Randall Park Quotes

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The park sustained them, the green harbor they preserved as the town extended itself outward, block by block and house by house. Cora thought of her garden back on Randall, the plot she cherished. Now she saw it for the joke it was - a tiny square of dirt that had convinced her she owned something. It was hers like the cotton she seeded, weeded, and picked was hers. Her plot was a shadow of something that lived elsewhere, out of sight. The way poor Michael reciting the Declaration of Independence was an echo of something that existed elsewhere. Now that she had run away and seen a bit of the country, Cora wasn't sure the document described anything real at all. America was a ghost in the darkness, like her.
Colson Whitehead (The Underground Railroad)
She’d wanted Randall Parks from the moment her hormones kicked in. Her best friend, her guardian when things got rough, her knight in somewhat-rusted and dinged up armor—he wore many hats in her life and none more important than that of best friend.
Virginia Nelson (Dom of the Dead)
Ancestor worship is not alone the exotic preoccupation of quaint people mired in superstition in some remote corner of the world. Larger-than-life evidence of its industrialized-world variants can be seen in virtually every public park in America.
Randall Robinson (The Debt: What America Owes to Blacks)
Some species moved north faster than others; when Europeans arrived in New England, earthworms had not yet returned. As the ice sheets withdrew, large chunks of ice broke off and were left behind. When these chunks melted, they left behind water-filled depressions in the ground called kettlehole ponds. Oakland Lake, near the north end of Springfield Boulevard in Queens, is one of these kettlehole ponds. The ice sheets also dropped boulders they’d picked up on their journey; some of these rocks, called glacial erratics, can be found in Central Park today.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Our whole society must first be brought to a consensus that it wants to close the socioeconomic gap between the races. It must accept that the gap derives from the social depredations of slavery. Once and for all, America must face its past, open itself to a fair telling of all of its peoples' histories, and accept full responsibility for the hardships it has occasioned for so many. It must come to grips with the increasingly indisputable reality that this is not a white nation. Therefore it must dramatically reconfigure its symbolized picture of itself, to itself. Its national parks, museums, monuments, statues, artworks must be recast in a way to include all Americans–Native Americans, Hispanic Americans, Asian Americans, African Americans as well as European Americans. White people do not own the idea of America, and should they continue to deny others a place in the idea's iconograph, those others, who fifty years from now will form the majority of America's citizens, will be inspired to punish them for it.
Randall Robinson (The Debt: What America Owes to Blacks)
There are occasionally complex animals that reproduce asexually, but this behavior is relatively rare. It typically appears in environments where it's difficult to reproduce sexually, whether due to resource scarcity, population isolation… or overconfident theme park operators.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
from around the precious plants. The fresh air was exhilarating and John’s aunt chatted merrily about times gone by and what Italy had been like when she and John’s mother were children. ‘But that was before the war,’ she sighed. ‘It is far behind us.’ As Mary Anne pulled Mathilda’s blanket a little higher around the cherry-pink face, a thought occurred to her. ‘I think I have something that used to belong to your sister – perhaps to you too.’ ‘Oh?’ Maria eyed her quizzically. ‘Yes,’ said Mary Anne, and went on to tell her about the time John had come to borrow money against a silver crucifix that she’d guessed had belonged to his mother. ‘He’d wanted the money for Daw’s engagement and wedding ring. I gave him the money but never sold the cross on. I couldn’t do it somehow. I kept thinking that one day he might want it back.’ ‘You have this?’ said Maria, her eyes shining. ‘You remember it?’ Maria clapped her hands together. ‘Of course I do!’ ‘Michael found it in the ruins of the pawn shop. I still have it.’ She turned and looked with gratitude into Maria’s dark eyes. ‘You’ve been so kind to me. You must have it back.’ Maria’s eyes brimmed with tears. ‘It is a pleasure. I cannot thank you enough.’ They sat on a park bench. Mathilda was sitting up, observing everything with unusual interest. ‘She’s a lovely child,’ said Maria. Mary Anne murmured a reply. Her eyes were elsewhere, her attention caught by a man in a trench coat walking along the path at the side of the bowling green. She fancied he had been staring at them. 19 Lizzie and the wing commander had been travelling between airfields, ‘co-ordinating events’ as Hunter liked to call it, when he’d spotted a dog fight in the distance. Streaks of white vapour trail criss-crossed the sky as the Messerschmitt and the Spitfire locked horns above the English countryside. In their midst was a low-flying bomber, the bone of contention between the two. Hunter got out a pair of binoculars. Lizzie shaded her eyes with her hand. ‘They’re chasing the bomber.’ ‘Correction,’ Hunter said slowly. ‘The Spitfire is chasing the
Lizzie Lane (A Wartime Family (Mary Anne Randall #2))
The Interview is a 2014 American action comedy film co-produced and directed by Seth Rogen and Evan Goldberg in their second directorial work, following This Is the End (2013). The screenplay was written by Dan Sterling, based on a story he co-wrote with Rogen and Goldberg. The film stars Rogen and James Franco as journalists who set up an interview with North Korean leader Kim Jong-un (Randall Park), and are then recruited by the CIA to assassinate him. The film is heavily inspired by a 2012 Vice documentary.In June 2014, The Guardian reported that the film had "touched a nerve" within the North Korean government, as they are "notoriously paranoid about perceived threats to their safety.” The Korean Central News Agency (KCNA), the state news agency of North Korea, reported that their government promised "stern" and "merciless" retaliation if the film was released. KCNA said that the release of a film portraying the assassination of the North Korean leader would not be allowed and it would be considered the "most blatant act of terrorism and war. Wikipedia
Larry Elford (Farming Humans: Easy Money (Non Fiction Financial Murder Book 1))
Everything within roughly a mile of the park would be leveled, and a firestorm would engulf the surrounding city. The baseball diamond, now a sizable crater, would be centered a few hundred feet behind the former location of the back-stop. 6% Major League Baseball Rule 6.08(b) suggests that in this situation, the batter would be considered "hit by pitch," and would be eligible to advance to first base.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
In Edison’s time, the term “bugs” was used exactly as it is today. In
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
Edison’s admirers endowed him with fantastical powers that would permit him to invent anything he wished (one
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
his own willingness to practice Morse code “about 18 hours a day.” (Edison’s capacity for extended bursts of work would be his principal vanity his entire life.) This intensive tutelage soon enabled him to become a professional telegraph operator.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
(The pen would enjoy a second life years later, in the 1890s, when converted into the first electric tattoo needle.)
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
Young Bell and Edison were the same age, each improving the major invention that the other had come up with first, Edison following Bell, then Bell following Edison. Edison, in fact, had been close to devising a working telephone himself. After Bell’s success, the next best thing for Edison was to come up with an indispensable improvement, the carbon transmitter that captured the human voice far better than Bell’s magnetic design. Edison
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
Bell invented the telephone while tinkering with acoustic telegraphy; Edison invented the phonograph while tinkering with the telephone.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
HAVING ONE’S OWN shop, working on projects of one’s own choosing, making enough money today so one could do the same tomorrow: These were the modest goals of Thomas Edison when he struck out on his own as full-time inventor and manufacturer. The grand goal was nothing other than enjoying the autonomy of entrepreneur and forestalling a return to the servitude of employee.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
many of his pranks involved electric shock—these stunts gain interest in retrospect, knowing as we do of Edison’s future work on the ultimate instrument of shock, the electric chair. In
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
invention should not be pursued as an exercise in technical cleverness, but should be shaped by commercial needs.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
Nor did he regard his partial deafness as an impediment. He claimed that the deafness was actually an advantage, freeing him from time-wasting small talk and giving him undisturbed time to “think out my problems.” Late in life he would say that he was fortunate to have been spared “all the foolish conversation and other meaningless sounds that normal people hear.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
But one immediate benefit of the press’s marveling was that the extensive coverage supplied Edison with creative ideas about how the phonograph could be adapted for many more uses than telegraphy or senatorial speeches.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)