“
i give myself five days to forget you.
on the first day i rust.
on the second i wilt.
on the third day i sit with friends but i think about your tongue.
i clean my room on the fourth day. i clean my body on the fourth day.
i try to replace your scent on the fourth day.
the fifth day, i adorn myself like the mouth of an inmate.
a wedding singer dressed in borrowed gold.
the midas of cheap metal.
tinsel in the middle of summer.
crevice glitter, two days after the party.
i glow the way unwanted things do,
a neon sign that reads;
come, i still taste like someone else’s mouth.
”
”
Warsan Shire
“
This year, mend a quarrel. Seek out a forgotten friend. Dismiss suspicion and replace it with trust. Write a letter. Give a soft answer. Encourage youth. Manifest your loyalty in word and deed. Keep a promise. Forgo a grudge. Forgive an enemy. Apologize. Try to understand. Examine your demands on others. Think first of someone else. Be kind. Be gentle. Laugh a little more. Express your gratitude. Welcome a stranger. Gladden the heart of a child. Take pleasure in the beauty and wonder of the earth. Speak your love and then speak it again.
”
”
Howard W. Hunter
“
I wanted it in the way you sometimes want to jump into very cold water, even though you know it won't feel good. I wanted to go numb. To see what it felt like to be someone else.
”
”
Brenna Yovanoff (The Replacement)
“
The truth you find will always be replaced by someone else’s.
”
”
Lily King (Euphoria)
“
This Christmas mend a quarrel. Seek out a forgotten friend. Dismiss suspicion and replace it with trust. Write a letter. Give a soft answer. Encourage youth. Manifest your loyalty in word and deed. Keep a promise. Forgo a grudge. Forgive an enemy. Apologize. Try to understand. Examine your demands on others. Think first of someone else. Be kind. Be gentle. Laugh a little more. Express your gratitude. Welcome a stranger. Gladden the heart of a child. Take pleasure in the beauty and wonder of the earth. Speak your love, and then speak it again.
”
”
Howard W. Hunter
“
Have you ever felt like you’re disappearing?” he asks. “Like you’re sure one day you’re going to wake up and find that the truest parts of yourself have been replaced by someone else’s plans?
”
”
Annabel Monaghan (Nora Goes Off Script)
“
Every time you love, pieces of you break off and get replaced by something you steal from someone else. It seems like it’s the right shape but it’s slightly different every time, so that eventually, very very quietly and over days and days and days, you are transformed into something unrecognizable, and it happens so slowly you don’t even notice, like shedding scales and making new ones.
”
”
Olivie Blake (Alone With You in the Ether)
“
You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy.
You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like.
If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.
Set fire to your old self. It’s not needed here. It’s too busy shopping, gossiping about others, and watching days go by and asking why you haven’t gotten as far as you’d like. This old self will die and be forgotten by all but family, and replaced by someone who makes a difference.
Your new self is not like that. Your new self is the Great Chicago Fire—overwhelming, overpowering, and destroying everything that isn’t necessary.
”
”
Julien Smith (The Flinch)
“
The heart of democracy is violence, Miss Tagwynn,” Esterbrook said. “In order to decide what to do, we take a count of everyone for and against it, and then do whatever the larger side wishes to do. We’re having a symbolic battle, its outcome decided by simple numbers. It saves us time and no end of trouble counting actual bodies—but don’t mistake it for anything but ritualized violence. And every few years, if the person we elected doesn’t do the job we wanted, we vote him out of office—we symbolically behead him and replace him with someone else. Again, without the actual pain and bloodshed, but acting out the ritual of violence nonetheless. It’s actually a very practical way of getting things done.
”
”
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
“
When I look at you, I see something broken that isn’t worth fixing. And you look at me like I’m a cheap thing to replace the expensive one that’s been stolen from you. See, we’re all vases. And you’re the one scattered on the floor, shattered beyond repair. So I’ll let someone else pick you up. It’s really that simple. Have fun with your temporary glue.
”
”
L.J. Shen (Midnight Blue)
“
You won’t remember, they say, when someone drifts away. One minute you are talking about life’s greatest adventures and listening to mixtapes on Monday afternoons, and the next their presence is replaced with silence: a fragile nonexistence with nothing else to lose. But I will always remember our drift. It took up all this space, like a planet with many moons. It was the year you forgot my birthday.
”
”
Courtney Peppernell (Pillow Thoughts)
“
If you're trying to change someone you love, you don't love them. It's the oddnesses, the most unique imperfections that you'd miss the most. That's the stuff you can't replace. Everything else is easy to come by.
”
”
Crystal Woods (Write like no one is reading)
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Catherine" she paused. I waited, tapping my finger on my desk. Then she spoke words that had me almost falling out of my chair. "I've decided to come to your wedding."
I actually glanced at my phone again to see if I'd been mistaken and it was someone else who'd called me.
"Are you drunk?" I got out when I could speak.
She signed. "I wish you wouldn't marry that vampire, but I'm tired of him coming between us."
Aliens replaced her with a pod person, I found myself thinking. That's the only explanation
”
”
Jeaniene Frost
“
Nick... I hope one day you find you a woman who loves you like my Melissa loved me. Whatever you do, boy, don't turn your back on her. If she says she needs you for something, don't matter how stupid it sounds or what deadline you got, you go to her and you do it. Screw work or whatever else. In the end, the only things that matter are the people in your life. The ones who make your life worth living and whose smiles light up your world. Don't ever push them aside for fair-weather friends. Everything else is just cheap window dressing that you can replace. But once them people are gone..." He winced. "You can't buy back time, Nick. Ever. It's the only thing in life you can't get more of, and it's the one thing that will mercilessly tear you up when it's gone. It takes pity on no soul and no heart. And all those fools who tell you it gets easier in time are lying dumb-asses.
Losing someone you really love don't never get easier. You just go a few hours longer without breaking down. That's all... that's all. - Bubba
”
”
Sherrilyn Kenyon
“
I don’t know if it was just me making things up in my head but after the fear in their eyes had gone what replaced it was like a sad kind of wondering. A wondering of where the old me was hiding. A wondering about where the old me had gone to. It was like I had suddenly been taken over by someone else and they could see the old me had fallen away for good.
”
”
Kerem Mermutlu (My Last Summer)
“
Hate can become so ingrained in you that it becomes part of your identity, your psyche. You define yourself with that hatred, so that if it leaves and there is nothing else to replace it, you lose a piece of yourself. I think when you feel anything strong enough it becomes its opposite. I think you can love someone so hard that you hate them. And I think you can hate someone so hard you grow attached. That’s why some people spend their whole lives hating someone they repeatedly invite into their lives: they don’t even know who they are without it.
”
”
Nina G. Jones (Debt)
“
I devoted myself to the house, to the children, to Pietro. Not once did I think of having Clelia back or of replacing her with someone else. Again, I took on everything, and certainly I did it to put myself in a stupor. But it happened without effort, without bitterness, as if I had suddenly discovered that this was the right way of spending one's life, and a part of me whispered: Enough of those silly notions in your head.
”
”
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
“
Someone else had already replaced the knife.
”
”
Holly Jackson (Five Survive)
“
If you don’t give guidance to your daughter, she’ll come up with answers of her own—which means your authority will be replaced by someone else’s.
”
”
Meg Meeker (Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know)
“
It's just I get this feeling -- and I can't believe I'm telling you this -- but I get this feeling that life with him will be really, really good, but that I'm not a key part of that. You could take me out of the equation, replace me with someone else, and it would be the same equation.
”
”
Scott Hutchins (A Working Theory of Love)
“
What’s the point of anyone’s search for answers? The truth you find will always be replaced by someone else’s. Someday even Darwin will look like a quaint Ptolemy who saw what he could see but no more.
”
”
Lily King (Euphoria)
“
You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch.
Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy.
You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. You personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like.
If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.
Set fire to your old self. It’s not needed here. It’s too busy shopping, gossiping about others, and watching days go by and asking why you haven’t gotten as far as you’d like. This old self will die and be forgotten by all but family, and replaced by someone who makes a difference.
Your new self is not like that. Your new self is the Great Chicago Fire—overwhelming, overpowering, and destroying everything that isn’t necessary.
”
”
Julien Smith (The Flinch)
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
There’s a nonsensical dichotomy that exists within you after you break up with someone — especially if it’s someone you loved deeply. A large part of you hopes they’ll move on, be happy, follow their dreams to the fullest.
That’s the side you show the world.
But a smaller part of you, whether you admit its existence or not, secretly and selfishly yearns for a reality in which that person would never move on. Never forget your love, or replace you with someone else; never be fully complete again, without you by their side.
That’s the side we hide away, the innermost part of ourselves that we push down below the socially-acceptable responses to heartbreak.
”
”
Julie Johnson (Say the Word)
“
I realized that's all I've ever wanted. You're all I've ever wanted, Evangeline. I'm tired of pretending that's not true. I'm tired of thinking I can replace you with someone else. Anyone else. I'm tired of not being with you.
”
”
D.L. White (A Thin Line)
“
Will it hurt?" I ask. "Getting your parts replaced?"
Freak doesn't answer for a while and then he says in his stern, smart voice, "Sure it will hurt. But so what? Pain is just a state of mind. You can think your way out of anything, even pain."
I'm pretty worried about the whole deal, and I go, "But why do you want to be the first? Can't someone else be first? Isn't it dangerous?"
Life is dangerous," Freak says.
”
”
Rodman Philbrick
“
She wanted to tell him, to teach him: every time you love, pieces of you break off and get replaced by something you steal from someone else. It seems like it’s the right shape, but it’s slightly different every time, so that eventually, very very quietly and over days and days and days, you are transformed into something unrecognizable, and it happens so slowly you don’t even notice, like shedding scales and making new ones. He smiled at her like: isn’t it great? Yes, she thought, pained. Yes, it is perilously wonderful to suffer so sweetly with you.
”
”
Olivie Blake (Alone With You in the Ether)
“
For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.
”
”
Javier Marías (Los enamoramientos)
“
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true.
...
This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it.
...
Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Tolerance has come to mean that no one is right and no one is wrong and, indeed, the very act of stating that someone else’s views are immoral or incorrect is now taken to be intolerant (of course, from this same point of view, it is all right to be intolerant of those who hold to objectively true moral or religious positions). Once the existence of knowable truth in religion and ethics is denied, authority (the right to be believed and obeyed) gives way to power (the ability to force compliance), reason gives way to rhetoric, the speech writer is replaced by the makeup man, and spirited but civil debate in the culture wars is replaced by politically correct special-interest groups who have nothing left but political coercion to enforce their views on others.
”
”
J.P. Moreland
“
Today's orthodoxy thrives on someone else doing the cooking. The single-service packet from the supermarket has replaced the sit-down home-cooked meal as the most common food choice. Easy foodism disengages people from the process and creates a level of food illiteracy unthinkable just a few short decades ago.
”
”
Joel Salatin (The Marvelous Pigness of Pigs: Respecting and Caring for All God's Creation)
“
It's one thing to be replaced by an ex. It's another to feel like your whole life has been handed over to someone else.
”
”
Emily Henry (Funny Story)
“
My Darling,
It is late at night and though the words are coming hard to me, I can’t escape the feeling that it’s time that I finally answer your question.
Of course I forgive you. I forgive you now, and I forgave you the moment I read your letter. In my heart, I had no other choice. Leaving you once was hard enough; to have done it a second time would have been impossible. I loved you too much to have let you go again. Though I’m still grieving over what might have been, I find myself thankful that you came into my life for even a short period of time. In the beginning, I’d assumed that we were somehow brought together to help you through your time of grief. Yet now, one year later, I’ve come to believe that it was the other way around.
Ironically, I am in the same position you were, the first time we met. As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on. Sometimes my grief is overwhelming, and even though I understand that we will never see each other again, there is a part of me that wants to hold on to you forever. It would be easy for me to do that because loving someone else might diminish my memories of you. Yet, this is the paradox: Even though I miss you greatly, it’s because of you that I don’t dread the future. Because you were able to fall in love with me, you have given me hope, my darling. You taught me that it’s possible to move forward in life, no matter how terrible your grief. And in your own way, you’ve made me believe that true love cannot be denied.
Right now, I don’t think I’m ready, but this is my choice. Do not blame yourself. Because of you, I am hopeful that there will come a day when my sadness is replaced by something beautiful. Because of you, I have the strength to go on.
I don’t know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. You are not gone forever, no matter who comes into my life. you are standing with God, alongside my soul, helping to guide me toward a future that I cannot predict.
This is not a good-bye, my darling, this is a thank-you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
I love you
”
”
Nicholas Sparks (Message in a Bottle)
“
Sad truth is. . . we all end up alone on some death bed. Yeah? No way to take anybody else's place and no way we can be lying on the same one.”
I was at the edge of the white-wed cloth. My shoes filled with concrete, as did my head, looking at the empty shell of what was once a woman full of wonder.
“Any way to make someone feel not so alone?” she asked.
“The only thing anyone can ever do is help someone feel a little less lonely before they get there.”
“How does someone do that?”
“Memories. Help create memories. Better ones. Ones to replace the old.
”
”
S.D. Lawendowski (Snapped)
“
If there wasn't unwinding, there'd be fewer surgeons, and more doctors. If there wasn't unwinding, they'd go back to trying to cure diseases instead of just replacing stuff with someone else's.
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
Arm yourself with specific knowledge, accountability, and leverage. ↓ Specific knowledge is knowledge you cannot be trained for. If society can train you, it can train someone else and replace you.
”
”
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
“
take ownership and stewardship over all of your decisions, actions, and outcomes, starting right now. Replace unnecessary blame with unwavering responsibility. Even if someone else drops that ball, ask yourself what you could have done—and, more importantly, what you can do in the future—to prevent that ball from being dropped again. While you can’t change what’s in the past, the good news is that you can change everything else.
”
”
Hal Elrod (Miracle Morning Millionaires: What the Wealthy Do Before 8AM That Will Make You Rich (The Miracle Morning Book 11))
“
He once told me not to cry over him, that he wasn’t worth it. That he wasn’t worth being cared about by anyone else. That he was replaceable. Discardable. Trash.
That’s what the world decided he was, but the world never knew Sawyer Alston quite like I did. Despite my love of a lifetime allotting me only ten months’ time, despite Sawyer taking to heart all the wrong things in life, he only ended up being wrong about one thing.
He was worth it to me.
”
”
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
“
Yes. She said she loved me, and I refused to say it back. I wasn’t a man at the time. I was scared of feeling anything, scared of losing someone else I cared about. It was easier just to live an empty life. But when she left…I never felt more alone. Just don’t make the same mistake I did. If you’ve found the woman you love, don’t drag your feet. Be the man that she deserves. Because before you know it…” He snapped his fingers. “Someone else can replace you.
”
”
Penelope Sky (Beauty in Lingerie (Lingerie #2))
“
No one should have to pass someone else’s ideological purity test to be allowed to speak. University life—along with civic life—dies without the free exchange of ideas. In the face of intimidation, educators must speak up, not shut down. Ours is a position of unique responsibility: We teach people not what to think, but how to think. Realizing and accepting this has made me—an eminently replaceable, untenured, gay, mixed-race woman with PTSD—realize that no matter the precariousness of my situation, I have a responsibility to model the appreciation of difference and care of thought I try to foster in my students. If I, like so many colleagues nationwide, am afraid to say what I think, am I not complicit in the problem?83
”
”
Jonathan Haidt (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure)
“
Underneath the helmet was something neon orange [...], a windbreaker that was almost brighter than the stadium paint.
[...] "Dan commissioned them her first year here. She said she was tired of everyone trying to look past us. People want to pretend people like us don't exist, you know? Everyone hopes we're someone else's problem to solve." Nicky reached out and fingered the material. "They don't understand, so they don't know where to start. They feel overwhelmed and give up before they've taken the first step."
Nicky gave himself a small shake and smiled, melancholy instantly replaced by cheer. "You know we donate a portion of ticket sales to charity? Our tickets cost a little more than anyone else's because of it. [...]
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
How beautiful it is to replace the world inside us with someone else’s reality. The way we allow someone to look into our deepest fears and desires, our treasured secrets, our worst nightmares and our most beautiful dreams, without any hesitations. The way we give away everything that could destroy us completely to our last bit, and tear us off into uncountable pieces. And yet we sit there, expecting them to carve the most beautiful memories of our life that we could carry to our graves.
”
”
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
“
One foot, then the other. Don’t look at all five feet at once. Just take a step. And when you’ve taken that step, take one more. Eventually you’ll make it to the shower. And you’ll make it to tomorrow and next year too. One step. They may not be able to imagine their depression lifting anytime soon, but they don’t need to. Doing something prompts you to do something else, replacing a vicious cycle with a virtuous one. Most big transformations come about from the hundreds of tiny, almost imperceptible, steps we take along the way.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Violet,' Xaden groans against my mouth. The plea in his tone floods my veins with a whole different form of power. Knowing he's just as affected by our attraction as I am is a rush. 'This isn't what you want.'
'It's exactly what I want,' I counter. I want to replace the anger with lust, the death of the day with the pulse-pounding assurance of my own life, and I know he's capable of delivering all that and more. 'You said to do whatever I need.' I arch my back, pressing the tips of my breasts against his chest.
His breathing changes, and there's a war in his eyes that I'm determined to win.
It's time to stop dancing around this unbearable tension and break it.
He leans down, his mouth only inches from mine. 'And I'm telling you that I'm the last thing you need.' The barely leashed growl of his voice rumbles up through his chest, and every nerve ending in my body flares to life.
'Are you suggesting someone else?' My heart races as I chance calling his bluff.
'Fuck no.' The unmistakable flare of jealousy narrows his eyes for a heartbeat before his hips pin mine to the door, and my instant relief at his answer is replaced by a jolt of pure lust. I can see that infamous control of his hovering on the edge, balancing precariously on the point of a knife. All he needs is one. Little. Push. And I'm about to shamelessly shove.
'Good.' I tilt my head up to his and draw his bottom lip between mine, sucking before gently nipping him with my teeth. 'Because I only want you, Xaden.'
The words breach something within him, and he gives.
Finally.
One mouths collide, and the kiss is hot and hard and completely out of our control.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
But life is about who you love and who you hurt. It’s about how you feel about yourself. It’s about trust, happiness and compassion. It’s about sticking up for your friends and replacing inner hate with love. Life is about avoiding jealousy, overcoming ignorance and building confidence. It’s about what you say and what you mean. It’s about seeing people for who they are and not what they have. Most of all, it is about choosing to use your life to touch someone else’s in a way that could never have been achieved otherwise. These choices are what life’s about.
”
”
Jack Canfield (Chicken Soup for the Teenage Soul: Stories of Life, Love and Learning)
“
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out."
You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft.
I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it."
That so?"
Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact."
They'll remember this," Gerry said. "Believe me."
Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke.
I depressed the trigger on the one-shot and nothing happened.
Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times.
And Gerry's hand exploded.
And so did mine.
The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair.
Gerry threw his head back and opened his mouth wide and bellowed in ecstasy.
I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working.
I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand.
My broken finger came back out of the shotgun and Gerry swung the barrels toward my head.
The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck.
Good-bye, I thought. Everyone. It's been nice.
Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back.
The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell.
He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil.
Patrick, the eye said through the gathering smoke, you still know nothing.
Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh.
Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire.
Burn, I thought. Burn. God help me, but burn.
Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed.
I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar.
His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment.
How you doing, Patrick?" he said and smiled broadly.
And, behind him, Gerry burned on the ice.
And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
”
”
Dennis Lehane
“
The reason we don't reach our goals is three-fold: We're going after something we don't really want. That's why sometimes, we have to perform Goal Replacement Surgery. Three kinds of goals require Goal Replacement Surgery: 1. Impossible goals. 2. Someone else's goals. 3. Goals you don't really want anymore.
”
”
Noah St. John (The Secret Code of Success: 7 Hidden Steps to More Wealth and Happiness)
“
She dances through the night air. With each step, lightning flashes from her eyes like diamonds, and thunder rages like a heart beating in love. Her feet move with an agility and grace that can never be replicated. All things good and beautiful want to feel the warmth of her aura.
She's beautiful and I sit back and watch her dance. She's a light I can't touch. Her brilliance blinds my eyes, but I still can't look away.
She's a song that I can't remember. The melody slips past my ears before I can memorize the progressions. She's the ending of a book I lost before reaching the final pages. She's everything good that can never be replaced, and I don't think I can stand the feeling that makes me want to love her more and more with each passing moment.
She is a goddess.
She can't cure me.
I dream of her but my dreams are dark and she's always one step out of reach. I want to find her but there are too many trees and I get lost easily. I'm left standing out in the rain, water pooling in my sneakers, as she dances away in a sunlight that shines only over her beautiful hair and face.
She is not and can never be mine.
My darkness can't ever break through her charms. I must be strong and keep away. I don't want to make her wilt.
She is a song written for someone else.
”
”
Jeyn Roberts (Rage Within (Dark Inside, #2))
“
Honey, I'd never take an unwound part for myself. But when they told me the only way to save my boy's life was to basically gut him and replace all his internal organs with someone else's, I didn't even hesitate.
So my conscience will ache for the rest of my life, but that's a small price to pay for having my son still on this earth.
”
”
Neal Shusterman (UnSouled (Unwind, #3))
“
Because he loved Sadie. It was one of only a handful of things that he knew to be a constant about himself. The greatest pleasures of his life had been when he was by her side, playing or inventing. And how could she not feel that as well? There would never be another Sadie, and now this one was lost to him. It wasn’t her fault. He had had years to figure out the solution, but he’d wasted his time making games with her instead. He had had years to contemplate the puzzle of himself. And now the old puzzle would be replaced with a new puzzle: How do I go on when the person I love most in the world is in love with someone else? Someone tell me the solution, he thought, so I don’t have to play this losing game all the way through.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
We don’t feel fully known, understood, or valued by others or even ourselves—that’s why we labor to prove ourselves, get people to notice us, make a name for ourselves, or try to be someone else. Imagine how in Heaven, all this gets replaced with an unbelievable clarity of who God created you to be—fully yourself, fully unique, for a unique relationship with your Creator.
”
”
John Burke (Imagine Heaven: Near-Death Experiences, God's Promises, and the Exhilarating Future That Awaits You)
“
She said no one had more than one perspective, not even in his so-called hard sciences. We’re always, in everything we do in this world, she said, limited by subjectivity. But our perspective can have an enormous wingspan, if we give it the freedom to unfurl. Look at Malinowski, she said. Look at Boas. They defined their cultures as they saw them, as they understood the natives’ point of view. The key is, she said, to disengage yourself from all your ideas about what is “natural.” ‘Even if I manage that, the next person who comes here will tell a different story about the Kiona.’ ‘No doubt.’ ‘Then what is the point?’ I said. ‘This is no different from the laboratory. What’s the point of anyone’s search for answers? The truth you find will always be replaced by someone else’s. Someday even Darwin will look like a quaint Ptolemy who saw what he could see but no more.
”
”
Lily King (Euphoria)
“
Maybe it was Highlander Syndrome—I’ve read about that before, the way members of marginalized groups feel threatened if someone else like them starts finding success. I’ve experienced that, too—every time I see a publishing announcement about a young girl hitting it big with her debut, I want to claw my eyes out. Maybe she was terrified someone was going to replace or surpass her. But I’m going to be better than Athena. I am a woman who helps other women.
”
”
R.F. Kuang (Yellowface)
“
When a group of people are forced to navigate a minefield together, everyone feels a grudging sense of comfort when someone else gets blown up. Though there may be other unseen landmines left in the ground, each death creates a safe spot. A landmine cannot explode twice in the same place. Sure, the explosion robs the survivors of a comrade. Still, each death makes everyone’s next step marginally safer. So everyone keeps walking with grief on their faces, and relief in their hearts. Their own deaths are further postponed by the end of another life.
”
”
Taona Dumisani Chiveneko (The Hangman's Replacement: Sprout of Disruption)
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know i have experienced pain in many different forms, and I'm sure you have too. In most cases, though, im sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering , we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami
“
Too right things could be better, that’s my whole point. My going to work for the badge will not change that, will it?” Joanna said, “And Pride? There is absolutely no pride in being used and cast aside every twelve-weeks for someone equally replaceable. Do you see pride on the faces of people on Workplace? I don’t. I see worry, I see weariness, I see downcast men and women, shuffling to and from work, ridiculed at the shops when their badge has ran out, shouted down in the streets with insults like ‘badger’ and ‘scum’ for simply doing all they can to survive. Pride, I don’t see that, and you know what else I never see? Any fucking hope.
”
”
Paul Howsley (The Year of the Badgers)
“
What a fool he was, how short-sighted, how little-lived he’d been not to feel her fear as she felt it. For her it was an informed terror, re-entering a haunted house, replaying an old and frequent death. She kissed him; Sorry about your stupidity. She wanted to tell him, to teach him: Every time you love, pieces of you break off and get replaced by something you steal from someone else. It seems like it’s the right shape but it’s slightly different every time, so that eventually, very very quietly and over days and days and days, you are transformed into something unrecognizable, and it happens so slowly you don’t even notice, like shedding scales and making new ones.
”
”
Olivie Blake (Alone With You in the Ether)
“
The heart of democracy is violence, Miss Tagwynn,” Esterbrook said. “In order to decide what to do, we take a count of everyone for and against it, and then do whatever the larger side wishes to do. We’re having a symbolic battle, its outcome decided by simple numbers. It saves us time and no end of trouble counting actual bodies—but don’t mistake it for anything but ritualized violence. And every few years, if the person we elected doesn’t do the job we wanted, we vote him out of office—we symbolically behead him and replace him with someone else. Again, without the actual pain and bloodshed, but acting out the ritual of violence nonetheless. It’s actually a very practical way of getting things done.” Bridget
”
”
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
“
No one should have to pass someone else's ideological purity test to be allowed to speak. University life- along with civic life- dies without the free exchange of ideas. In the face of intimidation, educators must speak up, no shut down. Ours is a position of unique responsibility: We teach people not what to think, but how to think. Realizing and accepting this has made me- an eminently replaceable, untenured, gay, mixed-race woman with PTSD- realize that no matter the precariousness of my situation, I have a responsibility to model the appreciation of difference and care of thought I try to foster in my students. If I, like so many colleagues nationwide, am afraid to say what I think, am I not complicit in the problem? [Lucia Martinez Valdivia]
”
”
Greg Lukianoff & Jonathan Haidt (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure)
“
Then there is the butterfly-or is it a moth? Humbert's inability to differentiate between the two,his indifference, implies a moral carelessness. This blind indifference echoes his callous attitude towards Lolita's nightly sobs. Those who tell us Lolita is a little vixen who deserved what she got should remember her nightly sobs in the arms of her rapist and jailer, because you see, as Humbert reminds us with a mixture of relish and pathos,
"she had absolutely nowhere else to go."
This came to mind when we were discussing in our class Humbert's confiscation of Lolita's life.
The first thing that struck us in reading Lolita-in fact it was on the very first page-was how Lolita
was given to us as Humbert's creature. We only see her in passing glimpses. "What I had madly
possessed," he informs us, "was not she, but my own creation, another fanciful Lolita-perhaps,
more real than Lolita . . . having no will, no consciousness-indeed no real life of her own."
Humbert pins Lolita by first naming her, a name that becomes the echo of his desires.
To reinvent her, Humbert must take from Lolita her own real history and replace it with his own,
turning Lolita into a reincarnation of his lost, unfulfilled young love.
Humbert's solipsization of Lolita.
Yet she does have a past. Despite Humbert's attempts to orphan Lolita by robbing her of her
history. Lolita has a tragic past, with a dead father and a dead two-year-old brother. And now also a dead mother. Like my students, Lolita's past comes to her not so much as a loss but as a lack, and like my students, she becomes a figment in someone else's dream.
When I think of Lolita, I think of that half-alive butterfly pinned to the wall. The butterfly is not
an obvious symbol, but it does suggest that Humbert fixes Lolita in the same manner that the
butterfly is fixed; he wants her, a living breathing human being, to become stationary, to give up
her life for the still life he offers her in return. Lolita's image is forever associated in the minds of her readers with that of her jailer. Lolita on her own has no meaning; she can only come to life
through her prison bars.
This is how I read Lolita. Again and again as we discussed Lolita in that class. And more and more I thought of that butterfly; what linked us so closely was this perverse intimacy of victim
and jailer.
”
”
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
“
Right now it’s all about one foot, then the other.
That’s one thing I tell patients who are in the midst of crippling depression, the kind that makes them think, There’s the bathroom. It’s about five feet away. I see it, but I can’t get there. One foot, then the other. Don’t look at all five feet at once. Just take a step. And when you’ve taken that step, take one more. Eventually you’ll make it to the shower. And you’ll make it to tomorrow and next year too. One step. They may not be able to imagine their depression lifting anytime soon, but they don’t need to. Doing something prompts you to do something else, replacing a vicious cycle with a virtuous one. Most big transformations come about from the hundreds of tiny, almost imperceptible, steps we take along the way.
A lot can happen in the space of a step
”
”
Lori Gottlieb (Maybe You Should Talk to Someone)
“
Being a hangman requires you to take someone else’s life based on someone else’s judgment, and carry it out on someone else’s schedule. The job does not provide the same satisfaction that an ordinary murderer gets from smashing a skull. It robs them of the fulfillment of plunging a knife into someone’s throat. In the world of capital punishment, the prisoner’s crimes have been sanitized by years of sitting on death row. By then, the execution is a cold and impersonal affair. There is prayer, a noose, and a few last words. The prisoner then experiences a sudden rush of blood to the head. At the end of it all, you have a broken neck and a dead body swinging from the end of a rope. That is it. You don’t get to manhandle them with your own hands. That’s why the brutes you mention will never be hired. So you see, Vaida, this is not a job for a murderer. It is a job for a humanitarian.
”
”
Taona Dumisani Chiveneko (The Hangman's Replacement: Sprout of Disruption)
“
I spread my arms to encircle her till my elbows were firmly against the back of her rib cage. I wanted to fuse myself with her. I wanted to bite into her like an apple and then eat her, digest her, absorb her into my bloodstream, my hemoglobin, my ESR. “What are you thinking?” she asked. “I don’t know what to do. It’s a problem. I can’t have you.” “But I am yours,” she said simply. “I know, I know, but, I mean, I want to possess you like an apple,” I said. “An apple?” she burst out laughing. I didn’t know how to explain what I meant. I didn’t appreciate that someone who belonged to me could just laugh at what I had said. It was not permissible. It was against the rules. I rolled over forcefully so that she was on her back and I was on top. Then I bit her cheek as if I were biting an apple. It held none of the satisfaction I had imagined. I needed to bite her and swallow. I bit her round shoulders as if they were apples, then her stomach and her knees, her toes and her back, the round lobes of her bottom. I bit them harder than everything else because they were the roundest and most applelike. But she squealed, so I stopped. I noticed that my biting had caused her to start breathing heavily, so I replaced my teeth with my lips. I gathered different parts of her flesh between my lips and kissed her all over, in the opposite order in which I had bitten. In her breathless moans and her cries of pleasure I owned her more than I owned myself and was immersed in her more than I had ever been immersed in my own self. Me, I had not yet discovered. I was an unknown quantity, a constantly unraveling mystery. But India was absolutely and completely known both carnally and otherwise. I rolled off of her with the sweet exhaustion of a man who has just hunted his dinner animal.
”
”
Abha Dawesar (Babyji: Stonewall Book Award Winner)
“
I am bought, she thinks. I am paid for. I am bought.
When she first arrived at the Environment Ministry as Akkarat's mole, it was a surprise to discover that the little privileges of the Environment Ministry were always enough. The weekly take from street stalls to burn something other than expensive approved-source methane. The pleasure of a night patrol spent sleeping well. It was an easy existence. Even under Jaidee, it was easy. And now by ill-luck she must work, and the work is important, and she has had two masters for so long that she cannot remember which one should be ascendant.
Someone else should have replaced you, Jaidee. Someone worthy. The Kingdom falls because we are not strong. We are not virtuous, we do not follow the eightfold path and now the sicknesses come again.
And she is the one who must stand against them, like Phra Seub—but without the strength or moral compass.
”
”
Paolo Bacigalupi (The Windup Girl)
“
We’re a civilized society, are we not?” Esterbrook blinked. “Since when, miss? We’re a democracy.” “Just what I mean. We have dispensed with violence as a means of governing ourselves, have we not?” “The heart of democracy is violence, Miss Tagwynn,” Esterbrook said. “In order to decide what to do, we take a count of everyone for and against it, and then do whatever the larger side wishes to do. We’re having a symbolic battle, its outcome decided by simple numbers. It saves us time and no end of trouble counting actual bodies—but don’t mistake it for anything but ritualized violence. And every few years, if the person we elected doesn’t do the job we wanted, we vote him out of office—we symbolically behead him and replace him with someone else. Again, without the actual pain and bloodshed, but acting out the ritual of violence nonetheless. It’s actually a very practical way of getting things done.
”
”
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
“
From Sister by ROSAMUND LUPTON
The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born.
Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you.
Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand.
And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there.
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now.
I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that.
Mum was silent as they put earth over your coffin.
An explosion in space makes no sound at all.
”
”
Rosamund Lupton
“
Life isn't about keeping score. It's not about how many people call you and it's not about who you've dated, are dating or haven't dated at all. It isn't about who you've kissed, what sport you play, or which guy or girl likes you. It's not about your shoes or your hair or the color of your skin or where you live or go to school. In fact, it's not about grades, money, clothes, or colleges that accept you or not. Life isn't about if you have lots of friends, or if you are alone, and it's not about how accepted or unaccepted you are. Life just isn't about that.
But life is about who you love and who you hurt. It's about how you feel about yourself. It's about trust, happiness, and compassion. It's about sticking up for your friends and replacing inner hate with love. Life is about avoiding jealousy, overcoming ignorance and building confidence. It's about what you say and what you mean. It's about seeing people for who they are and not what they have. Most of all, it is about choosing to use your life to touch someone's else's in a way that could never have been achieved otherwise. These choices are what life's about.
”
”
Anonymous
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
Replace Negative Character Labels
Negative character labels are an even more serious problem than fixed mindsets. Examples of negative character labels include “I’m selfish,” “I’m needy,” “I’m unlovable,” “I’m weak,” “I’m defective,” “I’m incompetent,” and “I’m worthless.” Such an uplifting list! Those negative beliefs sound quite dramatic when written down on the page, and sometimes people don’t realize that they hold those beliefs about themselves. If your immediate reaction is to say, “Oh, I don’t think any of those things about myself” or “Only someone who was super depressed would think those things,” then take an extra second to make sure you’re not even partially buying into these types of thoughts about yourself. It might be that you believe a negative character label only 20% of the time, but even that can still be an issue.
There are two types of negative character labels. Both can be changed. One type is very stable. For example, you believe you are incompetent, and you have never believed anything else, not even when you are in a positive mood. The other type is the type that goes up and down with your mood, anxiety, and stress. When your mood is low, you believe the negative character label much more strongly than when your mood is positive. If your negative character label changes due to transient things like your mood, anxiety, or stress, this can help you start to see that the belief is a product of these things rather than true.
”
”
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
“
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?”
Elizabeth shook her head.
“He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.”
Fury sent bright flags of color to her pale cheeks.
“You’re blushing, my dear,” Ian said in an awful voice.
“I am furious!” she countered, momentarily forgetting that she was confronting a madman.
His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.”
“Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room.
Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite.
Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone.
“What is it?” she asked suspiciously.
“It’s brandy. It will help you sleep.”
He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Do me a favor,” he said to her, “and stay close to me at all times. If I tell you to get down or to run like hell, you do it. No questions, you just do it, you got that?”
A small furrow creased her perfect brow. “I thought I was safe in this town.”
“You are.” George shot Harry a what-are-you-doing look behind Alessandra’s back.
Harry ignored him. “Humor me,” he told her. “Please? I know you don’t believe this, but Trotta’s a son of a bitch, and he’s known for his persistence.”
George opened the door. “Harry just wants an excuse to put his arm around you.”
Alessandra glanced quickly at Harry, surprise lighting her eyes. Surprise and something else. Something as hot and electric as lightning. It brought her to life so completely and made her exquisitely beautiful despite the heavy makeup.
But as instantly as it appeared, it was gone. Quaffed and shoved back inside. Somewhere down the line she’d learned to hide any excitement, any life, any passion. Someone hadn’t wanted her to be anything more than a pretty bauble. A decorative but unobtrusive piece of art.
George closed the door. “If you want, I’ll turn around and you two can kiss.”
Harry eviscerated George with his eyes. “George imagines there’s some kind of weird attraction thing between us, Al. But George is wrong. George is dead wrong.” He muttered under his breath, “In fact, George is dead.” He looked at Alessandra. “I’m sorry if he offended you.”
“He didn’t. I’m aware that you’re not . . . that we’re not . . . I’m aware.”
“Still, that was completely inappropriate.” Harry looked at George again, who was totally amused. “Stupendously, asshole-ishly inappropriate.”
“I think we’re all a little punchy.” The ice princess had been replaced by someone softer, someone less certain. Someone he had far more trouble resisting. Someone he did want to kiss.
And George knew it, too. The son of a bitch was grinning at him, damn him.
”
”
Suzanne Brockmann (Bodyguard)
“
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few.
“Kestrel, do you hear me? You can’t toy with him.”
“He started it.”
“That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.”
“Maybe that’s not as easy for me as it is for you.”
He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?”
They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.”
He flinched as if slapped. His voice came low: “You can make people feel so small.”
Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled.
He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as a kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
I have come to believe that our culture’s popular understanding of these difficult doctrines is often a caricature of what the Bible actually teaches and what mature Christian theology has historically proclaimed. To Laugh At, To Live By What do I mean by a caricature? A caricature is a cartoonlike drawing of a real person, place, or thing. You’ve probably seen them at street fairs, drawings of popular figures like President Obama, Marilyn Monroe, or your aunt Cindy. Caricatures exaggerate some features, distort some features, and oversimplify some features. The result is a humorous cartoon. In one sense, a caricature bears a striking resemblance to the real thing. That picture really does look like President Obama, Marilyn Monroe, or your aunt Cindy. Features unique to the real person are included and even emphasized, so you can tell it’s a cartoon of that person and not someone else. But in another sense, the caricature looks nothing like the real thing. Salient features have been distorted, oversimplified, or blown way out of proportion. President Obama’s ears are way too big. Aunt Cindy’s grin is way too wide. And Marilyn Monroe . . . well, you get the picture. A caricature would never pass for a photograph. If you were to take your driver’s license, remove the photo, and replace it with a caricature, the police officer pulling you over would either laugh . . . or arrest you. Placed next to a photograph, a caricature looks like a humorous, or even hideous, distortion of the real thing. Similarly, our popular caricatures of these tough doctrines do include features of the original. One doesn’t have to look too far in the biblical story to find that hell has flames, holy war has fighting, and judgment brings us face-to-face with God. But in the caricatures, these features are severely exaggerated, distorted, and oversimplified, resulting in a not-so-humorous cartoon that looks nothing like the original. All we have to do is start asking questions: Where do the flames come from, and what are they doing? Who is doing the fighting, and how are they winning? Why does God judge the world, and what basis does he use for judgment? Questions like these help us quickly realize that our popular caricatures of tough biblical doctrines are like cartoons: good for us to laugh at, but not to live by. But the caricature does help us with something important: it draws our attention to parts of God’s story where our understanding is off. If the caricature makes God look like a sadistic torturer, a coldhearted judge, or a greedy génocidaire, it probably means there are details we need to take a closer look at. The caricatures can alert us to parts of the picture where our vision is distorted.
”
”
Joshua Ryan Butler (The Skeletons in God's Closet: The Mercy of Hell, the Surprise of Judgment, the Hope of Holy War)
“
Given that at all times, so long as there have been human beings, there have also been herds of human beings (racial groups, communities, tribes, peoples, states, churches) and always a great many followers in relation to the small number of those issuing orders―and taking into consideration also that so far nothing has been better and longer practised and cultivated among human beings than obedience, we can reasonably assume that typically now the need for obedience is inborn in each individual, as a sort of formal conscience which states "You are to do something or other without conditions, and leave aside something else without conditions," in short, "Thou shalt." This need seeks to satisfy itself and to fill its form with some content. Depending on its strength, impatience, and tension, it seizes on something, without being very particular, like a coarse appetite, and accepts what someone or other issuing commands―parents, teachers, laws, class biases, public opinion―shouts in people's ears. The curiously limitation of human development―the way it hesitates, takes so long, often regresses, and turns around on itself―is based on the fact that the herd instinct of obedience is passed on best and at the expense of the art of commanding. If we imagine this instinct at some point striding right to its ultimate excess, then there would finally be a total lack of commanders and independent people, or they would suffer inside from a bad conscience and find it necessary first to prepare a deception for themselves in order to be able to command, as if they, too, were only obeying orders. This condition is what, in fact, exists nowadays in Europe: I call it the moral hypocrisy of those in command. They don't know how to protect themselves from their bad conscience except by behaving as if they were carrying out older or higher orders (from ancestors, the constitution, rights, law, or even God), or they even borrow herd maxims from the herd way of thinking, for example, as "the first servant of their people" or as "tools of the common good." On the other hand, the herd man in Europe today makes himself appear as if he is the single kind of human being allowed, and he glorifies those characteristics of his thanks to which he is tame, good natured, and useful to the herd, as the really human virtues, that is, public spiritedness, wishing everyone well, consideration, diligence, moderation, modesty, forbearance, and pity. For those cases, however, where people believe they cannot do without a leader and bell wether, they make attempt after attempt to replace the commander by adding together collections of clever herd people All the representative constitutional assemblies, for example, have this origin. But for all that, what a blissful relief, what a release from a pressure which is growing unbearable is the appearance of an absolute commander for these European herd animals. The effect which the appearance of Napoleon made was the most recent major evidence for that:―the history of the effect of Napoleon is almost the history of the higher happiness which this entire century derived from its most valuable men and moments.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
Given that at all times, so long as there have been human beings, there have also been herds of human beings (racial groups, communities, tribes, peoples, states, churches) and always a great many followers in relation to the small number of those issuing orders - and taking into consideration also that so far nothing has been better and longer practised and cultivated among human beings than obedience, we can reasonably assume that typically now the need for obedience is inborn in each individual, as a sort of formal conscience which states "You are to do something or other without conditions, and leave aside something else without conditions," in short, "Thou shalt." This need seeks to satisfy itself and to fill its form with some content. Depending on its strength, impatience, and tension, it seizes on something, without being very particular, like a coarse appetite, and accepts what someone or other issuing commands - parents, teachers, laws, class biases, public opinion - shouts in people's ears. The curiously limitation of human development - the way it hesitates, takes so long, often regresses, and turns around on itself - is based on the fact that the herd instinct of obedience is passed on best and at the expense of the art of commanding. If we imagine this instinct at some point striding right to its ultimate excess, then there would finally be a total lack of commanders and independent people, or they would suffer inside from a bad conscience and find it necessary first to prepare a deception for themselves in order to be able to command, as if they, too, were only obeying orders. This condition is what, in fact, exists nowadays in Europe: I call it the moral hypocrisy of those in command. They don't know how to protect themselves from their bad conscience except by behaving as if they were carrying out older or higher orders (from ancestors, the constitution, rights, law, or even God), or they even borrow herd maxims from the herd way of thinking, for example, as "the first servant of their people" or as "tools of the common good." On the other hand, the herd man in Europe today makes himself appear as if he is the single kind of human being allowed, and he glorifies those characteristics of his thanks to which he is tame, good natured, and useful to the herd, as the really human virtues, that is, public spiritedness, wishing everyone well, consideration, diligence, moderation, modesty, forbearance, and pity. For those cases, however, where people believe they cannot do without a leader and bell wether, they make attempt after attempt to replace the commander by adding together collections of clever herd people All the representative constitutional assemblies, for example, have this origin. But for all that, what a blissful relief, what a release from a pressure which is growing unbearable is the appearance of an absolute commander for these European herd animals. The effect which the appearance of Napoleon made was the most recent major evidence for that: - the history of the effect of Napoleon is almost the history of the higher happiness which this entire century derived from its most valuable men and moments.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
The second aspect of the moral appeal of the inner-child movement is consolation. Life is full of setbacks. People we love reject us. We don't get the jobs we want. We get bad grades. Our children don't need us anymore. We drink too much. We have no money. We are mediocre. We lose. We get sick. When we fail, we look for consolation, one form of which is to see the setback as something other than failure-to interpret it in a way that does not hurt as much as failure hurts. Being a victim, blaming someone else, or even blaming the system is a powerful and increasingly widespread form of consolation. It softens many of life's blows.
Such shifts of blame have a glorious past. Alcoholics Anonymous made the lives of millions of alcoholics more bearable by giving them the dignity of a “disease” to replace the ignominy of “failure,” “immorality,” or “evil.” Even more important was the civil rights movement. From the Civil War to the early 1950s, black people in America did badly-by every statistic. How did this get explained? “Stupid,” “lazy,” and “immoral” were the words shouted by demagogues or whispered by the white gentry. Nineteen fifty-four marks the year when these explanations began to lose their power. In Brown v. Board of Education, the Supreme Court held that racial segregation in schools was illegal. People began to explain black failure as “inadequate education,” “discrimination,” and “unequal opportunity.”
These new explanations are literally uplifting. In technical terms, the old explanations—stupidity and laziness—are personal, permanent, and pervasive. They lower self-esteem; they produce passivity, helplessness, and hopelessness. If you were black and you believed them, they were self-fulfilling. The new explanations—discrimination, bad schools, lean opportunities are impersonal, changeable, and less pervasive. They don't deflate self-esteem (in fact, they produce anger instead). They lead to action to change things. They give hope.
The recovery movement enlarges on these precedents. Recovery gives you a whole series of new and more consoling explanations for setbacks. Personal troubles, you're told, do not result as feared from your own sloth, insensitivity, selfishness, dishonesty, self-indulgence, stupidity, or lust. No, they stem from the way you were mistreated as a child. You can blame your parents, your brother, your teachers, your minister, as well as your sex and race and age. These kinds of explanations make you feel better. They shift the blame to others, thereby raising self-esteem and feelings of self-worth. They lower guilt and shame. To experience this shift in perspective is like seeing shafts of sunlight slice through the clouds after endless cold, gray days.
We have become victims, “survivors” of abuse, rather than “failures” and “losers.” This helps us get along better with others. We are now underdogs, trying to fight our way back from misfortune. In our gentle society, everyone roots for the underdog. No one dares speak ill of victims anymore. The usual wages of failure—contempt and pity—are transmuted into support and compassion.
So the inner-child premises are deep in their appeal: They are democratic, they are consoling, they raise our self-esteem, and they gain us new friends. Small wonder so many people in pain espouse them.
”
”
Martin E.P. Seligman (What You Can Change and What You Can't: The Complete Guide to Successful Self-Improvement)
“
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few.
“Kestrel, do you hear me? You can’t toy with him.”
“He started it.”
“That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.”
“Maybe that’s not as easy for me as it is for you.”
He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?”
They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.”
He flinched as if slapped. His voice came low: “You can make people feel so small.”
Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled.
He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home.
The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag.
Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix…
Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin.
Quietly, Arin said, “He’ll be buried today, with the others.”
“He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet.
Arin helped her, his touch gentle. “I’ll make certain it’s done right.”
Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream.
She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought.
Tears came again.
Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
only the dead keep secrets."
"it is not easy. Taking a life, even when we knew it was required."
"most people want only to be cared for. If I had no softness, I'd get nowhere at all."
"a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness."
"someone always gains, just like someone always loses."
"most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? "
" enough, for once, to feel, and nothing else. "
" there was no stopping what one person could believe. "
" I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. "
" I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. "
" luck is a matter of probabilities. "
"you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. "
" ask yourself where power comes from, if you can't see the source, don't trust it. "
" an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. "
" the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. "
" humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. "
" she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. "
" conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. "
" what replace feelings when there were none to be had? "
" the absence of something was never as effective as the present of something. "
"To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight."
"apology accepted. Forgiveness, however, declined."
"there cannot be success without failure. No luck without unluck."
"no life without death?"
"Everything collapse, you will, too. You will, soon.
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same.
Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night.
Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote.
Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means?
Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up.
I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey.
Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep.
Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that?
Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
”
”
Victoria Aveyard (Queen Song (Red Queen, #0.1))
“
The final option to have your book completed is to hire a ghost writer. The challenge with this option is that it is important to note that your voice IS an integral part of your branding. When you hire someone else, what your readers will ultimately get is their voice. When they see you later at your website or on your social media, your voice will not be the same. This will trigger a feeling of inconsistency when relationships need to be built upon trust and authenticity. Your audience will eventually come to think you are not the “real deal” and will find another to replace you. Finally, your book is a springboard and launching pad to greater things such as speaking, interviews, a product line, etc. Will your ghost writer be available for all of that as well? How will you be able to “ghost write” your way through an interview? Hence the reason I stress speaking in your own voice. You may think you are not perfect, but your authenticity will speak in volumes to your followers and they will be customers for life if they see your true being.
”
”
Kytka Hilmar-Jezek (Book Power: A Platform for Writing, Branding, Positioning & Publishing)
“
The technique known as cognitive challenging, which is a hallmark of CBT, involves challenging beliefs that may trigger anxiety or that may result from feeling chronically stressed. CBT consists of a structured set of steps in which you are first encouraged to identify beliefs or thoughts that are associated with anxiety. When you are feeling stressed or anxious, you may have a whole constellation of anxiety-related thoughts. Step 1 is to focus on one particular thought, such as “I fear that my partner will leave me unless I have a good sexual response.” In Step 2, you are asked to analyze the validity of that thought by considering such factors as whether it is true, how logical it is, and what the probability is for it to be true. In this step, you also consider the evidence supporting the thought. In Step 3, you would examine counter-evidence to the thought by asking yourself the following questions: 1.Is there another way of looking at this thought? 2.Is there another explanation? 3.How would someone else consider the same situation? 4.Are my beliefs based on my emotions rather than on facts? 5.Am I setting unrealistic or unachievable standards for myself? 6.Am I forgetting relevant facts or overemphasizing other ones? 7.Am I engaging in all-or-nothing thinking? Once you consider the evidence for the particular thought and the evidence against (with the against evidence far outweighing the for evidence in most cases), you then come up with a thought that is a more accurate reflection of reality and probabilities. This new belief will replace the original maladaptive belief you had.
”
”
Lori A. Brotto (Better Sex Through Mindfulness: How Women Can Cultivate Desire)
“
That summer, the month he turned twenty-nine, my brother had proposed to his girlfriend, the one he’d met four years earlier, just before coming to stay with me in Brooklyn. Nearly everyone from high school and most of my friends from college were married, or soon to be, and as for ex-boyfriends: W married in 2005; R met his soon-to-be wife in 2006 (today both couples have two children). Even the close friends I’d made in New York were “joining the vast majority,” as Neith had put it. All of us wanted to believe this wouldn’t change anything. But it did, invariably, in ways small and large. It’s a rare friendship that transcends the circumstances that forged it, and being single together in the city, no matter how powerful a bond when it’s happening, can prove pretty weak glue. Alliances had been redrawn, resources shifted and reconsolidated; new envies replaced the old. Whereas before we were all broke together, now they had husbands splitting the rent and bills, and I couldn’t shake my awareness of this difference. A treacherous, unspoken sense of inequality set in, which only six months into my new magazine job had radically reversed: I’d become the one who could afford nice restaurants while they had to channel their disposable incomes toward a shared household, and I felt their unspoken judgment just as before they’d felt mine.
One newly married friend lashed out at me for never inviting her to parties. I tried to explain: Didn’t she see I was going because someone else had invited me? And that if I didn’t go, I’d be home alone, whereas she had someone to keep her company? When a dear friend said, “You know, I may be married now, but I’m still just like you! I can still do whatever I want!” I
blanched. She’d been on her own so recently herself. Didn’t she remember that being single is more than just following your whims—that it also means having nobody to help you make difficult decisions, or comfort you at the end of a bad week?
”
”
Kate Bolick (Spinster: Making a Life of One's Own)
“
Love and the Eyes A believer may come to know the reality of another person either through his or her face, or through his or her words. God says: And if We wish, We could show them to you, then you would recognise them by their mark. And you will certainly recognise them by [their] tone of speech, and God knows your deeds. (Muhammad, 47:30) And the Messenger of God (s.a.w.) said: ‘Beware the insight of the believer, for he [or she] sees by the light of God.’ [148] This is generally the case with the believers, but there is something special—a great mystery—about a person’s eyes which may: (1) express love; or (2) engender love in the beholder himself or herself [149] , or (3) engender love in the one who looks into their eyes. In other words, love may: (1) be seen by others in a person’s eyes; (2) ‘enter’ a person through his or her eyes into his or her soul and heart as they look at someone else, or (3) cause another person to love them as a result of a meeting of the eyes—of ‘eye-contact’. God alludes to all of this with His words: He knows the treachery of the eyes and what the breasts hide. (Ghafir, 40:19) Thus the eyes betray love in the soul and heart, and make it plain to see; and the eyes can also cause love to grow, when there is prolonged eye-contact. This allows us to understand the two Hadiths: Ibn Mas’ud and Hudhayfah both reported that the Messenger of God (s.a.w.) said: ‘The glance of the eye is a poison dart fired by Iblis [the Devil]; whosoever leaves it through fear of Me, I shall replace it for him with a faith whose sweetness he shall experience in his heart.’ [150] And ‘Ali bin Abi Talib (a.s.) reported that the Messenger of God (s.a.w.) said: ‘O ‘Ali, do not follow one glance with another, for you are permitted the first one but not the second.’ [151] Conversely, when Mughirah ibn Shu’bah wanted to ask for a woman’s hand in marriage, the Messenger of God (s.a.w.) said to him: ‘Look upon her, for it is more likely that you will bond with each other.’ [152] This explains the importance of lowering one’s gaze [153] , which God commands the believers to do, with His words: Tell believing men to lower their gaze and to guard their private parts. That is purer for them. Truly God is Aware of what they do. / And tell believing women to lower their gaze and to guard their private parts, and not to display their adornment except for what is apparent, and let them draw their veils over their bosoms and not reveal their adornment, except to their husbands or their fathers, or their husbands’ fathers, or their sons, or their husbands’ sons, or their brothers, or their brothers’ sons, or their sisters’ sons, or their women, or what their right hands own, or such men who are dependant, not possessing any sexual desire, or children who are not yet aware of women’s private parts. And do not let them thump with their feet to make known their hidden ornaments. And rally to God in repentance, O believers, so that you might be successful. (Al-Nur, 24:30-31) Similarly, God warns His Messenger (s.a.w.) as follows: And do not extend your glance toward what We have given to some pairs among them to enjoy, [as] the flower of the life of this world that We may try them thereby.
”
”
Ghazi bin Muhammad Al-Hashemi (Love in the Holy Quran)
“
This is love not business or politics. I love someone. How can I replace her with someone else?
”
”
Pramod Verma (Needless without You)
“
In that moment Baja felt something like a hammer blow to his chest. Everyone in those pockets of Air was Felsia to someone. Every life saved there filled someone else with relief and joy. Every life snuffed out was another Katowa, someone somewhere having their heart torn out. Baja could feel the detonator in his hands. The horrible click transferring to his palm as the button depressed. He could feel that terrible shockwave again as the landing pad vanished in fire. He could feel the horror replaced by fear. As some unlucky combinations of events up the shuttle too close to the blast and knocked it from the sky. He could feel all of it so clearly, it was as if it was happening right then, but more than that he felt sorrow. Someone had just tried to do the same thing to his baby girl, had tried to kill her. Not because he hated her, but because she was standing in the path of his political statement. Everyone who had dies on that shuttle had been a Felsia to someone, and with a click of a button he’s killed them. He hadn’t meant to; he’d been trying to save them. That was the little lie that he’d kept close to his heart for months now. But the truth was much worse. Some secret part of him had wanted the shuttle to die, had reveled watching it fall from the sky in flames, had wanted to punish the people trying to take his world away. Except that was a lie, too. The real truth, the truth beneath it all, was that he had wanted to spread his pain around to punish the universe for being a place where his little boy had been killed – to punish other people for being alike when his Katowa was dead. That part of him had watched the shuttle burn and thought now you know how it feels; now you know how I feel. But the people he’d hurt had just saved his daughter because they were the type of people who couldn’t let even their enemies die helpless.
The first sob took him by surprise, nearly bending him double with its power. Then he was blind, his eyes filled with water, his throat closed like someone was choking him.
He gasped for air, and every gasp turned into another loud sob.
…He tried to speak, to reassure (Naomi), but when he tried, the only words he could say were, “I killed them.”
He meant the governor and Coop and Kate and the RCE security team, but most of all Katowa.
He’d killed his little boy over and over again every time he’d let someone else die to punish them for his son’s death.
“I killed them.”
“This time you saved them,” Naomi repeated. “These ones you saved.
”
”
James S.A. Corey (Cibola Burn (The Expanse, #4))
“
Now, I’m not sure why they were so upset at some signs—that is to say, someone else’s personal property—being destroyed. I had been assured by many a BLM protestor that personal property is replaceable, and, anyway, that’s what insurance is for.
”
”
Julio Rosas (Fiery (But Mostly Peaceful): The 2020 Riots and the Gaslighting of America)
“
Have you ever felt like you're disappearing?' he asks.
'Like you're sure one day you're
going to wake up and find that
the truest parts of yourself have
been replaced by someone else's
plans?
”
”
Annabel Monaghan (Nora Goes Off Script)
“
They may not be able to imagine their depression lifting anytime soon, but they don’t need to. Doing something prompts you to do something else, replacing a vicious cycle with a virtuous one.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Specific knowledge is knowledge you cannot be trained for. If society can train you, it can train someone else and replace you. - Naval Ravikant
”
”
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
“
Factually, your profile picture should be only yours, not someone else's image; otherwise, it is deliberate pretentiousness, even counterfeiting. However, you can replace your cover picture or header with any image.
”
”
Ehsan Sehgal
“
Have you ever felt like you’re disappearing?” he asks. “Like you’re sure one day you’re going to wake up and find that the truest parts of yourself have been replaced by someone else’s plans?” Um, I just wrote a movie about it. I believe you read the script?
”
”
Annabel Monaghan (Nora Goes Off Script)
“
find someone who knows that no one else can replace the beauty of your soul
”
”
R.J. Avenira (Beautiful Mistakes)
“
I’d be hard-pressed to find a better start to a brand story than the one that chronicles the birth of “the people’s car,” the Tata Nano. The story goes that Ratan Tata, chairman of the well-respected Tata Group, was travelling along in the pouring rain behind a family who was precariously perched on a scooter weaving in and out of traffic on the slick wet roads of Bangalore. Tata thought that surely this was a problem he and his company could solve. He wanted to bring safe, affordable transport to the poor—to design, build, and sell a family car that could replace the scooter for a price that was less than $2,500. It was a business idea born from a high ideal and coming from a man with a track record in the industry, someone with the capability to innovate, design, and produce a high-quality product. People were captivated by the idea of what would be the world’s cheapest car. The media and the world watched to see how delivering on this seemingly impossible promise might pan out. Ratan Tata did deliver on his promise when he unveiled the Nano at the New Delhi Auto Expo in 2009, six years after having the idea. The hype around the new “people’s car” and the media attention it received meant that any mistakes were very public (several production challenges and safety problems were reported along the way). And while the general public seemed to be behind the idea of a new and fun Indian-led innovation, the number of Facebook likes (almost 4 million to date) didn’t convert to actual sales. It seemed that while Tata Motors was telling a story about affordability and innovating with frugal engineering (perhaps “lean engineering” might have worked better for them), the story prospective customers were hearing was one about a car that was cheap. The positioning of the car was at odds with the buying public’s perception of it. In a country where a car is an aspirational purchase, the Nano became symbolic of the car to buy if you couldn’t afford anything else. Since its launch in 2009, just over 200,000 Nanos have sold. The factory has the capacity to produce 21,000 cars a month. It turns out that the modest numbers of people buying the Nano are not the scooter drivers but middle-class Indians who are looking for a second car, or a car for their parents or children. The car that was billed as a “game changer” hasn’t lived up to the hype in the hearts of the people who were expected to line up and buy it in the tens of thousands. Despite winning design and innovation awards, the Nano’s reputation amongst consumers—and the story they have come to believe—has been the thing that’s held it back.
”
”
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
“
12-13 So they left the mountain called Olives and returned to Jerusalem. It was a little over half a mile. They went to the upper room they had been using as a meeting place: Peter John James Andrew Philip Thomas Bartholomew Matthew James son of Alphaeus Simon the Zealot Judas, son of James. 14 They agreed they were in this for good, completely together in prayer, the women included. Also Jesus’ mother, Mary, and his brothers. REPLACING JUDAS 15-17 During this time, Peter stood up in the company—there were about 120 of them in the room at the time—and said, “Friends, long ago the Holy Spirit spoke through David regarding Judas, who became the guide to those who arrested Jesus. That Scripture had to be fulfilled, and now has been. Judas was one of us and had his assigned place in this ministry. 18-20 “As you know, he took the evil bribe money and bought a small farm. There he came to a bad end, rupturing his belly and spilling his guts. Everybody in Jerusalem knows this by now; they call the place Murder Meadow. It’s exactly what we find written in the Psalms: Let his farm become haunted So no one can ever live there. “And also what was written later: Let someone else take over his post. 21-22 “Judas must now be replaced. The replacement must come from the company of men who stayed together with us from the time Jesus was baptized by John up to the day of his ascension, designated along with us as a witness to his resurrection.” 23-26 They nominated two: Joseph Barsabbas, nicknamed Justus, and Matthias. Then they prayed, “You, O God, know every one of us inside and out. Make plain which of these two men you choose to take the place in this ministry and leadership that Judas threw away in order to go his own way.” They then drew straws. Matthias won and was counted in with the eleven apostles.
”
”
Eugene H. Peterson (The Message: The Bible in Contemporary Language--Numbered Edition)
“
You will be sacrificed to the gods, and then I will tear out your heart with my own hands."
"If you still have your own hands, you're probably not as far up the ladder as you wanted us to think. Put someone else on -- someone with real authority and a few more replacement parts."
Tsavong Lah & Jaina
”
”
Elaine Cunningham (Dark Journey (Star Wars: The New Jedi Order, #10))
“
I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.”
There was a collective groan from the audience, and someone shouted, “Come on, don’t break the guy’s heart.” Someone else added, “That’s cold, Kerry. Even for you.”
She might have blanched a little at that. Cold. She wasn’t cold. She just wasn’t…overly friendly. At least not in the way some of the men in the place--and not only the single ones--hoped she’d be. “Come on now,” she said. “I’m not breaking anything here. You get what you see with me. No subterfuge, no leading anyone to believe anything that isn’t true. You all know that.” She didn’t bother looking at Hardy, though it couldn’t hurt to get him the message again, too. She did look at Cooper again, though, as she added, “Anyone who knows me, knows that.”
His laser-beam gaze didn’t falter for even a blink. She drew in a steadying breath and pasted a big smile on her face. “So then,” she said, clapping her hands together and keeping her fingers woven tightly in front of her, her damp palms belying her I’m-so-in-control-here attitude. “The entertainment portion of the evening is over. Nothing to see here. Let’s shoot some pool, throw some darts, and a round for everyone, on the house.”
That got the rousing cheer she knew it would and she quickly hopped down behind the bar and immediately began setting up glasses. She knew her grand--and not inexpensive--gesture would quiet them for a bit, but she also knew life in the Cove was going to be rife with all sorts of gossip for the next day or two, until something else came along to replace it on their juicy little grapevine. She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
Finding that to be a slightly peculiar conversation to be holding with a horse, especially when Storm kept tossing his head as if he was in perfect agreement with Bram, Lucetta steered Sweet Pea toward them, unable to help but notice that when Bram finally did catch sight of her, he stopped speaking at once even as he took to looking slightly . . . guilty. “Lucetta!” he exclaimed, as his guilty look was replaced with a charming smile when she brought Sweet Pea to a stop. “What in the world are you doing out here, and . . . are you in your wrapper?” Not waiting for her to reply, he shrugged out of his top coat and moved close enough to her to draw the coat around her shoulders. Lovely warmth seeped into her every pore as the scent of sandalwood, lime, and something distinctly male tickled her nose. When she realized he was waiting for some type of reply, she pulled herself from thoughts of warmth and manly smells. “I got locked out of the castle, and when I saw you leaving, I thought I’d try to catch up with you.” Bram frowned. “What do you mean you got locked out of the castle? And what were you doing wandering around the castle at this hour of the night anyway?” “I wasn’t planning on wandering around the castle,” she said with a bit of an edge to her tone. “In all honesty, I’m sure I’d still be fast asleep if a suit of armor hadn’t decided to take a nighttime stroll through the tower.” “What?” “A suit of armor . . .” “Yes, I heard you, but . . . why would a suit of armor be walking through the tower? Or better yet, how would it have gotten up there in the first place?” “Probably the same way Geoffrey did, although why they were in the tower room, well, that’s fairly obvious.” “Not to me.” “Someone wants me gone from Ravenwood.” “Surely not.” “Why else would someone don a suit of armor and try to scare me half to death?” Bram
”
”
Jen Turano (Playing the Part (A Class of Their Own, #3))
“
on the island where the drunken and brokenhearted typically washed ashore after a night of debauchery. A red-faced Swede at Le Select claimed to have bought Spider a Heineken that very morning. Someone else said he saw him stalking the beach at Colombier, and there was a report, never confirmed, of an inconsolable creature baying at the moon in the wilds of Toiny. The gendarmes faithfully followed each lead. Then they scoured the island from north to south, stem to stern, all to no avail. A few minutes after sundown, Reginald Ogilvy informed the crew of the Aurora that Spider Barnes had vanished and that a suitable replacement would have to be found in short order. The crew fanned out across the island, from the waterside eateries of Gustavia to the beach shacks of the Grand Cul-de-Sac. And by nine that evening, in the unlikeliest of places, they had found their man. He had arrived on the island at the height of hurricane season and settled into the clapboard cottage at the far end of the beach at Lorient. He had no possessions other than a canvas duffel bag, a stack of well-read books, a shortwave radio, and a rattletrap motor scooter that he’d acquired in Gustavia for a few grimy banknotes and a smile. The books were thick, weighty, and learned; the radio was of a quality
”
”
Daniel Silva (The English Spy (Gabriel Allon, #15))