Re Entry Quotes

He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

LOG ENTRY: SOL 381 I’ve been thinking about laws on Mars. Yeah, I know, it’s a stupid thing to think about, but I have a lot of free time. There’s an international treaty saying no country can lay claim to anything that’s not on Earth. And by another treaty, if you’re not in any country’s territory, maritime law applies. So Mars is “international waters.” NASA is an American nonmilitary organization, and it owns the Hab. So while I’m in the Hab, American law applies. As soon as I step outside, I’m in international waters. Then when I get in the rover, I’m back to American law. Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!

Things are finally going my way. In fact, they’re going great! I have a chance to live after all! LOG ENTRY: SOL 37 I am fucked, and I’m gonna die!

When I think about the things that cause me pain or the things that cause me trouble or frustration, it's not people asking for my autograph; it's people breaking my heart. That happens to you whether you've sold millions of records or whether you're taking classes at college. You're going to believe people when they say that they love you. I don't leave out details when I write songs about that. I try to make my songs as personal as possible because, ultimately, my music started out as just trying to turn my diary entries into something that was a piece of music. And that has never changed.

Here are three separate but similar things: shyness, introversion and social anxiety. You can have one, two or all three of these things simultaneously. A lot of the time people thing they're all the same thing, but that's just not true. Extroverts can be shy, introverts can be bold, and a condition like anxiety can strike whatever kind of social animal you are. Lots of people are shy. Shy is normal. A bit of anxiety is normal. Throw the two together, add some brain-signal error - a NO ENTRY sign on the neural highway from my brain to my mouth perhaps, though no one really knows - and you have me.

Teddy swiveled his chair and looked out the window to the sky beyond. Night was edging in. “What must it be like?” he pondered. “He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania. “She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—” “Where did she get it from?” “Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.” Of course she is, thought Alexander, keeping his eyes tightly shut. Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.” Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound. He was barely breathing. “The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was so low.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to a catheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch her draining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me in her calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure, told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment out of you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage, to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?

Turn the cell into a classroom and the prison into a university

JOURNAL ENTRY: Stop waiting for something or someone to come and make you happy. Meditate daily. Breathe. Come on. You’re okay. You have friends. Love them. Respect them. Go out and play. Learn to be alone.

What must it be like?” he pondered. “He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

Nothing you do in the White House matters. You know why not? Because as far as the mass of voting morons is concerned, while you're in office, you'll still be the worst single president they've ever had until you stop. Then it's some other poor bastard's turn. And even that doesn't matter, because ten, twenty years later, they'll look back on you, and wonder why they didn't appreciate you when they had you...You don't get to make a difference. You don't get to do jack shit. You know what you get?...You get an entry in the history book, and every 15 minutes, every day at Disneyworld, an animatronic puppet wearing your face will wave or nod when the spotlight hits it.

...human beings need someone friendly to listen to them when they’re grieving. So feel free to talk to me. I will be friendly. You have nice shoes.” “Is that the only thing you notice about people?” “I’ve always wanted shoes. They’re the sole piece of clothing that makes any sense, assuming ideal environmental conditions. They don’t play into your strange and nonsensical taboos about not letting anyone see your—” “Is this really the only thing you can think of to comfort someone who is grieving?” “It was number one on my list.” Great. “The list has seven million entries. Do you want to hear number two?” “Is it silence?” “That didn’t even make the list.” “Move it to number two.” “All right, I . . . Oh.

In California there are more than 4,800 barriers to re-entry, from jobs, housing and food bans, to school financial aid bans and the list goes on. You can have a two-year sentence but it doesn’t mean you’re not doing life.

What are these?” Meg looked at the rings of keys in Nate’s hand, deliberately furrowed her brow. “Those would be keys.” “Why do you need so many keys?” “Because there are so many locks? Is this a quiz?” He jingled them in his palm while she continued to give him a sunny, innocent smile. “Meg, you don’t even lock your doors half the time. What are all these keys about?” “Well… There are times a person needs to get into a place, and hey, that place is locked. Then she would need a key.” “And this place that, hey, is locked, wouldn’t be the property of that person. Would that be correct?” “Techincally. But no man is an island, and it takes a village, and so on. We’re all one in the Zen universe.” “So these would be Zen keys?” “Exactly. Give them back.” “I don’t think so.” He closed his fist around them. “You see, even in the Zen universe I’d hate to arrest my wife for unlawful entry.” “I’m not your wife yet, buddy. Did you have a search warrant for those?” “They were in plain sight. No warrant necessary.” “Gestapo.” “Delinquent.

He remained, weeks after awakening, in that period of early-morning consciousness that allows easy re-entry to dreaming. His limbs still tingled with the residue of sleep, and most days he wanted badly to allow it to overtake him again.

why do we personify time? Is it because we’re afraid to admit that our lives are measured by an abstract force that neither knows nor cares about our entry into existence? Or our departure into death? Time is our mysterious master giving it a face and hands we attempt to transform it into our servant.

For you know that you can get nothing more out of this lifetime. When you have time, when you have had the time to rest and re-energize your soul, you are allowed to choose your re-entry back into the physical state. Those people who hesitate, who are not sure of their return here, they might lose the chance that was given them, a chance to fulfill what they must when they’re in physical state.” I

Jesus, in Matthew's gospel, says, "How narrow is the gate that leads to life." Mistakenly, I think, we've come to believe that this is about restriction. The way is narrow. But really it wants us to see that narrowness is the way... It's about funneling ourselves into a central place. Our choice is not to focus on the narrow, but to narrow our focus. The gate that leads to life is not about restriction at all. it is about an entry into the expansive. There is a vastness in knowing you're a son/daughter worth having. We see our plentitude in God's own expansive view of us.

I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

But you're always a help to me!" he said. "How?" I asked, greatly surprised. "By being cheerful.

I was going to up until that last entry. Reading it all just reminded me how much we felt, how much we feel, and how much a part of us it is. It doesn’t belong to anyone else and I guess I don’t want it to. It’s ours. Our history. Our story. And in a way our future too. As much as I love her, you’re right. I can’t give that to Joss. I can’t give these to her.

She said to me, over the phone She wanted to see other people I thought, Well then, look around. They're everywhere Said that she was confused... I thought, Darling, join the club 24 years old, Mid-life crisis Nowadays hits you when you're young I hung up, She called back, I hung up again The process had already started At least it happened quick I swear, I died inside that night My friend, he called I didn't mention a thing The last thing he said was, Be sound Sound... I contemplated an awful thing, I hate to admit I just thought those would be such appropriate last words But I'm still here And small So small.. How could this struggle seem so big? So big... While the palms in the breeze still blow green And the waves in the sea still absolute blue But the horror Every single thing I see is a reminder of her Never thought I'd curse the day I met her And since she's gone and wouldn't hear Who would care? What good would that do? But I'm still here So I imagine in a month...or 12 I'll be somewhere having a drink Laughing at a stupid joke Or just another stupid thing And I can see myself stopping short Drifting out of the present Sucked by the undertow and pulled out deep And there I am, standing Wet grass and white headstones all in rows And in the distance there's one, off on its own So I stop, kneel My new home... And I picture a sober awakening, a re-entry into this little bar scene Sip my drink til the ice hits my lip Order another round And that's it for now Sorry Never been too good at happy endings...

Man I’m tired. Been up all night, and it’s time to sleep. But I’ll drift off to dreamland in the best mood I’ve been in since Sol 6. Things are finally going my way. In fact, they’re going great! I have a chance to live after all! LOG ENTRY: SOL 37 I am fucked, and I’m gonna die!

Kelsier rapped lightly on the door, and Dockson strolled over, pulling it open. "And he makes his stunning entry!" Kelsier announced, sweeping into the room, throwing back his mistcloak. Dockson snorted, shutting the doors. "You're truly a wonder to behold, Kell. Particularly the soot stains on your knees.

Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler

In front of the law there is a doorkeeper. A man from the countryside comes up to the door and asks for entry. But the doorkeeper says he can't let him in to the law right now. The man thinks about this, and then he asks if he'll be able to go in later on. "That's possible," says the doorkeeper, "but not now". The gateway to the law is open as it always is, and the doorkeeper has stepped to one side, so the man bends over to try and see in. When the doorkeeper notices this he laughs and says, "If you're tempted give it a try, try and go in even though I say you can't. Careful though: I'm powerful. And I'm only the lowliest of all the doormen. But there’s a doorkeeper for each of the rooms and each of them is more powerful than the last. It's more than I can stand just to look at the third one.

After the Second World War, San Francisco was the main point of re-entry for sailors returning from the Pacific. Out at sea, many of these sailors had picked up amatory habits that were frowned upon back on dry land. So these sailors stayed in San Francisco . . .

LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

Whenever you're feeling lonely or sad, try going to the loft on a beautiful day and looking outside.

After all, a person has only two hands, and these days there're too many patients and too few doctors.

In California there are more than 4,800 barriers to re-entry,

How come Aquaman can control whales? They’re mammals! Makes no sense. ​ CHAPTER 7 LOG ENTRY: SOL 63 I finished making water some time ago. I’m no longer in danger of blowing myself up. The potatoes are growing nicely. Nothing has conspired to kill me in weeks. And seventies TV keeps me disturbingly more entertained than it should. Things are stable here on Mars. It’s

Today I have two things to confess. It's going to take a long time, but I have to tell them to someone, and you're the most likely candidate, since I know you'll keep a secret, no matter what happens.

what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.

Whereas the craftsman mindset focuses on what you can offer the world, the passion mindset focuses instead on what the world can offer you. This mindset is how most people approach their working lives. There are two reasons why I dislike the passion mindset (that is, two reasons beyond the fact that, as I argued in Rule #1, it’s based on a false premise). First, when you focus only on what your work offers you, it makes you hyperaware of what you don’t like about it, leading to chronic unhappiness. This is especially true for entry-level positions, which, by definition, are not going to be filled with challenging projects and autonomy—these come later. When you enter the working world with the passion mindset, the annoying tasks you’re assigned or the frustrations of corporate bureaucracy can become too much to handle. Second, and more serious, the deep questions driving the passion mindset—“Who am I?” and “What do I truly love?”—are essentially impossible to confirm. “Is this who I really am?” and “Do I love this?” rarely reduce to clear yes-or-no responses. In other words, the passion mindset is almost guaranteed to keep you perpetually unhappy and confused, which probably explains why Bronson admits, not long into his career-seeker epic What Should I Do With My Life? that “the one feeling everyone in this book has experienced is of missing out on life.

Hatred was easy. The permutations constant over the years: A stranger at a fair who palmed my crotch through my shorts. A man on the sidewalk who lunged at me, then laughed when I flinched. The night an older man took me to a fancy restaurant when I wasn't even old enough to like oysters. Not yet twenty. The owner joined our table, and so did a famous filmmaker. The men fell into a heated discussion with no entry point for me: I fidgeted with my heavy cloth napkin, drank water. Staring at the wall. "Eat your vegetables," the filmmaker suddenly snapped at me. "You're a growing girl." The filmmaker wanted me to know what I already knew: I had no power. He saw my need and used it against me.

Abracadabra," Roarke stated, and opened it. "Now that's more like it." Hunkered down beside him, Eve studied the neat stacks of cash. "This is how he stayed out of a cage so long. No credit, no e-transfers. Cash on the line. And a file box, loaded with discs and vids." "Best of all." Roarke reached in, took out a PPC. "His personal palm, very likely uninfected and chock-full of interesting data." "Let's load it up, get it in." She pulled out her memo book. "What're you doing?" "Logging the entry. I better not see any of that green stuff or those baubles go into your pockets, Ace." "Now I'm offended." He straightened, brushed at his shirt. "If I nipped anything, you can bet your ass you wouldn't see me do it.

Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak. “Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. “Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!” I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?” He caws mournfully, still pulling at his own feathers. “Finn.” He puts his hands behind his back, trying to look innocent. “What? He deserved it.” “He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?” His voice comes out just a tad petulant. “He started it.

It's an Imperial attack," she said. "Oh," he said. "Can they do that?" "We're at war," she reminded him patiently. "In war you can do just about anything the other side can't stop you from doing. How did you get in here, anyway?" "Oh, I cut myself an entry code a while back," he said, waving a vague hand, his eyes still on the tactical. "Haven't had much to do lately. Can't you stop them?" "We're certainly going to try," Leia said grimly.

When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind? And what is it we expect from the sun-drenched past? There is no formula for re-entry, nothing we can do to enable reconstruction.

Re-entry taught me a new sort of fear that was slow and dull rather than quick and thrilling...the hardest part of reentry to a humdrum life was not recovering from the bad stuff. It was missing the good times, the friendship, intensity, fear, sense of purpose, the sheer exotic escapism of it all.

THE MINUTE I WALK INTO THE HOSPITAL with Judge at my side, I know I’m in trouble. A security officer—think Hitler in drag with a very bad perm—crosses her arms and blocks my entry at the elevator bank. “No dogs,” she orders. “This is a service dog.” “You’re not blind.” “I have an irregular heartbeat and he’s CPR certified.

Going into any prison is deeply confusing if you know anything about the racial demographics of America. The extreme overrepresentation of people of color, the disproportionate sentencing of racial minorities, the targeted prosecution of drug crimes in poor communities, the criminalization of new immigrants and undocumented people, the collateral consequences of voter disenfranchisement, and the barriers to re-entry can only be fully understood through the lens of our racial history.

When I was done raking and bagging, I banged on the door and demanded entry /...let me in by the hair on your chinny, chin-chin/ (a fairytale moment there) Dick opened it and in his posthest voice, said that before he could possibly consider letting me re-cross the threshold he needed to ask me whether I was a good f*cking fairy or a bad f*cking fairy? Grinning, I told him that I was very wicked fairy and if he had a wand about his person that I could have lend of, I would prove it. He said that was the right answer and promptly yanked me inside where he located and presented me with his wand, breathily ordering the sorcerer's apprentice to perform magic with it. Judging by the look on his face afterwards, I knew I'd impressed him with my oral sorcery and I was more than happy with the short-lifting sorcery Shane performed on me as the same time.

We lack the analogies’ was itself somehow deficient as a diagnosis, linguists burning up during re-entry into the Earth’s atmosphere after encountering Area X.

Any bridge you refuse to burn gives Satan an invitation and re-entry point into your life.

I wonder what he's thinking right now." LOG ENTRY: SOL 61 How come Aquaman can control whales? They're mammals! Makes no sense.

You got lucky with the moon. Tonight there won't be one, or it'll be so new that you'll still have all the darkness you want. Because right now you're thinking two words: unlawful entry.

Altogether, millions of mostly obscure entries in the public record offer details of a forced labor system of monotonous enormity. Instead of thousands of true thieves and thugs drawn into the system over decades, the records demonstrate the capture and imprisonment of thousands of random indigent citizens, almost always under the thinnest chimera of probable cause or judicial process.

When The Matrix debuted in 1999, it was a huge box-office success. It was also well received by critics, most of whom focused on one of two qualities—the technological (it mainstreamed the digital technique of three-dimensional “bullet time,” where the on-screen action would freeze while the camera continued to revolve around the participants) or the philosophical (it served as a trippy entry point for the notion that we already live in a simulated world, directly quoting philosopher Jean Baudrillard’s 1981 reality-rejecting book Simulacra and Simulation). If you talk about The Matrix right now, these are still the two things you likely discuss. But what will still be interesting about this film once the technology becomes ancient and the philosophy becomes standard? I suspect it might be this: The Matrix was written and directed by “the Wachowski siblings.” In 1999, this designation meant two brothers; as I write today, it means two sisters. In the years following the release of The Matrix, the older Wachowski (Larry, now Lana) completed her transition from male to female. The younger Wachowski (Andy, now Lilly) publicly announced her transition in the spring of 2016. These events occurred during a period when the social view of transgender issues radically evolved, more rapidly than any other component of modern society. In 1999, it was almost impossible to find any example of a trans person within any realm of popular culture; by 2014, a TV series devoted exclusively to the notion won the Golden Globe for Best Television Series. In the fifteen-year window from 1999 to 2014, no aspect of interpersonal civilization changed more, to the point where Caitlyn (formerly Bruce) Jenner attracted more Twitter followers than the president (and the importance of this shift will amplify as the decades pass—soon, the notion of a transgender US president will not seem remotely implausible). So think how this might alter the memory of The Matrix: In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning. The idea of a character choosing between swallowing a blue pill that allows him to remain a false placeholder and a red pill that forces him to confront who he truly is becomes a much different metaphor. Considered from this speculative vantage point, The Matrix may seem like a breakthrough of a far different kind. It would feel more reflective than entertaining, which is precisely why certain things get remembered while certain others get lost.

How long, Klara wondered now, how long after the mortar set did the joy remain? When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind? And what is it we expect from the sun-drenched past? There is no formula for re-entry, nothing we can do to enable reconstruction. The features of an absent loved one's face are erased one by one, the timbre of the voice drowned by the noise of the world. Fondly recalled landscapes are savagely altered; we lose them tree by tree. Even the chestnut tree outside Klara's window would die a slow, rotting death until it would fall one night in a summer storm when everything in Klara wanted it to remain standing, blossoming in spring, leafy in summer, the only access, she secretly believed, to the window of her former self.

Learning to give and receive freely requires a long, laborious process of re-educating our minds, which have been conditioned by thousands of years of struggle for survival.16 The violent entry of divine revelation and the Gospel into the world is like an evolutionary ferment, intended to make our psychology “evolve” toward an attitude of free giving and free receiving—the attitude of the Kingdom because it is the attitude of love. This is a process of divinization, whose final goal is to love as God loves: “You must be perfect, as your Father in heaven is perfect.”17 And this divinization, this becoming God-like, means becoming human in the truest sense! It is a marvelous, liberating evolution: but we can only enter into the new way of being through the destruction of many of our natural behaviors, a sort of death-agony.

They’re astronauts,” Venkat confirmed. “Well. That’s a ludicrous idea and I’ll never okay it.” “We’ll work on it some more,” Venkat said. “Try to make it safer.” “Do that. Any idea how to keep him alive for four years?” “Nope.” “Work on that, too.” “Will do,” Venkat said. Teddy swiveled his chair and looked out the window to the sky beyond. Night was edging in. “What must it be like?” he pondered. “He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

Kerr found that a spinning black hole would not collapse into a pointlike star, as Schwarzschild assumed, but would collapse into a spinning ring. Anyone unfortunate enough to hit the ring would perish; but someone falling into the ring would not die, but would actually fall through. But instead of winding up on the other side of the ring, he or she would pass through the Einstein-Rosen Bridge and wind up in another universe. In other words, the spinning black hole is the rim of Alice's Looking Glass. If he or she were to move around the spinning ring a second time, he or she would enter yet another universe. In fact, repeated entry into the spinning ring would put a person in different parallel universes, much like hitting the "up" button on an elevator. In principle, there could be an infinite number of universes, each stacked on top of each other. "Pass through this magic ring and-presto!-you're in a completely different universe where radius and mass are negative!" Kerr wrote. There is an important catch, however. Black holes are examples of "nontransversable wormholes"; that is, passing through the event horizon is a one-way trip. Once you pass through the event horizon and the Kerr ring, you cannot go backward through the ring and out through the event horizon.

Admit it. You just had sex,” Alice hissed. Cali’s jaw dropped open. “That’s none of your business,” she replied in outrage, “and how the hell did you know?” Alice shook her head “You’re glowing orgasmically. It’s disgustingly sweet. And Kent looks ridiculously relaxed and possessive.” Brushing her best friend away and flushing a little, Cali pretended to look for her salad tongs. “Mind your own business.” “Fine,” Alice grumbled. “Don’t tell me all the dirty details.” She paused for a beat. Then added, “It was rear entry, wasn’t it?” Cali almost strangled on her shock and indignation. “It was not.” Alice chuckled maliciously. “Don’t lie to me. He has that macho glint in his eyes. I’d know that look anywhere. I’m an anthropologist, remember? And mating rituals are one of my specialties.

Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after

It means something that combines strength and sweetness. That’s you. That’s what I found out tonight, Georgie. You’re the definition of oenomel . . . with a dash of sass.” Turning away from me, he writes the definition in my book and signs the bottom, “Entry by Racer for George.

At the same time the act of sacrifice is a fertilization of the mother: the chthonic serpent-demon drinks the blood, i.e., the soul, of the hero. In this way life becomes immortal, for, like the sun, the hero regenerates himself by his self-sacrifice and re-entry into the mother.

On the return trip, the atmospheric “re-entry corridor,” or zone of survivability, or whatever you wanted to call it, was only forty miles thick, and hitting a forty-mile target from 230,000 miles is like trying to split a human hair with a razor blade thrown from a distance of twenty feet.

Commander Sivari found them. “You’re popular,” he said, but only after delivering a very correct, very formal bow. “I didn’t think they were going to let me in, and it’s career-limiting to refuse a Commander of the Kings’ Swords entry into any portion of Avantari. ACormaris,” he added, bowing.

He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

Charlie sat beside Spider on the edge of the cliff, in the moonlight, his legs dangling over the side. "You know," he said, "you used to be a part of me. When we were kids." Spider put his head on one side. "Really?" "I think so." "Well, that would explain a few things." He held out his hand: a seven-legged clay spider sat on the back of his fingers, tasting the air. "So what now? Are you going to take me back or something?" Charlie's brow crinkled. "I think you've turned out better than you would have done if you were part of me. And you've had a lot more fun." Spider said, "Rosie. Tiger knows about Rosie. We have to do something." "Of course we do," said Charlie. It was like bookkeeping, he thought: you put entries in one column, deduct them from another, and if you've done it correctly, everything should come out right at the bottom of the page. He took his brother's hand. They stood up and took a step forward, off the cliff – –and everything was bright– A cold wind blew between the worlds. Charlie said, "You're not the magical bit of me, you know." "I'm not?" Spider took another step. Stars were falling now by the dozen, streaking their way across the dark sky. Someone, somewhere, was playing high sweet music on a flute. Another step, and now distant sirens were blaring. "No," said Charlie. "You're not. Mrs. Dunwiddy thought you were, I think. She split us apart, but she never really understood what she was doing. We're more like two halves of a starfish. You grew up into a whole person. And so," he said, realizing it was true as he said it, "did I.

He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her. He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.

In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.

Teddy swiveled in his chair and looked out the window to the sky beyond. Night was edging in. "What must it be like?" he pondered. "He's stuck out there. He thinks he's totally alone and that we all gave up on him. What kind of effect does that have on a man's psychology?" He turned back to Venkat. "I wonder what he's thinking right now." LOG ENTRY: SOL 61 How come Aquaman can control whales? They're mammals! Makes no sense.

Her apartment is up on the second floor, and she pauses with her key in the lock. "It might be a little messy right now," she says apologetically. "I've been going though everything to pull donations." "Is there a clear path?" "Yes." "Are there bugs?" "No," she says more slowly, giving me a sideways stink-eye. "Is anything growing?" "No!" "Then we're good." "You have depressingly low standards," she sighs, and pushes the door open to flick on the entry light.

Here is an entry from June 12, 1989, three and a half years after my father’s death: I feel so helpless sometimes. I know that my destiny is in my own hands, but to what extent? There is so much to think about—family, friends, career, LIFE! Will my grandchildren read this, years from now, and see it as the only thing to remember me by? No legacy? We’re here for such a short time. But what exactly are my ambitions? I thought ambition was viewed as bad, as wrong. It turns out it’s the key to everything. Where will I be in ten years? I want to be successful. What do I believe in—really believe in? Hell, Megyn, what do you even know about the world? I want to know what my teachers know. Where is it all? In books? I know where it is—it’s in years and years of research and experiences. That’s not something I can just have. I have to get it all for myself. I’m just sitting here wondering who I really am inside and—who am I to become?

Maybe that's what happens if you get comfortable someplace. Maybe you need some motivation to move on. Actually, now that I think about it, maybe it's not just being comfortable. Maybe it's being used to. A place can be very uncomfortable, but if you're used to it, it gives you a strange sense of comfort. Did that make any sense? For example, why do people stay in places on jobs or relationships that they hate? Why don't they just leave? Because they're used to it, that's why.

Still, there’s a kind of peace at the end of a life well lived, knowing that you’ve given what you had to give, loved where you were free to love, that you’ve left nothing unsaid or undone. And with this final entry, that part at least will be true. But this isn’t meant to be about my story, Lizzy—it’s meant to be about yours. Each of us comes into the world with a story to tell, a book of blank pages we’re given to fill. How we choose to fill them is up to us, but fill them we must—with our truths or someone else’s. History

Sensuality is for you, not about you. It’s for you in a sense that you are allowed to indulge all of your senses and taste the goodness of this world and beyond. It’s also for you in a sense that you’re allowed to curate and express yourself in an authentic way (i.e. in the way you dress, communicate, live, love, play, etc.). However, sensuality is not ABOUT you, it’s about those to whom you were brought here to touch and inspire. It’s about the joy and pleasure you’re here to bring. You didn’t come here for yourself nor empty-handed, but you came here bearing special gifts. You were brought here to be a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures. Your passion is an indication of the sensual gift(s) you were endowed with before you made your grand entry into this world. Your divine mandate now is to exploit every sensual gift you have to the fullest whether it’s music, photography, boudoir or fashion modeling, etc. If you have a love for fashion, always dress impeccably well like my friend Kefilwe Mabote. If you have a love for good food and wine, create culinary experiences the world has never seen before like chef Heston Blumenthal whom I consider as one of the most eminent sensual innovators in the culinary field. Chef Heston has crafted the most sensually innovative culinary experience where each sense has been considered with unparalleled rigour. He believes that eating is a truly multi-sensory experience. This approach has not only led to innovative dishes like the famous bacon and egg ice cream, but also to playing sounds to diners through headphones, and dispersing evocative aromas with dry ice. Chef Heston is indeed a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures in his own right and field. So, what sensual gift(s) are you here to use? It doesn’t have to be a big thing. For instance, you may be a great home maker. That may be an area where you’re endowed with the most sensual innovative abilities than any other area in your life. You need to occupy and shine your light in that space, no matter how small it seems.

Where’s Candice?” I ask, trying to get my bearings through small talk. “Oh, Candice isn’t here anymore,” says Daniella. “She left a while ago.” “Oh.” I wait, but Daniella doesn’t elaborate. I try not to overthink it. Editorial assistants come and go all the time. They’re underpaid entry-level employees in the most expensive city in the world—ill-treated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing. Probably Candice just couldn’t take it. “That’s too bad.

this one habit is nonnegotiable. Whether you’re a hobbyist or a pro, learning the technical skills of your craft is essential. And if you aspire to move into a creative profession, core skills are the price of entry. Practicing these skills once you’ve acquired them matters deeply and will unquestionably contribute toward creating the outcomes you seek. Become so good at the fundamentals of your craft that they become automatic and effortless, like breathing, walking, or chewing gum. That’s when you’ll experience the real fun and prizes of a creative calling.

Here’s a fact for you: In 1995, according to the Washington Post, computer hackers successfully breached the Pentagon’s security systems 161,000 times. That works out to eighteen illicit entries every hour around the clock, one every 3.2 minutes. Oh, I know what you’re going to say. This sort of thing could happen to any monolithic defense establishment with the fate of the earth in its hands. After all, if you stockpile a massive nuclear arsenal, it’s only natural that people are going to want to go in and have a look around, maybe see what all those buttons marked “Detonate” and “Code Red” mean. It’s only human nature.

Does affirmative action place minority students in colleges where they're likely to fail while depriving other applicants of the chance to attend the most challenging schools where they are capable of succeeding? Does rent control drive up the cost of housing, depriving property owners of the same opportunity to profit as any other investor while driving down the quality and quantity of the housing stock? Do minimum wage laws reduce the number of entry-level jobs, making it harder to escape from poverty? Because compassion, by its nature, subordinates doing good to feeling good, these are questions the warm-hearted rarely pursue.

When Jennah starts to sing, I feel the goose pimples rise on my arms. I haven’t heard her sing this piece with the orchestra before. Her voice is strong and pure, resonating through the hall. She sways forward onto her toes and gazes out to the back of the concert hall, her eyes bright. The sleeves of her grey jumper are too long so I am sure I am the only one to notice when she taps her finger against her skirt to help her with a re-entry. I can almost taste her voice in my mouth. It is the colour of dawn. I want to run up and grab her and twirl her around. I want to yell, She’s mine! The sight of her, standing there, singing, makes me want to shout with joy.

Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.

Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.

Megan Meade’s Guide to the McGowan Boys Entry Three Observation #1: Boys are very stealthy when they want to be. Evan has all kinds of tricks for sneaking back into the house after hours. (I know you’re dying to know why I know this.) Observation #2: Boys lose their cool when snagged by their parents. Once inside the house, Evan is not so stealthy. Of course, maybe if he hadn’t stopped on the stairs to brush the eyelash off my cheek and have me make a wish, we would never have gotten caught. (Ahhhhhhh!!!!) Observation #3: Boys have one-track minds. Unfortunately, Evan’s train is not on MY track. (I know, major letdown.) But who knows? Maybe his train will be making an unscheduled stop in Meganville. Okay, sorry. No more metaphors this late at night. I promise.

Any country that enjoys fighting and bitching as a recreation as much as America does will always be, in some way or another, walking along a knife’s edge. We’re a nation that spends its afternoons watching white trash throw chairs at each other on Jerry Springer, its drive time listening to the partisan rantings of this or that hysterical political demagogue, and its late-night hours composing feverish blog entries full of anonymous screeds and denunciations. All of this shit is harmless enough so long as the power comes on every morning, fresh milk makes it to the shelves, there’s a dial tone, and your front yard isn’t underwater. But it becomes a problem when the magic grid goes down and suddenly there’s no more machinery between you and whomever you happen to get off on hating.

a man named Dalton, a District 10 refugee who’d made it to 13 on foot a few years ago, leaked the real motive to me. “They need you. Me. They need us all. Awhile back, there was some sort of pox epidemic that killed a bunch of them and left a lot more infertile. New breeding stock. That’s how they see us.” Back in 10, he’d worked on one of the beef ranches, maintaining the genetic diversity of the herd with the implantation of long-frozen cow embryos. He’s very likely right about 13, because there don’t seem to be nearly enough kids around. But so what? We’re not being kept in pens, we’re being trained for work, the children are being educated. Those over fourteen have been given entry-level ranks in the military and are addressed respectfully as “Soldier.” Every single refugee was granted automatic citizenship by the authorities of 13.

Well, sister, here’s the truth, and it may or may not surprise you that I’ve given this answer before, but it remains true. You aren’t going to find the time to pursue your goals; you’re going to make the time to pursue your goals. And the first thing you’re going to need to accept is that you are in control of your schedule. Yes, you, high-level executive. Yes, you, mama of four. Yes, you, college student with twenty-seven events this week. Yes, you, entry-level assistant with a demanding boss. You are in control of your schedule. In fact, there isn’t one thing in your life or your calendar right now that you didn’t allow to be there. Let that sink in for a second. Being overscheduled? That’s on you. Not finding time to feed yourself? You. Spending two hours a night watching TV or scrolling Instagram as a way to relax? Also your choice.

We step into our little boxes and wait for the head of the Russian space agency to ask us each in turn, again, if we are ready for our flight. It’s sort of like getting married, except whenever you’re asked a question you say, “We are ready for the flight” instead of “I do.” I’m sure the American rituals would seem just as alien to the Russians: before flying on the space shuttle, we would get suited up in our orange launch-and-entry suits, stand around a table in the Operations and Checkout Building, and then play a very specific version of lowball poker. We couldn’t go out to the launchpad until the commander had lost a round (by getting the highest hand), using up his or her bad luck for the day. No one remembers exactly how this tradition got started. Probably some crew did it first and came back alive, so everyone else had to do it too.

Both vitamin pills and vegetables are loaded with essential nutrients, but not in the same combinations. Spinach is a good source of both vitamin C and iron. As it happens, vitamin C boosts iron absorption, allowing the body to take in more of it than if the mineral were introduced alone. When I first started studying nutrition, I became fascinated with these coincidences, realizing of course they're not coincidences. Human bodies and their complex digestive chemistry evolved over millenia in response to all the different foods--mostly plants--they raised or gathered from the land surrounding them. They may have died young from snakebite or blunt trauma, but they did not have diet-related illnesses like heart disease and Type II diabetes that are prevalent in our society now, even in some young adults and children. [from an entry by Barbara Kingsolver's daughter Camille]

What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.

That City of yours is a morbid excrescence. Wall Street is a morbid excrescence. Plainly it's a thing that has grown out upon the social body rather like -- what do you call it? -- an embolism, thrombosis, something of that sort. A sort of heart in the wrong place, isn't it? Anyhow -- there it is. Everything seems obliged to go through it now; it can hold up things, stimulate things, give the world fever or pain, and yet all the same -- is it necessary, Irwell? Is it inevitable? Couldn't we function economically quite as well without it? Has the world got to carry that kind of thing for ever? "What real strength is there in a secondary system of that sort? It's secondary, it's parasitic. It's only a sort of hypertrophied, uncontrolled counting-house which has become dominant by falsifying the entries and intercepting payment. It's a growth that eats us up and rots everything like cancer. Financiers make nothing, they are not a productive department. They control nothing. They might do so, but they don't. They don't even control Westminster and Washington. They just watch things in order to make speculative anticipations. They've got minds that lie in wait like spiders, until the fly flies wrong. Then comes the debt entanglement. Which you can break, like the cobweb it is, if only you insist on playing the wasp. I ask you again what real strength has Finance if you tackle Finance? You can tax it, regulate its operations, print money over it without limit, cancel its claims. You can make moratoriums and jubilees. The little chaps will dodge and cheat and run about, but they won't fight. It is an artificial system upheld by the law and those who make the laws. It's an aristocracy of pickpocket area-sneaks. The Money Power isn't a Power. It's respectable as long as you respect it, and not a moment longer. If it struggles you can strangle it if you have the grip...You and I worked that out long ago, Chiffan... "When we're through with our revolution, there will be no money in the world but pay. Obviously. We'll pay the young to learn, the grown-ups to function, everybody for holidays, and the old to make remarks, and we'll have a deuce of a lot to pay them with. We'll own every real thing; we, the common men. We'll have the whole of the human output in the market. Earn what you will and buy what you like, we'll say, but don't try to use money to get power over your fellow-creatures. No squeeze. The better the economic machine, the less finance it will need. Profit and interest are nasty ideas, artificial ideas, perversions, all mixed up with betting and playing games for money. We'll clean all that up..." "It's been going on a long time," said Irwell. "All the more reason for a change," said Rud.

He was a Kurd and the world would tell him he was nothing. He was poor and the world would give him nothing. He was a Muslim and the world would ignore him, and being ignored was like being dead. The boy had his name and his name was everything. Take away his name and the boy had no future, no honor, no respect, no reason to look in a mirror and see his own perfection. “Ouch, Baba! You’re doing it too hard.” smail’s skin was red from the scrubbing. He stopped and told the boy to rinse off. What if rem did something that denied her entry to Heaven? Skin was only the container of the soul, but the soul was a fragile membrane—it could easily be ripped and once it was, there was no sewing it back together. To kill her before she destroyed that, she would remain innocent, she would enter Paradise as a child, as clean as the day she was born. And smail wouldn’t have to feel less than anyone in this world, ever.

something that cannot be memorized and graded: a great doctor must have a huge heart and a distended aorta through which pumps a vast lake of compassion and human kindness. At least, that’s what you’d think. In reality, medical schools don’t give the shiniest shit about any of that. They don’t even check you’re OK with the sight of blood. Instead, they fixate on extracurricular activities. Their ideal student is captain of two sports teams, the county swimming champion, leader of the youth orchestra and editor of the school newspaper. It’s basically a Miss Congeniality contest without the sash. Look at the Wikipedia entry for any famous doctor, and you’ll see: ‘He proved himself an accomplished rugby player in youth leagues. He excelled as a distance runner and in his final year at school was vice-captain of the athletics team.’ This particular description is of a certain Dr H. Shipman, so perhaps it’s not a rock-solid system.

January 30, 1944 I stood at the top of the stairs while German planes flew back and forth, and I knew I was on my own, that I couldn't count on others for support. My fear vanished. I looked up at the sky and trusted in God. ... Who knows, perhaps a day will come when I'm left alone more than I'd like! February 3, 1944 I've reached the point where I hardly care whether I live or die. The world will keep on turning without me, and I can't do anything to change events anyway. I'll just let matters take their course and concentrate on studying and hope that everything will be all right in the end. February 12, 1944 (entire entry) February 23, 1944 The best remedy for those who are frightened, lonely or unhappy is to go outside, somewhere they can be alone, alone with the sky, nature and God. For then and only then can you feel that everything is as it should be and that God wants people to be happy amid nature's beauty and simplicity. As long as this exists, and that should be forever, I know that there will be a solace for every sorrow, whatever the circumstances. I firmly believe that nature can bring comfort to all who suffer. ... This morning, when I was sitting in front of the window and taking a long, deep look outside at God and nature, I was happy, just plain happy. Peter, as long as people feel that kind of happiness within themselves, the joy of nature, health and much more besides, they'll always be able to recapture that happiness. Riches, prestige, everything can be lost. But the happiness in your own heart can only be dimmed; it will always be there, as long as you live, to make you happy again. Whenever you're feeling lonely or sad, try going to the loft on a beautiful day and looking outside. Not at the houses and the rooftops, but at the sky. As long as you can look fearlessly at the sky, you'll know that you are pure within and will find happiness once more.

LOG ENTRY: SOL 381 I've been thinking about laws on Mars. Yeah, I know, it's a stupid thing to think about, but I have a lot of free time. There's an international treaty saying no country can lay claim to anything that's not on Earth. And by another treaty, if you're not in any country's territory, maritime law applies. So Mars is "international waters". NASA is an American nonmilitary organization, and it owns the Hab. So while I'm in the Hab, American law applies. As soon as I step outside, I'm in international waters. Then when I get in the rover, I'm back to American law. Here's the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can't until I'm aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!

Very few entities are powerful enough to create Patinas, and those that can guard them closely. The library is here. But Arriane’s right. We’ll need to figure out the way in.” “I heard you need an Announcer to get through one,” Arriane said. “Cosmic legend.” Annabelle shook her head. “Every Patina is different. Access is entirely up to the creator. They program the code.” “I once heard Cam tell a story at a party about how he accessed a Patina,” Rolan said. “Or was that a story about a party that he threw in a Patina?” “Luce!” Daniel said suddenly, making all of them startle in midair. “It’s you. It was always you.” Luce shrugged. “Always me what?” “You’re the one who always rang the bell. You’re the one who had entry to the library. You just need to ring the bell.” Luce looked at the empty street, the fog tinting everything around them brown. “What are you talking about? What bell?” “Close your eyes,” Daniel said. “Remember it. Pass into the past and find the bellpull-“ Luce was already there, back at the library the last time she’d been in Vienna with Daniel. Her feet were firmly on the ground. It was raining and her hair splayed all across her face. Her crimson hair ribbons were soaked, but she didn’t care. She was looking for something. There was a short path up the courtyard, then a dark alcove outside the library. It had been cold outside, and a fire blazed within. There, in the musty corner near the door, was a woven cord embroidered with white peonies hanging from a substantial silver bell. She reached into the air and pulled. The angels gasped. Luce opened her eyes. There, in the center of the north side of the street, the row of contemporary town houses was interrupted at its midpoint by a single small brown house. A curl of smoke rose from its chimney. The only light-aside from the angel’s wings-was the dim yellow glow of a lamp on the sill of the house’s front window. The angels landed softly on the empty street and Daniel’s grip around Luce softened. He kissed her hand. “You remembered. Well done.

Trump was actively involved in the pageants. After Miss Universe Alicia Machado, a Venezuelan, gained considerable weight in 1996, Trump publicly excoriated her. He staged a photo op to show Machado exercising at a Manhattan gym. In front of about eighty reporters and photographers, Trump said, “When you win a beauty pageant, people don’t think you’re going to go from 118 to 160 in less than a year, and you really have an obligation to stay in a perfect physical state.” Machado called the photo op an ambush designed to humiliate her. “He had his triumphant entry,” she recalled, “and I got to feel like a hamster on a wheel for an hour. I was his first Miss Universe when he just bought the company. Unfortunately, this also meant that I experienced, firsthand, his rage and racism and all the misogyny a person can demonstrate.” Trump wrote years later that he did what he did to protect her from being fired: “God, what problems I had with this woman. First, she wins. Second, she gains fifty pounds. Third, I urge the committee not to fire her.” Trump

A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back. “Get out of here, man!” “Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare. “Stay where you are, madam! I am not finished with you.” “You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!” “I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!” More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!” Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse. When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation. “Are you hurt, Christopher?” she asked sweetly. “Aye! My pride has been mightily bruised!” “Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.” “ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.” “You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.” “That’s an impossibility, madam, for that thing is surely made of cold, hard steel.” “You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.” “I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically. Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye. “Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?” He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve. -Christopher, Erienne, and Aggie

Check Anonybitch.” I open up his Instagram and go to Anonybitch’s page. I see the entry that was below ours, a picture of a passed-out guy with penises permanent-marked all over his face. It’s the top of the feed now. I gasp. The hot tub video is gone! “Peter, how did you do this?” Peter grins a peacocky kind of grin. “I messaged Anonybitch last night and told them to take that shit down or we’re suing. I told them how my uncle is a lawyer and you and I are both underage.” He gives my knee a squeeze. “Is your uncle really a lawyer?” “No. He owns a pizza parlor in New Jersey.” We both laugh, and it feels like such a relief. “Listen, don’t worry about anything today. If anybody says anything, I’ll kick their ass.” “I just wish I knew who did it. I could’ve sworn we were alone that night.” Peter shakes his head. “It’s not like we did anything so wrong! I mean, who cares if we made out in a damn hot tub? Who cares if we had sex in it?” I frown and he quickly says, “I know, I know. You don’t want people thinking we did something when we didn’t. We definitely didn’t, and that’s what I told that bitch Anonybitch.

hated Nick for being surprised when I became me. I hated him for not knowing it had to end, for truly believing he had married this creature, this figment of the imagination of a million masturbatory men, semen-fingered and self-satisfied. He truly seemed astonished when I asked him to listen to me. He couldn’t believe I didn’t love wax-stripping my pussy raw and blowing him on request. That I did mind when he didn’t show up for drinks with my friends. That ludicrous diary entry? I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. That was pure, dumb Cool Girl bullshit. What a cunt. Again, I don’t get it: If you let a man cancel plans or decline to do things for you, you lose. You don’t get what you want. It’s pretty clear. Sure, he may be happy, he may say you’re the coolest girl ever, but he’s saying it because he got his way. He’s calling you a Cool Girl to fool you! That’s what men do: They try to make it sound like you are the Cool Girl so you will bow to their wishes. Like a car salesman saying, How much do you want to pay for this beauty? when you didn’t agree to buy it yet. That awful phrase men use: “I mean, I know you wouldn’t mind if I…” Yes, I do mind. Just say it. Don’t lose, you dumb little twat.

Whether it’s watching a sunset, or really feeling the stream of water hit your face in the shower, everyone needs to take time to find a way to quiet themselves. Allowing these moments of awareness and recognizing that it is a magnificent thing to be alive, regardless of what might be pressing on me, has brought a level of calm that words can’t adequately explain. Many of the spiritual teachers who have talked with me on Super Soul Sunday describe the highest state of mindfulness as a “constant state of prayer.” This means acknowledging only what you are experiencing in that moment. The true power of staying in the now means that you resist projecting what might happen in the future or lamenting past mistakes. There will always be times of stress or sadness, but when you feel the earth moving, that’s the time to bring yourself back to center. Whatever shakeup or disturbance that might come, you’ll handle that when it actually happens. But in this moment, you’re still breathing. In this moment, you’ve survived. In this moment, you’re finding a way to step onto higher ground. Today and every day, I continue to do the consciousness work, focusing on prayer and just being still. I awaken, and my first thought is, Thank you, and my next thought is, I’m still here in this body. I feel the All that is God so deeply that it lifts and carries me. Sometimes I actually feel weightless in the love that I call God, because I sense it in all things. The entry point for living consciously is mindfulness.

Because the drug war has been waged almost exclusively in poor communities of color, when drug offenders are released, they are generally returned to racially segregated ghetto communities--the places they call home. In many cities, the re-entry phenomenon is highly concentrated in a small number of neighborhoods. According to one study, during a twelve-year period, the number of prisoners returning home to "core counties"--those counties that contain the inner city of a metropolitan area--tripled. The effects are felt throughout the United States. In interviews with one hundred residents of two Tallahassee, Florida communities, researchers found that nearly every one of them had experienced or expected to experience the return of a family member from prison. Similarly, a survey of families living in the Robert Taylor Homes in Chicago found that the majority of residents either had a family member in prison or expected one to return from prison within the next two years. Fully 70 percent of men between the ages of eighteen and forty-five in the impoverished and overwhelmingly black North Lawndale neighborhood on Chicago's West Side are ex-offenders, saddled for life with a criminal record. The majority (60 percent) were incarcerated for drug offenses. These neighborhoods are a minefield for parolees, for a standard condition of parole is a promise not to associate with felons. As Paula Wolff, a senior executive at Chicago Metropolis 2020 observes, in these ghetto neighborhoods, "It is hard for a parolee to walk to the corner store to get a carton of milk without being subject to a parole violation.

No one waited in line at the counter, thanks to Dagon and Eliana’s tardy entry. “Morning, Kusgan,” she trilled when the elder Segonian stepped up to the counter. Kusgan greeted her with a wide smile. “And how are you today, ni’má?” “Hungry,” she declared. “What do you have for me? Something spicy, I hope?” “Indeed.” When Kusgan turned his attention to Dagon, his eyes sparkled with amusement as though he had guessed just how and with whom she had worked up an appetite. “And for you, Commander?” “The usual.” His lips twitched. “A larger portion perhaps?” Dagon laughed. “I would appreciate that, yes.” Heat crept up her neck to her cheeks. As Kusgan turned away and headed into the kitchen, she leaned closer to Dagon and whispered, “Am I blushing? Because I feel like he’s guessed why I’m so hungry and you’re all smiles this morning.” He regarded her cheeks with a grin. “Yes, you’re blushing.” Groaning, she brought her hands up to cover her face. “Curse my pale skin,” she grumbled. “It won’t let me hide anything.” “Would it make you feel better if Iblushed?” She peeked up at him through her fingers. And as she watched, his cheeks flushed a vivid pink, demonstrating anew his ability to change his coloring at will. Laughing in delight, she dropped her hands. “Yes!” Then she poked him in the chest as the heat in her own cheeks faded. “I dare you to walk around like that all day.” Smiling, he abandoned the pink camouflage and let his face return to its natural color. “If I did, the men would get no work done because they’d all be too busy wondering what the srulyou did in bed that left me blushing for hours afterward.” Eyes widening, she laughed. “You’re right. Don’t do it.

You recall that the temptation which the serpent presents to the first human beings is not disobedience, nor is it pride. The temptation is that if they eat the forbidden fruit they will become like God. That may be the most important line that evil is given in the Scriptures: Eat this and be like God. The temptation, you will observe, is to reject what we have learned. In the first chapter of Genesis we heard that we have been made in the image and likeness of God. In chapter three the serpent’s temptation is, in effect, “Don’t believe that you’re like God. How can you be like God? God is great and glorious and powerful and majestic and wise; you’re not like that. Being human is a messy business. You don’t want to be human. You have to abandon being human in order to be like God.” The origin of sin, according to the Hebrew tradition, is the rejection of the goodness of being human. It arises from the insistence that we human beings are not the image and likeness of God, that we must become something other than and more than human beings in order to truly be like God. In other words, according to the Hebrew Scriptures, the first sin—the entry of evil into creation—is the refusal to accept the goodness and rightness of being human. Evil is the refusal to accept the goodness of creation. To put it slightly differently, the sin which is the origin of all evil in the world is the rejection of God’s first judgment on us: “God saw everything that he had made, and indeed, it was very good” (Genesis 1:31). In contrast, the serpent insists that creation is not good at all; creation—including you and me—is trash. The acceptance of the serpent’s judgment rather than God’s is what leads to all the evil in history. The beginning of sin is despair of the goodness of creation.

-Write out a conversation with your inner voice. Begin the entry with a question directed to yourself, then write your mental response. It may help to label the different voices A and B. Dialogue writing is a very effective way to get to the heart of the matter. The following passage is an example of typical dialogue writing: A: Tomorrow is a big day. You have an interview at a college. How do you feel? B: I am really nervous. This is the first interview and I don’t know what it is going to be like. A: What are you afraid of? B: I’m afraid I’ll stutter and say something stupid. I’m worried the person will ask a question and I won’t know what to say. A: What do you want to discuss? B: I think it is good that I was on the basketball team for four years. That shows commitment and dedication. I also got decent grades and earned a blue ribbon at the science fair. A: What about your hobbies outside of school? B: I really like to read. I could mention that. I could talk also about the vacations my family has taken. They are pretty interesting. I enjoy my part-time retail job. A: It sounds like you do a lot. B: I guess I am good at organizing my life and accomplishing what needs to be done. Hey, that would sound good in an interview! -Try focused “freewriting.” Pick one topic, such as school, friends, or family, and write everything that comes to mind about that topic. Write for at least ten minutes or until you’re certain that you have run out of things to write. -Write your belief system. Start by writing “I believe…” at the top of a clean page. Then write whatever comes to mind. It may help to ask yourself questions when you get stuck such as “What do I believe about friendship?” “What is my personal style?” or “What are my gifts and abilities?” -Write about an event from your perspective, then write about the same event from someone else’s point of view. For example, if you had a hard time answering a question during class, write about how you felt, what you thought, and how you behaved. Next, pretend you are the teacher writing about the same event. What do you think he or she was thinking? How did he or she act? This exercise is a great way to show that there are multiple ways of seeing the same situation.