Red Scarf Quotes

We've searched our database for all the quotes and captions related to Red Scarf. Here they are! All 100 of them:

Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
Alice Sebold (The Lovely Bones)
She looked, and a scarlet butterfly flew away from her, away down the length of the tower, and then another, another, an unraveling scarf of butterflies like winged blood.
Tanith Lee (Red as Blood, or Tales from the Sisters Grimmer)
I need your help.” Royce looked up as if his head weighed a hundred pounds, his eyes red, his face ashen. He waited. “One last job,” Hadrian told him, then added, “I promise.” “Is it dangerous?” “Very.” “Is there a good chance I’ll get killed?” “Odds are definitely in favor of that.” Royce nodded, looked down at the scarf in his lap, and replied, “Okay.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
[Stephanie] "This won't be so bad," I said to her, making an effort at convincing myself. "How about your blanket? We could wrap him up in the blanket. Then we could pick him up without actually touching him." "I suppose that'd be all right," Lula said. "We could give it a try" I spread the blanket on the ground beside Elliot Harp, took a deep breath, hooked my fingers around his belt and rolled him onto the blanket. I jumped back, squeezed my eyes closed tight and exhaled. No matter how much violent death I saw, I would never get used to it. "I'm gonna definitely have the runs," Lula said. "I can feel it coming on." "Forget about the runs and help me with this body!" Lula grabbed hold of the head end of the blanket, and I grabbed hold of the foot end. Harp had full rigor and wouldn't bend, so we put him in the trunk headfirst with his legs sticking out. We carefully closed the lid on Harp's knees and secured the lid with a piece of rope Lula had in her trunk. "Hold on," Lula said, pulling a red flowered scarf from her coat pocket, tying the scarf on Harp's foot like a flag. "Don't want to get a ticket. I hear the police are real picky about having things sticking out of your trunk." Especially dead guys.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Her actions remind me that, even under unbearable circumstances, one can still believe in justice. And above all, love.
Ji-li Jiang (Red Scarf Girl)
The scarf could go on and on and on and on, and it could be the harlot-red banner of shame that wrapped him up and kept him warm when the nights grew lonely and cold.
Amy Lane (Knitter in His Natural Habitat (Granby Knitting, #3))
I thought about my beautiful dreams and wondered if they would drift away just like those lovely soap bubbles.
Ji-li Jiang (Red Scarf Girl)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I was willing to take on the struggle to establish myself in a new country because I knew that was the price I would have to pay for the freedom to think, speak, and write whatever I pleased.
Ji-li Jiang (Red Scarf Girl)
This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.
Erin Morgenstern (The Night Circus)
Many friends have asked me why, after all I went through, I did not hate Chairman Mao and the Cultural Revolution in those years. The answer is simple: We were all brainwashed.
Ji-li Jiang (Red Scarf Girl)
This is the most frightening lesson of the Cultural Revolution: Without a sound legal system, a small group or even a single person can take control of an entire country. This is as true now as it was then. Thirty
Ji-li Jiang (Red Scarf Girl)
My family was too precious to forget, and too rare to replace.
Ji-li Jiang (Red Scarf Girl)
Dear girl with the red scarf, Love was never meant to be conquered. You have to surrender to it. Trust me, after all, I am Mr. Universe.  
Maria La Serra (The Proverbial Mr. Universe)
Where human children have years and years in which to grow their hearts and learn to live with them while staying safe from all the troubles a heart hauls with it, a Changeling starts out raw and red and full of longing. Some small ones learn to stitch together a Coat of Scowls r s SCarf of Jokes to hide their Hearts. Some hammer up a Fort of Books to protect theirs. Some walk around naked, though no one can see it but you and I.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
In the loudest voice I could muster, I shouted, "As of this moment, you are no longer the armies of China, Macedonia, Myanmar, Tibet or India. You are now warriors of Durga! We have already fought and overcome many fierce creatures. Now we give you the symbol of their power." I borrowed the Scarf and touched it to my Pearl Necklace. The silken material sped down each and every soldier to cloak them in the most brilliant red, blue, green, gold and white. Even the flag bearers were not left out and now held banners depicting Durga riding her tiger into battle. "Red for the heart of a Phoenix that sees through falsehood!" I cheered and raided the trident. "Blue for the Monsters of the Deep that rip apart those who dare to cross their domain! Gold for Metal Birds that cut their enemies with razor beaks! Green for the Horde of Hanuman that comes alive to protect that which is most precious! And white for the Dragons of the Five Oceans, whose cunning and power has no equal!
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
Jimi, a red scarf around his head and wearing a white fringed and beaded leather shirt, looked almost like a mystical holy man in meditation. His eyes closed, his head back, he'd merged with his music, his Strat--played upside down since he's a lefty--his magic wand. Though he was surrounded by his band, he projected the feeling he was all alone. ... Tom Law of the Hog Farm (on Jimi's rendition of the national anthem): I felt like he was the defining poet of the festival with that piece of music. It was like taking you right into the heart of the beast and nailing it.
Uwe Michael Lang (The Road to Woodstock)
A beautiful white silk scarf was around her neck, tucked below the fur collar. Her lips were well painted into a bright red cupid’s bow. Cute as hell I always told myself, with a tinge of regret. She had a steady girlfriend.
Paul A. Myers (A Farewell in Paris)
One morning early, I couldn't sleep, so I walked down to the beach. And I saw you. For a minute- I didn't realize it was you. You were wearing this long scarf thing tied around your waist, lots of wild colors, and it blew around your legs. You had on a red bathing suit under it." "You..." She literally had to catch her breath. "You remember what I was wearing?" "Yes I do. And I remember your hair was longer than it is now, halfway down your back. All those mad curls flying. Bare feet. All that golden skin, wild colors, mad curls. My heart just stopped. I thought: That's the most beautiful woman I've ever seen. And I wanted that woman, in a way I'd never wanted one before." He stopped, turned a little as she simply stared at him. "Then I saw it was you. You walked off, down the beach, the surf foaming up over your bare feet, your ankles, your calves. And I wanted you. I thought I'd lost my my mind.
Nora Roberts (Bed of Roses (Bride Quartet, #2))
Where human children have years and years in which to grow their hearts and learn to live with them while staying safe from all the troubles a heart hauls with it, a Changeling starts out raw and red and full of longing. Some small ones learn to stitch together a Coat of Scowls or a Scarf of Jokes to hide their Hearts. Some hammer up a Fort of Books to protect theirs. Some walk around naked, though no one can see it but you and I.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
The poor teachers! Trained in the traditional sciences, they were totally lost when trying to teach us about pigs or paddy fields.
Ji-li Jiang (Red Scarf Girl)
If I can help Americans to understand China, and the Chinese to learn about the United States, even a little, I will feel very rewarded. I
Ji-li Jiang (Red Scarf Girl)
What a terrible man, I thought, worse than a traitor. At least a traitor betrays people by telling the truth. Uncle Zhu tried to save himself by telling lies.
Ji-li Jiang (Red Scarf Girl)
Physics, Chemistry, and Biology had been replaced by Fundamentals of Industry and Agriculture, because of Chairman Mao’s instruction to “combine education with practical experience.
Ji-li Jiang (Red Scarf Girl)
This is the most frightening lesson of the Cultural Revolution: Without a sound legal system, a small group or even a single person can take control of an entire country. This is as true now as it was then.
Ji-li Jiang (Red Scarf Girl)
Dear girl with the red scarf, People will come and go in our lives. Most of them we won’t give a second thought to as soon as the door closes behind them. But I had always imagined that you would leave the deepest, everlasting mark. -Mr. Universe.
Maria La Serra (The Proverbial Mr. Universe)
It isn't the sort of argument Pointsman relishes either. But he glances sharply at this young anarchist in his red scarf. "Pavlov believed that the ideal, the end we all struggle toward in science, is the true mechanical explanation. He was realistic enough not to expect it in his lifetime. Or in several lifetimes more. But his hope was for a long chain of better and better approximations. His faith ultimately lay in a pure physiological basis for the life of the psyche. No effect without cause, and a clear train of linkages. "It's not my forte, of course," Mexico honestly wishing not to offend the man, but really, "but there's a feeling about that cause-and-effect may have been taken as far as it will go. That for science to carry on at all, it must look for a less narrow, a less . . . sterile set of assumptions. The next great breakthrough may come when we have the courage to junk cause-and-effect entirely, and strike off at some other angle." "No - not 'strike off.' Regress. You're 30 years old, man. There are no 'other angles.' There is only forward - into it – or backward.
Thomas Pynchon (Gravity’s Rainbow)
To us Chairman Mao was God. He controlled everything we read, everything we heard, and everything we learned in school. We believed everything he said. Naturally, we knew only good things about Chairman Mao and the Cultural Revolution. Anything bad had to be the fault of others. Mao was blameless.
Ji-li Jiang (Red Scarf Girl)
I threw my head back and smiled proudly to myself. And then I draped the large embroidered red scarf over my face and covered these thoughts up. But underneath the scarf I still knew who I was. I made a promise to myself: I would always remember my parents’ wishes, but I would never forget myself.
Amy Tan (The Joy Luck Club)
The newspapers and radio were full of the campaign to “Destroy the Four Olds.” The campaign had been expanded to eliminate personal possessions. “If we do not completely eliminate the roots, the plant will grow back,” we heard. “We must eradicate these relics of the past.… We must not allow the reactionary forces to hoard their treasures.…” And every day we heard the drums and gongs that meant the Red Guards were ransacking the houses of class enemies to find and confiscate their hoarded possessions.
Ji-li Jiang (Red Scarf Girl)
The sign was done in blue lights and it kind of hung like a ghost there in the dripping trees. It swung and you could hear it creak. Just the sign, and nothing else.
Gil Brewer (The Red Scarf)
I heard the distant whistle of a passing train, and I wished I could get on it and go far away, to a place without struggle meetings, without class status, without confessions.
Ji-li Jiang (Red Scarf Girl)
Chairman Mao taught us that “inner beauty is much more valuable than outward appearance.” How
Ji-li Jiang (Red Scarf Girl)
No matter what I did and where I went, the Cultural Revolution followed me.
Ji-li Jiang (Red Scarf Girl)
Anger rose in me. Didn’t they know how hard I’d been working to overcome my family background? Now all my efforts were wasted.
Ji-li Jiang (Red Scarf Girl)
Leniency for confession, severity for resistance! Hand
Ji-li Jiang (Red Scarf Girl)
Suicide was a crime. It was “alienating oneself from the people,” according to what Chairman Mao said. So
Ji-li Jiang (Red Scarf Girl)
Life was very hard, so hard that I could hardly breathe sometimes.
Ji-li Jiang (Red Scarf Girl)
But we can’t allow personal matters to interfere with revolutionary duties. Especially for an important political assignment like the exhibition.
Ji-li Jiang (Red Scarf Girl)
August can feel her face glowing red to match the scarf, like a giant, stammering, bisexual chameleon. An evolutionary mistake.
Casey McQuiston (One Last Stop)
Trixie is now fastening the scarf around my neck like a flaccid noose and I feel my chest getting red and patchy and hot underneath her hands.
Mona Awad (13 Ways of Looking at a Fat Girl)
This woman's skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out, and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love-letter clad statue a single crimson rose.
Erin Morgenstern (The Night Circus)
short red pants with purple suspenders over a bright yellow and black sweat shirt. On my feet I put my purple push-down socks and a pair of red hightop sneakers. I added jewelry — a big necklace with wooden bananas and oranges strung on it, and dangly earrings shaped like sunglasses. I fixed my hair. I brushed it until it was full and shiny. Then I rolled up a red scarf and tied it in my hair
Ann M. Martin (Welcome Back, Stacey (The Baby-Sitters Club, #28))
From uncoiled wings of the burning swan after sea of blood was born out of green caterpillar that skin sheared moon from cloud’s underbelly ordered waves to abolish horoscopes on crabs’ breasts . On the evergreen epiglotis of lotus full to the brim the pollen fiddling honey bee waved her double scarf searched for drunk village of pride red beating crowd humming songs sleeping side by side of worried distance ( From 'Selected Poems' 1961 - 2004
Malay Roy Choudhury
I realized that although I have adopted a new country, I cannot forget China. I wonder about Chna's present, and I worry about her future. I have realized that despite all my suffereing, I cannot stop loving the country where I was born and raised.
Ji-li Jiang (Red Scarf Girl)
The statue herself is still, but her hand is held out, and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter–clad statue a single crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure.
Erin Morgenstern (The Night Circus)
COMMISSAR ILLYA RUTKIN TUCKED his briefcase under his arm, adjusted his goatskin gloves, pulled down his fur hat to cover his ears and tightened the scarf over his mouth before opening the door of the wooden house and stepping out into the Siberian morning.
Stuart M. Kaminsky (Red Chameleon (Porfiry Rostnikov #3))
I asked myself, What is true about a person? Would I change in the same way the river changes color but still be the same person? And then I saw the curtains blowing wildly, and outside the rain was falling harder, causing everyone to scurry and shout. I smiled. And then I realized it was the first time I could see the power of the wind. I couldn't see the wind itself, but I could see it carried the water that filled the rivers and shaped the countryside. It caused me to yelp and dance. I wiped my eyes and looked in the mirror. I was surprised at what I saw. I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind. I threw my head back and smiled proudly to myself. And then I draped the large embroidered red scarf over my face and covered those thoughts up. But underneath the scarf I still knew who I was. I made a promise to myself. I would always remember my parent's wishes, but I would never forget myself
Amy Tan (The Joy Luck Club)
Theo shook out the half square of heavy silk. "It will make all the difference to this insipid gown." With one sharp wrench she pulled out the lace fichu tucked into her bodice and replaced it with the scarf. It flashed raspberry red against the almond-colored muslin of her gown.
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
The statue herself is still, but her hand is held out, and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter–clad statue a single crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure... ...The statue is lifting the rose, gradually, to her face. Her eyelids slowly close.
Erin Morgenstern (The Night Circus)
And a realization for Skinner, she still has his scarf, inside her mountaineering jacket, red wool at her neck. Some meaning there related to the kiss, but in a code he cannot unscramble. A tether is what it feels like, his scarf around her neck, preventing either of them from falling off the mountain alone.
Charlie Huston (Skinner)
teachers do not hold bombs or knives, they are still dangerous enemies. They fill us with insidious revisionist ideas. They teach us that scholars are superior to workers. They promote personal ambition by encouraging competition for the highest grades. All these things are intended to change good young socialists into corrupt revisionists. They are invisible knives that are even more dangerous than real knives or guns. For example, a student from Yu-cai High School killed himself because he failed the university entrance examination. Brainwashed by his teachers, he believed his sole aim in life was to enter a famous university and become a scientist—
Ji-li Jiang (Red Scarf Girl)
Come on, you deucies!" a relatively young man snarled. He wore his blue scarf around his throat like a rally-racer's ascot. He was bald except for two fluffs of frizzy red hair, one on each side of his head. To Susannah, this fellow looked like Clarabell the Clown; to Eddie he looked like Ronald McDonald; to both of them he looked like trouble.
Stephen King (The Waste Lands (The Dark Tower, #3))
two in the morning, and this time she was home. She answered the door still half asleep, wearing yoga pants and an oversized Ohio State sweatshirt. Her hair was pulled back, tucked beneath a scarf with a red-and-white gingham pattern. She must have been expecting someone else—a boyfriend, perhaps, or possibly even one of them—because it took her a moment to recognize
Jason Blum (The Blumhouse Book of Nightmares: The Haunted City)
A flaming red flapper dress, a sleek black dress with full, satin purple sleeves and a matching flounce, a summery cotton frock with a cheerful red poppy print, and a musketeer's gold-trimmed jacket tumbled out of the pile of clothing. A mound of scarves fluttered onto the bed. Marge fingered the frayed, tasseled edge of a silk jacquard scarf in shades of amethyst and emerald green.
Jan Moran (The Chocolatier)
I stared at the large sheet of paper spread out in front of me, wondering what to write. It was strange. When I had read the newspaper, I had been enraged by the revisionist educational system that had been poisoning our youth for so many years. But now that I actually had to criticize the teachers who taught us every day, I could not find anything really bad to say about any of them.
Ji-li Jiang (Red Scarf Girl)
But I’ll never forget. On the day of the Festival of Pure Brightness, I take off all my bracelets. I remember the day when I finally knew a genuine thought and could follow where it went. That was the day I was a young girl with my face under a red marriage scarf. I promised not to forget myself. How nice it is to be that girl again, to take off my scarf, to see what is underneath and feel the lightness come back into my body!
Amy Tan (The Joy Luck Club)
...the daylight subdued by four red walls with narrow white stripes adopted a pink glow which lent faces and every last detail a mysterious grace and a fantastical quality…Sunbeams fell across the house obliquely, wrapping around it like a scarf, cutting across the parlor, expiring in a peculiar sheen on the paneling along the walls that backed onto the courtyard, and enveloping [the] woman in the scarlet zone projected by the damask curtain draped along the window.
Honoré de Balzac (The Quest Of The Absolute)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
depending on the angle at which she regarded you. Uniforms weren’t required of the wait staff, and this woman—her badge identified her as KANANI, which was Hawaiian for a beauty—was dressed in white slacks and a white blouse accessorized with a red-silk sash worn as a belt and a red-and-gold silk scarf at her throat. Elaborate dangling gold earrings. Flashy bracelets. Eight diamond finger rings. She might have worn ten rings, except that she had only eight fingers. Ironically, on each hand, she was missing the ring finger, which was next to the pinkie. Kanani
Dean Koontz (Ashley Bell)
After a long while, when Luo Ji recovered a little of the consciousness that had totally disappeared, he had sensations of cold, a cold that seemed to emanate from within his body and diffuse outward like light to freeze the entire world. He saw a snow-white patch in which there first was nothing but infinite white. Then a small black dot appeared in its very center, and he could gradually make out a familiar figure, Zhuang Yan, holding their child. He walked with difficulty through a snowy wilderness so empty that it lost all dimension. She was wrapped in a red scarf, the same one she had worn seven years ago on the snowy night he first saw her. The child, red-faced from the cold, waved two small hands at him from her mother’s embrace, and shouted something that he couldn’t hear. He wanted to chase them through the snow, but the young mother and child vanished, as if dissolved into snow. Then he himself vanished, and the snowy white world shrank into a thin silver thread, which in the unbounded darkness was all that remained of his consciousness. It was the thread of time, a thin, motionless strand that extended infinitely in both directions. His soul, strung on this thread, was gently sliding off at a constant speed into the unknowable future.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
She was gauche in movement and in a sense, ugly of face, but with how small a twist might she not suddenly have become beautiful. Her sullen mouth was full and rich — her eyes smouldered. A yellow scarf hung loosely around her neck. Her shapeless dress was a flaming red. For all the straightness of her back she walked with a slouch. "Come here," said Lord Groan as she was about to pass him and the doctor. "Yes father," she said huskily. "Where have you been for the last fortnight, Fuchsia?" "Oh, here and there, father," she said, staring at her shoes. She tossed her long hair and it flapped down her back like a pirate's flag. She stood in about as awkward a manner as could be conceived. Utterly unfeminine — no man could have invented it.
Mervyn Peake (Titus Groan (Gormenghast, #1))
The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
I didn’t say it out loud because I knew he’d mock me—but I was thinking of writing my memoirs, too. The life of Vercingetorix the Red: soldier, and gladiator, and general who had traveled the length and breadth of the Empire, served three emperors, loved one empress and fathered another. Hadrian would preserve my son in his memoirs, god and beloved—but what of the others who had crossed Hadrian’s path and mine over the course of our long and complicated lives? What about Titus, friend and future Caesar? Young Marcus, Imperial heir and future son-in-law? And all those women, the women in blue: sinuous lapis-eyed Sabina, bitter-edged Mirah in her blue scarf, merry sapphire-decked Faustina, and fleet-footed Annia running in a bloodstained blue tunic to save the Empire? If Hadrian will not tell their story, I suppose it will be up to me.
Kate Quinn (Lady of the Eternal City (The Empress of Rome Book 4))
We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.
Jeanette LeBlanc
Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?” “Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down. In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again. “Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?” “This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm. “How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked. I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney. But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I? Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.” Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?” I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.” He nodded. “When I broke my ribs, I couldn’t breathe.” “That’s because your ribs punctured your lung.” He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.
Jennifer Echols (Love Story)
We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow. It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice. "It has the look of a brownie house," Wendell said. "But perhaps I should make sure." He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear. "Good Lord!" Rose said, leaping out of range of the onslaught. "I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?" The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door. Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak. "Winter Folk?" I repeated. "Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired." I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway
Jerry Spinelli
She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.
Melanie Benjamin (The Swans of Fifth Avenue)
Teacher Wei’s situation was very bad. She was a junior high school math teacher, and before the Cultural Revolution she had been a Model Teacher. Her study wall was covered with certificates of merit. Now she was called a black model, and because her father was a capitalist and her mother had committed suicide, she was criticized all the more.
Ji-li Jiang (Red Scarf Girl)
Teacher Wei’s situation was very bad. She was a junior high school math teacher, and before the Cultural Revolution she had been a Model Teacher. Her study wall was covered with certificates of merit. Now she was called a black model, and because her father was a capitalist and her mother had committed suicide, she was criticized all the more. The Red Guards at her school held struggle meetings to criticize her almost every day. During those struggle meetings they beat her and whipped her with their belts.
Ji-li Jiang (Red Scarf Girl)
That doesn’t mean that you should make up a story about something you never did!” Dad’s voice grew still louder. “So what if I never listened to foreign radio broadcasts? They’ll stop beating me if I confess to it, won’t they? ‘Leniency to those who confess, and severity to those who resist.’ Look at my face, Lao Jiang. I can’t stand it anymore… .
Ji-li Jiang (Red Scarf Girl)
thick, red-and-white-striped scarf wound around his neck like a Seussian python.
G.M. Ford (Soul Survivor (Leo Waterman, #11))
My friends and I had grown up with the stories of the brave revolutionaries who had saved China. We were proud of our precious red scarves, which, like the national flag, were dyed red with the blood of our revolutionary martyrs. We had often been sorry that we were too young to have fought with Chairman Mao against the Japanese invaders, who tried to conquer China; against the dictator Chiang Kai-shek, who ruthlessly oppressed the Chinese people; and against the American aggressors in Korea. We had missed our chance to become national heroes by helping our motherland.
Ji-li Jiang (Red Scarf Girl)
We knew they must be student inspectors. The newspapers had pointed out that the fourolds were also reflected in clothing, and now high school students had taken responsibility for eliminating such dress. For example, any pants with a leg narrower than eight inches for women or nine inches for men would be considered fourolds.
Ji-li Jiang (Red Scarf Girl)
Our beloved Chairman Mao had started the Cultural Revolution in May. Every day since then on the radio we heard about the need to end the evil and pernicious influences of the “Four Olds”: old ideas, old culture, old customs, and old habits. Chairman Mao told us we would never succeed at building a strong socialist country until we destroyed the “Four Olds” and established the “Four News.
Ji-li Jiang (Red Scarf Girl)
Respect the teachers? That’s the nonsense of ‘teachers’ dignity.’ You two are typical ‘teachers’ obedient little lambs,’ do you know that?” Du Hai recited more phrases from the newspaper. The world had turned upside down. Now it was a crime for students to respect teachers. I couldn’t keep calm.
Ji-li Jiang (Red Scarf Girl)
One Monday, all school classes were suspended indefinitely. All students were directed instead to participate in the movement by writing big posters, da-zi-bao, criticizing the educational system. Rolls of white paper, dozens of brushes, and many bottles of red and black ink were brought into the classrooms. The teachers were nowhere to be seen.
Ji-li Jiang (Red Scarf Girl)
The three of us stopped before a da-zi-bao signed “An Antirevisionist.” An Yi read aloud, “‘Although teachers do not hold bombs or knives, they are still dangerous enemies. They fill us with insidious revisionist ideas. They teach us that scholars are superior to workers. They promote personal ambition by encouraging competition for the highest grades. All these things are intended to change good young socialists into corrupt revisionists. They are invisible knives that are even more dangerous than real knives or guns.
Ji-li Jiang (Red Scarf Girl)
Yin Lan-lan had written, “As one of its victims, I denounce the revisionist educational system. Being from a working-class family, I have to do a lot more housework than students from rich families. So I have difficulty passing exams. I was forced to repeat grades three times. And I was not allowed to be a Young Pioneer or to participate in the school choir. The teachers think only of grades when evaluating a student. They forget that we, the working class, are the masters of our socialist country.
Ji-li Jiang (Red Scarf Girl)
Ke Cheng-li doesn’t like working-class kids. He only likes rich kids. He made Jiang Ji-li the teacher’s assistant for math class and gave her higher grades, and he also let her win all the math contests and awarded her a lot of notebooks. We have to ask the question, What is the relationship between them after all?
Ji-li Jiang (Red Scarf Girl)
An Yi’s grandma lay on a cart, silent under the white sheet. Her face was covered. It had been smashed in her fall, and of course they would not make a wax replacement for a suicide. Suicide was a crime. It was “alienating oneself from the people,” according to what Chairman Mao said. So we were not in one of the private rooms. We wore no mourning bands. We could not play funeral music for Grandma.
Ji-li Jiang (Red Scarf Girl)
I shut my eyes and pictured Grandma standing on the windowsill, looking down into the courtyard. What was she thinking before she jumped? She must have forgotten about her duties to her country, and her family too. Did she think about her granddaughter rushing back from Shandong for the funeral? Did she remember her blind sister? I wiped at my tears and took a deep breath.
Ji-li Jiang (Red Scarf Girl)
As soon as the painting was finished, two new rituals, Morning Repentance and Evening Report, began. Now every morning as I returned from the market in the cool morning air, I saw a group at the foot of the propaganda wall. Five or six people who had been landlords or counterrevolutionaries or rightists—people in the Five Black Categories—bowed in front of Chairman Mao. They waved their copies of the Selected Quotations from the Writings of Chairman Mao, the Precious Red Book, in the air and chanted, “Long life to Chairman Mao! Long life! Long life! Long life!” Then one by one they confessed their guilt. In the evening they had to do it again.
Ji-li Jiang (Red Scarf Girl)
Josie said. “We almost gave up several times,” Dora admitted, shaking her head.  “But maybe the quilt did keep us from going home earlier than we had planned.” “I like the name Rolling Stones,” Josie commented. “Hey, that’s kind of like us. We didn’t use wagons, but we managed to tour part of the country.” “You’re right. I believe we should just keep the quilt.” “Won’t it remind us of all the anxious moments?” “Maybe, but we showed courage and persevered,” Dora said, soundly.  “Hey, where’s the bonus they promised us?” “Well, I don’t know.” Dora searched the box and held up a blue envelope. “Let’s see.” Josie whipped it out of her hand. She broke the seal and took out two airplane tickets. “Airplane tickets?” Dora asked in disbelief. “What do we do with tickets?” “Here’s a note between the tickets.” Josie opened it.  “It says the tickets are for a quilt show in Philadelphia. Milton wants us to attend.  He says he will meet us there and answer more questions for us.” “But we’re afraid to fly,” Dora protested. “Could we send the tickets back?” Josie suggested. “I don’t think so. Milton will be out his money.” “When is it?” Dora took the tickets and examined them. “In September. Only a month away.” Josie tapped her chin in thought. “If we decided to do more touring, we could extend our trip from there to the New England States.” “We could see the autumn leaves,” Dora said, excitement rising in her voice. “Anthony wanted us to visit him in Iowa,” Josie reminded Dora. “How are we going to work all this in?” “I have no idea. Why does traveling have to be so complicated and so full of surprises?”   ______   MDora looped a bright red scarf around her neck while glancing out her bedroom  window. The wind swirled bits of trash down the sidewalk of their Hedge City, Nebraska, home. She sighed, wishing she could stay at home today and read.  Buzzie looked up at her and meowed, expressing the same sentiments. She reached down and patted her softly.  But she didn’t have that luxury today. She had agreed to substitute teach for the current English teacher who would be out for at least a week.  Josie called from the kitchen. “Want more coffee?” “Yes, please.  Fill my mug.  I’ll drink it on my way to school.” She reached into the closet and pulled out a beige sweater. A glance in the mirror confirmed the bright red scarf did wonders for the nondescript sweater’s color. Josie joined her at the door dressed in russet slacks and matching jacket and handed Dora her mug.  “A little blustery today.” “For sure.” Dora eyed Josie, wishing she had the sense of style Josie displayed. The sisters would walk together and then would split to their separate ways, Josie to fill in at the
Jan Cerney Book 1 Winslow Quilting Mysteries (Heist Along the Rails: Book 1 Winslow Quilting Mysteries (The Winslow Quilting Mysteries))
Drops of rain pattered onto her scarf and her shoulders. “Your mother had red hair,” Brigan said, lightly, as if they didn’t both feel the presence of two dead men among these rocks. “Nothing like yours, of course. And she was musical, Lady, like you. I remember when you were born. And I remember that she cried when you were taken away.” “Did she?” “Hasn’t my mother told you anything about Jessa?” Fire swallowed a lump in her throat. “Yes, Lord Prince, but I always like hearing it again.” Brigan wiped rain from his face. “Then I’m sorry I don’t remember more. If we knew a person was going to die, we’d hold harder to the memories.” Fire corrected him, in a whisper. “The good memories.
Kristin Cashore (Fire)
The white scarf bloomed red.
Abu Bakr al Rabeeah (Homes: A Refugee Story)
COLD DEFINITION: a sudden or ongoing exposure to uncomfortably low temperatures PHYSICAL SIGNALS: Shivering Blue lips Yawning Eyes that tear up Chattering teeth Tingling extremities Stuttering speech Skin that’s uncomfortably cold to the touch Dry, cracked lips A stiff jaw that makes speech difficult Numbness in one’s extremities A burning sensation in the skin Clumsiness Slow, shallow breaths Lips that tremble Poor dexterity or increased clumsiness Wrapping the arms around the torso Jumping, shuffling, or dancing to get the blood flowing Clapping one’s hands or stamping one’s feet Shoving the hands deep into the pockets Red and swollen patches on the skin (chilblains) Pulling the limbs tightly into the core Slurred speech Rubbing one’s hands together Tucking one’s hands into one’s armpits Pulling a collar or scarf up over the face Huddling inside a jacket Rounded shoulders, the chin dropped down to the chest Cringing and squeezing one’s eyes shut Turning one’s back to the wind or source of cold Pulling down one’s sleeves to cover the hands Curling and uncurling one’s toes to get the blood flowing Rubbing one’s legs; using friction to create warmth Quivering breaths Slapping oneself Shaking out the arms and legs Flexing the fingers Taking deep breaths in an effort to wake up Curling into a ball; making oneself small Sharing body heat with others Blowing into cupped hands to warm them INTERNAL SENSATIONS: Low energy Fatigue or drowsiness The feeling of even one’s insides being cold A weakened pulse Nausea Loss of appetite A burning sensation in the lungs when inhaling A voice that loses strength MENTAL RESPONSES: Confusion Muddled thinking Impaired decision-making A desire to sleep Apathy CUES OF ACUTE OR LONG-TERM COLD EXPOSURE: Frostbite Hypothermia Gangrene Limb amputation Coma Heart failure Death WRITER’S TIP: Emotional attitude makes a difference when dealing with the cold. A person who can maintain mental acuity and focus will withstand the elements much better than someone whose mental condition is compromised by negativity. Return to the Table of Contents
Angela Ackerman (Emotion Amplifiers)
It was at that point that my worries about Nag blowing us all into the next kingdom disappeared. Not because he’d convinced me it was at all safe to let him use explosives, but because another danger arrived that was far more immediate. And far less polite. “Freeze lily-livers!” came a shout from the top of Wiggins Bluff. All of us glanced up to see a single figure on horseback, riding down towards us at a furious pace. Swinging his horse round, he leapt right over us in a fearsome show of horsemanship and galloped straight through the workers, sending them scrambling every way in panic. I got a good look at him as he turned around. The fellow was dressed all in black apart from a red bandit’s scarf, with a wide black hat and a mean look on his face. He had
Mark Mulle (Morris Magenta: Creeper Inventor (Book 3): Railroad Connector (An Unofficial Minecraft Book for Kids Ages 9 - 12 (Preteen))
Did you see Erik’s sword?” Patrick asked. “Yeah,” Beth said. “And he’s not afraid to use it. We have to stay away from him.” “Who is he?” Patrick asked. “Erik the Red discovered this land. He named it Greenland,” Beth said. “Before that he lived in Iceland.” “Why did he leave Iceland?” Patrick asked. “A powerful man stole Erik’s family treasures,” Beth said. “There was a fight between the families, and people died. The Icelanders wanted the fighting to stop. So they kicked Erik out.” “They kicked him out of his own country?” said Patrick. “Yes,” Beth said. “Erik had a ship and crew. So he sailed away to become a trader. That’s when he discovered Greenland. He settled here and raised a family.” “I’ve heard of Leif,” Patrick said. “My teacher said he discovered North America 500 years before Columbus did!” Just then the door opened and a woman came in. She was dressed much like Beth, except a scarf covered her blonde hair. A string of colorful beads hung between the brooches on her tunic. A large gold cross dangled from the string. Beth was relieved to see the cross. A Christian Viking was a peaceful Viking. At least she hoped so. “Children,” she said, “I am Thjodhild, the wife of Erik the Red and mother of Leif.
Marianne Hering (Voyage with the Vikings (Imagination Station, #1))
Carmen, sulking and fuming, decides that this is the moment she needs a very particular type of omelet with a very particular type of fluffy egg, mushrooms just so, and on and on. I watch Carmen speak, the green spinach bobbing up and down, Carmen asking for “the red peppers diced, not in strips,” and my distaste for her rises again like heartburn. Being with Carmen is a bipolar swing. One minute I suspect I might be starting to like her, but the next I want to throttle her much more tightly than that white scarf.
Megan Tady (Super Bloom)
New dress codes stigmatized Jews using the same colorful fabric or garments that marked prostitutes. For instance, in the fifteenth century, Roman Jewish women were required to wear a red overskirt that prostitutes also wore; Jewish women in other parts of Italy had to wear a yellow veil—a sign of the prostitute in Italian cities from the fourteenth through the sixteenth centuries. In 1397, Venetian law required Jews to wear a yellow badge, and a 1416 law required prostitutes and pimps to wear a yellow scarf. In Viterbo, any Jewish woman who dared appear on the streets without her yellow veil could be stripped naked by the first person to apprehend her—the same punishment prescribed in other cities for prostitutes who strayed from the districts where they were allowed to solicit customers.
Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)
how to stop crying for long enough to eat breakfast / how to stop overreacting / what does it mean to dream about being bitten by a fawn? / how to stop thinking about food / am I neurodivergent? / symptoms of autism / symptoms of adhd / is cheese low fodmap? / I always wanna die sometimes lyrics / virginia woolf suicide note / am I a narcissist? / is it normal to get stretch marks in your 20s? / synonyms for tired / when do the clocks go forward? / leave your scarf in my life poem / papercut definition / grey’s anatomy station 19 watch order / is mercury in retrograde or am i? / skill regression / practise or practice / drawstring trousers / how to burn yarn ends together / types of red leaves / keeping me awake song / biscuits that go with coffee / how many presidents have been assassinated? / how to use somebody as an anchor / is this all a waste of time?
Bryony Rosehurst (where lost & hopeless things go: poems)
We were proud of our precious red scarves, which, like the national flag, were dyed red with the blood of our revolutionary martyrs. We
Ji-li Jiang (Red Scarf Girl)
Seventeen years after Liberation, the newspapers told us, our schools were not bringing us up to be good red socialists and communists, as we had thought, but revisionists. We
Ji-li Jiang (Red Scarf Girl)
I gently moved her hand away. “This is an ink painting. It only uses black ink.
Ji-li Jiang (Red Scarf Girl)
Once my life had been defined by my goals: to be a da-dui-zhang, to participate in the exhibition, to be a Red Guard. They seemed unimportant to me now. Now my life was defined by my responsibilities. I had promised to take care of my family, and I would renew that promise every day. I
Ji-li Jiang (Red Scarf Girl)
There is no difficulty, no matter how serious, that cannot be overcome, but if you miss this chance, it might ruin your whole political life. Then it will be too late to repent.
Ji-li Jiang (Red Scarf Girl)
When neighbors ran into each other, they did not stop to chat but just nodded and hurried on. Everyone felt vulnerable, and no one wanted to say anything that would cause trouble. We
Ji-li Jiang (Red Scarf Girl)
Home, I thought. Wasn’t a home a private place? A place where the family could feel secure? How could strangers come and search through our secrets? If
Ji-li Jiang (Red Scarf Girl)