Rap Bars Quotes

You know, fame is a funny thing, man, especially, you know, actors, musicians, rappers, rock singers, it's kind of a lifestyle and it's easy to get caught up in it - you go to bars, you go to clubs, everyone's doing a certain thing... It's tough.

The last cage in the hallway contained a NightWing. This was where Flame stopped and rapped on the bars with one claw. Not just any NightWing: Deathbringer.

And all you other cats throwin' shots at Jigga, | You only get half a bar: fuck y'all niggaz.

in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste and still looking about him at the cliffs and up at our signboard.

Hopeful dreams - even where crack kings’ and dope fiends feast. Dust from the ash and rubble; they shine like bright stars once the mic is gripped and the bars are spit.

The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.

I could be wrong, but she seemed to be one of those anti-gluten, pro-yoga, organic wine bar, Generation-Y echo boomers. A Gwyneth Paltrow type who would name her first daughter Persimmon or whatever.

in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste, and still looking about him at the cliffs and up at our signboard. "This

We listen to rap lyrics, but few study the history. One of the most significant contributions of hip hop. It offers a profound social commentary on the black experience. This is an aspect of the music that is overlooked because most people choose to pay more attention to “the hook” (the catchy repetitive phrase) than the complete body of work. In doing so, the listener misses the message: the essence of the music, the breakdown of the bars. That’s tantamount to someone who is able to quote scripture, but has never read the bible.

To understand Bashō’s place in Japanese poetry, it’s useful to have some sense of the literary culture he entered. The practice of the fine arts had been central to Japanese life from at least the seventh century, and virtually all educated people painted, played musical instruments, and wrote poems. In 17th century Japan, linked-verse writing was as widespread and popular as card games or Scrabble in mid-20th-century America. A certain amount of rice wine was often involved, and so another useful comparison might be made to playing pool or darts at a local bar. The closest analogy, though, can be found in certain areas of online life today. As with Dungeons and Dragons a few years ago, or Worlds of War and Second Life today, linked verse brought its practitioners into an interactive community that was continually and rapidly evolving. Hovering somewhere between art-form and competition, renga writing provided both a party and a playing field in which intelligence, knowledge, and ingenuity might be put to the test. Add to this mix some of street rap’s boundary-pushing language, and, finally, the video images of You-Tube. Now imagine the possibility that a “high art” form of very brief films might emerge from You-Tube, primarily out of one extraordinarily talented young film-maker’s creations and influence. In the realm of 17th-century Japanese haiku, that person was Basho.

You’re right. I don’t have a right to ask.” But I sat there on the bar stool, staring at him, willing him to give me what I needed. Risk your life for me old buddy ol’ pal, I’d do the same for you. Riiight. “If you could swear you wouldn’t use the info to kill him, I could tell you,” Luther said. “It’d be a lie.” “You got a warrant to kill him?” he asked. “Not active, but I could get one.” “Would you wait for it?” “It’s illegal to kill a vampire without a court order of execution,” I said. He stared at me. “That ain’t the question. Would you jump the gun to make sure of the kill?” “Might.” He shook his head. “You gonna be up on charges one of these days, girl. Murder is a serious rap.” I shrugged. “Beats getting your throat torn out.” He

Following up the butt strike, your weapon is now at your left shoulder, held in rifle grip with the right hand palm-down at the handle of the weapon and the left hand palm-up maybe one third to one half the distance up the stick. To execute the rap, bring the right hand in toward the right hip while the left hand pushes the barrel end outward into the opponent's face. The weapon retraces the path it originally took from middle guard to the left shoulder, only in reverse. In practice you will find that the left elbow acts like a shock absorber, causing the end of the stick to snap back. Redirect this rebound up to your right shoulder, while letting your left hand slide down to bat grip. Follow through with an overight strike. Practice these three moves in sequence: underight butt, overleft rap, overight strike from bat grip. Your weapon will trace a 'V,' moving from one shoulder to another. Slam I have also seen this technique referred to as a “bar strike” because you are striking with the portion of the stick between the hands, which is like a bar. The slam is typically performed with the hands palm down in staff grip, equidistant from the ends, and thrown so that the stick is horizontal. Realize, though, that the slam can be thrown with multiple grips in multiple orientations. From the middle guard, throw the stick forward and diagonally, parallel to your adversary, striking him in the chest. Don't just shove the opponent, but aim for an explosive strike that knocks him back on impact. If the attacker crouches and lunges in to tackle, jam the portion of the stick between your hands into the juncture of the opponent's right shoulder and neck.

If there is a more dispiriting place in Miami than the county jail, I haven’t found it . . . and I’ve spent a lot of time at the morgue. Approaching the jail, you can hear the anguished shouts of inmates on the upper floors, yelling through the barred windows at their wives, girlfriends, and homies below. Inside, you’ve got that institutional smell, as if a harsh cleanser has been laced with urine. Buzzers blare and lights flash. Steel crashes against steel as doors bang shut with the finality of a coffin closing.

No, I called LL and said we should meet. I remember being in the dorm and going through his notebook. This was before rap songs really had structure. Often they could be eight, nine minutes long—one entire side of a 12-inch. So I would go through LL’s lyric book and say, “Let’s use these eight bars as a verse, and let’s use these 16 bars as a verse, and this phrase here is going to be the hook, and that will be repeated.

she seemed to be one of those anti-gluten, pro-yoga, organic wine bar, Generation-Y echo boomers.

Needless to say, the newcomer is not a pretty girl. In fact, he’s a bland-looking Asian guy, wearing chinos and a black compression shirt. This is not a good look on anyone, but this guy is too flabby to even make it look arrogant. He takes a stool two down from Anders, looks around, and then raps on the bar with his knuckles. Neckbeard seems to have disappeared. Charity is busy brushing Anders’ hair back from his forehead with one hand. Mr. Chinos raps again, louder. Charity rolls her eyes, steps back from Anders, and turns to our new friend. “What can I getcha, hon?” “Gin and tonic,” he says. “Not too much ice.” She turns away to make his drink. Anders is eyeballing Mr. Chinos. How many beers has he downed by now? Four? Five? His sandwich is only half eaten. A drunken Anders is a punchy Anders, and a punchy Anders is an Anders that I have to take to the emergency room because he broke his own fibula. “Hey,” I say. “You about ready to head home?

As soon as we had the music arranged on our stands, Conductor Li tapped his baton on the lectern and called us to attention. "Quiet please, comrades! And as we play just think of the Long March," he said. "I will be at the front, like Chairman Mao. I will beat the time. Try to keep up. If you get lost, skip a few pages. Hopefully, the rest of us will pass your way eventually... The first movement sounded like nothing less than a full-scale military retreat. We were ambushed by missing pages of score, by an impulsive feint by the cellists and double basses, and by a flautist who turned two pages rather than one and played along happily in no man's land for a dozen or so bars until he was rapped on the head with the end of a clarinet

When we listen to our rage, we pay homage to our anger. While raging at our loved ones is not ideal, we are entitled to all our emotions. “Anger has a bad rap,” says Soraya Chemaly, author of Rage Becomes Her. “But it is actually one of the most hopeful and forward-thinking of all our emotions. It begets transformation, manifesting our passion and keeping us invested in the world. It is a rational and emotional response to trespass, violation, and moral disorder.” Part of inviting my rage to tea is about healing my perfectionism and the hateful ways I treat myself when I don’t hit that “perfect mother” bar. If I pull back the curtains on my rage, poke around and locate my needs, fears, and hurt places, I understand myself better. I witness my vulnerability and am able to offer myself compassion. With this additional access to empathy, I don’t pounce on myself as quickly. Instead, I practice my mothering skills—Whoops, there’s that rage popping up again. Let’s see if I can give myself what I need. By inviting my rage to tea, I am doing what I need most: I am mothering myself. Maybe I can be precious, too.

I took a black and white photograph, which I also posted on Instagram. Her New Balance shoes and her feet crossed, hanging as she sat atop the pile of aluminum chairs, against the backdrop of the many legs of the chairs shining in the street lights in contrast to her dark shoes and leggings, were so captivating. There was a lightness in the way she sat there with her crossed legs dangling, as if she was perched on a cloud and it was the most natural thing as she was my angel. I was still unsure if she really existed or if I had only made her up with Pinto cat one night. It was all like a lucid dream. I was so glad for us and for us becoming rich soon too. I was so glad I could provide her with a future in Europe. I was so glad we would be rich and happy and we would be able to make all our dreams come true and travel the world freely together. I can show her Italy and Hungary and Europe. We can pick where do we want to live or make family. I knew all my life, all my work had led to this girl, this moment, and this future. Ours. She started to rap in Spanish in the Rioplatense dialect as I started to record her. „Loco, loco…” - she was so cute, it sounded like she had learned it on the streets of Buenos Aires, skipping school. She was amazing - so young, so true, so natural and pure and cute. I couldn't get enough of her. I wanted to make kids with her. With only her. Nobody else. By the wall of the church and the bar tables, there were a bunch of metal mobile railings with the Ajuntamiento de Barcelona logo in the middle of each of them. I told Martina to squat down to the level of the Ajuntamiento sign, and before I could finish my sentence, she was already doing it. She posed with the mobile railings, making a funny, cool and happy face while squeezing the Ajuntamiento logo between two of her fingers and pointing at it with her other hand, as if we were mocking the authorities of the Ajuntamiento. She was reading my mind. Like she knew magic. She was such a good girl. She was so pretty, smart and sexy. She was smiling, biting her lower lip, excited, turned on, and in love, I thought, looking like a bunny, or like Whitney Houston on the Brazilian live concert video, so I began to call her “Bunny”. I showed her how Whitney was smiling the same way. I was so blind to see the connection. (“The Cocaine Queen”) I was so much in love with her, so under her spell, I just really wanted her to be the One, I guess. I explained to her that the Camorra was one of my costumers and they had a club close by too and they were taking away other people's coffeeshops, menacing their lives and their families'. I explained to her that we were going to do all demolition and remodeling without any permit, without telling a word to anyone. I told her that we would lie to the residents of the building above us about what we were going to do there for months and months. I told her that she must keep it as our secret. She was nodding happily and she seemed happy that I trusted her. I explained everything to her, I told her about Rachel and Tom and I signing the founding document at Amina's office at the beginning of the same year, 2013. She seemed to understand the weight of all I told her and the reasons why I told her about it all, so she would know, so she wouldn't make a mistake saying the wrong thing in the wrong place at the wrong time. I asked her to pay attention to her surroundings in Barcelona from then on, as there were a lot of criminals, and she was a very pretty girl - not only my girlfriend. She seemed to take it as a privilege to be my girlfriend, and she seemed eternally happy, as was I. I told her that she was the only person I fully trusted. I wanted to send the video of Martina rapping on WhatsApp to Adam, but Martina told me I shouldn't because it was late and, at the end, Adam was my boss. “Yeah but he is not really my boss, in Spain, I am the boss.

Ego and pride is a two-headed twist. Spit bars, not bullets.

I was born in a dumpster, in an alley behind a dive bar. A wee speck of methicillin-resistant Staphylococcus aureus, baptized by saliva from a hospital orderly, clinging to a wedge of pizza crust. Honestly, I didn’t want to hurt anyone—certainly not the Norwegian rat who gobbled me with his yellowed fangs, feeding me a banquet of liquefied refuse. We’d both gotten a bad rap, MRSA and rats.

Rapper NoClue set the world record in 2005 for fastest rapper by rapping 723 syllables in 51.27 seconds.