Refusing To Apologize Quotes

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You’ll learn, as you get older, that rules are made to be broken. Be bold enough to live life on your terms, and never, ever apologize for it. Go against the grain, refuse to conform, take the road less traveled instead of the well-beaten path. Laugh in the face of adversity, and leap before you look. Dance as though EVERYBODY is watching. March to the beat of your own drummer. And stubbornly refuse to fit in.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
What in hell is that?” She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed over his bare chest. “You forgot the bottom part.” She merely blew out the candles in the room one by one. His eyes tracked her the entire time. “There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot, and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep naked. You can sleep in the bathtub if you have a problem with it.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
I can’t control your behavior; nor do I want that burden… but I will not apologize for refusing to be disrespected, to be lied to, or to be mistreated. I have standards; step up or step out.
Steve Maraboli
I do hope we shall meet again. Perhaps we could have a reading club of some sorts. I 've read that one." She leaned in. "Have you reached the part where Mr. Darcy proposes?" Asriel narrowed his gaze on Cross. "She did that on purpose." Pippa shook her head. "Oh, I did not ruin it. Elizabeth refuses." She paused. "I suppose I did ruin that. Apologies.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
By embracing your calling and refusing to hide your glow, you wouldn't just make your world brighter, you'd light the way for the women who come behind you.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
I was wearing bright colors, refusing to apologize for my size. The dress made me feel defiant. For the first time, I didn't mind taking up space.
Sarai Walker (Dietland)
I refuse to apologize for my ability—I refuse to apologize for my success—I refuse to apologize for my money.
Ayn Rand (Atlas Shrugged)
Just then Patch ambled through the front door. I did a double take to make it was really him. I hadn't expected him to come. We'd never resolved our fight, and I'd pridefully refused to take the first step, forcing myself to lock my cell phone in a drawer every time I was tempted to call him and apologize, despite my increasing distress that he might never call either. My pride immediately turned to relief at the sight of him. I hated fighting. I hated not having him close. If he was ready to mend this, so was I.A smile flickered across my face at the sight of his costume; black jeans, black t-shirt, black face mask. The latter concealed all but his cool, assessing gaze. "There's my date," I said. "Fashionably late.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Remember that good things come in three's. And so do bad things. And always apologize when you've done something wrong. But don't you ever apologise for the way your eyes refuse to stop shining; your voice is small, but don't ever stop singing.
Sarah Kay (B)
I am sorry," was all Drizzt could quietly mouth. Vierna shook her head, refusing any apology. To Drizzt, it seemed as if that buried part of her that was Zaknafein Do'Urden's daughter approved of this ending.
R.A. Salvatore (The Legacy (Forgotten Realms: Legacy of the Drow, #1; Legend of Drizzt, #7))
James sat forward and kissed him. It was all so familiar now. They had moved beyond the clumsy petting and munching. Mungo would stop frequently to apologize, he felt so inept, and James would cradle his face and guide Mungo’s lips back to his. Now their kisses were soft and tender and offered without the fear of refusal. A kiss lasted hours. They lay with their mouths together and Mungo cupped his nose in the divot of James’s cheek, and then they led each other in a silent ramble, one would change the direction and the other would follow, over and over until an arm went dead, or the microwave pinged. A hand might slip under a T-shirt but it never dared to do anything else. Mungo knew he wanted to spend his life doing this, just kissing this one boy. There was no need to rush.
Douglas Stuart (Young Mungo)
Love is an afternoon of fishing when I'd sooner be at the ballet. Love is eating burnt toast and lumpy graving with a big smile. Love is hearing the words 'You're beautiful' as I fail to squeeze into my fat jeans. Love is refusing to bring up the past, even if doing so would be a slam dunk to prove your point. Love is your hand wiping away my tears, trying to erase streaks of mascara. Love is the warm hug that extinguishes an argument. Love is a humbly-uttered apology, even if not at fault. Love is easy to recognize but so hard to define; however, I think it boils down to this... Love is caring so much about the feelings of someone else, you sacrifice whatever it takes to help him or her feel better. In other words, love is my heart being sensitive to yours.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
In my desire to distance myself from sadistic Christians who revel in the idea of wrath and punishment, I may have crossed a line. Refusing to teach a passage of Scripture is just as wrong as abusing it. I really believe it's time for some of us to stop apologizing for God and start apologizing to Him for being embarrassed by the ways He has chosen to reveal Himself.
Francis Chan (Erasing Hell: What God Said About Eternity, and the Things We've Made Up)
If there’s any chance of salvaging things between us—and I must be crazy to even consider that—you need to start off with a huge apology,” I stated without preamble. His arms folded across his chest. With that stunning jewel-encrusted coat adding to his already commanding presence, I felt like I’d somehow shrunk several feet, but I refused to be cowed. I stood straighter and began to tap my foot. He glanced down. “Is that supposed to intimidate me?” he asked, his voice edged with satin-covered steel.
Jeaniene Frost (Once Burned (Night Prince, #1))
My favorite was Love Is...Never Having to Say You're Sorry. This was,the good Lord knew, a dream of mine. But every time I refused to apologize for something, Love seemed to just fly out the window.
Haven Kimmel (She Got Up Off the Couch: And Other Heroic Acts from Mooreland, Indiana)
But the paradox of their success is that most modern readers are unaware of the overwhelming obstacles both women had to overcome. Without knowing the history of the era, the difficulties Wollstonecraft and Shelley faced are largely invisible, their bravery incomprehensible. Both women were what Wollstonecraft termed “outlaws.” Not only did they write world-changing books, they broke from the strictures that governed women’s conduct, not once but time and again, profoundly challenging the moral code of the day. Their refusal to bow down, to subside and surrender, to be quiet and subservient, to apologize and hide, makes their lives as memorable as the words they left behind. They asserted their right to determine their own destinies, starting a revolution that has yet to end.
Charlotte Gordon (Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley)
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
...[T]hose who care about their souls and do not subordinate them to the body dissociate themselves firmly from these others and refuse to accompany them on their haphazard journey; and, believing that it is wrong to oppose philosophy with her offer of liberation and purification, they turn and follow her wherever she leads...
Socrates (Apology, Crito And Phaedo Of Socrates.)
Who are you, Eve? I missed everything. I missed you. I miss you. I refuse to know or see you. And this in some ways was the most destructive and punishing deprivation. Isn't that all any of us crave, really? To be known? To be given shape and form by being recognized and cherished? For how else can we trust that we are even here? And perhaps that is why I became so extreme. Because I was invisible to myself, because I had been erased, I had needed to find ways to experience my existence and feel my impact on others. For what is violence but energy given substance in force?
V (formerly Eve Ensler) (The Apology)
In 1968, students at UC Berkeley invented the term Asian American to inaugurate a new political identity. Radicalized by the black power movement and anti-colonial movement, the students invented that name as a refusal to apologize for being who they were.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
I love chimpanzees. I love their stubbornness and their strength. I love the way they dig their fingers into life and never let it get the better of them. I love the tenderness beneath their wild tempers. I love them because they refuse to apologize for who they are.
Vanessa Woods (Bonobo Handshake: A Memoir of Love and Adventure in the Congo)
There was genuine hurt in his voice, but I refused to let myself soften. It had been Ben’s favorite tactic in arguments, when we were together, to divert the discussion away from whatever was annoying me to the fact that I’d hurt his feelings and was acting irrationally. Time and again I’d ended up apologizing for the fact that I’d upset him—my own feelings completely ignored, and always, in the process, we’d somehow wound up losing sight of the issue that had provoked the disagreement in the first place. I wasn’t falling for it now.
Ruth Ware (The Woman in Cabin 10)
Beyond her six-figure salary and designer wardrobe, Miranda's fierce intelligence and drama-free approach to living are the real things worth coverting. She speaks her mind, stands her ground, and refuses to apologize for her success - or the contents of her bedside drawer.
Chelsea Fairless (We Should All Be Mirandas: Life Lessons from Sex and the City's Most Underrated Character)
It’s about respecting yourself, instead of catering to your insecure need to be liked. This is incredibly powerful, because when you love yourself enough to stand in your truth no matter what the cost, everyone benefits. You start attracting the kinds of things, people, and opportunities, that are in alignment with who you truly are, which is way more fun than hanging out with a bunch of irritating energy suckers. And by declining to participate in other people’s drama, (i.e. refusing to rip people to shreds, to complain about how unfair the world is, etc.) you not only raise your own frequency, but you offer the drama queens the chance to rise up too, instead of everyone continuing to play a low, lame game.     Never apologize for who you are. It lets the whole world down.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
It is important to refuse to be intimidated. That refusal must not be based simply on a calculation of the odds of succeeding. At times, in my case, multiple lawsuits and an ethics charge seemed overwhelming, and the fact that I knew my work to be accurate and responsible was only partial solace. l was well aware that court, like the National Football League, is an arena in which, on any given Sunday, anybody can win. The refusal to be intimidated must come, in the end, not from a sureness of succeeding but from a knowledge of the cost of scurrying for shelter through fake retractions and disowned truths. It is a question, in the end of self-respect. Who among us could, in good faith, ever face a survivor of childhood abuse again were we to run for cover when pressed ourselves? Children are not permitted that choice, and the adults who choose to work with them and with the survivors they become cannot afford to make it. It would be a choice to become. Through betrayal and deceit, that to which we object. Our alternative, then, is not to hide. Not to refuse to treat adult survivors, not to refuse to go to court in their defense, not to apologize and retract statements we know are true, but to cultivate endurance and tenacity as carefully as we read the research. Confessions of a Whistle-Blower: Lessons Learned Author: Anna C. Salter. Ethics & Behavior, Volume 8, Issue 2 June 1998
Anna C. Salter
She felt indispensable and made no apologies. She allowed herself to accept her importance and this is something many of us mothers refuse to do.
Meg Meeker (The 10 Habits of Happy Mothers: Reclaiming Our Passion, Purpose, and Sanity)
i refuse to be ashamed of taking up my rightful. i refuse to apologize for daring to have an opinion. —it’s a pleasure to disappoint you.
Amanda Lovelace (Flower Crowns and Fearsome Things)
There are broken people who can be healed with the apology you refuse to give them. The apology you know they deserve, but scared to give because your ego is on the line.
Darnell Lamont Walker
unsolicited advice to adolescent girls with crooked teeth and pink hair When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
Jeanann Verlee
Apology accepted. If you're finished Mrs. Porter ---" "Allegra." "Fine. If you're finished, Allegra, I'd like to go." "I'm not." Good Lord, but the woman was a blister that refused to pop.
Chris Karlsen (Silk (The Bloodstone, #1))
We must expose to the light of public inquiry those forces which would destroy our country and our way of life. We should pay no attention to the recommendations of men who call the Constitution an eighteenth-century agrarian document-who apologize for capitalism and free enterprise. We should refuse to follow their siren song of increasingly concentrating the powers of government in the chief executive, of delegating American sovereign authority to non-American institutions of the United Nations and pretending that it will bring peace to the world by turning our armed forces over to a United Nations worldwide police force. (Title of Liberty, p. 16.)
Ezra Taft Benson (The Teachings of Ezra Taft Benson)
Pastor Travis and Steven did try to reach out with apologies for the misunderstandings, but I refused to speak to them. There was no misunderstanding. I thought I was a smart person, fully capable of studying the Bible and engaging with spirituality on my own, and they disagreed. When someone denies the very core of who you are, it’s hard to dialogue.
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
I’m sorry,” he said. She was ready to accept his apology, but then he continued. “Sorry that you think language and culture create deeper ties than the common journeys our ancestors made across the Atlantic, crammed into the filthy holds of ships. That’s a language, too. If you can’t speak it yet, then you are lucky. If you refuse to learn it, then you have no business with the Loyal League.
Alyssa Cole (An Unconditional Freedom (The Loyal League, #3))
This nervous sensibility had its drawbacks, no doubt—she was full of apologies when he flew at Mr. Kenyon and bit him for stumbling over the bell-pull; it was annoying when he moaned piteously all night because he was not allowed to sleep on her bed—when he refused to eat unless she fed him; but she took the blame and bore the inconvenience because, after all, Flush loved her. He had refused the air and the sun for her sake.
Virginia Woolf (Flush)
How did one make peace with one’s own death? According to the accounts of the Crito, the Phaedo, and the Apology, Socrates went to his death without distress, with such preternatural calm that he refused multiple entreaties to escape. In fact, he’d been so cheerfully blasé, so convinced that dying was the just thing to do, that he beat his friends over their heads with his reasoning, in that insufferably righteous way of his, even as they burst into tears.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Imagine for a moment you have been given all you need. There is possibility within you, waiting for the proper demand to release itself. There is all that is outside of you, waiting to inform and teach you. But all of it is necessary—the good, bad, and unbearable. You know that when something does not go well, you should analyze the problem, resolve it, apologize, repent, and transform. An unsolved problem seldom sits there, in stasis. It grows new heads, like a hydra. One lie—one act of avoidance—breeds the necessity for more. One act of self-deception generates the requirement to buttress that self-deceptive belief with new delusions. One devastated relationship, unaddressed, damages your reputation—damages your faith in yourself, equally—and decreases the probability of a new and better relationship. Thus, your refusal or even inability to come to terms with the errors of the past expands the source of such error—expands the unknown that surrounds you, transforms that unknown into something increasingly predatory.
Jordan B. Peterson (Beyond Order: 12 More Rules For Life)
He liked how brave she was—that dauntless courage she’d had when she faced off against Gargoyle at the trials. The lack of hesitation to chase after Hawthorn or take out the Detonator. The bravery that veered just a bit toward recklessness. Sometimes he wished he could be more like her, always so confident in her own motivations that she didn’t mind bending the rules from time to time. That’s how Adrian felt when he was the Sentinel. His conviction that he knew what was right gave him the courage to act, even when he would have hesitated as Adrian or Sketch. But Nova never hesitated. Her compass never seemed to falter. He liked that she defied the rules of their society—refusing to bend for the Council, when so many others would have been falling over themselves to impress them. Refusing to apologize for their decision to go after the Librarian, despite the protocols, because she believed wholeheartedly that they made the right choice with the options they’d been given. He liked that she’d destroyed him at every one of those carnival games. He liked that she hadn’t flinched when he brought a dinosaur to life in the palm of her hand. He liked that she’d raced into the quarantine to help Max, despite having no clue what she was going to do when she got there, only that she had to do something. He liked that she showed compassion for Max, sometimes even indignation for the way his ability was being used—but never pity. He even liked the way she feigned enthusiasm for things like the Sidekick Olympics, when it was clear she would have rather been doing just about anything else. But no matter how long the growing list of things that attracted him to Nova McLain had become, he still found her feelings toward him to be a mystery, with an annoying shortage of evidence to support the theory that maybe, just maybe, she sort of liked him too. A smile here. A blush there. It was an infuriatingly short list. He was probably reading into things. It didn’t matter, he told himself again and again. He couldn’t risk getting too close to anyone right now.
Marissa Meyer (Archenemies (Renegades #2))
By the way,” Arabella said, “you might get a call from school. I forgot to mention it before.” Mother paused. “Why?” “Well, we were playing basketball and I guess I pulled on Diego’s jersey. I don’t even remember doing it. And Valerie decided it would be a good idea to snitch on me. I mean, I saw her walk over to the coach and pull on his sleeve like she was five or something. I even asked Diego if he cared, and he said he didn’t even notice. It’s a sport! I was into it.” “Aha,” Mother said. “Get to the call-from-school part.” “I told her that snitches get stitches. And Coach said that I made a terrorist threat.” “That’s stupid,” Lina said, pushing back her dark hair. “It’s not a threat, it’s just a thing people say.” “Snitches do get stitches.” Bern shrugged. “Your school is stupid,” Grandma Frida said. “So he said I had to apologize and I refused, since she snitched on me, so I got sent to the office. I’m not in trouble, but they want to move me to third-period PE now.” Well, it could’ve been worse. At least she didn’t hurt anybody.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.
Veronica Roth (Insurgent (Divergent, #2))
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger. Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume. “Yes,” Elizabeth had assured her, smiling. “Do you?” “Have you read Christopher Marlowe?” “Yes, but I prefer Shakespeare.” Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard. “My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.” Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
Judith McNaught (Almost Heaven (Sequels, #3))
I quickly scrambled back up to my feet just in time to see Vinny’s big hand coming right at me. I swiftly ducked underneath it and then swung my sword at the giant’s arm, grazing his right arm. “Ooof!” Vinny groaned and reeled back. I took the opportunity to swing at him with another strike, this time at his feet. Vinny stumbled and shook as he tried to keep his balance. As sneaky as he sometimes can be, Jack had already finished digging a hole behind the giant while he was busy fighting me. Vinny, as he kept taking his steps backwards, tripped on the hole and came crashing down on the ground below. Jack and I both jumped on top of the giant. I smacked him a little with the blunt side of my sword, while Jack slapped the giant with a porkchop. “Ready to answer questions now?” I asked the giant. The giant opened his mouth to reply but was promptly slapped by Jack with another porkchop. “Jack, you have to let him talk first, then smack him if he refuses to answer,” I explained. “Oh, right. My bad. I was really into it,” Jack apologized, “To be fair, I was just tossed through a barn. I feel like I deserve a bit of vengeance.” “Okay, okay. Stop with the porkchop slapping,” Vinny pleaded, “I’m a vegan.” “Oh, sorry,” Jack reached into his pocket and pulled out a roll of bread and then slapped the giant with the bread instead.
Write Blocked (Champions Royale (Stuck Inside Minecraft #6))
He wanted nothing more than to close his eyes and relish the coolness, but all he could afford to do was cough some smoke out of his lungs and turn back to the task at hand. Which apparently included scolding a certain hardheaded woman for not heeding his instructions. Meredith glared at him from where she stood pumping water into the trough, not a hint of apology in her demeanor. Travis stormed past her and worked the knot on Jochebed’s lead line. “I thought I told you to go up to the house.” The pump arm creaked as she gave it a series of vigorous yanks, then fell silent as water gushed into the trough. “As I recall,” she said, rubbing her palms into her skirt, “you never forbade me from working the pump. You simply expressed your doubts as to my ability to do so.” Travis’s grip on the cow’s rope tightened. “Don’t play word games with me, Meredith. You knew what I meant.” “Did I?” She reached for a stew pot and dipped it into the trough. “Seems to me that a man who claims protecting his brothers and his land always comes first wouldn’t be so quick to refuse able-bodied help just because that body happens to be female.” She set the full pot on the ground and crossed her arms over her chest. Travis’s eyes followed the movement, noting the curves it accentuated. Yep. Definitely female. He wouldn’t be arguing that point.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Many people have a moment, after they have kids, when they begin to understand and empathize with their own parents, when suddenly all the difficult moments make sense. The discipline was all about keeping you safe, about teaching you life lessons. I saw those terrible years that had culminated in my packing up the blue and maroon Samsonite and leaving my parents’ house as newly galling. An aberration. How could they send me out into the world? How could they have done what they did? I had spent years apologizing for my behavior to my parents. I lamented the trouble I had caused, the revolt I stirred. I had been a terrible child, I admitted. The drugs, the rebellion, the sneaking out, the violence. Over and over I had apologized and taken what I believed to be my share of the blame. But when I became a parent myself, I understood, finally, the source of my anger. They themselves had never apologized. Not really. On the few occasions over the years when I suggested that they had kicked us out, they always maintained that we had moved out of our own accord after refusing to follow the rules. I didn’t challenge this framing until I gave birth to my own daughter. There, in my hospital bed at Samitivej, holding my newborn baby with her giant blue eyes and her punk-rock hair, I thought, “No. You were the adults. I was the child. Fuck you.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)
Love is funny that way. It persists even when you’ve done everything in your power to banish it. It demands its own voice and refuses to be a slave to anyone but its own desires. And despite the power of it, those selfish desires are what make love so weak. It’s accepting the apologies of a cheating lover. It’s returning to a raised hand, over and over, until that hand becomes lethal, and home is in the afterlife. It’s clinging to a mother who never wanted you and hoping she will one day show up on those church steps. It’s grabbing ahold of a hand that belongs to both a father and an abuser, wailing as they slowly slip away. It’s falling in love with a liar, a thief, and praying they never hurt you again.
H.D. Carlton (Does It Hurt?)
Leaning back in his chair, Ian listened to Larimore’s irate summation of the wild and fruitless chase he’d been sent on for two days by Lady Thornton and her butler: “And after all that,” Larimore flung out in high dudgeon, “I returned to the house on Promenade Street to demand the butler allow me past the stoop, only to have the man-“ “Slam the door in your face?” Ian suggested dispassionately. “No, my lord, he invited me in,” Larimore bit out. “He invited me to search the house to my complete satisfaction. She’s left London,” Larimore finished, avoiding his employer’s narrowed gaze. “She’ll go to Havenhurst,” Ian said decisively, and he gave Larimore directions to find the small estate. When Larimore left, Ian picked up a contract he needed to read and approve; but before he’d read two lines Jordan stalked into his study unannounced, carrying a newspaper and wearing an expression Ian hadn’t seen before. “Have you seen the paper today?” Ian ignored the paper and studied his friend’s angry face instead. “No, why?” “Read it,” Jordan said, slapping it down on the desk. “Elizabeth allowed herself to be questioned by a reporter from the Times. Read that.” He jabbed his finger at a few lines near the bottom of the article about Elizabeth by one Mr. Thomas Tyson. “That was your wife’s response when Tyson asked her how she felt when she saw you on trial before your peers.” Frowning at Jordan’s tone, Ian read Elizabeth’s reply: My husband was not tried before his peers. He was merely tried before the Lords of the British Realm. Ian Thornton has no peers. Ian tore his gaze from the article, refusing to react to the incredible sweetness of her response, but Jordan would not let it go. “My compliments to you, Ian,” he said angrily. “You serve your wife with a divorce petition, and she responds by giving you what constitutes a public apology!” He turned and stalked out of the room, leaving Ian behind to stare with clenched jaw at the article. One month later Elizabeth had still not been found. Ian continued trying to purge her from his mind and tear her from his heart, but with decreasing success. He knew he was losing ground in the battle, just as he had been slowly losing it from the moment he’d looked up and seen her walking into the House of Lords.
Judith McNaught (Almost Heaven (Sequels, #3))
The sign over supermarket express checkout lanes, TEN ITEMS OR LESS, is a grammatical error, they say, and as a result of their carping whole-food and other upscale supermarkets have replaced the signs with TEN ITEMS OR FEWER. The director of the Bicycle Transportation Alliance has apologized for his organization’s popular T-shirt that reads ONE LESS CAR, conceding that it should read ONE FEWER CAR. By this logic, liquor stores should refuse to sell beer to customers who are fewer than twenty-one years old, law-abiding motorists should drive at fewer than seventy miles an hour, and the poverty line should be defined by those who make fewer than eleven thousand five hundred dollars a year. And once you master this distinction, well, that’s one fewer thing for you to worry about.45
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Christians like Justin Martyr, one of the fathers of the church, shared such aspirations for self-mastery. Justin wholeheartedly admired Christians who practiced renunciation and celibacy; he even singled out for special praise a young convert in Alexandria who had petitioned Felix, the governor,asking that permission might be given to a surgeon to castrate him. For the surgeons had said they were forbidden to do this without the governor’s permission. And when Felix absolutely refused to sign such a permission, the young man remained celibate. (Justin, First Apology 29.) Origen, also revered as a father of the church, had been so determined to win his struggle against passion that as a young man he had castrated himself, apparently without asking anyone’s permission, least of all the governor’s.
Elaine Pagels (The Origin of Satan: How Christians Demonized Jews, Pagans and Heretics)
Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appearance on parade. Their works are done as an apology or extenuation of their living in the world, — as invalids and the insane pay a high board. Their virtues are penances. I do not wish to expiate, but to live. My life is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. I wish it to be sound and sweet, and not to need diet and bleeding. I ask primary evidence that you are a man, and refuse this appeal from the man to his actions. I know that for myself it makes no difference whether I do or forbear those actions which are reckoned excellent. I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
Be fearless. Be tenacious. Go after what you want. Be a leader. Take control. Don't like how things are managed? Change the status quo. Be a disruptor. Galvanize, inspire, lead, get results. Stand resolute in the face of critics, detractors, naysayers. Their no is your yes. Make a difference. Change the narrative. Be a monumental success and a paradigm for forward, sometimes unorthodox, always creative thinking. This is what makes you a trailblazer, a standard bearer and history maker!! Oh, unless you are a powerful, black woman (or simply a WOMAN)with a voice that moves the needle. Then, you are a troublemaker, angry, stupid, menopausal, looking for attention? Women don't owe anyone an apology or explanation for being everything those part of an unevolved faction of society believes is only reserved for men. Work with us and be great, or get out of our way so we can continue what we started a lifetime ago. Proud of you Stacey Abrams and of all women who refuse to be relegated to a status of mediocrity. "Still, I rise!
Liz Faublas, Million Dollar Pen, Ink.
You have insulted me and degraded me every time I’ve been in your presence. If my brother were here, he’d call you out! Since he is not here,” she continued almost mindlessly, “I shall demand my own satisfaction. If I were a man, I’d have the right to satisfaction on the field of honor, and as a woman I refuse to be denied that right.” “You’re ridiculous.” “Perhaps,” Elizabeth said softly, “but I also happen to be an excellent shot. I’m a far worthier opponent for you on the dueling field than my brother. Now, will you meet me outside, or shall I-I finish you here?” she threatened, so beside herself with fury that she never stopped to think how reckless, how utterly empty her threat was. Her coachman had insisted she learn to fire a weapon for her own protection, but although her aim was excellent when she’d practiced with targets, she had never shot a living thing. “I’ll do no such silly damned thing.” Elizabeth raised the gun higher. “Then I’ll have your apology right now.” “What am I to apologize for?” he asked, still infuriatingly calm. “You may start by apologizing for luring me into the greenhouse with that note.” “I didn’t write a note. I received a note from you.” “You have great difficulty sorting out the notes you send and don’t send, do you not?” she said. Without waiting for a reply she continued, “Next, you can apologize for trying to seduce me in England, and for ruining my reputation-“ “Ian!” Jake said, thunderstruck. “It’s one thing to insult a lady’s handwriting, but spoilin’ her reputation is another. A thing like that could ruin her whole life!” Ian shot him an ironic glance. “Thank you, Jake, for that helpful bit of inflammatory information. Would you now like to help her pull the trigger?” Elizabeth’s emotions veered crazily from fury to mirth as the absurdity of the bizarre tableau suddenly struck her: Here she was, holding a gun on a man in his own home, while poor Lucinda held another man at umbrella point-a man who was trying ineffectually to sooth matters by inadvertently heaping more fuel on the volatile situation. And then she recognized the stupid futility of it all, and that banished her flicker of mirth.
Judith McNaught (Almost Heaven (Sequels, #3))
The American criminal justice system’s unwillingness to admit fallibility compounds the injustices it creates. Many states do absolutely nothing for people who have been exonerated. They provide no compensation for the many years of life and earnings lost. They do not even offer an official apology. Cruelly, they often do not expunge the exonerated person’s record, making it difficult for the person to get an apartment or a job. From the viewpoint of dissonance theory, we can see why the victims of wrongful convictions are treated so harshly. That harshness is in direct proportion to the system’s inflexibility. If you know that errors are inevitable, you will not be surprised when they happen and you will have contingencies in place to remedy them. But if you refuse to admit to yourself or the world that mistakes do happen, then the exoneration of those who have been wrongfully imprisoned is stark, humiliating evidence of how wrong you are. Apologize to them? Give them money? Don’t be absurd. They got off on a technicality. Oh, the technicality was DNA? Well, they were guilty of something else.
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world? Like your heart may be broken but your spirit is still rising? Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now. Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day? Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer? Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two? Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once? Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming? Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?
Jeanette LeBlanc
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
Can't you just let it go? Move on?" His face darkened. His eyes glared in response and he was silent a long time while his jaw worked over a toothpick. She'd used the same line that the prophet and his representatives had been using for years. Even if these things did happen, there is no point in being bitter. You should forgive and forget and let bygones be bygones. Kind of galling, considering the insistence upon forgiveness was being made by the people who had done the hurting and done nothing to make up for it. But then, that was the standard 'blame the victim' abuser mentally, and to be expected. Gideon seemed to work through this slap in the face and let it slide. He said, "For a while I thought maybe, you know, if I could talk to the people responsible. If I could show them how difficult life has been because of them, that maybe they would care. I don't know. I thought maybe if they apologized, it would be so much easier to forget this shit. You know? To do what they say and 'let it go'. But nobody will take any personal responsibility. My own parents have nothing to offer but a bunch of whiny excuses. They try to convince me that my life wasn't as bad as I remember it." "Fuck that," he said, "They weren't even there. They don't even know what went on with me. I just..." He paused and pulled his fingers through his hair. "Christ," he said. He paused again, eyes to the sky, and then back to her. "Even the people who never personally raised a hand against me still propped up the regime that made it happen. They stood by and allowed it. Played a part. All of them. Every single one was a participant. Either directly or by looking away. Institutionally, doctrinally, they abused us. Sent us into the streets to beg, denied us an education, had us beaten, starved, exorcised, and separated from our parents. They broke up our families, gave our bodies to perverts, and stole our future. And then they turn around and say we're supposed to just forget it happened and move on from it. If instead we bring up the past, then they'll call us liars. Say we're exaggerating or making it up completely. Why the hell would be make any of this shit up? What's the point in that? To make our lives seem worse than they were? Not that I would, but do you have any idea how much exaggeration it would take for the average person to even begin to grasp how fucking miserable it was? And then, if they ever do admit to any of it, they say that 'mistakes were made'. " "Mistakes." he said. He was leaning forward again, punctuating the air with his finger. "Michael, they commit crimes against children. You know, those things people in society go to jail for when they're caught. And then to the public they do what they always do. Deny. Deny. Deny. And we're left more raped than ever. Victimized first by what they did, and again by their refusal to admit that it happened. They paint us as bitter apostates and liars to a world that not only doesn't give a shit, but also couldn't possibly understand even if it did." "I do," Munroe said. And Gideon stopped.
Taylor Stevens (The Innocent (Vanessa Michael Munroe, #2))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••
Hugh Howey (Dust (Silo, #3))
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Perhaps I won’t tire of her,” Gray protested, just to be contrary. Because, apparently, that was how brothers behaved. “Perhaps a dolphin will fly out of your arse. And here’s an argument even you can’t refuse. Grayson Shipping doesn’t need a reputation for delivering damaged goods. You want me to hand George Waltham an impregnated governess?” “I wouldn’t get her with child. Give me that much credit, at least.” “I give you credit for nothing. Let’s try this one last time, shall we? You made me this ship’s captain. If I’m the captain, what I say goes. And I say you don’t touch her. If you can’t abide by my orders, take command of the ship yourself and let me go home.” “Go home and do what? Squander your fortune and talent on dirt farming?” “Go home and take care of my own family. Go home and do what I damn well please, for once.” Cursing, Gray leaned against the wall. He knew Joss would make good on that threat, too. It hadn’t been easy, coaxing his brother out of mourning. Gray had resorted to outright bullying just to convince him to take command of the Aphrodite, threatening to cut off his income unless he reported to London as agreed. But he needed Joss, if this shipping concern was to stay afloat. He’d worked too hard, sacrificed too much to see it fail. And if Joss didn’t become a willing partner, it all would have been in vain. “Stay away from the girl, Gray.” Gray sighed. “We’re on the same ship. I can’t help but be near her. I’ll not promise to refrain from touching her, because the girl seems to lose her footing whenever I’m around. But I give you my word I’ll not kiss her again. Satisfied?” Joss shook his head. “Give me your word you won’t bed her.” “What a legend you’re making me! Insinuating I could bed her without even kissing her first.” Gray worried the edge of his thumbnail as he considered. “That might prove an amusing challenge, now that you suggest it.” Joss shot him an incredulous look. “With some other lady, on some other ship.” Gray raised his hands in a defensive gesture. “I’ll not bed her. You have my word. And don’t think that’s not a great sacrifice, because it is. I’d have her in two, three days at the most, I tell you.” “Once again-not amusing.” “For God’s sake, Joss, it’s a joke. What do you want, an apology? I’m sorry for kissing Miss Turner’s hand, all right?” Joss shook his head and flipped open the logbook. “No, you’re not.” “Yes, I am.” The odd thing of it was, Gray was telling the truth. He knew he was being an ass, but the joking was easier than honesty. For all his teasing, he hadn’t kissed her hand with the intent to seduce, or to judge if she tasted as sweet as he’d dreamed. He’d kissed her fingers for one reason only. Because they were trembling, and he’d wanted them to stop. It was wholly unlike him, that kiss. It was not a gesture he thought it wise to repeat. That girl did something strange to him.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Chris smiled at me, showing two ridiculously cute dimples and a few feet away a waitress dropped an empty cup she had cleared from a table. Blushing, she muttered an apology and hurried inside. I scowled at him, refusing to be swayed by his charm. “I see,” he murmured, nodding slightly as if he had just solved a puzzle. “See what?” Ignoring my question, he pulled out a cell phone, hit a number and held the phone out to me. I hesitated for a few seconds then took the phone and put it to my ear. “What’s up, Chris?” said a familiar deep voice on the other end. “Good question,” I responded tersely. “I told Chris you’d recognize him if he got too close.” Was that amusement in his tone? “Great. You won the bet. Buy him a beer or whatever.” I glanced at Chris, saw that he looked amused now, too and I grew even more agitated. “I thought we had an understanding when you left here last week.” “And what understanding would that be?” I gritted my teeth. “The one where you go your way and I go mine and we all live happily ever after.” “I don’t recall that particular arrangement,” he replied in his infuriatingly easy manner. “I believe I told you I’d be seeing you again.” I opened my mouth but words would not come out. People say ‘I’ll be seeing you’ all the time when they say good bye. It doesn’t mean anything. It certainly doesn’t mean they will send their friends to stalk you. “Sara?” “What do you want from me, Nikolas? I told you I just want to be left alone.” There was a brief silence then a quiet sigh on the other end. “We got word of increased activity in Portland and we have reason to believe the vampire might be searching for you.” It felt like an icy breath touched the back of my neck. Eli’s face flashed through my mind and my knees wobbled. Roland stepped close to me. “What’s wrong, Sara? What is he saying to you?” I smiled weakly at Roland and put up a hand to let him know I’d fill him in when I got off the phone. “I don’t know anyone in Portland so there is no way he can trace me here, right?” “There is more than one way to track someone.” Nikolas’s voice hardened. “Don’t worry, we will keep you safe. Chris will stay close by until we handle this situation.” Great, I was the ‘situation’ again. “I don’t need a babysitter. I’m not a child.” “No you’re not,” he replied gruffly and warmth unfurled in my stomach. “But you are not a warrior either. It is our duty to protect you even if you don’t want it.” I felt like stomping my feet like a two year old. Didn’t I get any choice in this? My eyes fell on Chris as I spoke. “How close is he planning to stay? He’s kind of conspicuous and I can’t have my uncle or anyone else asking questions.” Chris peered in confusion down at his form-fitting blue jeans and black sweater as Nikolas said, “Conspicuous?” I looked heavenward. “If you guys wanted to blend in you shouldn’t have sent Dimples here. The way some of the women are staring at him, I might end up having to protect him instead.” There was a cough on the other end and Nikolas sounded like he was grinning when he said, “Ah, I’m sure Chris can take care of himself. He will be in town in case we suspect any trouble is coming that way.
Karen Lynch
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home. The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag. Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix… Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin. Quietly, Arin said, “He’ll be buried today, with the others.” “He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet. Arin helped her, his touch gentle. “I’ll make certain it’s done right.” Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream. She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought. Tears came again. Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Notice that Jesus knows exactly who he is asking to lead his community: a sinner. As all Christian leaders have been, are, and will be, Peter is imperfect. And as all good Christian leaders are, Peter is well aware of his imperfections. The disciples too know who they are getting as their leader. They will not need—or be tempted—to elevate Peter into some semi-divine figure; they have seen him at his worst. Jesus forgives Peter because he loves him, because he knows that his friend needs forgiveness to be free, and because he knows that the leader of his church will need to forgive others many times. And Jesus forgives totally, going beyond what would be expected—going so far as to establish Peter as head of the church.11 It would have made more earthly sense for Jesus to appoint another, non-betraying apostle to head his church. Why give the one who denied him this important leadership role? Why elevate the manifestly sinful one over the rest? One reason may be to show the others what forgiveness is. In this way Jesus embodies the Father in the Parable of the Prodigal Son, who not only forgives the son, but also, to use a fishing metaphor, goes overboard. Jesus goes beyond forgiving and setting things right. A contemporary equivalent would be a tenured professor stealing money from a university, apologizing, being forgiven by the board of trustees, and then being hired as the school’s president. People would find this extraordinary—and it is. In response, Peter will ultimately offer his willingness to lay down his life for Christ. But on the shore of the Sea of Galilee, he can’t know the future. He can’t understand fully what he is agreeing to. Feed your sheep? Which sheep? The Twelve? The disciples? The whole world? This is often the case for us too. Even if we accept the call we can be confused about where God is leading us. When reporters used to ask the former Jesuit superior general Pedro Arrupe where the Jesuit Order was going, he would say, “I don’t know!” Father Arrupe was willing to follow, even if he didn’t know precisely what God had in mind. Peter says yes to the unknowable, because the question comes from Jesus. Both Christ’s forgiveness and Peter’s response show us love. God’s love is limitless, unconditional, radical. And when we have experienced that love, we can share it. The ability to forgive and to accept forgiveness is an absolute requirement of the Christian life. Conversely, the refusal to forgive leads ineluctably to spiritual death. You may know families in which vindictiveness acts like a cancer, slowly eating away at love. You may know people whose marriages have been destroyed by a refusal to forgive. One of my friends described a couple he knew as “two scorpions in a jar,” both eagerly waiting to sting the other with barbs and hateful comments. We see the communal version of this in countries torn by sectarian violence, where a climate of mutual recrimination and mistrust leads only to increasing levels of pain. The Breakfast by the Sea shows that Jesus lived the forgiveness he preached. Jesus knew that forgiveness is a life-giving force that reconciles, unites, and empowers. The Gospel by the Sea is a gospel of forgiveness, one of the central Christian virtues. It is the radical stance of Jesus, who, when faced with the one who denied him, forgave him and appointed him head of the church, and the man who, in agony on the Cross, forgave his executioners. Forgiveness is a gift to the one who forgives, because it frees from resentment; and to the one who needs forgiveness, because it frees from guilt. Forgiveness is the liberating force that allowed Peter to cast himself into the water at the sound of Jesus’s voice, and it is the energy that gave him a voice with which to testify to his belief in Christ.
James Martin (Jesus: A Pilgrimage)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
People who look as if they are supremely happy and carefree are full of some great grief and carry a tragedy within them. We put on a bold face very often, and sometimes it is exceptionally bold because of the acuteness of the problem that is within. So it follows that anyone who is truly Christian will never take people merely as they appear to be but will feel a great sense of sorrow for men and women who are trying vainly to find a quiet heart by refusing to think. This includes all the people who plunge into a round of pleasure, who give themselves to the cults and commit intellectual suicide, who rush away for treatment to some psychologist or other, who drug themselves or take up certain ancient Eastern religions. All are simply trying somehow or other to find this peace that ever seems to elude them, this quiet heart that never seems to become an actuality. But, of course, we do not stop at it negatively like that. We are concerned to give a positive exposition of what the Bible has to tell us about this vital and all-important subject, and I would remind you again that the Bible claims that it and it alone can really show us this quiet heart. I do not apologize for that. I state and assert it. We cannot mix the gospel of Jesus Christ with anything else; it is either this or nothing. No compromise is possible.
Anonymous
SBY had not asked for an apology. So by ostentatiously refusing to apologise, Abbott was setting up a straw man. Having set it up, he then demonstrated faux toughness by knocking it down. A seasoned Australian intelligence chief suggested privately that Abbott would have been much smarter to say something along these lines: ‘I was surprised to read this information in the newspapers. I will be seeking urgent briefings. I will speak to the president personally as soon as I can.’ This offers no concession and no apology but it signals concern, promises action, and takes the matter out of the public realm and into the private.
Peter Hartcher (The Adolescent Country: A Lowy Institute Paper: Penguin Special)
But the campaigners wanted more than just an apology; they wanted a proper pardon. The government refused on the grounds that it would set a precedent, even though pardons had recently been given to 18 former terrorists under the Northern Ireland Agreement
David Boyle (Alan Turing: Unlocking the Enigma)
I think you’ve taught him his lesson, Oren.” The young lady pushed the barrel away from Connell’s face. “I don’t think he’ll manhandle me again.” When she gave him a “so-there” look and then raised her chin, a spark of self-pride flamed to life in his gut. His mam had always made sure he knew how to treat a girl, but this was obviously no ordinary girl. “If anyone was doing the manhandling, it was you.” Connell rubbed the sore spot on his forehead. “I didn’t ask you to sit on my lap.” Her eyes widened, revealing a woodsy brown that was as dark and rich as fine-grained walnut. The color matched the thick curls that had come loose from the knitted hat covering her head. Oren stood back, tucked his gun under his arm, and tapped his black derby up. His eyebrows followed suit. The girl opened her mouth to speak but then clamped it shut, apparently at a loss for words. A wisp of satisfaction curled through Connell. After the way she’d let the old man humiliate him, he didn’t mind letting her squirm for a minute. But only for a minute. Mam’s training was ingrained too deeply to wish the girl ill will for more than that. He shoved himself out of the chair and straightened his aching back. “Look,” he said, plucking a last dirty sock from his shoulder. “Can we start over? I’m Connell McCormick.” She hesitated and then tilted her head at him. “And I’m Miss Young.” “I sure hope you’ll forgive me if I’ve caused you any . . . discomfort.” Surprise flitted across her elegant, doelike features. “Well now. With that polite apology, how could I refuse to forgive you?” He gave her a smile and waited. The polite thing for her to do was offer her own apology and perhaps even a thank-you for his attempts to save her from Jimmy Neil. But she only returned the smile, one that curved her lovely full lips in perfect symmetry but didn’t make it into the depths of her eyes.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Michael’s career as a government minister made him a target of the tabloids. The Daily Mail ran a series of articles claiming that during a hospital stay Michael had received special treatment. But Michael accepted only the care available to other NHS patients. “I didn’t like taking libel actions because I’m a journalist,” he noted. Indeed, he had had to defend himself in libel actions that resulted from his articles. But when the tabloid continued to publish false stories and refused to retract them, Michael sued, forcing the paper to pay him £6000 and issue an apology. “They went to every kind of length to prove that I was wrong ... They couldn’t get the nurses to say anything ... They’re swines [the tabloids], you know.
Carl Rollyson (A Private Life of Michael Foot)
Are winters here always so mild?” “It is rarely colder,” Genji said, “so we have little need for Eskimo skills.” “My lord, please.” “Perhaps our population would be greater if it snowed.” Emily looked away, her face hot with embarrassment. She was sure she was as red as an apple ready for plucking. Genji laughed. “I’m sorry, Emily. I couldn’t resist.” “You promised you would never mention it.” “I promised I would never mention it to others. I said nothing about reminiscing with you.” “Lord Genji, that is very ungentlemanly of you.” “Ungentlemanly?” “‘Un’ is a prefix meaning ‘not.’ A gentleman is a person of good character and high principle. ‘Ly’ is a suffix meaning ‘having the character of.’ ” She turned as stern a gaze on him as she could manage. “Your present behavior does not demonstrate good character and high principle.” “An unforgivable lapse. Please accept my most profound apologies.” “I would, were you not smiling in such obvious amusement.” “You are smiling, too.” “It is a grimace, not a smile.” “Grimace?” She refused to explain.
Takashi Matsuoka
Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
She refused. I was mortified. Unjustified as Mrs. Kazinczy may have been, she was still a teacher, an authority figure, and one of first things Chinese people learn is that you must respect authority. No matter what, you don’t talk back to your parents, teachers, elders. In the end, I had to go back to the room alone, apologizing profusely and explaining (falsely) that Lulu was angry with me. I then made Sophia—who wasn’t crazy about Mrs. Kazinczy either and who wasn’t even a violinist—take the rest of the lesson, ostensibly getting tips about playing as a duo.
Amy Chua (Battle Hymn of the Tiger Mother)
home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having
Christian Galacar (Cicada Spring)
GRIDLOCK. THAT WAS THE SHORTHAND REPORTERS USED. BUT IT wasn’t quite right. Gridlock is an accident, an inconvenience. What happened on Capitol Hill was a strategy, and its architect was Kentucky senator Mitch McConnell. McConnell’s tactics were informed by a pair of brilliant, if somewhat evil, insights. The first was that Americans hold their president almost entirely responsible for the performance of the government as a whole. Under his direction, Republicans in Congress behaved like offensive linemen hoping to get their quarterback fired. They knew failing to do their jobs would make them look bad. But they also knew POTUS would take the hit. No matter who caused the loss, Obama’s name would wind up with an L beside it. McConnell’s second insight was that, if he was shameless enough for long enough, he would never get the comeuppance he deserved. Some political reporters slant left, others right, but what unites them is the desire to break new stories. Kick a puppy live on camera, and everyone will cover it. Kick a puppy per day, and steadfastly refuse to apologize, and within two weeks the press moves on. This is what happened, metaphorically at least, in the fall of 2011. Republicans voted in lockstep against funding for teachers, cops, firefighters, and laid-off construction workers. These were causes that once inspired compromise. Everyone was shocked to see lawmakers from either party oppose them. But the surprise wore off. With frightening speed, obstruction became the new normal. Reporters might as well have written about the sun rising in the east.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
We bomb homes, and these people have families -- and the U.S. refuses to apologize for these civilian deaths. The absence of concern makes their actions almost equal to a deliberate targeting of civilians.
William Blum
We have all had the experience of stepping on someone’s foot or bumping into someone and immediately apologizing. It was not our intention to hurt them, but it is understood that the impact is still that harm was caused. Instead of refusing to apologize because we did not mean it, we rush to apologize because we understand we have caused pain.
Layla F. Saad (Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor)
Alex.” She couldn’t look up at him. “Alexandra. Look at me.” With a sigh, she did, meeting his gaze as he spoke firmly. “You don’t have to apologize for any of that. I incited you…I know that now as much as I knew it then. I’m sorry that I was boorish. I should have checked my behavior long before it came to our arguing in the middle of a ball.” He reached out and took the candle from her hands, setting it on a nearby table before taking her hands in his. “I’m the one who should be apologizing. I don’t know what got into me about Freddie. I’ve always quite liked him. But this season…seeing him flirting with you…it’s been…difficult to watch. And I know my behavior has been reprehensible.” “You have to stop thinking of me as your sister, Gavin.” He offered her a half smile. “That seems to be the singular problem.” Confusion clouded her emerald eyes as he continued, “You see, I haven’t been thinking of you as my sister. In fact, the way I’ve been thinking when it comes to you is the very opposite of brotherly.” The words hung in the air and Alex’s eyes widened as understanding dawned. He offered a self-deprecating smile. “I see you take my meaning.” He let go of her hands and ran his fingers through his hair as though he didn’t know what to do with them. “You needn’t worry. I’m not going to act on my feelings.” “Why?” Alex asked the question without thinking. “If only I knew why. It began at the start of the season, and at first I chalked it up to my missing you while I was in mourning. Which I did. But instead of the feelings dissipating as I spent time in your company”—he slashed a hand through the air in frustration—“they only seemed to grow stronger.” Alex looked up at him, meeting his frustrated grey eyes. “Not why are you feeling the way you are, Gavin. Why aren’t you going to act on those feelings?” He froze. Neither of them moved, each afraid to take the next step. The first step. The moment stretched out into what seemed like an eternity and Alex began to feel awkward, as though she had said the wrong thing. “I—I’m sorry. I—I don’t know what prompted me to ask such a thing.” She started to take a step backward. “No.” The word was soft, but brooked no refusal. She went still as he continued, “There are a dozen reasons why I shouldn’t act on them.” He lifted his hands to cradle her face between them. “A hundred reasons why I should turn around and walk out of this room.” He leaned down until he was a hairbreadth away from her. “But I’m through listening to them.” And, with that, he kissed her. The
Sarah MacLean (The Season)
I did ask your mother about you whenever our paths crossed, but . . . she refused to divulge your whereabouts, and truth be told, I believe she has yet to forgive me for rejecting your proposal.” “Of course she hasn’t forgiven you, Wilhelmina. In her mind, you hurt the feelings of her adorable—and need I remind you, charming—son. Which is why she still takes to muttering less-than-pleasant mutters about you under her breath whenever I try to bring you into the conversation.” Edgar gave a sad shake of his head. “She’s especially put out with you over the idea that you proclaimed—in front of witnesses, no less—that the very last thing you’d ever want in life was to be known as Wilhelmina Wanamaker for the rest of your days.” Wilhelmina winced. “I completely forgot about that. Do know that I will apologize to your mother about that nasty business, if she ever condescends to speak to me again, that is.” “As you should, since Mother always proclaimed that Wilhelmina Wanamaker had a very nice ring to it, a proclamation she’s certain you remembered, which has allowed her to believe you were insulting not only me the night of your debut, but her as well.” “Oh . . . dear.” “Oh dear, indeed,” Edgar agreed quite cheerfully. Wilhelmina
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Take me to the far side of the room,” she pleaded. “Near the food and lemonade. I can pretend to be thirsty.” “And what about Burkham?” he asked. “The man is watching you.” What about the viscount indeed? she thought. He’d done nothing to catch her, but had stepped back just as she’d fallen. A twinge of resentment caught her. “I don’t want to speak with him.” Thomas should have prevented her from falling. It was almost as if he’d wanted to humiliate her. But why? And did he intend to keep his distance, behaving as if nothing had happened? A moment later, the viscount crossed the room. Immediately, Iain stepped in front of her. “Were you wanting something, Burkham?” The viscount appeared discomfited by his presence. “Ashton, if you don’t mind, I would like a word with Lady Rose.” “To apologize, you mean.” The earl’s voice held resentment, and she didn’t at all disagree. She hadn’t wanted to join in the country dance, but Lord Burkham had insisted. “I am sorry she fell. And if you wouldn’t mind giving us a moment alone . . .” “No.” Iain crossed his arms over his chest, and she nearly smiled. It looked as if he wanted to pummel the man senseless. “But I will allow you to apologize before you slither away.” Burkham cleared his throat and sidestepped so she could see his face. “Ashton is right. I do owe you an apology. I didn’t expect you to fall.” “I told you I didn’t want to dance. You wouldn’t listen.” He sent her a crooked smile, one that would have caused her heart to soften, a year ago. Now, she saw it as an empty gesture. “Forgive me. I was jealous of Ashton because I thought we had agreed you would save the first dance for me.” Jealousy would imply that he actually cared about her, and she simply didn’t believe it. “You weren’t here.” “I was late, and that, of course, was my fault,” he finished. “But I didn’t expect to find you dancing with another man.” She gave a shrug. Of course not. Because you thought no man would want me. “Did you want to dance with Lord Ashton?” he asked. There was a thread of annoyance in his tone, one she didn’t like. “Yes,” she answered honestly. Although she’d danced with Iain primarily because of the wager she’d lost, it was also because she trusted him. He understood her limitations and hadn’t tried to push her past them. Iain went to stand beside her, and he rested his hand upon the back of her chair in a silent mark of possession. “I think you should be returning to Miss Everett now,” Iain suggested. “Be on your way.” The viscount appeared to consider it, but then Lady Castledon arrived, holding Evangeline’s hand in hers. She smiled warmly at Iain and said, “Do be a darling and dance with Miss Sinclair. I’ve told her all about you, Lord Ashton.” There was no way for him to refuse without embarrassing Evangeline, but he sent Rose a questioning look. “I will be fine,” she told him. “Go on and enjoy yourself.” Iain bowed to Evangeline and tucked her hand in his arm, but his expression held an open threat toward Lord Burkham. The
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Once again, I apologize for your fall. I should have guessed that the reason for your refusal was because you were unable to move so swiftly.” He reached out to her hand and asked, “Can you forgive me?” She saw no reason to be petty, but gave a brief nod, pulling back her hand from his. “I accept your apology. And now, I think you should go.” Once again, he wasn’t listening. “I want to begin again. I know that I’ve made mistakes, dearest Rose. I want to set aside the months we lost and rekindle what there was between us.” Dearest Rose? Why on earth would he call her that? And she was now well aware that there had been nothing between them. Nothing at all. “You sent me six letters in six months. I hardly think there was much between us, Lord Burkham.” “But we were good friends. That is, we are good friends,” he corrected. His smile broadened. “I still believe we would suit each other quite well. You are a beautiful lady, and friendship leads to a strong marriage, I believe.” No, love does, she corrected silently. But now she had the answer she’d anticipated. And while it saddened her to think of the young woman she’d been, who had given her heart so freely to this man, she was glad that she hadn’t married him. “We can remain friends, my lord. But that is all.” He appeared oblivious to her refusal and beamed at her. “I am so glad to hear it, Lady Rose.” With a glance over at the refreshments, he inquired, “Would you like a glass of lemonade? Are you thirsty?” Rose wasn’t, but she nodded. It gave her a way of sending him off, leaving her to be alone with her thoughts. She
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
You look beautiful,” Caleb said softly, laying his hands on the sides of her slender waist. Lily smiled at his reflection in the glass. “Don’t you try to flatter me, Caleb Halliday,” she warned. “I think you’re a brute with a despicable attitude toward women.” He cupped her breasts in his hands. “I love women,” he said, bending to nibble at the exposed flesh of her neck. “When they obey, of course.” “Of course,” Caleb replied. He was untying the ribbon of Lily’s hat, taking it from her head, setting it back in its box. “You needn’t think you’re going to take me to bed,” Lily said airily. “Not, that is, until you apologize to me and tell Rupert you won’t lend him the money to build a boarding school unless he allows girls to attend.” Caleb turned Lily to face him. “You’re free to disagree with my opinions any time you like, Mrs. Halliday, but you will not refuse me your bed. Is that understood?” Lily’s cheeks heated. “I don’t guess you give a damn about my opinions,” she said, “but you’ll come around soon enough.” “Sometimes I think you enjoy baiting me. It makes the pleasure more intense when I lay you down and take you, doesn’t it, Lily?” She raised her hand to slap him, then thought better of the idea. “You are reprehensible.” Caleb
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
You needn’t think you’re going to take me to bed,” Lily said airily. “Not, that is, until you apologize to me and tell Rupert you won’t lend him the money to build a boarding school unless he allows girls to attend.” Caleb turned Lily to face him. “You’re free to disagree with my opinions any time you like, Mrs. Halliday, but you will not refuse me your bed. Is that understood?” Lily’s cheeks heated. “I don’t guess you give a damn about my opinions,” she said, “but you’ll come around soon enough.” “Sometimes I think you enjoy baiting me. It makes the pleasure more intense when I lay you down and take you, doesn’t it, Lily?” She
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Why should I apologize if he’s the one being the asshole?” It’s a fairly common question. I have heard officers (a very few; it’s rare) say that they would never apologize to a criminal, and managers say they would never apologize to their employees. The whole idea is stupid. It is based on a fear of seeming weak or submissive or a parallel fear of being accused of being responsible. “I’m sorry.” Not much as a word thing, huh? Two words, expresses sympathy and nothing else… Here’s the big clue and the Monkey trick on this one:  “I don’t want to apologize because I don’t want to look weak.” Really? Being afraid of looking weak denies reality and our own experience. We have all seen arguments like this. We have all been part of the audience who will “see the weakness.” That’s not what happens. We see two people being unreasonable, not one. And the first person to apologize is clearly the smart one, the mature one, the leader. You gain, not lose, status when you make a reasonable, timely and sincere apology. From your own experience you have seen this time and again. You know this. If the other tries to turn it into a sign of weakness, gets so caught up in the Monkey Dance that he refuses the olive branch or presses for more, the audience identifies him as an ass and he loses status. We know this from our own experience of being the watchers. The very people you might be afraid to seem weak to. We know this. Still, the Monkey convinces us to be afraid of what people will think, even though we know they will not think it. People are not held in check by what people will think. They are held in check by what they imagine people will think. That imagination is patently, provably wrong. How much control will you let it have?
Rory Miller (ConCom: Conflict Communication A New Paradigm in Conscious Communication)
Where are you going? I came to apologize for earlier and I can’t allow you to leave more upset than before.” The kind sincerity in his eyes wedged the hurt deeper as he continued. “Allow me to speak that which I came to say.” “Nay. This conversation has ended.” She yanked from his grasp and marched to the door, mumbling under her breath. “Perhaps I should have accepted Higley’s proposal after all.” “Higley? Who’s Higley?” He marched after her and tugged on her elbow. “You mean Donaldson is not courting you? Has someone proposed to you?” “Nay, Henry is not courting me, and aye, someone has proposed.” She stopped at the door and whirled around. “I should reprimand myself for not having thought more of the arrangement. At least he accepts me for who I am instead of hoping to change me to meet his expectations.” She started toward the exit but Nathaniel darted in front of her. “Kitty, you’re talking foolishness. No one wants you to change.” Ha! Kitty tilted her head. “Really?” Had he completely forgotten what they’d just discussed? She dodged sideways to make her escape but he blocked her flight, gripping her shoulders. Holding back an unladylike growl, she glared. “Nathaniel, let me pass.” “Not until I can make you believe that I don’t want to change you—and not until you tell me who this Higley fellow is. I am most curious.” His chin lowered and he looked at her with the condescendence of an older sibling, ready to scold her for stealing a sweet. How dare he! She let out a sharp laugh refusing to dignify his question with an answer. Yanking from his grasp, Kitty marched down the hall. Nathaniel followed directly behind. “Where are you going?” She stared forward, her breath heating with each exhale. “Home.”  He pulled on her shoulder to stop her. “By yourself?” She jerked to a halt. This time she did look at him, praying the barbs she threw from her eyes made their mark, but from the irritating smirk he failed to hide, her invisible weapons did nothing. “Aye, by myself.” He shook his head. “If you’re leaving, then I’m escorting you home.” “You are not.” “You may be stubborn, Kitty Campbell, but I cannot allow you to walk home—” “You absolutely will. I am at liberty to do as I please, am I not? I have the right to refuse to be escorted by a thick-headed patriot missionary.” ***
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Some years later, during a heart-to-heart chat, a friend of mine remarked that I have the propensity to disappear, when faced with hindrances. He advised me to face problems head-on, instead of avoiding confrontations and running away like a coward, much as I had with my dad, with you, and with Tony. This is a liability I’m learning to confront. And, it isn’t easy.               Thanks to my sister, Aria, I was able to make peace with my father, before he passed. For years, I had resented the way he treated us, during our Christmas vacation at Vaduz. I couldn’t bring myself to forgive the insults he flung at us. Although my mother did her best to assuage the damage, I fled as quickly and as far as I could. I had refused to meet with my dad unless he apologized; he refused to budge. During his final days, Aria and Ari begged me to return home, to pay my respects. It was then and there that we made peace. Before he took his final breath, he apologized and asked my forgiveness. When he finally accepted me for who I am, an immense relief flooded me. I came to the realization that our time on earth is short, and if either one of us had been less difficult, our years of estrangement could have been resolved long before.               Relief followed apprehension, for I knew he had died in peace; for this, I am eternally grateful.               What about you? How did you get on with your father? When we parted ways, you had unresolved issues with him, as I did with mine. Now that the ball is in your court, send me your chronicles.☺
Young (Turpitude (A Harem Boy's Saga Book 4))
But … Improper. Improper indeed. He didn’t know how improper she could be. She opened the top drawer of the oak dresser. And slowly smiled. Rowan was in bed by the time she strutted toward the bathroom. She heard, rather than saw, him jolt upright, the mattress groaning as he barked, “What in hell is that?” She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed over his bare chest. “You forgot the bottom part.” She merely blew out the candles in the room one by one. His eyes tracked her the entire time. “There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot, and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep naked. You can sleep in the bathtub if you have a problem with it.” His growl rattled the room. “You’ve made your point.” “Hmm.” She slid into bed beside him, a healthy, proper distance away.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
There’s a garbage pile there. You almost walked right into it.” He let go, as if suddenly realizing who’s arm he held. “My apologies, Eminence.” I smoothed my tunic before continuing forward, my heartbeat still fluttering in my chest. “I suppose I can’t say you are remiss in your duties.” “So that’s why you hired me: to keep you out of garbage heaps,” he said, a hint of amusement in his voice. “Everyone speaks of assassins and disgruntled governors, and no one speaks of the dangers of refuse piles.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
I’m a Muslim migrant woman, I’m heading to the Senate on Monday, and there’s nothing Senator Fraser Anning can do about that.” Once inside the Senate, Mehreen did not mince her words. She said some of Australia’s politicians were “creating and fanning racial divisions.” Her position in politics has led to accusations that Mehreen is not “Australian enough” to serve the country. Mehreen’s response? “But how can I be Australian enough? Do I need to point to my love of cricket? My career in the public service? My husband’s role as major in the army reserves?” People of color in white-dominant societies are often forced to walk the lines of “enough.” Not quite brown enough, never quite assimilated enough, to the point that we feel, well, like we can never be enough. Mehreen refuses to play that game. “Instead of being accepted because this is our home, we are asked to apologize for every action of someone who looks like us. We are subject to rules that white people never will be . . . for some, we will never be Australian enough.
Seema Yasmin (Muslim Women Do Things)
some men are incapable of offering a sincere apology, Max realized; something in their nature refuses it, so instead they frame it as an accident, a misunderstanding, or a “sorry you’re so upset” sort of thing that placed subtle blame on the other person for making such a big deal.
Nick Cutter (The Troop)
Jack, you have to let him talk first, then smack him if he refuses to answer,” I explained. “Oh, right. My bad. I was really into it,” Jack apologized, “To be fair, I was just tossed through a barn. I feel like I deserve a bit of vengeance.” “Okay, okay. Stop with the porkchop slapping,” Vinny pleaded, “I’m a vegan.” “Oh, sorry,” Jack reached into his pocket and pulled out a roll of bread and then slapped the giant with the bread
Write Blocked (Champions Royale (Stuck Inside Minecraft #6))
I shrug. “I am me, and I refuse to apologize for it. I don’t conform well, but I also don’t play games. If I have something on my mind, you’ll always know it. I don’t mince words, and I often offend people who prefer social graces and subtext.
Auburn Tempest (A Sacred Grove (Chronicles of an Urban Druid, #2))
But I won’t apologize for growing up thinking I deserved his love or for growing up period, and the choices I’ve made doing it. In believing in it. Because…how can love be a mistake?” A warm tear runs down my face as I finally look up at him. “Even if it’s not enough, if it’s more trouble than it’s worth, if it does me more harm than good, even if everyone I give myself to denies me, I refuse to believe it’s a mistake.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
You refused to take no for an answer and cornered me, so I threw a few books at you.” “Bloody hell.” His face sank behind one hand. “Thank God you are a most redoubtable female—I have enough to feel guilty about.” He sighed heavily. “I seem to spend a lot of my time apologizing to you, Allie. For what it’s worth, I regret most deeply what happened.” “I think we’re about even,” she said pensively. “The volume of French plays that I threw into your stomach didn’t do you much good.
Mary Jo Putney (The Rake (Davenport, #2))
Golems don’t age, we simply continue as we are unless we’re destroyed.” “And all golems are like this?” “I think so. I can’t be certain. I’ve never met another golem.” “What, none?” “I might be the only one,” she said. Clearly astonished, the Jinni said nothing. They continued on together, walking the perimeter of the park. “And how old are you?” the Golem said, to break the silence. “A few hundred years,” he said. “Unless some mishap ends me, I’ll live another five or six hundred.” “Then you’re also young for your kind.” “Not as young as some.” She frowned. “You hold my age against me?” “No, it explains much. Your timidity, for instance.” At that, she bristled. “I make no apologies for being cautious. I have to be. As do you.” “But there’s caution, and then there is overcaution. Look at us. Walking at night in a park, far from home. And yet the moon doesn’t fall from the heavens, and the ground refuses to tremble.” “Just because nothing has happened yet doesn’t mean that nothing will happen.” He smiled. “True. Perhaps I’ll be surprised. And then you can declare that you were right all along.” “It would be small comfort.” “Are you always this humorless?” “Yes. Are you always this exasperating?” He chuckled. “You should meet Arbeely. You two would get along wonderfully.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
When members of minority groups have suffered at the hands of their compatriots, any attempt to create a sense of shared destiny between them needs to be premised on an acknowledgment of historical wrongs and a sincere apology for them. When neither that acknowledgment nor that apology is forthcoming, it is unsurprising that many people will refuse to buy into the airbrushed story their country tells about itself—and feel reluctant to embrace a shared identity.
Yascha Mounk (The Great Experiment: Why Diverse Democracies Fall Apart and How They Can Endure)
Refusal to apologize is a classic example of shame: it presents as cold and unempathic when, in fact, in these moments, a child is overwhelmed with “badness” and freezes up. She cannot apologize because to do so she’d have to “see” herself as the person who just did something awful, and she’d have to face the unwanted feeling of being unlovable to others.
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
Rohan took a seat on the old, thronelike chair in the center of the great hall and drummed his fingers on his sword's hilt in kingly impatience. After all, the sooner he finished here, the sooner he could go unwrap his little "present." His eyes gleamed with anticipation as he permitted himself to think about her briefly. Even now, his instincts were wide-awake with a very male awareness of a woman in his house. Waiting for him in his bed. He had wanted her gone from the great hall in case stronger measures were needed to remind his unruly tenants of his authority. He did not wish any female to witness his capacity for violence. Besides, he did not need the distraction of those beautiful breasts clamoring for his attention. He'd get to know them better soon enough, every silky inch of her. His people knew what he liked; he was decidedly pleased with their peace offering. This luscious young token of their apology left him feeling much more disposed to forgive. Indeed, the prospect of spending the next few nights in this abominable stone crypt of a castle suddenly looked a good deal more agreeable. Coming out here to the middle of nowhere, he had expected to have to go without his daily dose of sex, a real inconvenience for a man of his elemental nature. He had a rule, after all, against poaching on the locals. He wanted to be feared, not hated. But, hell, if they were going to offer her up on a silver platter, far be it from him to refuse such a delicious-looking morsel.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Does this mean I think you should stubbornly refuse to give any guy a chance who doesn’t look like Channing Tatum? Or that you should dismiss every guy who’s a little shorter than you had hoped or blonder than you had visualized or older or younger than you had planned? No. There certainly should and needs to be flexibility and openness to the idea that the person you choose to spend your life with might not fit some preconceived mold or check every single box you have for him. There does have to be a willingness to compromise when it comes to the fine print. But the big things—Is he loyal and honest and kind? Does he have goals and dreams and ambition? Does he do what he says he’ll do and follow through and keep commitments and show up for you? and so on and so forth—those are areas in which you have a right to stand tall and firm on your standards and not back down. Because here’s the thing: yes, singleness can be a little lonely. It can be a little sad. It can be difficult and awkward, and let’s be real: it just plain sucks at times. But nothing . . . and I mean nothing . . . is lonelier or sadder or more challenging than waking up one morning to find yourself trapped in a relationship with someone who is wrong for you, simply because you compromised your standards to avoid winding up alone. (Or because you chose him simply because he has hair.) It’s time to tell the world that, yes, we are single; yes, we have standards; and, no . . . we won’t apologize for it. Because high standards don’t signify a diva. They signify a woman who knows what she’s worth.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
You’re allowed to have high standards. You’re allowed to love yourself. You’re allowed to believe that you are worthy of the very best in love and life. And you’re allowed to not apologize for any of it. Expecting to be treated well does not make you hard to love. Having boundaries does not make you hard to love. Refusing to settle for less than the best does not make you hard to love. I’m not sure at what point we decided that a woman unwilling to compromise her standards and settle for less than the best is difficult, but can we cancel that archaic notion, please? Along with the idea that a confident woman is full of herself or that a woman who knows what she wants is a diva. It’s not unreasonable to want to be treated well and to refuse to put up with nonsense. Never apologize for being the strong, confident, bold, self-assured bossbabe that you are. You fought way too hard to become her.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
How the devil can I believe anything you say!” he burst out. Body weakness made his indignation sound aggrieved and whining. “If all this is true, you might have explained some of it earlier, last spring, and spared us both a trip to Pulefen. Your efforts in my behalf-“ “Have failed. And have put you in pain, and shame, and danger. I know it. But if I had tried to fight Tibe for your sake, you would not be here now, you’d be in a grave in Ehrenrang. And there are now a few people in Karhide, and a few in Orgoreyn, who believe your story, because they listened to me. They may yet serve you. My greatest error was, as you say, in not making myself clear to you. I am not used to doing so. I am not used to giving, or accepting, either advice or blame.” “I don’t mean to be unjust, Estraven-“ “Yet you are. It is strange. I am the only man in all Gethen that has trusted you entirely, and I am the only man in Gethen that you have refused to trust.” He put his head in his hands. He said at last, “I’m sorry, Estraven.” It was both apology and admission. “The fact is,” I said, “that you’re unable, or unwilling, to believe in the fact that I believe in you.” I stood up, for my legs were cramped, and found I was trembling with anger and weariness. “Teach me your mindspeech,” I said, trying to speak easily and with no rancor, “your language that has no lies in it. Teach me that, and then ask me why I did what I’ve done.” “I should like to do that, Estraven.
Ursula K. Le Guin (The Left Hand of Darkness)