Ox Inspiring Quotes

Quick work doesn't mean less serious work, it depends on one's self-confidence and experience. In the same way Jules Guérard, the lion hunter, says in his book that in the beginning young lions have a lot of trouble killing a horse or an ox, but that the old lions kill with a single blow of the paw or a well-placed bite, and that they are amazingly sure at the job... I must warn you that everyone will think that I work too fast. Don't you believe a word of it. Is it not emotion, the sincerity of one's feeling for nature, that draws us, and if the emotions are sometimes so strong that one works without knowing one works, when sometimes the strokes come with a continuity and coherence like words in a speech or a letter, then one must remember that it has not always been so, and that in time to come there will again be hard days, empty of inspiration. So one must strike while the iron is hot, and put the forged bars on one side.

The ox is slow, but the earth is patient.

People eat meat and think they will become strong as an ox, forgetting that the ox eats grass.

If you want the benefit of having an ox, you're going to have to endure the poo that comes with it. The goal is to have a positive poo to ox ratio.

Then she dives out the door - or window, it doesn't matter - to see what wonders the new day will bring, and since Lotus Cloud views the world with the delighted eyes of a child everything is equally marvelous.

Vul and Pashler drew inspiration from the well-known phenomenon known as the wisdom-of-crowds effect: averaging the independent judgments of different people generally improves accuracy. In 1907, Francis Galton, a cousin of Darwin and a famous polymath, asked 787 villagers at a country fair to estimate the weight of a prize ox. None of the villagers guessed the actual weight of the ox, which was 1,198 pounds, but the mean of their guesses was 1,200, just 2 pounds off, and the median (1,207) was also very close. The villagers were a “wise crowd” in the sense that although their individual estimates were quite noisy, they were unbiased. Galton’s demonstration surprised him: he had little respect for the judgment of ordinary people, and despite himself, he urged that his results were “more creditable to the trustworthiness of a democratic judgment than might have been expected.

I had to warn followers repeatedly against these German folklore-ish wandering scholars who never accomplished anything positive or practical, except to cultivate their own overflowing self-conceit. A new movement must guard itself against an influx of people whose only recommendation is their own declaration... It's typical of such people that they rant about ancient Teutonic heroes of the dim and distant ages, stone axes, battle spears, and shields; whereas in reality they themselves are the biggest cowards imaginable. Those very same people who brandish Teutonic tin swords and wear tanned bearskins, with ox horns mounted over their bearded faces... scatter when the first communist cudgel appears. Posterity will have little occasion to write a new epic about their heroic existence...And yet these comedians are extremely proud of themselves. Notwithstanding their proven incompetence, they pretend to know everything better than other people-so much so that they become a real plague to all sincere and honest patriots, to whom not only the heroism of the past is worthy of honor, but who also feel bound to leave examples of their own work for the inspiration of posterity.

Prince Wen-hui’s cook, Ting, was cutting up an ox. Every touch of his hand, every ripple of his shoulders, every step of his feet, every thrust of his knees, every cut of his knife, was in perfect harmony, like the dance of the Mulberry Grove, like the chords of the Lynx Head music. Well done! said the prince. How did you gain such skill? Putting down his knife, Ting said, I follow the Tao, Your Highness, which goes beyond all skills. When I first began cutting up oxen, all I could see was the ox. After three years, I had learned to look beyond the ox. Nowadays I see with my whole being, not with my eyes. I sense the natural lines, and my knife slides through by itself, never touching a joint, much less a bone. A good cook changes knives once a year: he cuts. An ordinary cook changes knives once a month: he hacks. This knife of mine has lasted for nineteen years; it has cut up thousands of oxen, but its blade is as sharp as if it were new. Between the joints there are spaces, and the blade has no thickness. Having no thickness, it slips right through; there’s more than enough room for it. And when I come to a difficult part, I slow down, I focus my attention, I barely move, the knife finds its way, until suddenly the flesh falls apart on its own. I stand there and let the joy of the work fill me. Then I wipe the blade clean and put it away. Bravo! cried the prince. From the words of this cook, I have learned how to live my life.

Brennan often cited Goodbye, My Lady as one of his favorite films. Certainly it was a labor of love in the close collaboration with the director, William Wellman, better known for his action films and for The Ox-Bow Incident (1943). Skeeter (Brandon DeWilde) lives with his none too ambitious uncle Jesse (Brennan) in a swamp, where they find a strange dog with a hyena-like laugh. (It is, in fact a basenji, bred in Africa). Jesse realizes the dog must have escaped from a very different environment, but Skeeter adopts the dog without thinking about the consequences should the dog’s true owner show up. Much of the picture is taken up with Skeeter training the dog to hunt better than other hounds. The deliberate and careful way Wellman paces the film makes it utterly absorbing, even as Brennan delivers one of his best understated performances. With its emphasis on rapport with nature and the land and taking responsibility for other animals, the inspirational script serves as Walter Brennan’s credo. And when the dog’s owner shows up, Skeeter has to learn how to let go of his creation, making for an ending far more real than those of most family films. Sidney Poitier has a small role as a neighbor, and though this story is set in Georgia, there is no evidence of segregation. To the contrary, Poitier’s character appears quite at home with his white neighbors, with whom he shares a bond with the land and its creatures.

Do not pass between two Brahmins; a Brahmin and a sacrificial fire; a husband and a wife; an employer and his employee; a plough and an ox.