Renaissance Rebirth Quotes

History, too, has a penchant for giving birth to itself over and over again, and those whom it appoints agents of change and progress do not always accept their destinies willingly.

Death is the midwife of very great things.... It brings about the birth and rebirth of forms a thousand times improved. This is the highest mystery of God.

Culling is God's Natural Order. Ask yourself, What followed the Black Death? We all know the answer. The Renaissance. Rebirth.

Like the butterfly, you will also go through stages of change, rebirth, and new beginnings for transformation and renewal. Use these changes to create a clarity of purpose for a personal renaissance. Break out of your comfort zone, shed old layers, and stretch in your potential to become your best self. Be free of outdated limitations, experience rebirth and take flight.

Keep the progress, but recover the lost values. Technically, then he's talking about renaissance: the rebirth of old ideas in a new framework.

although scholars have long called this period the Renaissance, this was no rebirth. Rather, it was a Naissance – a birth. For the first time in history, Europe lay at the heart of the world.

America was invented out of a desire for rebirth, for fresh starts. It was the place where a man could be the author of himself, reinventing himself as an aristocrat, but somehow these stories of renaissance kept ending in murder.

Renaissance" is not a good historical term, since it implies death and rebirth and great cataclysmic changes. There are few abysses or chasms in history; there are merely times when cultural change takes place more quickly and vigorously than at others.

Spring time in Florida is not a matter of peeping violets or bursting buds merely. It is a riot of color, in nature--glistening green leaves, pink, blue, purple, yellow blossoms that fairly stagger the visitor from the north. The miles of hyacinths are like an undulating carpet on the surface of the river and divide reluctantly when the slow-moving alligators push their way log-like across. The nights are white nights as the moon shines with dazzling splendor, or in the absence of that goddess, the soft darkness creeps down laden with innumerable scents. The heavy fragrance of magnolias mingled with the delicate sweetness of jasmine and wild roses.

At the end of the 1400s, the world changed. Two key dates can mark the beginning of modern times. In 1485, the Wars of the Roses came to an end, and, following the invention of printing, William Caxton issued the first imaginative book to be published in England - Sir Thomas Malory's retelling of the Arthurian legends as Le Morte D'Arthur. In 1492, Christopher Columbus's voyage to the Americas opened European eyes to the existence of the New World. New worlds, both geographical and spiritual, are the key to the Renaissance, the 'rebirth' of learning and culture, which reached its peak in Italy in the early sixteenth century and in Britain during the reign of Queen Elizabeth I, from 1558 to 1603.

One of the first Italians to give a name to the reawakened interest in Greek and Roman learning was the poet Petrarch, who announced early in the 1340s that poets and scholars were ready to lead the cities of Italy back to the glory days of Rome. Classical learning had declined, Petrarch insisted, into darkness and obscurity. Now was the time for that learning to be rediscovered: a rebirth, a Renaissance.

Renaissance,” Alice’s husband said casually. “A rebirth? Like you guys have been able to start again now that you’re together?” Cali shook her head. “No. We haven’t started again. The Renaissance was about maturity,” she explained, using the words Kent had spoken to her in the Landon Industries vault more than a year ago. “So, instead of a rebirth, this is us growing into ourselves. It’s the culmination of all the years we lived before we decided to live them together.

Under the widespread influences from the paper and printing, gunpowder and firearms, and the spread of the navigational compass and other maritime equipment, Europeans experienced a Renaissance, literally a rebirth, but it was not the ancient world of Greece and Rome being reborn: It was the Mongol Empire, picked up, transferred, and adapted by the Europeans to their own needs and culture

The Catholic Church’s policy of blaming women and sex for the ills of the world came to full fruition in the late Middle Ages and on into the Renaissance. At minimum, hundreds of thousands of innocent women and men were hunted down, tortured horribly, reduced to physical, social, and economic wreckage, or burnt at the stake for being “witches”. The Catholic Church, so obsessed with it’s paranoid, irrational, illogical, and superstitious fantasies, deliberately tortured and executed human beings for a period of three hundred years. All this carnage, due to the Church's fear of learning, kept Europe in the throws of abysmal ignorance for a thousand years. What has been lacking in the world since the fall of the ancient world is a logical view of the godhead. To the Greek and Roman mind the gods were utilitarian; that is they offered convenient place to appreciate human archetypes. Sin and redemption from sin had nothing to do with the gods. The classic Greek and Roman gods did not offer recompense in life nor a heavenly afterlife as reward. Rather morality was determined by your service to humanity whether it was in the form of philosophy, science, art, architecture, engineering, leadership, or conquest. In this way humanity could live up to great potential instead of wasting their energy on worship, and false promises For almost a thousand years after the fall of Rome the Catholic Church’s control of society and law guaranteed that woman’s position was degraded to that of a second class citizen, far below the ancient Roman standard. Every literary reference depicts women as inferior, unworthy of inheritance, foolish, lustful and sinful. The Church ordained wife beating and encouraged total obedience to fathers and husbands. Women generally could not own land, join a guild, nor earn money like a man. Despite all this, a series of events unfolded; the crusades, rebirth of classical ideas, the printing press, the Reformation, and the Renaissance, all of which began to move womankind forward. VALENTINES DAY CARDS The Lupercalia festival of the New Year became an orgiastic carnival. A lottery ceremony ensued where men chose their sexual partners by choosing small bits of paper naming each woman present. Later the Christians, trying to incorporate and tame this sexual festival substituted the mythical saint Valentine; and ‘the cards of lust’ evolved into the valentine cards we exchange today.

What followed the Black Death? We all know the answer. The Renaissance. Rebirth. It has always been this way. Death is followed by birth. To reach Paradise, man must pass through Inferno.

Renaissance means rebirth. Rebirth of what? Of a pagan society. At first, they meant only a rebirth in art, but it happened in their mentality too. To praise pure naturalism—paganism is naturalism, not supernaturalism —and so to put pure nature at the center and thus weaken the supernatural bonds with God, with the Incarnate God Jesus Christ, who is supernatural. All of this was reflected in art.

In truth, France. Germany, Austria, Spain, Portugal and England had nothing to do with Athens and the history of Rome from its earliest days to its demise. This was glossed over as artists, writers and architects went to work, borrowing themes, ideas and texts from antiquity to provide a narrative that chose selectively from the past to create a story which over time became not only increasingly plausible but standard. So although scholars have long called this period the Renaissance, this was no rebirth. Rather, it was a Naissance - a birth. For the first time in history, Europe lay at the heart of the world.

All of these works Poggio copied and sent to Bruni and Niccoli in Florence. The city was becoming renowned more than anywhere else in Europe as a place where ancient manuscripts were collected, where the classics were studied, preserved, and esteemed. Thus, by the time Vespasiano was born in 1422, all of this ancient knowledge, after its migrations around Europe, after flowing back and forth across the Channel and the Alps, after finding refuge in monasteries where new codices were produced, and after centuries of eclipse and neglect, of disintegration and loss, was finally coming to Florence. “How much the men of letters of our age owe these men,” Vespasiano later wrote of Poggio and his friends, “who shone such a light.”19 When he went to work in Michele Guarducci’s bookshop it was therefore possible, thanks to men like Niccoli and Poggio, to dream of the rebirth of the ancient world,

I do remember it, what surprises me still is that I survived it. That is the mystery of our lives. That we do survive the unthinkable. We overcome the unimaginable. I didn’t believe I would ever love anyone again. And for more than two years I lived in despair and depression. And then one day, I walked into the Renaissance room at the museum— yes, I know the significance of which room it was — the very word means rebirth and renewal — and there was your mother sketching in front of a Raphael.

Vespasiano’s biographies were crucial, therefore, to the formation of one of history’s most famous and endearing (if sometimes misleading) narratives: how the rediscovery of ancient books refreshed and “rebirthed” a disoriented and moribund civilization.

The ideal of spirituality striving for the heights was doomed to clash with the materialistic, earth-bound, passion to conquer matter and master the world. This change became visible at the time of the 'Renaissance.' The word means 'rebirth, ' and it referred to the renewal of the antique spirit. We know today that this spirit was chiefly a mask; it was not the spirit of antiquity that was reborn, but the spirit of medieval Christianity that underwent strange pagan transformations, exchanging the heavenly goal for an earthly one, and the vertical of the Gothic style for a horizontal perspective (voyages of discovery, exploration of the world and of nature).

Norcia is an ancient town with Roman ruins and Renaissance structures that exists like a flat island in a sea of more mountainous towns. It has survived countless strong earthquakes, including two particularly devastating ones a few years back. You can still see some buildings across town in disrepair and chunks of structures missing. But in the intervening years, as the town has rebuilt, it has also taken on a magical air of rebirth. Old buildings mixed in with new patches. The enthusiasm of seeing tourists streaming through again is palpable. You can still see the remnants, but it's clear that even natural devastation can't remove its charm. Parts of the restaurant's back wall have crumbled, but it now has an air of bohemian clutter where plants have taken root in the fractures.

Europeans experienced a Renaissance, literally a rebirth, but it was not the ancient world of Greece and Rome being reborn: It was the Mongol Empire, picked up, transferred, and adapted by the Europeans to their own needs and culture.

The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards.

The Renaissance After the fall of the Roman Empire, Europe began a period that is called the Middle Ages, or the medieval period. The Middle Ages were dominated by war, illness, and concerns about mortality. During this time, Rome lost much of its former grandeur and vitality. It had perhaps no more than thirteen thousand residents in the 1300s. Around this time, attitudes began to change. The wealthy began thinking more about human achievement and the world around them. Explorers such as Columbus wanted to find new routes to Asia. Italian churchmen and scholars saw ancient buildings all around them and took an interest in the classical world of Rome and Greece. They began to spend money on beautiful buildings, art, and scholarship. This period came to be called the Renaissance, which means “the Rebirth.” It was the rebirth of classical learning after more than a thousand years.

It was 1908 when Henry Ford unveiled the first Model T, a product that would reorient the infrastructure of civilization, and around which civilization would reorient itself. Just over a century later, Elon Musk unveiled the Model S at a time when civilization is more than ready for a cultural rebirth—one that could be catalyzed by something as innocuous as a beautiful car that drives itself. Autonomy, after all, is a term not limited to the automatic control of a motor vehicle. Its meaning also speaks of self-determination. It is through the power of this autonomy that we can turn a revolution into a renaissance.

We tend to think of nature and civilization as being irreconcilably opposed: Civilization’s gain is nature’s loss. But in fact, cities have become prime habitat for speciation, hybridization, and, in short, rebirth. Certainly, civilization has upended the status quo in nature, but it is also proving to be a vehicle for a natural renaissance.