Registered Quotes

We've searched our database for all the quotes and captions related to Registered. Here they are! All 100 of them:

Mr. Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business. Mr. Prongs agrees with Mr. Moony, and would like to add that Professor Snape is an ugly git. Mr. Padfoot would like to register his astonishment that an idiot like that ever became a professor. Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Life appears to me too short to be spent in nursing animosity or registering wrongs.
Charlotte Brontë (Jane Eyre)
When her body first hit the net, all I registered was a gray blur. I pulled her across it and her hand was small, but warm, and then she stood before me, short and thin and plain and in all ways unremarkable- except that she had jumped first. The stiff had jumped first. Even I didn't jump first. Her eyes were so stern, so insistent. Beautiful.
Veronica Roth (Allegiant (Divergent, #3))
That seems like stealing, doesn't it?" Simon pulled a cup toward him. He drew the lid back. "Ooh. Mochaccino." He looked at Magnus. "Did you pay for these?" "Sure," said Magnus, while Jace and Alec snickered. "I make dollar bills magically appear in their cash register." "Really?" "No." Magnus popped the lid off his own coffee. "But you can pretend I did if it makes you feel better. So, first order of business is what?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Penises! Sweet Jesus. Penises everywhere. Horror slams into me as I register what I'm seeing. Oh God. I've stumbled onto a penis convention. Big penises and small penises and fat penises and penis-shaped penises. It doesn't matter which direction I move my head because everywhere I look I see penises.
Elle Kennedy (The Deal (Off-Campus, #1))
I have to tell you man, that my stalker meter is kind of registering in the red zone right now.
John Green (Will Grayson, Will Grayson)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
What a frightening thing is the human, a mass of gauges and dials and registers, and we can only read a few and those perhaps not accurately.
John Steinbeck (The Winter of Our Discontent)
I used to tell your mother she looked like Sophia Lauren." He looks at me, frowning, and then it registers. "Oh God, some guy's using that line on you, isn't he?" "Not just 'some guy'." I tell him. "The guy.
Melina Marchetta (Saving Francesca)
He turned, registering a face with blond hair, and for a split second he thought it was Will Solace. When Nico realized it was Jason, he was disappointed. Then he felt angry with himself for feeling that way.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Other people would call him sensitive, but it is more than that. The dial is broken, the volume turned all the way up. Moments of joy registered as brief, but ecstatic. Moments of pain stretched long and unbearably loud.
V.E. Schwab (The Invisible Life of Addie LaRue)
I've always tried to make a home for myself, but I have not felt at home in myself. I've worked hard at being the hero of my own life. But every time I checked the register of displaced persons, I was still on it. I didn't know how to belong. Longing? Yes. Belonging? No.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
Imagine," she said, after registering, "a whole city of gorgeous Italian guys. They can say anything to me, and it'll be sexy." "You'll be so easy," Rashmi said. "Would you like-ah to order-ah the spa-ghe-tti? 'Oh, do me, Marco!
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
After running for my life from hunters, a girl with too much lip gloss doesn't register on my fear radar.
Sophie Jordan (Firelight (Firelight, #1))
I did it because I love you!" he half-shouted, and then, as if registering the shocked look her face, he said in a more subdued voice, "I love you, Tessa, and I have loved you, almost since the moment I met you.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
She might be pointing to a doorway, or a person, or the sky. But such things were so common to my eyes, so undistinguished, that they would register as "nothing" I walked in a gray world of nothing.
Jerry Spinelli (Stargirl (Stargirl, #1))
The anguish I always feel when she's in pain wells up in my chest and threatens to register on my face.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I'm a registered Republican, I only seem liberal because I believe that hurricanes are caused by high barometric pressure and not gay marriage.
Aaron Sorkin
My eyelids flickered, and Ash made a noise that was almost a growl. "Dammit, Meghan," he snarled, grabbing both my arms. "I am not going to lose you this close to home. Get up!" He rose, pulling me to my feet and, before I could even register what was going on, pressed his lips to mine. -Ash
Julie Kagawa (Winter's Passage (Iron Fey, #1.5))
It’s the first time I’ve ever kissed a boy, which should make some sort of impression I guess, but all I can register is how unnaturally hot his lips are from the fever.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I’m staring into chocolate eyes. although my brain is clouded and I’m dizzy, I know enough to register that chocolate is the opposite of blue. I don’t want blue. Blue confuses me too much. Chocolate is straight-forward, easier to deal with.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity, or registering wrongs." - Helen Burns
Charlotte Brontë (Jane Eyre)
If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"--it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No--Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
F. Scott Fitzgerald (The Great Gatsby)
And yet all loneliness, angers, hatreds, envies, and itchings that (Hell) contains, if rolled into one single experience and put into the scale against the least moment of the joy that is felt by the least in Heaven, would have no weight that could be registered at all. Bad cannot succeed even in being bad as truly as good is good.
C.S. Lewis (The Great Divorce)
His brain sits before its cash register again, charging him for old shames as if he has not paid before
Andrew Sean Greer (Less)
MAKING THE LIE MAKE SENSE: When denial (his or ours) can no longer hold and we finally have to admit to ourselves that we’ve been lied to, we search frantically for ways to keep it from disrupting our lives. So we rationalize. We find “good reasons” to justify his lying, just as he almost always accompanies his confessions with “good reasons” for his lies. He tells us he only lied because…. We tell ourselves he only lied because…. We make excuses for him: The lying wasn’t significant/Everybody lies/He’s only human/I have no right to judge him. Allowing the lies to register in our consciousness means having to make room for any number of frightening possibilities: • He’s not the man I thought he was. • The relationship has spun out of control and I don’t know what to do • The relationship may be over. Most women will do almost anything to avoid having to face these truths. Even if we yell and scream at him when we discover that he’s lied to us, once the dust settles, most of us will opt for the comforting territory of rationalization. In fact, many of us are willing to rewire our senses, short-circuit our instincts and intelligence, and accept the seductive comfort of self-delusion.
Susan Forward (When Your Lover Is a Liar: Healing the Wounds of Deception and Betrayal)
Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.
Camille Paglia
She was hearing the words. They just weren't registering on her Richter scale of sanity.
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))
I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--" "Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?" "I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--" He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. "I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
Alain de Botton (Status Anxiety)
The words fire from my mouth like bullets, ricocheting off the walls before I can even register what I'm saying.
Tabitha Suzuma (Forbidden)
A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.
E.M. Forster (Howards End)
There are disappointments which wring us, and there are those which inflict a wound whose mark we bear to our graves. Such are so keen that no future gratification of the same desire can ever obliterate them: they become registered as a permanent loss of happiness.
Thomas Hardy (A Pair of Blue Eyes)
people had been working for so many years to make the world a safe, organized place. nobody realized how boring it would become. with the whole world property-lined and speed-limited and zoned and taxed and regulated, with everyone tested and registered and addressed and recorded. nobody had left much room for adventure, except maybe the kind you could buy. on a roller coaster. at a movie. still, it would always be that kind of faux excitement. you know the dinosaurs aren't going to eat the kids. the test audiences have outvoted any chance of even a major faux disaster. and because there's no possibility of real disaster, real risk, we're left with no chance for real salvation. real elation. real excitement. Joy. Discovery. Invention. the laws that keep us safe, these same laws condemn us to boredom. without access to true chaos, we'll never have true peace.
Chuck Palahniuk (Asfixia)
To be GOVERNED is to be watched, inspected, spied upon, directed, law-driven, numbered, regulated, enrolled, indoctrinated, preached at, controlled, checked, estimated, valued, censured, commanded, by creatures who have neither the right nor the wisdom nor the virtue to do so. To be GOVERNED is to be at every operation, at every transaction noted, registered, counted, taxed, stamped, measured, numbered, assessed, licensed, authorized, admonished, prevented, forbidden, reformed, corrected, punished. It is, under pretext of public utility, and in the name of the general interest, to be placed under contribution, drilled, fleeced, exploited, monopolized, extorted from, squeezed, hoaxed, robbed; then, at the slightest resistance, the first word of complaint, to be repressed, fined, vilified, harassed, hunted down, abused, clubbed, disarmed, bound, choked, imprisoned, judged, condemned, shot, deported, sacrificed, sold, betrayed; and to crown all, mocked, ridiculed, derided, outraged, dishonored. That is government; that is its justice; that is its morality.
Pierre-Joseph Proudhon (The General Idea of the Revolution in the Nineteenth Century)
The boy registered them but didn’t answer, already turned inward. He was counting backward from a thousand in multiples of four while working multiplication tables of seven until they met.
William Kely McClung (Black Fire)
You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Night is when we are closer to ourselves, closer to essential ideas and feelings that do not register so much during daylight hours.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
She laid her head against his collarbone, and he kissed her temple. To her shock, she felt a shudder roll through his body about the same time she registered wetness against her skin. Tears. His tears. She started to turn around, but he tightened his grip. “Stay,” he said in a choked voice. “Just let me hold you, baby. Just let me hold you.
Maya Banks (The Darkest Hour (KGI, #1))
Bending his head, Kai pressed his lips to her knuckles. The plating had no nerve endings, and yet the touch sent a tingle of electricity along her arm. “Cinder?” “Mm?” He lifted his gaze. “Just to be clear, you’re not using your mind powers on me right now, are you?” She blinked. “Of course not.” “Just checking.” Then he slid his arms around her waist and kissed her. Cinder gasped, pressing her palms against his chest. Kai pulled her closer. Seconds later, her brain began registering all the new chemicals flooding her system. INCREASED LEVELS OF DOPAMINE AND ENDORPHINS, REDUCED AMOUNTS OF CORTISOL, ERRATIC PULSE, RISING BLOOD PRESSURE … Leaning into him, Cinder sent the messages away. Her hands tentatively made their way to his shoulders, before stringing around his neck.
Marissa Meyer
Here’s the thing about Cricket Bell. You can’t NOT notice him when he walks into a room. The first thing that registers is his height, but it’s quickly followed by recognition of his energy. He moves gracefully like his sister, but with an enthusiasm he can’t quite control- the constantly moving body, hands, feet. He’s been subdued the last few times I’ve seen him, but he’s fully revived now.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Depression is one of the unknown modes of being. There are no words for a world without a self, seen with impersonal clarity. All language can register is the slow return to oblivion we call health when imagination automatically recolors the landscape and habit blurs perception and language takes up its routine flourishes.
Anne Carson (Autobiography of Red)
I told him your loins were clearly burning, and he should man up and make a move." "You did not!" "I did. And if he doesn't, then I suggest you jump his bones." ... I finally register what he's wearing. It's a handsome skinny black suit with a shiny sheen. The pants are too short - on purpose, of course - exposing his usual pointy shoes and a pair of blue socks that match my dress exactly. And I totally want to jump him.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
The speed of time varied, fast or slow, depending on the depth of my sleep. My favorite days were the ones that barely registered.
Ottessa Moshfegh (My Year of Rest and Relaxation)
People said that video games were bad because they made you numb to death, made you register entrails splattering across a screen as a sign of success. In that moment, Val thought that the real problem with games was that the player was suppossed to try everything. If there was a cave, you went in it. If there was a mysterious stranger, you talked to him. If there was a map, you followed it. But in games, you had a hundred million billion lives and Val only had this one.
Holly Black (Valiant (Modern Faerie Tales, #2))
Chapter Four : The things that go bump in the night...are probably registered voters in Cook County
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.
Walter Benjamin
If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that registered earthquakes ten thousand miles away.
F. Scott Fitzgerald (The Great Gatsby)
I burst into the locker room and— Penises! Sweet Jesus. Penises everywhere. Horror slams into me as I register what I’m seeing. Oh God. I’ve stumbled onto a penis convention. Big penises and small penises and fat penises and penis-shaped penises. It doesn’t matter which direction I move my head because everywhere I look I see penises. My mortified gasp draws the attention of every penis—er, guy, in the room.
Elle Kennedy (The Deal (Off-Campus, #1))
Plus it'll give you a chance to get us a wedding present. We're not registered anywhere, but we could seriously use some china and a blender.
Richelle Mead (Silver Shadows (Bloodlines, #5))
Perhaps a hero is someone who doesn’t register his own vulnerability. Is it courage, then, if you’re too daft to know you’re mortal?
David Benioff (City of Thieves)
Scott glanced at his watch but didn't register what it said. The notion of time had become as absurd as the quietly glowing trees.
R.D. Ronald (The Elephant Tree)
I figured you should have something both beautiful and functional, like you." He said it so quickly that it almost didn't register. I whipped my head around to look at him. "Max," I breathed, touching my heart with exaggerated awe, "you think I'm functional?" A dancing smile glinted in his eyes. "I think," he said, "that you are breathtakingly functional.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
A man's worth isn't measured by a bank register or diploma... It's about integrity
Richard Paul Evans (The Letter (The Christmas Box, #3))
I don't even register on the freakometer.
Dia Reeves (Bleeding Violet)
Jiang was wrong. She was not dabbling in forces she could not control, for the gods were not dangerous. The gods had no power at all, except what she gave them. The gods could affect the universe only through humans like her. Her destiny had not been written in the stars, or in the registers of the Pantheon. She had made her choices fully and autonomously. And though she called upon the gods to aid her in battle, they were her tools from beginning to end. She was no victim of destiny. She was the last Speerly, commander of the Cike, and a shaman who called the gods to do her bidding. And she would call the gods to do such terrible things.
R.F. Kuang (The Poppy War (The Poppy War, #1))
Pessimism is not in being tired of evil but in being tired of good. Despair does not lie in being weary of suffering, but in being weary of joy. It is when for some reason or other the good things in a society no longer work that the society begins to decline; when its food does not feed, when its cures do not cure, when its blessings refuse to bless. We might almost say that in a society without such good things we should hardly have any test by which to register a decline; that is why some of the static commercial oligarchies like Carthage have rather an air in history of standing and staring like mummies, so dried up and swathed and embalmed that no man knows when they are new or old.
G.K. Chesterton (The Everlasting Man)
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. The naked woman on the ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be 'interesting' to know which. We tell ourselves that it makes some difference whether the naked woman is about to commit a mortal sin or is about to register a political protest or is about to be, the Aristophanic view, snatched back to the human condition by the fireman in priest's clothing just visible in the window behind her, the one smiling at the telephoto lens. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely... by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria — which is our actual experience.
Joan Didion
When I was twelve, my parents had two talks with me. One was the usual birds and bees. Well, I didn't really get the usual version. My mom, Lisa, is a registered nurse, and she told me what went where, and what didn't need to go here, there, or any damn where till I'm grown. Back then, I doubted anything was going anywhere anyway. While all the other girls sprouted breasts between sixth and seventh grade, my chest was as flat as my back. The other talk was about what to do if a cop stopped me. Momma fussed and told Daddy I was too young for that. He argued that I wasn't too young to get arrested or shot. "Starr-Starr, you do whatever they tell you to do," he said. "Keep your hands visible. Don't make any sudden moves. Only speak when they speak to you." I knew it must've been serious. Daddy has the biggest mouth of anybody I know, and if he said to be quiet, I needed to be quiet. I hope somebody had the talk with Khalil.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
I ask God to bind my life to your life so that my mind will be one with your mind," I repeat the words Phaedrus says while I gaze at Reed and hold his hand. "My heart may be one with your heart," I recite it with a small smile on my face, "and my body may be one with your body," I blush a little when I say this part, seeing desire register in Reed's eyes. "From this moment through eternity, so let it be.
Amy A. Bartol (Intuition (The Premonition, #2))
Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim 'I do enjoy myself' or 'I am horrified' we are insincere. 'As far as I feel anything, it is enjoyment, horror' - it's no more than that really, and a perfectly adjusted organism would be silent.
E.M. Forster (A Passage to India)
You are such a chick." I widened my eyes in mock surprise. "No way. Are you sure?" Sighing again, he rubbed at the tattoos on his wrist. "Mackenzie was right. You aren't slayer material." Before he had time to register my intentions, I threw a punch. My sore, swollen knuckles slammed into his cheekbone, thrusting his head to the side. Pain shot up my arm, but I bit my tongue to stop a moan. "You were saying?" He popped his jaw, rubbed at the reddening skin-and slowly grinned. "Okay, so now I understand why Cole likes you. You're worse than Kat.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Places do not lose their identity, however far one travels. It is the heart that begins to erode over time. The face in the hotel mirror seems blurred some mornings, as if by too many casual looks. By ten the sheets will be laundered, the carpet swept. The names on the hotel registers change as we pass. We leave no trace as we pass on. Ghostlike, we cast no shadow.
Joanne Harris (Chocolat (Chocolat, #1))
Taking a hypersensitive approach to life had come to seem so much more pure and honest then joining the ranks of the numb masses who could let it all slide by. What I stopped realizing was that if you feel everything intensely, ultimately you feel nothing at all. Everything registers at the same decibel...
Elizabeth Wurtzel (Prozac Nation)
How come the dog isn’t named?” He reads aloud the title on the box. “‘Peggy and dog.’” “Because people tend to want to name animals after their beloved pets.” “Really?” “No. I have no idea. I can give you the number of Peggy’s creator if you want to ask.” “You have the phone number of this doll’s creator?” “No.” I punch the price into the register and push Total. “You’re hard to read,” he says
Kasie West (The Distance Between Us (Old Town Shops, #1))
Every man who is any kind of artist has a great deal of female in him. I act and give of myself as a man, but I register and receive with the soul of a woman. The only really good artists are feminine. I can't admit the existence of an artist whose dominant personality is masculine.
Orson Welles (My Lunches with Orson)
She sighed. Loudly. "Physical appearance is not what is important." Yeah right. Tell that to any girl who hasn't bothered to put on a presentable shirt or fix her hair because she's only running into the grocery store to get a quart of milk for her grandmother, and who does she see tending the 7-ITEMS-OR-LESS cash register but the guy of her dreams, except she can't even say hi—much less try to develop a meaningful relationship—since she looks like the poster child for the terminally geeky.
Vivian Vande Velde (Heir Apparent (Rasmussem Corporation, #2))
Please. Do me this one, great favor, Jones. If ever you hear anyone, when you are back home...if ever you hear anyone speak of the East," and here his voice plummeted a register, and the tone was full and sad, "hold your judgment. If you are told 'they are all this' or 'they do this' or 'their opinions are these,' withhold your judgment until all the facts are upon you. Because that land they call 'India' goes by a thousand names and is populated by millions, and if you think you have found two men the same among that multitude, then you are mistaken. It is merely a trick of the moonlight.
Zadie Smith (White Teeth)
I . . . hit him . . . elsewhere.” “Where?” “In his . . .In his inguine.” “Oh, dear God.” It was unclear whether Ralston’s words were meant as prayer or blasphemy. What was clear was that the woman was a gladiator. “He called me a pie!” she announced, defensively. There was a pause. “Wait. That’s not right.” “A tart?” “Yes! That’s it!” She registered her brother’s fists and looked to Simon. “I see that it is not a compliment.” “No. It is not.
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
Suddenly I register that St. Clair is shorter than Josh. Much shorter. It’s odd I didn’t notice earlier, but he doesn’t carry himself like a short guy. Most are shy or defensive, or some messed-up combination of the two, but St. Clair is confident and friendly and—
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
believe that you've had most of your important memories by the time you're thirty. After that, memory becomes water overflowing into an already full cup. New experiences just don't register in the same way or with the same impact. I could be shooting heroin with the Princess of Wales, naked in a crashing jet, and the experience still couldn't compare to the time the cops chased us after we threw the Taylors' patio furniture into their pool in eleventh grade.
Douglas Coupland
I don’t run for trains.” Snub your destiny. I have taught myself to resist running to keep on schedule. This may seem a very small piece of advice, but it registered. In refusing to run to catch trains, I have felt the true value of elegance and aesthetics in behavior, a sense of being in control of my time, my schedule, and my life. Missing a train is only painful if you run after it! Likewise, not matching the idea of success others expect from you is only painful if that’s what you are seeking. You stand above the rat race and the pecking order, not outside of it, if you do so by choice.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
And that's how we measure out our real respect for people—by the degree of feeling they can register, the voltage of life they can carry and tolerate—and enjoy. End of sermon. As Buddha says: live like a mighty river. And as the old Greeks said: live as though all your ancestors were living again through you.
Ted Hughes
Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him. He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her. "Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend." She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy." She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Amelia told me once about a suspicion she'd had for a while. It bothered her quite a bit. She said that Win and I had fallen ill with scarlet fever, and you made the deadly nightshade syrup, you'd concocted far more than was necessary. And you kept a cup on it on Win's nightstand, like some sort of macabre nightcap. Amelia said that if Win had died, she thought you would have taken the rest of that poison. And I've always hated you for that. Because you forced me to stay alive without the woman I loved, while you had no bloody hell intention of doing the same." Merripen didn't answer, gave no sign that he registered Leo's words. "Christ, man," Leo said huskily. "If you had the bollocks to die with her, don't you think you could work up the courage to live with her?
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Marley was dead, to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge's name was good upon 'Change for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
Charles Dickens (A Christmas Carol)
She rolls over with a little protesting noise, reaching sleepily after me. Then she begins to register the raindrops as they connect with her skin, and she sits up with straight with a gasp. I'm busy sitting up too, because when you go to sleep wrapped around a pretty girl, there are some things going on first thing in the morning that you don't exactly want making headline news.
Amie Kaufman (These Broken Stars (Starbound, #1))
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
Jack Kerouac (Desolation Angels)
Against the urgency of people dying in the streets, what in God's name is the point of cultural studies?...At that point, I think anybody who is into cultural studies seriously as an intellectual practice, must feel, on their pulse, its ephemerality, its insubstantiality, how little it registers, how little we've been able to change anything or get anybody to do anything. If you don't feel that as one tension in the work that you are doing, theory has let you off the hook.
Stuart Hall
I suppose she chose me because she knew my name; as I read the alphabet a faint line appeared between her eyebrows, and after making me read most of My First Reader and the stock-market quotations from The Mobile Register aloud, she discovered that I was literate and looked at me with more than faint distaste. Miss Caroline told me to tell my father not to teach me any more, it would interfere with my reading.
Harper Lee (To Kill a Mockingbird)
In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins." And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.
David Sedaris (When You Are Engulfed in Flames)
There would seem to be nothing more obvious, more tangible and palpable than the present moment. And yet it eludes us completely. All the sadness of life lies in that fact. In the course of a single second, our senses of sight, of hearing, of smell, register (knowingly or not) a swarm of events and a parade of sensations and ideas passes through our head. Each instant represents a little universe, irrevocably forgotten in the next instant.
Milan Kundera (The Art of the Novel)
The contrast with the scans of the eighteen chronic PTSD patients with severe early-life trauma was startling. There was almost no activation of any of the self-sensing areas of the brain: The MPFC, the anterior cingulate, the parietal cortex, and the insula did not light up at all; the only area that showed a slight activation was the posterior cingulate, which is responsible for basic orientation in space. There could be only one explanation for such results: In response to the trauma itself, and in coping with the dread that persisted long afterward, these patients had learned to shut down the brain areas that transmit the visceral feelings and emotions that accompany and define terror. Yet in everyday life, those same brain areas are responsible for registering the entire range of emotions and sensations that form the foundation of our self-awareness, our sense of who we are. What we witnessed here was a tragic adaptation: In an effort to shut off terrifying sensations, they also deadened their capacity to feel fully alive.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Trivers, pursuing his theory of the emotions to its logical conclusion, notes that in a world of walking lie detectors the best strategy is to believe your own lies. You can’t leak your hidden intentions if you don’t think they are your intentions. According to his theory of self-deception, the conscious mind sometimes hides the truth from itself the better to hide it from others. But the truth is useful, so it should be registered somewhere in the mind, walled off from the parts that interact with other people.
Steven Pinker (How the Mind Works)
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness. Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally. White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
bell hooks (All About Love: New Visions)
And what do you know, John's hands flew through the positions of ASL in various l-got-this combinations. "Is he deaf" the guy behind the cash register asked in a stage whisper. As if someone using American Sign Language was some kind of freak. "No. Blind." "Oh." As the man kept staring, Qhuinn wanted to pop him. "You going to help us out here or what?" "Oh ... yeah. Hey, you got a tattoo on your face." Mr. Observant moved slowly, like the bar codes on those bags were creating some kind of wind resistance under his laser reader. "Did you know that?" Really. "I wouldn't know." ''Are you blind, too?" No filter on this guy. None. "Yeah, I am." "Oh, so that's why your eyes are all weird." "Yeah. That's right." Qhuinn took out a twenty and didn't wait for change-murder was just a liiiiiittle too tempting. Nodding to John, who was also measuring the dear boy for a shroud, Qhuinn went to walk off. "What about your change ?" the man called out. "I'm deaf, too. I can't hear you." The guy yelled more loudly, "I'll just keep it then, yeah?" "Sounds good," Qhuinn shouted over his shoulder. Idiot was stage-five stupid. Straight up.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Generally the rational brain can override the emotional brain, as long as our fears don’t hijack us. (For example, your fear at being flagged down by the police can turn instantly to gratitude when the cop warns you that there’s an accident ahead.) But the moment we feel trapped, enraged, or rejected, we are vulnerable to activating old maps and to follow their directions. Change begins when we learn to "own" our emotional brains. That means learning to observe and tolerate the heartbreaking and gut-wrenching sensations that register misery and humiliation. Only after learning to bear what is going on inside can we start to befriend, rather than obliterate, the emotions that keep our maps fixed and immutable.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Time isn't an orderly stream. Time isn't a placid lake recording each of our ripples. Time is viscous. Time is a massive flow. It is a self-healing substance, which is to say, almost everything will be lost. We're too slight, to inconsequntial, despite all of our thrashing and swimming and waving our arms about. Time is an ocean of inertia, drowning out the small vibrations, absorbing the slosh and churn, the foam and wash, and we're up here, flapping and slapping and just generally spazzing out, and sure, there's a little splashing on the surface, but that doesn't even register in the depths, in the powerful undercurrents miles below us, taking us wherever they are taking us.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Look,” I began, “I get it. You don’t like me, but—” “I don’t like you?” He let out a low, flat laugh. One fell into the next, and it was awful—not at all him. He was half choking on them as he turned around, shaking his head. It almost sounded like a sob, the way his breath burst out of him. “I don’t like you,” he repeated, his face bleak. “I don’t like you?” “Liam—” I started, alarmed. “I can’t—I can’t think about anything or anyone else,” he whispered. A hand drifted up, dragging back through his hair. “I can’t think straight when you’re around. I can’t sleep. It feels like I can’t breathe—I just—” “Liam, please,” I begged. “You’re tired. You’re barely over being sick. Let’s just… Can we just go back to the others?” “I love you.” He turned toward me, that agonized expression still on his face. “I love you every second of every day, and I don’t understand why, or how to make it stop—” He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. “I know it’s wrong; I know it down to my damn bones. And I feel like I’m sick. I’m trying to be a good person, but I can’t. I can’t do it anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I think we reminded them of what peace was like, we boys of sixteen. We were registered with no draft board, we had taken no physical examinations. No one had ever tested us for hernia or color blindness. Trick knees and punctured eardrums were minor complaints and not yet disabilities which would separate a few from the fate of the rest. We were careless and wild, and I suppose we could be thought of as a sign of the life the war was being fought to preserve. Anyway, they were more indulgent toward us than at any other time; they snapped at the heels of seniors, driving and molding and arming them for the war. They noticed our games tolerantly. We reminded them of what peace was like, of lives which were not bound up with destruction.
John Knowles (A Separate Peace)
When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word "depression." Depression, most people know, used to be termed "melancholia," a word which appears in English as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. "Melancholia" would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a blank tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated -- the Swiss-born psychiatrist Adolf Meyer -- had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its insipidity, a general awareness of the horrible intensity of the disease when out of control.
William Styron (Darkness Visible: A Memoir of Madness)
He closed the distance another tight inch. Her breasts pressed against his chest, and her nipples were hard little points stabbing out of the scarlet material, begging to be freed. Her breath came in ragged gasps, her perfume swamped his senses. He grew hard, and her eyes widened as his full length throbbed against her leg in demand. “I’m calling your bluff, baby.” Pure shock registered on her face as he removed one hand from the wall to casually unbutton his shirt, slide off his tie, then grasp her chin with a firm grip. “Prove it.” He stamped his mouth over hers, not giving her a chance to think or back off or push him away. He invaded her mouth, plunging his tongue inside the slick, silky cave, then closed his lips around the wet flesh and sucked hard. She grabbed for his shoulders, and made a little moan deep in her throat. Then she exploded.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Look what I found, Eight!” Eight disappears from the grass and reappears up in the air next to the Chest. He wraps his arms around it and hugs it. Slime and all. Then he teleports back to the edge of the lake, the Chest still in his hands. “I can’t believe it,” Eight finally says. “All this time, it was right here.” He looks stunned. “It was inside a Mog ship at the bottom of the lake,” I say, walking out of the water. Eight disappears again and teleports directly in front of me, our noses practically touching. Before I can register how nice his warm breath feels on my face, he picks me up and kisses me hard on the mouth as he twirls me around. My body stiffens and I suddenly have no idea what to do with my hands. I don’t know what to do at all, so I just let it happen. He tastes salty and sweet at the same time. The whole world disappears and I feel as if I’m floating in darkness. (Rise of the Nine)
Pittacus Lore
All Hell is smaller than one pebble of your earthly world: but it is smaller than one atom of this world, the Real World. Look at yon butterfly. If it swallowed all Hell, Hell would not be big enough to do it any harm or to have any taste' 'It seems big enough when you're in it, Sir.' 'And yet all loneliness, angers, hatreds, envies, and itchings that it contains, if rolled into one single experience and put into the scale against the least moment of the joy that is felt by the least in Heaven, would have no weight that could be registered at all. Bad cannot succeed even in being bad as truly as good is good. If all Hell's miseries together entered the consciousness of yon wee yellow bird on the bough there, they would be swallowed up without trace, as if one drop of ink had been dropped into that Great Ocean to which your terrestrial Pacific is only a molecule' 'I see,' said I at last. 'She couldn't fit into Hell.
C.S. Lewis (The Great Divorce)
But gay marriage is coming to America first and foremost because marriage here is a secular concern, not a religious one. The objection to gay marriage is almost invariably biblical, but nobody's legal vows in this country are defined by interpretation of biblical verse - or at least, not since the Supreme Court stood up for Richard and Mildred Loving. A church wedding ceremony is a nice thing, but it is neither required for legal marriage in America nor does it constitute legal marriage in America. What constitutes legal marriage in this country is that critical piece of paper that you and your betrothed must sign and then register with the state. The morality of your marriage may indeed rest between you and God, but it's that civic and secular paperwork which makes your vows official here on earth. Ultimately, then, it is the business of America's courts, not America's churches, to decide the rules of matrimonial law, and it is in those courts that the same-sex marriage debate will finally be settled.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Already, Cullum felt a stirring of interest. The name Horace and the mention of an oakleaf symbol struck a chord in his memory. Sir Horace, the Oakleaf Knight, was a legendary figure in Araluen, even in a place as remote as Norgate. Of course, the more remote the location, the more garbled and fantastic the legends became. As Cullum had hear tell, Sir Horace had been a youth of sixteen when he defeated the tyrant Morgarath in single combat, slicing the head off the evil lord's shoulders with one might strocke of a massive broadsword. Then, in the company of the equally legendary Ranger Halt, Sir Horace had traveled across the Stormwhite Sea to defeat the Riders from the East and rescue Princess Cassandra and her companion, the apprentice Ranger known as Will. Will! The significance of the name suddenly registered with the innkeeper. The jongleur's name was Will. Now here he was, in a cowled cloak, festooned with recurve bow and a quiver of arrows. He looked more closely and saw the hilt of a heavy saxe knife just visible at his waist. No doubt about it, Cullum thought, these cheerful young men were two of Araluen's greatest heroes!
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioning our characters in the wrong way. Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never so little scar. The drunken Rip Van Winkle, in Jefferson’s play, excuses himself for every fresh dereliction by saying, “I won’t count this time!” Well! He may not count it, and a kind Heaven may not count it; but it is being counted none the less. Down among his nerve-cells and fibers the molecules are counting it, registering and storing it up to be used against him when the next temptation comes. Nothing we ever do is, in strict scientific literalness, wiped out. Of course this has its good side as well as its bad one. As we become permanent drunkards by so many separate drinks, so we become saints in the moral, and authorities and experts in the practical and scientific spheres, by so many separate acts and hours of work. Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keeps faithfully busy each hour of the working-day, he may safely leave the final result to itself. He can with perfect certainty count on waking up some fine morning, to find himself one of the competent ones of his generation, in whatever pursuit he may have singled out.
William James (The Principles of Psychology)
The historical problems with Luke are even more pronounced. For one thing, we have relatively good records for the reign of Caesar Augustus, and there is no mention anywhere in any of them of an empire-wide census for which everyone had to register by returning to their ancestral home. And how could such a thing even be imagined? Joesph returns to Bethlehem because his ancestor David was born there. But David lived a thousand years before Joseph. Are we to imagine that everyone in the Roman Empire was required to return to the homes of their ancestors from a thousand years earlier? If we had a new worldwide census today and each of us had to return to the towns of our ancestors a thousand years back—where would you go? Can you imagine the total disruption of human life that this kind of universal exodus would require? And can you imagine that such a project would never be mentioned in any of the newspapers? There is not a single reference to any such census in any ancient source, apart from Luke. Why then does Luke say there was such a census? The answer may seem obvious to you. He wanted Jesus to be born in Bethlehem, even though he knew he came from Nazareth ... there is a prophecy in the Old Testament book of Micah that a savior would come from Bethlehem. What were these Gospel writer to do with the fact that it was widely known that Jesus came from Nazareth? They had to come up with a narrative that explained how he came from Nazareth, in Galilee, a little one-horse town that no one had ever heard of, but was born in Bethlehem, the home of King David, royal ancestor of the Messiah.
Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible & Why We Don't Know About Them)
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
Kelly Creagh (Enshadowed (Nevermore, #2))