Regal Woman Quotes

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Then, what's the matter?' I wonder, in fact, how many times I have said that or something equal to it to a woman passing palely through my life. What're you thinking? What's made you so quiet? You seem suddenly different. What's the matter? Love me is what this means, of course. Or at least, second best: surrender. Or at the very least, take some time regaling me with why you won't, and maybe by the end you will.
Richard Ford (The Sportswriter (Frank Bascombe, #1))
The woman was beautiful in timeless, regal way- like a statue you might admire but could never love.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
There was something in her attitude, in her whole appearance when she leaned her head against the high-backed chair and spread her arms, which suggested the regal woman, the one who rules, who looks on, who stands alone.
Kate Chopin (The Awakening)
You make me tremendously happy to hold me undivided - to let me be the artist, as it were, and yet not forgo the man, the animal, the hungry, insatiable lover. No woman has ever granted me all the privileges I need - and you, why you sing out so blithely, so boldly, with a laugh even - yes, you invite me to go ahead, be myself, benture anything. I adore you for that. That is where you are truly regal, a woman extraordinary. What a woman you are! I laugh to myself now when I think of you. I have no fear of your femaleness.
Henry Miller
1. In 1511, the solitude and peace of Martha’s sanctuary was rudely interrupted by the arrival of a new conscripted member. Tall, with long fair hair and intelligent green eyes, the woman was of striking appearance. She was in her mid-thirties and held herself with a regal demeanour. This was Sylva, the deposed Empress of the North.
Robert Reid (The Empress (The Emperor, The Son and The Thief #4))
No woman has ever granted me all the privileges I need—and you, why you sing out so blithely, so boldly, with a laugh even—yes, you invite me to go ahead, be myself, venture anything. I adore you for that. That is where you are truly regal, a woman extraordinary.
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you." "Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his memory. "The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly. Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon. The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging. "Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her back and resumed talking to her companion. Duncan was immobilized by shock.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
The golden shimmer of Edna's satin gown spread in rich folds on either side of her. There was a soft fall of lace encircling her shoulders. It was the color of her skin, without the glow, the myriad living tints that one may sometimes discover in vibrant flesh. There was something in her attitude, in her whole appearance when she leaned her head against the high-backed chair and spread her arms, which suggested the regal woman, the one who rules, who looks on, who stands alone.
Kate Chopin (The Awakening)
So, whether you are an introvert or extrovert, a woman-loving woman, or a man-loving woman, or a God-loving woman, or all of the above: Whether you are possessed of a simple heart or the ambitions of an Amazon, whether you are trying to make it to the top or just make it to tomorrow, whether you be spicy or somber, regal or roughshod - the wild woman belongs to you.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
I am woman and woman is beautiful. We are expected to be beautiful, so I will be what people don’t expect. They don’t expect intelligence, they don’t expect grace. I am strong, and even when others have the ability to physically overpower me, mentally, I am stronger. I am a queen on a throne, and a place next to me must be earned. When I find my king, his power doesn’t erase my own. My crown is not a man’s to repossess. I was born in regality. I am kind, but naivety does not dwell within me. I am woman. I am the origin. Everything begins and ends with me. No man is worthy of my worth. I cannot be bought. I will not sell myself short. I do not give discounts. I am woman. I demand respect. I respect my dignity. My presence is a revocable gift, rented with effort and good intention. I am woman.
Ashley Antoinette (Ethic 3)
She's fifteen years younger, in her mid-thirties, and at six feet, four inches, the tallest woman he knows personally. With short blonde hair and Scandinavian features, she's not beautiful exactly, but regal. Often severe without trying. He once told her she has resting monarch face.
Blake Crouch (Recursion)
She carried herself like a queen,: gracefully, regal, and dignified. She was all woman and every inch a lady, and he had never seen her equal, not even in Paris. He was thinking she would make the perfect mistress, but at the same time, he wonder if she would accept such a role. Beautiful, arousing, and complicated meant nothing but trouble.-Alysandir
Elaine Coffman (The Bride of Black Douglas (Black Douglas, #1))
I wanted this woman to fear me, yet she stood regal and taunting—untouchable.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
Aunt Harriet always said that as long as a tall woman carried herself well, she would forever look regal.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She wore a fitted gown of gold that shimmered in the dim light. Her regal grace bedazzled him, in spite of his best attempts at feigning disinterest. She was even more beautiful than he remembered. He let his breath out in a hiss. He realized he had stopped breathing. There she was, the woman for whom he had risked everything. Never did he dare to harbor any hope of seeing her again. Yet after five long and bloody years, their paths had crossed once more.
Jennifer McKeithen (Atlantis: On the Shores of Forever (Atlantis: The Antediluvian Chronicles, #1))
Suddenly the door to one of the trailers opens, and a famous head emerges. It is a woman’s head, quite a distance away, seen in profile, like the head on a coin, and while Clarissa cannot immediately identify her (Meryl Streep? Vanessa Redgrave?) she knows without question that the woman is a movie star. She knows by her aura of regal assurance, and by the eagerness with which one of the prop men speaks to her (inaudibly to Clarissa) about the source of the noise. The woman’s head quickly withdraws, the door to the trailer closes again, but she leaves behind her an unmistakable sense of watchful remonstrance, as if an angel had briefly touched the surface of the world with one sandaled foot, asked if there was any trouble and, being told all was well, had resumed her place in the ether with skeptical gravity, having reminded the children of earth that they are just barely trusted to manage their own business, and that further carelessness will not go unremarked.
Michael Cunningham (The Hours)
Deshani regales them with tales of her misogynist assistant, who can’t manage to hide how disgusted he is to be reporting to a woman, and her own delight in offering him a demotion if he’d prefer a male boss. It’s sharp and funny, and Eddison gets the feeling that the only reason the idiot hasn’t been fired is because Deshani finds him entertaining. It’s a little disturbing. It’s
Dot Hutchison (Roses of May (The Collector, #2))
​“I am woman and woman is beautiful. We are expected to be beautiful, so I will be what people don’t expect. They don’t expect intelligence, they don’t expect grace. I am strong, and even when others have the ability to physically overpower me, mentally, I am stronger. I am a queen on a throne, and a place next to me must be earned. When I find my king, his power doesn’t erase my own. My crown is not a man’s to repossess. I was born in regality.  I am kind, but naivety does not dwell within me. I am woman. I am the origin. Everything begins and ends with me. No man is worthy of my worth. I cannot be bought. I will not sell myself short. I do not give discounts. I am woman. I demand respect. I respect my dignity. My presence is a revocable gift, rented with effort and good intention. I am woman.
Ashley Antoinette (Ethic 3)
His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people’s eyes, Hanfeng realized that all that made her who she was—the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one’s own life without having to go out of one’s way for other people—could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng’s own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak.
Yiyun Li (Gold Boy, Emerald Girl)
The other red-haired woman stepped forward with a regal grace that was impressive. “I’m Kiara Quiakides and the fiercely stern blond on my right is my husband Nykyrian. And we have other kids, but this,” she rubbed her hand over her distended belly, “is the only one with us right now. The others are at home, hopefully not making their nannies too crazy.” Nykyrian let out an intimidating grunt. “If Adron sets fire to his room one more time, I vote we make him live outside in a tent.” Everyone laughed. Except Kiara who appeared to actually consider it. Ryn
Sherrilyn Kenyon (Born of Silence (The League #5))
If there was a party, everyone in turn would come sit next to me to regale me with how he or sh thought I should live and what I deserved to have. What it boiled down to was that I should live like them. Elvire, one half of a tightly knit couple would forget that her husband was clinically depressed. Guillaume, married to a harpy, maintained that if one laid low and said amen to everything, things worked out. Maria, fed up to the teeth with her children, wanted me to have my own. Assia loved women but it was killing her mother. Patrizio had bruises on his shoulders from his chronically jealous wife. Not one of them could stand my singleness, because it could have been theirs.
Sophie Fontanel (The Art of Sleeping Alone: Why One French Woman Suddenly Gave Up Sex)
Pray, do not speak to me of weather Not sun, not cloud, not of the places Where storms are born I would not know of wind shivering the heather Nor sleet, nor rain, nor of ancient traces On stone grey and worn Pray, do not regale the troubles of ill health Not self, not kin, not of the old woman At the road’s end I will spare no time nor in mercy yield wealth Nor thought, nor feeling, nor shrouds woven To tempt luck’s send Pray, tell me of deep chasms crossed Not left, not turned, not of the betrayals Breeding like worms I would you cry out your rage ’gainst what is lost Now strong, now to weep, now to make fist and rail On earth so firm Pray, sing loud the wretched glories of love Now pain, now drunken, now torn from all reason In laughter and tears I would you bargain with the fey gods above Nor care, nor cost, nor turn of season To wintry fears Sing to me this and I will find you unflinching Now knowing, now seeing, now in the face Of the howling storm Sing your life as if a life without ending And your love, sun’s bright fire, on its celestial pace To where truth is born Pray, An End to Inconsequential Things Baedisk of Nathilog
Steven Erikson (The Complete Malazan Book of the Fallen)
A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty. She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands. “Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.” When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall. God help him. This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice. “Munro, ye do remember Lady Elizabeth, eh?” How could he forget the reason why he’d avoided Sutherland lands for the past three years?
Victoria Roberts (Kill or Be Kilt (Highland Spies, #3))
While Dr. Weeks attended to Devon’s injuries, Kathleen went to visit West. Even before she reached the open door of his room, she heard noise and laughter drifting into the hallway. She stood at the threshold, watching with a touch of fond resignation as she saw West sitting up in bed, regaling a group that included a half-dozen servants, Pandora, Cassandra, both dogs, and Hamlet. Helen stood beside a lamp, reading the temperature of a glass thermometer. Thankfully West no longer appeared to be shivering, and his color had improved. “…then I glimpsed a man wading back out into the river,” he was saying, “toward a half-submerged railway carriage with people trapped inside. And I said to myself, ‘That man is a hero. Also an idiot. Because he’s already been in the water for too long, and he won’t be able to save them, and he’s about to sacrifice his life for nothing.’ I proceeded to climb down the embankment and found Sutton. ‘Where is the earl?’ I asked.” West paused for dramatic effect, relishing the rapt attention of his audience. “And where do you think Sutton pointed? Out to the river, where that reckless fool had just saved a trio of children, and was wading after them with a baby in one arm and a woman on the other.” “The man was Lord Trenear?” one of the housemaids gasped. “None other.” The entire group exclaimed with pleasure and possessive pride. “Nothing to it, for a bloke as big as his lordship,” one of the footmen said with a grin. “I should think he’ll be put in the papers for this,” another exclaimed. “I hope so,” West said, “if only because I know how he would loathe it.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Pat and I smiled to see a small evening bag with a short handle hooked over her left elbow. We wondered why she would carry a handbag in her own home. What would she possibly need from it? I was longing to walk over to Her Majesty, the Queen, and tell her, mother to mother, “Your Majesty, we’ve known Lady Diana quite well for the past year and a half. We’d like you to know what a truly lovely young woman your son is about to marry.” A sincere and uncontroversial prewedding remark. Unfortunately, this was not only the groom’s mother but also Her Majesty, the Queen of England. Protocol prevented our approaching her, since we had not been personally introduced. I toyed briefly with the idea of walking up to her anyway and pretending that, as an American, I didn’t know the rules. But I was afraid of a chilling rebuff and did not want to embarrass Diana, who had been kind enough to invite us. Pat did not encourage me to plunge ahead. In fact, this time he exclaimed, “Have you lost your mind?” Maybe I should have taken a chance. Too timid again! Our next glimpse of the royal family was Prince Philip, socializing a room or two away from the queen and surrounded by attractive women. He was a bit shorter than he appears in photographs, but quite handsome with a dignified presence and a regal, controlled charm. Pat was impressed by how flawlessly Prince Philip played his role as host, speaking graciously to people in small groups, then moving smoothly on to the next group, unhurried and polished. I thought he had an intimidating, wouldn’t “suffer fools gladly” air—not a person with whom one could easily make small talk, although his close friends seemed relaxed with him. It was easy to believe that he had been a stern and domineering father to Prince Charles. The Prince of Wales had seemed much warmer and more approachable.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Only with Clara did she allow herself the luxury of giving in to her overwhelming desire to serve and be loved; with her, however slyly, she was able to express the secret, most delicate yearnings of her soul. The long years of solitude and unhappiness had distilled her emotions and purified her feelings down to a few terrible, magnificent passions, which possessed her totally. She had no gift for small perturbations, mean-spirited resentments, concealed envies, works of charity, faded endearments, ordinary friendly politeness, or day-to-day acts of kindness. She was one of those people who are born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengeance, and for the most sublime forms of heroism, but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother’s sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman—made for maternity, abundance, action, and ardor—was consuming herself She was about forty-five years old then, and her splendid breeding and distant Moorish ancestors kept her looking fit and polished, with black, silky hair and a single white lock on her forehead, a strong and slender body and the resolute step of the healthy. Still, the emptiness of her life made her look far older than she was. I have a photograph of Ferula taken around that time, on one of Blanca’s birthdays. It is an old sepiatoned picture, discolored with age, but you can still see how she looked. She was a regal matron, but with a bitter smile on her face that revealed her inner tragedy. Those years with Clara were probably the only happy period in her life, because only with Clara could she be herself Clara was the one in whom she confided her most subtle feelings, and to her she consecrated her enormous capacity for sacrifice and veneration.
Isabel Allende
by Erin and Wild Wind’s attention returned to the bedroom area.  While the flap was held back by Shadow, Ross came out the bedroom with Roxie on his arm.               Wild Wind felt a shockwave of surprise and desire when he saw Roxie in the dazzling white buckskin dress with the loose, long-fringed sleeves and matching moccasins.  Long, golden braids hung down the front of it and her luminous blue eyes looked bigger to him.  She was stunningly gorgeous and he was even prouder than before to be marrying such a beautiful woman.               Roxie had never seen Wild Wind in his ceremonial clothing and she thought he looked regal in the ornate
Linda Bridey (Montana Hearts (Echo Canyon Brides, #6))
The room was small, slightly bigger than his bedroom, but far, far more beautiful. It resembled some of the Asian temples he'd seen in his aunt's coffee-table books. The walls were painted in rich hues of red, green, blue, yellow, and gold. When Alex looked up, he saw a dome-shaped ceiling with a sun, moon and stars made out of pearls and gems. The ground was tiled and shaped into a model of forests, mountains, pastures and rivers-like a mosaic. And across the room was a set of jewel-encrusted thrones where two finely carved statues sat. The life-size carvings were different than those of the army outside the chamber. Theses still wore their original colours, preserved perhaps by the lack of fresh air in the room. Instead of armour, the male figure wore a long, regal robe made of small rectangular-shaped tiles. Alex immediately thought of the chain0mail that knights wore in the Middle Ages, except this was made of jade and not metal. The statue of the beautiful woman also wore clothes or richness and royalty, but hers did not include jade, only gold and precious stones. "They must be the Emperor and Empress," Ryan said.
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
I followed the older woman out to the foyer. Taking the stairs, I scanned each painting that lined the walls. I stilled as I found a portrait that could only have been Nathaniel. He looked young and brash, no more than fifteen. His suit was painted in a regal colour, it set off his tanned skin and sky blue eyes. "Handsome devil was he not?" Bess chuckled. "Or should I say, 'is he not'?" I fought the urge to blush as I trailed after the housekeeper.
Freedom Matthews (Inherited (Curses of VIII, #1))
But the white woman Amma had pointed to in that photograph wasn’t staying home and believing. She was showing up. When I looked at her face, she didn’t look nice at all. She looked radical. Angry. Brave. Afraid. Tired. Passionate. Resolute. Regal. And a little bit scary.
Glennon Doyle (Untamed)
And it wasn’t so bad being tall, either—taller than most of the boys her own age, it was true, but Aunt Harriet had always said that as long as a tall woman carried herself well, she would forever look regal.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
feminism is based on rectifying female experience of powerlessness based on female experience of male power, while ignoring male experience of powerlessness and female power. It therefore necessarily devalues the power inherent in women and femininity, or even demonizes that power. But woman is strong, regal, playful, creative and nurturing.
David Shackleton (Daughters of Feminism: Women Supporting Men's Equality)
… that our King-in-Waiting Chivalry is not at all the son whom King Shrewd supposed him to be. As you can well imagine, this has grieved my good husband beyond telling, but as ever, Prince Regal has done all in his power to be a comfort to his beloved father. It was my sad duty to inform both my lord and our wayward prince that in light of his besprinkling the countryside with bastards (for where there is one, can we doubt there are others?) my Dukes of the Inland Duchies have expressed doubt of Chivalry’s worthiness to follow his father as king. In light of that, Chivalry has been persuaded to step aside. I have been less successful in persuading my lord that the presence of this by-blow at Buckkeep Castle is an affront to myself and every true married woman. He maintains that if the child is restricted to the stable and the stableman’s care, it should not concern the rest of us that this physical evidence of Lord Chivalry’s failing is ever flaunted before us. I have begged in vain for a more permanent solution … —LETTER FROM QUEEN DESIRE TO LADY PEONY OF TILTH
Robin Hobb (Fool's Fate (Tawny Man, #3))
Jasmine dressed carefully the next morning, choosing her clothes like they were her armor. She paired a regal purple waistcoat and blouse with matching wide-legged trousers gathered at the ankle and bordered in gold thread, while Nadia dressed her hair with a diamond-studded tiara inherited from Jasmine's mother. As she surveyed herself in front of the mirror, the ensemble had just the effect she'd hoped for. There was nothing delicate about Princess Jasmine today. She looked the picture of power. Now it was time for her to claim it.
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))
Indeed, much of what Inanna symbolized for the Sumerians has since then been exiled. Most of the qualities held by the upper-world goddess have been desacralized in the West or taken over by masculine divinities, and/or they have been overly compressed or overly idealized by the patriarchal moral and aesthetic codes. Thus most of the Greek goddesses were swallowed up by their fathers; the Hebrew goddess was depotentiated. We are left with particularized or minimized goddesses. And most of the powers once held by the goddess have lost their connection to a woman's life: the embodied, playful, passionately erotic feminine; the powerful, independent, self-willed feminine; the ambitious, regal, many-sided feminine.
Sylvia Brinton Perera (Descent to the Goddess: A Way of Initiation for Women (Studies in Jungian Psychology by Jungian Analysts, 6))
So do otherwise ordinary men turn into fools for women. Not women, plural. A single woman. She had been incandescent in the center of that ballroom. Utterly regal. Unfortunately, she’s also very much off-limits. The only way I know how to be with a woman is to fuck. Hard. Fast. And then leave. For reasons I haven’t quite deciphered, I don’t want to do that with her.
Skye Warren (Sonata (North Security, #3))
Even as a child, Helen was told by all who saw her what a pretty thing she was, what a beautiful woman she would grow up to be. A prophecy uttered so many times must be fulfilled. No one told Helen that she would grow up to be royal, regal, wise, learned or revered, so it didn’t really occur to her childlike mind that these might be aspirations to seek.
Claire North (House of Odysseus (The Songs of Penelope, #2))
I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in
Elizabeth Gilbert (Eat, Pray, Love)
What’s going on here?” The loud masculine voice seemed to break the connection between the priestess and herself. Sophie’s eyes, which had been shut tight while she fought the awful memory, flew open and she looked up. Sylvan was standing over her with an angry look on his face. No, not angry—enraged, Sophia realized. His ice blue eyes were blazing and his fangs were out again, razor sharp and ready. The expression on his chiseled features made him look like an avenging angel towering over her. “Oh,” she gasped, unable to stop looking at his fangs. “I don’t know. I—” “What are you subjecting her to?” Sylvan demanded of the priestess who still looked completely calm. “I am simply looking into her. There is a shadow around her heart—it is my duty to see into it.” “Not if your seeing causes her pain.” Sylvan’s voice was a low, menacing growl. “Release her.” The calm expression on the Kindred woman’s face turned to anger and her grip on Sophie’s hands tightened until she squeaked in pain. “You overstep yourself, Warrior.” “That may be, but I will not see you hurt her.” Leaning down Sylvan put himself on the priestess’s level and looked into her eyes. “Release her now.” The grip on Sophie’s hands loosened and she pulled them away gratefully. The priestess still glared at Sylvan, her green-on-green eyes narrowed. “You have a shadow on your heart as well. A secret pain that taints your very existence—I see it in your eyes.” “My pain is not your concern.” Gripping Sophie’s hand, he pulled her to her feet and pushed her behind him protectively. “Now what do you have to say?” “Only this—have a care, Warrior.” The priestess rose smoothly to her feet and frowned up at him. “Danger dogs your steps—the shadow on your heart draws it to you. Even the shielding of your Kindred mind is no protection if you allow the darkness to overcome you. Ignore my warning at your own peril.” Then she turned and walked away, her head held regally high and her bare feet whispering over the green and purple grass. When she was gone Sylvan relaxed his protective stance and turned to Sophie. To her intense relief, she saw that his fangs had gone back to their normal length. “Are you all right?” he asked anxiously. “You sounded upset.” “I…she…she was making me remember—” She realized what she was saying and stopped abruptly. “Remember what?” Sylvan was still staring at her but she shook her head. “Nothing. I’m fine, really. Uh, thank you for rescuing me,” she added, hoping to change the subject. One corner of his thin but sensual mouth quirked up. It was the closest Sophie had ever seen him come to smiling. “Well, you looked like you needed rescuing.” “Unfortunately.
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Whether you are possessed of a simple heart or the ambitions of an Amazon, whether you are trying to make it to the top or just make it through tomorrow, whether you be spicy or somber, regal or roughshod—the Wild Woman belongs to you. She belongs to all women. To
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
For generations, the Stafford men had been known throughout the ton for their appearance—the epitome of tall, dark, and handsome. Alex’s father was a mere six feet tall, and was teased relentlessly by his brothers and cousins as “the diminutive duke.” His sons did not suffer the same fate—all standing taller than six feet, four inches, proving that the next crop of Staffords would reclaim their statuesque heritage. The sons in question—William, twenty-three, Nicholas, twenty-one, and Christopher, nineteen—shared other familial qualities with their father, however: They were devilishly handsome, with the dark-as-midnight hair, strong jaws, regal noses, and full lips that had made the Staffords legendary since the early days of the kingdom. But it wasn’t their good looks that stopped women in their tracks. It was the famous Stafford eyes. For as long as anyone could remember, Stafford men had been blessed with eyes the color of clearest emeralds. One could get lost in those eyes—they were windows on emotion, glittering with humor, flashing with anger, fiery with passion. These were eyes that wreaked havoc on the women around them—unless the woman in question was a sister. In which case, they served to simply exasperate.
Sarah MacLean (The Season)
She was as pale as the silk. Scott saw Lymond’s gaze rest on her, delicately practised, just before he moved. Then he touched her, and the woman’s eyes closed. Folded with infinite care on the sweet edge between agony and delight she suffered a kiss of an expert passion which made itself lord of all the senses, of thought, and the dead fields of time. The fire blazed on Lymond’s shoulder and arm and his bent head, and Scott saw something regal in the still, white and gold figures melted into one, pliant as a painting in honey and wax. Then
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
By the fifth night his perseverance was rewarded with a smile from Amy after Swift Antelope escorted her home from their daily walk. With flushed cheeks, Amy regaled Loretta with the details of her time spent with Swift Antelope, about the doe and twin fawns they had spied upon, about the flowers Swift Antelope had picked for her, about the birdcalls and sign language he was teaching her, about the silly tricks he played on her. Clearly Swift Antelope was making headway with Amy; the girl was beginning to heal. Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man. It was especially upsetting because Hunter knew he had paid dearly, not once but twice, for the right to possess Loretta, that he could exercise his rights at any time he chose, yet found himself hesitating because of the shadows in her eyes. Recalling his father’s advice, he could only scoff. The way things were going, if he was to become his woman’s friend before he became her lover, they might never move on to the second stage of their relationship. The more disgruntled Hunter became over the situation, the more he glowered, and the more he glowered, the more uneasy Loretta was in his presence. The worst part was, Hunter couldn’t blame her. Their bargain hung over them like a dark cloud, her promises binding her to him yet holding them apart. He knew she dreaded the moment when he would confront her, demanding that she lie with him. With each passing day, the prospect seemed to grow more frightening to her. Hunter was perceptive enough to realize that waiting patiently for her to come around wasn’t abetting him in his cause, yet he couldn’t bring himself to force her, either.
Catherine Anderson (Comanche Moon (Comanche, #1))
Patience. Over the next five days, Hunter’s became as elusive as dandelion fuzz caught in a high wind. He was living with not one but two angry yellow-hairs, Loretta because he refused to take Amy home and had made mention of the possibility that he might marry more than one woman. Amy because he was forcing Swift Antelope’s company upon her. On all counts, Hunter felt justified and carried on with implacable determination, trying to ignore the glares to which he was treated every time he set foot inside his lodge. By the fifth night his perseverance was rewarded with a smile from Amy after Swift Antelope escorted her home from their daily walk. With flushed cheeks, Amy regaled Loretta with the details of her time spent with Swift Antelope, about the doe and twin fawns they had spied upon, about the flowers Swift Antelope had picked for her, about the birdcalls and sign language he was teaching her, about the silly tricks he played on her. Clearly Swift Antelope was making headway with Amy; the girl was beginning to heal. Hunter’s already low spirits plummeted. It was a sad state of affairs when an untried boy had more luck with women than a grown man. It was especially upsetting because Hunter knew he had paid dearly, not once but twice, for the right to possess Loretta, that he could exercise his rights at any time he chose, yet found himself hesitating because of the shadows in her eyes. Recalling his father’s advice, he could only scoff. The way things were going, if he was to become his woman’s friend before he became her lover, they might never move on to the second stage of their relationship.
Catherine Anderson (Comanche Moon (Comanche, #1))
For your information, Lester, there are at least five wonderful parts of the female body that can be viewed by the owner only with a hand mirror.' And as they stared after me, I went regally back down the hallway and up the stairs to Dad's room.
Phyllis Reynolds Naylor
As long as a tall woman carried herself well, she would forever look regal.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Submariners considered themselves the royalty of the German navy, and when they returned from successful patrols, their reception, especially at Lorient, was regal indeed. Dönitz himself was on hand to greet them, as was a brass band and a crowd of welcomers, including a number of attractive young German women who would bestow flowers and kisses on the victorious sub commanders. Medals would be awarded, speeches made, and triumphant anthems played.
Lynne Olson (Madame Fourcade's Secret War: The Daring Young Woman Who Led France's Largest Spy Network Against Hitler)
Mrs. Ellis was a stately, regal woman, always surrounded by three gelatinous orbs floating about her person, each containing a likeness of one of her daughters. At times these orbs grew to extreme size, and would bear down upon her, and crush out her blood and other fluids as she wriggled beneath their terrible weight, refusing to cry out, as this would indicate displeasure, and at other times these orbs departed from her and she was greatly tormented, and must rush about trying to find them, and when she did, would weep in relief, at which time they would once again begin bearing down upon her; but the worst torment of all for Mrs. Ellis was when one of the orbs would establish itself before her eyes exactly life-sized and become completely translucent and she would thus be able to mark the most fine details of the clothing, facial expression, disposition, etc., of the daughter inside, who, in a heartfelt manner, would begin explaining some difficulty into which she had lately been thrust (especially in light of Mrs. Ellis’s sudden absence). Mrs. Ellis would show the most acute judgment and abundant love as she explained, in a sympathetic voice, how the afflicted child might best address the situation at hand—but alas (herein lay the torment) the child could not see or hear her in the least, and would work herself, before the eyes of Mrs. Ellis, into ever-increasing paroxysms of despair, as the poor woman began to dash about, trying to evade the orb, which would pursue her with what can only be described as a sadistic intelligence, anticipating her every move, thrusting itself continually before her eyes, which, as far as I could tell, were incapable, at such times, of closing. the reverend everly thomas
George Saunders (Lincoln in the Bardo)
The quest of the handsome prince was complete. He had found his fair maiden and the world had its fairytale. In her ivory tower, Cinderella was unhappy, locked away from her friends, her family and the outside world. As the public celebrated the Prince’s fortune, the shades of the prison-house closed inexorably around Diana. For all her aristocratic breeding, this innocent young kindergarten teacher felt totally at sea in the deferential hierarchy of Buckingham Palace. There were many tears in those three months and many more to come after that. Weight simply dropped off, her waist shrinking from 29 inches when the engagement was announced down to 23 inches on her wedding day. It was during this turbulent time that her bulimia nervosa, which would take nearly a decade to overcome, began. The note Diana left her friends at Coleherne Court saying: “For God’s sake ring me up--I’m going to need you.” It proved painfully accurate. As Carolyn Bartholomew, who watched her waste away during her engagement, recalls: “She went to live at Buckingham Palace and then the tears started. This little thing got so thin. I was so worried about her. She wasn’t happy, she was suddenly plunged into all this pressure and it was a nightmare for her. She was dizzy with it, bombarded from all sides. It was a whirlwind and she was ashen, she was grey.” Her first night at Clarence House, the Queen Mother’s London residence, was the calm before the coming storm. She was left to her own devices when she arrived, no-one from the royal family least of all her future husband, thinking it necessary to welcome her to her new world. The popular myth paints a homely picture of the Queen Mother clucking around Diana as she schooled her in the subtle arts of royal protocol while the Queen’s senior lady-in-waiting, Lady Susan Hussey took the young woman aside for tuition in regal history. In reality, Diana was given less training in her new job than the average supermarket checkout operator.
Andrew Morton (Diana: Her True Story in Her Own Words)
I never regaled him with an account of what the children had done, the lateness of deliveries because of traffic, or the neighborhood gossip (unless it was a particularly juicy bit!). There’s nothing less stimulating for a man than the day-to-day business of raising four children. That’s woman’s work. If she’s lucky she revels in it. If not, she gets it done anyhow, and in the time allotted for it.
Joan Crawford (My Way of Life)
that such behavior was normal so that he could forget it and return to things at hand. She didn't give him the sign; what she did was put her finger from his ass under his nose. She put the finger to his lips, and when he didn't respond, she asked him to open his lips to receive her flesh. Her flesh that had fucked his ass she asked him to suck. He looked up into her face. Her bearing was calm, and it had a quality that could almost be called regal. The dignity of this calm had a soothing effect on him, after all she was only asking him to symbolically suck the cock that had used him like a woman, fucked him in his young tender asshole. Jim smiled, and opened his mouth.
Killian Morgan (XXX-Rated Doctor)
Their father was holding a clothes hanger that held a bright blue T-shirt that read: THE CLUCK TEAM just below the CHICKEN QUEEN logo, a plump, regal woman holding a drumstick. “Annie!” Camille shouted. “What’s that?” Annie asked, pointing at the T-shirt as her mother kissed her on the cheek. “A gift,” Caleb said, thrusting the shirt toward his daughter. “No thank you,” Annie said. “Hear us out,” her parents said in unison. “Please,” Annie said, “I just got back.” She looked at her brother, who, she now realized, seemed slightly drugged, a sheepish smile on his face. Her father slid the back door of the van open and gestured for Annie to climb inside. “I need a drink,” Annie said. “This is better,” Caleb said, placing his arms around both of his children. “This is better than any drug ever made.
Kevin Wilson (The Family Fang)
While in Peru I had committed to memory several sayings to bolster my courage, and just now one, by the Native American Regal Black Swan, comes to mind: “The only way to pass the test is to take the test.
Joan Anderson (A Walk on the Beach: Tales of Wisdom From an Unconventional Woman)
An exceptional choice for a wife, Sydney," the elderly man remarked. "Poised, unaffected, and quite lovely. You are quite fortunate." No one would have disagreed with that, least of all Nick. Lottie was a revelation this evening, her gown stylish but not too sophisticated, her smile easy, her posture as regal as that of a young queen. Neither the grandeur of their surroundings nor the hundreds of curious gazes seemed to disturb her composure. She was so polished and immaculately pretty that no one suspected the layer of steel beneath her exterior. No one would ever guess that she was the kind of young woman who would have defied her parents and lived by her own wits for two years... the kind of woman who could hold her own against a hardened Bow Street runner.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
and you couldn’t be in better hands. Edna is the coolest-headed performer with whom you will ever have the privilege of sharing a stage. Nothing can shake up this woman. So let her steadiness be your guide. Stay relaxed by seeing how relaxed she is. Remember that an audience will forgive a performer for anything except being uncomfortable. And if you forget your lines, just keep talking gibberish, and Edna will somehow fix it. Trust her—she’s been doing this job since the Spanish Armada, haven’t you, Edna?” “Since somewhat before then, I should think,” she said, smiling. Edna looked incandescent in her vintage red Lanvin gown from the Lowtsky’s bin. I had tailored the dress to her with such care. I was so proud of how well I’d dressed her for this role. Her makeup was exquisite, too. (But of course it was.) She still resembled herself, but this was a more vivid, regal version of herself. With her bobbed, glossy black hair and that lush red dress, she looked like a piece of Chinese lacquer—immaculate, varnished, and ever so valuable. “One more thing before I turn it over to your trusty producer,” said Billy. “Remember that this audience didn’t come here tonight because they want to hate you. They came because they want to love you. Peg and I have put on thousands of shows over the years, in front of every kind of audience there is,
Elizabeth Gilbert (City of Girls)
each Shakespearean reference is taken from a specific Shakespearean character. These are the characters I paired together: Cady: Miranda in The Tempest. Miranda is an ingenue who has lived most of her life secluded with her father in a remote wilderness, not unlike Cady. (I broke this pairing once, when Cady uses lines borrowed from Hero in Much Ado About Nothing. The quote from Hero was so perfect for the moment that I had to use it. Can you find it?) Janis: Beatrice in Much Ado About Nothing. Beatrice has a caustic, biting wit and a fierce loyalty to her friends. Regina: Kate in Taming of the Shrew. Kate, the titular shrew, starts off the play as a harsh woman with a sharp tongue. Gretchen: Viola in Twelfth Night. Viola, dressing as a man, serves as a constant go-between and wears a different face with each character. Karen: Juliet in Romeo and Juliet. Juliet is the youngest of Shakespeare’s heroines. She is innocent and hopeful. Mrs. Heron: Cleopatra in Antony and Cleopatra. Cleopatra is the regal, intelligent woman who has come from Africa. Mrs. George: Lady Macbeth in Macbeth. Lady Macbeth is one of Shakespeare’s cruelest, most cunning villains. Yes, this is unfair to Amy Poehler’s portrayal of Mrs. George, who is nothing but positive and fun. My thought was that anyone who could raise Regina must be a piece of work. Ms. Norbury: Titania in A Midsummer Night’s Dream. There’s little textual connection here—I just love Tina Fey so much that I thought, “Who could represent her except a majestic fairy queen?
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
The woman lifted the lid to reveal a wand of cut crystal set on a regal velvet pillow. It had a slender glass hangle and at the tip, a multifaceted star which refracted at the light of the glittering chandelier above the counter.
Adelyn Belsterling (I Wish I May)
The woman lifted the lid to reveal a wand of cut crystal set on a regal velvet pillow. It had a slender glass handle and at the tip, a multifaceted star which refracted at the light of the glittering chandelier above the counter.
Adelyn Belsterling (I Wish I May)