Requiem For A Dream Quotes

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I suspect there will never be a requiem for a dream, simply because it will destroy us before we have the opportunity to mourn it's passing.
Hubert Selby Jr. (Requiem for a Dream)
Eventually we all have to accept full and total responsibility for our actions, everything we have done, and have not done.
Hubert Selby Jr. (Requiem for a Dream)
But you cant shut everyone out. I mean you have to have someone to love. . .someone to hold on to. . . someone--
Hubert Selby Jr. (Requiem for a Dream)
There's a sorrow and pain in everyone's life, but every now and then there's a ray of light that melts the loneliness in your heart and brings comfort like hot soup and a soft bed.
Hubert Selby Jr. (Requiem for a Dream)
For weeks Tyrone thought he was going to die any minute, and there were also times when he was afraid he wasnt going to die.
Hubert Selby Jr. (Requiem for a Dream)
Life was not longer something to endure, but to live.
Hubert Selby Jr. (Requiem for a Dream)
The voice so filled with nostalgia that you could almost see the memories floating through the blue smoke, memories not only of music and joy and youth, but perhaps, of dreams. They listened to the music, each hearing it in his own way, feeling relaxed and a part of the music, a part of each other, and almost a part of the world.
Hubert Selby Jr. (Requiem for a Dream)
He didnt know what was defeating him, but he sensed it was something he could not cope with, something that was far beyond his power to control or even at this point in time comprehend.
Hubert Selby Jr. (Requiem for a Dream)
But to believe that getting stuff is the purpose and aim of life is madness.
Hubert Selby Jr. (Requiem for a Dream)
...and the night was comfortably warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
Hubert Selby Jr. (Requiem for a Dream)
There was a sky somewhere above the tops of the buildings, with stars and a moon and all the things there are in a sky, but they were content to think of the distant street lights as planets and stars. If the lights prevented you from seeing the heavens, then preform a little magic and change reality to fit the need. The street lights were now planets and stars and moon.
Hubert Selby Jr. (Requiem for a Dream)
Sometimes it seems to stand still. Like you’re in a bag and you can’t get out and somebody’s always telling you that it will get better with time and time just seems to stand still and laugh at you and your pain.
Hubert Selby Jr. (Requiem for a Dream)
They held each other and kissed and pushed each others' darkness into the corner, believing in each others' light, each others' dream.
Hubert Selby Jr. (Requiem for a Dream)
All the energy of their frustration and fear going into their laughter.
Hubert Selby Jr. (Requiem for a Dream)
thats why you cant be worried about the world. theyll just do you in anyway. you can't depend on them because sooner or later theyll turn on you or just disapear and leave you there alone.
Hubert Selby Jr. (Requiem for a Dream)
No matter how beautiful the outside may be, the inside still has feelings and needs that just words don't fulfill.
Hubert Selby Jr. (Requiem for a Dream)
However they may have felt when they left they were now committed, they had passed the point of no return.
Hubert Selby Jr. (Requiem for a Dream)
...and he just sat back and stared at the tube, almost interested in what was happening, trying to find the ability to believe in that lie so he could believe the one within.
Hubert Selby Jr. (Requiem for a Dream)
His eyes are the color of honey. These are the eyes I remember from my dreams.
Lauren Oliver
They luxuriated in the feeling of deep and all pervading satisfaction, a feeling of knowing absolutely that all was well with the world and them and that the world was not only their oyster it was also their linguine with clam sauce. Not only were all things possible, but all things were theirs.
Hubert Selby Jr. (Requiem for a Dream)
It seems to me that we all have a dream of our own, our own personal vision, our own individual way of giving, but for many reasons we are afraid to pursue it, or to even recognize and accept its existence. But to deny our vision is to sell our soul.
Hubert Selby Jr. (Requiem for a Dream)
i think thats one of the problems with the world today, nobody knows who they are. everyone is running around looking for an identity, or trying to borrow one, only they dont know it. they actually think they know who they are and hat they are? theyre just a bunch of schleppers...who have no idea what a search for personal truth and identity really is, which would be alright if they didn't get in your way, but they insist that they know everything and that if you dont live their way then youre not living properly and they want to take your space away...they actually want to somehow get into your space and live in it and change it or destroy it...they just cant believe that you know what you are doing and that you are happy and content with it. you see thats the problem right there. if they could see that then they wouldnt have to feel threatened and feel that they have to destroy you before you destroy them. they just cant get it through their philistine heads that you are happy where you are and dont want to have anything to do with them. my space is mine and thats enough for me.
Hubert Selby Jr. (Requiem for a Dream)
I guess it could be said that the inspiration for 'Requiem for a Dream' is watching the American dream not only destroy so many lives in the U.S., but infect the rest of the world with its obsession with getting more, ignoring the deadly effect that has on the planet.
Hubert Selby Jr.
A guy needs something to give his life a reason or what's the point of living?
Hubert Selby Jr. (Requiem for a Dream)
I guess we're kindred souls and that's why we can feel so close to each other.
Hubert Selby Jr. (Requiem for a Dream)
There was a problem and that was that. Why didnt make a fiddlers fuck.
Hubert Selby Jr. (Requiem for a Dream)
an event of such prodigious proportions and importance that it infused her with a new will to live and materialized a dream that brightened her days and soothed her lonely nights.
Hubert Selby Jr. (Requiem for a Dream)
It was a nice night. A pleasant evening. There seemed to be stars somewhere and it was easy to avoid stepping in the garbage and dog shit on the streets. A truly beautiful night. Tony
Hubert Selby Jr. (Requiem for a Dream)
They luxuriated in the feeling of deep and all pervading satisfaction, a feeling of knowing absolutely that all was well with the world...Not only were all things possible, but all things were theirs.
Hubert Selby Jr. (Requiem for a Dream)
That's why you can't be worried about the world. They'll just do you in anyway. You can't depend on them because sooner or later they'll turn on you or just disappear and leave you there alone.
Hubert Selby Jr. (Requiem for a Dream)
Usually the space was dotted with people getting high, getting higher, or wondering why they werent high yet.
Hubert Selby Jr. (Requiem for a Dream)
Marion fought back the urge to shove the candle in his face and did her best to broaden her smile...
Hubert Selby Jr. (Requiem for a Dream)
Harry grinned as the others laughed and took time out to take a poke on his cigarette, then rubbed the tip of his nose with the back of his hand. I should have you all locked up for interferin with religious freedom.
Hubert Selby Jr. (Requiem for a Dream)
It makes tomorrow alright.
Hubert Selby Jr. (Requiem for a Dream)
This book is dedicated, with love, to Bobby, who has found the only pound of pure- Faith in a Loving God.
Hubert Selby Jr. (Requiem for a Dream)
The enemy ate away at their will so they could not resist, their bodies not only craving, but needing the very poison that ground them into that pitiable state of being; the mind diseased and crippled by the enemy it was obsessed with and the obsession and terrible physical need corrupting the soul until the actions were less than those of an animal, less than those of a wounded animal, less than those of anything and everything they did not want to be.
Hubert Selby Jr. (Requiem for a Dream)
Its hopeless. Thats why you cant be worried about the world. Theyll just do you in anyway. You cant depend on them because sooner or later theyll turn on you or just disappear and leave you there alone.
Hubert Selby Jr. (Requiem for a Dream)
Like if youre beautiful you dont feel pain or have dreams or know the despair of loneliness. Why should you be unhappy, youre so beautiful? My God they drive me nuts, like all I am is a beautiful body and nothing else. Not once, never, have they ever tried to love the real me, to love me for what I am, to love me for my mind.
Hubert Selby Jr. (Requiem for a Dream)
There was a sky somewhere above the tops of the buildings, with stars and a moon and all the things there are in the sky, but they were content to think of the distant street lights as planets and stars
Hubert Selby Jr. (Requiem for a Dream)
the way they put it, we as a society have decided not to modify the society but to modify the children.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Unfortunately, I suspect there never will be a requiem for the Dream, simply because it will destroy us before we have the opportunity to mourn its passing.
Hubert Selby Jr. (Requiem for a Dream)
and they continued their lovemaking until the dawns early light started seeping through the shades and curtains and the heat of their love-making cooled in the warmth of the sun and they were suddenly, and completely, asleep.
Hubert Selby Jr. (Requiem for a Dream)
In all thy ways acknowledge him, and he shall direct thy paths. Proverbs 3:5,6
Hubert Selby Jr. (Requiem for a Dream)
The summer sun continued to rise in the sky and propel shocks of heat down on the city and the heavy moisture moistened bodies and clothing, and people fanned and wiped at sweating faces trying to survive another bitch of a day as Harry and Marion peacefully passed the day sleeping in each others arms oblivious to the reality surrounding them.
Hubert Selby Jr. (Requiem for a Dream)
Sometimes it seems to stand still. Like youre in a bag and you cant get out and somebodys always telling you that it will get better with time and time just seems to stand still and laugh at you and your pain. … And then eventually it does break and its six months later. Like you just got your summer clothes out and then its Christmas and inbetween there are ten years of pain.
Hubert Selby Jr. (Requiem for a Dream)
This guy is different. I see him once in a while and we have fun and theres no pressure. We just have a good time. And he still writes for tranks and downers. A couple of weeks ago we flew down to the Virgin Islands for a weekend. It was a ball. Hey, crazy. Sounds great. Yeah. So your folks are still footin the bills, tilting his head toward the rest of the apartment, for the pad and so forth? Yeah. She laughed out loud again, Plus the fifty a week for the shrink. And sometimes I do a little freelance editing for a few publishers. And the rest of the time you just lay up and get high, eh? She smiled, Something like that.
Hubert Selby Jr. (Requiem for a Dream)
Harry and Tyrone were holding out a little more on each other each day. If one guy somehow got caught short and his nose and eyes were running and his body shivering as they scuffled and hustled the street trying to cop, and asked the other one to give him a taste, the guy swore up and down he had nothing, that he had just done in his cottons, and he would start shaking, trying to fake his friend out.
Hubert Selby Jr. (Requiem for a Dream)
You see, you have feelings. You can appreciate the inner me. Like right now I feel a closeness between us that Ive never felt with anyone before … anyone. Yeah, I know what you mean. Thats how I feel. I don’t know if I can put it into words, but— Thats just it, it doesnt need words. Thats the whole point. Like whats the use of all those words when the feelings arent behind them. Theyre just words. Like I can look at a painting and tell it, youre beautiful. What does it mean to the painting? But Im not a painting. Im not two dimensional. Im a person. Even a Botticelli doesnt breathe and have feelings. Its beautiful, but its still a painting. No matter how beautiful the outside may be, the inside still has feelings and needs that just words dont fulfill.
Hubert Selby Jr. (Requiem for a Dream)
He took another drink, licked his lips and leaned back with his eyes closed for a minute, listening. Marion closed her eyes and just leaned against his chest, feeling the weight and security of his arm around her, moving her toes slightly in time to the music. That last hash and the chartreuse really did it. She felt fine. She felt warm. She felt at home. Trane had just finished a chorus and the piano player came in and Marion muttered a soft, Yeah.
Hubert Selby Jr. (Requiem for a Dream)
she gradually became aware of how dumb the damn show was she was watching and she stared at it, wondering how in the hell they could put anything so absurdly infantile and intellectually and esthetically insulting on television, and she started asking herself over and over how they could do it, what kind of nonsense this is, and she continued to stare and shake her head, more and more of her mind being absorbed by the absurdity she was watching, suddenly leaning back on the couch as a section of the show ended and a commercial came blaringly on and she stared at them too, wondering what sort of cretins watch this garbage and are influenced by it and actually go out and buy those things, and she shook her head, unbelievable, it is simply unbelievable, how can they manage to make so many obnoxious commercials, one right after the other?
Hubert Selby Jr. (Requiem for a Dream)
Then suddenly it was gray and windy and cold and rainy and then the sleet and snow came and even if you could find the sun it seemed to have lost its warmth. From time to time Marion fiddled with a sketch pad, but her hand seemed to be moving the pencil while the rest of her was completely detached from the action. Occasionally they would attempt to resurrect their enthusiasm for the coffee house, and their other plans, but for the, most part they spent their time shooting dope and watching television or listening to music occasionally.
Hubert Selby Jr. (Requiem for a Dream)
Rather, democracy is when every free citizen has authority and oligarchy is when the rich have it. Democracy is when there is a majority of free, poor men who have authority to rule, while oligarchy is when it is in the hands of the wealthy and well-born, who are a minority.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
By now, less than 7 percent of private sector workers have unions, and it’s not because workers don’t want unions—polls show that, overwhelmingly, they want to unionize—but they can’t.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Harry looked into her eyes, then at her face and gently glided the tip of a finger over her cheek and traced the outline of her nose, his face and eyes in a soft and tender smile, You could really make my life worth while. A guy needs something to give his life a reason or whats the point of living? I need more than the streets. I don’t want to be a floating crap game all my life. I want to be something … anything.
Hubert Selby Jr. (Requiem for a Dream)
NOW THE SHIT REALLY hit the fan. It must have hit something because it sure as hell wasnt floating around the city. There no longer was any thought, or even desire, to make money, but just an unending effort to get enough for themselves. Some days it was a case of just copping enough for right now and then going out again to take care of the rest of the day and have that wake up shot nice and secure. And the streets were getting tougher.
Hubert Selby Jr. (Requiem for a Dream)
Tony sat in the only chair, a large, overstuffed, ripped and torn chair that had huge wings that made it look as if it was going to close itself around Tony and somehow swallow and digest him and he would end up on a shelf somewhere in the dark and dusty corner of a secondhand furniture store staring back at the cat sitting on the floor staring up at him, a not-for-sale sign hanging from his chest.
Hubert Selby Jr. (Requiem for a Dream)
It seems to me that we all have a dream of our own, our own personal vision, our own individual way of giving, but for many reasons we are afraid to pursue it, or to even recognize and accept its existence. But to deny our vision is to sell our soul. Getting is living a lie, turning our back on the truth, and Visions are glimpses of the truth: Obviously nothing external can truly nurture my inner life, my Vision.
Hubert Selby Jr. (Requiem for a Dream)
he suddenly swerved in the other lane and there was the screeching of brakes and screams and curses and he gave them all the finger out the window and continued to weave his way through the traffic, giving his perpetual finger to the horn blowers as he pounded his own, and yelling to them, What else ya get fa Christmas besides a new horn,
Hubert Selby Jr. (Requiem for a Dream)
All that summer and fall she painted, mornings, afternoons, evenings, then walked around the streets that were still echoing the music of the masters, and every stone, every pebble seemed to have a life and reason of its own and she somehow felt, though vaguely, a part of that reason. Some nights she would sit in the café with other young artists and poets and musicians and who knows what else, drinking wine and talking and laughing and discussing and arguing and life was exciting and tangible and crisp like the clear Mediterranean sunlight. Then as the grayness of winter slowly seeped down from the north the energy and inspiration seemed to ooze from her as paint from a tube and now when she looked at a bare canvas it was only a bare canvas, a piece of material stretched over a few pieces of wood, it was no longer a painting waiting to be painted. It was just, canvas. She went further south. Sicily. North Africa. Trying to follow the sun to the past, the very recent past, but all she found was herself.
Hubert Selby Jr. (Requiem for a Dream)
There are people who will always doubt you and you have to live with it. It only gets a lot worse when you have to die with it!
Rakesh Ranjan (Requiem: Will the Dead Come Back for Love?)
When she got home she got off and any disquieting feelings were immediately dissolved by the heroin and she didnt even bother bathing, that could wait until morning. She just stretched out on her couch, in front of her television, ignoring the smell from her body and lips, thinking over and over that Big Tim was right, this is good stuff. That taste will last a long time. She smiled to herself. And theres more where that came from, and no one to share it with. I can always have as much as I want. She hugged herself and smiled, I can always feel like this.
Hubert Selby Jr. (Requiem for a Dream)
THE SUN WAS DOWN which made it night time, but Harry and Tyrone were bugged with all the lights that stabbed and slashed and skewered their eyeballs. They hung tough behind their shades. Daytime is a drag, when the sun is shining, the sunlight bouncing off windows and cars and buildings and the sidewalk and the goddamn glare pushing on your eyeballs like two big thumbs and you look forward to the night when you can get some relief from the assaults of the day and start to come alive as the moon rises, but you never get the complete relief you look forward to, that you anticipate.
Hubert Selby Jr. (Requiem for a Dream)
Harry just blinked and shook his head, bewildered, and went with the flow. Sara looked at her son, her only child, with a tangible earnestness, the grin and grinding gone, replaced with a plea that softened her eyes and calmed her voice, Its not the prizes Harry. It doesn’t make any difference if I win or lose or if I just shake hands with the announcer. Its like a reason to get up in the morning.
Hubert Selby Jr. (Requiem for a Dream)
They drank a few glasses of soda after eating their pie and grooved behind the dope and the waitress and giggled and scratched for a while, then dropped another dexie, got a couple of containers of coffee, and split and continued toward Miami and the connections. They were quiet for a while, listening to the music and feeling warm and secure with the dope and the future, each smiling inwardly thinking about the end of their problems and the panic, at least for them.
Hubert Selby Jr. (Requiem for a Dream)
There’s a very simple point about arithmetic—if you happen to be in a swing state, a state where the outcome is indefinite, and you don’t vote for, say, Clinton, that’s equivalent to voting for Trump. That’s arithmetic.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Willy was a salesman. And for a salesman, there is no rock bottom to the life. He don’t put a bolt to a nut, he don’t tell you the law or give you medicine. He’s a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back—that’s an earthquake. And then you get yourself a couple of spots on your hat, and you’re finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory.
Arthur Miller (Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem)
The United States was a settler-colonial society, the most brutal form of imperialism. You’d need to overlook the fact that you’re getting a richer, freer life by virtue of decimating the indigenous population, the first great “original sin” of American society; and massive slavery of another segment of the society, the second great sin (we’re still living with the effects of both of them); and then overlook bitterly exploited labor, overseas conquests, and so on. Just overlook those small details and then there’s a certain truth to our ideals.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
Hubert Selby Jr. (Requiem for a Dream)
I don’t have a whole lot of choice,” said Dr. Anderson, a pediatrician for many poor families in Cherokee County, north of Atlanta. “We’ve decided as a society that it’s too expensive to modify the kid’s environment. So we have to modify the kid.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
She a nice lady ol auntie … but ol moms was somethin else, she really somethin else. Harrys eyes were closed and he was leanin back remembering how his mother always protected him from the cold wind in the winter when he was a kid, and how warm she felt when he got in the house and she hugged the cold out of his ears and cheeks and always had a bowl of hot soup waiting. … Yeah, I guess the old lady was pretty groovy too. I guess its a bitch being alone like that. Harry Goldfarb and Tyrone C. Love sat loosely in their chairs, their eyes half closed, feeling the warmth of fond memories and heroin flowing through them as they got ready for another nights work.
Hubert Selby Jr. (Requiem for a Dream)
A little orange? Ada kept nodding as she stared in the mirror at Saras reflection, Yeah, it looks like it could be, maybe, a little orange. A little orange? Its a little orange like being a little bit pregnant. Ada shrugged again. So whats to worry? Itll be alright. Whats to worry? Someone may try to juice me. Relax, relax, dolly. It just needs a little more dye. Itll be alright for the television. I look like a thermometer. Thats what I look like. Like an upside down thermometer. So dont blow your top. Relax.
Hubert Selby Jr. (Requiem for a Dream)
Aristotle was right—the way to overcome the paradox of democracy is by reducing inequality, not reducing democracy.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Workers aren’t free to move, labor can’t move, but capital can.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
And then I walked out, straight through the twilight, treading the beaten earth. There were no dust clouds, no signs of anyone, but I paid no mind. I was my own lucky hand of solitaire. The desert landscape unchanging: a long, unwinding scroll that I would one day amuse myself by filling. I'm going to remember everything and then I'm going to write it all down. An aria to a coat. A requiem for a café. That's what I was thinking, in my dream, looking down at my hands.
Patti Smith (M Train)
The Republicans have moved so far toward a dedication to the wealthy and the corporate sector that they can-not hope to get votes on their actual programs, and have turned to mobilizing sectors of the population that have always been there, but not as an organized coalitional political force: evangelicals, nativists, racists, and the victims of the forms of globalization designed to set working people around the world in competition with one another while protecting the privileged.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
When you forget what you ultimately stand for, you rejoice in blinding ignorance. Missing the bigger picture for the near pleasure is what humans and all living beings stand for. I guess there is no alternate way either. Because it is after all a game that all are destined to play until they end up dead.
Rakesh Ranjan (Requiem: Will the Dead Come Back for Love?)
Well, one of the best ways to control people in terms of attitudes is by what the great political economist Thorstein Veblen called “fabricating consumers.” If you can fabricate wants, make obtaining things that are just about within your reach the essence of life, they’re going to be trapped into becoming consumers. You read the business press in the 1920s and it talks about the need to direct people to the superficial things of life, like “fashionable consumption,” and that’ll keep them out of our hair.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Marion and Alice were all for not using and so all went to sleep that night with a grim resolve. They got up about noon, smoked a joint with their coffee, feeling good about the fact that they werent giving any thought to not using, and sat around for a while, watched a little television, talked about maybe eating something, but not really feeling like it, then sort of moped around thinking and talking about the various things that should be done that day and making plans for doing them, then watched a little more TV, and more coffee, and more grass, spending much of the time dabbing at their running eyes and noses, and by three oclock they realized they were making a big deal out of nothing, that if they really wanted to stop using they certainly could, they were proving that right then, but it was stupid to panic and to think the world was coming to an end just because they couldnt score for any uncut weight right now, so they got back into the spoon. Their noses and eyes cleared up and they listened to music as they ate. A
Hubert Selby Jr. (Requiem for a Dream)
We’re human beings, we’re not automatons. You work at your job but you don’t stop being a human being. Being a human being means benefiting from rich cultural traditions—not just our own traditions, but many others—and becoming not just skilled, but also wise. Somebody who can think—think creatively, think independently, explore, inquire—and contribute to society. If you don’t have that, you might as well be replaced by a robot. I think that simply can’t be ignored if we want to have a society that’s worth living in.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
If you’ve ever taken an economics course you know that markets are supposed to be based on informed consumers making rational choices. I don’t have to tell you, that’s not what’s done. If advertisers lived by market principles then some enterprise, say, General Motors, would put on a brief announcement of their products and their properties, along with comments by Consumer Reports magazine so you could make a judgment about it. That’s not what an ad for a car is—an ad for a car is a football hero, an actress, the car doing some crazy thing like going up a mountain or something. If you’ve ever turned on your television set, you know that hundreds of millions of dollars are spent to try to create uninformed consumers who will make irrational choices—that’s what advertising is.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Aristotle’s Politics, Book III, Chapter 8 The real difference between democracy and oligarchy is between poverty and wealth. Wherever the rulers, whether they be a minority or a majority, owe their power to wealth, that is an oligarchy. Wherever the poor rule, that is a democracy. Usually, where the rulers hold power by wealth, they are few, but where the poor rule, they are many, because few men are rich but all are free [if they are citizens in a city-state], and wealth and freedom are the grounds on which the two groups lay claim to government. Democracy is not necessarily only wherever the multitude has authority. Oligarchy is not necessarily wherever a minority has power over the system of government. If the majority of a citystate were wealthy and had authority, nobody would call it a democracy, just as if a small group of poor men had control over a larger rich population, nobody would call it an oligarchy. Rather, democracy is when every free citizen has authority and oligarchy is when the rich have it. Democracy is when there is a majority of free, poor men who have authority to rule, while oligarchy is when it is in the hands of the wealthy and well-born, who are a minority.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
What we have to do is trap them into consumerism. Carry out enough propaganda and teasers and so on to make freed slaves feel they’ve got to have these commodities. They go to the company store and they get them, they’re in debt, and pretty soon they’re trapped—the slave economy’s back.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
The rise of multinational corporations that know neither patriotism nor morality but only self-interest, has made accountability almost non-existent. At virtually every level, I discern a demand by business for docile government and unrestrained corporate individualism. Where industry once yearned for subservient unions, it now wants no unions at all.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
That’s essentially neoliberalism. It has this dual character, which goes right back in economic history. One set of rules for the rich. Opposite set of rules for the poor.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
It (scent) was barely there at all, but in the hint of its existence it was as fragile as night blossoms—not too sweet but just enough, like the dew on a requiem bud in the palest hour of dawn.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
If you’ve ever turned on your television set, you know that hundreds of millions of dollars are spent to try to create uninformed consumers who will make irrational choices—that’s what advertising is.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
The tendency in K–12 is reducing education to mechanical skills, and undermining creativity and independence—both on the part of teachers and students. That’s what “teaching to the test” is, “No Child Left Behind,” “Race to the Top.” I think these should be regarded as methods of indoctrination and control. Of course, one of the other ways to do that has been to simply reduce or eliminate free education.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Solum invoked a sensation akin to lingering déjà vu in the wake of a dream. It was not Earth. Its city-planet architectural stylings hid the outline of continents that might have otherwise been recognizable and altered the vibrant blue-and-green color palette enough to erase any familiarity in its silhouette. Yet if you tilted your head just so and let your gaze unfocus a little, you could almost see Earth. Its echo, its memory.
G.S. Jennsen (Requiem (Aurora Resonant, #3))
In fact, what are called international “free trade agreements” are not free trade at all. The trade system was reconstructed with a very explicit design of putting working people in competition with one another all over the world.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Listen, my dear, she said, this can't go on, you can't live in two worlds at once, in the world of reality and the world of dreams, that kind of thing leads to hallucinations, you're like a sleepwalker walking through a landscape with your arms outstretched, and everything you touch becomes part of your dream, even me, a fat old woman weighing one hundred seventy-five, I can feel myself dissolving into the air at the touch of your hand, as if I was becoming part of your dream too.
Antonio Tabucchi (Requiem: A Hallucination)
You are all the same species, you have the same goals, the same dreams, the same fears...eat the same food, sleep the same sleep...So you have to go out of your way to divide yourselves, to make it easier to kill one another. Boundaries, nations, blocks, creeds, names, fashion. You kill one another for a pair of sneakers. Your leaders oppress and exploit you for their own power, and you allow it happily, if in so doing they can kill those who you have decided are not like you. You are a race of madmen.
J. Michael Straczynski (Silver Surfer: Requiem)
Is it true?” I ask him. “Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams. “That you still love me,” I say, breathless. “I need to know.” Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.” “But . . . I’ve changed,” I say. “And you’ve changed.” “That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest. “So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream. “Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again. But I can’t. I know I can’t. “I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.” Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says. “I don’t want you to,” I tell him. His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal.
Lauren Oliver (Requiem (Delirium, #3))
The “political revolution” that Bernie Sanders called for, rightly, would not have greatly surprised Dwight Eisenhower. What that means is the spectrum has shifted so far to the right that what the population wants, and what was once mainstream, now looks radical and extremist.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
The bulk of the advertising directed at children today has an immediate goal. “It’s not just getting kids to whine,” one marketer explained in Selling to Kids, “it’s giving them a specific reason to ask for the product.” Years ago sociologist Vance Packard described children as “surrogate salesmen” who had to persuade other people, usually their parents, to buy what they wanted. Marketers now use different terms to explain the intended response to their ads—such as “leverage,” “the nudge factor,” “pester power.” The aim of most children’s advertising is straightforward: Get kids to nag their parents and nag them well.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
Then comes the Bush and Obama bailout, which reconstructed the powerful institutions—the perpetrators—and left everyone else floating. There was severe harm to people, who had houses taken away from them, jobs diminished, and so on. That’s where we are now. It was done with impunity, and they’re building up to the next one.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
You hear it in every political speech, “vote for me, we’ll get the dream back.” They all reiterate it in similar words—you even hear it from people who are destroying the dream, whether they know it or not. But the “dream” has to be sustained, otherwise how are you going to get people in the richest, most powerful country in world history, with extraordinary advantages, to face the reality that they see around them? Inequality is really unprecedented. If you look at total inequality today, it’s like the worst periods of American history. But if you refine it more closely, the inequality comes from the extreme wealth in a tiny sector of the population, a fraction of 1 percent. There were periods like the Gilded Age in the 1890s and the Roaring Twenties and so on, when a situation developed rather similar to this, but the current period is extreme. Because if you look at the wealth distribution, the inequality mostly comes from super-wealth—literally, the top one-tenth of a percent are just super-wealthy. This is the result of over thirty years of a shift in social and economic policy. If you check you find that over the course of these years the government policy has been modified completely against the will of the population to provide enormous benefits to the very rich. And for most of the population, the majority, real incomes have almost stagnated for over thirty years. The middle class in that sense, that unique American sense, is under severe attack. A significant part of the American Dream is class mobility: You’re born poor, you work hard, you get rich. The idea that it is possible for everyone to get a decent job, buy a home, get a car, have their children go to school . . . It’s all collapsed.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
It means that students, if they don’t come from very wealthy families, they’re going to leave college with big debts. And if you have a big debt, you’re trapped. I mean, maybe you wanted to become a public interest lawyer, but you’re going to have to go into a corporate law firm to pay off those debts. And by the time you’re part of the culture, you’re not going to get out of it again.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
And they make sure that their own interests are very well cared for, however “grievous” the impact on the people of England, or others. Now it’s not merchants and manufacturers, it’s financial institutions and multinational corporations. The people who Adam Smith called the “masters of mankind”—and they’re following “the vile maxim,” “All for ourselves and nothing for anyone else.” They’re just going to pursue policies that benefit them and harm everyone else.
Noam Chomsky (Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power)
So many synapses,' Drisana said. 'Ten trillion synapses in the cortex alone.' Danlo made a fist and asked, 'What do the synapses look like?' 'They're modelled as points of light. Ten trillion points of light.' She didn't explain how neurotransmitters diffuse across the synapses, causing the individual neurons to fire. Danlo knew nothing of chemistry or electricity. Instead, she tried to give him some idea of how the heaume's computer stored and imprinted language. 'The computer remembers the synapse configuration of other brains, brains that hold a particular language. This memory is a simulation of that language. And then in your brain, Danlo, select synapses are excited directly and strengthened. The computer speeds up the synapses' natural evolution.' Danlo tapped the bridge of his nose; his eyes were dark and intent upon a certain sequence of thought. 'The synapses are not allowed to grow naturally, yes?' 'Certainly not. Otherwise imprinting would be impossible.' 'And the synapse configuration – this is really the learning, the essence of another's mind, yes?' 'Yes, Danlo.' 'And not just the learning – isn't this so? You imply that anything in the mind of another could be imprinted in my mind?' 'Almost anything.' 'What about dreams? Could dreams be imprinted?' 'Certainly.' 'And nightmares?' Drisana squeezed his hand and reassured him. 'No one would imprint a nightmare into another.' 'But it is possible, yes?' Drisana nodded her head. 'And the emotions ... the fears or loneliness or rage?' 'Those things, too. Some imprimaturs – certainly they're the dregs of the City – some do such things.' Danlo let his breath out slowly. 'Then how can I know what is real and what is unreal? Is it possible to imprint false memories? Things or events that never happened? Insanity? Could I remember ice as hot or see red as blue? If someone else looked at the world through shaida eyes, would I be infected with this way of seeing things?' Drisana wrung her hands together, sighed, and looked helplessly at Old Father. 'Oh ho, the boy is difficult, and his questions cut like a sarsara!' Old Father stood up and painfully limped over to Danlo. Both his eyes were open, and he spoke clearly. 'All ideas are infectious, Danlo. Most things learned early in life, we do not choose to learn. Ah, and much that comes later. So, it's so: the two wisdoms. The first wisdom: as best we can, we must choose what to put into our brains. And the second wisdom: the healthy brain creates its own ecology; the vital thoughts and ideas eventually drive out the stupid, the malignant and the parasitical.
David Zindell (The Broken God (A Requiem for Homo Sapiens, #1))