said. “We’ve only been going out about a month or so.” My brother’s practical side came out swinging. “You’ve only known him for a month? What the hell does he do?” “Well,” I began, bracing myself. “He’s…a cowboy.” “Oh, Christ.” My brother exhaled loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Despite the rocky start, I wound up enjoying a beautiful day on the ranch with Marlboro Man and his parents. I didn’t ride a horse--my legs were still shaky from my near-murder of his mother earlier in the day--but I did get to watch Marlboro Man ride his loyal horse Blue as I rode alongside him in a feed truck with one of the cowboys, who gifted me right off the bat with an ice-cold Dr. Pepper. I felt welcome on the ranch that day, felt at home, and before long the memory of my collision with a gravel ditch became but a faint memory--that is, when Marlboro Man wasn’t romantically whispering sweet nothings like “Drive much?” softly into my ear. And when the day of work came to an end, I felt I knew Marlboro Man just a little better. As the four of us rode away from the pens together, we passed the sad sight of my Toyota Camry resting crookedly in the ditch where it had met its fate. “I’ll run you home, Ree,” Marlboro Man said. “No, no…just stop here,” I insisted, trying my darnedest to appear strong and independent. “I’ll bet I can get it going.” Everyone in the pickup burst into hysterical laughter. I wouldn’t be driving myself anywhere for a while.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I walked slowly back home, breathing deeply and taking in all the sights and sounds of a private country club golf course: the beeping of a distant golf cart driving in reverse, the barking of the bird dogs Dr. Burris took hunting with him every fall and winter, millions of tiny birds in triumphant song. It was the closest thing to the country that I’d known until now. And my thoughts turned to Marlboro Man. I was thinking of him when I walked back into the house, imagining his gorgeous voice in my ear when I heard the phone ringing in my room. I ran up the stairs, skipping three steps at a time, and answered the phone, breathless. “Hello?” I gasped. “Hey there,” Marlboro Man said. “What are you doing?” “Oh, I just went for a run on the golf course,” I answered. As if I did it every day. “Well, I just want you to know I’m coming to get you at five,” he said. “I’m having Ree withdrawals.” “You mean since midnight, when we last saw each other?” I joked. Actually, I knew exactly what he meant. “Yeah,” he said. “That’s way, way too long, and I’m not gonna put up with it anymore.” I loved it when he took charge. “Okay, then--fine,” I said, surrendering. “I don’t want to argue. I’ll see you at five.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What am I? Chopped liver? Is there some specific reason he never pulls me over close to him as we drive around the countryside? Why doesn’t he hook his right arm affectionately around my neck and claim me as the woman of his pickup? I never knew I had such a yearning to ride next to a man in a pickup, but apparently it had been a suppressed lifelong dream I knew nothing about. Suddenly, sitting in that pickup with Marlboro Man, I’d apparently never wanted anything so badly in my life. I couldn’t keep quiet about it any longer. “So…,” I began. Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy. Please, Marlboro Man…please. I’ve never wanted anything this much. “So, um…why don’t you do it anymore?” I asked. “Bucket seats,” Marlboro Man answered, his hand still resting on my leg. Made sense. I settled in and relaxed a bit.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When we pulled up to Marlboro Man’s house, I saw my Camry sitting in his driveway. I didn’t expect it to be there; I figured it was still on Marlboro Man’s parents’ road, sitting all crooked in the ditch where I’d left it the night before. Marlboro Man had already fixed it, fishing it out of the ditch and repairing the mangled tires and probably, knowing him, filling the tank with gas. “Oh, thank you so much,” I said as we walked toward the front door. “I thought maybe I’d killed it.” “Aw, it’s fine,” he replied. “But you might want to learn to drive before you get in it again.” He flashed his mischievous grin. I slugged him in the arm as he laughed. Then he lunged at me, grabbing my arms and using his leg to sweep my supporting leg right out from under me. Within an instant, he had me on the ground, right on the soft, green grass of his front yard. I shrieked and screamed, trying in vain to wrestle my way out of his playful grasp, but my wimpy upper body was no match for his impossible strength. He tickled me, and being the most ticklish human in the Northern Hemisphere, I screamed bloody murder. Afraid I’d wet my pants (it was a valid concern), I fought back the only way I knew how--by grabbing and untucking his shirt from his Wranglers…and running my hand up his back, poking at his rib cage. The tickling suddenly stopped. Marlboro Man propped himself on his elbows, holding my face in his hands. He kissed me passionately and seriously, and what started as a playful wrestling match became an impromptu make-out session in his front yard. It was an unlikely place for such an event, and considering it was at the very beginning of our night together, an unlikely time. But it was also strangely perfect. Because sometime during all the laughing and tickling and wrestling and rolling around in the grass, my worry and concern over my parents’ troubles had magically melted away. Only when the chiggers began biting did Marlboro Man suggest an alternate plan. “Let’s go inside,” he said. “I’m cooking dinner.” Yummy, I thought. That means steak. And as we walked into the house, I smiled contentedly, realizing that the stress of the previous twenty-four hours had all but disappeared from view. And I knew it, even then: Marlboro Man, not only that night but in the months to come, would prove to be my savior, my distraction, my escape in the midst of troubles, my strength in the face of upheaval, my beauty in times of terrible, heartbreaking ugliness. He held my heart entirely in his hands, this cowboy, and for the first time in my life, despite everything I’d ever believed about independence and feminism and emotional autonomy, I knew I’d be utterly incomplete without him. Talk about a terrifying moment.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun. He met me at my car, wearing jeans, boots, and a soft, worn denim shirt. I climbed out of the car and stepped right into his arms. It was just after 8:00 A.M., and within seconds we were leaning against my car, sharing a passionate, steamy kiss. Leave it to Marlboro Man to make 8:00 A.M. an acceptable time to make out. I never would have known this if I hadn’t met him. “So…what are we gonna do today?” I asked, trying to remember what day it was. “Oh, I thought we’d drive around for a while…,” he said, his arms still grasping my waist, “and talk about where we might want to live.” I’d heard him mention before, in passing, that someday he wanted to move to a different spot on the ranch, but I’d never paid much attention to it. I’d never really cared much where he lived, just as long as he took his Wranglers with me. “I want it to be your decision, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I loved driving with Marlboro Man. I saw things I’d never seen before, things I’d never even considered in my two and a half decades of city life. For the first time ever, I began to grasp the concept of north, south, east, and west, though I imagine it would take another twenty-five years before I got them straight. I saw fence lines and gates made of welded iron pipe, and miles upon miles of barbed wire. I saw creeks--rocky, woodsy creeks that made the silly water hazard in my backyard seem like a little mud puddle. And I saw wide open land as far as the eye could see. I’d never known such beauty. Marlboro Man loved showing me everything, pointing at pastures and signs and draws and lakes and giving me the story behind everything we saw. The land, both on his family’s ranch and on the ranches surrounding it, made sense to him: he saw it not as one wide open, never-ending space, but as neatly organized parcels, each with its own purpose and history. “Betty Smith used to own this part of our ranch with her husband,” he’d say. “They never had kids and were best friends with my grandparents.” Then he’d tell some legend of Betty Smith’s husband’s grandfather, remembering such vivid details, you’d think he’d been there himself. I absorbed it all, every word of it. The land around him pulsated with the heartbeats of all who’d lived there before…and as if it were his duty to pay honor to each and every one of them, he told me their names, their stories, their relationship, their histories. I loved that he knew all those things.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry. He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water? And why did the water have to feel so, so good?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Most of the guests left the rehearsal dinner at the country club; the remaining group--a varied collection of important figures in both of our lives--had skittered away to the downtown hotel where all of the out-of-town guests were staying. Marlboro Man and I, not ready to bid each other good night yet, had joined them in the small, dimly lit (lucky for me, given the deteriorating condition of my epidermis) hotel bar. We gathered at a collection of tiny tables butted up together and wound up talking and laughing into the night, toasting one another and spouting various late-night versions of “I’m so glad I know you” and “I love you, man!” In the midst of all the wedding planning and craziness, hanging out in a basement bar with uncles, college friends, and siblings was a relaxing, calming elixir. I wanted to bottle the feeling and store it up forever. It was late, though; I saw Marlboro Man looking at the clock in the bar. “I think I’ll head back to the ranch,” he whispered as his brother told another joke to the group. Marlboro Man had a long drive ahead, not to mention an entire lifetime with me. I couldn’t blame him for wanting a good night’s sleep. “I’m tired, too,” I said, grabbing my purse from under the table. And I was; the long day had finally set in. The two of us stood up and said our good-byes to all the people who loved us so much. Men stood up, some stumbling, and shook hands with Marlboro Man. Women blew kisses and mouthed Love you guys! to us as we walked out of the room and waved good-bye. But no one left the bar. Nobody loved us that much.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I’d never been with anyone like Marlboro Man. He was attentive--the polar opposite of aloof--and after my eighteenth-month-long college relationship with my freshman love Collin, whose interest in me had been hampered by his then-unacknowledged sexual orientation, and my four-year run with less-than-affectionate J, attentive was just the drug I needed. Not a day passed that Marlboro Man--my new cowboy love--didn’t call to say he was thinking of me, or he missed me already, or he couldn’t wait to see me again. Oh, the beautiful, unbridled honesty. We loved taking drives together. He knew every inch of the countryside: every fork in the road, every cattle guard, every fence, every acre. Ranchers know the country around them. They know who owns this pasture, who leases that one, whose land this county road passes through, whose cattle are on the road by the lake. It all looked the same to me, but I didn’t care. I’d never been more content to ride in the passenger seat of a crew-cab pickup in all my life. I’d never ridden in a crew-cab pickup in all my life. Never once. In fact, I’d never personally known anyone who’d driven a pickup; the boys from my high school who drove pickups weren’t part of my scene, and in their spare time they were needed at home to contribute to the family business. Either that, or they were cowboy wannabes--the kind that only wore cowboy hats to bars--and that wasn’t really my type either. For whatever reason, pickup trucks and I had never once crossed paths. And now, with all the time I was spending with Marlboro Man, I practically lived in one.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When the attendant at Britz Rentals of Australia whipped around in our prepaid-in-full honeymoon car, my eyes grew wide and I knew we were in trouble. It was an SUV, yes, and a Toyota Land Cruiser at that--just as Marlboro Man had ordered. It was white and clean and very shiny. And painted in huge bright orange and royal blue lettering across the hood, the roof, all four doors, and the tailgate of the vehicle, were scrawled the enormous words: BRITZ RENTALS OF AUSTRALIA. I could see Marlboro Man’s jaw muscles flex as he beheld his worst nightmare playing out in front of his eyes. He could hardly even bear to gaze upon such an attention-grabbing abomination, let alone conceive of driving it all over an entire continent. Unfortunately, our last-minute attempts to trade to another vehicle proved to be futile; even if Britz hadn’t been completely booked that week, it wouldn’t have mattered anyway. Every single car in their fleet was smeared with the exact same orange and blue promotional graffiti. Having no other transportational alternative, we set off on our drive, a black cloud of conspicuousness and, in Marlboro Man’s case, dread following us everywhere we went. Being an attention-seeking middle child, I didn’t really mind it much. But for Marlboro Man, this was more than his makeup was programmed to handle. As far as he was concerned, we were the Griswolds, and the Land Cruiser was our Family Truckster. It was a pox on what might have been the perfect honeymoon. Except for my inner ear disturbance. And the vomiting. And the slightly marsupial undertone to the hamburgers.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
How much do you know about each other?” was Father Johnson’s final question of the day. Marlboro Man and I looked at each other. We didn’t know everything yet; we couldn’t possibly. We just knew we wanted to be together. Was that not enough? “Well, I’ll speak for myself,” Marlboro Man said. “I feel like I know all I need to know in order to be sure I want to marry Ree.” He rested his hand on my knee, and my heart leapt. “And the rest…I figure we’ll just handle it as we go along.” His quiet confidence calmed me, and all I could think about anyway was how long it would take me to learn how to drive my new lawn mower. I’d never mowed a lawn before in my life. Did Marlboro Man know this? Maybe he should have started me out with a cheaper model. Just then Father Johnson stood up to bid us farewell until our session the following week. I picked up my purse form its spot next to my chair. “Thank you, Father Johnson,” I said, standing up. “Wait just a second,” he said, holding up his hands. “I need to give you a little assignment.” I’d almost made a clean getaway. “I want you both to show me how much you know about each other,” he began. “I want you both to make me a collage.” I looked at him for a moment. “A collage?” I asked. “Like, with magazine pictures and glue?” “That’s exactly right,” Father Johnson replied. “And it doesn’t have to be large or elaborate; just use a piece of legal-size paper as the backdrop. I want you to fill it with pictures that represent all the things you know about the other person. Bring it to your session next week, and we’ll look at them together.” This was an unexpected development.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know. “Can I ask you something?” I said as we drove down the road separating a neighboring ranch from his. “Sure,” Marlboro Man answered. He reached over and touched my knee. “Did you ever used to drive around in your pickup with a girl sitting in the middle seat right next to you?” I tried not to sound accusatory. A grin formed in the corner of Marlboro Man’s mouth. “Sure I did,” he said. His hand was still on my knee. “Why?” “Oh, no reason. I was just curious,” I said. I wanted to leave it at that. “What made you think of that?” he said. “Oh, I was really just curious,” I repeated. “Growing up, I’d sometimes see boys and girls riding right next to each other in pickups, and I just wondered if you ever did. That’s all.” I stopped short of telling him I never understood the whole thing or asking him why he loved Julie more than me. “Yep. I did,” he said. I looked out the window and thought for a minute. What am I? Chopped liver? Is there some specific reason he never pulls me over close to him as we drive around the countryside? Why doesn’t he hook his right arm affectionately around my neck and claim me as the woman of his pickup? I never knew I had such a yearning to ride next to a man in a pickup, but apparently it had been a suppressed lifelong dream I knew nothing about. Suddenly, sitting in that pickup with Marlboro Man, I’d apparently never wanted anything so badly in my life.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I hopped in the car and headed toward the ranch. I almost fell asleep at the wheel. Twice. Marlboro Man met me at the road that led to his parents’ house, and I followed him down five miles of graveled darkness. When we pulled into the paved drive, I saw the figure of his mother through the kitchen window. She was sipping coffee. My stomach gurgled. I should have eaten something. A croissant, back at my parents’ house. A bowl of Grape-Nuts, maybe. Heck, a Twinkie at QuikTrip would have been nice. My stomach was in knots. When I exited the car, Marlboro Man was there. Shielded by the dark of the morning, we were free to greet each other not only with a close, romantic hug but also a soft, sweet kiss. I was glad I’d remembered to brush my teeth. “You made it,” he said, smiling and rubbing my lower back. “Yep,” I replied, concealing a yawn. “And I got a five-mile run in before I came. I feel awesome.” “Uh-huh,” he said, taking my hand and heading toward the house. “I sure wish I were a morning person like you.” When we walked into the house, his parents were standing in the foyer. “Hey!” his dad said with a gravelly voice the likes of which I’d never heard before. Marlboro Man came by it honestly. “Hello,” his mom said warmly. They were there to welcome me. Their house smelled deliciously like leather. “Hi,” I said. “I’m Ree.” I reached out and shook their hands. “You sure look nice this morning,” his mom remarked. She looked comfortable, as if she’d rolled out of bed and thrown on the first thing she’d found. She looked natural, like she hadn’t set her alarm for 3:40 A.M. so she could be sure to get on all nine layers of mascara. She was wearing tennis shoes. She looked at ease. She looked beautiful. My palms felt clammy. “She always looks nice,” Marlboro Man said to his mom, touching my back lightly. I wished I hadn’t curled my hair. That was a little over-the-top. That, and the charcoal eyeliner. And the raspberry shimmer lip gloss.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When we pulled up to Marlboro Man’s house, I saw my Camry sitting in his driveway. I didn’t expect it to be there; I figured it was still on Marlboro Man’s parents’ road, sitting all crooked in the ditch where I’d left it the night before. Marlboro Man had already fixed it, fishing it out of the ditch and repairing the mangled tires and probably, knowing him, filling the tank with gas. “Oh, thank you so much,” I said as we walked toward the front door. “I thought maybe I’d killed it.” “Aw, it’s fine,” he replied. “But you might want to learn to drive before you get in it again.” He flashed his mischievous grin. I slugged him in the arm as he laughed. Then he lunged at me, grabbing my arms and using his leg to sweep my supporting leg right out from under me. Within an instant, he had me on the ground, right on the soft, green grass of his front yard. I shrieked and screamed, trying in vain to wrestle my way out of his playful grasp, but my wimpy upper body was no match for his impossible strength. He tickled me, and being the most ticklish human in the Northern Hemisphere, I screamed bloody murder. Afraid I’d wet my pants (it was a valid concern), I fought back the only way I knew how--by grabbing and untucking his shirt from his Wranglers…and running my hand up his back, poking at his rib cage. The tickling suddenly stopped. Marlboro Man propped himself on his elbows, holding my face in his hands. He kissed me passionately and seriously, and what started as a playful wrestling match became an impromptu make-out session in his front yard. It was an unlikely place for such an event, and considering it was at the very beginning of our night together, an unlikely time. But it was also strangely perfect. Because sometime during all the laughing and tickling and wrestling and rolling around in the grass, my worry and concern over my parents’ troubles had magically melted away. Only when the chiggers began biting did Marlboro Man suggest an alternate plan. “Let’s go inside,” he said.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Well, first of all,” he began, “I really…I really like you.” He looked into my eyes in a seeming effort to transmit the true meaning of each word straight into my psyche. All muscle tone disappeared from my body. Marlboro Man was so willing to put himself out there, so unafraid to put forth his true feelings. I simply wasn’t used to this. I was used to head games, tactics, apathy, aloofness. When it came to love and romance, I’d developed a rock-solid tolerance for mediocrity. And here, in two short weeks, Marlboro Man had blown it all to kingdom come. There was nothing mediocre about Marlboro Man. He had more to say; he didn’t even pause to wait for a response. That, in his universe, was what a real man did. “And…” He hesitated. I listened. His voice was serious. Focused. “And I just flat don’t want you to leave,” he declared, holding me close, resting his chin on my cheek, speaking directly into my ear. I paused. Took a breath. “Well--” I began. He interrupted. “I know we’ve just been doing this for two weeks, and I know you’ve already made your plans, and I know we don’t know what the future holds, but…” He looked at me and cupped my face in his hand, his other hand on my arm. “I know,” I agreed, trying to muster some trite response. “I--” He broke in again. He had some things to say. “If I didn’t have the ranch, it’d be one thing,” he said. My pulse quickened. “But I…my life is here.” “I know,” I said again. “I wouldn’t…” He continued, “I don’t want to get in the middle of your plans. I just…” He paused, then kissed me on the cheek. “I don’t want you to go.” I was tongue-tied as usual. This was so strange for me, so foreign--that I could feel so strongly for someone I’d known for such a short time. To talk about our future would be premature; but to totally dismiss that we’d happened upon something special wouldn’t be right, either. Something extraordinary had occurred between us--that fact was indisputable. It was the timing that left so much to be desired. We were both bleary eyed, tired. Falling asleep standing up in each other’s arms. Nothing more could be said that night; nothing could be resolved. He knew it, I knew it; so we settled on a long, lasting kiss and an all-encompassing hug before he turned around and walked away. Starting his diesel pickup. Driving down my parents’ street. Driving back to his ranch.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real. Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine. “Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?” “Nope,” I answered. “Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly. Our knees buckled under the heat, and before I knew it we were back where we’d been before, rolling around and kissing manically in the bed of his diesel pickup. Occasionally my arm would hit a crowbar and my head would slam against a spare tire or a cattle prod or a jack; I didn’t care, of course. I’d said what I wanted to say that night. Everything else--even minor head injuries--was a piece of cake. We stayed there a long, long time, the balmy night air giving us no good reason to leave. Under the innumerable stars, amidst all the embraces and kisses and sounds from the surrounding livestock, I suddenly felt more at peace in my decision than I had since my phone call with Rhonda the Realtor that morning. I felt at home, comfortable, nestled in, wonderful. My life had changed that day, changed in a way I never, ever, could have predicted. My big-city plans--plans many months in the making--had all at once been smashed to smithereens by a six-foot cowboy with manure on his boots. A cowboy I’d known, essentially, for less than three weeks. It was the craziest thing I’d ever done, deciding to take an impulsive walk down this new and unexpected path. And while I secretly wondered how long it would take for me to regret my decision, I rested easily, at least for that night, in the knowledge that I’d had the courage to step out on such an enormous limb. It was late. Time to go. “Want me to drive you home now?” Marlboro Man asked, lacing our fingers together, kissing the back of my hand. “Or, do you…” He paused, considering his words. “Do you want to come stay at my place?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The wedding rehearsal itself was uneventful until Father Johnson decided it was time to show Marlboro Man and me the proper way to walk to the marriage altar. Evidently, all of Father Johnson’s theological studies and work was destined to culminate in whether or not Marlboro Man and I approached the altar in the perfectly correct and proper way, because he was intent on driving the point home. “At this point,” Father Johnson instructed, “you’ll start to turn and Ree will take your arm.” He lightly pushed Marlboro Man in the proper direction, and the two of us began walking forward. “Nope, nope, nope,” Father Johnson said authoritatively. “Come back, come back.” Marlboro Man’s college friends snickered. “Oh…what did we do wrong?” I asked Father Johnson humbly. Maybe he’d discovered the truth about the collages. He showed us again. Marlboro Man was to turn and begin walking, then wait for me briefly. Then, as I took his arm, he was to lead me to the altar. Wait. Wasn’t that what we just did? We tried again, and Father Johnson corrected us…again. “Nope, nope, nope,” he said, pulling us both by the arm until we were back in our starting position. Marlboro Man’s friends chuckled. My stomach growled. And Marlboro Man kept quietly restrained, despite the fact that he was being repeatedly corrected by his fiancée’s interim minister for something that arguably wasn’t all that relevant to the commitment we were making to spend the rest of our lives together. We went through no fewer than seven more takes, and with each redo I began to realize that this was Father Johnson’s final test for us. Forget the collage assignment--that was small potatoes. Whether we could keep our cool and take instruction when a nice steak dinner and drinks awaited us at the country club was Father Johnson’s real decider of whether or not Marlboro Man and I were mature, composed, and levelheaded enough to proceed with the wedding. And while I knew Marlboro Man would grit his teeth and bear it, I wasn’t entirely sure I could. But I didn’t have to. On the beginning of the eighth run, just after Father Johnson gave us another “Nope. You’re not getting it right, kids…” Mike’s loud voice echoed throughout the wood-and-marble sanctuary. “Oh, c-c-c-c-come on, Father Johnson!” The chuckles turned into laughter. And out of the corner of my eye I saw Tony giving Mike a subtle high five. Thank goodness for Mike. He was hungry. He wanted to get on to the party.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Have you talked about how many children you’d like to have?” “Yes, sir,” Marlboro Man said. “And?” Father Johnson prodded. “I’d like to have six or so,” Marlboro Man answered, a virile smile spreading across his face. “And what about Ree?” Father Johnson asked. “Well, she says she’d like to have one,” Marlboro Man said, looking at me and touching my knee. “But I’m workin’ on her.” Father Johnson wrinkled his brow. “How do you and Ree resolve conflict?” “Well…,” Marlboro Man replied. “To tell you the truth, we haven’t really had much conflict to speak of. We get along pretty darn well.” Father Johnson looked over his glasses. “I’m sure you can think of something.” He wanted some dirt. Marlboro Man tapped his boot on the sterile floor of Father Johnson’s study and looked His Excellence straight in the eye. “Well, she fell off her horse once when we went riding together,” he began. “And that upset her a little bit. And a while back, I dragged her to a fire with me and it got a little dicey…” Marlboro Man and I looked at each other. It was the largest “conflict” we’d had, and it had lasted fewer than twelve hours. Father Johnson looked at me. “How did you deal with that, Ree?” I froze. “Uh…uh…” I tapped my Donald Pliner mule on the floor. “I told him how I felt. And after that it was fine.” I hated every minute of this. I didn’t want to be examined. I didn’t want my relationship with Marlboro Man to be dissected with generic, one-size-fits-all questions. I just wanted to drive around in his pickup and look at pastures and curl up on the couch with him and watch movies. That had been going just fine for us--that was the nature of our relationship. But Father Johnson’s questioning was making me feel defensive, as if we were somehow neglecting our responsibility to each other if we weren’t spending every day in deep, contemplative thought about the minutiae of a future together. Didn’t a lot of that stuff just come naturally over time? Did it really serve a purpose to figure it out now? But Father Johnson’s interrogation continued: “What do you want for your children?” “Have you talked about budgetary matters?” “What role do your parents play in your life?” “Have you discussed your political preferences? Your stances on important issues? Your faith? Your religion?” And my personal favorite: “What are you both going to do, long term, to nurture each other’s creativity?” I didn’t have an answer for him there. But deep down, I knew that, somehow, gravy would come into play.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
No matter what level of instruction Marlboro Man gave me, no matter how many pointers, a horse trot for me meant a repeated and violet Slap! Slap! Slap! on the seat of my saddle. My feet were fine--they’d stay securely in the stirrups. But I just couldn’t figure out how to use the muscles in my legs correctly, and I hadn’t yet learned how to post. It was so unpleasant, the whole riding-a-horse business: my bottom would slap, my torso would stiffen, and I’d be sore for days--not to mention that I looked like a complete freak while riding--kind of like a tree trunk with red, stringy hair. Short of taking the rectal temperatures of cows, I’d never felt more out of place doing anything in my life. All of this rushed to the surface when I saw Marlboro Man walking toward me with two of his horses, one of which was clearly meant for me. Where’s my Jeep? I thought. Where’s my torch? I don’t want a horse. My bottom can’t take it. Where’s my Jeep? I’d never wanted to drive a Jeep so much. “Hey,” I said, walking toward him and smiling, trying to appear not only calm but also totally unconcerned about the reality that faced me. “Uh…I thought we were going burning.” I clearly sounded out the g. It was a loud, clanging cymbal. “Oh, we are,” he said, smiling. “But we’ve got to get to some areas the Jeep can’t reach.” My stomach lurched. For more than a couple of seconds, I actually considered feigning illness so I wouldn’t have to go. What can I say? I wondered. That I feel like I’m going to throw up? Or should I just clutch my stomach, groan, then run behind the barn and make dramatic retching sounds? That could be highly effective. Marlboro Man will feel sorry for me and say, “It’s okay…you just go on up to my house and rest. I’ll be back later.” But I don’t think I can go through with it; vomiting is so embarrassing! And besides, if Marlboro Man thinks I vomited, I might not get a kiss today… “Oh, okay,” I said, smiling again and trying to prevent my face from betraying the utter dread that plagued me. I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love. “I ran over my dog today!” I blubbered and collapsed into another heap of impossible-to-corral tears. Marlboro Man was embracing me tightly now, knowing full well that his arms were the only offering he had for me at that moment. My face was buried in his neck and I continued to laugh, belting out an occasional “I’m sorry” between my sobs, hoping in vain that the laughter would eventually prevail. I wanted to continue, to tell him about J, to give him the complete story behind my unexpected outburst. But “I ran over my dog” was all I could muster. It was the easiest thing to explain. Marlboro Man could understand that, wrap his brain around it. But the uninvited surfer newly-ex-boyfriend dangling at the airport? It was a little more information than I had the strength to share that night. He continued holding me in his kitchen until my chest stopped heaving and the wellspring of snot began to dry. I opened my eyes and found I was in a different country altogether, The Land of His Embrace. It was a peaceful, restful, safe place. Marlboro Man gave me one last comforting hug before our bodies finally separated, and he casually leaned against the counter. “Hey, if it makes you feel any better,” he said, “I’ve run over so many damn dogs out here, I can’t even begin to count them.” It was a much-needed--if unlikely--moment of perspective for me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The only thing I knew about pickups was this: growing up, I always inwardly mocked the couples I saw who drove around in them. The girl would be sitting in the middle seat right next to the boy, and the boy’s right arm would be around her shoulders, and his left arm would be on the wheel. I’m not sure why, but there was something about my golf course upbringing that had always caused me to recoil at this sight. Why is she sitting in the middle seat? I’d wonder. Why is it important that they press against each other as they drive down the road? Can’t they wait until they get home? I looked at it as a sign of weakness--something pitiable. They need to get a life may have even crossed my mind once or twice, as if their specific brand of public affection was somehow directly harming me. But that’s what happens to people who, by virtue of the geography of their childhood, are deprived of the opportunity to ride in pickup trucks. They become really, really judgmental about otherwise benign things. Still, every now and then, as Marlboro Man showed me the beauty of the country in his white Ford F250, I couldn’t help but wonder…had he been one of those boys in high school? I knew he’d had a serious girlfriend back in his teenage years. Julie. A beautiful girl and the love of his adolescent life, in the same way Kev had been mine. And I wondered: had Julie scooched over to the middle seat when Marlboro Man picked her up every Friday night? Had he hooked his right arm around her neck, and had she then reached her left hand up and clasped his right hand with hers? Had they then dragged Main in this position? Our hometowns had been only forty miles apart; maybe he’d brought her to my city to see a movie. Was it remotely possible I’d actually seen Marlboro Man and Julie riding around in his pickup, sitting side by side? Was it possible this man, this beautiful, miraculous, perfect man who’d dropped so magically into my life, had actually been one of the innocent recipients of my intolerant, shallow pickup-related condemnation? And if he had done it, was it something he’d merely grown out of? How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
So…,” I began. Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy. Please, Marlboro Man…please. I’ve never wanted anything this much. “So, um…why don’t you do it anymore?” I asked. “Bucket seats,” Marlboro Man answered, his hand still resting on my leg. Made sense. I settled in and relaxed a bit. But I had another question I’d been mulling over. “Mind if I ask you another question?” I said. “Go ahead,” he replied. I cleared my throat and sat up straight in my seat. “How come…how come it took you so long to call me?” I couldn’t help but grin. It was one of the most direct questions I’d ever asked him. He looked in my direction, then back toward the road. “You don’t have to tell me,” I said. And he didn’t. But I’d wondered more than a handful of times, and as long as he was coming clean about bucket seats and other important matters, I thought it would be a good time to ask him why four months had passed between the first night we’d met in the smoky bar and the night he’d finally called to invite me to dinner. I remembered being knocked over by his magnetism that night during Christmas vacation. What had he thought of me? Had he forgotten me instantly, then remembered me in a flash that April night after my brother’s wedding? Or had he intentionally waited four months to call? Was it some kind of country boy protocol I didn’t know about? I was a girl. I simply had to know. “I was…,” he began. “Well, I was dating someone else.” I’ll kill her with my bare hands. “Oh,” I said in return. It was all I could muster. “Plus, I was running a herd of cows in Nebraska and having to drive up there every week,” he continued. “I just wasn’t here enough to break things off with her in the right way…and I didn’t want to call you and ask you out until that was all resolved.” I repeated myself. “Oh.” What was her name? She’s dead to me. “I liked you, though,” he said, flashing me a smile. “I thought about you.” I couldn’t help but smile back. “You did?” I asked quietly, still wondering what the girl’s name was. I wouldn’t rest till I knew. “I did,” he said sweetly, stroking my leg with his hand. “You were different.” I stopped short of interrogating him further, of asking him to specify what he meant by “different.” And it didn’t take much imagination to figure it out. As he drove me around his familiar homeland, it was obvious what he would have considered “different” about me. I didn’t know anything about the country.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hey,” he said, his hand gently rubbing my back. I heard the diesel rattle of vehicles driving away from the scene. “Hey,” I replied, sitting up and looking at my watch. It was 5:00 A.M. “Are you okay?” “Yep,” he said. “We finally got it out.” Marlboro Man’s clothes were black. Heavy soot covered his drawn, exhausted face. “Can I go home now?” I said. I was only halfway kidding. And actually, I wasn’t kidding at all. “Sorry about that,” Marlboro Man said, still rubbing my back. “That was crazy.” He gave a half-chuckle and kissed my forehead. I didn’t know what to say. Driving back to his house, the pickup was quiet. My mind began to race, which is never good at five in the morning. And then, inexplicably, just as we reached the road to his house, I lost it. “So, why did you even take me there, anyway?” I said. “I mean, if I’m just going to ride in someone’s pickup, why even bring me along? It’s not like I was any help to anyone…” Marlboro Man glanced over at me. His eyes were tired. “So…did you want to operate one of the sprayers?” he asked, an unfamiliar edge to his voice. “No, I just…I mean…” I searched for the words. “I mean, that was just ridiculous! That was dangerous!” “Well, prairie fires are dangerous,” Marlboro Man answered. “But that’s life. Stuff like this happens.” I was cranky. The nap had done little to calm me down. “What happens? You just drive right into fires and throw caution to the wind? I mean, people could die out there. I could have died. You could have died! I mean, do you realize how crazy that was?” Marlboro Man looked straight ahead, rubbing his left eye and blinking. He looked exhausted. He looked spent. We arrived in his driveway just in time to see the eastern sun peeking over the horse barn. Marlboro Man stopped his pickup, put it into park, and said, still looking straight ahead, “I took you with me…because I thought you’d like to see a fire.” He turned off the pickup and opened his door. “And because I didn’t want to leave you here by yourself.” I didn’t say anything. We both exited the pickup, and Marlboro Man began walking toward his house. And then, still walking, he said it--words that chilled me to the bone. “I’ll see you later.” He didn’t even turn around. I stood there, not knowing what to say, though deep down I knew I wouldn’t have to. I knew that just as he’d always done anytime I’d ever been rendered speechless in his presence, he’d speak up, turn around, come to my rescue, hold me in his arms…and infuse love into my soul, as only he could do. He always swooped in to save me, and this time would be no different. But he didn’t turn around. He didn’t speak up. He simply walked toward the house, toward the door on his back porch--the same porch door where, hours earlier, he and I had stood in a complete fit of romance and lust, where the heat between us was but a foreshadowing of the fire waiting for us in that distant prairie.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile. What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten. “Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care. “Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug. “Hi, Mike,” Marlboro Man said, politely patting him on the back. “Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?” Mike obliged, giggling and oooo-ing as he walked toward the kitchen. Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.” “You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.” Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night. He set my feet back down on the floor. “So…,” he teased. “You still cranky?” “Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house? “Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.” Who was the woman? What’s her name? What’s her cup size? He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.” Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier. “Oh…really?” I said, my chest relaxing with a long, quiet exhale. “Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.” I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion. Mike came barreling out of the kitchen, where he’d been listening to every word. “Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled. “Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.” And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment: God help me--I love that man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I’d known him just ten days, and it had just left his mouth in an unexpected whisper. It had been purely instinctive, it seemed--something entirely unplanned. He clearly hadn’t planned to say those words to me that night; that wasn’t the way he operated. He was a man who had a thought and acted on it immediately, as evidenced by his sweet, whispery phone calls right after our dates. He spent no time at all calculating moves; he had better things to do with his time. When we held each other on that chilly spring night and his feelings had come rushing to the surface, he’d felt no need to slap a filter over his mouth. It had come out in a breath: I love you. It was as if he had to say it, in the same way air has to escape a person’s longs. It was involuntary. Necessary. Natural. But as beautiful and warm a moment as it was, I froze on the spot. Once I realized it had been real--that he’d actually said the words--it seemed too late to respond; the window had closed, the shutters had clapped shut. I responded in the only way my cowardice would allow: by holding him tighter, burying my face deeper into his neck, feeling equal parts stupid and awkward. What is your problem? I asked myself. I was in the midst of what was possibly the most romantic, emotionally charged moment of my life, in the embrace of a man who embodied not only everything I’d ever understood about the textbook definition of lust, but everything I’d ever dreamed about in a man. He was a specimen--tall, strong, masculine, quiet. But it was much more than that. He was honest. Real. And affectionate and accessible, quite unlike J and most of the men I’d casually dated since I’d returned home from Los Angeles months earlier. I was in a foreign land. I didn’t know what to do. I love you. He’d said it. And I knew his words had been sincere. I knew, because I felt it, too, even though I couldn’t say it. Marlboro Man continued to hold me tightly on that patio chair, undeterred by my silence, likely resting easily in the knowledge that at least he’d been able to say what he felt. “I’d better go home,” I whispered, suddenly feeling pulled away by some imaginary force. Marlboro Man nodded, helping me to my feet. Holding hands, we walked around his house to my car, where we stopped for a final hug and a kiss or two. Or eight. “Thanks for having me over,” I managed. Man, I was smooth. “Any time,” he replied, locking his arms around my waist during the final kiss. This was the stuff that dreams were made of. I was glad my eyes were closed, because they were rolled all the way into the back of my head. It wouldn’t have been an attractive sight. He opened the door to my car, and I climbed inside. As I backed out of his driveway, he walked toward his front door and turned around, giving me his characteristic wave in his characteristic Wranglers. Driving away, I felt strange, flushed, tingly. Burdened. Confused. Tortured. Thirty minutes into my drive home, he called. I’d almost grown to need it. “Hey,” he said. His voice. Help me. “Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t. “Hey, I…,” Marlboro Man began. “I really don’t want you to go.” I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice. A long pause followed. Then, his voice serious, he continued, “That’s not what I’m talking about.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A TRACTOR-TRAILER driver carrying 80,000 pounds of wine was busted on a drunken driving charge, upstate New York officials said.
Anonymous
Story 6: Ferrari In 1948, a peasant farmer started a business making tractors. Within five years this man – Ferruccio – was one of the richest men in Italy. He amassed a fine collection of cars – Alfa Romeos, Maseratis, Lancias – but his heart belonged to his Ferraris, of which he owned six. Just one thing bothered him: all of his Ferraris had clutch problems. One day in his workshop he discovered why: the clutch in his Ferraris was the same part he used in his tractors. Ferruccio complained to Enzo Ferrari, who replied: “Ferruccio, you may be able to drive a tractor but you will never be able to handle a Ferrari properly.” Ferruccio was furious. He vowed to make a car worthy of beating a Ferrari. And as it happens, that’s exactly what he did. He took his revenge by creating one of the most powerful, well renowned cars in the world. The farmer’s full name: Ferruccio Lamborghini. How to use this story This story works well any time you’re working on a goal that some people doubt can be achieved. It’s good for encouraging your audience to dig deep and prove the doubters wrong!
Ian Harris (Hooked On You: The Genius Way to Make Anybody Read Anything)
People ridiculed me. 'What on each are you doing?' they asked. 'Why are you working so hard?' They didn't understand that driving that tractor was the only freedom I had, my only respite from the orders and insults that assaulted us day in and day out. So no, I wasn't crazy. Work was my only refuge. And I just enjoyed driving that tractor.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.
B.R. Yeager (Negative Space)
Josie's favorite spot on the farm was the big red hip roof barn. Eighty years old, it greeted Josie each morning with its broad red face. Its nose the hayloft door, its eyes the widely spaced upper windows, and its mouth the entry large enough to drive a truck through. The barn smelled of sun-warmed sweet hay and tractor oil. It smelled of dust motes and goats. Josie filled the wooden feed bunks that ran down the center of the barn with feed. Josie filled a small bucket with pellets while Becky ran from corner to corner, searching for the mama cat and her kittens. They were squirreled away somewhere, nowhere to be found. Josie and Becky walked back outside to where the barn opened up into a fenced area where the thirty-odd goats spent the day. When they heard the bucket bumping against her leg, the goats came running on their spindly legs. Josie and Becky reached into the bucket for the pellets and slid their hands through the fence, their palms laid flat. Becky laughed at their black caterpillar-shaped eyes and humanlike bellows.
Heather Gudenkauf (The Overnight Guest)
Europe sapped Antiquity under the Syrians, the Iraqis, the Egyptians. Our triumphant nations appropriated the universal with their monopoly on science and archaeology, dispossessing the colonize populations by means of this pillage of a past that, as a result, they readily experienced as alien: and so brainwashed Islamist wreckers drive tractors all the more easily through ancient cities since they combine their profoundly uncultivated stupidity with the more or less widespread feeling that this heritage is alien, retroactive emanation of foreign powers.
Mathias Énard (Compass)
Dmitri-9: But the one I hated the most was the American space chimp., Ham, they called him. Handsome Ham! 'The John Glenn Of The Apes.' Did that privileged Capitalist shit ever have to drive a tractor?
Grant Morrison (The Filth)
Aren’t fears of disappearing jobs something that people claim periodically, like with both the agricultural and industrial revolution, and it’s always wrong?” It’s true that agriculture went from 40 percent of the workforce in 1900 to 2 percent in 2017 and we nonetheless managed to both grow more food and create many wondrous new jobs during that time. It’s also true that service-sector jobs multiplied in many unforeseen ways and absorbed most of the workforce after the Industrial Revolution. People sounded the alarm of automation destroying jobs in the 19th century—the Luddites destroying textile mills in England being the most famous—as well as in the 1920s and the 1960s, and they’ve always been wildly off the mark. Betting against new jobs has been completely ill-founded at every point in the past. So why is this time different? Essentially, the technology in question is more diverse and being implemented more broadly over a larger number of economic sectors at a faster pace than during any previous time. The advent of big farms, tractors, factories, assembly lines, and personal computers, while each a very big deal for the labor market, were orders of magnitude less revolutionary than advancements like artificial intelligence, machine learning, self-driving vehicles, advanced robotics, smartphones, drones, 3D printing, virtual and augmented reality, the Internet of things, genomics, digital currencies, and nanotechnology. These changes affect a multitude of industries that each employ millions of people. The speed, breadth, impact, and nature of the changes are considerably more dramatic than anything that has come before.
Andrew Yang (The War on Normal People: The Truth About America's Disappearing Jobs and Why Universal Basic Income Is Our Future)
Deep learning can detect cracks in water pipes, manage traffic flow, model fusion reactions for a new source of clean energy, optimize shipping routes, and aid in the design of more sustainable and versatile building materials. It’s being used to drive cars, trucks, and tractors, potentially creating a safer and more efficient transportation infrastructure. It’s used in electrical grids and water systems to efficiently manage scarce resources at a time of growing stress.
Mustafa Suleyman (The Coming Wave: Technology, Power, and the Twenty-first Century's Greatest Dilemma)
When you add together the natural gas in the fertilizer to the fossil fuels it takes to make the pesticides, drive the tractors, and harvest, dry, and transport the corn, you find that every bushel of industrial corn requires the equivalent of between a quarter and a third of a gallon of oil to grow it—or around fifty gallons of oil per acre of corn. (Some estimates are much higher.) Put another way, it takes more than a calorie of fossil fuel energy to produce a calorie of food; before the advent of chemical fertilizer the Naylor farm produced more than two calories of food energy for every calorie of energy invested. From the standpoint of industrial efficiency, it’s too bad we can’t simply drink the petroleum directly.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
One Nation Under God rebellious gritty outlaw country Profile avatar ProgressiveEncoder337 July 27, 2024 at 10:39 AM [Verse] In the heart of these small-town roads, where the story's old but true, We used to bow our heads in prayer, we’d pledge allegiance too. Now the lights are flickering, the signs all point to fall, Where’d that spirit go that used to stand so tall? [Verse 2] Factory stands are empty, schools don’t teach no more, Folks drive by the church, like it's something to ignore. We used to hold our ground, with hands together tight, But the unity we had has vanished in the night. [Chorus] This country’s going to hell, can’t you hear the warning bell? What once was one nation under God has disappeared. We the people will soon be no more if we don’t take a stand, It’s time to raise that flag and put God back in this land. [Verse 3] We got preachers out on Main Street, shouting at the skies, But nobody’s listening, too busy with the lies. The family dinners cold now, faith broke at the seams, It’s high time to awake and chase those old dreams. [Verse 4] The fields are overgrown, tractors left to rust, Where’s the honor and the pride, the values that we trust? Cemeteries filled with souls who knew the way it was, We need to reawaken and fix this just because. [Chorus] This country’s going to hell, can’t you hear the warning bell? What once was one nation under God has disappeared. We the people will soon be no more if we don’t take a stand, It’s time to raise that flag and put God back in this land.
James Hilton-Cowboy
One Nation Under God rebellious gritty outlaw country [Verse] In the heart of these small-town roads, where the story's old but true, We used to bow our heads in prayer, we’d pledge allegiance too. Now the lights are flickering, the signs all point to fall, Where’d that spirit go that used to stand so tall? [Verse 2] Factory stands are empty, schools don’t teach no more, Folks drive by the church, like it's something to ignore. We used to hold our ground, with hands together tight, But the unity we had has vanished in the night. [Chorus] This country’s going to hell, can’t you hear the warning bell? What once was one nation under God has disappeared. We the people will soon be no more if we don’t take a stand, It’s time to raise that flag and put God back in this land. [Verse 3] We got preachers out on Main Street, shouting at the skies, But nobody’s listening, too busy with the lies. The family dinners cold now, faith broke at the seams, It’s high time to awake and chase those old dreams. [Verse 4] The fields are overgrown, tractors left to rust, Where’s the honor and the pride, the values that we trust? Cemeteries filled with souls who knew the way it was, We need to reawaken and fix this just because. [Chorus] This country’s going to hell, can’t you hear the warning bell? What once was one nation under God has disappeared. We the people will soon be no more if we don’t take a stand, It’s time to raise that flag and put God back in this land.
James Hilton-Cowboy
was told later by his mother, he disappeared in the snow, came down with the snow madness that caused men to get into their tractors and just drive off into the blinding white horizon, never coming back.
Lorrie Moore (Who Will Run the Frog Hospital?)
But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the land.
John Steinbeck (The Grapes of Wrath)
Warlow beckoned Rhys out of the car. ‘We’re getting a tour of the farm.’ ‘What?’ ‘It’s fine. It’ll pass the time. Stay quiet and follow my lead. And try not to look as if the world is about to end.’ For the first time since leaving the Incident Room, Rhys smiled. ‘I always fancied driving a tractor. Ever since I was a kid.’ ‘If you play your cards right, maybe Mr Prosser will let you ride a pony, or even pet one of the lambs.’ ‘Really?’ ‘No, not really. How old are you? This isn’t a day out at the bloody petting zoo.
Rhys Dylan (Suffer the Dead (DCI Evan Warlow #4))
People ridiculed me. “What on earth are you doing?” they asked. “Why are you working so hard?” They didn’t understand that driving that tractor was the only freedom I had, my only respite from the orders and insults that assaulted us day in and day out. So no, I wasn’t crazy. Work was my only refuge. And I just enjoyed driving that tractor.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
What I say is a gentleman's a gentleman even if he does drive a tractor.
Agatha Christie (Taken at the Flood (Hercule Poirot, #29))
People driving down the New Jersey Turnpike through the flat, gray wetlands just south of New York City would never notice the unmarked semi-tractor trailers pulling onto the turnpike at exit 16W, coming from the operations center just down the street. But the East Rutherford Operations Center is hiding riches beyond imagining. Deep inside the complex sits a gargantuan vault, measuring 1 million cubic feet. It is filled with U.S. currency, capable of holding as much as $60 billion. And those trucks driving onto the turnpike are loaded with secret cargo—cash.
James Risen (Pay Any Price: Greed, Power, and Endless War)
This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.
Terri Irwin (Steve & Me)
This book is dedicated to John the Bee Guy, for helping me overcome my lifelong fear by simply teaching me which side of the hive to stand on. Also for folks who drive tractors, stack hay and mend fence year round in all weather, just because it needs doing. (Steve, that’s you too.) Farmers feed the world.
B.C. Nyren (After Bees)
The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.
John Steinbeck (The Grapes of Wrath)
I figured he’d gotten caught up in the same traffic jam we had, which in Ponchatoula meant that we got stuck behind one tractor while there was another tractor coming in the other lane and the two streams of cars and trucks behind the tractors couldn’t figure out who had the right of way to pass on a blind curve, so we all just kinda poked along for about fifteen minutes until the tractors and all the lines of cars got past one another and we could move on about our lives. The part of that shit I never understand is why the old fart on the tractor don’t just pull off and drive on the shoulder for a minute. I mean, it’s a tractor, fo god’s sake—it’s designed to drive through grass and dirt. Ain’t like riding on the shoulder of the highway is gonna screw up its suspension.
Authors and Dragons (Deader Than Hell (Shingles, #40))
I’d always liked his house; it was rustic and unadorned, yet beautiful in its simplicity. I could live there. Or I could live in another house. Or I could live in his pickup, or in his barn, or in a teepee in a pasture…as long as he was there. But he wanted to drive and look together, so we drove. And we looked. And we held hands. And we talked. And somewhere along the way, in the bright morning sunshine, Marlboro Man stopped his pickup under the shade of a tree, crossed the great divide between our leather bucket seats, and grabbed me in a sexy, warm embrace. And we sat there and kissed, like two teenagers parked at a drive-in. A 1958 drive-in, though. Before the sexual revolution. Before Cinemax, though my mind remained very much in the 1990s. It was hard to practice restraint in the pickup that morning. There was nobody around to see us. We did practice restraint, though, ending our make-out fest within minutes instead of hours, which would have been my choice. But we had a lifetime ahead. Things to do. Cattle guards to cross.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We continued our drive, not making any permanent decisions that day about where we’d live. We’d been engaged less than twenty-four hours, after all; there was no huge rush. When we finally returned to his house, we curled up on his couch and watched a movie. Gone With the Wind, of all things. He was a fan. And as I lay there that afternoon and watched the South crumble around Scarlett O’Hara’s knees for what had to have been the 304th time in my life, I touched the arms that held me so sweetly and securely…and I sighed contentedly, wondering how on earth I’d ever found this person. When he walked me to my car late that afternoon, minutes after Scarlett had declared that tomorrow is another day, Marlboro Man rested his hands lightly on my waist. He caressed my rib cage up and down, touching his forehead to mine and closing his eyes--as if he were recording the moment in his memory. And it tickled like crazy, his fingertips on my ribs, but I didn’t care; I was engaged to this man, I told myself, and there’ll likely be much rib caressing in the future. I needed to toughen up, to be able to withstand such displays of romance without my knees buckling beneath me and without my forgetting my mother’s maiden name and who my first grade teacher had been. Otherwise I had lots of years of trouble--and decreased productivity--ahead. So I stood there and took it, closing my eyes as well and trying with all my might to will away the ticklish sensations. They had no place here. Begone, Satan! Ree, hold strong. My mind won, and we stood there and continued to thumb our nose at the reality that we were two separate bodies…and the western sun behind us changed from yellow to orange to pink to a brilliant, impossible red--the same color as the ever-burning fire between us. On the drive home, my whole torso felt warm. Like when you’ve awakened from the most glorious dream you’ve ever had, and you’re still half-in, half-out, and you still feel the dream and it’s still real. I forced myself to think, to look around me, to take it all in. One day, I told myself as I drove down that rural country road, I’m going to be driving down a road like this to run to the grocery store in town…or pick up the mail on the highway…or take my kids to cell lessons.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)