Regal Fashion Quotes

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At nightfall I return home and enter my study. There on the threshold I remove my dirty, mud-spattered clothes, slip on my regal and courtly robes, and thus fittingly attired, I enter the ancient courts of bygone men where, having received a friendly welcome, I feed on the food that is mine alone and that I was born for. I am not ashamed to speak with them and inquire into the reasons for their actions; and they answer me in kindly fashion. And so for four hours I feel no annoyance; I forget all troubles; poverty hold no fears, and death loses its terrors. I become entirely one of them.
Niccolò Machiavelli
Splendid! As I was saying then, Cécile, what became of your clothing? Or is this the latest fashion on the Isle, and I am merely behind the times?” I scowled at him. “I was deprived of my dress.” “Really?” One eyebrow rose. “That sounds most salacious – perhaps you’ll regale us with the details later?” “Perhaps not.” I crossed my arms tightly, trying to hide my mortification. “More’s the pity,” Tristan sighed rather melodramatically. “It would have been the first interesting thing you’ve said.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
My mate is also human, so don't let some people's old fashioned prejudices get to you my dear." He then turned and walked past Elder Evreux. "Be thankful I wasn't the one who took exception to your words René. It would have taken more than Rowan's spells to get me to back down." With a regal nod, he swept past René and left the room. "I swear you guys will drive me to drink. I should be allowed to sedate you three for meetings." Elder Airgead sat back looking tired.
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
When at last he finally hooked one, despite Elizabeth’s best efforts to prevent it, she scrambled to her feet and backed up a step. “You-you’re hurting it!” she cried as he pulled the hook from its mouth. “Hurting what? The fish?” he asked in disbelief. “Yes!” “Nonsense,” said he, looking at her as if she was daft, then he tossed the fish on the bank. “It can’t breathe, I tell you!” she wailed, her eyes fixed on the flapping fish. “It doesn’t need to breathe,” he retorted. “We’re going to eat it for lunch.” “I certainly won’t!” she cried, managing to look at him as if he were a cold-blooded murderer. “Lady Cameron,” he said sternly, “am I to believe you’ve never eaten a fish?” “Well, of course I have.” “And where do you think the fish you’ve eaten came from?” he continued with irate logic. “It came from a nice tidy package wrapped in paper,” Elizabeth announced with a vacuous look. “They come in nice, tidy paper wrapping.” “Well, they weren’t born in that tidy paper,” he replied, and Elizabeth had a dreadful time hiding her admiration for his patience as well as for the firm tone he was finally taking with her. He was not, as she had originally thought, a fool or a namby-pamby. “Before that,” he persisted, “where was the fish? How did that fish get to the market in the first place?” Elizabeth gave her head a haughty toss, glanced sympathetically at the flapping fish, then gazed at him with haughty condemnation in her eyes. “I assume they used nets or something, but I’m perfectly certain they didn’t do it this way.” “What way?” he demanded. “The way you have-sneaking up on it in its own little watery home, tricking it by covering up your hook with that poor fuzzy thing, and then jerking the poor fish away from its family and tossing it on the bank to die. It’s quite inhumane!” she said, and she gave her skirts an irate twitch. Lord Marchman stared at her in frowning disbelief, then he shook his head as if trying to clear it. A few minutes later he escorted her home. Elizabeth made him carry the basket containing the fish on the opposite side from where she walked. And when that didn’t seem to discomfit the poor man she insisted he hold his arm straight out-to keep the basket even further from her person. She was not at all surprised when Lord Marchman excused himself until supper, nor when he remained moody and thoughtful throughout their uncomfortable meal. She covered the silence, however, by chattering earnestly about the difference between French and English fashions and the importance of using only the best kid for gloves, and then she regaled him with detailed descriptions of every gown she could remember seeing. By the end of the meal Lord Marchman looked dazed and angry; Elizabeth was a little hoarse and very encouraged.
Judith McNaught (Almost Heaven (Sequels, #3))
My father was exceptionally tall and exceptionally handsome, and he only had to walk into a room to dominate the assembly of people. He revelled in the latest fashions and the most beautiful rich cloths and color. He was infallibly attractive to women, unable to help himself, greedy for their attention; and God knows they could not restrain their desires. A room full of women was always half in love with my father, and their husbands torn between admiration and envy. Best of all, he had my exceptionally beautiful mother always at his side and a quiverful of exquisite daughters trailing behind him. We were always a stained-glass window in motion, an icon of beauty and grace. My Lady the King’s Mother knows that we were a royal family beyond compare: regal, fruitful, beautiful, rich. She was at our court as a lady-in-waiting and she saw for herself how the country saw us, as fairy-tale monarchs. She is driving herself quite mad trying to make her awkward, paler, quieter son match up. She
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Lucetta nodded rather regally, an impressive feat considering her hair looked as if it'd had an unfortunate experience with a meat grinder.
Jen Turano (After a Fashion (A Class of Their Own, #1))
Lady Mary came last. She looked magnificent, even regal. Her dress was highly fashionable; dark slate blue overlaid with black fleur-de-lis and stitched with jet beads across the throat and bosom, the sleeves garnered. A black hat adorned her head at a rakish angle, dashing and precarious.
Anne Perry (Bethlehem Road (Charlotte & Thomas Pitt, #10))
Since her separation she had slowly, cautiously--perhaps even unconsciously--performed a kind of striptease, unpeeling the veils of convention which had surrounded her. During the 1980s she had been defined only by her fashions, seen merely as a glamorous clothes horse, a royal adjunct, a wife and mother. Since the separation, however, her regal wardrobe, which defined her royal mystique, had been left in the closet. Indeed, her decision, inspired by Prince William, to hold an auction of her royal wardrobe for Aids charities in New York in the summer of 1997 was a very public farewell to that old life. She no longer wanted to be seen as just a beautiful model for expensive clothes. Moreover, during her days as a semi-detached royal she had deliberately stripped away other trappings of monarchy, her servants, her ladies-in-waiting, her limousines and, most controversially, her bodyguards. The casting off of her royal title was one giant step on that journey. She had spent much time grieving a failed relationship, lost hopes and broken ambitions. She had once said: ‘I had so many dreams as a young girl. I hoped for a husband to look after me, he would be a father figure to me, he would support me, encourage me, say “Well done” or “That wasn’t good enough”. I didn’t get any of that. I couldn’t believe it.’ The days of betrayal, anguish and hurt lay in the past. Now it was time to move on, to make the most of her position and her personality. Opportunity beckoned. As the Princess admitted: ‘I have learned much over the last years. From now on I am going to own myself and be true to myself. I no longer want to live someone else’s idea of what and who I should be.’ ‘I am going to be me.
Andrew Morton (Diana: Her True Story in Her Own Words)
They arrived on the Mayflower, a vessel that has been called “one of the most important ships in American history.” Every fall, regaled by stories of the courageous Pilgrims, elementary school children whose skin is peach, tan, and chestnut fashion black captain hats from paper to dress up like the passengers on the Mayflower. Our country has wrapped a national holiday around the Pilgrims’ story, ensuring the Mayflower’s mythical place in the American narrative. But a year before the Mayflower, in 1619, another ship dropped anchor on the eastern shore of North America. Its name was the White Lion, and it, too, would become one of the most important ships in American history. And yet there is no ship manifest inscribed with the names of its passengers and no descendants’ society. These people’s arrival was deemed so insignificant, their humanity so inconsequential, that we do not know even how many of those packed into the White Lion’s hull came ashore, just that some “20 and odd Negroes” disembarked and joined the British colonists in Virginia.
Ibram X. Kendi (Four Hundred Souls: A Community History of African America, 1619-2019)