Easy Going Quotes

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So it's not gonna be easy. It's going to be really hard; we're gonna have to work at this everyday, but I want to do that because I want you. I want all of you, forever, everyday. You and me... everyday.
Nicholas Sparks (The Notebook)
If she's amazing, she won't be easy. If she's easy, she won't be amazing. If she's worth it, you wont give up. If you give up, you're not worthy. ... Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for.
Bob Marley (Bob Marley: Guitar Chord Songbook (Guitar Chord Songbooks))
The farther you go...the harder it is to return. The world has many edges and it's easy to fall off.
Anderson Cooper (Dispatches From The Edge: A Memoir of War, Disasters, and Survival)
If the road is easy, you're likely going the wrong way.
Terry Goodkind
You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
One of these days you're going to fall in love, son. Don't settle for just anyone. Choose the girl that doesn't come easy; the one you have to fight for, and then never stop fighting. Never
Jamie McGuire (Walking Disaster (Beautiful, #2))
It's easy to look at people and make quick judgments about them, their present and their past, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often then not, it's lined with cracks and scars that go all the way to the foundation of their soul.
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I am never, ever, going to make things easy for you, Seaweed Brain. Get used to it.
Rick Riordan
The truth was, he now belonged only to my past, and it was time I begin to accept it, as much as it hurt to do so.
Tammara Webber (Easy (Contours of the Heart, #1))
We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard. [Address at Rice University, September 12 1962]
John F. Kennedy
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Sometimes, Ms. Lane," he said, "one must break with one's past to embrace one's future. It is never an easy thing to do. It is one of the distinguishing characteristics between survivors and victims. Letting go of what was, to survive what is.
Karen Marie Moning (Darkfever (Fever, #1))
I'm not saying it's going to be easy. Nothing in life is easy. But that's no reason to give up. You'll be surprised what you can accomplish if you set your mind to it. After all, you only have one life, so you should try to make the most of it.
Louis Sachar
But it isn't easy,' said Pooh. 'Because Poetry and Hums aren't things which you get, they're things which get you. And all you can do is to go where they can find you.
A.A. Milne (The House at Pooh Corner)
[Life]It is what you make it. If you think you can't change the world, then go on and follow the path already carved out for you. But there are other roads to choose, they're just harder to trudge through. Changing the world is'nt easy, but I sure as hell am going to keep trying. Are you?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
The farther you go, however, the harder it is to return. The world has many edges, and it's easy to fall off.
Anderson Cooper
the year of letting go, of understanding loss. grace. of the word ‘no’ and also being able to say ‘you are not kind’. the year of humanity/humility. when the whole world couldn’t get out of bed. everyone i’ve met this year, says the same thing ‘you are so easy to be around, how do you do that?’. the year i broke open and dug out all the rot with own hands. the year i learnt small talk. and how to smile at strangers. the year i understood that i am my best when i reach out and ask ‘do you want to be my friend?’. the year of sugar, everywhere. softness. sweetness. honey honey. the year of being alone, and learning how much i like it. the year of hugging people i don’t know, because i want to know them. the year i made peace and love, right here.
Warsan Shire
If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
Patrick Rothfuss
He ran his finger along my jawline and down my neck. "The wait will be fun, but it's not going to be easy.
Amy Plum (Die for Me (Revenants, #1))
You're probably wondering what's going to happen to you. That's easy. The same thing is going to happen to you that has happened to every other human being who has ever lived. You're going to die. We all die. That's just how it is.
Ernest Cline (Ready Player One (Ready Player One, #1))
Remember this also: it’s always easy to look back and see what we were, yesterday, ten years ago. It is hard to see what we are. If you can master that trick, you’ll get along.
Harper Lee (Go Set a Watchman)
How can love be worthy of its name if one selects solely the pretty things and leaves out the hardships? It is easy to enjoy the good and dislike the bad. Anybody can do that. The real challenge is to love the good and the bad together, not because you need to take the rough with the smooth but because you need to go beyond such descriptions and accept love in its entirety.
Elif Shafak (The Forty Rules of Love)
Love is the only thing that we can carry with us when we go, and it makes the end so easy.
Louisa May Alcott (Good Wives (Little Women #1 part 2))
I've seen what commitment leads to. Going in is the easy part. It's the ending that sucks! -Remy
Sarah Dessen (This Lullaby)
Though Will was saying earlier,” Tessa added, “that heroes all come to bad ends, and he could not imagine why anyone would want to be one, anyway.” “Ah.” Jem’s hand squeezed hers briefly, and then let it go. “Well, Will is looking at it from the hero’s viewpoint, isn’t he? But as for the rest of us, it’s an easy answer.” “Is it?” “Of course.” His voice was almost a whisper now. “Heroes endure because we need them. Not for their own sakes. If Will …
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
He says we should take it easy and that maybe he overreacted a bit." Dave said, "A bit? That's like Hitler saying, 'Oooh, I just meant to go for a little walk, but then I accidentally invaded Poland.
Louise Rennison (Are These My Basoomas I See Before Me? (Confessions of Georgia Nicolson, #10))
It's true. It's like the hidden secret that no one tells you. we can all be beautiful girls, Colie. it's so easy. it's like Dorothy clicking her heels to go home. You could do it all along.
Sarah Dessen (Keeping the Moon)
And so I went through the looking glass, stepped into the netherworld, where up is down and food is greed, where convex mirrors cover the walls, where death is honor and flesh is weak. It is ever so easy to go. Harder to find your way back.
Marya Hornbacher (Wasted : A Memoir of Anorexia and Bulimia)
People were messy. They were defined not only by what they'd done, but by what they would have done, under different circumstances, molded as much by their regrets as their actions, choices they stood by and those they wished they could undo. Of course, there was no going back - time only moved forward - but people could change. For worse. And for better. It wasn't easy. The world was complicated. Life was hard. And so often, living hurt. So make it worth the pain.
V.E. Schwab (Our Dark Duet (Monsters of Verity, #2))
Ah, well,ʺ said Abe, idly studying his fingertips. ʺI have it on good authority thereʹs going to be a new ‘gateʹ opening up soon over on the south side of the wall." The truth dawned on me. ʺOh lord. Youʹre the one whoʹs been doling out C4.ʺ ʺYou make it sound so easy,ʺ he said with a frown. ʺThat stuffʹs hard to get a hold of.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
I'm not telling you it's going to be easy - I'm telling you it's going to be worth it.
Art Williams
It’s not always easy to get over some of those bumps in the road, those disillusionments and disappointments. It’s going to take a strong will. Sometimes, it may take courage. Sometimes nothing but faith in God and say, I refuse to be trapped in the past. I’m not going to let the past destroy my future. I’m pressing on. I’m straining forward, knowing that God has great things in store for me.
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
So, that’s what they wanted: lies. Beautiful lies. That’s what they needed. People were fools. It was going to be easy for me.
Charles Bukowski (Ham on Rye)
Stopping by Woods on a Snowy Evening Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
Robert Frost (Stopping by Woods on a Snowy Evening)
Everybody is a stranger, but that's the danger in going my own way.
John Mayer (John Mayer - Battle Studies: Easy Guitar with Notes & Tab (Ez Guitar With Riffs and Tab))
Being vegan is easy. Are there social pressures that encourage you to continue to eat, wear, and use animal products? Of course there are. But in a patriarchal, racist, homophobic, and ableist society, there are social pressures to participate and engage in sexism, racism, homophobia, and ableism. At some point, you have to decide who you are and what matters morally to you. And once you decide that you regard victimizing vulnerable nonhumans is not morally acceptable, it is easy to go and stay vegan
Gary L. Francione
When you own nothing, it's easy to let things go.
Jerry Spinelli (Milkweed)
When nothing seems to help, I go and look at a stonecutter hammering away at his rock, perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that last blow that did it—but all that had gone before.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
The truest, most beautiful life never promises to be an easy one. We need to let go of the lie that it's supposed to be.
Glennon Doyle (Untamed)
You said go to her, and I let pride stand in my way. You said she needed me, and I didn't believe. You said love her, and I thought it would be easy.
Francine Rivers (Redeeming Love)
Perhaps he does not want to be friends with you until he knows what you are like. With owls, it is never easy-come-easy-go.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
One should go easy on smashing other people's lies. Better to concentrate on one's own.
Iris Murdoch (Henry and Cato)
It is easy to overlook this thought that life just is. As humans we are inclined to feel that life must have a point. We have plans and aspirations and desires. We want to take constant advantage of all the intoxicating existence we've been endowed with. But what's life to a lichen? Yet its impulse to exist, to be, is every bit as strong as ours—arguably even stronger. If I were told that I had to spend decades being a furry growth on a rock in the woods, I believe I would lose the will to go on. Lichens don't. Like virtually all living things, they will suffer any hardship, endure any insult, for a moment's additional existence. Life, in short, just wants to be.
Bill Bryson (A Short History of Nearly Everything)
She was going to have to train herself not to stare at him quite as often as she was used to. That would be no easy task.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
So, it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, forever, you and me, every day. Will you do something for me, please? Just picture your life for me? Thirty years from now, forty years from now? What's it look like? If it's with him- go. Go! I lost you once, I think I can do it again, if I thought that's what you really wanted. But don't you take the easy way out.
Nicholas Sparks
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
I want to be in fifth grade again. Now, that is a deep dark secret, almost as big as the other one. Fifth grade was easy -- old enough to play outside without Mom, too young to go off the block. The perfect leash length.
Laurie Halse Anderson (Speak)
Who says you cannot hold the moon in your hand? Tonight when the stars come out and the moon rises in the velvet sky, look outside your window, then raise your hand and position your fingers around the disk of light. There you go . . . That was easy!
Vera Nazarian (The Perpetual Calendar of Inspiration)
I like writing that is restrained and invisible. I don't mean that I like things to be simple and easy to decode, the opposite. I like writers who deal with ambiguities, biased viewpoint and subjective truth; I like the writing to be clean but everything behind the writing to be complex. I like to feel that there are things going on in the spaces and behind the lines.
C.S. Pacat
We're not alone--at least, we're alone only if we choose to be alone. We're alone only if we choose to go through life relying solely on our own strength rather than learning to draw upon the power of God.
Sheri Dew (If Life Were Easy, It Wouldn't Be Hard: And Other Reassuring Truths)
Adrian Ivashkov wasn’t easy to surprise, but I surprised him then when I brought his mouth toward mine. I kissed him, and for a moment, he was too stunned to respond. That lasted for, oh, about a second. Then the intensity I’d come to know so well in him returned. He pushed me backward, lifting me so that I sat at the table. The tablecloth bunched up, knocking over some of the glasses. I heard what sounded like a china plate crash against the floor. Whatever logic and reason I normally possessed had melted away. There was nothing but flesh and fire left, and I wasn’t going to lie to myself—at least not tonight.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
the psychological need to believe that others take you as seriously as you take yourself. There is nothing particularly wrong with it, as psychological needs go, but yet of course we should always remember that a deep need for anything from other people makes us easy pickings.
David Foster Wallace (Brief Interviews with Hideous Men)
Extremism is so easy. You've got your position, and that's it. It doesn't take much thought. And when you go far enough to the right you meet the same idiots coming around from the left. (Interview, Time Magazine, February 20, 2005)
Clint Eastwood
We always hope for the easy fix: the one simple change that will erase a problem in a stroke. But few things in life work this way. Instead, success requires making a hundred small steps go right - one after the other, no slipups, no goofs, everyone pitching in.
Atul Gawande (Better: A Surgeon's Notes on Performance)
I learned that love can transcend race and time, and that it can be beautiful and perfect and worth fighting for but also fragile and heartbreaking, and sometimes sacrifice is necessary. That sometimes it's you against the world, and there are no easy answers. That you have to know when to hold on...and when to let go. And even if that love comes back, you could discover something in someone else who has been there all along.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
i can not go through the ocean. i can not drive the streets at night. i can not wake up in the morning without you on my mind. and so your gone and im haunted i bet you are just fine. did i make it that easy to walk right in and out of my life.
A Fine Frenzy
The thing is to be happy,' he said. 'No matter what. Just try that. You can. It gets to be easier and easier. It's nothing to do with circumstances. You wouldn't believe how good it is. Accept everything and then tragedy disappears. Or tragedy lightens, anyway, you're just there, going along easy in the world.
Alice Munro (Dear Life)
Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said, smiling. "You can hold on to me as long as you want. Let go of the pain, Sookie. Let go. You need to drift away." It was the first time I had relinquished my will to someone else. As I looked at him, it became easy, and I retreated from the suffering and uncertainty of this strange place.
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.
Alice Munro (Selected Stories)
This hand says you spend the rest of your life with me," he said, holding out his left hand, "and this one says I spend the rest of my life with you. Choose." She bit her lip, tears welling in her eyes. She took both of his hands in hers and he shuddered. "I will die protecting you," he says. There was a look of dismay on her face. "Just like a man of this kingdom, Finnikin. Talking of death, yours or mine, is not a good way to begin a-" Isaboe gave a small gasp when he leaned forward, his lips an inch away from hers. "I will die for you," he whispered. She cupped his face in her hands. "But promise me you'll live first. Because nothing we are about to do is going to be easy and I need you by my side.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Why?' is always the most difficult question to answer. You know where you are when someone asks you 'What's the time?' or 'When was the battle of 1066?' or 'How do these seatbelts work that go tight when you slam the brakes on, Daddy?' The answers are easy and are, respectively, 'Seven-thirty in the evening,' 'Ten-fifteen in the morning,' and 'Don't ask stupid questions.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
Margaret Atwood (Alias Grace)
We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win.
John F. Kennedy
It is easy to see things in retrospect. But I was ignorant then of everything but my own happiness, and I don’t know what else to say except that life itself seemed very magical in those days: a web of symbol, coincidence, premonition, omen. Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together–my future, my past, the whole of my life–and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!
Donna Tartt (The Secret History)
I didn't let her go. She went. It's not my fault. She did it. She could undo it. This is feeling so fucking famliar. Why do we even bother? Why do we make ourselves so open to such easy damage? Is it all loneliness? Is it all fear? Of is it just to experience those narcotic moments of belonging with someone else?
David Levithan (Nick & Norah's Infinite Playlist)
A gun I had been brought down by a gun. It was practically comical. Cheaters, I thought. I’d spent my life focusing on hand to hand combat, learning to dodge fangs and powerful hands that could snap my neck. A gun? It was so… well, easy. Should I be insulted? I didn’t know. Did it matter? I didn’t know that either. All I knew in that moment was that I was going to die, regardless.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
People who have only good experiences aren't very interesting. They may be content, and happy after a fashion, but they aren't very deep. It may seem a misfortune now, and it makes things difficult, but well--it's easy to feel all the happy, simple stuff. Not that happiness is necessarily simple. But I don't think you're going to have a life like that, and I think you'll be the better for it. The difficult thing is to not be overwhelmed by the bad patches. You must not let them defeat you. You must see them as a gift--a cruel gift, but a gift nonetheless.
Peter Cameron (Someday This Pain Will Be Useful to You)
Stay with you? What for? Look at us, we're already fightin' Well that's what we do, we fight... You tell me when I am being an arrogant son of a bitch and I tell you when you are a pain in the ass. Which you are, 99% of the time. I'm not afraid to hurt your feelings. You have like a 2 second rebound rate, then you're back doing the next pain-in-the-ass thing. So what? So it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, for ever, you and me, every day. Will you do something for me, please? Just picture your life for me? 30 years from now, 40 years from now? What's it look like? If it's with him, go. Go! I lost you once, I think I can do it again. If I thought that's what you really wanted. But don't you take the easy way out.
Nicholas Sparks
Once born into childlike faith, brimming with belief, typical people begin to lose their faith. Society mocks them. Their friends smirk. They come to change the world, but over time the world changes them. Soon they forget who they were; they forget the faith they once had. Then one day someone tells them the truth, but they don’t want to go back, because they’re comfortable in their new skin. Being a stranger in this world is never easy.
Ted Dekker (Saint (Paradise, #2))
how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
Toni Morrison (Paradise (Beloved Trilogy, #3))
Well, my love,” said Alexia with prodigious daring to Lord Maccon, “shall we?” The earl started to move forward and then stopped abruptly and looked down at her, not moving at all. “Am I?” “Are you what?” She peeked up at him through her tangled hair, pretending confusion. There was no possible way she was going to make this easy for him. “Your love?” “Well, you are a werewolf, Scottish, naked, and covered in blood, and I am still holding your hand.” He sighed in evident relief. “Good. That is settled, then.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Jamie," I said, "how, exactly, do you decide whether you're drunk?" Aroused by my voice, he swayed alarmingly to one side, but caught himself on the edge of the mantelpiece. His eyes drifted around the room, then fixed on my face. For an instant, they blazed clear and pellucid with intelligence. "och, easy, Sassenach, If ye can stand up, you're not drunk." He let go of the mantelpiece, took a step toward me, and crumpled slowly onto the hearth, eyes blank, and a wide, sweet smile on his dreaming face.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
His breath caught, harsh enough that she looked over her shoulder. But his eyes weren't on her face. Or the water. They were on her bare back. Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?" It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier." He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage. "A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once. "You were a slave." She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved. He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Chapter 1. He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.' Uh, no let me start this over. 'Chapter 1. He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'. Ah, corny, too corny for my taste. Can we ... can we try and make it more profound? 'Chapter 1. He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...' No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here. 'Chapter 1. He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...' Too angry, I don't want to be angry. 'Chapter 1. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.' I love this. 'New York was his town, and it always would be.
Woody Allen (Manhattan)
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter. I see it now though. Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further. And then he touches me again, and my convictions disappear like smoke in the wind. This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct? Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him. Tomorrow. What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever. Just one last time, Sweets. Just one last fix. That’s all I need. And that is why I now understand addiction.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
First, it’s okay to be sad. It’s okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly”—her eyes glossed over—“and you and your brothers take care of each other, and your father. Even when you grow up and move away, it’s important to come home. Okay?” My head bobbed up and down, desperate to please her. “One of these days you’re going to fall in love, son. Don’t settle for just anyone. Choose the girl that doesn’t come easy, the one you have to fight for, and then never stop fighting. Never”—she took a deep breath—“stop fighting for what you want. And never”—her eyebrows pulled in—“forget that Mommy loves you. Even if you can’t see me.” A tear fell down her cheek. “I will always, always love you.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Damen felt Laurent start shaking against him, and realised that, silently, helplessly, he was laughing. There came the sound of at least two more sets of footsteps striding into the room, greeted with: 'Here he is. We found him fucking this derelict, disguised as the tavern prostitute.' 'This is the tavern prostitute. You idiot, the Prince of Vere is so celibate I doubt he even touches himself once every ten years. You. We're looking for two men. One was a barbarian soldier, a giant animal. The other was blond. Not like this boy. Attractive.' 'There was a blond lord's pet downstairs,' said Volo. 'Brained like a pea and easy to hoodwink. I don't think he was the Prince.' 'I wouldn't call him blond. More like mousy. And he wasn't that attractive,' said the boy, sulkily. The shaking, progressively, had worsened. 'Stop enjoying yourself,' Damen murmured. 'We're going to be killed, any minute.' 'Giant animal,' said Laurent. 'Stop it.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
There is something sad about people going to bed. You can see they don’t give a damn whether they’re getting what they want out of life or not, you can see they don’t ever try to understand what we’re here for. They just don’t care. Americans or not, they sleep no matter what, they’re bloated mollusks, no sensibility, no trouble with their conscience. I’d seen too many troubling things to be easy in my mind. I knew too much and not enough. I’d better go out, I said to myself, I’d better go out again. Maybe I’ll meet Robinson. Naturally that was an idiotic idea, but I dreamed it up as an excuse for going out again, because no matter how I tossed and turned on my narrow bed, I couldn’t snatch the tiniest scrap of sleep. Even masturbation, at times like that, provides neither comfort nor entertainment. Then you're really in despair.
Louis-Ferdinand Céline (Journey to the End of the Night)
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Just let me wait a little while longer, Under your window in the quite snow. Let me stand here and shiver, I’ll be stronger If I can see your light before I go. All through the weeks I’ve tried to keep my balance. Leaves fell, then rain, then shadows, I fell too. Easy restraint is not among my talents, Fall turned to Winter and I came to you. Kissed by the snow I contemplate your face. Oh, do not hide it in your pillow yet! Warm rooms would never lure me from this place, If only I could see your silhouette. Turn on your light, my sun, my summer love. Zero degrees down here, July above.
Polly Shulman (Enthusiasm)
You saved the world," annabeth said. "We saved the world." "And Rachel is the new Oracle, which means she won't be dating anybody." "You don't sound disappointed," I noticed. Annabeth shrugged. "Oh, I don't care." "Uh-huh." She raised an eyebrow. "You got something to say to me, Seaweed Brain?" "You'd probably kick my butt." "You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotuslands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of the wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn't die...
Jack Kerouac (On the Road (The Viking Critical Library))
There is no ongoing spiritual life without this process of letting go. At the precise point where we refuse, growth stops. If we hold tightly to anything given to us, unwilling to let it go when the time comes to let it go or unwilling to allow it to be used as the Giver means it to be used, we stunt the growth of the soul. It is easy to make a mistake here, “If God gave it to me,” we say, “its mine. I can do what I want with it.” No. The truth is that it is ours to thank Him for and ours to offer back to Him, ours to relinquish, ours to lose, ours to let go of – if we want to find our true selves, if we want real life, if our hearts are set on glory.
Elisabeth Elliot
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
I could go on all night, Lake. I could go on and on and on about all the reasons I’m in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you’re the only other person I know who understands my situation. I do love you because both of us know what it’s like to lose your mom and your dad. I do love you because you’re raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I’m not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
Well, here goes," said Harry, and he raised the little bottle and took a carefully measured gulp. "What does it feel like?" whispered Hermione. Harry did not answer for a moment. Then, slowly but surely, an exhilarating sense of infinite opportunity stole through him; he felt as though he could have done anything, anything at all...and getting the memory from Slughorn seemed suddenly not only possible, but positively easy.... He got to his feet, smiling, brimming with confidence. "Excellent," he said. "Really excellent. Right...I'm going down to Hagrid's." "What?" said Ron and Hermione together, looking aghast. "No, Harry - you've got to go and see Slughorn, remember?" said Hermione. "No," said Harry confidently. "I'm going to Hagrid's, I've got a good feeling about going to Hagrid's." "You've got a good feeling about burying a giant spider?" asked Ron, looking stunned. "Yeah," said Harry, pulling his Invisibility Cloak out of his bag. "I feel like it's the place to be tonight, you know what I mean?" "No," said Ron and Hermione together, both looking positively alarmed now. "This is Felix Felicis, I suppose?" said Hermione anxiously, holding up the bottle to the light. "You haven't got another little bottle full - I don't know -" "Essence of Insanity?" suggested Ron, as Harry swung his cloak over his shoulders.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't. Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy? Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away. Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh. Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there. Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
Alysha Speer
Anything is one of a million paths. Therefore you must always keep in mind that a path is only a path; if you feel you should not follow it, you must not stay with it under any conditions. To have such clarity you must lead a disciplined life. Only then will you know that any path is only a path and there is no affront, to oneself or to others, in dropping it if that is what your heart tells you to do. But your decision to keep on the path or to leave it must be free of fear or ambition. I warn you. Look at every path closely and deliberately. Try it as many times as you think necessary. This question is one that only a very old man asks. Does this path have a heart? All paths are the same: they lead nowhere. They are paths going through the bush, or into the bush. In my own life I could say I have traversed long long paths, but I am not anywhere. Does this path have a heart? If it does, the path is good; if it doesn't, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn't. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you. Before you embark on any path ask the question: Does this path have a heart? If the answer is no, you will know it, and then you must choose another path. The trouble is nobody asks the question; and when a man finally realizes that he has taken a path without a heart, the path is ready to kill him. At that point very few men can stop to deliberate, and leave the path. A path without a heart is never enjoyable. You have to work hard even to take it. On the other hand, a path with heart is easy; it does not make you work at liking it.
Carlos Castaneda (The Teachings of Don Juan: A Yaqui Way of Knowledge)
Though I obviously have no proof of this, the one aspect of life that seems clear to me is that good people do whatever they believe is the right thing to do. Being virtuous is hard, not easy. The idea of doing good things simply because you're good seems like a zero-sum game; I'm not even sure those actions would still qualify as 'good,' since they'd merely be a function of normal behavior. Regardless of what kind of god you believe in--a loving god, a vengeful god, a capricious god, a snooty beret-wearing French god, or whatever--one has to assume that you can't be penalized for doing the things you believe to be truly righteous and just. Certainly, this creates some pretty glaring problems: Hitler may have thought he was serving God. Stalin may have thought he was serving God (or something vaguely similar). I'm certain Osama bin Laden was positive he was serving God. It's not hard to fathom that all of those maniacs were certain that what they were doing was right. Meanwhile, I constantly do things that I know are wrong; they're not on the same scale as incinerating Jews or blowing up skyscrapers, but my motivations might be worse. I have looked directly into the eyes of a woman I loved and told her lies for no reason, except that those lies would allow me to continue having sex with another woman I cared about less. This act did not kill 20 million Russian peasants, but it might be more 'diabolical' in a literal sense. If I died and found out I was going to hell and Stalin was in heaven, I would note the irony, but I couldn't complain. I don't make the fucking rules.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
Don’t tell thin women to eat a cheeseburger. Don’t tell fat women to put down the fork. Don’t tell underweight men to bulk up. Don’t tell women with facial hair to wax, don’t tell uncircumcised men they’re gross, don’t tell muscular women to go easy on the dead-lift, don’t tell dark-skinned women to bleach their vagina, don’t tell black women to relax their hair, don’t tell flat-chested women to get breast implants, don’t tell “apple-shaped” women what’s “flattering,” don’t tell mothers to hide their stretch marks, and don’t tell people whose toes you don’t approve of not to wear flip-flops. And so on, etc, etc, in every iteration until the mountains crumble to the sea. Basically, just go ahead and CEASE telling other human beings what they “should” and “shouldn't” do with their bodies unless a) you are their doctor, or b) SOMEBODY GODDAMN ASKED YOU.
Lindy West
Since childhood, I’d believed it was important to speak out against bullies while also not stooping to their level. And to be clear, we were now up against a bully, a man who among other things demeaned minorities and expressed contempt for prisoners of war, challenging the dignity of our country with practically his every utterance. I wanted Americans to understand that words matter—that the hateful language they heard coming from their TVs did not reflect the true spirit of our country and that we could vote against it. It was dignity I wanted to make an appeal for—the idea that as a nation we might hold on to the core thing that had sustained my family, going back generations. Dignity had always gotten us through. It was a choice, and not always the easy one, but the people I respected most in life made it again and again, every single day. There was a motto Barack and I tried to live by, and I offered it that night from the stage: When they go low, we go high.
Michelle Obama (Becoming)
I wanted him dead too, so that if I couldn't stop thinking about him and worrying about when would be the next time I'd see him, at least his death would put an end to it. I wanted to kill him myself, even, so as to let him know how much his mere existence had come to bother me, how unbearable his ease with everything and everyone, taking all things in stride, his tireless I'm-okay-with-this-and-that, his springing across the gate to the beach when everyone else opened the latch first, to say nothing of his bathings suits, his spot in paradise, his cheeky Later!, his lip-smacking love for apricot juice. If I didn't kill him, then I'd cripple him for life, so that he'd be with us in a wheelchair and never go back to the States. If he were in a wheelchair, I would always know where he was, and he'd be easy to find. I would feel superior to him and become his master, now that he was crippled. Then it hit me that I could have killed myself instead, or hurt myself badly enough and let him know why I'd done it. If I hurt my face, I'd want him to look at me and wonder why, why might anyone do this to himself, until, years and years later--yes, Later!--he'd finally piece the puzzle together and beat his head against the wall.
André Aciman (Call Me by Your Name)
Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin." "Your Majesty.... I - I don't know - " Rose felt her knees shaking. Did he not love her after all? "Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me." Galen laughed shakily. "Thanks, Pansy." "Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something." "Poppy!" Daisy looked scandalized. "It's not Rose's place to - " Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used. "Yes," he said. "If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!" "Father," Rose protested, "that won't be necessary!" "I choose Rose," Galen blurted out at the same time. "There. Done. Easy." King Gregor clapped his hands.
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.
Nicholas Sparks (The Notebook (The Notebook, #1))
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))