Resign Farewell Quotes

Having now finished the work assigned me, I retire from the great theatre of Action; and bidding an Affectionate farewell to this August body under whose orders I have so long acted, I here offer my Commission, and take my leave of all the employments of public life. (Address to Congress on Resigning Commission Dec 23, 1783)

Good-bye to the past, with its mysteries which would never be fully unfolded.

What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French." He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.

What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of hIs beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then he shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings.

Farewell, ye gilded follies, pleasing troubles; Farewell, ye honour'd rags, ye glorious bubbles; Fame's but a hollow echo, Gold, pure clay; Honour the darling but of one short day; Beauty, th' eye's idol, but a damask'd skin; State, but a golden prison, to live in And torture free-born minds; embroider'd Trains, Merely but pageants for proud swelling veins; And Blood allied to greatness is alone Inherited, not purchas'd, nor our own. Fame, Honour, Beauty, State, Train, Blood and Birth, Are but the fading blossoms of the earth. I would be great, but that the sun doth still Level his rays against the rising hill: I would be high, but see the proudest oak Most subject to the rending thunder-stroke: I would be rich, but see men, too unkind Dig in the bowels of the richest mind: I would be wise, but that I often see The fox suspected, whilst the ass goes free: I would be fair, but see the fair and proud, Like the bright sun, oft setting in a cloud: I would be poor, but know the humble grass Still trampled on by each unworthy ass: Rich, hated wise, suspected, scorn'd if poor; Great, fear'd, fair, tempted, high, still envy'd more. I have wish'd all, but now I wish for neither. Great, high, rich, wise, nor fair: poor I'll be rather. Would the World now adopt me for her heir; Would beauty's Queen entitle me the fair; Fame speak me fortune's minion, could I " vie Angels " with India with a speaking eye Command bare heads, bow'd knees, strike justice dumb, As well as blind and lame, or give a tongue To stones by epitaphs, be call'd " great master " In the loose rhymes of every poetaster ? Could I be more than any man that lives, Great, fair, rich wise, all in superlatives; Yet I more freely would these gifts resign Than ever fortune would have made them mine. And hold one minute of this holy leisure Beyond the riches of this empty pleasure. Welcome, pure thoughts; welcome, ye silent groves; These guests, these courts, my soul most dearly loves. Now the wing'd people of the sky shall sing My cheerful anthems to the gladsome spring: A pray'r-book, now, shall be my looking-glass, In which I will adore sweet virtue's face. Here dwell no hateful looks, no palace cares, No broken vows dwell here, nor pale-fac'd fears; Then here I'll sit, and sigh my hot love's folly, And learn t' affect an holy melancholy: And if contentment be a stranger then, I'll ne'er look for it, but in heaven, again.

Only then comes the fourth and last movement, the Adagio, the final farewell. It takes the form of a prayer, Mahler's last chorale, his closing hymn, so to speak; and it prays for the restoration of life, of tonality, of faith. This is tonality unashamed, presented in all aspects ranging from the diatonic simplicity of the hymn tune that opens it through every possible chromatic ambiguity. It's also a passionate prayer, moving from one climax to another, each more searing than the last. But there are no solutions. And between these surges of prayer there is intermittently a sudden coolness, a wide-spaced transparency, like an icy burning — a Zen-like immobility of pure meditation. This is a whole other world of prayer, of egoless acceptance. But again, there are no solutions. "Heftig ausbrechend!" he writes, as again the despairing chorale breaks out with greatly magnified intensity. This is the dual Mahler, flinging himself back into his burning Christian prayer, then again freezing into his Eastern one. This vacillation is his final duality. In the very last return of the hymn he is close to prostration; it is all he can give in prayer, a sobbing, sacrificial last try. But suddenly this climax fails, unachieved — the one that might have worked, that might have brought solutions. This last desperate reach falls short of its goal, subsides into a hint of resignation, then another hint, then into resignation itself. And so we come to the final incredible page. And this page, I think, is the closest we have ever come, in any work of art, to experiencing the very act of dying, of giving it all up. The slowness of this page is terrifying: Adagissimo, he writes, the slowest possible musical direction; and then langsam (slow), ersterbend (dying away), zögernd (hesitat-ing); and as if all those were not enough to indicate the near stoppage of time, he adds äusserst langsam (extremely slow) in the very last bars. It is terrifying, and paralyzing, as the strands of sound disintegrate. We hold on to them, hovering between hope and submission. And one by one, these spidery strands connecting us to life melt away, vanish from our fingers even as we hold them. We cling to them as they dematerialize; we are holding two-then one. One, and suddenly none. For a petrifying moment there is only silence. Then again, a strand, a broken strand, two strands, one ... none. We are half in love with easeful death ... now more than ever seems it rich to die, to cease upon the midnight with no pain ... And in ceasing, we lose it all. But in letting go, we have gained everything.

For he has faith enough, he feels, if he were really to delve into himself, faith enough to move mountains, but he cannot manage to put his back into it. Once in a while the need to create wells up in him, the longing to see a part of himself set free in a work by him, and for days at a time his being can be tensed with joyous, titanic efforts to mold the clay into his Adam. But he is never able to shape him into a semblance of his image, he does not have enough stamina to maintain the self-discipline that it demands. It make take weeks for him to give up the work, but he does give it up, and irritably asks himself why he should keep on: what more does he have to gain? He has enjoyed the pleasure of creation, the tedium of upbringing remains, to nurse, nurture, and support entirely - why? for whom? He is no pelican, he says. But whatever he says, he is still ill at ease and feels that he has not done justice to the expectations he has of himself. It doesn’t help him to confront these expectations and try to doubt that their demands on him are justified. He is faced with a choice, and he must choose; for life is such that when the first youth is gone, sooner or later - depending on the natural disposition of the person - sooner or later a day dawns when resignation comes to you like a seducer and tempts you, and you have to say farewell to the impossible and accept it.

It was a relief to leave the Desoto Solar Farm.

In all of U.S. labor history, few years rival 1934 for drama.59 There had been rumblings in 1933, as rubber plant workers unionized in Akron, Ohio, and prepared a large strike, and Mexican, Japanese, and Filipino fruit pickers struck in California. However, 1934 was an eruption: in 1,856 work stoppages, 1.5 million workers demanded the upholding of Section 7(a). In Toledo, Ohio, auto parts workers won recognition, despite a violent clash that brought out the National Guard. In San Francisco, the Communist-influenced longshoremen won recognition. In October, under pressure, Hugh Johnson succumbed to mental illness, resigning from the NRA after delivering a farewell address to baffled and demoralized staffers comparing himself to Madame Butterfly.60 In the White House, FDR equivocated, as the left continued to agitate.