“
Accident ruled every corner of the universe except the chambers of the human heart.
”
”
David Guterson (Snow Falling on Cedars)
“
Peace of mind comes when we exercise our right to be honest, especially with ourselves.
”
”
Jack R. Rose (The Cedar Post: The Pristine American Dream)
“
None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.
”
”
David Guterson (Snow Falling on Cedars)
“
There are things in this universe that we cannot control, and then there are the things we can. . . . Let fate, coincidence, and accident conspire; human beings must act on reason.
”
”
David Guterson (Snow Falling on Cedars)
“
But what is certain is that in five, ten or twenty years, this problem unique to our time, according to him, will no longer exist, it will be replaced by others...Yet this music, the sound of this rain on the windows, the great mournful creaking of the cedar tree in the garden outside, this moment, so tender, so strange in the middle of war, this will never change, not this, this is forever.
”
”
Irène Némirovsky (Suite Francaise)
“
slept all night in the cedar grove,
i was born to ramble, born to rove,
some men are searchin' for the holy grail,
but there ain't nothin' sweeter
than ridin' the rails
”
”
Tom Waits
“
I know you'll think this is crazy, but all I want to do is hold you, and I think that if you'll let me do that just for a few seconds, I can walk away, and never speak to you again.
”
”
David Guterson (Snow Falling on Cedars)
“
Ishmael gave himself to the writing of it, and as he did so he understood this, too: that accident ruled every corner of the universe except the chambers of the human heart.
”
”
David Guterson (Snow Falling on Cedars)
“
You cannot fold a flood and put it in a drawer, because the winds would find it out and tell your cedar floor.
”
”
Emily Dickinson
“
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in Cedar trees smells.
”
”
William Faulkner (As I Lay Dying)
“
The boy and the girl had once dreamed of ships, long ago, before they'd ever seen the True Sea. They were the vessels of stories, magic ships with masts hewn from sweet cedar and sails spun by maidens from thread of pure gold. Their crews were white mice who sang songs and scrubbed the decks with their pink tails.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
The strange thing was, he wanted to like everyone. He just couldn't find a way to do it.
”
”
David Guterson (Snow Falling on Cedars)
“
To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher "reality" of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.
”
”
David Guterson (Snow Falling on Cedars)
“
That the world was silent and cold and bare and that in this lay its terrible beauty
”
”
David Guterson (Snow Falling on Cedars)
“
A band called Sounds of Cedar.
”
”
Colleen Hoover (Regretting You)
“
Give me quiet, he thought, give me forests and ocean and no roads. Give me the walk to the village through the woods in summer, give me the sound of wind in cedar branches, give me mist rising over the water, give me the view of green branches from my bathtub in the mornings. Give me a place with no people in it, because I will never fully trust another person again.
”
”
Emily St. John Mandel (The Glass Hotel)
“
Yet for the first time in three days, I want something. I want the forest lord to turn me into a cedar. The very oldest islanders say that if you are in the interior mountains on the night when the forest lord counts his trees, he includes you in the number and turns you into a tree.
”
”
David Mitchell (Number9Dream)
“
Personally, I don't find swearing offensive. I do find, backstabbing, lying, being a judgmental asshole, cheating and fucking people over offensive, but not swearing.
”
”
Brooke Hampton (Enchanted Cedar: The Journey Home)
“
Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery.
”
”
Yukio Mishima (The Temple of the Golden Pavilion)
“
His scent is intensified in here perfectly, baked by summer, preserved by snow, sealed and pressurized inside glass and metal. I inhale like a professional perfumer. Top notes of mint, bitter coffee, and cotton. Mid notes of black pepper and pine. Base notes of leather and cedar. Luxurious as cashmere. If this is what his car smells like, imagine his bed. Good idea. Imagine his bed. He
”
”
Sally Thorne (The Hating Game)
“
How could they say that they truly loved each other? They had simply grown up together, been children together, and the proximity of it, the closeness of it, had produced in them love s illusion. And yet--on the other hand--what was love if it wasn't this instinct she felt...
”
”
David Guterson (Snow Falling on Cedars)
“
Do you have a cat and is she sitting on your lap? Does her forehead smell like cedar trees and fresh sweet air?
”
”
Ruth Ozeki (A Tale for the Time Being)
“
He smells the same—peppermint and cedar and a hint of old books.
”
”
Cath Crowley (Words in Deep Blue)
“
The will is in the cedar box in our bedroom closet,' she said into his hair. Declan closed his eyes. He whispered, 'I hate him.'
'My dauntless Declan,' Aurora said, and then she slid softly to the floor.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
The soft aroma of old worn cotton from a linen chest, the lingering smell of tobacco on an angora sweater; Jergen's hand lotion, sauteed green peppers and onions; the sweet, nutty smell of peanut butter and bananas, the oaken smell of good bourbon. A combination of lily of the valley, cedar, vanilla, and somewhere, the lingering of old rose. These smells are older than any thought. Mama, Teensy, Neecie, and Caro, each one of them had an individual scent, to be sure. But this is the Gumbo of their scents. This is the Gumbo Ya-Ya. This is the internal vial of perfume I carry with me everywhere I go.
”
”
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
“
Opposition can be your friend. Opposition can be the fire that tempers the better sword, as well as the ice that cools a fiery temper. Don't ever run from it; learn from it!
”
”
Jack R. Rose (The Cedar Post: The Pristine American Dream)
“
Most of life is doing little things," said Cedar gently, "and doing them really well."
"They might be little BRAVE things," said Crispin.
”
”
M.I. McAllister
“
MY PAJAMAS ARE soaked with sweat when I jolt awake and there is a third person in my bedroom. A man I’ve never seen before. I begin screaming like an injured monkey.
“Calm down,” Josh says into my ear. I scramble into his lap and press my face into his collar bone, huffing his cedar scent so hard I probably suck out his ghost. I’m about to be taken to a scary medical facility, away from the safety of my bed and these arms.
“Don’t let them, Josh! I’ll get better!”
“I’m a doctor, Lucy. How long and what symptoms?” The man puts on some gloves.
”
”
Sally Thorne (The Hating Game)
“
I dwell in Possibility—
A fairer House than Prose—
More numerous of Windows—
Superior—for Doors—
Of Chambers as the Cedars—
Impregnable of Eye—
And for an Everlasting Roof
The Gambrels of the Sky—
Of Visitors—the fairest—
For Occupation—This—
The spreading wide of narrow Hands
To gather Paradise—
”
”
Emily Dickinson
“
Towards evening, they wound down precipices, black with forest of cypress, pine and cedar, into a glen so savage and secluded, that, if Solicitude ever had local habitation, this might have been "her place of dearest residence
”
”
Ann Radcliffe (The Mysteries of Udolpho)
“
I’d heard fiddle music, but I’d never known it could stab you like a thorn and make you like the sting of it. I’d never heard none that made you want to laugh and cry at the same time. Or made you see the sun coming up out of a big pool of water, while the frogs hollered from the wild onions growing along the banks and the speckled bass popped their tails in the shoal water and the mockingbirds sat in the tops of the cedars and sang like they do at daybreak.
”
”
Fred Gipson (Hound Dog Man)
“
Tourists reminded him of other places and elicited in him a prodding doubt that living here was what he wanted.
”
”
David Guterson (Snow Falling on Cedars)
“
He decided then that he would love her forever no matter what came to pass. It was not so much a matter of deciding as accepting the inevitability of it.
”
”
David Guterson (Snow Falling on Cedars)
“
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
I will spend my life traveling, laughing, drinking all kinds of tea, meeting new people, reading good books, growing things, creating beauty, eating chocolate, doing magic, making love and occasionally I will write something worth reading.
”
”
Brooke Hampton (Enchanted Cedar: The Journey Home)
“
His body smelled like a precious-wood forest; his hair, like sandalwood, his skin, like cedar. It was as if he had always lived among trees and plants.
”
”
Anaïs Nin
“
I told everyone you didn’t go poof, but they just looked at me funny,” said Maddie. Cedar shook her head. “You said, ‘Tiny crow crowned unconfused with a cloud.’
”
”
Shannon Hale (The Storybook of Legends (Ever After High, #1))
“
[H]e had this view of things - that most human activity was utter folly, his own included, and that his existence in the world made others nervous.
”
”
David Guterson (Snow Falling on Cedars)
“
Now, Watson,” said Holmes, as a tall dog-cart dashed up through the gloom, throwing out two golden tunnels of yellow light from its side lanterns. “You’ll come with me, won’t you?”
“If I can be of use.”
“Oh, a trusty comrade is always of use; and a chronicler still more so. My room at The Cedars is a double-bedded one.
”
”
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
“
They don’t really matter,” said Ishmael. “None of those other things make a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we’re safe from it all. Love is the biggest thing there is.
”
”
David Guterson (Snow Falling on Cedars)
“
Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimm’d
The noontide sun, call’d forth the mutinous winds,
And ‘twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove’s stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck’d up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let ‘em forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I’ll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I’ll drown my book.
”
”
William Shakespeare (The Tempest)
“
He had seen the insides of jaggedly ripped-open dead people. He knew, for instance, what brains looked like spilling out of somebody's head. In the context of this, much of what went on in normal life seemed wholly and disturbingly ridiculous.
”
”
David Guterson (Snow Falling on Cedars)
“
Seaside gusts of wind,
And a house in which we don't live,
And the shadow of a cherished cedar
In front of a forbidden window...
Perhaps there is someone in this world
To whom I could send all these lines. Well then!
Let the lips smile bitterly
And a tremor touch the heart again.
”
”
Anna Akhmatova (Selected Poems)
“
If disaster, so be it, they said to themselves. There was nothing to be done except what could be done. The rest -- like the salt water around them, which swallowed the snow without effort, remaining what it was implacably -- was out of their hands, beyond.
”
”
David Guterson (Snow Falling on Cedars)
“
He hoped it would snow recklessly and bring to the island the impossible winter purity, so rare and precious, he remembered fondly from his youth.
”
”
David Guterson (Snow Falling on Cedars)
“
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.
Every hour, she thinks, someone for whom the war was memory falls out of the world.
We rise again in the grass. In the flowers. In songs.
”
”
Anthony Doerr (All the Light We Cannot See)
“
The trick was to refuse to allow your pain to prevent you from living honorably. In Japan, she said, a person learned not to complain or be distracted by suffering. To persevere was always a reflection of the state of one’s inner life, one’s philosophy, and one’s perspective. It was best to accept old age, death, injustice, hardship – all of these were part of living
”
”
David Guterson
“
I didn't really think Jesus cared what I wore to Cedar Grove Baptist Church, or to see the governor for that matter, considering the fact that in every picture I ever saw of the King of Kings, He was wearing sandals and bundled up in nothing more than a big, baggy robe.
”
”
Susan Gregg Gilmore (Looking for Salvation at the Dairy Queen)
“
A bay is a noun only if water is dead. When bay is a noun, it is defined by humans, trapped between its shores and contained by the word. But the verb wiikwegamaa—to be a bay—releases the water from bondage and lets it live. “To be a bay” holds the wonder that, for this moment, the living water has decided to shelter itself between these shores, conversing with cedar roots and a flock of baby mergansers. Because it could do otherwise—become a stream or an ocean or a waterfall, and there are verbs for that, too. To be a hill, to be a sandy beach, to be a Saturday, all are possible verbs in a world where everything is alive. Water, land, and even a day, the language a mirror for seeing the animacy of the world, the life that pulses through all things, through pines and nuthatches and mushrooms. This is the language I hear in the woods; this is the language that lets us speak of what wells up all around us.[…]
This is the grammar of animacy.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
He didn't like very many people any more, or very many things either. He preferred not to be this way, but there it was, he was like that. His cynicism, a veteran's cynicism, was a thing that disturbed him all the time.
”
”
David Guterson (Snow Falling on Cedars)
“
Nice,” the clerk said without a smidgeon of judgment in his voice as he rang her up. “I especially like the way you’ve got the entire junk food pyramid represented here. That’s not easy to do.
”
”
Jill Shalvis (Second Chance Summer (Cedar Ridge, #1))
“
The world was incomprehensibly intricate, and yet this forest made a simple sense in her heart that she felt nowhere else.
[S]he wanted only her own strawberry farm, the fragrance of the fields and the cedar trees, and to live simply in this place forever.
[S]he had fallen into loving him long before she knew herself, though it occurred to her now that she might never know herself, that perhaps no one ever does, that such a thing might not be possible.
[Y]ou should learn to say nothing that will cause you regret. You should not say what is not in your heart -- or what is only in your heart for a moment. But you know this -- silence is better.
”
”
David Guterson (Snow Falling on Cedars)
“
For them it might stave off what he could not help but see with clarity: that the world was silent and cold and bare and that in this lay its terrible beauty.
”
”
David Guterson (Snow Falling on Cedars)
“
People appeared enormously foolish to him. He understood that they were only animated cavities full of jelly and strings and liquids.
”
”
David Guterson (Snow Falling on Cedars)
“
His mother had gone cold when Arthur died; her grief for him was fixed. But this had not stopped her from taking pleasure in life, it now occurred to Ishmael. There she stood at the stove ladling soup with the calm ease of one who feels there is certainly such a thing as grace.
”
”
David Guterson (Snow Falling on Cedars)
“
The sunlight now lay over the valley perfectly still. I went over to the graveyard beside the church and found them under the old cedars... I am finding it a little hard to say that I felt them resting there, but I did. I felt their completeness as whatever they had been in the world.
I knew I had come there out of kindness, theirs and mine. The grief that came to me then was nothing like the grief I had felt for myself alone... This grief had something in it of generosity, some nearness to joy. In a strange way it added to me what I had lost. I saw that, for me, this country would always be populated with presences and absences, presences of absences, the living and the dead. The world as it is would always be a reminder of the world that was, and of the world that is to come.
”
”
Wendell Berry (Jayber Crow)
“
There were guys who prayed at Tarawa,' said Ishmael. 'They still got killed, Mother. Just like the guys who didn't pray. It didn't matter either way.
”
”
David Guterson (Snow Falling on Cedars)
“
The prospect of death in autumn, she said, was irrelevant next to its happy recognition of its participation in the life of the tree itself.
”
”
David Guterson (Snow Falling on Cedars)
“
Swamps where cedars grow and turtles wait on logs but not for anything in particular; fields bordered by crooked fences broken by years of standing still; orchards so old they have forgotten where the farmhouse is. In the north I have eaten my lunch in pastures rank with ferns and junipers, all under fair skies with a wind blowing.
”
”
E.B. White (Stuart Little)
“
Seattle, the mild green queen: wet and willing, cedar-scented, and crowned with slough grass, her toadstool scepter tilted toward Asia, her face turned ever upward in the rain; the sovereign who washes her hands more persistently than the most fastidious proctologist.
”
”
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
“
I merely wish to point out that in the face of such a world you have only yourselves to rely on. You have only the decision you must make, each of you, alone. And will you contribute to the indifferent forces that ceaselessly conspire toward injustice? Or will you stand up against this endless tide and in the face of it be truly human?
”
”
David Guterson (Snow Falling on Cedars)
“
The trick was to live here without hating yourself because all around you was hatred.
”
”
David Guterson (Snow Falling on Cedars)
“
The snowfall obliterated the borders between the fields and made Kabuo Miyamoto's long-cherished seven acres indistinguishable from the land that surrounded them. All human claims to the landscape were superseded, made null and void by the snow. The world was one world, and the notion that a man might kill another over some small patch of it did not make sense.
”
”
David Guterson (Snow Falling on Cedars)
“
But he wrapped his arms around me, pulling me against his chest in a hug so deep it blotted out Market Day entirely. He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
His cynicism - a veteran's cynicism - was a thing that disturbed him all the time. It seemed to him after the war that the world was thoroughly altered. It was not even a thing you could explain to anybody, why it was that everything was folly. People appeared enormously foolish to him. He understood that they were only animated cavities full of jelly and strings and liquids. He had seen the insides of jaggedly ripped-open dead people. He knew, for instance, what brains looked like spilling out of somebody's head. In the context of this, much of what went on in normal life seemed wholly and disturbingly ridiculous.
”
”
David Guterson (Snow Falling on Cedars)
“
We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves alone, we are nothing at all, dust in a strong wind, while the 'hakujin' believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life--you must see that these are distinct paths we are travelling, Hatsue, the 'hakujin' and we Japanese" (p. 176).
”
”
David Guterson (Snow Falling on Cedars)
“
[Ishmael] listened to the world turned silent by the snow; there was absolutely nothing to hear. The silence of the world roared steadily in his ears while he came to recognize that he did not belong here, he had no place in the tree any longer. Some much younger people should find this tree, hold to it tightly as their deepest secret as he and Hatsue had. For them it might stave off what he could not help but see with clarity: that the world was silent and cold and bare and that in this lay its terrible beauty.
”
”
David Guterson (Snow Falling on Cedars)
“
The strange thing was, he wanted to like everyone. He just couldn’t find a way to do it.
”
”
David Guterson (Snow Falling on Cedars)
“
Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray.
”
”
George R.R. Martin
“
Gotta be a full moon bringing out the crazy,” Mitch said. “Maybe the crazy just follows you,” Aidan suggested. In turn, Mitch suggested Aidan was number one. With his middle finger.
”
”
Jill Shalvis (Second Chance Summer (Cedar Ridge, #1))
“
Tell the truth,' Nels said. 'Decide to tell the truth before it's too late.
”
”
David Guterson (Snow Falling on Cedars)
“
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in cedar trees smells. It has to set at least six hours, and be drunk from a gourd. Water should never be drunk from metal.
And at night it is better still. I used to lie on the pallet in the hall, waiting until I could hear them all asleep, so I could get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred it awake with the dipper I could see maybe a star or two in the bucket, and maybe in the dipper a star or two before I drank,
”
”
William Faulkner (As I Lay Dying)
“
To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion.
Nor is this power restricted solely to animals. The whispered hush of the uncut grasses at dawn, the plaintive moan of trunks rubbing against one another in the deep woods, or the laughter of birch leaves as the wind gusts through their branches all bear a thicket of many-layered meanings for those who listen carefully. In the Pacific Northwest I met a man who had schooled himself in the speech of needled evergreens; on a breezy day you could drive him, blindfolded, to any patch of coastal forest and place him, still blind, beneath a particular tree -- after a few moments he would tell you, by listening, just what species of pine or spruce or fir stood above him (whether he stood beneath a Douglas fir or a grand fir, a Sitka spruce or a western red cedar). His ears were attuned, he said, to the different dialects of the trees.
”
”
David Abram (Becoming Animal: An Earthly Cosmology)
“
Most days I live awed by the world we have still, rather than mourning the worlds we have lost. The bandit mask of a cedar waxwing on a bare branch a few feet away; the clear bright sun of a frozen winter noon; the rise of Orion in the eastern evening sky-every day, every night, I give thanks for another chance to notice. I see beauty everywhere; so much beauty I often speak it aloud. So much beauty I often laugh, and my day is made.
Still if you wanted to, I think, you could feel sadness without end. I’m not even talking about hungry children or domestic violence or endless wars between supposedly grown men…but ‘you mustn’t be frightened if a sadness rises in front of you, larger than any you even seen,' said Rilke, 'you must realize that something is happening to you, that life has not forgotten you, that it holds you in it hand and will not let you fall.
”
”
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
“
Love isn't a smiling bride who holds a colorful bouquet and gazes lovingly at her husband; it's a corpse-littered battlefield where the walking wounded have to keep searching for survivors or die themselves.
”
”
Gary A. Braunbeck (In Silent Graves (Cedar Hill #1))
“
Yet, love, mere love, is beautiful indeed
And worthy of acceptation. Fire is bright,
Let temple burn, or flax; an equal light
Leaps in the flame from cedar-plank or weed:
And love is fire. And when I say at need
I love thee ... mark! ... I love thee -- in thy sight
I stand transfigured, glorified aright,
With conscience of the new rays that proceed
Out of my face toward thine. There's nothing low
In love, when love the lowest: meanest creatures
Who love God, God accepts while loving so.
And what I feel, across the inferior features
Of what I am, doth flash itself, and show
How that great work of Love enhances Nature's.
”
”
Elizabeth Barrett Browning (Sonnets from the Portuguese)
“
Now, Watson,' said Holmes, (...) 'you'll come with me, won't you?'
'If I can be of use.'
'Oh, a trusty comrade is always of use. And a chronicler still more so. My room at The Cedars is a double-bedded one.'
(...)
'You have a grand gift of silence, Watson,' said he. 'It makes you quite invaluable as a companion. Pon my word, it is a great thing for me to have someone to talk to, for my own thoughts are not over-pleasant.
”
”
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
“
She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars.
Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky.
”
”
Mervyn Peake (Titus Groan (Gormenghast, #1))
“
It is easy enough to call men
from the edges of the earth.
It is easy enough to summon them to my feet
with a thought–
it is beautiful to see the tall panther
and the sleek deer-hounds
circle in the dark.
It is easy enough
to make cedar and white ash fumes
into palaces
and to cover the sea-caves
with ivory and onyx.
But I would give up
rock-fringes of coral
and the inmost chamber
of my island palace
and my own gifts
and the whole region
of my power and magic
for your glance.
”
”
H.D.
“
I breathe in the soft, saturated exhalations of cedar trees and salmonberry bushes, fireweed and wood fern, marsh hawks and meadow voles, marten and harbor seal and blacktail deer. I breathe in the same particles of air that made songs in the throats of hermit thrushes and gave voices to humpback whales, the same particles of air that lifted the wings of bald eagles and buzzed in the flight of hummingbirds, the same particles of air that rushed over the sea in storms, whirled in high mountain snows, whistled across the poles, and whispered through lush equatorial gardens…air that has passed continually through life on earth. I breathe it in, pass it on, share it in equal measure with billions of other living things, endlessly, infinitely.
”
”
Richard Nelson (Island Within)
“
Thirteen Ways of Looking at a Blackbird"
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
”
”
Wallace Stevens
“
I'm an American,' Kabuo cut in. 'Just like anybody. Am I calling you a Nazi, you big Nazi bastard? I killed men who looked just like you - pig-fed German bastards. I've got their blood on my soul, Carl, and it doesn't wash off very easily. So don't you talk to me about Japs, you big Nazi son of a bitch.
”
”
David Guterson (Snow Falling on Cedars)
“
I'd rather know I can trust you. So before you read what's in that thing, tell me a story that squares with its details and exonerate yourself in my eyes. Tell me the story you should have told the sheriff right off the bat, when it wasn't too late, when the truth might still have given you your freedom. When the truth might have done you some good.
”
”
David Guterson (Snow Falling on Cedars)
“
Mitch, who was six foot four and, at two hundred and twenty pounds, quite an imposing figure, strode out wearing nothing but his fire boots. Well, and a few soapsuds. He ambled over to the big bay windows, grabbed a squeegee, and went to work scrubbing the glass, his twig and berries swinging in the wind. The entire crew doubled over, dying of laughter. Everyone, that is, except for the captain, who was looking apoplectic. “What the hell are you doing?” he bellowed. “Cleaning like you ordered. Sir,” Mitch added politely, scrubbing with a whole new level of vigor.
”
”
Jill Shalvis (Second Chance Summer (Cedar Ridge, #1))
“
The Silken Tent
She is as in a field a silken tent
At midday when the sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease,
And its supporting central cedar pole,
That is its pinnacle to heavenward
And signifies the sureness of the soul,
Seems to owe naught to any single cord,
But strictly held by none, is loosely bound
By countless silken ties of love and thought
To every thing on earth the compass round,
And only by one's going slightly taut
In the capriciousness of summer air
Is of the slightest bondage made aware.
”
”
Robert Frost
“
It did not occur to me that absence of human companionship does not assure solitude. It may, on the contrary, plunge one into an environment compared with which New York or London would appear deserts. For we take memory and imagination with us. The seabirds that scream overhead or waddle along the margins of the surf; the grotesque forms of twisted cedars; the rustle of sea-grass in the wind; the interminable percussion of the breakers; the dead infinity of the sand itself - there can be no solitude, in the sense of freedom from disturbances of thought, in the presence of such things. They draw us back into the maelstrom. ("Absolute Evil")
”
”
Julian Hawthorne (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
“
Songs of the Soul
On a dark night,
Inflamed by love-longing -
O exquisite risk! -
Undetected I slipped away.
My house, at last, grown still.
Secure in the darkness,
I climbed the secret ladder in disguise -
O exquisite risk! -
Concealed by the darkness.
My house, at last, grown still.
That sweet night: a secret.
Nobody saw me;
I did not see a thing.
No other light, no other guide
Than the one burning in my heart.
This light led the way
More clearly than the risen sun
To where he was waiting for me
- The one I knew so intimately -
In a place where no one could find us.
O night, that guided me!
O night, sweeter than sunrise!
O night, that joined lover with Beloved!
Lover transformed in Beloved!
Upon my blossoming breast,
Which I cultivated just for him,
He drifted into sleep,
And while I caressed him,
A cedar breeze touched the air.
Wind blew down from the tower,
Parting the locks of his hair.
With his gentle hand
He wounded my neck
And all my senses were suspended.
I lost myself. Forgot myself.
I lay my face against the Beloved's face.
Everything fell away and I left myself behind,
Abandoning my cares
Among the lilies, forgotten.
”
”
Juan de la Cruz (Dark Night of the Soul (Illustrated))
“
The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men and women will respond to the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly simple though I am, offer the miracle of my creation as testimony that this is a practical faith, as practical as the sun, the rain, a cedar tree, the good earth.
”
”
Leonard Edward Read (I, Pencil: My Family Tree As Told to Leonard E. Read)
“
Theirs was a failure of imagination, though, two overlapping but private delusions. G. H. would have pointed out that the information had always been there waiting for them, in the gradual death of Lebanon’s cedars, in the disappearance of the river dolphin, in the renaissance of cold-war hatred, in the discovery of fission, in the capsizing vessels crowded with Africans. No one could plead ignorance that was not willful. You didn’t have to scrutinize the curve to know; you didn’t even have to read the papers, because our phones reminded us many times daily precisely how bad things had got. How easy to pretend otherwise.
”
”
Rumaan Alam (Leave the World Behind)
“
Neither a land nor a people ever starts over clean. Country is compact of all its past disasters and strokes of luck–of flood and drouth, of the caprices of glaciers and sea winds, of misuse and disuse and greed and ignorance and wisdom–and though you may doze away the cedar and coax back the bluestem and mesquite grass and side-oats grama, you're not going to manhandle it into anything entirely new. It's limited by what it has been, by what's happened to it. And a people, until that time when it's uprooted and scattered and so mixed with other peoples that it has in fact perished, is much the same in this as land. It inherits.
”
”
John Graves (Goodbye to a River: A Narrative)
“
No one [Islanders] trod easily upon the emotions of another where the sea licked everywhere against an endless shoreline. And this was excellent and poor at the same time-excellent because it meant most people took care, poor because it meant an inbreeding of the spirit, too much held in, regret and silent brooding, a world whose inhabitants walked in trepidation, in fear of opening up...They could not speak freely because they were cornered: everywhere they turned there was water and more water, a limitless expanse of it in which to drown. They held their breath and walked with care, and this made them who they were inside, constricted and small, good neighbors.
”
”
David Guterson (Snow Falling on Cedars)
“
The whites, you see, are tempted by their egos and have no means to resist. We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves, alone, we are nothing at all, dust in a strong wind, while the hakujin believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life—you must see that these are distinct paths we are traveling, Hatsue, the hakujin and we Japanese.
”
”
David Guterson (Snow Falling on Cedars)
“
On-yez, where are you from, dear?' asked a black-slacked, frosted-haired woman whose skin was papery and melanomic with suntan. 'Originally.' She eyed Agnes's outfit as if it might be what in fact it was: a couple of blue things purchased in a department store in Cedar Rapids.
Where am I from?' Agnes said it softly. 'Iowa.' She had a tendency not to speak up.
Where?' the woman scowled, bewildered.
Iowa,' Agnes repeated loudly.
The woman in black touched Agnes's wrist and leaned in confidentially. She moved her mouth in a concerned and exaggerated way, like an exercise. 'No, dear,' she said. 'Here we say O-hi-o.
”
”
Lorrie Moore (Birds of America: Stories)
“
The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.
”
”
Édouard Levé (Suicide)
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
”
”
Washington Irving (The Legend of Sleepy Hollow)
“
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
”
”
Brian Doyle (Mink River)
“
Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you’ll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry—
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there’s a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods’ excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone’s road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny’s
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can’t find it,
So can’t get saved, as Saint Mark says they mustn’t.
(I stole the goblet from the children’s playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.
”
”
Robert Frost
“
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below.
The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello.
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles.
There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Secondly, it is the very nature of spiritual life to grow. Wherever they principle of this life is to be found, it can be no different for it must grow. "But the path of the just is as the shining light, that shineth more and more unto the perfect day" (Prov. 4:18); "The righteous also shall hold on his way, and he that hath clean hands shall be stronger and stronger" (Job 17:9). This refers to the children of GOd, who are compared to palm and cedar trees (Psa. 92:12). As natural as it is for children and trees to grow, so natural is growth for the regenerated children of God.
Thirdly, the growth of His children is the goal and objective God has in view by administering the means of grace to them. "And He gave some, apostles; and some, prophets; and some, evangelists; and some, pastors and teachers; for the perfecting of the saints...that we henceforth be no more children...but speaking the truth in love, may grow up into Him in all things, which is the Head" (Eph. 4:11-15). This is also to be observed in 1 Peter 2:2: "as newborn babes, desire the sincere milk of the word, that ye may grow thereby, " God will reach His goal and His word will not return to Him void; thus God's children will grow in grace.
Fourthly, is is the duty to which God's children are continually exhorted, and their activity is to consist in a striving for growth. That it is their duty is to be observed in the following passages: "But grow in grace, and in the knowledge of our Lord and Saviour Jesus Christ" (2 Peter 3:18); "He that is righteous, let him be righteous still: and he that is holy, let him be holy still" (Rev. 22:11). The nature of this activity is expressed as follows: "Not as though I had already attained, either were already perfect: but I follow after" (Phil. 3:12). If it were not necessary for believers to grow the exhortations to that end would be in vain.
Some remain feeble, having but little life and strength. this can be due to a lack of nourishment, living under a barren ministry, or being without guidance. It can also be that they naturally have a slow mind and a lazy disposition; that they have strong corruptions which draw them away; that they are without much are without much strife; that they are too busy from early morning till late evening, due to heavy labor, or to having a family with many children, and thus must struggle or are poverty-stricken. Furthermore, it can be that they either do not have the opportunity to converse with the godly; that they do not avail themselves of such opportunities; or that they are lazy as far as reading in God's Word and prayer are concerned. Such persons are generally subject to many ups and downs. At one time they lift up their heads out of all their troubles, by renewal becoming serious, and they seek God with their whole heart. It does not take long, however , and they are quickly cast down in despondency - or their lusts gain the upper hand. Thus they remain feeble and are, so to speak, continually on the verge of death. Some of them occasionally make good progress, but then grieve the Spirit of God and backslide rapidly. For some this lasts for a season, after which they are restored, but others are as those who suffer from consumption - they languish until they die. Oh what a sad condition this is! (Chapter 89. Spiritual Growth, pg. 140, 142-143)
”
”
Wilhelmus à Brakel (The Christian's Reasonable Service, Vol. 4)