Rent Broadway Quotes

The heart may freeze, or it can burn. The pain will ease and I can learn. There is no future, there is no past. I live this moment as, my last.

There's only us. There's only this. Forget regret or life is yours to miss. No other road, no other way, no day but today

We found out yesterday that Robert has won the Drama Desk Award for Possessed, a huge Broadway honor. Jeff—who is over the moon about it—is planning a fiftieth birthday party/award celebration. Of course I have to be there . . . and of course Calvin will be, too. No way am I going solo. I need major reinforcements, and nobody makes me laugh harder than Davis. “I know where this is going,” he says once I’ve explained the situation. He lets out a long sigh. “Does this mean I need to get a plane ticket and rent a tux?” “Well yeah, because I want my date to look hot.” “That is some Flowers in the Attic stuff, Holls. Don’t be weird.

Code of Civil Procedure §1161(2) prevents the landlord from claiming rent due more than a year before the service of the 3-day notice. See Fifth & Broadway Partnership v Kimny, Inc. (1980) 102 CA3d 195, 202. An argument could also be made on the ground of laches that it is inequitable for a landlord to wait a full year before demanding overdue rent. That argument was successfully made in Maxwell v Simons (Civ Ct 1973) 353 NYS2d 589, which held that it was unconscionable for a landlord to permit the tenant to fall more than 3 months behind in rent before bringing an unlawful detainer action based on the total arrearage. New York law required the tenant to pay the arrearage within 5 days or return possession. The court held that the landlord could base his eviction action only on the last 3 months' nonpayment of rent and would have to recover the balance in an ordinary action for rent. See also Marriott v Shaw (Civ Ct 1991) 574 NYS2d 477 and Dedvukaj v Mandonado (Civ Ct 1982) 453 NYS2d 965. In California, this reasoning, along with the cases cited above on "equitable" defenses, might be used to attack a 3-day notice to pay or quit demanding more than three months' back rent.

First, supply yourself with pamphlets and maps from the Visitors Center. Then rent a bicycle from one of those places along Seawall and ride north on 19th Street to Sealy. The heart of the East End Historical District is located between 19th and 14th, from Sealy to the Strand. Mainlanders who envision the Island as a barren sandbar are invariably amazed at the canopy of great oaks and the wall of stately palms that grace Galveston’s historic neighborhoods. Many of the homes are identified by markers: the “castle” of the Danish immigrant John C. Trube, at 1627 Sealy, is one of the Island’s strangest and most intriguing homes. It looks as though it were designed by a committee of architects. Trube, once the gardener of a Danish nobleman, had the house designed to resemble a castle in Kiel, Denmark, with battlement towers, and a mansard roof with nine gables. The house on the northwest corner of 17th and Winnie is the boyhood home of King Vidor, one of Hollywood’s best directors in the 1930s. The single most spectacular home is the old Gresham Mansion, now called the Bishop’s Palace, at the corner of Broadway and 14th. In silhouette this immense place looks like a medieval town. This was once the home of Colonel Walter Gresham, whose lobbying efforts secured federal money to widen and deepen the ship channel after the Civil War. Ashton Villa, a more delicate Victorian structure at 2328 Broadway, was once the home of Miss Bettie Brown, who scandalized Islanders in the 1880s by smoking cigarettes in public and racing unchaperoned along Broadway in a carriage pulled by matching teams of stallions—a black pair for day and a white pair for evening. It is said that on occasion Miss Brown’s ghost appears in the dead of night and plays the piano in the villa’s Gold Room.