Regal Quotes

Day 24. Situation is growing worse. My captors continue to find new and horrific ways to torture me. When not working, Agent Scarlet spends her days examining fabric swatches for bridesmaid dresses and going on about how in love she is. This usually causes Agent Boring Borscht to regale us with stories of Russian weddings that are even more boring than his usual ones. My attempts at escape have been thwarted thus far. Also, I am out of cigarettes. Any assistance or tobacco products you can send will be greatly appreciated. -Prisoner 24601

Meghan rose with the regal grace of a queen, calm and unruffled. I noticed she subtly moved in front of me when facing Ariella, a familiar gesture that caught me off guard. The Iron Queen was protecting me.

She’s not just any Moroi. She’s royal. A princess. And you’ve seen how she is! Smart and strong and beautiful. She’s destined for great things, and one of them isn’t being involved with a controversial guardian like me. Her bloodline’s regal.Hell, I don’t even know who my dad is. Dating her is not even possible. My job is to protect her. To keep her safe. That’s where all my attention needs to be.

I want you cool and regal, earthy and impertinent, spoiling for a fight and abashed at your own temper. I want you flushed with exertion and rosy with sleep. I want you teasing and provocative, somber and thoughtful. I want every emotion, every mood, every year in a lifetime to come. I want you beside me, to encourage and argue with me, to help me and let me help you. I want to be your champion and lover, your mentor and student.

Then, what's the matter?' I wonder, in fact, how many times I have said that or something equal to it to a woman passing palely through my life. What're you thinking? What's made you so quiet? You seem suddenly different. What's the matter? Love me is what this means, of course. Or at least, second best: surrender. Or at the very least, take some time regaling me with why you won't, and maybe by the end you will.

When evening has come, I return to my house and go into my study. At the door I take off my clothes of the day, covered with mud and mire, and I put on my regal and courtly garments; and decently reclothed, I enter the ancient courts of ancient men, where, received by them lovingly, I feed on the food that alone is mine and that I was born for. There I am not ashamed to speak with them and to ask them the reason for their actions; and they in their humanity reply to me. And for the space of four hours I feel no boredom, I forget every pain, I do not fear poverty, death does not frighten me. I deliver myself entirely to them.

The woman was beautiful in timeless, regal way- like a statue you might admire but could never love.

His eyes are golden brown when he’s intrigued by something. He’s regal-looking and handsome, but he’s more interested in formulas and solving crimes than he is in me or poetry. He acts devilishly warm one moment, then frigid the next,” I said. “So there will be no children or any beautiful paradise in our future. Most of the time I cannot even tolerate his presence. His arrogance is… I don’t know. Annoying.

It is majestic, this love affair of ours, so powerful and regal. It is the kind of love that fairtales are born of. The kind that often ends in tragedy.

You make me tremendously happy to hold me undivided - to let me be the artist, as it were, and yet not forgo the man, the animal, the hungry, insatiable lover. No woman has ever granted me all the privileges I need - and you, why you sing out so blithely, so boldly, with a laugh even - yes, you invite me to go ahead, be myself, benture anything. I adore you for that. That is where you are truly regal, a woman extraordinary. What a woman you are! I laugh to myself now when I think of you. I have no fear of your femaleness.

This one isn’t just any old horse. There’s a nobility in his eye, a regal serenity about him. Does he not personify all that men try to be and never can be? I tell you, my friend, there’s divinity in a horse, and specially in a horse like this. God got it right the day he created them. And to find a horse like this in the middle of this filthy abomination of a war, is for me like finding a butterfly on a dung heap. We don’t belong in the same universe as a creature like this.

It's about Diana,' sobbed Anne luxuriously. 'I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband — I just hate him furiously. I've been imagining it all out — the wedding and everything — Diana dressed in snowy white garments, and a veil, and looking as beautiful and regal as a queen; and me the bridesmaid, with a lovely dress, too, and puffed sleeves, but with a breaking heart hid beneath my smiling face. And then bidding Diana good-bye-e-e—' Here Anne broke down entirely and wept with increasing bitterness. Marilla turned quickly away to hide her twitching face, but it was no use; she collapsed on the nearest chair and burst into such a hearty and unusual peal of laughter…

there are at least two distinct selves, the public and regal self, the private and human.

The Cobalt Empire is the largest, known for their regal poise, intellectual prowess, and fierce commitment to one another. Each Cobalt is prideful and passionately unique but when push comes to shove. They'll band together like an army of one.

Where was the excitement in dependability? Where was the spontaneity in a predictable world? He could offer her an eternity of challenges and passion, of quiet, tender moments stolen in the depths of riotous flames and ravaging storms—tranquility amidst the chaos. She belonged with him, wearing regal robes. He had so much to teach her about the nether realm, about the glories of manipulation and madness.

He quivered on the ground his face pressed to the stone and didn’t rise. “Did you… did you just stick yourself to the ground?” Kaladin asked. “Just part of the plan, gon!’ Lopen called back. “If I am to become a delicate cloud upon the sky I must first convince the ground that I am not abandoning her. Like a worried lover, sure, she must be comforted and reassured that I will return following my dramatic and regal ascent to the sky. . . . Nearby, Lopen talked to the ground, against which he was still pressed. “Don’t worry dear one. The Lopen is vast enough to be possessed by many, many forces both terrestrial and celestial! I must soar to the air, for if I were to remain only on the ground, surely my growing magnitude would cause the land to crack and break

There's a nobility in his eye, a regal serenity about him. Does he not personify all that men try to be and never can be?

Nothing rekindles my spirits, gives comfort to my heart and mind, more than a visit to Mississippi... and to be regaled as I often have been, with a platter of fried chicken, field peas, collard greens, fresh corn on the cob, sliced tomatoes with French dressing... and to top it all off with a wedge of freshly baked pecan pie.

[Maximus] put his head down and said in a conspiratorial whisper, “Tell Temeraire that Lily and I have not forgotten our promise; we will not let them hang you at all." Laurence stared up at the immense Regal Copper. All his crew looked deeply distressed, as well they might, the outlaw remark being perfectly audible several clearings over.

As for her cat, Galahad made an appearance, regally ignored everyone under four feet until he clued in that this variety of humans was more likely to drop food on the floor, or sneak him handouts. He ended in a gluttonous coma, tubby belly up under a table.

1. In 1511, the solitude and peace of Martha’s sanctuary was rudely interrupted by the arrival of a new conscripted member. Tall, with long fair hair and intelligent green eyes, the woman was of striking appearance. She was in her mid-thirties and held herself with a regal demeanour. This was Sylva, the deposed Empress of the North.

I love your brother and your father more than I love myself. I would die for them. Fight for them until the bitter end. Go against the whole world for them. But you…” She dragged her face up to look at me. Her eyes were full of tears. “I’ve always loved you just a tiny bit more. My regal, rebel boy. My legendary hellraiser, my sad prince, my unlikely savior, my beautiful, broken Knight.

With my friends, the sad truth is that our best “best friend” days are behind us. In college, we used to be able to meet each other in the common area of our off-campus housing, excited about our evening ahead, which consisted of someone making an enormous tureen of pasta and drinking wine from a box while we took turns regaling each other with details of our terrible love lives.

There was something in her attitude, in her whole appearance when she leaned her head against the high-backed chair and spread her arms, which suggested the regal woman, the one who rules, who looks on, who stands alone.

My mother was known as the Fire Queen, regal and strong. But I am the Ash Princess, a living joke.

Old dogs can be a regal sight. Their exuberance settles over the years into a seasoned nobility, their routines become as locked into yours as the quietest and kindest of marriages.

There's a power struggle going on across Europe these days. A few cities are competing against each other to see who shall emerge as the great 21st century European metropolis. Will it be London? Paris? Berlin? Zurich? Maybe Brussels, center of the young union? They all strive to outdo one another culturally, architecturally, politically, fiscally. But Rome, it should be said, has not bothered to join the race for status. Rome doesn't compete. Rome just watches all the fussing and striving, completely unfazed. I am inspired by the regal self-assurance of this city, so grounded and rounded, so amused and monumental, knowing she is held securely in the palm of history. I would like to be like Rome when I am an old lady.

Gus is the Cat at the Theatre Door. His name, as I ought to have told you before, Is really Asparagus. That's such a fuss To pronounce, that we usually call him just Gus. His coat's very shabby, he's thin as a rake, And he suffers from palsy that makes his paw shake. Yet he was, in his youth, quite the smartest of Cats — But no longer a terror to mice or to rats. For he isn't the Cat that he was in his prime; Though his name was quite famous, he says, in his time. And whenever he joins his friends at their club (which takes place at the back of the neighbouring pub) He loves to regale them, if someone else pays, With anecdotes drawn from his palmiest days. For he once was a Star of the highest degree — He has acted with Irving, he's acted with Tree. And he likes to relate his success on the Halls, Where the Gallery once gave him seven cat-calls. But his grandest creation, as he loves to tell, Was Firefrorefiddle, the Fiend of the Fell.

The trip itself was the usual...adulation from all sides, rose petals strewn in my path everywhere I went, silver bells festooning the howdah on my private white elephant...you know the drill. I maintained my customary demeanor or regal calm and enigmatic silence throughout.

«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»

The years roll on and life seems like this more and more, that choices don't really exit in the way I thought they would when I was a child and expected the regal power of adulthood to provide clarity and insight.

Thirsty for being, the poet ceaselessly reaches out to reality, seeking with the indefatigable harpoon of the poem a reality that is always better hidden, more re(g)al. The poem’s power is as an instrument of possession but at the same time, ineffably, it expresses the desire for possession, like a net that fishes by itself, a hook that is also the desire of the fish. To be a poet is to desire and, at the same time, to obtain, in the exact shape of the desire.

And at midnight there came an apparition in hell. A handsome dark-eyed man with a dagger-like beard, in a tailcoat, stepped onto the veranda and cast a regal glance over his domain. They used to say, the mystics used to say, that there was a time when the handsome man wore not a tailcoat but a wide leather belt with pistol butts sticking out from it, and his raven hair was tied with scarlet silk, and under his command a brig sailed the Caribbean under a black death flag with a skull and crossbones. But no, no! The seductive mystics are lying, there are no Caribbean Seas in the world, no desperate freebooters to sail them, no corvette chases after them, no cannon smoke drifts across the waves. There is nothing, and there was nothing! There is that sickly linden over there, there is the cast-iron fence, and the boulevard beyond it…And the ice is melting in the bowl, and at the next table you see someone’s bloodshot, bovine eyes, and you’re afraid, afraid…Oh, gods, my gods, poison, bring me poison!...

When evening comes, I return to my home, and I go into my study; and on the thresh-hold, I take off my everyday clothes, which are covered in mud and mire,and I put on regal and curial robes; and dressed in a more appropriate manner I enter into the ancient courts of ancient men and am welcomed by them kindly, and there I taste the food that alone is mine, and for which I was born; and there I am not ashamed to speak to them, to ask them the reasons for their actions; and they, in their humanity, answer me; and for four hours I feel no boredom,I dismiss every affliction, I no longer fear poverty nor do I tremble at the thought of death; I become completely part of them.

If you think the timahk is so silly, Anais," Catarina finally said in a silky, deadly, regal voice, "then by all means. Try breaking it.

The Warrior knows that no man is an island. He cannot fight alone; whatever his plan, he depends on other people. He needs to discuss his strategy, to ask for help, and, in moments of relaxation, to have someone with whom he can sit by the fire, someone he can regale with tales of battle.

Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first." Why me? "Right. Any other tips?" Her sarcasm whistled right over his head. "Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally." Rose put down her fork. "Lord Submarine..." "Camarine." "Whatever." "You can call me Declan." He said it as if granting her a knighthood. The nerve. "Declan, then. How did you spend your day?" He frowned. "It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?" "I rested from my journey," he said with a sudden regal air. "You took a nap" "Possibly." "I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself." The look on his face was worth having him under her roof. As if he had gotten slapped. She smiled at him. "Oh and thank you for the pancakes. They are delicious.

No woman has ever granted me all the privileges I need—and you, why you sing out so blithely, so boldly, with a laugh even—yes, you invite me to go ahead, be myself, venture anything. I adore you for that. That is where you are truly regal, a woman extraordinary.

Humans disgust me. Vile creatures.

Fußnoten sind wie die Bücher im untersten Regal. Die guckt sich keiner gerne an, weil er sich bücken muss.

Is she not beautiful? Is she not powerful? Is she not regal? Is she not YOU?

Arthur was carved from the same stuff as Camelot - regal and majestic. But Mordred belonged out here, with her.

I am not a quitter. I will fight until I drop. It is just a matter of having some faith in the fact that as long as you are able to draw breath in the universe, you have a chance.” Happy 94th birthday to the regal and ever-resilient Cicely Tyson, an actress for the ages!

I don’t get it,’ said Locke, gently tugging at the scruff of Regal’s neck. ‘I never even liked cats all that much.’ ‘Surely you realize,’ said Patience, ‘that cats are no great respecters of human opinion.

Often the things that pop out of my typewriter regale me, especially when I am trying to say something else and in a different way only to have a kind of metamorphosis take place during the act of typing and―­―­whammo!―­―a concept I hadn't counted on is strutting it's vaudeville on the page.

The queen straightened her back and tilted her head back ever so slightly, giving power to her husband’s troops through her own regality.

Our fortunes have gone up and down over the years, but my mother has never lost her ruthless poise. Whether she's in a cheap boardinghouse in the Midwest or in the drawing rooms of the rich, she is always the same — regal, mysterious, and completely at ease. I might admire her if she wasn't my mother.

She tried to imagine him as an elder Kai man, with hair turned silvery white instead of its current sloe darkness. He’d still be as handsome and regal as he was now. She chuckled under her breath, amused at the idea that she once thought him hideous. One yellow eye peered up at her. “What amuses you, wife?” The question fell away to a moan as she rubbed his scalp. “I was just thinking you are far too handsome for your own good.” “It’s the scars,” he said. “They give me a certain air.

Als ob es darauf ankäme, dass man alle diese Bücher, die hier stehen, gelesen hat. Nein, man will sie irgendwann lesen. Man hat sie, damit man in einer bestimmten Stunde einfach an das Regal treten kann, das Buch herauszieht und zu lesen beginnt.

Hers is a story that deserves to be told. Hers is a story that deserves to be heard. It's the story of a girl who believed in heroes and wanted to be one herself. Who saw stories in the world around her, and who regaled an entire Alaskan town with them. And hers is a story of how they started to believe her.

Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you." "Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his memory. "The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly. Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon. The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging. "Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her back and resumed talking to her companion. Duncan was immobilized by shock.

Castles, in Nanny Ogg’s experience, were like swans. They looked as if they were drifting regally through the waters of Time, but in fact there was a hell of a lot of activity going on underneath.

Her straw-colored pigtails did not qualify her to be Rapunzel and could not be spun to gold by imp fingers, she was too active to be Sleeping Beauty, too outspoken to be Cinderella, too keen on tall fellows to be Snow White. She held little carriage with sleeping upon legumes to display her regal daintiness and imagined that the only result would be a mushy, green stain on the underside of her mattress. Her eyes met the criteria only of the evil, ice queen.

A good book is like a good friend, do you know, Lacey? One you can turn to when the night is cold and you are lonely. And there is old Herodotus, standing ready to regale me with tales of his travels.

Everything is made of words, and the words had done their job. I could even say they had done it well. They had risen in a confusing swarm and spun around in spirals, ever higher, colliding and separating, golden insects, messengers of friendship and knowledge, higher, higher, into that region of the sky where the day turns into night and reality into dreams, regal words on their nuptial flight, always higher, until their marriage is finally consummated at the summit of the world.

The sun was low in the sky, casting slant regal light. As they plodded along, the golden radiance intensified until it seemed to emanate from every feature of the land. Trees, brush, snow, hills. She couldn’t stop looking. The road led past frozen sloughs that bristled with scorched reeds. Clutches of red willow burned. The fans and whips of branches glowed, alive. Winter clouds formed patterns against the fierce gray sky. Scales, looped ropes, the bones of fish. The world was tender with significance.

Am I to be a king, or just a pig?' Gustave writes in his Intimate Notebook. At nineteen, it always looks as simple as this. There is the life, and then there is the not-life; the life of ambition served, or the life of porcine failure. ... What did he learn instead? Instead he learned that life is not a choice between murdering your way to the throne or slopping back in a sty; that there are swinish kings and regal hogs; that the king may envy the pig; and that the possibilities of the not-life will always change tormentingly to fit the particular embarrassments of the lived life.

Reyna had always pictured him as solid white with dove-like wings, but Pegasus’s coat was rich brown, mottled with red and gold around the muzzle – which Hedge claimed were the marks where the stallion had emerged from the blood and ichor of his beheaded mother, Medusa. Pegasus’s wings were the colours of an eagle’s – gold, white, brown and rust – which made him look much more handsome and regal than plain white. He was the colour of all horses, representing all his offspring.

I will say one thing about those males, there is never a dull moment." Peri suddenly appeared causing everyone to jump. "Bloody hell," Jen barked. "Couldn't you send out some sort of signal that you're about to appear out of thin air?" Lilly asked. "What do you expect me to do...fart just before I appear so the smell alerts you?" Peri took a seat next to Alina and crossed her legs, appearing regal despite her crude words. "Why do you say we would be alerted by the smell, rather than the sound?" Sally asked. Peri smiled. "I think you humans call them silent but deadly.

He, on the other hand, had the look of royalty, from his angular face and regal posture down to the modern yet tailored fit of his mint colored button down shirt and khaki pants. Not many men could wear pastels and still manage to look like they could hunt down some predatory animal, cook it up for dinner, and then use its hide to make you a purse.

A week earlier, Dominic couldn’t have imagined Levi describing him as trustworthy under any circumstances. Now he felt the same way he did when his sister Angela’s cat—a standoffish bastard with a wicked set of claws—came to him for petting while regally ignoring everyone else in the room. Not that he would ever make that comparison to Levi’s face.

Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone.

(...) Some fairy lore makes a clear division between good and wicked types of fairies — between those who are friendly to mankind, and those who seek to cause us harm. In Scottish tales, good fairies make up the Seelie Court, which means the Blessed Court, while bad fairies congregate in the Unseelie Court, ruled by the dark queen Nicnivin. In old Norse myth, the Liosálfar (Light Elves) are regal, compassionate creatures who live in the sky in the realm of Alfheim, while the Döckálfar (the Dark Elves) live underground and are greatly feared. Yet in other traditions, a fairy can be good or bad, depending on the circumstance or on the fairy's whim. They are often portrayed as amoral beings, rather than as immoral ones, who simply have little comprehension of human notions of right and wrong. The great English folklorist Katherine Briggs tended to avoid the "good" and "bad" division, preferring the categorizations of Solitary and Trooping Fairies instead. (...)

So, whether you are an introvert or extrovert, a woman-loving woman, or a man-loving woman, or a God-loving woman, or all of the above: Whether you are possessed of a simple heart or the ambitions of an Amazon, whether you are trying to make it to the top or just make it to tomorrow, whether you be spicy or somber, regal or roughshod - the wild woman belongs to you.

THE FIRST BOY I fell in love with used to regale me with stories about kings and queens and war and peace, and how he hoped to one day be somebody’s knight in shining armor. I lived vicariously through his late night adventures, watching the way he swung his hands animatedly as he told his stories, and loving the way his green eyes twinkled when I laughed at his jokes. He taught me what it feels like to be touched and thoroughly kissed. Later, he taught me the pain one feels at the loss of someone that you’ve grown attached to. The one thing he forgot to teach me was how to deal with the way my chest squeezed after he broke the ghost of what heart I had left. I’d always wondered if it had been a missed lesson. Now I wonder if maybe he’d been trying to figure it out for himself, or if he just never felt anything at all.

I've been talking to myself a lot lately. I don't know what that's about, but my mother was the same way. She hated to make small talk with other people, but get her into a conversation with herself and she was quite the raconteur. She would tell herself a joke and clap her hands together as she let out a laugh; she would murmur to the plants as she watered them, and offer encouragement to the food as she cooked it. Sometimes I would walk into a room and surprise her as she was regaling herself with some delightful story, and I remember how the sound would dry up in her mouth. She stood there, frozen in the headlights of my teenage scorn.

How funny your name would be if you could follow it back to where the first person thought of saying it, naming himself that, or maybe some other persons thought of it and named that person. It would be like following a river to its source, which would be impossible. Rivers have no source. They just automatically appear at a place where they get wider, and soon a real river comes along, with fish and debris, regal as you please, and someone has already given it a name: St. Benno (saints are popular for this purpose) or, or some other name, the name of his long-lost girlfriend, who comes at long last to impersonate that river, on a stage, her voice clanking like its bed, her clothing of sand and pasted paper, a piece of real technology, while all along she is thinking, I can do what I want to do. But I want to stay here.

It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.

I'm not in love with someone!" he shouted at her, infuriated because she was right and he couldn't do a thing about it. "I'm in love with you, and damn it,I don't like it." "You've made that abundantly clear." She straightened her shoulders and lifted her chin. "Don't pull that regal routine on me," Grant began. Her eyes sharpened to dagger points. Her skin flushed majestically. Abruptly he began to laugh.When she tossed her head back in fury,he simply collapsed against her. "Oh,God,Gennie,I can't take it when you look at me as though you were about to have me tossed in the dungeon." "Get off me,you ass!" Incensed, insulted, she shoved against him, but he only held her tighter. Only quick reflexes saved him from a well-aimed knee at a strategic point.

Kenny is a drug, and I’ve just had the best hit of my life. I’m not losing this addiction. I’m in, all the way, pledging my voluntarily servitude to the gateway of my desire. Kenny was the freedom I was longing for. Love and all this wild pent up desire, proved to be the combination that set me free. But only Kenny had the power to unleash me. She scrubbed the impurity from my life and washed clean the world, so I could see it stark and clear for the very first time. Kenny perfumed my existence with her regal charm, her sovereign splendor. Kenny is in everyway sublime.

At nightfall I return home and enter my study. There on the threshold I remove my dirty, mud-spattered clothes, slip on my regal and courtly robes, and thus fittingly attired, I enter the ancient courts of bygone men where, having received a friendly welcome, I feed on the food that is mine alone and that I was born for. I am not ashamed to speak with them and inquire into the reasons for their actions; and they answer me in kindly fashion. And so for four hours I feel no annoyance; I forget all troubles; poverty hold no fears, and death loses its terrors. I become entirely one of them.

Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.

Bunny Sue was nineteen. She had honey-bobbed hair and candid, near-insolent green eyes. She had a snub, delightful nose, a cool, regal, and tapering neck, a fine, intelligent mouth that covered teeth so startling they might have been cleansed by sun gods. Without any makeup save lipstick, her complexion was as milk flecked with butter, the odor she cast as wholesome as bread. On my first breathless vision of her, I wanted to bury my teeth, Dracula-like, into her flanks, knowing that she would bleed pure butterscotch.

For a split second I wonder what I am doing here on this battlefield, on the front line. I am a princess. I am soft and regal. I am quiet, forgotten Sorrowlynn, who never leaves her rooms. And yet I am so much more. I have the capacity to be anything. To be everything! This girl running to fight for the greater good is me. For the first time ever, I feel like I am living the life I was meant to be living all along.

The weak breeze whispers nothing the water screams sublime. His feet shift, teeter-totter deep breaths, stand back, it’s time. Toes untouch the overpass soon he’s water-bound. Eyes locked shut but peek to see the view from halfway down. A little wind, a summer sun a river rich and regal. A flood of fond endorphins brings a calm that knows no equal. You’re flying now, you see things much more clear than from the ground. It's all okay, or it would be were you not now halfway down. Thrash to break from gravity what now could slow the drop? All I’d give for toes to touch the safety back at top. But this is it, the deed is done silence drowns the sound. Before I leaped I should've seen the view from halfway down. I really should’ve thought about the view from halfway down. I wish I could've known about the view from halfway down—

On the second or third day, sometime in the early evening, I walked from the splashing fountains and giant lions of Trafalgar Square, past the famous door of 10 Downing Street, and then, suddenly, when I turned the corner, I was face-to-face with Big Ben. I found myself just standing there, gazing up into the rare blue sky at this magnificent clock tower that gleamed in the sunlight. I couldn’t look away. Because all at once everything in my crazy heart and mind seemed to fall into place. Right in front of me was all the glory and sparkle that I knew my London life was going to be once I figured out how to grab on to it.

I am woman and woman is beautiful. We are expected to be beautiful, so I will be what people don’t expect. They don’t expect intelligence, they don’t expect grace. I am strong, and even when others have the ability to physically overpower me, mentally, I am stronger. I am a queen on a throne, and a place next to me must be earned. When I find my king, his power doesn’t erase my own. My crown is not a man’s to repossess. I was born in regality. I am kind, but naivety does not dwell within me. I am woman. I am the origin. Everything begins and ends with me. No man is worthy of my worth. I cannot be bought. I will not sell myself short. I do not give discounts. I am woman. I demand respect. I respect my dignity. My presence is a revocable gift, rented with effort and good intention. I am woman.

Warmth stole into Murdoch's voice at the memory, and Farah's heart clenched at the picture of her Dougan not yet a man, and yet not a boy, regaling a room full of hardened prisoners about the graveyard capers and bog adventures of a ten-year-old girl in the Scottish Highlands. "He described ye so many times, I feel as though any of us would have recognized ye had we seen ye on the streets. He told us of yer kindness, yer innocence, yer gentle ways and boundless curiosity. Ye became something of a patron saint to us all. Our daughter. Our sister. Our... Fairy. Without even knowing it, ye gave us- him- a little bit of sunshine and hope in a world of shadow and pain.

It leaned forward, elbows on its knees, all amusement vanishing from its features, leaving its chiseled visage quietly regal, dignified. "I give you my word, Gabrielle O'Callaghan," it said softly. "I will protect you." "Right. The word of the blackest fairy, the legendary liar, the great deceiver," she mocked. How dare it offer its word like it might actually mean something? A muscle leapt in its jaw. "That is not all I have been, Gabrielle. I have been, and am, many things." "Oh, of course, silly me, I left out consummate seducer and ravager of innocence.

Do not make your child your only hobby or you will end up waiting by the telephone in a cheery room covered in brittle, yellowed crayon drawings, regaling those few friends that are left with stale anecdotes about your youngster's accomplishments. Your little baby will be off in college, or backpacking in the Amazon, or on the other side of the country trying to get as far away from home as possible, and you will begin collecting porcelain frogs and feeding stray cats. So now is the time to start getting that life to fall back on. You know what you must do. Do it for your child. Do it for me, and for everyone out there who has to deal with your child for the rest of your child's life. And do it for yourself.

All the rare-book dealers regaled me with stories of the trade. They told me that after the war there were too many books and not enough bookshop space, so all the dealers in London BURIED hundreds of old books in the open bomb craters of London streets. Today the buried books would be worth a fortune if they could be recovered, if the new buildings could be torn down and the rebuilt streets torn up. I had a sudden vision of an atomic war destroying everything in the world, except here and there an old book lying where it fell when it was blasted up out of the depths of London.

It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually. Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.

If there's anything that still connects me to God, it's color. I've yet to find a man-made color that wasn't first displayed in creation. From the deep fuchsia of a bougainvillea to the shocking chartreuse of the moss that clings to the rocks and trees in the damp coastal mountain range, all are unique to God's imagination. I've seen starfish donning brilliant neon orange and regal purple and wildflowers in every hue of the color wheel. We cannot out create Him.

This waltz was the music of the softly falling snow on the regal new buildings of the Ringstrasse. It was the spring tulips covering the lawns and arcades in front of the Schönbrunn Palace. It was the indomitable, majestic peaks of the Alps, the red-cheeked goatherds plucking wild edelweiss from the summits. It was the spirited laughter of Viennese students, wooing and debating in the beer gardens and cafés. It was the stately blue Danube, it was the cathedrals, it was the mountain chalets, and it was the ancient villages sprung up around church bell towers and brooks and streams. It was all of it, and it was all Franz Josef.

A small crowd had gathered to gaze at the astonishing display of color: vivid blues; regal purples; soft, candy-floss pinks; strawberry reds; vibrant lime greens; sun-bright, buttercup yellows; rich oranges; and creamy, vanilla whites. Tilly’s eyes were unable to take it all in, her mouth unable to suppress a smile of sheer delight. It was as if someone had poured a box of paints onto this one street, leaving nothing with which to brighten up the drab gray of the rest of the city she had just passed.

And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?" Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else.

V. R. Lang You are so serious, as if a glacier spoke in your ear or you had to walk through the great gate of Kiev to get to the living room. I worry about this because I love you. As if it weren't grotesque enough that we live in hydrogen and breathe like atomizers, you have to think I'm a great architect! and you float regally by on your incessant escalator, calm, a jungle queen. Thinking it a steam shovel. Looking a little uneasy. But you are yourself again, yanking silver beads off your neck. Remember, the Russian Easter Overture is full of bunnies. Be always high, full of regard and honor and lanolin. Oh ride horseback in pink linen, be happy! and ride with your beads on, because it rains.

Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?

Peter's mother was grand, in her way. She managed to complain almost ceaselessly without ever seeming trivial or kvetchy. She was regal rather than crotchety, she had been sent to live in this world from a better one, and she saved herself from mere mean-spiritedness by offering resignation in place of bile - by implying, every hour of her life, that although she objected to almost everybody and everythng she did so because she'd presided over some utopia, and so knew from experience how much better we all could do. She wanted more than anything to live under a benevolent dictator who was exactly like her without being her - if she actually ruled she would relinquish her right to object, and without her right to object who and what would she be?

They had to pretend because our high-ranking politician knew not a word of English (well, when he said goodbye he did risk a “Good luck”) and the high-ranking British politician knew not a word of Spanish (although she did say “Buen dίa” to me as she gave me an iron handshake). So while the former was mumbling gibberish in Spanish, inaudible to cameras and photographers, all the time keeping a broad smile trained on his guest, as if he were regaling her with interesting banter (what he said was not, however, inaudible to me: I seem to remember that he kept repeating “One, two, three, four, five, what a lovely time we’re going to have”). The latter was muttering nonsense in her own language, and smiling even more broadly than him (“Cheese,” she kept saying, which is what all English people being photographed are told to say, and then various untranslatable onomatopoeic words such as “Tweedle tweedle, biddle diddle, twit and fiddle, tweedle twang”).

Queen Lily Ruckler, negotiations have ceased with the Commoner leaders of the world. The time for attempting peace is over. There is no other viable option. Mystical-Commoner World War II has been officially declared. Strike now. My heartfelt regrets, Elder Richard Harcourt.” I lowered the missive while Bonnie jumped onto the table, sitting regally but watching everyone warily in front of where I stood, and I stated, “We’re officially at war. I want to strike Sydney’s defenses within the hour, before they realize what’s happening.” My dead gaze landed on Antonio. I blinked, and then moved on to every gentleman and lady in the room, letting my power touch each of them so that no one would dare argue with me. “I will lead the attack alongside Elder Farrar.” I did. I relished it, my rage finally finding a useful outlet. Surprise, surprise, I fucking finally found something I excelled at. Bloodshed.

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

The sixth of January, 1482, is not, however, a day of which history has preserved the memory. There was nothing notable in the event which thus set the bells and the bourgeois of Paris in a ferment from early morning. It was neither an assault by the Picards nor the Burgundians, nor a hunt led along in procession, nor a revolt of scholars in the town of Laas, nor an entry of “our much dread lord, monsieur the king,” nor even a pretty hanging of male and female thieves by the courts of Paris. Neither was it the arrival, so frequent in the fifteenth century, of some plumed and bedizened embassy. It was barely two days since the last cavalcade of that nature, that of the Flemish ambassadors charged with concluding the marriage between the dauphin and Marguerite of Flanders, had made its entry into Paris, to the great annoyance of M. lé Cardinal de Bourbon, who, for the sake of pleasing the king, had been obliged to assume an amiable mien towards this whole rustic rabble of Flemish burgomasters, and to regale them at his Hôtel de Bourbon, with a very “pretty morality, allegorical satire, and farce,” while a driving rain drenched the magnificent tapestries at his door.

My bad mood returns like an unwanted rash. “I got in a fight with Logan. And that’s all I’m saying on the subject, because if I talk about it right now, it’ll just piss me off again and then I’ll be too distracted to produce Dumb and Dumber’s show.” We both glance at the main booth, where Evelyn is using the reflection on her water glass to check her makeup, dabbing delicately at her eye shadow. Pace is engrossed with his phone, his chair tipped back so far that I predict a very loud disaster in the near future. “God, I love them,” Daisy says with a snicker. “I don’t think I’ve ever met two more self-absorbed people.” Morris saunters out of the booth and wanders over to us. He notices Daisy’s shirt and says, “Sweetheart, we’re at work. Show some decorum.” “Says the guy who ripped this shirt off me in the supply closet.” Rolling her eyes, she takes a step away. “I’m going to make myself presentable in the bathroom. I’d do it out here, but I’m scared Dumber might take a picture and post it on a porn site.” “Wait, the names Dumb and Dumber actually correspond to each of them?” Morris says in surprise. “I thought it was more of a general thing. Which one is Dumber?” The second the question leaves his mouth, a muffled crash reverberates from the booth, and we all turn to see Pace tangled up on the floor. Yup, the guy who spent an hour regaling me about his cow-tipping days back in Iowa? Tipped himself right over. From behind the glass, Pace bounces to his feet, notices us staring, and mouths the words, “I’m okay!” Morris sighs. “I withdraw the question

There was once a beautiful boy Who cried 'Wolf', every night. He would tell everyone he saw Of the animals azure eyes, The throat-gripping terror and fright. His friends and lovers came in droves With sticks & words, threats and stoves. They loved his beauty and wanted him safe Of the menacing claws, he said lived inside a cave. Every night with will anew, They waited and plotted beatings Black and blue. Nights turned to dusk Lovers to strangers, Days to years, The wolf never came His stories they couldn't bear to hear. So lived the gorgeous boy, Icy winter nights alone, Still muttering about the wolf So beastly and regal, it needed a throne. He spoke about its glistening fur, Razor sharp claws, yellowed breath And treacherous purr. How the wolf would howl every night, At a monstrous moon Far away and stark bright. He heard its padded steps From miles away Horrified by the wildness, Its softly heaving chest would betray. Alone the boy, with the beautiful smile Died In time to realise The wolf only ever howled inside.

[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

Many, Lorenzo, have held and still hold the opinion, that there is nothing which has less in common with another, and that is so dissimilar, as civilian life is from the military. Whence it is often observed, if anyone designs to avail himself of an enlistment in the army, that he soon changes, not only his clothes, but also his customs, his habits, his voice, and in the presence of any civilian custom, he goes to pieces; for I do not believe that any man can dress in civilian clothes who wants to be quick and ready for any violence; nor can that man have civilian customs and habits, who judges those customs to be effeminate and those habits not conducive to his actions; nor does it seem right to him to maintain his ordinary appearance and voice who, with his beard and cursing, wants to make other men afraid: which makes such an opinion in these times to be very true. But if they should consider the ancient institutions, they would not find matter more united, more in conformity, and which, of necessity, should be like to each other as much as these (civilian and military); for in all the arts that are established in a society for the sake of the common good of men, all those institutions created to (make people) live in fear of the laws and of God would be in vain, if their defense had not been provided for and which, if well arranged, will maintain not only these, but also those that are not well established. And so (on the contrary), good institutions without the help of the military are not much differently disordered than the habitation of a superb and regal palace, which, even though adorned with jewels and gold, if it is not roofed over will not have anything to protect it from the rain. And, if in any other institutions of a City and of a Republic every diligence is employed in keeping men loyal, peaceful, and full of the fear of God, it is doubled in the military; for in what man ought the country look for greater loyalty than in that man who has to promise to die for her? In whom ought there to be a greater love of peace, than in him who can only be injured by war? In whom ought there to be a greater fear of God than in him who, undergoing infinite dangers every day, has more need for His aid? If these necessities in forming the life of the soldier are well considered, they are found to be praised by those who gave the laws to the Commanders and by those who were put in charge of military training, and followed and imitated with all diligence by others.

When at last he finally hooked one, despite Elizabeth’s best efforts to prevent it, she scrambled to her feet and backed up a step. “You-you’re hurting it!” she cried as he pulled the hook from its mouth. “Hurting what? The fish?” he asked in disbelief. “Yes!” “Nonsense,” said he, looking at her as if she was daft, then he tossed the fish on the bank. “It can’t breathe, I tell you!” she wailed, her eyes fixed on the flapping fish. “It doesn’t need to breathe,” he retorted. “We’re going to eat it for lunch.” “I certainly won’t!” she cried, managing to look at him as if he were a cold-blooded murderer. “Lady Cameron,” he said sternly, “am I to believe you’ve never eaten a fish?” “Well, of course I have.” “And where do you think the fish you’ve eaten came from?” he continued with irate logic. “It came from a nice tidy package wrapped in paper,” Elizabeth announced with a vacuous look. “They come in nice, tidy paper wrapping.” “Well, they weren’t born in that tidy paper,” he replied, and Elizabeth had a dreadful time hiding her admiration for his patience as well as for the firm tone he was finally taking with her. He was not, as she had originally thought, a fool or a namby-pamby. “Before that,” he persisted, “where was the fish? How did that fish get to the market in the first place?” Elizabeth gave her head a haughty toss, glanced sympathetically at the flapping fish, then gazed at him with haughty condemnation in her eyes. “I assume they used nets or something, but I’m perfectly certain they didn’t do it this way.” “What way?” he demanded. “The way you have-sneaking up on it in its own little watery home, tricking it by covering up your hook with that poor fuzzy thing, and then jerking the poor fish away from its family and tossing it on the bank to die. It’s quite inhumane!” she said, and she gave her skirts an irate twitch. Lord Marchman stared at her in frowning disbelief, then he shook his head as if trying to clear it. A few minutes later he escorted her home. Elizabeth made him carry the basket containing the fish on the opposite side from where she walked. And when that didn’t seem to discomfit the poor man she insisted he hold his arm straight out-to keep the basket even further from her person. She was not at all surprised when Lord Marchman excused himself until supper, nor when he remained moody and thoughtful throughout their uncomfortable meal. She covered the silence, however, by chattering earnestly about the difference between French and English fashions and the importance of using only the best kid for gloves, and then she regaled him with detailed descriptions of every gown she could remember seeing. By the end of the meal Lord Marchman looked dazed and angry; Elizabeth was a little hoarse and very encouraged.

Providence then - and this is what is most important to grasp - is not the same thing as a universal teleology. To believe in divine and unfailing providence is not to burden one's conscience with the need to see every event in this world not only as an occasion for God's grace, but as a positive determination of God's will whereby he brings to pass a comprehensive design that, in the absence of any single one of these events, would not have been possible. It may seem that this is to draw only the finest of logical distinction, one so fine indeed as to amount to little more than a sophistry. Some theologians - Calvin, for instance - have denied that the distinction between what God wills and what he permits has any meaning at all. And certainly there is no unanimity in the history of Christian exegesis on this matter. Certain classic Western interpretations of Paul's treatment of the hardening of Pharaoh's heart and of the hardened heart of Israel in Romans 9 have taken it as a clear statement of God's immediate determination of his creatures' wills. But in the Eastern Christian tradition, and in the thought of many of the greatest Western theologians, the same argument has often been understood to assert no more than that God in either case allowed a prior corruption of the will to run its course, or even - like a mire in the light of the sun - to harden the outpouring of God's fiery mercy, and always for the sake of a greater good that will perhaps redound even to the benefit of the sinner. One might read Christ's answer to his disciples' question regarding why a man had been born blind - 'that the works of God should be made manifest in him' (John 9:3) - either as a refutation or as a confirmation of the distinction between divine will and permission. When all is said and done, however, not only is the distinction neither illogical nor slight; it is an absolute necessity if - setting aside, as we should, all other judgments as superstitious, stochastic, and secondary - we are to be guided by the full character of what is revealed of God in Christ. For, after all, if it is from Christ that we are to learn how God relates himself to sin, suffering, evil, and death, it would seem that he provides us little evidence of anything other than a regal, relentless, and miraculous enmity: sin he forgives, suffering he heals, evil he casts out, and death he conquers. And absolutely nowhere does Christ act as if any of these things are part of the eternal work or purposes of God.