Love Without Borders Quotes

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Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.
Billy Collins (Picnic, Lightning)
Except for the sound of the rain, on the road, on the roofs, on the umbrella, there was absolute silence: only the dying moan of the sirens continued for a moment or two to vibrate within the ear. It seemed to Scobie later that this was the ultimate border he had reached in happiness: being in darkness, alone, with the rain falling, without love or pity.
Graham Greene (The Heart of the Matter)
There where they learned that courage is not the ability to face your fear, heroically, once, but is the strength to do it day after day. Night after night. Faith without end. Love without border.
Sunil Yapa (Your Heart Is a Muscle the Size of a Fist)
We are not sheep or cows. God didn’t create fences for us or boundaries to contain our nationalities. Man did. God didn’t draw up religious barriers to separate us from each other. Man did. And on top of that, no father would like to see his children fighting or killing each other. The Creator favors the man who spreads loves over the man who spreads hate. A religious title does not make anyone more superior over another. If a kind man stands by his conscience and exhibits truth in his words and actions, he will stand by God regardless of his faith. If mankind wants to evolve, we must learn from our past mistakes. If not, our technology will evolve without us.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Sex without love borders on becoming meaningless.
Prem Jagyasi
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness. Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally. White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
bell hooks (All About Love: New Visions)
Some say I loved her to the point of madness, bordering on obsession. She said I put her on a pedestal that her real self couldn’t attain. Perhaps they’re all right. Perhaps I am mad. And if that’s the case, to be frank, I don’t give a damn. What I know is that she sets me on fire, and if you were to perform an intradermal test on me, you’d know when she was in it because you’d see the trails of blaze she left behind. Because that’s what I feel at the mere thought of her, and I’d rather live my life in flames than be numb without her.” He paused, and I let out a breath, but then he said one last thing. “Come back to me, my little Road Runner, my world is cold and boring without you.
Claire Contreras (Paper Hearts (Hearts, #2))
Hurry home, darling," she said. "Hurry home." And how's that for a man to have! When I hung up, I stood by the phone all weak and leaky and happy if there is such a condition. I tried to think how it had been before Mary, and I couldn't remember, or how it would be without her, and I could not imagine it except that it would be a condition bordered in black.
John Steinbeck (The Winter of Our Discontent)
The highest truth in the world is love.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
If you want to speak to someone you cannot touch, see, or hear, the voice of love will transmit with or without a phone. It crosses all borders and travels through time and walls.
Julieanne O'Connor (Spelling It Out for Your Man)
Suffering is the nature of this world. It is the golden standard by which all things are measured. It is not happiness that sets the bar, but agony. Even happiness cannot be fully recognized without the right measure of misery to contrast its borders. Suffering magnifies hunger-exhaustion-prods you to move when prosperity is just a dream out of reach. It is the mortal twin of eternal hope. How you respond to its touch molds you, shapes your future as it rains down oppression like fire over your shoulders. Deception. It laid over my world like a bruise. Covered it so completely I bought the lie that the shadow offered and found comfort nestled in its thorny arms. I walked the trail it dusted with breadcrumb, walked in the slip noose it had skillfully wove and dove off the cliff without realizing- willingly, with vigor. Heartbreak. There is no bigger void, no darker shade of soot- no ache more unstoppable than that of a broken heart. A heart in pieces can very much kill you-without love’s healing touch, you will surely die. They say time heals all wounds. They lied.
Addison Moore (Expel (Celestra, #6))
To restore you and myself, I return to my state of garden and shade, cool reality, I hardly exist and if I do exist it’s with delicate care. Surrounding the shade is a teeming, sweaty heat. I’m alive. But I feel I’ve not yet reached my limits, bordering on what? Without limits, the adventure of a dangerous freedom. But I take the risk, I live taking it. I’m full of acacias swaying yellow, and I, who have barely begun my journey, begin it with a sense of tragedy, guessed what lost ocean my life steps will take me to. And crazily I latch onto the corners of myself, my hallucinations suffocate me with their beauty. I am before, I am almost, I am never. And all this I gained when I stopped loving you.
Clarice Lispector (The Stream of Life)
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.' Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?' Something new and terrible knotted up inside her. 'No, that's not what I'm saying.' 'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss. 'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.' 'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.' 'You also like daylight.' Evangeline reminded him. 'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.' Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite. Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
I write to tell stories of the transformation I know is possible. I know because I've lived it—once full of fear and striving, knowing nothing of grace. God taught me how to love without borders, and my life was never the same. Those seeds planted years ago have transformed into what I daily pray is a sheltering place for others to grow.
Nicole T. Walters (Everbloom: Stories of Deeply Rooted and Transformed Lives)
When I say Queer love, I mean love that makes its own rules. Love that exists without borders and thrives without clean lines. Love that creates more space than it takes up.
Jen Winston (Greedy: Notes from a Bisexual Who Wants Too Much)
They did not strive to gain knowledge of life as we strive to understand it, because their lives were full. But their knowledge was higher and deeper than the knowledge we derive from our science; for our science seeks to explain what life is and strives to understand it in order to teach others how to live, while they knew how to live without science... Oh, these people were not concerned whether I understood them or not; they loved me without it. But I knew too that they would never be able to understand me, and for that reason I hardly ever spoke to them of it. It remained somehow beyond the grasp of my reason, and yet it sank unconsciously deeper and deeper into my heart. I often told them that I had had a presentiment of it years ago and that all that joy and glory has been perceived by me while I was still back there as a nostalgic yearning, bordering at times on unendurably poignant sorrow; that I had had a presentiment of all of them and of their glory in the dreams of my heart and the reveries of my soul; and that I could often not look at the setting sun without tears. I was overpowered by the mere sensation of that dream and it alone survived in my sorely wounded heart.
Fyodor Dostoevsky (Notes from Underground)
Darkness attracted him as much as light. He knew that these days turning out the light before making love was considered laughable, and so he always left a small lamp burning over the bed. At the momemnt he penetrated sabina, however, he closed his eyes. The pleasure suffusing his body called for darkness. The darkness was pure, perfect, thoughtless, vision less; that darkness was without end, without borders; that darkness was the infinite we each carry within us.
Milan Kundera (The Unbearable Lightness of Being)
Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed. "But what was wrong with the performance?" she asked. "I thought it was wonderful." "Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!" Shimamoto laughed. "I wouldn't exactly call that art appreciation." "This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!" "Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?" In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different." "You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.
Haruki Murakami (South of the Border, West of the Sun)
Our hearts and minds desire clarity. We like to have a clear picture of a situation, a clear view of how things fit together, and clear insight into our own and the world’s problems. But just as in nature colors and shapes mingle without clear-cut distinctions, human life doesn’t offer the clarity we are looking for. The borders between love and hate, evil and good, beauty and ugliness, heroism and cowardice, care and neglect, guilt and blamelessness are mostly vague, ambiguous, and hard to discern.
Henri J.M. Nouwen (Bread for the Journey: A Daybook of Wisdom and Faith)
I want a house that’s mobile but stationary, situated in a safe place without borders, where the people are peace-loving.
Andrei Codrescu (Wakefield)
Making love is not magical, if there is no love.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
In a civilized world, nobody is master to nobody, but everybody ought to be responsible for everybody.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Only if the humans could realize the inexplicable happiness that comes from loving others, there would no longer be any trace of hatred and discrimination in the world.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
The biggest tragedy is to think that the trouble of others is no loss of ours.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Love Your "self" without bordering it, in it's true nature. Love just the "Limitless, Timeless & Spaceless Self
Anowar Hossain
The little one-story house was as neat as a fresh pinafore. The front lawn was cut lovingly and very green. The smooth composition driveway was free of grease spots from standing cars, and the hedge that bordered it looked as though the barber came every day. The white door had a knocker with a tiger's head, a go-to-hell window and a dingus that let someone inside talk to someone outside without even opening the little window. I'd have given a mortgage on my left leg to live in a house like that. I didn't think I ever would. (The Pencil)
Raymond Chandler (Collected Stories)
It's in the nature of the humans and the entire animal kingdom to return blow for blow, cheating for cheating, lie for lie, to hit back with all our might. But what makes us true humans is the power to not hit back.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
The bottom line for Republicans is this: The United States can have an open door without having “open borders,” but we cannot preserve the country we love by slamming that door in the faces of those who most aspire to join our nation.
Anonymous (A Warning)
Maybe I had had an illusion, I thought. I stood there a long time, gazing at the rainswept streets. Once again, I was a twelve-year-old boy staring for hours at the rain. Look at the rain long enough, with no thoughts in your head, and you gradually feel your body falling loose, shaking free of the world of reality. Rain has the power to hypnotize. But this had been no illusion. When I went back into the bar, a glass and an ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound.
Haruki Murakami (South of the Border, West of the Sun)
Felipe focused on the smattering of freckles across her bare left shoulder. For the next hour, he counted each of them out of the corner of his eye--an entire universe's worth. Lost in the constellations, he barely noticed the lurch of the small plane.
Amanda Heger (Without Borders (Wanderlove, #1))
But she was wrong. Loneliness was insidious. It knew no border or boundary, was without mercy, and couldn’t be bribed. That was what Mary had attempted to do, bargain with the deep well of pain within her by marrying a man who by his own word would never love her.
Debbie Macomber
Imagine this: A world where the quality of your life is not determined by how much money you have. You do not have to sell your labour to survive. Labour is not tied to capitalism, profit or wage. Borders do not exist; we are free to move without consequence. The nuclear family does not exist; children are raised collectively; reproduction takes on new meanings. In this world, the way we carry out dull domestic labour is transformed and nobody is forced to rely on their partner economically to survive. The principles of transformative justice are used to rectify harm. Critical and comprehensive sex education exists for all from an early age. We are liberated from the gender binary’s strangling grip and the demands it places on our bodies. Sex work does not exist because work does not exist. Education and transport are free, from cradle to grave. We are forced to reckon with and rectify histories of imperialism, colonial exploitation, and warfare collectively. We have freedom to, not just freedom from. Specialist mental health services and community care are integral to our societies. There is no “state” as we know it; nobody dies in “suspicious circumstances” at its hands; no person has to navigate sexism, racism, ableism or homophobia to survive. Detention centres do not exist. Prisons do not exist, nor do the police. The military and their weapons are disbanded across nations. Resources are reorganised to adequately address climate catastrophe. No person is without a home or loving community. We love one another, without possession or exploitation or extraction. We all have enough to eat well due to redistribution of wealth and resource. We all have the means and the environment to make art, if we so wish. All cultural gatekeepers are destroyed. Now imagine this vision not as utopian, but as something well within our reach.
Lola Olufemi (Feminism, Interrupted: Disrupting Power)
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Flambeau, once the most famous criminal in France and later a very private detective in England, had long retired from both professions. Some say a career of crime had left him with too many scruples for a career of detection. Anyhow, after a life of romantic escapes and tricks of evasion, he had ended at what some might consider an appropriate address; a castle in Spain. [...] Flambeau had casually and almost abruptly fallen in love with a Spanish lady, married and brought up a large family on a Spanish estate, without displaying any apparent desire to stray again beyond its borders.
G.K. Chesterton (The Secret of Father Brown (Father Brown, #4))
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))
Dr. Lucy Davis. That’s Davis as in her parents own the team. She’s a pediatric surgeon and just got back from Syria where she was working with Doctors Without Borders.” Whatever. I organize a canned food drive for the homeless shelter in the Bowery every Thanksgiving. Do I go around bragging about it? No.
P. Dangelico (Sledgehammer (Hard to Love, #2))
In the weirdly beautiful landscapes along the Irish border, most especially in Derry with its haunting evening light along the Waterside and the old walls, and in rainy Belfast with its nineteenth-century slums and yet its permanent view of the lovely surrounding hills, I saw my first “war” without even needing a passport to travel to it.
Christopher Hitchens (Hitch-22)
Elizabeth's spirits soon rising to playfulness again, she wanted Mr. Darcy to account for his having ever fallen in love with her. "How could you begin?'' said she. "I can comprehend your going on charmingly, when you had once made a beginning; but what could set you off in the first place?'' "I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.'' "My beauty you had early withstood, and as for my manners—my behaviour to you was at least always bordering on the uncivil, and I never spoke to you without rather wishing to give you pain than not. Now be sincere; did you admire me for my impertinence?'' "For the liveliness of your mind, I did.'' "You may as well call it impertinence at once.
Jane Austen (Pride and Prejudice)
Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn’t have cared less about either . . . he was all she wanted. She couldn’t help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn’t seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him. He stubbornly refused to hide his affection for her, and if Violet hadn’t known better she would have sword that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time. “Did you miss me?” he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer. She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom. He pulled away from her, suddenly serious. “You know, we didn’t get much time alone yesterday. And I didn’t get a chance to tell you . . .” Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone. “I feel like I’ve waited too long to finally have you, and then yesterday . . . when . . .” He stopped, seemingly at a loss, and he tried another approach. His hand stroked her cheek, igniting a response from deep within her. “I can’t imagine living without you,” he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. “I love you, Violet. More than I ever could have imagined. And I don’t want to lose you . . . I can’t lose you.” It was her turn to look arrogant as she glanced up at him. “I know,” she stated smugly, shrugging her shoulder. He shoved her playfully but held on to her tightly so that she never really went anywhere. “What do you mean, ‘I know’? What kind of response is that?” His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. “Say it!” he commanded. She shook her head, pretending not to understand him. “What? What do you want me to say?” But then she giggled and ruined her baffled façade. He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses. “Sat it,” he whispered, his breath warm against her neck. She groaned, wanting him to put her out of her misery. “I love you too,” she rasped as she clung to him. “I love you so much . . .” His mouth moved to cover hers in an exhausting kiss that left them both breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walking in on them anytime soon.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Architecture without pain, art looked at in undiluted pleasure, enjoyment without anxiety, compunction, heartache: there is no beggar woman in the church door, no ragged child or sore animal in the square. The water is safe and the wallet is inside the pocket. There will be no missed plane connection. We are in a country where the curable ills are taken care of. We are in a country where the mechanics of living from transport to domestic heating (alack, poor Britain!) function imaginatively and well; where it goes without saying that the sick are looked after and secure and the young well educated and well trained; where ingenuity is used to heal delinquents and to mitigate at least the physical dependence of old age; where there is work for all and some individual seizure, and men and women have not been entirely alienated yet from their natural environment; where there is care for freedom and where the country as a whole has rounded the drive to power and prestige beyond its borders and where the will to peace is not eroded by doctrine, national self-love, and unmanageable fears; where people are kindly, honest, helpful, sane, reliable, resourceful, and cool-headed; where stranger–shyly–smiles to stranger. "Portrait Sketch of a Country: Denmark 1962
Sybille Bedford (Pleasures and Landscapes)
ref·u·gee noun: a person who flees for refuge or safety We are, each of us, refugees when we flee from burning buildings into the arms of loving families. When we flee from floods and earthquakes to sleep on blue mats in community centres. We are, each of us, refugees when we flee from abusive relationships, and shooters in cinemas and shopping centres. Sometimes it takes only a day for our countries to persecute us because of our creed, race, or sexual orientation. Sometimes it takes only a minute for the missiles to rain down and leave our towns in ruin and destitution. We are, each of us, refugees longing for that amniotic tranquillity dreaming of freedom and safety when fences and barbed wires spring into walled gardens. Lebanese, Sudanese, Libyan and Syrian, Yemeni, Somali, Palestinian, and Ethiopian, like our brothers and sisters, we are, each of us, refugees. The bombs fell in their cafés and squares where once poetry, dancing, and laughter prevailed. Only their olive trees remember music and merriment now as their cities wail for departed children without a funeral. We are, each of us, refugees. Don’t let stamped paper tell you differently. We’ve been fleeing for centuries because to stay means getting bullets in our heads because to stay means being hanged by our necks because to stay means being jailed, raped and left for dead. But we can, each of us, serve as one another’s refuge so we don't board dinghies when we can’t swim so we don’t climb walls with snipers aimed at our chest so we don’t choose to remain and die instead. When home turns into hell, you, too, will run with tears in your eyes screaming rescue me! and then you’ll know for certain: you've always been a refugee.
Kamand Kojouri
And I am overwhelmed now by the awfulness of over-simplification. For now I realize that not only have I been guilty of it through this long and burning day but also through most of my yet young life and it is only now that I am doubly its victim that I begin to vaguely understand. For I had somehow thought that ‘going away’ was but a physical thing. And that it had only to do with movement and with labels like the silly ‘Vancouver’ that I had glibly rolled from off my tongue; or with the crossing of bodies of water or with the boundaries of borders. And because my father told me I was ‘free’ I had foolishly felt that it was really so. Just like that. And I realize now that the older people of my past are more complicated than perhaps I had ever thought. And that there are distinctions between my sentimental, romantic grandfather and his love for coal, and my stern and practical grandmother her hatred of it; and my quietly strong but passive mother and the souring extremes of my father’s passionate violence and the quiet power of his love. They are all so different. Perhaps it is possible I think now to be both and yet to see only one. For the man in whose glassed-in car I now sit sees only similarity. For him the people of this multi-scarred little town are reduced to but a few phrases and the act of sexual intercourse. They are only so many identical goldfish leading identical, incomprehensible lives within the glass prison of their bowl. And the people on the street view me from behind my own glass in much the same way and it is the way that I have looked at others in their ‘foreign licence’ cars and it is the kind of judgment that I myself have made. And yet it seems that neither these people nor this man are in any way unkind and not to understand does not necessarily mean that one is cruel. But one should at least be honest. And perhaps I have tried too hard to be someone else without realizing at first what I presently am. I do not know. I am not sure. But I do know that I cannot follow this man into a house that is so much like the one I have left this morning and go down into the sexual embrace of a woman who might well be my mother. And I do not know what she, my mother, may be like in the years to come when she is deprived of the lighting movement of my father’s body and the hammered pounding of his heart. For I do not know when he may die. And I do not know in what darkness she may cry out his name nor to whom. I do not know very much of anything, it seems, except that I have been wrong and dishonest with others and myself. And perhaps this man has left footprints on a soul I did not even know that I possessed.
Alistair MacLeod (The Lost Salt Gift of Blood)
You can build walls all the way to the sky and I will find a way to fly above them. You can try to pin me down with a hundred thousand arms, but I will find a way to resist. And there are many of us out there, more than you think. People who refuse to stop believing. People who refuse to come to earth. People who love in a world without walls, people who love into hate, into refusal, against hope,and without fear. I love you. Remember. They cannot take it.
Lauren Oliver
When his lips landed to hers, his hand raced over the curves of her body. Jocelyn whimpered to his searing lips. His tongue plunged over her lips. Feeling his heat blast into her. Her tongue swirled, and laced to his as he pulled her aching frame into him. Her breasts mashed to his thick chest. Nipple burst into shards of stones. The fingers that had held his neck, curled into his dark hair. She bordered on being out of control. Igider's, kiss was magnetic to her darkest layers of passion. Tonight, she didn't want to be beaten, spanked or bound. She wanted to be made love to you. To be treated like a woman that mattered, not a toy. For once, she wanted to feel the deepest pleasure of a man and woman without all the pain. Yes, he could flog her senseless but this time it was going to be different. Jocelyn knew this wasn't love, but her mind and soul craved the need to be loved, even if it was carnal. Frozen Sin coming December 28th
Lisette Kristensen
To be honest, I am still grateful to the United States. If I am arrested crossing the border, I understand it’s part of the system. I realize that I am crossing illegally. But it’s complicated, you see. I know I’m breaking the rules, but it is necessary because my family is there. I don’t want to cause harm to the country, but I have to break the law. I have to. Es una necesidad. It is a situation of emotion, of love. Those who accept staying apart from their family are without love. Their children grow up without love. So I must fight against this.
Francisco Cantú (The Line Becomes a River: Dispatches from the Border)
We entered the Taj Mahal, the most romantic place on the planet, and possibly the most beautiful building on earth. We ate curry with our driver in a Delhi street café late at night and had the best chicken tikka I’ve ever tasted in an Agra restaurant. After the madness of Delhi, we were astonished that Agra could be even more mental. And we loved it. We marvelled at the architecture of the Red Fort, where Shah Jahan spent the last three years of his life, imprisoned and staring across at the Taj Mahal, the tomb of his favourite wife. We spent two days in a village constructed specifically for tiger safaris, although I didn’t see a tiger, my wife and son were more fortunate. We noticed in Mussoorie, 230 miles from the Tibetan border, evidence of Tibetan features in the faces of the Indians, and we paid just 770 rupees for the three of us to eat heartily in a Tibetan restaurant. Walking along the road accompanied by a cow became as common place as seeing a whole family of four without crash helmets on a motorcycle, a car going around a roundabout the wrong way, and cars approaching towards us on the wrong side of a duel carriageway. India has no traffic rules it seems.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Maybe I had had an illusion, I thought. I stood there a long time, gazing at the rainswept streets. Once again, I was a twelve-year-old boy staring for hours at the rain. Look at the rain long enough, with no thoughts in your head, and you gradually feel your body falling loose, shaking free of the world of reality. Rain has the power to hypnotize. But this had been no illusion. When I went back into the bar, a glass and an ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound.
Haruki Murakami (South of the Border, West of the Sun)
This is an art I can enjoy. There is a kind of sorcery in all cooking; in the choosing of ingredients, the process of mixing, grating, melting, infusing, and flavoring, the recipes taken from ancient books, the traditional utensils- the pestle and mortar with which my mother made her incense turned to a more homely purpose, her spices and aromatics giving up their subtleties to a baser, more sensual magic. And it is partly the transience of it delights me; so much loving preparation, so much art and experience, put into a pleasure that can last only a moment, and which only a few will ever fully appreciate. My mother always viewed my interest with indulgent contempt. To her, food was no pleasure but a tiresome necessity to be worried over, a tax on the price of our freedom. I stole menus from restaurants and looked longingly into patisserie windows. I must have been ten years old- maybe older- before I first tasted real chocolate. But still the fascination endured. I carried recipes in my head like maps. All kinds of recipes: torn from abandoned magazines in busy railway stations, wheedled from people on the road, strange marriages of my own confection. Mother with her cards, her divinations, directed our mad course across Europe. Cookery cards anchored us, placed landmarks on the bleak borders. Paris smells of baking bread and croissants; Marseille of bouillabaisse and grilled garlic. Berlin was Eisbrei with sauerkraut and Kartoffelsalat, Rome was the ice cream I ate without paying in a tiny restaurant beside the river.
Joanne Harris (Chocolat (Chocolat, #1))
Remember, never give up on love. It is easier to give up in search of a better prize, because the brain always keeps craving for new stimulants, but this way you only keep on searching, never to find peace in love. Let me tell you a story. There was a student who asked his teacher, what is love. The teacher said go into the field and bring me the most beautiful flower. The student returned with no flower at hand and said, I found the most beautiful flower in the field but I didn't pick it up for I might find a better one, but when I returned to the place, it was gone. We always look for the best in life. When we finally see it, we take it for granted and after some time start expecting a better one, not knowing that it's the best. Seek for your love, and once you have it never ever give up on it, no matter the situations.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
If I could cut out my beating heart and put it in a box and forget about it, I would. Maybe I would pad the box with our photos of you, our love letters, a lock of your hair and that heart-shaped perfume bottle, the one that I gave you for your birthday. You always said it was your favorite. Maybe if I put the box up in the attic, some place out of sight and sound, I could forget you. (sigh) I force myself to look around my yard. The sun is brilliant against the bright blue sky, birds are singing out their borders and gathering twigs and grasses for nesting, and the late-season daffodils are bursting an egg-yolk yellow. I feel myself smile. For the first time this season, I spot a Peace rose, a sunshine-swelled bloom of yellow and pink flame. I inhale the bloom's faintly sweet fragrance, which floats delicate memories of you across my mind's eye — I am happy. Without thinking, I turn to the house to call you. If only It was that easy.
Jeffrey A. White
William Stead recognized the power of the fair immediately. The vision of the White City and its profound contrast to the Black City drove him to write If Christ Came to Chicago, a book often credited with launching the City Beautiful movement, which sought to elevate American cities to the level of the great cities of Europe. Like Stead, civic authorities throughout the world saw the fair as a model of what to strive for. They asked Burnham to apply the same citywide thinking that had gone into the White City to their own cities. He became a pioneer in modern urban planning. He created citywide plans for Cleveland, San Francisco, and Manila and led the turn-of-the-century effort to resuscitate and expand L’Enfant’s vision of Washington, D.C. In each case he worked without a fee. While helping design the new Washington plan, Burnham persuaded the head of the Pennsylvania Railroad, Alexander Cassatt, to remove his freight tracks and depot from the center of the federal mall, thus creating the unobstructed green that extends today from the Capitol to the Lincoln Memorial. Other cities came to Daniel Burnham for citywide plans, among them Fort Worth, Atlantic City, and St. Louis, but he turned them down to concentrate on his last plan, for the city of Chicago. Over the years many aspects of his Chicago plan were adopted, among them the creation of the city’s lovely ribbon of lakefront parks and Michigan Avenue’s “Miracle Mile.” One portion of the lakefront, named Burnham Park in his honor, contains Soldier Field and the Field Museum, which he designed. The park runs south in a narrow green border along the lakeshore all the way to Jackson Park, where the fair’s Palace of Fine Arts, transformed into a permanent structure, now houses the Museum of Science and Industry. It looks out over the lagoons and the Wooded Island, now a wild and tangled place that perhaps would make Olmsted smile—though no doubt he would find features to criticize.
Erik Larson (The Devil in the White City)
Sometimes when I look at you, I feel I’m gazing at a distant star,” I said. “It’s dazzling, but the light is from tens of thousands of years ago. Maybe the star doesn’t even exist anymore. Yet sometimes that light seems more real to me than anything.” Shimamoto said nothing. “You’re here,” I continued. “At least you look as if you’re here. But maybe you aren’t. Maybe it’s just your shadow. The real you may be someplace else. Or maybe you already disappeared, a long, long time ago. I reach out my hand to see, but you’ve hidden yourself behind a cloud of probablys. Do you think we can go on like this forever?” “Possibly. For the time being,” she answered. “I see I’m not the only one with a strange sense of humor,” I said. And smiled. She smiled too. The rain has stopped, without a sound there’s a break in the clouds, and the very first rays of sunlight shine through—that kind of smile. Small, warm lines at the corners of her eyes, holding out the promise of something wonderful.
Haruki Murakami (South of the Border, West of the Sun)
The doctor loved his wife and child. They were the most wonderful thing that had ever happened to him in his life--especially his daughter for whom his love bordered on obsession. For them, he would have gladly given up his life. Indeed, he had often imagined doing so, and the deaths he had endured for them in his mind seemed the sweetest deaths imaginable. At the same time, however, he would often come home from work and, seeing his wife and daughter there, think to himself, These people are, finally, separate human beings, with whom I have no connection. They were something other, something of which he had no true knowledge, something that existed in a place far away from the doctor himself. And whenever he felt this way, the thought would cross his mind that he himself had chosen neither of these people on his own--which did not prevent him from loving them unconditionally, without the slightest reservation. This was, for the doctor, a great paradox, an insoluble contradiction, a gigantic trap that had been set for him in his life.
Haruki Murakami (The Wind-Up Bird Chronicle)
She had several books she'd been wanting to read, but instead she sprawled out on the couch surrounded by pillows and blankets, and spent the hours flipping channels between Judge Judy, The People's Court, Maury, and Jerry Springer, and rounded out her afternoon with Dr. Phil and Oprah. All in all, it was a complete waste of a day. At least until school got out. Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn't have card less about either...he was all she wanted. She couldn't help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn't seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him. He stubbornly refused to hide his affection for her, and if Violet hadn't known better she would have sworn that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time. "Did you miss me?" he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer. She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom. He pulled away from her, suddenly serious. "You know, we didn't get much time alone yesterday. And I didn't get a chance to tell you..." Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone. "I feel like I've waited too long to finally have you, and then yesterday...when..." He stopped, seemingly at a loss, and then he tried another approach. His hand stroked her cheek, igniting a response from deep within her. "I can't imagine living without you," he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. "I love you, Violet. More than I ever could have imagined. And I don't want to lose you...I can't lose you." It was her turn to look arrogant as she glanced up at him. "I know," she stated smugly, shrugging her shoulder. He shoved her playfully but held on to her tightly so that she never really went anywhere. "What do you mean, 'I know'? What kind of response is that?" His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. "Say it!" he commanded. She shook her head, pretending not to understand him. "What? What do you want me to say?" But then she giggled and ruined her baffled façade. He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses. "Say it," he whispered, his breath warm against her neck. She groaned, wanting him to put her out of her misery. "I love you too," she rasped as she clung to him. "I love you so much..." His mouth moved to cover hers in an exhausting kiss that left them broth breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walked in on them anytime soon.
Kimberly Derting (The Body Finder (The Body Finder, #1))
POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed
Brenda C. Mohammed (Travel Memoirs with Pictures)
I think that frequently, many times in the beginning of our path as artists, we do have to deal with our upsets and our negativeness - in regard to, mostly, ourselves. We may be taking it out on our loved ones or people close to us, but really we're just mad at ourselves for not giving ourselves the time to devote to our inner development and doing the soul work through our art work. So there's a certain amount of working through that. You may have to cry, you may have to dance, you may have to get the energy moving in whatever way you can, and if you need to scream as you work that's as much of a prayer as the more refined kinds of artist's prayers. Sometimes it's a more direct kind of thing. You can scream in rage, you can scream your need for God, whatever's there for you. You've got to start where you're at. If you think that you can just start making spiritual art without addressing all the build-up of shadow material that you may be carrying around with you, and it's leaking out at the borders, then I don't think that's any good. You've got to be true. So wherever you're at, that's where you start. And as far as the artist creating spiritual or visionary art, I think that it's obvious and important that the artist experience the transpersonal states prior to them trying to bring it out in their work, otherwise they're just doing imitative or derivative kind of work. It has to be from some authentic inner experience, and as long as you've had some experience of your soul or spiritual reality in some way, or visionary reality, then by all means - if it's compelling, make pictures of it.
Alex Grey (The Visionary Artist)
We ought to recognize the darkness of the culture of death when it shows up in our own voices. I am startled when I hear those who claim the name of Christ, and who loudly profess to be pro-life, speaking of immigrants with disdain as “those people” who are “draining our health care and welfare resources.” Can we not see the same dehumanizing strategies at work in the abortion-rights activism that speaks of the “product of conception” and the angry nativism that calls the child of an immigrant mother an “anchor baby”? At root, this is a failure to see who we are. We are united to a Christ who was himself a sojourner, fleeing political oppression (Matt. 2:13–23), and our ancestors in Israel were themselves a migrant people (Exod. 1:1–14; 1 Chron. 16:19; Acts. 7:6). Moreover, our God sees the plight of the fatherless and the blood of the innocent, but he also tells us that because he loves the sojourner and cares for him so should we, “for you were sojourners in the land of Egypt” (Deut. 10:18–19). We might disagree on the basis of prudence about what specific policies should be in place to balance border security with compassion for the immigrants among us, but a pro-life people have no option to respond with loathing or disgust at persons made in the image of God. We might or might not be natural-born Americans, but we are, all of us, immigrants to the kingdom of God (Eph. 2:12–14). Whatever our disagreements on immigration as policy, we must not disagree on whether immigrants are persons. No matter how important the United States of America is, there will come a day when the United States will no longer exist. But the sons and daughters of God will be revealed. Some of them are undocumented farm-workers and elementary-school janitors now. They will be kings and queens then. They are our brothers and sisters forever. We need to stand up against bigotry and harassment and exploitation, even when such could be politically profitable to those who stand with us on other issues. The image of God cannot be bartered away, at the abortion clinic counter or anywhere else.
Russell D. Moore (Onward: Engaging the Culture without Losing the Gospel)
Israel, and you who call yourself Israel, the Church that calls itself Israel, and the revolt that calls itself Israel, and every nation chosen to be a nation – none of these lands is yours, all of you are thieves of holiness, all of you at war with Mercy. Who will say it? Will America say, We have stolen it, or France step down? Will Russia confess, or Poland say, We have sinned? All bloated on their scraps of destiny, all swaggering in the immunity of superstition. Ishmael, who was saved in the wilderness, and given shade in the desert, and a deadly treasure under you: has Mercy made you wise? Will Ishmael declare, We are in debt forever? Therefore the lands belong to none of you, the borders do not hold, the Law will never serve the lawless. To every people the land is given on condition. Perceived or not, there is a covenant, beyond the constitution, beyond sovereign guarantee, beyond the nation’s sweetest dreams of itself. The Covenant is broken, the condition is dishonoured, have you not noticed that the world has been taken away? You have no place, you will wander through yourselves from generation to generation without a thread. Therefore you rule over chaos, you hoist your flags with no authority, and the heart that is still alive hates you, and the remnant of Mercy is ashamed to look at you. You decompose behind your flimsy armour, your stench alarms you, your panic strikes at love. The land is not yours, the land has been taken back, your shrines fall through empty air, your tablets are quickly revised, and you bow down in hell beside your hired torturers, and still you count your battalions and crank out your marching songs. Your righteous enemy is listening. He hears your anthem full of blood and vanity, and your children singing to themselves. He has overturned the vehicle of nationhood, he has spilled the precious cargo, and every nation he has taken back. Because you are swollen with your little time. Because you do not wrestle with your angel. Because you dare to live without God. Because your cowardice has led you to believe that the victor does not limp.
Leonard Cohen (Book of Mercy)
Many of my friends around the world express surprise at the Palestinian attachment to place of origin and concerns for family ties. Some even scoff at it and contrast it with their own open-armed acceptance of adventure, discovery, a nomadic lifestyle and residence in places that they choose and change according to their fancy, without the slightest regret at leaving family or even homeland behind. They remind me that the world is wider and more beautiful than 'our villages' and 'our families'. I understand this beautiful sense of the vastness of the world. Like them, I love movement, journeys, and living in new places. What these friends forget is that it is they who choose to distance themselves. They are the ones who take the decision and make the plans and then present their passports (recognized everywhere) and get on planes and trains and cars and motorcycles and go to places where three conditions that the Palestinian cannot meet are fulfilled: first, that it is their preference and choice to go to specifically these places; second, that these places always welcome them; and third and most important, that it is in their power to return to their home country whenever they desire and decide. The Palestinian forced to become a refugee, to migrate, and to go into exile from his homeland in the sixty years since the Nakba of 1948, or the forty since the June 1967 War, suffers miseries trying to obtain a document by which he will be recognized at borders. He suffers miseries trying to obtain a passport from another state because he is stateless and has to go through Kafkaesque interrogations before being granted entry visa to any place in the world, even the Arab states. The Palestinian is forbidden to enter his own country by land, sea, or air, even in a coffin. It is not a matter of romantic attachment to a place but of eternal exclusion from it. The Palestinian stripped of an original identity is a palm tree broken in the middle. My foreign friends have control over the details of their lives but a single Israeli solder can control the details of the life of any Palestinian. This is the difference. This is the story.
Mourid Barghouti (ولدت هناك .. ولدت هنا)
He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I, Prayer (A Poem of Magnitudes and Vectors) I, Prayer, know no hour. No season, no day, no month nor year. No boundary, no barrier or limitation–no blockade hinders Me. There is no border or wall I cannot breach. I move inexorably forward; distance holds Me not. I span the cosmos in the twinkling of an eye. I knowest it all. I am the most powerful force in the Universe. Who then is My equal? Canst thou draw out leviathan with a hook? None is so fierce that dare stir him up. Surely, I may’st with but a Word. Who then is able to stand before Me? I am the wind, the earth, the metal. I am the very empyrean vault of Heaven Herself. I span the known and the unknown beyond Eternity’s farthest of edges. And whatsoever under Her wings is Mine. I am a gentle stream, a fiery wrath penetrating; wearing down mountains –the hardest and softest of substances. I am a trickling brook to fools of want lost in the deserts of their own desires. I am a Niagara to those who drink in well. I seep through cracks. I inundate. I level forests kindleth unto a single burning bush. My hand moves the Universe by the mind of a child. I withhold treasures solid from the secret stores to they who would wrench at nothing. I do not sleep or eat, feel not fatigue, nor hunger. I do not feel the cold, nor rain or wind. I transcend the heat of the summer’s day. I commune. I petition. I intercede. My time is impeccable, by it worlds and destinies turn. I direct the fates of nations and humankind. My Words are Iron eternaled—rust not they away. No castle keep, nor towers of beaten brass, Nor the dankest of dungeon helks, Nor adamantine links of hand-wrought steel Can contain My Spirit–I shan’t turn back. The race is ne’er to the swift, nor battle to the strong, nor wisdom to the wise or wealth to the rich. For skills and wisdom, I give to the sons of man. I take wisdom and skills from the sons of man for they are ever Mine. Blessed is the one who finds it so, for in humility comes honor, For those who have fallen on the battlefield for My Name’s sake, I reach down to lift them up from On High. I am a rose with the thorn. I am the clawing Lion that pads her children. My kisses wound those whom I Love. My kisses are faithful. No occasion, moment in time, instances, epochs, ages or eras hold Me back. Time–past, present and future is to Me irrelevant. I span the millennia. I am the ever-present Now. My foolishness is wiser than man’s My weakness stronger than man’s. I am subtle to the point of formlessness yet formed. I have no discernible shape, no place into which the enemy may sink their claws. I AM wisdom and in length of days knowledge. Strength is Mine and counsel, and understanding. I break. I build. By Me, kings rise and fall. The weak are given strength; wisdom to those who seek and foolishness to both fooler and fool alike. I lead the crafty through their deceit. I set straight paths for those who will walk them. I am He who gives speech and sight - and confounds and removes them. When I cut, straight and true is my cut. I strike without fault. I am the razored edge of high destiny. I have no enemy, nor friend. My Zeal and Love and Mercy will not relent to track you down until you are spent– even unto the uttermost parts of the earth. I cull the proud and the weak out of the common herd. I hunt them in battles royale until their cries unto Heaven are heard. I break hearts–those whose are harder than granite. Beyond their atomic cores, I strike their atomic clock. Elect motions; not one more or less electron beyond electron’s orbit that has been ordained for you do I give–for His grace is sufficient for thee until He desires enough. Then I, Prayer, move on as a comet, Striking out of the black. I, His sword, kills to give Life. I am Living and Active, the Divider asunder of thoughts and intents. I Am the Light of Eternal Mind. And I, Prayer, AM Prayer Almighty.
Douglas M. Laurent
As we wait on the borders of a new age, there is a great need for the mystical essence of love. There is a need to remind our self of our real nature, of the oneness that embraces every cell of our body and every sigh of our soul. We need to reclaim the sanctity of mystical love and make it conscious, to bring into the marketplace of our world this ancient secret. His lovers are here for this purpose. They have come together from across millennia to awaken the world to its innermost connection of love. What is lived within their own heart belongs to humanity; it is an essential part of the mystery of humankind. Without this thread of Divine love, the song of the world would be lost, the music that gives meaning to our ordinary life would fade away. ~ THE SECRET SUBSTANCE OF DIVINE LOVE
Llewellyn Vaughan-Lee
Be like water my friend - the water doesn't discriminate between a glass made of gold and a glass made of plastic - it just acquires the shape of whichever glass you pour it in - likewise be one with all humans regardless of their religion, race or social status, for in oneness lies bliss, in oneness lies progress.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Love without benefits is the purest form of love.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Growing up with migrant workers, I knew that they usually worked harder than we did. Sometimes my dad and my uncles would hire a few of my buddies from school to help with the harvest or the branding; they would last maybe a day or two and were often unreliable. But our Mexican migrant laborers worked hard, and we could count on them. Because of this experience, I have always said that I could never look at these migrants and consider them criminals. They were working to feed their families, and we simply could not have gotten along without them. So when during the 2016 campaign Jeb Bush committed a sin of candor by saying that people crossing the border did it as an act of love, well, that’s exactly how I felt, too. And I said so at the time. Having grown up with migrant labor and with the Hispanic community that was here long before we were, I knew that what Jeb Bush was saying was true. Among those who were raised in rural Arizona, it is much more difficult to summon the vitriol for immigrants that fuels so much of the politics in the age of Trump. Of course, Jeb Bush was savaged for saying what he said, just mocked mercilessly. But then, unlike his critics, he knew what he was talking about and dared to speak truthfully, which is both a rarity and liability these days. We have to return to the politics of comity and inclusion and reject the politics of xenophobia and demonization.
Jeff Flake (Conscience of a Conservative: A Rejection of Destructive Politics and a Return to Principle)
Loving someone means loving a person even if that person is not with you.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Dropout Scientist (The Sonnet) I am a scientist who doesn't have a degree, I am a poet who has no control over words. I am a philosopher who has no intellect whatsoever, I am a monk with no idea, what it means to be religious. If I am being honest, I have no clue what I am, And I know quite well that you do not know either. But believe you me my friend, one day in sheer awe, Your descendants will come up with the rightful answer. In my 30 years of life, I've traveled quite a distance, Which will take the world at least a millennium to cover. That's why archaic designations fall short to define life, No designation is qualified to define a being beyond border. My faith is humanity, my reason is humanity, my love is humanity. I am but a glimpse of the future, without coldness and rigidity.
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)
Our leaders must take immediate action to secure our borders, understanding that without secure borders we have no nation.
Tulsi Gabbard (For Love of Country: Why I Left the Democratic Party)
Let the deaf listen to the mute. A soul is needed to understand them both. Without listening we understood. Without understanding we carried it out. On this Way, the seeker's wealth is poverty. We loved, we became lovers. We were loved, we became the beloved. When all is perishing moment by moment Who has time to be bored? God divided His people into Seventy-two languages and borders arose. But poor Yunus fills the earth and sky, and under every stone hides a Moses.
Yunus Emre (The Drop That Became the Sea: Lyric Poems)
To the river?” he suggested, pointing ahead down the road. The Recorah River, which flowed south out of the Nineyre Mountains before curving to the west, marked both our eastern and southern borders, and was the reason construction of the wall was necessitated only along the boundary we shared with the Kingdom of Sarterad. “Won’t there be patrols?” He shook his head. “One of my duties is to regulate the patrols. I know exactly where they are. So--to the river?” I nodded, and we lined our horses up as best we could, for our mounts had caught our excitement and were straining against their bits. We locked eyes and counted down together. “Three, two, one--” I dug my heels into King’s sides and he sprang almost violently forward. My father had never liked me racing. It was dangerous--the horse could fall, I could drop the reins or lose my seat, and at a full gallop, my chances of survival would be slim. But he had always loved to do it, and so had I. There was such freedom in letting a horse have its head, such joyful abandonment in the feel of the animal’s hooves striking the earth time after time, as fast and as hard as they could go. There was power and exhilaration in leaning forward, moving with the animal, feeling the wind on my cheeks, my hair whipping back. There was a oneness that could not be achieved in any other way, a single purpose represented by the finish line that loomed ahead. King and I had the advantage at the start, and I turned my head to grin at Saadi before giving my full concentration to the task at hand. I would leave him far behind, but there was no point in testing fate. It wasn’t long before my confidence and my lead were challenged--I caught sight of the gelding’s front legs to my left, gaining ground as they arched and reached in beautiful rhythm. We bumped and battled, following the winding road, the horses breathing hard. Then it was Saadi’s turn to grin. He gave me a nod, urging his horse up the slight incline that lay before us, gradually inching ahead until he succeeded in passing me completely as we flew down the other side. Knowing the race would be won or lost on the remaining flat ground from here to the river, I lay low against King’s neck, and the stallion pressed forward, sensing my urgency. Race for Papa, King, I thought. You can win for Papa. The Recorah River spread before us, and both Saadi and I would have to slow soon to avoid surging into it. King’s burst of speed was enough to put us neck-and-neck once more, but my frustration flared, for I doubted we could push ahead. At best, the race would be a tie. And a tie wasn’t good enough, not when King needed to come home with me. Then suddenly I was in front. I glanced over at Saadi in confusion, and saw him check his gelding, letting me win. King did not want to stop, but I pulled him down just before the river, swerving to let him canter, then trot, along its bank. Saadi came alongside me and we halted, dismounting at the same time. I leaned for a moment against my saddle, panting from my own exertion, then slid it off King’s back. Without a word, Saadi likewise stripped his mount, and we freed the horses to go to the water for a drink. Muscles aching, I flopped down on the grass and stared up through the branches of a tree to the graying sky above. A shadow passed over me, then Saadi lay down beside me. “You won,” he said. “You let me.” There was a silence--he hadn’t expected me to know. Then I heard the grass rustle as he shrugged. “You’re right. I did.” Laughing at his candor, I sat up and looked at him. He was relaxing with his arms behind his head, his bronze hair damp and sticking to his forehead.
Cayla Kluver (Sacrifice (Legacy, #3))
Unbelief keeps us from loving others, sharing Christ, taking risks, giving ourselves away, and praying God’s truth. It keeps us bound in our mediocrity. During His earthly ministry, Jesus made a few startling statements about how our faith affects the events of our lives, such as, “Let it be done to you according to your faith.” Make no mistake about it: this signature sin of unbelief marginalizes our spiritual potential.
Arabah Joy (Trust Without Borders: A 40-Day Devotional Journey to Deepen, Strengthen, and Stretch Your Faith in God)
Late 2012 Andy’s Correspondence   Young, India has a way of changing a worldview. It was everything I had expected, still unexpected. Although I had seen poverty, I had not witnessed impoverishment such as I saw in India. Much like you, I found it trying, to keep a jaunty demeanor in the company of our hosts, when the majority of India’s denizens suffer from malnourishment and poverty. It was difficult to refrain from extending a helping hand – but, I knew I could not reach out to one, without becoming vulnerable to all.               I shed many a tear pondering over this universal question, asked by many, “Why is this happening, and how will it end for these destitute souls?” These are unanswerable questions to which only the Creator can reply.               During times of uncertainty, I was grateful to have your teacher, Dubois, to provide me with his admirable insights. His work (on Zentology) had helped many find equilibrium and solace within their inner and outer worlds. After he received his doctorate, I read several of his books, which helped me during my tumultuous years in New Zealand.               What transpired after our separation I have mentioned earlier – Tony, my ex-boyfriend, was not an easy person. His concept of love bordered on maniacal possession, not an easing into life’s rhythmic synergies, nor allowing rather than controlling. Maneuvering within his taxing negativity left me drained. Dubois’ books and meditation techniques helped me distance myself from this challenging situation, and after some time, I was left with little choice but to depart for Canada.
Young (Turpitude (A Harem Boy's Saga Book 4))
My back is pressed against the side of the garage, Jake's body pinning me to the wood. He looks down at my lips and back to my eyes. The rain is soaking us as we stare at each other, waiting for the other to make the first move. Jake grabs my chin in his hands, pointing my face up to his, then coldly whispers, 'I suppose you think it's selfish when I rip this dress from your body and fuck you right here in the rain.' I can't say another word. Jake's mouth finds mine and we savagely kiss each other. Our lips press hard into each other as the passion and love I have for this man comes spilling out of me. True to his word, Jake grabs ahold of my dress where the millions of buttons trail down my back and yanks. He yanks and then yanks again. The delicate lace and satin tears away from my body and falls to shreds, billowing at my feet when he says, 'You've ruined me.' He kisses me hard, bordering on painful, as he pours his torn heart out to me. 'I'm a complete fucking mess without you.
M.S. Brannon (Blind Love (Sulfur Heights, #3))
My friend Susan suggested that perhaps I should establish a not-for-profit relief organization called “Divorcées Without Borders.
Elizabeth Gilbert (Eat, Pray, Love)
Your love is a covenant that my heart will fulfill. Your love is patience for life. Your love is an incentive to make more efforts to achieve dreams. Your love is lasting happiness, a wonderful presence, and a culture without borders. Your love is my destiny and my eternal wishes
Sami abouzid
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
The First Water is the Body (excerpt) The Colorado River is the most endangered river in the United States—also, it is a part of my body. I carry a river. It is who I am: ‘Aha Makav. This is not metaphor. When a Mojave says, Inyech ‘Aha Makavch ithuum, we are saying our name. We are telling a story of our existence. The river runs through the middle of my body. --- What threatens white people is often dismissed as myth. I have never been true in America. America is my myth. --- When Mojaves say the word for tears, we return to our word for river, as if our river were flowing from our eyes. A great weeping is how you might translate it. Or a river of grief. --- I mean river as a verb. A happening. It is moving within me right now. --- The body is beyond six senses. Is sensual. An ecstatic state of energy, always on the verge of praying, or entering any river of movement. Energy is a moving river moving my moving body. In Mojave thinking, body and land are the same. The words are separated only by the letters ‘ii and ‘a: ‘iimat for body, ‘amat for land. In conversation, we often use a shortened form for each: mat-. Unless you know the context of a conversation, you might not know if we are speaking about our body or our land. You might not know which has been injured, which is remembering, which is alive, which was dreamed, which needs care. You might not know we mean both. --- What is this third point, this place that breaks a surface, if not the deep-cut and crooked bone bed where the Colorado River runs—a one-thousand-four-hundred-and-fifty-mile thirst—into and through a body? Berger called it the pre-verbal. Pre-verbal as in the body when the body was more than body. Before it could name itself body and be limited, bordered by the space body indicated. Pre-verbal is the place where the body was yet a green-blue energy greening, greened and bluing the stone, red and floodwater, the razorback fish, the beetle, and the cottonwoods’ and willows’ shaded shadows. Pre-verbal was when the body was more than a body and possible. One of its possibilities was to hold a river within it. --- If I was created to hold the Colorado River, to carry its rushing inside me, if the very shape of my throat, of my thighs is for wetness, how can I say who I am if the river is gone? --- Where I come from we cleanse ourselves in the river. I mean: The water makes us strong and able to move forward into what is set before us to do with good energy. We cannot live good, we cannot live at all, without water. If your builder could place a small red bird in your chest to beat as your heart, is it so hard for you to picture the blue river hurtling inside the slow muscled curves of my long body? Is it too difficult to believe it is as sacred as a breath or a star or a sidewinder or your own mother or your beloveds? If I could convince you, would our brown bodies and our blue rivers be more loved and less ruined? The Whanganui River in New Zealand now has the same legal rights of a human being. In India, the Ganges and Yamuna Rivers now have the same legal status of a human being. Slovenia’s constitution now declares access to clean drinking water to be a national human right. While in the United States, we are teargassing and rubber-bulleting and kenneling Natives trying to protect their water from pollution and contamination at Standing Rock in North Dakota. We have yet to discover what the effects of lead-contaminated water will be on the children of Flint, Michigan, who have been drinking it for years. America is a land of bad math and science. The Right believes Rapture will save them from the violence they are delivering upon the earth and water; the Left believes technology, the same technology wrecking the earth and water, will save them from the wreckage or help them build a new world on Mars. ---
Natalie Díaz (Postcolonial Love Poem)
I take hold of Lulu’s hand and she squeezes my hand back and I whisper very softly close to her ear Lulu let’s be secret friends and no one will know except us and she whispers back very softly Friends Without Borders and we squeeze our hands hard and that is our promise. And I wonder if I might be in love with Lulu instead of Chris, or maybe I love them both which seems possible on a pier in the Muskaheegee River but nowhere else.
Jennifer Egan (The Candy House)
Around the shadow is a heat of abundant sweat. I’m alive.» «I'm alive. But I feel that I have yet to reach my limits, borders with what? without borders, the adventure of dangerous freedom. But I take risks, I live taking risks. I’m full of acacias swaying yellow, and I who have barely started my journey, I start it with a sense of tragedy, guessing toward which lost ocean my steps of life are leading. And madly I take control of the recesses of myself, my ravings suffocate me with so much beauty. I am before, I am almost, I am never. And all of this I won when I stopped loving you. I write to you as an exercise in sketching before painting. I see words.
Clarice Lispector (Água Viva)
Being in North Korea was profoundly depressing. There was no other way of putting it. The sealed border was not just at the 38th parallel, but everywhere, in each person’s heart, blocking the past and choking off the future. As much as I loved those boys, or because of it, I was becoming convinced that the wall between us was impossible to break down, and not only that, it was permanent.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
and from her heart there runs a cold sad feeling that says she is going to die, she opens her eyes and knows she has crossed a border of some kind, wet light on the asphalt and rusting green on the railing that runs in unity along the path to the shops and she knows she is lying not against the road but against something endmost and is astonished by her calm, death is waiting and she was not prepared, death stood before her in brazen signal and she did not look but ran into its arms without thinking of her children, and it is grief that seizes hold of her when she sees her children abandoned, seeing how she was told and did not listen, it was your duty to deliver them from danger but instead you stood your ground, such foolishness and blindness before the facts, you should have got them out, hearing the words her father gave in warning again and again, to leave the country and make a better life, seeing the missed opportunities grow before her and how they could have escaped, all of it dust, all of it a nothingness in a false past and she sees herself in a hole in the earth and she sees the best parts of her love, sees how one thing gives to another thing and how her life has been consumed by some law of force that governs all and she is nothing within it but a speck of dust,
Paul Lynch (Prophet Song)
The Son of a vacuum Among the tall trees he sat lost, broken, alone again, among a number of illegal immigrants, he raised his head to him without fear, as nothing in this world is worth attention. -He said: I am not a hero; I am nothing but a child looking for Eid. The Turkmen of Iraq, are the descendants of Turkish immigrants to Mesopotamia through successive eras of history. Before and after the establishment of the Ottoman Empire, countries crossed from here, and empires that were born and disappeared, and still, preserve their Turkish identity. Although, after the collapse of the Ottoman Empire and the division of the Arab world, they now live in one of its countries. Kirkuk, one of the heavens of God on earth, is one of the northern governorates of Iraq in which they live. The Kurdish race is shared with them, a race out of many in Iraq. Two children of two different ethnicities, playing in a village square in Kirkuk province when the news came from Baghdad, of a new military coup. Without delay, Saddam Hussein took over the reins of power, and faster than that, Iraq was plunged into successive wars that began in 1980 with its neighbor Iran, a war that lasted eight years. Iraq barely rested for two years, and in the third, a new war in Kuwait, which did not end in the best condition as the leader had hoped, as he was expelled from it after the establishment of an international coalition to liberate it, led by the United States of America. Iraq entered a new phase of suffering, a siege that lasted more than ten years, and ended up with the removal of Saddam Hussein from his power followed by the US occupation of it in 2003. As the father goes, he returns from this road, there is no way back but from it. As the date approaches, the son stands on the back of that hill waiting for him to return. From far away he waved a longing, with a bag of dreams in his hands, a bag of candy in his pocket, and a poem of longing by a Turkmen poet who absorb Arabic, whose words danced on his lips, in his heart. -When will you come back, dad? -On the Eid, wait for me on the hill, you will see me coming from the road, waving, carrying your gifts. The father bid his son farewell to the Arab Shiite city of Basra, on the border with Iran, after the outbreak of the Iran-Iraq war, as the homeland is calling its men, or perhaps the leader is calling his subjects. In Iraq, as in many countries of the Arab world, the homeland is the leader, and the leader is the homeland. Months passed, the child eagerly anticipating the coming of the feast, but the father hurried to return without an appointment, loaded on the shoulders, the passion reached its extent in the martyr’s chest, with a sheet of paper in his pocket on which he wrote: Every morning takes me nostalgic for you, to the jasmine flower, oh, melody in the heart, oh balm I sip every while, To you, I extend a hand and a fire that ignites in the soul a buried love, night shakes me with tears in my eyes, my longing for you has shaped me into dreams, stretching footsteps to the left and to the right, gleam, calling out for me, you scream, waking me up to the glimpse of the light of life in your face, a thousand sparkles, in your eyes, a meaning of survival, a smile, and a glace, Eid comes to you as a companion, without, life yet has no trace, for roses, necklaces of love, so that you amaze. -Where is Ruslan? On the morning of the feast day, at the door of his house, the kids asked his mother, -with tears in her eyes: He went to meet his father. A moment of silence fell over the children, -Raman, with a little gut: Aunt, do you mean he went to the cemetery? -Mother: He went to meet him at those hills.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
One man I unfortunately did not get to mention in my book, but I feel also deserves to be noted here, is Sousa Mendes, a Portuguese consul in Bordeaux, France. In June 1940, when Germany took France, people were being attacked and cities were falling under Nazi control, and people were desperate to flee, he defied strict orders to not authorize visas. As the Portuguese consulate filled with desperate people, Mendes went with his heart and conscience and vowed to sign as many visas as he could regardless of nationality or religion, and he did so without taking payment. For three days, he signed and signed and signed, his name reduced to only “Mendes,” but the consulate stamp on those visas was enough to let refugees flow through the borders. Before he was forced to stop, he managed to sign at least 3,800—this number has been confirmed with certainty by the Sousa Mendes Foundation (survivors and descendants of the families he saved with those visas), though estimates of the number range between 10,000–30,000. For his defiance, he was stripped permanently of his title, shunned by António de Oliveira Salazar, the prime minister of Portugal, and never again able to secure employment. Sousa Mendes is noted to have said: “I could not have acted otherwise, and I therefore accept all that has befallen me with love.
Madeline Martin (The Librarian Spy)
I closed my eyes to see a world in which we could all love each other without having to worry about a river or a border. It would have bustling streets and people wearing colorful clothing. And I would be holding Manoj’s hand as we ran through the crowd, staring at his dimples, his brown eyes, and his beaming smile. And that moment, with my eyes fully closed, was something even Morrisonville could never take away: love.
Yash Wadwekar (When Untangling Wings)
Gone. Without a warning or a goodbye—certainly with no explanation, although, with the passage of time, Laurel came to realize that no explanation would have sufficed or made her feel the loss any less deeply. A knife had been plunged into her chest, the blade dragged across her heart, scarring it forever. There was no cure for being abandoned, then, later, ever. A mother’s rejection was worse than her death. At least in death there was a body to mourn, an incomparable love lost, which later, in the fullness of time, was to be treasured. Abandonment was a darkened house, an empty room, a terrible certainty that if only she had done something different—anything—her mother would still be here, her presence felt, the song of her voice like the warmth of a summer sun. Now only winter, eternal winter.
Leslie Archer (The Girl at the Border)
Human bodies, exhausted rocks, gray sacks on the seashore, you always understand that life never ends-it just inherits itself. You endlessly repeated bodies roll out every morning like a slow and disenchanted wave. Human flesh forever, no light! Always rolled from over there, from a sourceless ocean that sends out wave on wave, the swells, the tired bodies, the borders of a sea that never quits, that gasps on its shores, forever. All of you, innumerable, cloned, over and over, heaping up your flesh, your lives, without hope, all monotonously the same under the sullen skies that feel nothing and repeat. That sea never ceases pouring out the bodies, and they break here, roundly, and lie dying on the beaches. And no one sees that swift ship; no one sees it, the quick sail whose steel bow could slant and slice and open up the luminous blood and then race off into the deep horizon, toward the last source of life, the boundary of the eternal sea that pours out these gray human corpses. Toward the light, toward that rising ladder of bright things that climbs from a loving breast to a mouth, ascending, to some huge, full eyes that watch us, to some silent, bounded hands that make a prison where we’re still being born, charged with energy, always tired.
Vicente Aleixandre (A Longing for the Light: Selected Poems)
Loving someone means giving them the power to kill you, while believing that they won't.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Never give up on love. It is easier to give up in search of a better prize, because the brain always keeps craving for new stimulants, but this way you only keep on searching, never to find peace in love.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Do you think you could love me for more than one lifetime?” I caught a glimpse of Orlando then, the part of your soul which, despite your bravado, had always struggled with believing yourself worthy. I had loved you as a spirit, as a demon, and as a man. I’d loved you when you were a child, a dancer, a thirsty youngblood, and a godling trying to maneuver your way through a web of lies and deceit. I’d loved you as my ward, my prince, and now, as my master. My love for you was as wide and as deep as the ocean that surrounded us. Perpetua ad infinitum. Everlasting, infinite, without borders and without end. I drew you closer and kissed the part in your hair. “My darling, I already have.
Laura Lascarso (Parousia (Mortal and Divine #3))
Kindness often comes from a guilt-ridden mind, compassion comes from an aware soul. Kindness is selective, compassion is for all. For example, kind people often take care of dogs and cats but create nuisance for their fellow human beings. They often believe in a world without borders but become a tool in the hands of one country to harm another country.
Shunya
Do you really think you can get him to switch to guarding the border between Tarva and Fisa without making you go through a whole new challenge?” I ask. Lycheron will only bargain male Alpha to male Alpha. The first challenge involved riddles, forfeits, and Artemis—all of which I could do without. “I can try.” Griffin’s gray eyes glitter from beneath his dark lashes as he turns to me, the mix of humor and determination in them making my breath catch. Man. Warlord. Husband. King. I love every part of him. “I’m going to stitch that onto a banner for you,” I tell him. “I’ll turn it into your official motto.” The corners of his mouth kick up, and his expression brightens with surprise. “You can sew?” “Nope.” I grin. “But I can try.
Amanda Bouchet (Heart on Fire (Kingmaker Chronicles, #3))
Streets can have speed limit, but not kindness - ATMs can have withdrawal limit, but not compassion - tests can have time limit, but not conscience.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
A meaningful life is a life lived for others - a religious life, is a life lived for others - a human life, is a life lived for others.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Nothing is more heroic than loving without shame.
S.A. Borders-Shoemaker
The healthiest practice in the world is the practice of love.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
Love sees not facts, love sees not reason - love sees not creed, love sees not superstition - love seeks not reward, love seeks not pleasure - love seeks not praise, love seeks not leisure.
Abhijit Naskar (When Humans Unite: Making A World Without Borders)
The Border: A Double Sonnet The border is a line that birds cannot see. The border is a beautiful piece of paper folded carelessly in half. The border is where flint first met steel, starting a century of fires. The border is a belt that is too tight, holding things up but making it hard to breathe. The border is a rusted hinge that does not bend. The border is the blood clot in the river’s vein. The border says Stop to the wind, but the wind speaks another language, and keeps going. The border is a brand, the “Double-X” of barbed wire scarred into the skin of so many. The border has always been a welcome stopping place but is now a Stop sign, always red. The border is a jump rope still there even after the game is finished. The border is a real crack in an imaginary dam. The border used to be an actual place but now it is the act of a thousand imaginations. The border, the word border, sounds like order, but in this place they do not rhyme. The border is a handshake that becomes a squeezing contest. The border smells like cars at noon and woodsmoke in the evening. The border is the place between the two pages in a book where the spine is bent too far. The border is two men in love with the same woman. The border is an equation in search of an equals sign. The border is the location of the factory where lightning and thunder are made. The border is “NoNo” the Clown, who can’t make anyone laugh. The border is a locked door that has been promoted. The border is a moat but without a castle on either side. The border has become Checkpoint Chale. The border is a place of plans constantly broken and repaired and broken. The border is mighty, but even the parting of the seas created a path, not a barrier. The border is a big, neat, clean, clear black line on a map that does not exist. The border is the line in new bifocals: below, small things get bigger; above, nothing changes. The border is a skunk with a white line down its back.
Alberto Alvaro Ríos (A Small Story about the Sky)
This point was driven home for me for the first time when I was traveling in Asia in 1978 on a trip to a forest monastery in northeastern Thailand, Wat Ba Pong, on the Thai-Lao border. I was taken there by my meditation teacher, Jack Kornfield, who was escorting a group of us to meet the monk under whom he had studied at that forest hermitage. This man, Achaan Chaa, described himself as a “simple forest monk,” and he ran a hundred-acre forest monastery that was simple and old-fashioned, with one notable exception. Unlike most contemporary Buddhist monasteries in Thailand, where the practice of meditation as the Buddha had taught had all but died out, Achaan Chaa’s demanded intensive meditation practice and a slow, deliberate, mindful attention to the mundane details of everyday life. He had developed a reputation as a meditation master of the first order. My own first impressions of this serene environment were redolent of the newly extinguished Vietnam War, scenes of which were imprinted in my memory from years of media attention. The whole place looked extraordinarily fragile to me. On my first day, I was awakened before dawn to accompany the monks on their early morning alms rounds through the countryside. Clad in saffron robes, clutching black begging bowls, they wove single file through the green and brown rice paddies, mist rising, birds singing, as women and children knelt with heads bowed along the paths and held out offerings of sticky rice or fruits. The houses along the way were wooden structures, often perched on stilts, with thatched roofs. Despite the children running back and forth laughing at the odd collection of Westerners trailing the monks, the whole early morning seemed caught in a hush. After breakfasting on the collected food, we were ushered into an audience with Achaan Chaa. A severe-looking man with a kindly twinkle in his eyes, he sat patiently waiting for us to articulate the question that had brought us to him from such a distance. Finally, we made an attempt: “What are you really talking about? What do you mean by ‘eradicating craving’?” Achaan Chaa looked down and smiled faintly. He picked up the glass of drinking water to his left. Holding it up to us, he spoke in the chirpy Lao dialect that was his native tongue: “You see this goblet? For me, this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on a shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every moment with it is precious.”5 Achaan Chaa was not just talking about the glass, of course, nor was he speaking merely of the phenomenal world, the forest monastery, the body, or the inevitability of death. He was also speaking to each of us about the self. This self that you take to be so real, he was saying, is already broken.
Mark Epstein (Thoughts Without A Thinker: Psychotherapy from a Buddhist Perspective)
The most important lesson I learned is that your brain is who you are. It’s every plan you’ve ever made, every person you’ve fallen in love with, and every regret you’ve ever had. Your brain is all there is. It’s the pulsating essence of you as a person. Without a brain, our sense of “self” is reduced to nothing.
Adrian Owen (Into the Gray Zone: A Neuroscientist Explores the Border Between Life and Death)