Rave Girl Quotes

At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.

I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservation—" "Stop describing me please." "You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose that—that I'll lose you. I love you.

People get dumped all the time, and it sucks, but you know what you do? You cry; you smash a few plates; you go to a karaoke bar and make a fool of yourself. However you choose to deal with it, it’s your shit to handle. It’s your burden to carry. You don’t drag other people down with you. You don’t turn up on the doorstep in the middle of the night acting like a raving lunatic.

She is that maze, the one you would love to chase. She is the faith, quite missing nowadays. And her heart is a rave, with hopeless barricades. She is the one, whose tears flow, just as lavishly, as her laughter roars!

It's not just money. Part of it is, but not all. You greasers have a different set of values. You're more emotional. We're sophistocated- cool to the point of not feeling anything. Nothing is for real with us. You know sometimes I'll catch myself talking to a girl-friend, and realise i don't mean half of what I'm saying. I don't really think a beer blast on the river bottom is supercool, but I'll rave about one to a girl-friend just to be saying something.

One girl raved about a nice voicemail a guy had recently left her. I kindly requested she play it and heard this gem: 'Hey, Lydia. It's Sam. Just calling to say what's up. Gimme a ring when you get a chance.' THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that 'he remembered my name, he said hi, and he told me to call him back.' Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: 'No greeting. This is man. I don't remember you. End communication.

As educational standards decline and pop culture disseminates the inarticulate ravings and unintelligible patois of surfers, jocks, and valley girls, we are turning into a nation of functioning illiterates [...]. English itself will steadily decay unless we get back to basics and start to respect our language again.

Once in a while dancing is immaculate, a perfection: you understand why raves exist: when you’ve timed the drinks correctly and they lift your mood and your energy, the songs are ones you all know, and you look around at the girls, their happy lost faces, their beautiful bare stomachs, their jangly long earrings, something limbic, their skin just damp with sweat to the touch, the whole thing…

By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.

He gave her one of his old, charming half smiles, a teasing one. "And you kissed a vampire. That's crazy. That's not usually what they do with their mouths, you know. I'm kind of jealous." "Oh, come on," she said, rolling her eyes. "Like you care what I do. You dumped me, remember?" "First of all," Aidan said, giving her his most insouciant smile and holding up a single finger, "I never said I was jealous of him. Maybe I was jealous of you for getting all his attention. He's not a bad-looking guy, if you don't mind a side serving of lunatic raving. Good mouth.

I’ve cracked a deadly spine once or twice in my day. Like Twilight. Now that was deadly. The series had managed to turn normal adolescent girls into raving, hormone-filled psychopaths, intent on dating vampires, and no one would ever knowingly do something that stupid.

What did theories matter any more? She wanted to say. The rats have taken over the ship, it's often as simple as that; the rest is narcissistic crap. It must be. (...) For exploitation read property and you have the whole bit. First the exploiter hits the wage-slave over the head with his superior wealth; then he brainwashes him into believing that the pursuit of property is a valid motive for breaking him at the grindstone. That way he has him hooked twice over. (...) "You disappoint me, Charlie. All of a sudden you lack consistency. You've made the perceptions. Why don't you go out and do something about them? Why do you appear here one minute as an intellectual who has the eye and brain to see what is not visible to the deluded masses, the next you have not the courage to go out and perform a small service - like theft - like murder - like blowing something up - say, a police station - for the benefit of those whose hearts and minds are enslaved by the capitalist overlords? Come on, Charlie, where's the action? You're the free soul around here. Don't give us the words, give us the deeds." (...) Anger suspended her bewilderment and dulled the pain of her disgrace (...) She wished terribly that she could go mad so that everyone would be sorry for her; she wished she was just a raving lunatic waiting to be let off, not a stupid little fool of a radical actress (...) (part I, chapter 7)

A girl chatting to Prince Charles at an unemployment training centre confided in HRH about the friendliness of ‘raves’. She told him, if he was interested, that everyone puts their arms around each other. To which the prince replied: ‘Ah, one does not have to be introduced.’ Independent, 1993

He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness. Lazily soaping himself, he gave examples. When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity. He slid down in the warm, foamy water until just his face and his knobby white knees were exposed. Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.

Rosalind was the kind of girl who didn’t have to try very hard; she just drew men like moths to a flame. A natural ash blonde with unbelievably dark blue eyes, she had a near perfect figure, always wore the trendiest gear and said exactly the right witty things. Not like me. I’m no raving beauty by any stretch of the imagination. I’ve got masses of dark unruly hair which just sort-of hangs around, and I buy only clothes which suit me regardless of fashion. I wouldn’t be seen dead in a mini-skirt – as I’m rather tall with long slim legs, I think I’d look like Olive Oyl.

One girl raved about a nice voice mail a guy had recently left her. I kindly requested she play it and heard this gem: “Hey, Lydia. It’s Sam. Just calling to say what’s up. Gimme a ring when you get a chance.” THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that “he remembered my name, he said hi, and he told me to call him back.” Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: “No greeting. This is a man. I don’t remember you. End communication.” When

Fighting for something you believe in isn't easy. If you hit a sore spot, people are going to swipe at you, gripe at you, try to undermine you, infuriate you, try to shut you up and put you back in your box. I was starting to learn that was a sign you were asking the right questions, picking the right scabs. And though it's easy to lose yourself along the way, and start focusing on all the people who don't want things to change--for whatever broken, messed-up reasons of their own--you can easily find your way back. By listening to the people giving you a hand up. To the people who have your back. To the people who don't think you're a raving lunatic. Let them be your mirror--not the haters. Let them give you the strength to get the job done.

The pièce de résistance, put into the can on the very first day, owed its inspiration to Little Richard, who would whip audiences to further frenzy between numbers by self-congratulatory cries of “Well...all right!” Buddy turned the phrase into a gentle love song infused with all his special quality of patience and optimism and his developing ability to make personal sentiments into universal ones. “Well, All Right” is a riposte to all the criticism and condescension that teenagers faced from their elders in the rock 'n' roll fifties—and have in every decade since. The setting is as adventurously simple as that of “Everyday”: Buddy plays flamenco-accented acoustic guitar, with only a plashing cymbal for company. The mood is not one of youthful anger and defiance but of maturity before its time: calm, stoical, steadfast in affirming its “dreams and wishes.” The intimacy in the voice could equally be that of lover or elder brother. Girl or boy, you can imagine you and he are alone together, gazing into the fire and imagining a bright future when the young will “live and love with all our might,” which could almost be a prophecy of the sixties' hippie culture.

Are we dead now?" Will said to the boatman. "Makes no difference," he said. "There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain and misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again. And there's been others so frail and sickly, little infants, sometimes, that were scarcely born in to the living before they come down to the dead. I've rowed this boat with a little crying baby on my lap many, many times, that never knew the difference between up there and down here. And old folk, too, the rich ones are the worst, snarling and savage and cursing me, railing and screaming: what did I think I was? Hadn't they gathered and saved all the gold they could garner? Wouldn't I take some now, to put them back ashore? They'd have the law on me, they had powerful friends, they knew the Pope and the king of this and the duke of that, they were in a position to see I was punished and chastised...But they knew what the truth was in the end: the only position they were in was in my boat going to the land of the dead, and as for those kings and Pope,s they'd be in here, too, in their turn, sooner than they wanted. I let 'em cry and rave; they can't hurt me; the fall silent in the end. So if you don't know whether you're dead or not, and the little girls swears blind she'll come out again to the living, I say nothing to contradict you. What you are, you'll know soon enough.

When we first started dating, my talent in the kitchen was a turn-on. The prospect of me in the kitchen, wearing a skimpy apron and holding a whisk in my hand- he thought that was sexy. And, as someone with little insight into how to work her own sex appeal, I pounced on the opportunity to make him want and need me. I spent four days preparing my first home-cooked meal for him, a dinner of wilted escarole salad with hot bacon dressing, osso bucco with risotto Milanese and gremolata, and a white-chocolate toasted-almond semifreddo for dessert. At the time, I lived with three other people in a Columbia Heights town house, so I told all of my housemates to make themselves scarce that Saturday night. When Adam showed up at my door, as the rich smell of braised veal shanks wafted through the house, I greeted him holding a platter of prosciutto-wrapped figs, wearing nothing but a slinky red apron. He grabbed me by the waist and pushed me into the kitchen, slowly untying the apron strings resting on my rounded hips, and moments later we were making love on the tiled kitchen floor. Admittedly, I worried the whole time about when I should start the risotto and whether he'd even want osso bucco once we were finished, but it was the first time I'd seduced someone like that, and it was lovely. Adam raved about that meal- the rich osso bucco, the zesty gremolata, the sweet-and-salty semifreddo- and that's when I knew cooking was my love language, my way of expressing passion and desire and overcoming all of my insecurities. I learned that I may not be comfortable strutting through a room in a tight-fitting dress, but I can cook one hell of a brisket, and I can do it in the comfort of my own home, wearing an apron and nothing else. Adam loved my food, and he loved watching me work in the kitchen even more, the way my cheeks would flush from the heat of the stove and my hair would twist into delicate red curls along my hairline. As the weeks went by, I continued to seduce him with pork ragu and roasted chicken, creamed spinach and carrot sformato, cannolis and brownies and chocolate-hazelnut cake.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

I hear the door open and close, and I peek to see the one and only. “What do you want?” I ask, staring back up at the stars, taking a large sip of my beer. He doesn’t answer, but takes a seat next to me. I turn to see he’s also drinking a beer. He’s back in his work attire, sporting a pair of kakis and a button up polo. “What happened to your Guns-N-Roses shirt? Don’t want anyone to know your alter ego? They might find out you’re really some sort of party animal who raves to heavy metal and goes on drinking binges instead of science fairs?” I laugh taking another swig. We connect eyes and something in them tells me that I might be on to something. “No way. Tell me I’m not wrong. The science teacher secretly has a bad side.” He stands quickly sticking out his hand. “Come with me.” Huh? “No way. Why? You gonna try and retaliate? Avenge all teachers I’ve tried to take out this week?” His laugh is like a tickle to my lady parts. I fight to admit that I seriously love that sound. “No, but it would be fitting though, Peter Parker, saving the world from the reckless bad girl.” I give him my evil eye while he smiles wider. “Come with me. I promise, I’ll bring you back in one piece.” His hand taunting, I decide, what the hell. I stick my hand out, sliding it into his, the feel of his warm skin wrapped around mine. He walks me around to the front of the house and a few cars down, until he stops beside a Jeep. Unlocking the door, he says, “Jump in,” and walks around the other side. Knowing I have a pretty loud voice if he does try and kill me, I jump in. The inside smells just like him. Of spice and aftershave.

The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.

Sometimes the relationships would help me keep sober, but whenever a relationship failed, it always caused me to relapse harder and fall further than before. Sometimes a failed relationship would send me scrounging for drugs in an attempt to numb the pain. Other times, it would send me to clubs or raves, looking for rebound girls to put a band-aid over the blow to my ego and self-esteem.

She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.

When Mom picked me up a little after nine, I expected her to rave about my make-over. Instead, I got a lecture about how girls my age were trying to grow up too quickly and make-up should enhance one’s natural beauty. Crushed, I remained silent the entire way home.

Dick Tracy is a hayseed nightmare, a petrified hick’s vision of big city America. While Tracy and his gal Tess Trueheart are drawn taut and chalk white, the crooks are fat, greasy, beady-eyed, and beastly. Gould’s city is full of physical mutants who look funny, who talk funny, have funny names — like Flattop, B.O. Plenty, The Brow, and the Blank. It’s the kind of thing you see when Pat Robertson’s 700 Club does an investigative report on raves or porn, hysteria boiled down to four panels a day and ten on Sunday. As street hoods turned into executive syndicates, “Dick Tracy” turned to 50s-60s sci-fi two-way wrist radios, moon girls, and Gould lecturing interviewers on how stupid NASA was with its clunky jet propulsion systems. If the aliens weren’t on the city streets, Gould sent Tracy into space to find more.

Prologue “Pain!. Oh, Father of the Dark, how it hurts! My muscles, my bones – every millimeter of my body. Damn locusts! They’re skinning me alive. Do I have any skin left? It seems like it will never end. How many years have passed since I’ve been buried here? One, two, ten? Or maybe, a hundred? Time itself has melded into total dusky looming. A bloody and merciless one. All my thoughts have been mixed up since I’ve been immured in this stone coffin. Without any possibility of escape. Without any chance for freedom. I feel endless agony under the teeny weeny teeth of ghostly beasts. And their small daggers shred my immortal flesh. Time after time, they’re driving me to madness. But I’ll find a way out, or my name is not Rave Eridanus Castro-Firel. And then, I swear, I’ll kill everyone who has taken part in torturing me. Ulfricus, you traitor ass. I hope your soul has never found sanctuary and is being tormented somewhere in the abyss of the Twilight, while I’m decaying here, in immortality. I hope you’re answering for every minute I’ve spent here, in this tomb. Even for every second. And if not, I promise I’ll kill all your relatives. Every person you love. Your wife, your children, your parents, your grandchildren. And your dam cat,...” The man’s interior monologue was interrupted by a restrained growl. “Oh, demons, how it hurts!.. But wait. Someone will surely wander across this damn field again. Someone whom I’ll kill without coming out of the ground. I’ll exhaust the last drop of magic. And, one day, I’ll be able to get out of this trap. Oh, no, who am I kidding? Nobody has appeared here so far. Even animals avoid coming to my field. I don’t sense any living being whose energy I could suck dry and use to appease the burning, even a little... They all sense me. They don’t understand, but they sense that death is there under their feet. Oh, Father of the Dark, I’ll be decomposing here forever! Damn Ulfricus, Banshee take your soul into the Twilight and love it to death.” The internal voice stopped again, and the man stopped short, listening attentively to the sounds of the outer world. “Oh, that just can’t be... Now for the first time since so long ago! A woman. A girl. A very young one. I can almost hear her heart beating... I feel the energy concealed in her blood. Come closer, dear. I don’t have to get out of here to play with you. So sweet... I can practically feel your odor. A strange, unusual smell of blood. What’s wrong with you? You’re a necromancer, for sure. Almost my soulmate. Well, even this won’t save you. Come closer, dear... Yes, this way. Oh Dark! what magic you eradiate! But not black, certainly not. I couldn’t care less. Any energy will suit me...” At this point, somewhere on the surface, somewhere nearby, a woman began singing. The accursed man, chained in the living grave, lay down, having suddenly forgotten the respiratory reflex, which still had not been exterminated through hundreds of years spent under the ground. Without air, without life. “What a pretty voice. A very, very pretty voice. I haven’t heard human voices for so long...” The man’s broad chest rose again. Then, a sequence of dark thoughts continued: “A girl with a ringing voice and strange magic... You’ve come here to the Ash Field in vain. You’re so enigmatic and courageous. You’re alive. But not for long.

Wallace, Joseph, Joshua, and Peter!” yelled Mother, and she sounded like a drill sergeant. She sounded like a drill sergeant who had just discovered that someone had made off with a pumpkin chiffon pie. A pumpkin chiffon pie made by somebody’s own hands from a recipe of someone’s great-aunt Minna. The boys moved reluctantly into the hall from the living room and stood with feet poised as though ready to run the other way. “What,” said Mrs. Hatford slowly, taking off her sweater, “happened to a certain pumpkin chiffon pie baked by Mrs. Malloy and delivered to our very door a month ago?” Peter looked at Wally, Wally at Josh, Josh at Jake, and Jake looked down at his knees. “We ate it,” he said. “Ate it? All of it? The four of you?” The boys nodded, all four of them. “Why? Why didn’t you save any for dinner? Why did you go out and buy a pie from Ethel’s Bakery, and try to make me think that was the pie Mrs. Malloy sent? I even thanked her for a bakery pie! I’ve never been so embarrassed in my life.” She looked sternly at the boys. “Jake? . . . Josh? . . . Wally . . . ?” Wally couldn’t stand it any longer. “We destroyed it,” he said. Mother continued to stare. “I can’t believe this.” “We were looking for dog doo,” added Peter. “What?” cried Mother. “Have you boys gone stark raving mad?” “We thought the girls might have baked the pie and put something awful in it,” muttered Josh. “Why would those three sweet girls do something like that?” “Easy,” cried Jake. “Very easy. I could see the Malloy girls doing about anything you could think of.” “Sweet? Ha!” said Josh. “Remember,” Wally reminded her, “they threw your cake in the river.” Mrs. Hatford shook her head. “That I don’t understand at all. Something must have happened to make them do that. What did they think was possibly inside that box?” “Dead birds,” said Peter. “What?” “Ellen, quit while you’re ahead,” Mr. Hatford said from the dining room, gobbling down his lunch before he delivered the afternoon mail. “The more you ask, the more they’ll tell you, and the more you find out, the more upset you’re going to be.