Reminder That You Are Beautiful Quotes

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Your memory feels like home to me. So whenever my mind wanders, it always finds it’s way back to you.
Ranata Suzuki
I have lightning and wind powers," Jason reminded him. "Piper can turn beautiful and charm people into giving her BMWs. You're no more a freak than we are. And, hey, maybe you can fly, too. Like jump off a building and yell 'Flame on!'" Leo snorted. "If I did that, you would see a flaming kid falling to his death, and I would be yelling something a little stronger than 'Flame on!
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
I don't know when we'll see each other again or what the world will be like when we do. We may both have seen many horrible things. But I will think of you every time I need to be reminded that there is beauty and goodness in the world.
Arthur Golden (Memoirs of a Geisha)
…the sad part is, that I will probably end up loving you without you for much longer than I loved you when I knew you. Some people might find that strange. But the truth of it is that the amount of love you feel for someone and the impact they have on you as a person, is in no way relative to the amount of time you have known them.
Ranata Suzuki
If you cannot hold me in your arms, then hold my memory in high regard. And if I cannot be in your life, then at least let me live in your heart.
Ranata Suzuki
I had someone once who made every day mean something. And now…. I am lost…. And nothing means anything anymore.
Ranata Suzuki
If you’re searching for a quote that puts your feelings into words – you won’t find it. You can learn every language and read every word ever written – but you’ll never find what’s in your heart. How can you? He has it.
Ranata Suzuki
I miss that feeling of connection. Knowing he was out there somewhere thinking about me at the same time I was thinking about him.
Ranata Suzuki
He was both everything I could ever want… And nothing I could ever have…
Ranata Suzuki
This is for girls who have the tendency to stay up at night listening to music that reminds them of their current situation. Who hide their fears, hurt, pain and tears under the smiles, laughs and giggles on a daily basis. The girls who wear their heart on their sleeve. The girls who pray that things will work out just once and they'll be satisfied. The girls who sceam and cry to their pillows because everyone else fails to listen. The girls who have so many secrets but wont tell a soul. The girls who have mistakes and regrets as a daily moral. The girls that never win. The girls that stay up all night thinking about that one boy and hoping that he'll notice her one day. The girls who take life as it comes, to the girls who are hoping that it'll get better somewhere down the road. For the girls who love with all their heart although it always gets broken. To girls who think it's over. To real girls, to all girls: You're beautiful.
Zayn Malik
The last time I felt alive – I was looking into your eyes. Breathing your air…. touching your skin… … Saying goodbye…. The last time I felt alive…. I was dying.
Ranata Suzuki
I don't know," I stuttered, "Do you love me?" His gaze was so intent the entire world seemed to stop. "You tell me. I never stop thinking about you. I worry about you all the time. Every beautiful thing I see reminds me of you. I can't finish my practices in Colorado with out wishing you were around," he said in a steady tone. "You tell me what I feel.
Mariana Zapata (The Wall of Winnipeg and Me)
There’s something about sitting alone in the dark that reminds you how big the world really is, and how far apart we all are. The stars look like they’re so close, you could reach out and touch them. But you can’t. Sometimes things look a lot closer than they are.
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
It helps sometimes to dwell on the good memories. They remind you that happiness does exist, though it may not seem that way now.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
I will think of you every time I need to be reminded that there is beauty and goodness in the world.
Arthur Golden (Memoirs of a Geisha)
She reminded me of the sea; the way she came dancing towards you, wild and beautiful, and just when she was almost close enough to touch she'd rush away again.
Glenda Millard (A Small Free Kiss in the Dark)
We love films because they makes us feel something. They speak to our desires, which are never small. They allow us to escape and to dream and to gaze into the eyes that are impossibly beautiful and huge. They fill us with longing. But also. They tell us to remember; they remind us of life. Remember, they say, how much it hurts to have your heart broken.
Nina LaCour (Everything Leads to You)
I try to do something positive – I socialise more… But deep down I know the truth. An entire world of people can never replace the one that I’ve lost.
Ranata Suzuki
Remember what you must do when they undervalue you, when they think your softness is your weakness, when they treat your kindness like it is their advantage. You awaken every dragon, every wolf, every monster that sleeps inside of you and you remind them what hell looks like when it wears the skin of a gentle human.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
He looked at me like I was the stars when all I’d ever felt like was the dark nothingness between them.
Ranata Suzuki
Hopefully as you get older, you start to learn how to live with your demon. It’s hard at first. Some people give their demon so much room that there is no space in their head or bed for love. They feed their demon and it gets really strong and then it makes them stay in abusive relationships or starve their beautiful bodies. But sometimes, you get a little older and get a little bored of the demon. Through good therapy and friends and self-love you can practice treating the demon like a hacky, annoying cousin. Maybe a day even comes when you are getting dressed for a fancy event and it whispers, “You aren’t pretty,” and you go, “I know, I know, now let me find my earrings.” Sometimes you say, “Demon, I promise you I will let you remind me of my ugliness, but right now I am having hot sex so I will check in later.
Amy Poehler (Yes Please)
God reminded me how beautiful we all are to Him, after all, we were created in His own image, and He looks at me, at you, in all our sweat and dirt and brokenness, and says, "I choose you. You are beautiful.
Katie Davis (Kisses from Katie)
I BET YOU DIDN’T KNOW THIS, but lots of guys have a thing for Ariel. You know, from The Little Mermaid? I’ve never been into her myself, but I can understand the attraction: she fills out her shells nicely, she’s a redhead, and she spends most of the movie unable to speak. In light of this, I’m not too disturbed about the semi I’m sporting while watching Beauty and the Beast—part of the homework Erin gave me. I like Belle. She’s hot. Well…for a cartoon, anyway. She reminds me of Kate. She’s resourceful. Smart. And she doesn’t take any shit from the Beast or that douchebag with the freakishly large arms. I stare at the television as Belle bends over to feed a bird. Then I lean forward, hoping for a nice cleavage shot… I’m going to hell, aren’t I?
Emma Chase (Tangled (Tangled, #1))
You can miss places. You can miss people. Just know that what you’re really missing is the way things were. And even if you could go there again…. see them again…. you can’t go back. They’re not the same. You’re not the same. The loss of them changed you.
Ranata Suzuki
Life is beautiful. Some people just remind you of that more than others.
Erica Bauermeister (The School of Essential Ingredients)
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I’ve always been enchanted by the endings of things. Series finales and sunsets. Last paragraphs and encores. I think for the way they remind me that losing something you love isn’t always sad and heartbreaking, but sometimes breathtaking and beautiful.
Beau Taplin (Buried Light)
Finished in a frenzy that reminded me of our last night in Cambridge. Watched my final sunrise. Enjoyed a last cigarette. Didn’t think the view could be any more perfect until I saw that beat-up trilby. Honestly, Sixsmith, as ridiculous as that thing makes you look, I don’t believe I’ve ever seen anything more beautiful. Watched you for as long as I dared. I don’t believe it was a fluke that I saw you first. I believe there is another world waiting for us, Sixsmith. A better world, and I’ll be waiting for you there. I believe we do not stay dead long. Find me beneath the Corsican stars, where we first kissed. Yours eternally, R.F.
David Mitchell (Cloud Atlas)
I need to stop running back to you in my mind all the time.
Ranata Suzuki
You give a lot of great advice about what to do. Do you have any advice of what not to do? Don’t do what you know on a gut level to be the wrong thing to do. Don’t stay when you know you should go or go when you know you should stay. Don’t fight when you should hold steady or hold steady when you should fight. Don’t focus on the short-term fun instead of the long-term fall out. Don’t surrender all your joy for an idea you used to have about yourself that isn’t true anymore. Don’t seek joy at all costs. I know it’s hard to know what to do when you have a conflicting set of emotions and desires, but it’s not as hard as we pretend it is. Saying it’s hard is ultimately a justification to do whatever seems like the easiest thing to do—have the affair, stay at that horrible job, end a friendship over a slight, keep loving someone who treats you terribly. I don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
When we are sad—at least I am like this—it can be comforting to cling to familiar objects, to the things that don't change. Your descriptions of the desert—that oceanic, endless glare—are terrible but also very beautiful. Maybe there's something to be said for the rawness and emptiness of it all. The light of long ago is different from the light of today and yet here, in this house, I'm reminded of the past at every turn. But when I think of you, it's as if you've gone away to sea on a ship—out in a foreign brightness where there are no paths, only stars and sky.
Donna Tartt (The Goldfinch)
Every quote, every book, every film seemed to suggest that ‘one day’ someone would come into my life and love me with an intensity and a passion I had never experienced before. And to their credit they were right; It all came and went so fast it really did feel as if it were just ‘one day’....
Ranata Suzuki
Marveling at the perfection of that leaf, I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
I just hope you realize how much you mean to me. I just wish I could remind you of how beautiful you are. I’m sorry I haven’t told you in so long. But please don’t think I have given up on you. I will never give up on you. My arms are wide open. There is always a place for you here.
Lang Leav (Memories)
Change is in the air. This change reminds us that we are made and beautifully sculpted by the same power that orchestrates the change of season. Let this be the season you embrace and align yourself with this change.
Steve Maraboli (Life, the Truth, and Being Free)
You’re everything to me. But at best, I’m just a memory to you.
Ranata Suzuki
I still think of you every day. But I’m trying not to let it hurt me with the same intensity that it used to.
Ranata Suzuki
When someone you love dies, you are given the gift of "second chances". Their eulogy is a reminder that the living can turn their lives around at any point. You’re not bound by the past; that is who you used to be. You’re reminded that your feelings are not who you are, but how you felt at that moment. Your bad choices defined you yesterday, but they are not who you are today. Your future doesn’t have to travel the same path with the same people. You can start over. You don’t have to apologize to people that won’t listen. You don’t have to justify your feelings or actions, during a difficult time in your life. You don’t have to put up with people that are insecure and want you to fail. All you have to do is walk forward with a positive outlook, and trust that God has a plan that is greater than the sorrow you left behind. The people of quality that were meant to be in your life won’t need you to explain the beauty of your heart. They already understand what being human is----a roller coaster ride of emotions during rainstorms and sunshine, sprinkled with moments when you can almost reach the stars.
Shannon L. Alder
When I was with him suddenly I wasn’t this broken person anymore. I was just me. I was whole again. I was just a person – like everyone else.
Ranata Suzuki
For you are you, and I am I, and once we were we… but as long as I exist and so do you – know that I will always love you.
Ranata Suzuki
In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.
C.S. Lewis (The Weight of Glory)
I kept it to remind me that although there is evil, there is sometimes beauty and light. You, Jillian. You were always my light.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
It hurts that I was just one page in the book of your life… But what hurts more is knowing you’ll revise that chapter someday…. ….. and you’ll erase me completely.
Ranata Suzuki
There's something about sitting alone in the dark that reminds you how big the world really is, and how far apart we all are.
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
I’d never dreamed anybody could love me the way he did. And even when he proved it to me time and again – I still could hardly believe it was true.
Ranata Suzuki
And now that its ruby eyes are set into the gold, you cannot see their tear-shape, so they seem to be laughing rather than crying. It is a constant reminder to me of the human ability to create something beautiful even when things are at the darkest.
Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
Not all scars are visible. Regardless, they are usually painful when you first get them. But with time they might fade or they can remain and become a beautiful reminder... that you survived.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
It’s the intricate details you miss the most. For me, it’s the soft lines around the eyes when he smiles… Or that look he gave me sometimes that I cannot begin to describe - but I would know it if I saw it again. It was the look that gave him away. I’d know that look anywhere… It used to be my everything.
Ranata Suzuki
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A kiss…. ….. is just a kiss…. Until it’s all you reminisce. (Then the memory becomes your most treasured possession.)
Ranata Suzuki
She told me her father taught her to live life way beyond the cusp of it, way out in the outer reaches where most people never had the guts to go, where you got hurt. Where there was unimaginable beauty and pain ... They were always reminding themselves to stop measuring life in coffee spoons, mornings and afternoons, to keep swimming way, way down to the bottom of the ocean to find where the mermaids sang, each to each. Where there was danger and beauty and light. Only the now.
Marisha Pessl (Night Film)
A Gift for You I send you... The gift of a letter from your wise self. This is the part of you that sees you with benevolent, loving eyes. You find this letter in a thick envelope with your name on it, and the word YES written boldly above your name. My Dear, I am writing this to remind you of your 'essence beauty.' This is the part of you that has nothing to do with age, occupation, weight, history, or pain. This is the soft, untouched, indelible you. You can love yourself in this moment, no matter what you have, or haven't done or been. See past any masks, devices, or inventions that obscure your essence. Remember your true purpose, WHICH is only Love. If you cannot see or feel love, lie down now and cry; it will cleanse your vision and free your heart. I love you; I am you.
SARK (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
The Sun and the Moon Aim for a love that reminds you of the devotion the sun has to the moon. Whether she is in fractions or she is whole, he still shrouds his intense light in the darkness of the night. To give her the entire sky, without judgment, so she can shine in any way she wants to. You deserve someone who adores you on the days you are in broken fragments too. You deserve someone who lets you glow in every way you need to.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
With you in my life I felt like I could conquer anything. It was as if I was on top of the world and even the stars themselves were just within my grasp. But without you …. even getting through the day is hard.
Ranata Suzuki
There was this girl. I met her on a train. The first time I saw her, she was covered in coffee and smelled like pancakes, and she was beautiful like a city you always wanted to go to, like how you wait years and years for the right time, and then as soon as you get there, you have to taste everything and touch everything and know every street by name. I felt like I knew her. She reminded me who I was. She had soft lips and green eyes and a body that wouldn’t quit. Hair like you wouldn’t believe. Stubborn, sharp as a knife. And I never, ever wanted a person to save me until she did.
Casey McQuiston (One Last Stop)
In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. It’s a reminder of how beautiful life is, almost overwhelmingly so, but that it is also heartbreakingly short. As are relationships. Be wise. Let your heart lead the way. And when you find someone who’s worth it—never let them go.
L.J. Shen (Vicious (Sinners of Saint, #1))
The storm is out there and every one of us must eventually face the storm. When the storm comes, pray that it will shake you to your roots and break you wide-open. Being broken open by the storm is your only hope. When you are broken open you get to discover for the first time what is inside you. Some people never get to see what is inside them; what beauty, what strength, what truth and love. They were never broken open by the storm. So, don't run from your pain — run into your pain. Let life's storm shatter you.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
His dark eyes challenged me. They were weapons that could hurt me. Here was the worst thing about them: I could tell that if Johnafter loved you, his dark eyes would be beautiful and friendly and warm. So every time he cut me down with a look that was cold and unfriendly and ugly, it was a double insult, a reminder of what I could never have. I found myself avoiding his dark eyes when I could.
Jennifer Echols (Going Too Far)
The worst thing is not that the world is unfree, but that people have unlearned their liberty. The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time. Not being able to fall asleep and not allowing oneself to move: the marital bed. If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers. In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty. How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister… Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable. The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened. The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy. A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty. You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you. If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books. By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill. Any new possibility that existence acquires, even the least likely, transforms everything about existence.
Milan Kundera
No one feels like you do, so every brush of your skin is a cruel reminder of what I’ve lost. I can barely stand the sight of you because you’re more beautiful than I’ve allowed myself to remember, and when I cut that wire off Maximus and smelled you all over him, I wanted to kill him more than I’ve wanted to kill anyone in my life, yet I couldn’t because of my promise to you.” Slow tears continued to trickle down my cheeks, but for a different reason this time. “You care.” The words were whispered with a despairing sort of wonder. He wasn’t willing to rescind his loveless vow, clearly, but I was wrong about the apathy I’d thought he felt. That he admitted all the above was surprising enough; the fact he’d done it within earshot of his pilots was no less than shocking. Vlad grunted. “Don’t worry. I intend to kill them as soon as we land.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
i feel really lucky to come home to a place that is so beautiful. sometimes it's sad to leave and go out on the road, missing everything that happens here - but honestly, it's nice to miss the things that you love once in a while. so you never forget to appreciate it. hopefully, i can say this without sounding like a preacher but... remember to enjoy EVERYTHING. the things that feel good, the things that hurt, rejection, acceptance.. it's all going to make you better. stronger. and more like yourself. every once in a while i get a reminder of how much i'm okay with just being me. i know that sounds ridiculous. cause i'm in this band. we're lucky. we got successful. but who i am is still this nerdy, silly, flamethrower of a person. and it took me 20 years to see that and get it and love it.
Hayley Williams
Whoa. Not too stiff," Cody said. "Secure, strong, but calm. Like you're caressing a beautiful woman, remember?" That made me think of Megan. I lost control, and a green wave of smoky energy burst from my hand and flew out in front of me. It missed the pipe completely, but vaporized the metal leg of the chair it sat on. Dust showered down and the chair went lopsided, dumping the pipe to the floor with a clang. "Sparks," Cody said. "Remind me to never let you caress me, lad.
Brandon Sanderson (Steelheart (The Reckoners, #1))
Connor; "Push me and you might just find yourself locked in the trunk of a car and on a ferry headed off to Nova Scotia. . .Again" he said Softly loving the way she practically shook with rage against him. "I knew that was you, you bastard" She snarled, looking torn between going for his nipples again or just out right killing him. "You deserved it", he felt obligated to remind her. She scoffed. "I was twelve!" "you super glued my shorts to my ass!" the smile that teased her lips transformed her face from beautiful to breathtakingly beautiful in a matter of seconds. . . She chuckled softly as she moved to put a little space between them. "I actually forgot about that".
R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
I’m often difficult to love. I go through dark periods like the moon and I hide from myself. But I promise I will kiss your wounds when they’re hurting. Even if they’re in your soul, I can find them with the light in my fingertips. I will lead you to the river so you can remember how beautiful it feels to be moved by something that is out of your control. And when our dark periods match, we can breathe with the grass and look at the night sky. The stars will remind us of the beauty in our struggles and we won’t feel lost.
Emery Allen
I was this sad and lonely creature before you came along. And then, just being with you, knowing you love me, had transformed me. My entire life has become this metamorphosis into something beautiful, something happy. I told you before that you've freed me. You've reminded me of what it means to believe and hope.
A. Meredith Walters (Find You in the Dark (Find You in the Dark, #1))
We love films because they make us feel something. They speak to our desires, which are never small. They allow us to escape and to dream and to gaze into eyes that are impossibly beautiful and huge. They fill us with longing. But also. They tell us to remember; they remind us of life. Remember, they say, how much it hurts to have your heart broken. Remember about death and suffering and the complexities of living. Remember what it is like to love someone. Remember how it is to be loved. Remember what you feel in this moment. Remember this. Remember this.
Nina LaCour (Everything Leads to You)
So, I guess that's what happens, when you fall in love with that perfect someone you just never want to fall out, because they treat you right, you know, like they give you kisses and they remind you of how beautiful you are, and how sweet you make them feel, and they do all kinds of things just to see you smile.
Abraham M. Alghanem (Summer and Autumn)
I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!
C. JoyBell C.
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
It was not the privileged and the fortunate who took in the Jews in France. It was the marginal and damaged, which should remind us that there are real limits to what evil and misfortune can accomplish. If you take away the gift of reading, you create the gift of listening. If you bomb a city, you leave behind death and destruction. But you create a community of remote misses. If you take away a mother or a father, you cause suffering and despair. But one time in ten, out of that despair rises as indomitable force. You see the giant and the shepherd in the Valley of Elah and your eye is drawn to the man with sword and shield and the glittering armor. But so much of what is beautiful and valuable in the world comes from the shepherd, who has more strength and purpose than we ever imagine.
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
Fighting is better than this waiting,” Brienne said. “You don’t feel so helpless when you fight. You have a sword and a horse, sometimes an axe. When you’re armored it’s hard for anyone to hurt you.” “Knights die in battle,” Catelyn reminded her. Brienne looked at her with those blue and beautiful eyes. “As ladies die in childbed. No one sings songs about them.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I don’t know your story or your dreams or the things that steal your sleep, but I know they matter. I hope you story is rich with characters, rich with friends and conversation. I hope you know some people who carry you, and I hope you have the honor of carrying them. I hope that there’s beauty in your memories, and I hope it doesn’t haunt you. And if it does, then I hope there is someone who will walk you through the night and remind you of the promise of the sunrise, that beauty keeps coming, that there are futures worth waiting and fighting for, and that you were made to dream.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
Roar's mouth pulled into a smile-a beautiful smile she hadn't seen in weeks. "Beautiful, huh?" She drew her hand away, giving him a small push on the shoulder. "Don't act surprised." "I'm not. Always nice to be reminded,though.” “I give up,” Soren said, shaking his head. “Congratulations. You two are the first code I can’t break.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
The most common English word spoken in the nail salon was sorry. It was the one refrain for what it meant to work in the service of beauty. Again and again, I watched as manicurists, bowed over a hand or foot of a client, some young as seven, say, "I'm sorry. I'm sorry. I'm so, so sorry," when they had nothing wrong. I have seen workers, you included, apologize dozens of times throughout a forty-five-minute manicure, hoping to gain warm traction that would lead to the ultimate goal, a tip--only to say sorry anyway when none was given. In the nail salon, sorry is a tool one uses to pander until the word itself becomes currency. It no longer merely apologizes, but insists, reminds: I'm here, right here, beneath you. It is the lowering of oneself so that the client feels right, superior, and charitable. In the nail salon, one's definition of sorry is deranged into a new word entirely, one that's charged and reused as both power and defacement at once. Being sorry pays, being sorry even, or especially, when one has no fault, is worth every self-deprecating syllable the mouth allows. Because the mouth must eat.
Ocean Vuong (On Earth We're Briefly Gorgeous)
If peace comes from seeing the whole, then misery stems from a loss of perspective. We begin so aware and grateful. The sun somehow hangs there in the sky. The little bird sings. The miracle of life just happens. Then we stub our toe, and in that moment of pain, the whole world is reduced to our poor little toe. Now, for a day or two, it is difficult to walk. With every step, we are reminded of our poor little toe. Our vigilance becomes: Which defines our day—the pinch we feel in walking on a bruised toe, or the miracle still happening? It is the giving over to smallness that opens us to misery. In truth, we begin taking nothing for granted, grateful that we have enough to eat, that we are well enough to eat. But somehow, through the living of our days, our focus narrows like a camera that shutters down, cropping out the horizon, and one day we’re miffed at a diner because the eggs are runny or the hash isn’t seasoned just the way we like. When we narrow our focus, the problem seems everything. We forget when we were lonely, dreaming of a partner. We forget first beholding the beauty of another. We forget the comfort of first being seen and held and heard. When our view shuts down, we’re up in the night annoyed by the way our lover pulls the covers or leaves the dishes in the sink without soaking them first. In actuality, misery is a moment of suffering allowed to become everything. So, when feeling miserable, we must look wider than what hurts. When feeling a splinter, we must, while trying to remove it, remember there is a body that is not splinter, and a spirit that is not splinter, and a world that is not splinter.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
I watched, enthralled, as he painted a large silver heart with flames edging one side. The whole design was Celtic in style. It was beautiful. "Where did you get that from?" I asked in awe. I'd seen a lot of his work but never anything like this. His eyes were on his heart, completely caught up in his work. "Just something kicking around in my head. Reminds me of you. Fiery and sweet, all at the same time. A flame in the dark, lighting my way." His voice... his words... I recognized one of his spirit-driven moments. It should've unnerved me, but there was something sensual about the way he spoke, something that made my breath catch. A flame in the dark. He swapped out the silver paintbrush for a black one. Before I could stop him, he wrote over the heart: AYE. Underneath it, in smaller letters, he added: HONORARY MEMBER.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Why do you keep staring at me?" I muttered under my breath. He glanced around to make sure no one was listening and then leaned towards me. His voice was hushed. "You have pen on your face. Here," he said, touching the space by his nose. "Oh." I felt my face go red as I wiped my cheek with my hand. "That and you remind me of someone I know. Or once knew. But I can't place who it is." "I thought you didn't have any friends," I challenged. Dante smiled. "I don't. Only enemies. Which doesn't bode well for you, considering the fact that you must resemble one of them.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Beautiful. You can be taught. Makes my job so much easier when you’re actually intelligent. You’d be amazed at the idiots I’ve come across.” – Death “I try to keep my stupid to a bare minimum, since my mom’s always telling me it can be fatal in large doses.” – Nick “Oh, she’s right. Believe me, I know. For that matter, it can be fatal even in small measures. Remind me sometime to tell you about the woman I claimed who was vacuuming her cat.” – Death
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
I suspect almost every day that I’m living for nothing, I get depressed and I feel self-destructive and a lot of the time I don’t like myself. What’s more, the proximity of other humans often fills me with overwhelming anxiety, but I also feel that this precarious sentience is all we’ve got and, simplistic as it may seem, it’s a person’s duty to the potentials of his own soul to make the best of it. We’re all stuck on this often miserable earth where life is essentially tragic, but there are glints of beauty and bedrock joy that come shining through from time to precious time to remind anybody who cares to see that there is something higher and larger than ourselves. And I am not talking about your putrefying gods, I am talking about a sense of wonder about life itself and the feeling that there is some redemptive factor you must at least search for until you drop dead of natural causes.
Lester Bangs (Psychotic Reactions and Carburetor Dung)
That doesn’t mean it isn’t true. The Shining Isle exists as surely as the floor you’re standing on. It may be hard to believe, but it’s real, I tell you. Sometimes in the middle of the night, the sun can seem like it was only ever a dream. We need something to remind us that it still exists, even if we can’t see it. We need something beautiful hanging in the dark sky to remind us there is such a thing as daylight. Sometimes, Queen Sara”—Armulyn strummed his whistleharp— “music is the moon.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
Kiss me!” I pleaded. “Please, Pigeon! I told him no!” Abby shoved me away. “Leave me alone, Travis!” She shouldered passed me, but I grabbed her wrist. She kept her arm straight, outstretched behind her, but she didn’t turn around. “I am begging you.” I fell to my knees, her hand still in mine. My breath puffed out in white steam as I spoke, reminding me of the cold. “I’m begging you, Abby. Don’t do this.” Abby glanced back, and then her eyes drifted down her arm to mine, seeing the tattoo on my wrist. The tattoo that bared her name. She looked away, toward the cafeteria. “Let me go, Travis.” The air knocked out of me, and with all hope obliterated, I relaxed my hand, and let her slip out of my fingers. Abby didn’t look back as she walked away from me, and my palms fell flat on the sidewalk. She wasn’t coming back. She didn’t want me anymore, and there was nothing I could do or say to change it.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Soul Mate When we are born, the soul we are given is split apart and half of it is given to someone else. Throughout our lives, we search for the person with the other half of our soul. Very few ever succeed. I am blessed that we have met. In a sudden moment, warm within your loving glare, my soul said, “At last! I can rest. I have found my missing half.” When this happens, it is said we have found our soul mate. We are happy and at peace. When we shared ourselves, we were engulfed in eternity, dancing in a timeless universe. I am truly blessed because that day, my heart recognized you as a part of its own. Thank you for blessing me with you. Thank you for dreaming with me - for seeing the same future as I do. For your beautiful eyes, reminding me of the truest bliss in life. I am forever grateful for you. I will spend an eternity loving you, caring for you, respecting you, showing you every day that I hold you as high as the stars. I am sorry that it’s taken me this long to find you – I shall make it up to you, my flower, as long as we live. I love you!
Steve Maraboli (Life, the Truth, and Being Free)
When he turned to her, the moonlight shone upon him in a way that reminded Signa of a painting, wisps of shadows like brushstrokes upon a canvas. “Because I have waited an eternity to meet you, Signa Farrow.” The words were a balm she clung to, relished. “To me, you are a song to a soul that has never known music. Light to someone who has only seen the darkness. You bring out the absolute worst in me, and I become vindictive toward those who treat you in ways I don’t care for. Yet you also bring out the best in me—I want to be better because of you. Better for you. “In all my existence, I’ve asked only for one thing—for one person who might understand me, and whom I could let myself touch. When I touch someone, I see the life they’ve lived in flashes of memories as they die. But the first time I touched you, it was your future I saw. A glimpse of you in my arms, dancing in a beautiful red dress beneath the moonlight.” He tilted her chin up and Signa shivered, savoring the touch. “You are what I want.” He drew his hand away. “I know I cannot force you to want me in return, but say that you do, and I promise that I am wholly and unequivocally yours. Say that you do, and I will make this world everything for you, Signa.
Adalyn Grace (Belladonna (Belladonna, #1))
One fine moonlit night, Mortain and his Wild Hunt were riding through the countryside when they spied two maids more beautiful than any they had ever seen before. They were picking evening primrose, which only blooms in the moonlight. “The two maids turned out to be Amourna and Arduinna, twin daughters of Dea Matrona. When Mortain saw the fair Amourna, he fell instantly in love, for she was not only beautiful but light of heart as well, and surely the god of death needs lightness in his world. “But the two sisters could not be more different. Amourna was happy and giving, but her sister, Arduinna, was fierce, jealous, and suspicious, for such is the dual nature of love. Arduinna had a ferocious and protective nature and did not care for the way Mortain was looking at her beloved sister. To warn him, she drew her bow and let fly with one of her silver arrows. She never misses, and she didn’t miss then. The arrow pierced Mortain’s heart, but no one, not even a goddess, can kill the god of death. “Mortain plucked the arrow from his chest and bowed to Arduinna. ‘Thank you,’ he said. ‘For reminding me that love never comes without cost
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
Audrey Niffenegger (The Time Traveler's Wife)
ON THE DAY I DIE On the day I die, when I'm being carried toward the grave, don't weep. Don't say, He's gone! He's gone. Death has nothing to do with going away. The sun sets and the moon sets, but they're not gone. Death is a coming together. The tomb looks like a prison, but it's really release into union. The human seed goes down in the ground like a bucket into the well where Joseph is. It grows and comes up full of some unimagined beauty. Your mouth closes here, and immediately opens with a shout of joy there. --------------------------------- One who does what the Friend wants done will never need a friend. There's a bankruptcy that's pure gain. The moon stays bright when it doesn't avoid the night. A rose's rarest essence lives in the thorn. ---------------------------------- Childhood, youth, and maturity, and now old age. Every guest agrees to stay three days, no more. Master, you told me to remind you. Time to go. ----------------------------------- The angel of death arrives, and I spring joyfully up. No one knows what comes over me when I and that messenger speak! ------------------------------------- When you come back inside my chest no matter how far I've wandered off, I look around and see the way. At the end of my life, with just one breath left, if you come then, I'll sit up and sing. -------------------------------------- Last night things flowed between us that cannot now be said or written. Only as I'm being carried out and down the road, as the folds of my shroud open in the wind, will anyone be able to read, as on the petal-pages of a turning bud, what passed through us last night. ------------------------------------- I placed one foot on the wide plain of death, and some grand immensity sounded on the emptiness. I have felt nothing ever like the wild wonder of that moment. Longing is the core of mystery. Longing itself brings the cure. The only rule is, Suffer the pain. Your desire must be disciplined, and what you want to happen in time, sacrificed.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Auggie said you were too sentimental for your own good sometimes." Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing." I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach. He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me." "I love you," I said, and touched his hand where it lay against my face.
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
Ultraviolence" He used to call me DN That stood for deadly nightshade Cause I was filled with poison But blessed with beauty and rage Jim told me that He hit me and it felt like a kiss Jim brought me back Reminded me of when we were kids With his ultraviolence Ultraviolence Ultraviolence Ultraviolence I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence He used to call me poison Like I was poison ivy I could have died right there Cause he was right beside me Jim raised me up He hurt me but it felt like true love Jim taught me that Loving him was never enough With his ultraviolence Ultraviolence Ultraviolence Ultraviolence I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence We could go back to New York Loving you was really hard We could go back to Woodstock Where they don't know who we are Heaven is on earth I will do anything for you, babe Blessed is this, this union Crying tears of gold, like lemonade I love you the first time I love you the last time Yo soy la princesa, comprende mis white lines Cause I'm your jazz singer And you're my cult leader I love you forever, I love you forever With his ultraviolence (lay me down tonight) Ultraviolence (in my linen and curls) Ultraviolence (lay me down tonight) Ultraviolence (Riviera girls) I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence
Lana Del Rey
Society has three stages: Savagery, Ascendance, Decadence. The great rise because of Savagery. They rule in Ascendance. They fall because of their own Decadence." He tells how the Persians were felled, how the Romans collapsed because their rulers forgot how their parents gained them an empire. He prattles about Muslim dynasties and European effeminacy and Chinese regionalism and American self-loathing and self-neutering. All the ancient names. "Our Savagery began when our capital, Luna, rebelled against the tyranny of Earth and freed herself from the shackles of Demokracy, from the Noble Lie - the idea that men are brothers and are created equal." Augustus weaves lies of his own with that golden tongue of his. He tells of the Goldens' suffering. The Masses sat on the wagon and expected the great to pull, he reminds. They sat whipping the great until we could no longer take it. I remember a different whipping. "Men are not created equal; we all know this. There are averages. There are outliers. There are the ugly. There are the beautiful. This would not be if we were all equal. A Red can no more command a starship than a Green can serve as a doctor!" There's more laughter across the square as he tells us to look at pathetic Athens, the birthplace of the cancer they call Demokracy. Look how it fell to Sparta. The Noble Lie made Athens weak. It made their citizens turn on their best general, Alcibiades, because of jealousy. "Even the nations of Earth grew jealous of one another. The United States of America exacted this idea of equality through force. And when the nations united, the Americans were surprised to find that they were disliked! The Masses are jealous! How wonderful a dream it would be if all men were created equal! But we are not. It is against the Noble Lie that we fight. But as I said before, as I say to you now, there is another evil against which we war. It is a more pernicious evil. It is a subversive, slow evil. It is not a wildfire. It is a cancer. And that cancer is Decadence. Our society has passed from Savagery to Ascendance. But like our spiritual ancestors, the Romans, we too can fall into Decadence.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is. I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
Emilie Autumn
POCKET-SIZED FEMINISM The only other girl at the party is ranting about feminism. The audience: a sea of rape jokes and snapbacks and styrofoam cups and me. They gawk at her mouth like it is a drain clogged with too many opinions. I shoot her an empathetic glance and say nothing. This house is for wallpaper women. What good is wallpaper that speaks? I want to stand up, but if I do, whose coffee table silence will these boys rest their feet on? I want to stand up, but if I do, what if someone takes my spot? I want to stand up, but if I do, what if everyone notices I’ve been sitting this whole time? I am guilty of keeping my feminism in my pocket until it is convenient not to, like at poetry slams or my women’s studies class. There are days I want people to like me more than I want to change the world. There are days I forget we had to invent nail polish to change color in drugged drinks and apps to virtually walk us home at night and mace disguised as lipstick. Once, I told a boy I was powerful and he told me to mind my own business. Once, a boy accused me of practicing misandry. You think you can take over the world? And I said No, I just want to see it. I just need to know it is there for someone. Once, my dad informed me sexism is dead and reminded me to always carry pepper spray in the same breath. We accept this state of constant fear as just another part of being a girl. We text each other when we get home safe and it does not occur to us that our guy friends do not have to do the same. You could saw a woman in half and it would be called a magic trick. That’s why you invited us here, isn’t it? Because there is no show without a beautiful assistant? We are surrounded by boys who hang up our naked posters and fantasize about choking us and watch movies we get murdered in. We are the daughters of men who warned us about the news and the missing girls on the milk carton and the sharp edge of the world. They begged us to be careful. To be safe. Then told our brothers to go out and play.
Blythe Baird
It was not the sorrowful, lovely piece she had once played for Dorian, and it was not the light, dancing melodies she'd played for sport; it was not the complex and clever pieces she had played for Nehemia and Chaol. This piece was a celebration—a reaffirmation of life, of glory, of the pain and beauty in breathing. Perhaps that was why she'd gone to hear it performed every year, after so much killing and torture and punishment: as a reminder of that she was, of what she struggled to keep. Up and up it built, the sound breaking from the pianoforte like the heart-song of a god, until Rowan drifted over to stand beside the instrument, until she whispered to him, “Now,” and the crescendo shattered into the world, note after note after note. The music crashed around them, roaring through the emptiness of the theater. The hollow silence that had been inside her for so many months now overflowed with sound. She brought the piece home to its final explosive, triumphant chord. When she looked up, panting slightly, Rowan's eyes were lined with silver, his throat bobbing. Somehow, after all this time, her warrior-prince still managed to surprise her. He seemed to struggle for words, but he finally breathed, “Show me—show me how you did that.” So she obliged him.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
Virginia Woolf (To the Lighthouse)
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
How baffling you are, oh Church, and yet how I love you! How you have made me suffer, and yet how much I owe you! I would like to see you destroyed, and yet I need your presence. You have given me so much scandal and yet you have made me understand what sanctity is. I have seen nothing in the world more devoted to obscurity, more compromised, more false, and yet I have touched nothing more pure, more generous, more beautiful. How often I have wanted to shut the doors of my soul in your face, and how often I have prayed to die in the safety of your arms. No, I cannot free myself from you, because I am you, though not completely. And besides, where would I go? Would I establish another? I would not be able to establish it without the same faults, for they are the same faults I carry in me. And if I did establish another, it would be my Church, not the Church of Christ. I am old enough to know that I am no better than anyone else. …) The Church has the power to make me holy but it is made up, from the first to the last, only of sinners. And what sinners! It has the omnipotent and invincible power to renew the Miracle of the Eucharist, but is made up of men who are stumbling in the dark, who fight every day against the temptation of losing their faith. It brings a message of pure transparency but it is incarnated in slime, such is the substance of the world. It speaks of the sweetness of its Master, of its non-violence, but there was a time in history when it sent out its armies to disembowel the infidels and torture the heretics. It proclaims the message of evangelical poverty, and yet it does nothing but look for money and alliances with the powerful. Those who dream of something different from this are wasting their time and have to rethink it all. And this proves that they do not understand humanity. Because this is humanity, made visible by the Church, with all its flaws and its invincible courage, with the Faith that Christ has given it and with the love that Christ showers on it. When I was young, I did not understand why Jesus chose Peter as his successor, the first Pope, even though he abandoned Him. Now I am no longer surprised and I understand that by founding his church on the tomb of a traitor(…)He was warning each of us to remain humble, by making us aware of our fragility. (…) And what are bricks worth anyway? What matters is the promise of Christ, what matters is the cement that unites the bricks, which is the Holy Spirit. Only the Holy Spirit is capable of building the church with such poorly moulded bricks as are we. And that is where the mystery lies. This mixture of good and bad, of greatness and misery, of holiness and sin that makes up the church…this in reality am I .(…) The deep bond between God and His Church, is an intimate part of each one of us. (…)To each of us God says, as he says to his Church, “And I will betroth you to me forever” (Hosea 2,21). But at the same time he reminds us of reality: 'Your lewdness is like rust. I have tried to remove it in vain. There is so much that not even a flame will take it away' (Ezechiel 24, 12). But then there is even something more beautiful. The Holy Spirit who is Love, sees us as holy, immaculate, beautiful under our guises of thieves and adulterers. (…) It’s as if evil cannot touch the deepest part of mankind. He re-establishes our virginity no matter how many times we have prostituted our bodies, spirits and hearts. In this, God is truly God, the only one who can ‘make everything new again’. It is not so important that He will renew heaven and earth. What is most important is that He will renew our hearts. This is Christ’s work. This is the divine Spirit of the Church.
Carlo Carretto