Raw Deal Quotes

We've searched our database for all the quotes and captions related to Raw Deal. Here they are! All 100 of them:

There's something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone ALWAYS dies in the middle of a good story, in a sense. Your own story. Or the story of your grandchildren. Death is a raw deal for narrative junkies.
Joe Hill (The Fireman)
Compared to bipolar's magic, reality seems a raw deal. It's not just the boredom that makes recovery so difficult, it's the slow dawning pain that comes with sanity - the realization of illnesss, the humiliating scenes, the blown money and friendships and confidence. Depression seems almost inevitable. The pendulum swings back from transcendence in shards, a bloody, dangerous mess. Crazy high is better than crazy low. So we gamble, dump the pills, and stick it to the control freaks and doctors. They don't understand, we say. They just don't get it. They'll never be artists.
David Lovelace (Scattershot: My Bipolar Family)
I think human consciousness is a tragic misstep in human evolution. We became too self aware; nature created an aspect of nature separate from itself. We are creatures that should not exist by natural law. We are things that labor under the illusion of having a self, a secretion of sensory experience and feeling, programmed with total assurance that we are each somebody, when in fact everybody’s nobody. I think the honorable thing for our species to do is deny our programming, stop reproducing, walk hand in hand into extinction, one last midnight, brothers and sisters opting out of a raw deal.
Rustin Cohle
the pain of that first lost was still raw. You could deal with it, endure it, but never escape it.
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
Death is a raw deal for narrative junkies.
Joe Hill (The Fireman)
There’s something about having your choices taken from you that is equally liberating and frightening. Handing over control to a person is a big deal. A showing of trust. And sometimes, I would like to be taken on a ride rather than drive.
Belle Aurora (Raw (RAW Family, #1))
I learned that the world of men as it exists today is a bureaucracy. This is an obvious truth, of course, though it is also one the ignorance of which causes great suffering. “But moreover, I discovered, in the only way that a man ever really learns anything important, the real skill that is required to succeed in a bureaucracy. I mean really succeed: do good, make a difference, serve. I discovered the key. This key is not efficiency, or probity, or insight, or wisdom. It is not political cunning, interpersonal skills, raw IQ, loyalty, vision, or any of the qualities that the bureaucratic world calls virtues, and tests for. The key is a certain capacity that underlies all these qualities, rather the way that an ability to breathe and pump blood underlies all thought and action. “The underlying bureaucratic key is the ability to deal with boredom. To function effectively in an environment that precludes everything vital and human. To breathe, so to speak, without air. “The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable. “It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish.
David Foster Wallace (The Pale King)
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow... It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know — but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten — and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight — Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try — it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service (Rhymes of a Rolling Stone)
I'm not equipped to handle what she has, both good and bad and what she has is always a package deal of both. In other words, I've been assigned a load I can handle.
Lysa TerKeurst (Unglued: Making Wise Choices in the Midst of Raw Emotions)
There's something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.
Joe Hill (The Fireman)
Sure, you’re a fighting, shooting Mr. Fix It, mountain-climbing, rabbit-wrangling Rain Man,” I sang to his back, “but you can’t predict the future or talk to the dead. If you ask me, you got a raw deal.”-Kris
Desni Dantone (Ignited (Ignited, #1))
I know your head aches. I know you're tired. I know your nerves are as raw as meat in a butcher's window. But think what you're trying to accomplish - just think what you're dealing with. The majesty and grandeur of the English language; it's the greatest possession we have. The noblest thoughts that ever flowed through the hearts of men are contained in its extraordinary, imaginative and musical mixtures of sounds. And that's what you've set yourself out to conquer, Eliza. And conquer it you will.
George Bernard Shaw (My Fair Lady)
One may learn a great deal about a people by the stories they tell of others.
Timothy Zahn (STAR WARS - Thrawn (Portuguese Edition))
I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon. My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it.
Lloyd Alexander
HENRY: Leave me out of it. They don’t count. Maybe Brodie got a raw deal, maybe he didn’t. I don’t know. It doesn’t count. He’s a lout with language. I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech…Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead. Act II, Scene 5, HENRY and ANNIE
Tom Stoppard (The Real Thing)
we never know the battles others are facing. We don’t know the demons they are hiding. Everyone you have ever met is fighting something. You may have thought no one could’ve had the kind of raw deal you were dealt in life, being ailed with a mental illness, yet the truth is, many have the same or worse problems than that of your own.
Kathryn Perez (Letters Written in White)
As for me, I'm modern and traditional at the same time. I, too, believe in intimacy—who doesn't? But I also believe in commitment. Marriage is, as she says, "a peculiar institution." My parents' divorce made it clear what kinds of raw deals are brokered at the altar. But right now, in America, marriage is the closest thing to what I want.
Tayari Jones (An American Marriage)
Think about it. Politics is just a name for the way we get things done ... without fighting. We dicker and compromise and everybody thinks he has received a raw deal, but somehow after a tedious amount of talk we come up with some jury-rigged way to do it without getting anybody's head bashed in. That's politics. The only other way to settle a dispute is by bashing a few heads in ... and that is what happens when one or both sides is no longer willing to dicker. That's why I say politics is good even when it is bad because the only alternative is force-and somebody gets hurt. -- Senator Tom Fries
Robert A. Heinlein (Podkayne of Mars)
Long walks are off, and alas, bathing in the sea; fillet steaks and apples and raw blackberries (teeth difficulties) and reading fine print. But there is a great deal left. Operas and concerts, and reading, and the enormous pleasure of dropping into bed and going to sleep, and dreams of every variety. Almost best of all, sitting in the sun--gently drowsing and there you are again--remembering. I remember, I remember, the house where I was born....
Agatha Christie (Agatha Christie: An Autobiography)
Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it... Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced... And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool—for that creature to use and turn to account and make meaningful... And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line—unprepared, with all its childhood terrors round its ears. And yet that’s the moment it wants. That’s where it comes alive—even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources—not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy. That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self—struggling to lift itself out of its inadequacy and incompetence—you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself.
Ted Hughes (Letters of Ted Hughes)
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
If you're only thinking, It's evangelism time! —you might become one of those insensitive doctrine-nerds that overcomplicates things while firing off apologetics to "win" people.  But you're a real human being with a story, dealing with other real human beings who have stories. So, what's your story? How did God save you? Maybe you went to church your whole life, and then suddenly God knocked you out of the pew into His total grace and you started feeding the homeless and reading to blind kids. Or maybe you were doing black tar heroin, punching cops in the face while throwing puppies out of a moving vehicle, and Jesus uppercut you in your soul. Either way, you were saved. You have a testimony.
J.S. Park (What The Church Won't Talk About: Real Questions From Real People About Raw, Gritty, Everyday Faith)
There’s something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.
Joe Hill (The Fireman)
The urge to let go of the wheel and just see what happens is compelling. If I live, I’ll wake to find myself in hospital. I won’t have to do anything, deal with anybody, talk, be scared anymore, because I will have become somebody else’s responsibility. And if I die, well then everything’s solved. No more being angry like this.
Kirsty Eagar (Raw Blue)
There’s something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.” Around
Joe Hill (The Fireman)
If I cannot move Heaven, I will raise Hell.
Cherrie Lynn (Raw Deal (Larson Brothers, #1))
No relationship is ever going to be able to replace what you had with your father.
Dayo Benson (Raw Deal)
Raw deal, wrong track, wrong song. Detest it all yet hold it close; there is esoteric comfort in deference for despair. When it is all you have, with no way out, love it darkly.
John Casey
everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.” Around
Joe Hill (The Fireman)
The essence of meditation practice in Dzogchen is encapsulated by these four points: ▪ When one past thought has ceased and a future thought has not yet risen, in that gap, in between, isn’t there a consciousness of the present moment; fresh, virgin, unaltered by even a hair’s breadth of a concept, a luminous, naked awareness? Well, that is what Rigpa is! ▪ Yet it doesn’t stay in that state forever, because another thought suddenly arises, doesn’t it? This is the self-radiance of that Rigpa. ▪ However, if you do not recognize this thought for what it really is, the very instant it arises, then it will turn into just another ordinary thought, as before. This is called the “chain of delusion,” and is the root of samsara. ▪ If you are able to recognize the true nature of the thought as soon as it arises, and leave it alone without any follow-up, then whatever thoughts arise all automatically dissolve back into the vast expanse of Rigpa and are liberated. Clearly this takes a lifetime of practice to understand and realize the full richness and majesty of these four profound yet simple points, and here I can only give you a taste of the vastness of what is meditation in Dzogchen. … Dzogchen meditation is subtly powerful in dealing with the arisings of the mind, and has a unique perspective on them. All the risings are seen in their true nature, not as separate from Rigpa, and not as antagonistic to it, but actually as none other–and this is very important–than its “self-radiance,” the manifestation of its very energy. Say you find yourself in a deep state of stillness; often it does not last very long and a thought or a movement always arises, like a wave in the ocean.  Don’t reject the movement or particulary embrace the stillness, but continue the flow of your pure presence. The pervasive, peaceful state of your meditation is the Rigpa itself, and all risings are none other than this Rigpa’s self-radiance. This is the heart and the basis of Dzogchen practice. One way to imagine this is as if you were riding on the sun’s rays back to the sun: …. Of couse there are rough as well as gentle waves in the ocean; strong emotions come, like anger, desire, jealousy. The real practitioner recognizes them not as a disturbance or obstacle, but as a great opportunity. The fact that you react to arisings such as these with habitual tendencies of attachment and aversion is a sign not only that you are distracted, but also that you do not have the recognition and have lost the ground of Rigpa. To react to emotions in this way empowers them and binds us even tighter in the chains of delusion. The great secret of Dzogchen is to see right through them as soon as they arise, to what they really are: the vivid and electric manifestation of the energy of Rigpa itself. As you gradually learn to do this, even the most turbulent emotions fail to seize hold of you and dissolve, as wild waves rise and rear and sink back into the calm of the ocean. The practitioner discovers–and this is a revolutionary insight, whose subtlety and power cannot be overestimated–that not only do violent emotions not necessarily sweep you away and drag you back into the whirlpools of your own neuroses, they can actually be used to deepen, embolden, invigorate, and strengthen the Rigpa. The tempestuous energy becomes raw food of the awakened energy of Rigpa. The stronger and more flaming the emotion, the more Rigpa is strengthened.
Sogyal Rinpoche (The Tibetan Book of Living and Dying)
You know, house-elves get a very raw deal!” said Hermione indignantly. “It’s slavery, that’s what it is! That Mr. Crouch made her go up to the top of the stadium, and she was terrified, and he’s got her bewitched so she can’t even run when they start trampling tents! Why doesn’t anyone do something about it?” “Well, the elves are happy, aren’t they?” Ron said. “You heard old Winky back at the match . . . ‘House-elves is not supposed to have fun’ . . . that’s what she likes, being bossed around. . . .” “It’s people like you, Ron,” Hermione began hotly, “who prop up rotten and unjust systems, just because they’re too lazy to —
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I knew nothing. Now I've seen what a raw deal lots of other people like Krystal get. And it's not their fault. Not their choice. People don't get to choose what body they're put into. Like, people get born into bodies in the middle of a genocide war in Darfur, and they don't get to worry about how tall they are or whether they'll ever be able to row. They're too busy worrying about how they're going to stay alive for another day.
Maureen Garvie (Amy by Any Other Name)
It may have been the 32nd century, but the ladies still get a raw deal in the galaxy. Too many macho planets with macho races that were afraid their little dingles would fall off if the females of their species were allowed some equality.
Jake Bible (Salvage Merc One (Salvage Merc One #1))
Equality over stereotype. In our field, we deal with all kinds of people from different backgrounds, races, and religions. There is no such thing as normal in our job. And the sad truth is that it's easy to place a stereotype on a person you don't know. One look at a person is all it takes for our minds to be made up on the type of person we think they are.
Belle Aurora (Raw (RAW Family, #1))
Out in the field, sitting on the grass, the hard-core omnivores are hunched around and over the cadaver of a creature they've courageously downed, greedily feasting on its flesh, while furtively looking around in all directions.. one of them has thrown in a few wilted sprigs of asparagus and a bucketful of ketchup to sweeten the deal. The vegetarians have caught an animal, chased her baby over to the omnivores, and are suckling from her nipples, while others feast on a basket of gathered birds eggs. The vegans have just ploughed through a mono crop of wheat, and soy and are enjoying their tofu burgers. Meanwhile those radical fruitarian extremists are in the cherry trees, looking on in wide-eyed bewilderment..
Mango Wodzak
I feel like most folks want a book they feel like they have time to finish. You don’t want to start A Game of Thrones when you might catch fire all of a sudden. There’s something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.
Joe Hill (The Fireman)
I feel like most folks want a book they feel like they have time to finish. You don’t want to start A Game of Thrones when you might catch fire all of a sudden. There’s something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.” Around
Joe Hill (The Fireman)
Constitutionalists believe taxpayers are better stewards of their money than government. Since people, even very wise people, are limited in what they can know about complex societies, voluntary giving is the proper way for an individual to become an “ally of the poor.
Burton W. Folsom Jr. (New Deal or Raw Deal?: How FDR's Economic Legacy Has Damaged America)
But I've been paying attention for a while now, and I think there's also actual ordinary. People who never wonder if this is all there is, and have never gnashed their teeth at what a raw deal this whole thing inevitably becomes at some point or another, sooner or later.
Caroline Zancan (We Wish You Luck)
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow . . . It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know -- but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten -- and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight -- Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try -- it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service
There's something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyonealways dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.
Joe Hill
He studied a roll, weighing it in his hand. It seemed awfully heavy. As good as the food had been so far, it didn't seem likely that it was underbaked, but he was not in the mood to choke down raw dough. He nibbled it dubiously, then bit into it with a great deal more enthusiasm when it proved to have sausage baked into the middle of it.
Mercedes Lackey (Magic's Promise (The Last Herald-Mage #2))
You know what I get to wondering, Maurice? Tell me, Charlie. About death, Moss. Here we go. Is it as raw a deal as they make it out to be? Come again?
Kevin Barry (Night Boat to Tangier)
If you cheat to win you really can't claim victory because you did not play fair. 
Germany Kent
And all that borrowed magic?” Des continues. “The process is called cobinding, and though Typhus made it sound cavalier and impersonal, it’s not like that,” Des says. I stare down at my fae wine. “Then how is it?” “Remember those horcruxes in Harry Potter?” I begin to smile in spite of myself. “Are you seriously dropping an HP reference right here, right now?” I ask, glancing over at Des. “I have your undivided attention, don’t I?” “And all my love.” I mean, I knew he was soulmate material before, but this pretty much just sealed the deal. Des’s face grows serious. “Essentially, when you exchange magic, you’re transferring more than raw energy. You’re moving a piece of yourself as well.” That’s massively creepy.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
Justice will not be served until those who are unaffected are as outraged as those who are. -Benjamin Franklin Not everything that is faced can be changed. But nothing can be changed until it is faced. -James Baldwin She wore an expression I've only seen in paintings in museums, of a love and a grief so fierce that they forged together to create some new, raw emotion. There are two types of people who become public defenders: those who believe they can save the world, and those who know damn well they can. Any public defender who tells you justice is blind is telling you a big fat lie. If no one ever talks about race in court, how is anything ever supposed to change? It is amazing how you can look in a mirror your whole life & think you are seeing yourself clearly. Then one day, you peel off a filmy gray layer of hypocrisy, & you realize you've never truly seen yourself at all. My client hates me. She thinks I'm a racist. Micah: She has a point. You're white and she's not, and you both happen to live in a world where white people have all the power. It is a strange thing being suddenly motherless. It's like losing a rudder that was keeping me on course, one that I never paid much mind to before now. Who will teach me how to parent, how to deal with the unkindness of strangers, how to be humble? You already did, I realize. She looks at me, and we laugh....we have more in common than we have differences. Everyone has prejudices. It's my job to make sure that they work in favor of the person I'm representing. The Millennials are the me generation. They usually think everything revolves around them, and make decisions based on what's going on in their lives & how it will affect their lives. They're minfields of egocentrism.
Jodi Picoult (Small Great Things)
Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.
Thomas Bernhard (Woodcutters)
You don’t want to start A Game of Thrones when you might catch fire all of a sudden. There’s something horribly unfair about dying in the middle of a good story, before you have a chance to see how it all comes out. Of course, I suppose everyone always dies in the middle of a good story, in a sense. Your own story. Or the story of your children. Or your grandchildren. Death is a raw deal for narrative junkies.
Joe Hill (The Fireman)
She was sweet, genuine, sexy as fuck, and broken. That was the one thing he kept coming back to. Even as she tried to put on a brave front, he could see that she was still suffering. He wasn’t sure if his natural brand of fuck ‘em and bounce was gonna be any help to her, but he knew he didn’t like the raw deal she’d gotten. If he could bring her out of that shell just a little, give her some of her own back well then.
Jordan Silver (Broken)
In crafting the Constitution, the Founders emphasized process, not results. If we follow the Constitution, we won’t have a perfect society, which is unattainable by imperfect humans. But we will provide opportunity for people to use their natural rights to pursue the acquisition of property and their personal happiness. The results may yield sharp inequalities of income, but the process will guarantee chances for almost everyone.
Burton W. Folsom Jr. (New Deal or Raw Deal?: How FDR's Economic Legacy Has Damaged America)
The first question we must address deals with optimism, the possibility of achieving our goal. Are we in a position where we can actually hope to effect change? Assuming we become convinced that there are reasons for optimism, we move to the next question. Are we cetain that we want change? The stories about EHMs, jackals, and suffering around the globe strike raw nerves, but now we demand absolute proof that our grievances justify the efforts change will demand. Third: Is there a unifying principle that will validate our efforts? We look to ascertain that we are not merely seeking to impose our moral, religious, or philosophical values on others but instead are intent on creating something of true and lasting universal benefit. And finally: What can we each do? You and I personally need to evaluate our talents and passions. What are our individual options and desires? How do they fit into the bigger picture?
John Perkins (The Secret History of the American Empire: Economic Hit Men, Jackals & the Truth about Global Corruption)
The supply of subjects was a continual trouble to him as well as to his master. In that large and busy class, the raw material of the anatomists kept perpetually running out; and the business thus rendered necessary was not only unpleasant in itself, but threatened dangerous consequences to all who were concerned. It was the policy of Mr. K — to ask no questions in his dealings with the trade. ‘They bring the body, and we pay the price,’ he used to say, dwelling on the alliteration— ‘quid pro quo.’ And, again, and somewhat profanely, ‘Ask no questions,’ he would tell his assistants, ‘for conscience’ sake.’ There was no understanding that the subjects were provided by the crime of murder.
Robert Louis Stevenson (Collected Works of Robert Louis Stevenson)
Wrapping his good arm around her waist, he lifted her against him. He pushed his hard, aching cock against her belly, rubbing her nakedness through the barrier of his trousers. “Do you feel that?” Her gasp was more of a squeak. “Yes.” “I have a bad side, Emma. One that has nothing to do with my scars. You’ve no idea what I’d like to do to you. Push you against a wall. Drive my cock into your sweet, wet heat. Tup you senseless. Raw. So hard that you wouldn’t walk for days. And that’s only to start.” Heat sparked and crackled between them. Her nipples hardened, pressing against his chest like spear points. “Was that speech meant to put me off?” Her voice was breathless. “Because if so, I must tell you it backfired.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
Objects and Objectives To contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind. A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well. From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.
Jay Woodman (SPAN)
Experiment is valued by Schlesinger more than experience, and compassion, not results, is described as “the best answer.” Leuchtenburg follows a similar line and notes, “many workingmen, poor farmers, and others who felt themselves to have been neglected in the past regarded Roosevelt as their friend. They sensed that his was a humane administration, that the President cared what happened to them.” Historians seem to focus on “caring” and “compassion” more than on the unprecedented lack of recovery for the eleven years from 1929 to 1940.
Burton W. Folsom Jr. (New Deal or Raw Deal?: How FDR's Economic Legacy Has Damaged America)
I’m not saying I shouldn’t have changed sooner, or that we can’t change our views about things until we have to deal with them in real life. But I’m trying to get down to the raw truth of it all here, even if it doesn’t show me at my best. I’m trying to be as honest as I possibly can.
Meg Waite Clayton (The Wednesday Sisters)
The failed deal crushed McClure, precipitating a nervous breakdown in April 1900 that propelled him to Europe to undergo the celebrated “rest-cure” devised by an American physician, S. Weir Mitchell. Prescribed for a range of nervous disorders, the rest cure required that patients remain isolated for weeks or even months at a time, forbidden to read or write, rigidly adhering to a milk-only diet. Underlying this regimen was the assumption that “raw milk is a food the body easily turns into good blood,” which would restore positive energy when pumped through the body.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
This is a time in baseball when steroids have become a pretty big deal. On our team, you got Barry Bonds, who is hitting home runs like a mortar barrage, and whose head has grown to a size where when they make his promotional bobble-head, they just do the whole thing to scale, while across the bay in Oakland, Mark McGwire now has forearms like Popeye and will only speak in dialects of horse, and they’re keeping José Canseco chained to a post under the ballpark and throwing him raw meat until right before game time, so the league is starting to get sensitive about it.
Christopher Moore (Secondhand Souls (Grim Reaper, #2))
matter how many magic maidens they kiss or rape, they are going to stay that way … Toads don’t make laws or change any basic structures, but one or two rooty insights can work powerful changes in the way they get through life. A toad who believes he got a raw deal before he even knew who was dealing will usually be sympathetic to the mean, vindictive ignorance that colors the Hell’s Angels’ view of humanity. There is not much mental distance between a feeling of having been screwed and the ethic of total retaliation, or at least the kind of random revenge that comes with outraging the public decency.
Hunter S. Thompson (Hell's Angels)
When she lifted her head to meet his gaze, his eyes were closed, lashes like inky brushstrokes on his cheeks. His palms came up to cup the sides of her neck, and with a shaky sigh, he rested his forehead against hers. “I’ll let you go, Billie.” His words poured against her lips, husky, raw. “I always keep my end of a deal. In exchange, you’ll come to Avalon as a client. Tomorrow. This week. Walk through those doors and send for me. I’ll be whatever you want. I’ll take you up to my room and turn you inside out. I’ll taste and touch and fuck you until you scream. And if you want control, it’s yours. A favor for a favor.” She clung to him to keep from collapsing, torn between tears and wild, wayward laughter. The scenario was unreal. And the only argument she could think of was a frail one, easily shot down. “Azure would never allow—” “It’s as good as done. I’ll put you in the book myself. Maria will call you with the date, and I’ll keep my distance from you until then.” His lips brushed her ear. “Please, Billie. Let’s end this before it kills us both. Say yes.” The truth wrapped itself around her. You’re hopelessly in love with this man, aren’t you, Billie Cort? “Yes,” Billie said, squeezing her eyes closed. “God, yes.
Shelby Reed (The Fifth Favor)
Oh, please.” Loki stepped back, examining me with a look of disappointment. “It’s only a matter of degree. So I killed a god. Big deal! He went to Niflheim and became an honored guest in my daughter’s palace. And my punishment? You want to know my punishment?” “You were tied on a stone slab,” I said. “With poison from a snake dripping on your face. I know.” “Do you?” Loki pulled back his cuffs, showing me the raw scars on his wrists. “The gods were not content to punish me with eternal torture. They took out their wrath upon my two favorite sons–Vali and Narvi. They turned Vali into a wolf and watched with amusement while he disemboweled his brother Narvi. Then they shot and gutted the wolf. The gods took my innocent sons’ own entrails…” Loki’s voice cracked with grief. “Well, Magnus Chase, let’s just say I was not bound with ropes.” Something in my chest curled up and died–possibly my hope that there was any kind of justice in the universe. “Gods.” Loki nodded. “Yes, Magnus. The gods. Think about that when you meet Thor.” “I’m meeting Thor?” “I’m afraid so. The gods don’t even pretend to deal in good and evil, Magnus. It’s not the Aesir way. Might makes right. So tell me… do you really want to charge into battle on their behalf?
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
The game of lifting isn’t an 8-week pursuit. It doesn’t last as long as your latest program does. Rather, it’s a lifetime pursuit. If you understand this, then progressing slowly isn’t a big deal. In fact, this can be a huge weight lifted off your back. Now you can focus on getting those 5 extra pounds rather than 50.
Jim Wendler (5/3/1: The Simplest and Most Effective Training System for Raw Strength)
Underconsumption theory especially appealed to intellectuals. If the rich were wrecking American industry, exploiting tax cuts, and using their economic power to impoverish farmers and laborers, then capitalism was failing. Government, by implication, needed to step in and appoint “experts” to planning boards to jump-start the
Burton W. Folsom Jr. (New Deal or Raw Deal?: How FDR's Economic Legacy Has Damaged America)
When we make stories, when we turn raw events into personal sagas, parables, tales, and anecdotes, we are often struggling to come to terms with one of the inescapably difficult and puzzling facts of existence. Storytelling is an attempt to deal with and at least partly contain the terrifyingly haphazard quality of life. Large parts of life, sometimes the mots crucial parts, depend on random happenings, contingency. A woman turns a corner, meets a strange man, two years later they marry, they have children together – and in twenty years, there are adults walking the earth who would not have existed if that woman had not turned that corner on that day. The human results of that apparently random event may go on for hundreds or even thousands of years, a single stray moment casting its shadow into an unimaginably long future. We can gaze on this fact with wonder; but we may also grow uneasy in contemplating it, because it emphasizes how little we control the course of our lives
Robert Fulford (The Triumph of Narrative: Storytelling in the Age of Mass Culture)
Humiecki and Graef asked Laudamiel to create a perfume that captures the state of ‘how men cry’—eruptive and sensual. Pictures from Slavic culture, as well as how they deal with melancholia and happiness served as inspiration [sic]. The result is a perfume that combines raw eruption, sensual strength, melancholic warmth and deep mysticism.
Luca Turin (Perfumes: The Guide)
You knew she was the real deal from the moment she started talking. Her words were powerful. She had that certain way about her that sucked you in. It was beyond your better logic. You hated the way she made you feel. You mistook it for helplessness; lack of control. But truth was that she aspired nothing else but harmony and serenity. She was only guilty of raw magnetism.
Alain Delon (Delon, Romy: Ils Se Sont Tant Aimés)
No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age. A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!
Henry Miller (Black Spring)
Creative writer has artistic sensibility. He observes the world like any common men. But his vision observes the world quite differently. He can perceive from life-experience what common man cannot see at all. This experience and observation get imaginative colours with the help of artistic sensibility. He creates a world of imaginative reality. His world is more beautiful and artistic than the real world. He is naturally gifted to create the work which has power to move or transport the reader. He gets his raw material from the life. He is critic of life. Criticism is a task of those who write on the creative writings. The word criticism has been derived from the Greek word Kritikos, which means ‘able to discern and judge’ and whoever does the act of judging is called Critic. Criticism is the art of judging the merits and demerits of creative composition. In the words of Thomas De Quincey criticism may be termed as the literature of knowledge and creative writing as the literature of power. Literature of power deals with life, where as literature of knowledge share information on creative composition. Alexander Pope has rightly said: “Both from Heaven derive their light These born to judge, as well as those to write.” He gives equal value to both the critic and the creative writer. To him both are gifted writers, one to write creatively and the other to judge the creativity. But Dryden does not agree with the views of Pope. To him “the corruption of a poet is the generation of a critic.” He believed that those who cannot be good creative writer they become critics and corrupt creativity of the artists. Lessing believed that, “Not every critic is born a genius, but every genius is born a critic of art. He has within himself the evidence of all rules.” He gives respectful place to critics and criticism. He is of the belief that the critics are born genius to judge the work of art. No critic can ever form accurate judgement unless he possesses the artist’s vision. Criticism and creativity are inextricably mingled with each other. Thus the artist is the critic of life and Critic, that of art. The artist must have the imagination and vision to critically imitate the life/nature; the Critic from beginning to end, relive the same experience.
Aristotle
There was a time," he said, "when I enjoyed a great deal of female companionship. But then you put me in a cage with those damned letters of yours." "I'm not understanding you." "All the men believed I had a devoted sweetheart. They looked up to me, believed me loyal and devoted, too. None of them wanted to see that falter. They chased the camp-followers away from my tenet. The other officers went to brothels and left me to mind the camp. Our champlain passed more time with the ladies than I did." Agitated, he pushed a hand through his hair. "I haven't lain with a woman since what feels like Old Testament times." She smiled a little. "Are you saying you were faithful to me?" He rolled his eyes. "Not on purpose. dinna dress it up as something, it's not." "Believe me, I'm trying very hard to not do that. But I have too much imagination. Now I'm picturing you huddled by a lonesome campfire while all the other officers are out carousing. You're holding one of my letters and caressing it like a lovesick..." No, no, no. Logan had to put a stop to that notion, here and now. His hands went to her waist and he pulled her close, startling a little gasp from her. Her body met his, soft and warm. "What I'm saying isna romantic. It's raw, primal, and entirely crude." He lowered his voice toa growl. "You Madeline Gracechurch, have been driving me slowly mad with lust. For years.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
The master propagandist, like the advertising expert, avoids obvious emotional appeals and strives for a tone that is consistent with the prosaic quality of modern life—a dry, bland matter-of-factness. Nor does the propagandist circulate "intentionally biased" information. He knows that partial truths serve as more effective instruments of deception than lies. Thus he tries to impress the public with statistics of economic growth that neglect to give the base year from which growth is calculated, with accurate but meaningless facts about the standard of living—with raw and uninterpreted data, in other words, from which the audience is invited to draw the inescapable conclusion that things are getting better and the present régime therefore deserves the people's confidence, or on the other hand that things are getting worse so rapidly that the present régime should be given emergency powers to deal with the developing crisis.
Christopher Lasch (The Culture of Narcissism: American Life in An Age of Diminishing Expectations)
At Zuzanna’s urging, I approached him for advice about my being overwhelmed as a mother. With trying to juggle work, caring for a young daughter, and being a wife, I was often worn to a frazzle and lost my temper more and more. Father Skala suggested that, in addition to prayer, I might also wear a rubber band on my wrist and snap it every time I felt my temper getting the better of me. I wore the dull red band on my wrist and did a good deal of band-snapping each day. By week’s end, my wrist was raw from snaps.
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
Do you know a Psychopath? You do not know me; but after reading my memoir you will know me a little better and you will have had the experience of safely getting into the mind and life of a young psychopath in training. Critics have written: It is a powerful and unusual memoir; brutal and raw. A Psychopath In Training: In 1997 psychiatrist’s contracted by the Correctional Service and the National Parole Board wrote in their final report, before I was released back into the community, they had diagnosed me to be a psychopath. A Psychopath: How does one become a Psychopath? After of the death of my young mother, when I was fourteen, I became a ward of the state and forced into the care and custody of the Catholic Christian Brothers at St. John’s Catholic Training School for Boys until after I turned sixteen. Since then I have been incarcerated over seventeen years in various prisons, institutions and juvenile detention centres. I have been interviewed and treated by so many prison psychiatrists and psychologists I should be called the professional. In my youth I have experienced almost every kind of sleaze, sex and violence humans can inflict on each other. I had to learn the hard way on how to identify and deal with the people who were the dangerous psychopath’s in my life and the proof I succeeded is; I am still alive. My book cover depicts what is coming out of the government foster homes and prisons today: Our communities and our police forces are not at all prepared for the dangerous psychopaths being churned out. Are you ready? You and the educators alike can learn from my memoir.
Michael A. Hodge
Is it possible that our world still knows better how to deal with a bandit, a murderer, and insurrectionist than it knows what to do with the Prince of Peace? There is a sense in which an assassin's attempt on the pope's life is less shocking to our world than the pope's forgiveness of him. Is it possible that we would rather deal with raw power that rides on a stallion than with this one who comes on a donkey, with the weapons of love, patience, suffering, and peace? Given the choice, isn't it possible that we would take Barabbas, too?
James A. Harnish
Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Do you hear me? I only knew I had to have you.” Not only have her, but keep her. Make her his own. Even now, the thought of letting her walk away . . . he couldn’t bear it. No. He wouldn’t allow it. This wasn’t tenderness that filled him with a fiery resolve. It was possession. Pure, raw, wild. If she could glimpse the brutish, primal impulses coursing through him, she would run like a rabbit flees a ravening wolf. And he would catch her. “You’re mine,” he said hoarsely, lifting his head and staring deep into her eyes, willing her to believe. “If you leave, I will follow. Do you hear me? I will follow and find you and cart you home.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
Back at the Berlin Conference of 1885, it was decided that the Congo Free State was to be open to international trade. Competition between market and state still exists today, in fact more than ever. In those days the focus was solely on the purchase of raw materials, today it’s about the selling of products as well—even in a desperately poor country, there is a great deal of money to be made with the trade in little commodities like phone vouchers, bottles of soda pop, or bags of powdered milk. To win the souls of all those dispossessed, foreign companies colonize the public spaces of the destroyed country with a temerity only thinly disguised by the bright smile of slick marketing.
David Van Reybrouck (Congo: The Epic History of a People)
we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that. The movie. The damn movie. I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope. And I was an idiot. And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.” He hadn’t fallen asleep. If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully. When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all. And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him. I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence. The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it. All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose. The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit. He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie
Mariana Zapata (The Wall of Winnipeg and Me)
That grip tightened again but this time he started rubbing his first two fingers against her neck in a soft little rhythm. The action was almost erotic. Or maybe that was just the effect he was having on her. She could feel his gentle stroking all the way to the pulsing point between her legs. Maybe she had mental issues that this man was turning her on. He leaned closer, skimming his mouth against her jawline and she froze. Just completely, utterly froze. “Are you meeting Tasev?” he whispered. She’d told herself to be prepared for this question, to keep her reaction under wraps, but he came to his own conclusion if his savage curse was anything to go by. Damn it, Wesley was going to be pissed at her, but Levi had been right. She had operational latitude right now and she needed to keep Levi close. They needed to know what he knew and what he was planning. Trying to shut him out now, when he was at the party specifically to meet the German, would be stupid. Levi had stayed off their radar for two years because he was good. Of course Wesley hadn’t exactly sent out a worldwide manhunt for him either. About a year ago he’d decided to more or less let him go. Now . . . “I met with the German earlier tonight. He squeezed me in before some of his other meetings.” Levi snorted, his gaze dipping to her lips once more, that hungry look in place again. It was so raw and in her face it was hard to ignore that kind of desire and what it was doing to her. “I can understand why.” Even though Levi didn’t ask she decided to use the latitude she had and bring him in on this. They had similar goals. She needed to bring Tasev down and rescue a very important scientist—if he was even the man who’d sent out an emergency message to Meghan/Wesley—but that didn’t mean she couldn’t let Levi have Tasev once she’d gotten what she needed. “I’m meeting with Tasev tomorrow night.” At her words every muscle in Levi’s lean, fit body stilled. Before he could respond, she continued, “I’ll make you a deal. You can come with me to the meeting—if we can work out an agreeable plan—but you don’t kill him until I get what I want. I have less than a week. Can you live with that time line?” She was allowed to bring one person with her to the meeting so it would be Levi—if he could be a professional and if Wesley went for it. And of course, if Tasev did. They had a lot to discuss before she was on board one hundred percent, but bringing along a seasoned agent—former agent—like Levi could be beneficial. Levi watched her carefully again, his gaze roaming over her face, as if he was trying to see into her mind. “You’re not lying. Why are you doing this?” “Because if I try to shut you out you’ll cause me more problems than I want to deal with. And I don’t want to kill you.” Those dark eyes narrowed a fraction with just a hint of amusement—as if he knew she couldn’t take him on physically. “And?
Katie Reus (Shattered Duty (Deadly Ops, #3))
Such good relations we had that if there was any function that we had, then we used to call Musalmaans to our homes, they would eat in our houses, but we would not eat in theirs and this is a bad thing, which I realize now. If they would come to our houses we would have two utensils in one corner of the house, and we would tell them, pick these up and eat in them; they would then wash them and keep them aside and this was such a terrible thing. This was the reason Pakistan was created. If we went to their houses and took part in their weddings and ceremonies, they used to really respect and honour us. They would give us uncooked food, ghee, atta, dal, whatever sabzis they had, chicken and even mutton, all raw. And our dealings with them were so low that I am even ashamed to say it. A guest comes to our house and we say to him, bring those utensils and wash them, and if my mother or sister have to give him food, they will more or less throw the roti from such a distance, fearing that they may touch the dish and become polluted ... We don’t have such low dealings with our lower castes as Hindus and Sikhs did with Musalmaans.
Urvashi Butalia (Other Side Of Silence: Voices from the Partition of India)
The first thing to understand is that just because somebody interviewed well and reference-checked great, that does not mean she will perform superbly in your company. There are two kinds of cultures in this world: cultures where what you do matters and cultures where all that matters is who you are. You can be the former or you can suck. You must hold your people to a high standard, but what is that standard? I discussed this in the section “Old People.” In addition, keep the following in mind:   You did not know everything when you hired her. While it feels awkward, it is perfectly reasonable to change and raise your standards as you learn more about what’s needed and what’s competitive in your industry.   You must get leverage. Early on, it’s natural to spend a great deal of time integrating and orienting an executive. However, if you find yourself as busy as you were with that function before you hired or promoted the executive, then she is below standard.   As CEO, you can do very little employee development. One of the most depressing lessons of my career when I became CEO was that I could not develop the people who reported to me. The demands of the job made it such that the people who reported to me had to be 99 percent ready to perform. Unlike when I ran a function or was a general manager, there was no time to develop raw talent. That can and must be done elsewhere in the company, but not at the executive level. If someone needs lots of training, she is below standard.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
The tyro knows nothing, and everybody, including himself, knows it. But the next, or second, grade thinks he knows a great deal and makes others feel that way too. He is the experienced sucker, who has studied not the market itself but a few remarks about the market made by a still higher grade of suckers. The second-grade sucker knows how to keep from losing his money in some of the ways that get the raw beginner. It is this semisucker rather than the 100 per cent article who is the real all-the-year-round support of the commission houses. He lasts about three and a half years on an average, as compared with a single season of from three to thirty weeks, which is the usual Wall Street life of a first offender. It is naturally the semisucker who is always quoting the famous trading aphorisms and the various rules of the game. He knows all the don'ts that ever fell from the oracular lips of the old stagers excepting the principal one, which is: Don't be a sucker! This semisucker is the type that thinks he has cut his wisdom teeth because he loves to buy on declines. He waits for them. He measures his bargains by the number of points it has sold off from the top. In big bull markets the plain unadulterated sucker, utterly ignorant of rules and precedents, buys blindly because he hopes blindly. He makes most of the money until one of the healthy reactions takes it away from him at one fell swoop. But the Careful Mike sucker does what I did when I thought I was playing the game intelligently according to the intelligence of others. I knew I needed to change my bucket-shop methods and I thought I was solving my problem with any change, particularly one that assayed high gold values according to the experienced traders among the customers.
Edwin Lefèvre (Reminiscences of a Stock Operator)
No sound strategy for studying fascism can fail to examine the entire context in which it was formed and grew. Some approaches to fascism start with the crisis to which fascism was a response, at the risk of making the crisis into a cause. A crisis of capitalism, according to Marxists, gave birth to fascism. Unable to assure ever-expanding markets, ever-widening access to raw materials, and ever-willing cheap labor through the normal operation of constitutional regimes and free markets, capitalists were obliged, Marxists say, to find some new way to attain these ends by force. Others perceive the founding crisis as the inadequacy of liberal state and society (in the laissez-faire meaning of liberalism current at that time) to deal with the challenges of the post-1914 world. Wars and revolutions produced problems that parliament and the market—the main liberal solutions—appeared incapable of handling: the distortions of wartime command economies and the mass unemployment attendant upon demobilization; runaway inflation; increased social tensions and a rush toward social revolution; extension of the vote to masses of poorly educated citizens with no experience of civic responsibility; passions heightened by wartime propaganda; distortions of international trade and exchange by war debts and currency fluctuations. Fascism came forward with new solutions for these challenges. Fascists hated liberals as much as they hated socialists, but for different reasons. For fascists, the internationalist, socialist Left was the enemy and the liberals were the enemies’ accomplices. With their hands-off government, their trust in open discussion, their weak hold over mass opinion, and their reluctance to use force, liberals were, in fascist eyes, culpably incompetent guardians of the nation against the class warfare waged by the socialists. As for beleaguered middle-class liberals themselves, fearful of a rising Left, lacking the secret of mass appeal, facing the unpalatable choices offered them by the twentieth century, they have sometimes been as ready as conservatives to cooperate with fascists. Every strategy for understanding fascism must come to terms with the wide diversity of its national cases. The major question here is whether fascisms are more disparate than the other “isms.” This book takes the position that they are, because they reject any universal value other than the success of chosen peoples in a Darwinian struggle for primacy. The community comes before humankind in fascist values, and respecting individual rights or due process gave way to serving the destiny of the Volk or razza. Therefore each individual national fascist movement gives full expression to its own cultural particularism. Fascism, unlike the other “isms,” is not for export: each movement jealously guards its own recipe for national revival, and fascist leaders seem to feel little or no kinship with their foreign cousins. It has proved impossible to make any fascist “international” work.
Robert O. Paxton (The Anatomy of Fascism)
Pharisees angrily labeled Jesus a “blasphemer” for claiming He was no garden-variety prophet, but the very Son of God, they were not telling the truth, but their experience of His words was “accurate” within their frame of reference. In the same way, it’s accurate for us to label how God sometimes behaves as “brutal,” but it’s not true. Five years or so ago I was slowly realizing that I’d compartmentalized God for most of my life—I did not (could not?) understand the stories about Him, or His dealings with me, in an integrated way. No one had been more tender or kind to me in my life—there’s a greatness to God’s love for me that is palpable and … fundamental. There are tears I need to cry that release only when I’m alone in His presence. There are raw places in my heart that only He knows how to access and nurture. There are secrets about my soul that only He can speak to. But He has a fearsome and nearly inexplicable side—revealed in Joshua 10 and 11 and everywhere else in the Bible—that I didn’t know what to do with. It’s as if I was offered a five-course meal of God and told the waiter to take the beet-and-brussels-sprout salad back to the kitchen; I’d rejected the parts of God that made me feel sick to my stomach. And here’s something that served only to deepen my dissonance: I’d experienced a deeper love than I’ve ever known from Him during times of great brutality in my life.
Rick Lawrence (Sifted: God's Scandalous Response to Satan's Outrageous Demand)
Do you know how hard it was?” he breathes, his palm resting on my neck, his thumb smoothing across the sensitive area. “I’m sorry you had to do that.” I place my finger over a small hole in his chest where one of the tubes was embedded. “I really am, especially since you had to go there pretty much for nothing.” He shakes his head. “Not that… I’ve already told you that pain isn’t a big deal.” He brushes his lips across mine. “Being away from you… it gets harder and harder… I swear to God it actually feels like I’m dying.” I don’t know what to say at his honestly raw admittance and he doesn’t give me time as he crashes his lips against mine.
Jessica Sorensen (Fractured Souls (Shattered Promises, #2))
I'm not equipped to handle what she has, both good and bad--and what she has is always a package deal of both.
Lysa TerKeurst (Unglued: Making Wise Choices in the Midst of Raw Emotions)
Raw humor is a quality issue that has to be dealt with; the quality of the humor, or a metabolite in our modern biology, is an important factor in health preservation, a fact that is rarely given attention when merely measuring the quantity of a biomolecule. In a Western-type clinical environment, the physician or nurse may not be aware of this issue since all blood indicators they deal with are quantitative and only measured in the blood, the assessment and treatment is based on whether the test results show above or below the normal range. According to Avicenna, in many instances the raw humor may be higher in concentration within the organ, and not within the vessels, and its effect is local rather than systemic.
Mones Abu-Asab (Avicenna's Medicine: A New Translation of the 11th-Century Canon with Practical Applications for Integrative Health Care)
In many cases, your success is going to depend on your ability to think in reverse, something Trump is a master of. Thinking in reverse comes into play when you make a proposal that is so outrageous that you know it has no chance of acceptance in its raw form and then reversing your course and agreeing to modify your proposal to make it more palatable for the other side.
George H. Ross (Trump-Style Negotiation: Powerful Strategies and Tactics for Mastering Every Deal)
What this means is that Jesus was the real deal; but not only that, God’s whole deal with the world had changed. The new age that began as Jesus’ resurrection was the firstfruits of the future resurrection, and he was the firstborn of the new creation (Rom 8:29; 1 Cor 15:20, 23; Col 1:15, 18; Heb 12:23; Rev 1:5). So when the first Christians proclaimed Jesus’ resurrection to outsiders, it wasn’t a case of, “Well, chaps, you’ll never guess what happened last Sunday, our dear friend Yeshua ben Joseph, who got a raw deal at his trial, came back to life after his horrible execution. Isn’t God really nice!” The resurrection meant that Jesus was the climax of God’s plan.
Michael F. Bird (Evangelical Theology: A Biblical and Systematic Introduction)
With Dremel, engineers could formulate queries using an SQL-like syntax, speeding up the process of iterative analysis without dealing with the overhead of defining raw MapReduce jobs.
Anonymous
Most of the studies on chess thinking are related to expertise and really they are about perception. they deal with our visual take on positions rather than the thinking as a productive process. Chess ability stems from noticing patterns over time and recognising in related contexts. Patterns are the raw material of the trunking process, they are constellations of pieces that we gradually become to understand as competitively meaningful.
Jonathan Rowson (The Moves That Matter: A Chess Grandmaster on the Game of Life)
The truth is, a trade deficit is not in and of itself something to fear. America doesn’t need to zero out its trade deficit to protect jobs and rebuild communities. As long as the federal government stands ready to use its fiscal capacity to maintain full employment at home, there is no reason to resort to a trade war. Instead, we can envision a new world trade order that works better, not for corporations seeking to exploit cheap labor and escape regulations, but for millions of workers who’ve received such a raw deal under previous “free trade” policies in the post-NAFTA era. Reenvisioning trade also can lead to better policies for developing countries and for the global environment.
Stephanie Kelton (The Deficit Myth: Modern Monetary Theory and the Birth of the People's Economy)
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night. Bob Hicok, Insomnia Diary. (University of Pittsburgh Press. 2004)
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
I discovered something else, and that is that suckers differ among themselves according to the degree of experience. The tyro knows nothing, and everybody, including himself, knows it. But the next, or second, grade thinks he knows a great deal and makes others feel that way too. He is the experienced sucker, who has studied not the market itself but a few remarks about the market made by a still higher grade of suckers. The second-grade sucker knows how to keep from losing his money in some of the ways that get the raw beginner. It is this semisucker rather than the 100 per cent article who is the real all-the-year-round support of the commission houses. He lasts about three and a half years on an average, as compared with a single season of from three to thirty weeks, which is the usual Wall Street life of a first offender. It is naturally the semisucker who is always quoting the famous trading aphorisms and the various rules of the game. He knows all the don'ts that ever fell from the oracular lips of the old stagers excepting the principal one, which is: Don't be a sucker! This semisucker is the type that thinks he has cut his wisdom teeth because he loves to buy on declines. He waits for them. He measures his bargains by the number of points it has sold off from the top. In big bull markets the plain unadulterated sucker, utterly ignorant of rules and precedents, buys blindly because he hopes blindly. He makes most of the money until one of the healthy reactions takes it away from him at one fell swoop. But the Careful Mike sucker does what I did when I thought I was playing the game intelligently according to the intelligence of others. I knew I needed to change my bucket-shop methods and I thought I was solving my problem with any change, particularly one that assayed high gold values according to the experienced traders among the customers.
Edwin Lefèvre (Reminiscences of a Stock Operator)
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
You knew she was the real deal from the moment she started talking. Her words were powerful. She had that certain way about her that sucked you in. It was beyond your better logic. You hated the way she made you feel. You mistook it for helplessness; lack of control. But truth was that she aspired nothing else but harmony and serenity. She was only guilty of raw magnetism.
Alain Delon (Delon, Romy: Ils Se Sont Tant Aimés)
You knew she was the real deal from the moment she started talking. Her words were powerful. She had that certain way about her that sucked you in. It was beyond your better logic. You hated the way she made you feel. You mistook it for helplessness; lack of control. But truth was that she aspired nothing else but authenticity. She was only guilty of raw magnetism.
Alain Delon (Delon, Romy: Ils Se Sont Tant Aimés)
He abstains from dancing, singing, instrumental music, and from watching shows. "He abstains from wearing garlands and from beautifying himself with scents and cosmetics. "He abstains from high and luxurious beds and seats. "He abstains from accepting gold and money. "He abstains from accepting uncooked grain... raw meat... women and girls... male and female slaves... goats and sheep... fowl and pigs... elephants, cattle, steeds, and mares... fields and property. "He abstains from running messages... from buying and selling... from dealing with false scales, false metals, and false measures... from bribery, deception, and fraud. "He abstains from mutilating, executing, imprisoning, highway robbery, plunder, and violence.
Tushar Gundev (Common Questions, Great Answers: In Buddha's Words)
OLIVIA DIDN’T WANT TO SEE SIMON. She didn’t know how to deal with what she felt. It was raw physical attraction with no emotional link, and it was totally wrong at
Barbara Delinsky (The Vineyard)
Why did the guys seem okay with their second request being rejected?” “Although you smelled good to them, they knew it wasn’t just right.  When it is, they won’t give up, which is why staying with me is so important.  We have laws that control certain aspects of the social side of the pack.  One is that unMated human females, like you, cannot be approached without the approval of the nearest Elder.” “Then, why can’t you just tell them all ‘no’ for me in advance, so we don’t have to mess with this whole Introduction thing?” “Because I have to give them the chance to see for themselves that it’s not right.  Was it that bad?  Meeting people?  No one treated you the way some human men have treated you.” I couldn’t disagree.  “How often is this going to happen?” “Once a month.” I sat up straighter.  “No way.”  I shook my head for emphasis.  It was a cool enough place, but sixteen hours of driving in a single weekend every month would get boring.  “Once every two months.” “Every five weeks, with flexibility to switch weeks if needed,” he said. “Seven weeks.” “Six,” he said with a sideways glance at me. “Fine, every six weeks,” I compromised.  Then I threw in another condition.  “Until I graduate.  Then, I’m going to college and won’t be obligated to take time out of studying for dating—or whatever you want to call this—if I don’t want to.” “Deal,” he agreed. I stared at him.  He’d agreed too easily.  Was that a hint of a smile on his mouth?  Why did I feel like I just got the raw end of the deal? 
Melissa Haag (Hope(less) (Judgement of the Six #1))
Trev, there’s—” “Hang on.” Metal grinding on metal screeched in the cold air. Then, “Motherfuckin’ piece of shit.” Chassie glanced at Edgard who’d gone completely still. “That’s not the way to talk in front of company, hon.” “Who’s here?” Trevor spun around and froze. A beat passed. Then Edgard said softly, “Hello, Trevor.” No one spoke; no one moved. Trevor roared, “You motherfuckin’ piece of shit.” He threw the wrench and bulled toward Edgard. Crap. Maybe they weren’t friends after all. Instead of tackling the man and pounding him into the ground, Trevor slapped Edgard on the back. Clasping him in a bear hug, lifting him in the air, practically swinging him in a circle. Whoa. She’d never seen her husband so…exuberant. From seeing an old friend she’d never even heard of? Chassie’s eyes met Trevor’s in confusion and he hastily set Edgard down. “Ah. Sorry, man. It’s just…” Trevor turned away. As he composed himself, Chassie fired a sardonic look at Edgard. “Well, I reckon he’s happy to see you after all.” For Christsake, Edgard was here. Standing in his goddamn front yard. Next to his wife. How was he supposed to deal with this situation? At least he’d stopped himself from laying a big, wet kiss on him. Kissing another man. In front of his wife. Fuck.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))