β
You may be a bit presumptuous, Miss Woodhart, and may lack certain habits of good etiquette. But in dancing, you exceed manyβand in loveliness, I have known no equal.
β
β
Hannah Linder (Beneath His Silence)
β
He kissed her. Without warning, without permission. Without even deciding to do it, but simply because he couldn't have done anything else. He needed that breath she was holding. It belonged to him, and he wanted it back.
β
β
Tessa Dare (One Dance with a Duke (Stud Club, #1))
β
Perhaps tomorrow had never been meant for them at all. Perhaps tomorrow belonged to God.
β
β
Hannah Linder (When Tomorrow Came)
β
Sometimes Hen...I think I would give my life just for one of your smiles.
β
β
Julia Quinn (Minx (The Splendid Trilogy, #3))
β
Love will find a way against time itself.
β
β
Sylvia Day (Catching Caroline)
β
To my unsuspecting love.
When I look into your eyes, I lose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within your gaze.
I long to touch your blushing cheek, to whisper in your ear how I adore you, how I have lost my heart to you, how I cannot bear the thought of living without you.
To be so near to you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you.
Where is your compassion when I need it most? Open your eyes , Love, and see what is right before you: that I am not merely a friend, but a man deeply, desperately , in love with you.
Longing for you.
β
β
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
β
I have known many human beings with a full soul to their name who do not have half so much compassion or practicality as you.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
She had little effort to spare for making unpleasant men more comfortable.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
A man is not what he possesses but what he does with himself.
β
β
Hannah Linder (Garden of the Midnights)
β
Oh, yes, she's unusual!" he said bitterly. "She blurts out whatever may come into her head; she tumbles from one outrageous escapade into another; she's happier grooming horses and hobnobbing with stable-hands than going to parties; she's impertinent; you daren't catch her eye for fear she should start to giggle; she hasn't any accomplishments; I never saw anyone with less dignity; she's abominable, and damnably hot at hand, frank to a fault, and β a darling!
β
β
Georgette Heyer (Sylvester or The Wicked Uncle)
β
You are brave and loyal and true. You have such a good heart." He held my hand close to his chest and covered it with his other hand. "It is only afraid. But I would take such good care of it, love, if you would give it to me.
β
β
Julianne Donaldson (Blackmoore)
β
...we'll have a duel in the morning on the moors. Plenty of fog. It will be quite dramatic, I daresay.
β
β
Julianne Donaldson (Blackmoore)
β
You don't feel you could marry me instead? Got no brains, of course, and I ain't a handsome fellow, like Jack, but I love you. Don't think I could ever love anyone else.
β
β
Georgette Heyer (Cotillion)
β
Dear Philip,
I don't imagine you will ever read this. If you do, it is bacause something dreadful has happened to me. I find myself in the hands of a dangerous man. I am determined to fight him but before I do, my heart demands that I write this note to tell you that I love you. I am sending my heart to you in this letter so it will be kept safe from whatever may happen to me tonight. I don't know if you want it or not, but it has always been yours.
With all my love,
Marianne
β
β
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
β
I did not come here only to dance. I came here only to dance with you. It is quite a different thing.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
heir eyes met. They both smiled, aware that they were in public, where anyone could see them on the street and in the window. But the rest of the world did not matter. For that moment, everything else vanished. He was there, she was there, no trouble could touch them.
β
β
Jeanette Watts (My Dearest Miss Fairfax)
β
If I could,β he went on, βI would remain like this indefinitelyβclasped by you, held inside you, a part of youβwithout moving at all. When we make love, I fight climax with everything I have. I donβt want to come; I do not want it to end. No matter how long I make it last, it isnβt nearly long enough. I am furious when I cannot hold back any longer. Why, Jess? If all I seek is the physical relief of natural lust, just as I would seek sleep or food, why would I deny myself?β
She turned her head and caught his mouth with hers, kissing him desperately.
βTell me you understand,β he demanded, his lips moving beneath hers. βTell me you feel it, too.β
βI feel you,β she breathed, as intoxicated by his ardency as she was by the finest claret. βYou have become everything to me.
β
β
Sylvia Day (Seven Years to Sin)
β
There is such a thing as evil in this world,β Elias told her quietly. βIt does not help to look away from it. It does not even help, necessarily, to look at it.β His fingers brushed through her hair, and she shivered. βBut sometimes, when you cannot force the world to come to its senses, you must settle only for wiping away some of the small evils in front of you.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
You are my one and only, for all eternity.
β
β
Vicky Dreiling (How to Marry a Duke (How To #1))
β
Please, I do not wish to be rescued by a gentleman. Could you find a farmer or a shopkeep - anyone not of the gentry - and then do me a great favor of forgetting you saw me?
β
β
Cindy Anstey (Love, Lies and Spies)
β
It may be true that you have only half a soul, Dora,β he whispered, with a surprising abundance of empathy in his voice. βBut that does not make you half a person.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
But why, she thought wryly, did a man seem more attractive as he became less available? How humbling to think one had so much in common with a cow stretching its neck through a gate for better grass.
β
β
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
β
But gratitude would not have me love you as I do. Love was inspired by what you are - the good, the bad, and even the foolish, which is what you're being right now.
β
β
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
β
All romantic novels end the same way, but it's the process of getting there that provides all the enjoyment.
β
β
Candice Hern (A Proper Companion (Regency Rakes, #1))
β
Winning her would be like coaxing a butterfly to land on his hand. Patience, gentleness, and perhaps a prayer or two would be required.
β
β
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
β
Nell did not imagine that Constable Moore wanted to get into a detailed discussion of recent events, so she changed the subject. "I think I have finally worked out what you were trying to tell me, years ago, about being intelligent," she said.
The Constable brightened all at once. "Pleased to hear it."
The Vickys have an elaborate code of morals and conduct. It grew out of the moral squalor of an earlier generation, just as the original Victorians were preceded by the Georgians and the Regency. The old guard believe in that code because they came to it the hard way. They raise their children to believe in that codeβ but their children believe it for entirely different reasons."
They believe it," the Constable said, "because they have been indoctrinated to believe it."
Yes. Some of them never challenge itβ they grow up to be smallminded people, who can tell you what they believe but not why they believe it. Others become disillusioned by the hypocrisy of the society and rebelβ as did Elizabeth Finkle-McGraw."
Which path do you intend to take, Nell?" said the Constable, sounding very interested. "Conformity or rebellion?"
Neither one. Both ways are simple-mindedβ they are only for people who cannot cope with contradiction and ambiguity.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
A faerie told me that true love's kiss could wake Miss Buckley," Effie told him. "I cannot think of any truer or more unconditional love than that of a dog.
β
β
Olivia Atwater (Ten Thousand Stitches (Regency Faerie Tales, #2))
β
Your fate is writ clear; you will be murdered. I cannot conceive how it comes about that you were not murdered long since!"
"How odd! Charles himself once said that to me, or something like it!"
"There is nothing odd in it; any sensible man must say it!
β
β
Georgette Heyer (The Grand Sophy)
β
Life is a good deal more comfortable if one doesn't expect it to be fair.
β
β
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
β
How the deuce would you know the right way to go on if you was never taught anything but the wrong way?
β
β
Georgette Heyer (Cotillion)
β
When anyone but God tells me I can or cannot, should or should not do something, I get a distinct desire to rebel.
β
β
Melanie Dickerson (A Viscount's Proposal (The Regency Spies of London, #2))
β
Every fish you throw back into the ocean is a triumph of the idea that human beings can be better. I do my best, every day, to throw at least one fish back into the ocean. I hope that you will join me.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
He cupped my face in his hands. "Then listen to me, my blind, stubborn, darling friend. You stole my heart the night we met, when you sang that ridicuos song and dared me not to laugh. And every moment I have spent with you since then, you have stolen more and more of me until when you're not with me....." He drew in a breath. "When you are not with me, I am left with nothing but longing for you.
β
β
Julianne Donaldson
β
He wasted his disapproval on her, for she cared not a whit.
β
β
Melanie Dickerson (A Viscount's Proposal (The Regency Spies of London, #2))
β
Except I was hoping someday to see you standing on a ship's deck in your shirtsleeves with a cutlass between your teeth."
"Maybe it can be arranged
β
β
Melanie Dickerson (A Viscount's Proposal (The Regency Spies of London, #2))
β
Red. Red, the colour of the Regency, scrawled over with the iconography of the border forts, growing, fluttering. These were the banners of Ravenel. Not only the banners, but men and riders, flowing over the hilltop like wine from an over-full cup, staining and darkening its slopes, and spreading.
β
β
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
β
The Regency,' said Laurent, addressing the troop, 'thought to take us outnumbered. It expected us to roll over without a fight.'
Damen said: 'We will not let them cow us, subdue us or force us down. Ride hard. Don't stop to fight the front line. We are going to smash them open. We are here to fight for our Prince!'
The cry rang out, For the Prince! The men gripped their swords, slammed their visors down, and the sound they made was a roar.
β
β
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
β
I love your wit and cleverness. I love that you are kind but almost never nice. I love your eyes and your hair and your freckles, and the fact that you smell like some monstrous floral perfume all of the time.β He paused, now looking somewhat offended at himself. βAnd I love to dance with you. That is the worst of it by far.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
What is your name?"
"Again sir, that is no concern of yours."
"A mystery," he said. "I shall have to call you Clorinda."
.....
"Judith! What the devil? exclaimed Peregrine. "Has there been an accident?"
"Judith," repeated the gentleman of the curricle pensively. "I prefer Clorinda.
β
β
Georgette Heyer (Regency Buck (Alastair-Audley, #3))
β
If you allow an experienced man of the world to introduce you to passion when you want him more than he wants you, he will own your soul, but you will not own his.
β
β
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
β
sometimes, when you cannot force the world to come to its senses, you must settle only for wiping away some of the small evils in front of you.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
By some miracle, Charlotte's polite smile never wavered. It was a proud moment for her. After all, it wasn't every day that a little old lady told you right to your face that your bosom was as flat as a flounder.
β
β
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
β
He'd missed matching wits with her. "Shall we duel with our lips?"
"You may find yourself eating grass for breakfast.
β
β
Vicky Dreiling (How to Marry a Duke (How To #1))
β
Oh, my dear, love isn't always the coup de foudre--the lightning strike. Sometimes it happens quietly, so quietly you may not even notice.
β
β
Julia Justiss (Convenient Proposal to the Lady (Hadley's Hellions #3))
β
He has asked me before how the world can be so heartless. It is this dastardly need to remain calm and composed and polite that has left us all feeling so alone.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
βOdd how a man who never smiled could make her feel things she didn't know existed. He held her heart in his hands. From the moment she saw him, some thread had linked them together.
β
β
Jill Barnett (Bewitching (Regency Magic #1))
β
Quit trying to marry me off like Iβm some Regency spinster in one of your favorite Austen novels.β βYour name is Darcy.β βAnd I might be a single woman in possession of a good fortune, but Iβm not in want of a wife.
β
β
Alexandria Bellefleur (Written in the Stars (Written in the Stars #1))
β
If I were a man I would kill you!"
"If you were a man we wouldn't be having this conversation!
β
β
Georgette Heyer (Regency Buck (Alastair-Audley, #3))
β
He thought about alone in Constantinople that time, having quarreled in Paris before he had gone out. He had whored the whole time and then, when that was over, and he had failed to kill his loneliness, but only made it worse, he had written her, the first one, the one who left him, a letter telling her how he had never been able to kill it . . . . How when he thought he saw her outside the Regence one time it made him go all faint and sick inside, and that he would follow a woman that looked like her in some way, along the Boulevard, afraid to see it was not she, afraid to lose the feeling it gave him. How every one he had slept with had only made him miss her more. How what she had done could never matter since he could never cure himself of loving her.
β
β
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
β
Yes, love," responded his sister cheerfully, "but it wasn't of the least consequence, and in any event I answered for you. You would be astonished, I daresay, if you knew what interesting conversations I enjoy with myself.
β
β
Georgette Heyer (Venetia)
β
He'd made a complete ninny of himself. Wentworth probably thought he'd never been kissed before. Which couldn't be farther from the truth. Colton had been kissed at least three times just last season.
β
β
J.L. Langley (My Regelence Rake (Sci-Regency #3))
β
Lord Worth: 'I think you may be quite useful to me. The heiress has a brother.'
Captain Audley: 'I am not the least interested in her brother,' objected the Captain.
β
β
Georgette Heyer (Regency Buck (Alastair-Audley, #3))
β
I came up stairs into the world, for I was born in a cellar.
β
β
William Congreve
β
If you have always suspected your sister of an inclination to madness, it will be my pleasure to confirm your worst fears.
β
β
Mary Balogh (The Temporary Wife / A Promise of Spring (Web #4))
β
I am in love with you. You deserve to hear that.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
...if you are going to insist on losing faith in someone the moment you see the slightest possibility that they have wronged you, you are going to have a very frustrating life.
β
β
Martha Waters (To Have and to Hoax (The Regency Vows, #1))
β
I do, love. I want you more than you could ever know. More than I could have ever dreamed. I want you enough for two men. For ten.
β
β
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
β
I do not believe in such a thing as love,' Elias scoffed. 'Perhaps attraction, or companionship, or friendship. But so many men act as though love is a special sort of magic. I feel that I am qualified to say it isn't so.'
'Well, but you have just described love, I think,' Albert replied in bemusement. 'Attraction and companionship and friendship. Is there nothing special about those things, especially if they are all together at once?
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
How could you receive a member of the Male Sex in your bedroom, and in your dressing gown? Sir, I must request you to leave immediately!"
"You don't mean to tell me that's a dressing gown?" interrupted Mr Carlton, a dangerous gleam in his eyes." Well, it's by far the most elegant one I've ever been privileged to see, and I suppose I must have seen scores of 'em in my time- paid for them too!
β
β
Georgette Heyer
β
Had he not been the keeper of the flame, of anguish, trapped under the brilliance of what she had been to him? He had been a man of permanence, how could he have swayed to emotion like this?
β
β
Noorilhuda (The Governess)
β
I am learning, and I believe I shall do quite well.
β
β
Shannon Drake (Reckless (Regency Trilogy, #2))
β
It is one thing to read scandalous verse, quite another to disguise it behind lofty pretension.
β
β
Maggie Fenton (The Duke's Holiday (The Regency Romp Trilogy, #1))
β
Lord, if we were all to marry our first loves what a plague of ill-assorted marriages there would be!
β
β
Georgette Heyer (A Civil Contract (Regency Romances #21))
β
My Angel, goddess of my heart, you are beautiful.
β
β
Jaimey Grant
β
I choose to believe that my father is still alive, that he has survived death, outlived us all, and possesses the soul that goes on and lives forever; We just cannot see him yet, for we have not caught up with him. our time will come just as his did. and no matter how woeful and lost I was when he passed away, I know I will be glad to go to a place where I can see him, and know he is okay and happy. Itβs just not my time yet and there is no way of knowing if any of it is true." - Jane Adams
β
β
Noorilhuda (The Governess)
β
Miss Grantham ordered me to my room and told me no man would ever wish to marry me if I did not learn to behave like a lady. But Miss Grantham always behaves like a lady, and no man has ever wished to marry her, either, so if it really makes no difference in the end, I donβt see why I shouldnβt at least have fun!
β
β
Sheri Cobb South (A Dead Bore (John Pickett Mysteries, #2))
β
Lord Hollowvale stared up at her with trembling, blood-flecked lips. "I have... only ever... been charitable to you," he whispered.
Dora blinked back hideous tears. "I am sure that every evil man believes himself to be charitable," she told him.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
He didn't choose between me and you, Julia: it was between me and ruin.
β
β
Georgette Heyer (A Civil Contract)
β
People do understand the language of the heart, you know, even if the head does not always comprehend it.
β
β
Mary Balogh (The Proposal (The Survivors' Club, #1))
β
The only way to see everything, my dear, is to see it absolutely.
β
β
Sherry Lynn Ferguson (Quiet Meg (Regency Trilogy, #1))
β
He had accessorized his life with everything but paternal instinct.
β
β
Noorilhuda (The Governess)
β
Her whole world was in the depth of his eyes.
β
β
Melanie Dickerson (A Spy's Devotion (The Regency Spies of London, #1))
β
Nothing said family more than shared soap.
β
β
K. Lyn Smith (The Artistβs Redemption (Something Wonderful, #2))
β
A Christianβs good works are the expression of gratitude for salvation; not efforts to earn it.
β
β
Linore Rose Burkard (Before the Season Ends (The Regency Trilogy #1))
β
I saw your intelligence, and I was intrigued. I saw your humor, and I was charmed. I saw your soul, and it was beautiful. I'm in love with you, Mary Bennet.
β
β
Nancy Lawrence (Mary and the Captain: A Pride and Prejudice Continuation)
β
He was silent. Well! Now she knew how right she had been. He was not in the least in love with her, and very happy she was to know it. All she wanted was a suitable retreat, such as a lumber-room, or a coal-cellar, in which to enjoy her happiness to the full.
β
β
Georgette Heyer (Sylvester or The Wicked Uncle)
β
Ravenwood ran a hand through his wavy chestnut hair, upsetting the careful work of his valet.
Or not. Given the popularity of the βfrightened owlβ hairstyle today, Amelia couldnβt fathom much effort being involved at all.
β
β
Erica Ridley (The Viscount's Christmas Temptation (The Dukes of War, #1))
β
With a hand on the back of his neck, Raleigh pulled him down until their foreheads touched. βI love you. I want to suffocate you in your sleep with your pillow sometimes, but I love you.β
Steven chuckled and nipped Raleighβs full bottom lip. βI love you too, Cony.β Running his fingers through the back of the thick black hair, Steven urged Raleigh forward. βPlease donβt murder me in my sleep.β Their lips met.
β
β
J.L. Langley (My Regelence Rake (Sci-Regency #3))
β
She hadn't seen him since yesterday, and Charlotte did not understand the sensation that gripped her at the sight of him.
As if she were a lightning rod, waiting for the storm above to strike. As if she had lost all control over her life and was thrown into chaos.
β
β
Michelle Diener (The Emperor's Conspiracy (Regency London, #1))
β
She was energetic and didnβt always conform to polite societyβs idea of how a young lady should conduct herself, but perhaps those things had nothing to do with achieving Godβs approval. Didnβt God see inside a personβs heart and judge them for their thoughts and motives? Godβs ways were not manβs ways.
β
β
Melanie Dickerson (A Spy's Devotion (The Regency Spies of London, #1))
β
He wore camel-colored breeches and dark brown Hessian riding boots, a snow-white shirt held together at the throat with a gold pin and a dark brown vest with little gold fleurs-de-lis embroidered on it. Kingsley looked magnificent, like a Regency-era fever dream. If Jane Austen had set eyes on Kingsley, she would never have written her genteel comedies of manner. She would have written porn.
β
β
Tiffany Reisz (The Queen)
β
Yet, after all, Jenny thought she had been granted more than she hoped for when she married him. He did love her: differently, but perhaps more enduringly; and he had grown to depend on her. She thought that they would have many years of quiet content: never reaching the heights, but living together in comfort and deepening friendship.
β
β
Georgette Heyer (A Civil Contract)
β
He was all but shouting, stalking toward her. He grabbed her arms and gave her a little shake. "This time, the bastards don't win. I win."
"What do you win?" she whispered.
He bent his head and crushed his lips to hers.
β
β
Michelle Diener (The Emperor's Conspiracy (Regency London, #1))
β
Of course I want to bed her. A man would have to be dead and buried not to. No, I want to talk to her. I like talking to her. Dammit, the bedding part is natural. Wanting to spend time with her outside the bedchamber is not.
β
β
Stefanie Sloane (The Devil in Disguise (Regency Rogues, #1))
β
Good night, my lord.β The words were pronounced in her most withering tone.
By contrast, he remained quite alarmingly unwithered long after she left.
β
β
Christina Brooke (London's Last True Scoundrel (The Westruthers, #1))
β
He clutched her to him with a desperate strength that almost hurt. "I will love you for your light, if you can love me through the dark times. And that love will be like the clear night sky when the moon is full. Not like the sun....but beautiful and bright enough to find our way.
β
β
Kerrigan Byrne (The Duke (Victorian Rebels, #4))
β
The end of the idyll was implicit in the beginning: I at least knew that, though you might not. And also that the more enchanted the idyll the greater must be the pain of its ending. That wonβt endure. Hearts donβt really break, you know.
β
β
Georgette Heyer (Venetia)
β
With the aid of the baluster-rail and Mr Goring's stalwart arm she arrived, panting but triumphant, on the first floor, and paused to take breath. Observing that Lybster was about to throw open the door into the drawing room she stopped him by the simple expedient of grasping his sleeve. Affronted, he gazed at her with much hauteur, and said in freezing accents: "Madam?"
"Looby!" enunciated Mrs Floore, between gasps. "You wait! Trying to push me in - like a landed salmon!
β
β
Georgette Heyer (Bath Tangle)
β
I don't ask you - fribble!' snapped his lordship, rounding on him, with the speed of a whiplash. 'You may keep your tongue between your teeth!'
"Yes, sir - happy to!' uttered Claud, dismayed. 'No wish to offend you! Thought you might like to be set right!'
'Thought I might like to be set right?'
'No, no! Spoke without thinking!' said Claud hastily. ' I know you don't!
β
β
Georgette Heyer (The Unknown Ajax)
β
Listen here, Miss Ettings! I am in love with you. You deserve to hear that. I love your wit and cleverness. I love that you are kind but almost never nice. I love your eyes and your hair and your freckles, and the fact that you smell like some monstrous floral perfume all of the time.β He paused, now looking somewhat offended at himself. βAnd I love to dance with you. That is the worst of it by far.
β
β
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
β
Would you - would you like to marry me, Kitty?' Lord Radcliffe - James - asked, voice like gravel.
She gave a helpless little laugh at the absurdity of the question - as if he did not know.
'I would,' she said. 'But first, I feel I must inform you that I come with four sisters, a badly leaking roof, and a veritable ocean of debt.'
He had started to smile now, and once begun it did not seem to stop, overtaking his whole face.
βI thank you for your honesty,β he said cordially, and she laughed. βMay I reassure you that I am desperate to meet your other sisters, the roof sounds charmingly rustic, and the debt does not faze me.β He paused. βOf course, I understand that you will need to see my accounts before committing yourself,β he went on, and she laughed again, loud and bright.
βIβm sure that wonβt be necessary,β she said. βAs long as you can promise youβre absurdly rich and youβll pay off all my familyβs debts.β
βI am absurdly rich,β he repeated. βAnd I will pay off all your familyβs debts.β
βWhy then by all means,β she said, grinning up at him, βI would indeed like to marry you.
β
β
Sophie Irwin (A Lady's Guide to Fortune-Hunting (A Lady's Guide, #1))
β
One minute he stood transfixed, the next he uttered a crushing oath, and took a hasty stride forward. Mr Ringwood, recovering from his own stupefaction, closed with him, just as George, flushing vividly, sprang to his feet.
"Sherry!" Mr Ringwood said warningly. "For God's sake, dear boy, remember where you are! You can't choke George to death here!
β
β
Georgette Heyer (Friday's Child)
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The ladies, I daresay, will have already selected silk gowns and appropriate jewels," the countess droned on, "and are quite capable of comporting themselves in line with both propriety and fashion.β
βI donβt care about fashion,β Lord Sheffield murmured into Ameliaβs ear, βbut Iβm sorely disappointed whenever a lady I escort decides to comport herself with propriety.
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Erica Ridley (The Viscount's Christmas Temptation (The Dukes of War, #1))
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Thereβs a Lady Amelia Pembroke here to see you, my lord. She was most insistent.β
Benedict glanced up from his desk. βI trust you informed her that I was not receiving, and refused to let her in?β
βOf course.β The butler hesitated before continuing, βShe said she would simply wait until you are receiving.β
Benedict put down his pen. βWait where, pray?β
βUpon the front step, my lord. Iβm afraid the lady brought... the lady brought... a book. She cannot be budged.
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Erica Ridley (The Viscount's Christmas Temptation (The Dukes of War, #1))
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But above all, above respect and esteem, there was a motive within her of good will which could not be overlooked. It was gratitude. -- Gratitude, not merely for having once loved her, but for loving her still well enough, to forgive all the petulance and acrimony of her manner in rejecting him, and all the unjust accusations accompanying her rejection. He who, she had been persuaded, would avoid her as his greatest enemy, seemed, on this accidental meeting, most eager to preserve the acquaintance, and without any indelicate display of regard, or any peculiarity of manner, where their two selves only were concerned, was soliciting the good opinion of her friends, and bent on making her known to his sister.
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Jane Austen (Pride and Prejudice)
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It was, of course, a great failure in a woman's life - to never have achieved even a doomed and unsuccessful love. But she was not quite sure whether she had failed or not.
When she was young there had been moments, of course. But those moments had never amounted to much more than a little fever of admiration - a little flutter and agitation in a ballroom - so slight a feeling that the cautious Dido had never considered it a secure foundation for a lifetime of living together. And then, sooner or later, she had always made and odd remark, or laughed at the wrong moment, and the young men became alarmed or angry - and the flutter and the agitation all turned to irritation.
Dido could laugh and gossip about love as well as any woman but, deep down, she suspected that she had not the knack of falling into it.
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Anna Dean (Bellfield Hall: or, the observations of Miss Dido Kent (A Dido Kent Mystery #1))
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One bright dusk, four, five, no, my God, six summers ago, I strolled along a Greenwich avenue of mature chestnuts and mock oranges in a state of grace. Those Regency residences number amount London's Costliest properties, but should you ever inherit one, dear Reader, sell it, don't live in it. Houses like these secrete some dark sorcery that transforms their owners into fruitcakes. One such victim, an ex-chief of Rhodesian polices, had, on the evening in question, written me a check as rotund as himself to edit and print his autobiography. My state of grace was thanks in part to this check, and in part to a 1983 Chablis from the Duruzoi vineyard, a magic potion that dissolves our myriad tragedies into mere misunderstandings.
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David Mitchell (Cloud Atlas)
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How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?
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Margaret C. Sullivan (The Jane Austen Handbook: A Sensible Yet Elegant Guide to Her World)
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I don't know what you want from me then,' she cried, casting out her arms. 'For I cannot make my situation any different. I must marry. And so far, I have no promises.'
He would not look at her.
'Ask me then,' she said, voice raw, 'ask me if I should like, if I should want to marry Pemberton, were the choice only about me?'
He looked up. 'Would you?'
'No,' she said, voice cracking. 'Now ask me, whether I should still love you, were the choice only mine to make?'
He took a step forward. 'Would you?' he said again.
'Yes,' she confessed. 'I will always choose my sisters. I will choose their need more than my want every day. But I want you just as much as I need money. You see me, in my entirety - the worst and the best of me - as no one else ever has.
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Sophie Irwin (A Lady's Guide to Fortune-Hunting (A Lady's Guide, #1))
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How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment.
Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
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Claire Robson (Love in Good Time: A Memoir)