Raise The Stakes Quotes

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Raise the stakes! Always push your luck because no one else would push it for you.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Loving someone was no guarantee of how they would treat you. All it did was raise the stakes.
Alexandra Kleeman (You Too Can Have a Body Like Mine)
I wish I could say that I suddenly discovered my inner warrior princess and expertly leaped at Archer, weapon hoisted high, teeth bared.That would have been cool. Instead I raised the stake to about shoulder height and took two, maybe three shuffling steps forward.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Well he should get over himself. He tried to get me burned at the stake in Brit History yesterday. Here I am minding my own business like a good little girl, and out of the blue Tucker raises his hand and accuses me of being a witch" "sounds like something Tucker would do" admits wendy. "Everybody had to vote on it. I barely escaped with my nuns life. Obviously I'll have to return the favour.
Cynthia Hand (Unearthly (Unearthly, #1))
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
With horror he saw that her hair was already afire as the tarred stake burned about her head. He held her agonized gaze with his fierce black eyes. "I'll love you forever, and beyond," he vowed as he raised both arms and plunged his sword into her heart. ~Marcus Magnus
Virginia Henley (Enslaved)
Sometimes the only option is to raise the stakes, to throw yourself the other way, to force your opponent further down the path they've chosen, further than they might want to go.
Mark Lawrence
Bridge-players tell me that there must be some money on the game 'or else people won't take it seriously'. Apparently it's like that. Your bid - for God or no God, for a good God or the Cosmic Sadist, for eternal life or nonentity - will not be serious if nothing much is staked on it. And you will never discover how serious it was until the stakes are raised horribly high, until you find that you are playing not for counters or for sixpences but for every penny you have in the world.
C.S. Lewis (A Grief Observed)
The art of crisis management is to raise the stakes to where the adversary will not follow, but in a manner that avoids a tit for tat.
Henry Kissinger (On China)
Holy water cannot help you now See, I have to burn your kingdom down And no rivers and no lakes can put the fire out I'm gonna raise the stakes I'm gonna smoke you out
Florence Welch (Useless Magic: Lyrics and Poetry)
My cheek stung and throbbed. I remained on the floor of the cave. Belen stood between me and Kerrick. "...temper in check. She's a sweet girl," Belen said. "She's a healer, Belen. And no longer a girl. Healing Ryne is all I care about. All you should care about, as well. You know-" "Yes, I know what's at stake." Belen spat the words. "But if you raise your hand to her again, I'll rip your arm from its socket.
Maria V. Snyder (Touch of Power (Healer, #1))
Hi, my name is Jareth, and I'll be your- God" He curses as he lays his eyes on me. I raised an eyebrow. "You'll be my god? Hm...Well, we'll have to see about that. I mean, it takes a lot to my world these days.
Mari Mancusi (Stake That (Blood Coven Vampire, #2))
He curled his claw into a fist. "I'd like to shove a stake up that bastard's ass." Adam's lip curled. "Remind me not to piss you off." The demon raised his brow. "Trust that shit, mancy.
Jaye Wells (Blue-Blooded Vamp (Sabina Kane, #5))
Here’s our three-part recipe to create more moments of elevation: (1) Boost the sensory appeal; (2) Raise the stakes; (3) Break the script. Usually elevated moments have 2 or 3 of those traits.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
The Cat in the Hat was so successful for Random House that Bennett Cerf decided to raise the stakes. He bet Dr. Seuss fifty dollars that Seuss couldn’t pull off the feat again using only fifty words. This time the list contained “ham,” “am,” and “Sam.” And this time it took Dr. Seuss just five months to write Green Eggs and Ham.
Dan Roam (Blah Blah Blah: What To Do When Words Don't Work)
In his mind, the business of existence was about minimizing consequences. The plague had raised the stakes, but he had been in training for this his whole life.
Colson Whitehead (Zone One)
Where have you been?" I asked weakly. A few minutes ago I would have rather died than questioned him. Let him know I care. But I'm too sick to be strong, kick ass Rayne at the moment. "Vegas" he says. I raise an eyebrows. "Uh, okay. Win anything?" I can't believe he was off gambling as I lay dying. I mean, I know poker is hot and all, but couldn't he have waited a couple of days for that straight flush? "I got what I went for, if that's what you mean." "What, a lap dance?" He chuckes. "Even sick, you're still funny, Rayne.
Mari Mancusi (Stake That (Blood Coven Vampire, #2))
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
The echo of two boys playing in a pool testing each other to see who could hold their breath the longest. … Whadda ya wanna do now?— I know, we could wrestle like the Roman gladiators— Okay— What do we fight for?— Loser has to do the victor’s homework for a week— Nah, raise the stakes. Loser has to suck the victor’s johnny— Trenton recalled the long ago memory of two boys wrestling, butt naked in the back yard and the battle went on forever locked in each other’s grip. A stalemate tangle in each other’s arm. And they kissed finding each other’s tongue. The taste of it so good and frightening at the same time and they pulled apart fearfully— Deez— Yeah Trent— I don’t think we should tell anyone about this, okay? — Yeah okay—
Talon P.S. (Becoming His Slave (Dominion of Brothers, #1))
Religion raises the stakes of human conflict much higher than tribalism, racism, or politics ever can, as it is the only form of in-group/out-group thinking that casts the differences between people in terms of eternal rewards and punishments.
Sam Harris (Letter to a Christian Nation)
What’s at stake in current sex and gender-identity struggles is not just the ability of Catholic ministries and schools to serve unhampered in the public square. The freedom of Catholic families to raise their children according to Christian beliefs is also, in everyday practice, becoming more difficult.
Charles J. Chaput (Strangers in a Strange Land: Living the Catholic Faith in a Post-Christian World)
It was in ’35—we had this campaign to raise a million tax dollars. In the town of Phillips, one evening, during a blizzard, I was met by a crowd of miners. They were given the day off and a stake to attend this meeting. They surrounded me and said this tax would cost six hundred of them their jobs. They were busted farmers and fortunately found a job in these Home Stake mines. I went back home feeling worried. But the tax was passed, and not a single miner lost his job.
Studs Terkel (Hard Times: An Oral History of the Great Depression)
As with Jack, the discriminating milieu of loneliness moved Hugh to raise the stakes of solitude, not from a wish to spare himself the sapping drudgery of a conventional, passionless marriage, but rather to gamble on the existence of a just goddess. Like Jack’s, his core being was attuned solely to the enrapturing company of a scintillating paragon, to a woman who was indivisibly and alluringly noble.
Edward Cline (Caxton (Sparrowhawk, #3))
In the work environment the stakes are suddenly raised. People are no longer struggling for good grades or social approval, but for survival. Under such pressure, they reveal qualities of their characters that they normally try to conceal. They manipulate, compete, and think of themselves first. We are blindsided by this behavior and our emotions are churned up even more than before, locking us into the Naïve Perspective.
Robert Greene (Mastery)
Leaders instill courage in the hearts of those who follow. This rarely happens through words alone. It generally requires action. It goes back to what we said earlier: Somebody has to go first. By going first, the leader furnishes confidence to those who follow. As a next generation leader, you will be called upon to go first. That will require courage. But in stepping out you will give the gift of courage to those who are watching. What do I believe is impossible to do in my field, but if it could be done would fundamentally change my business? What has been done is safe. But to attempt a solution to a problem that plagues an entire industry - in my case, the local church - requires courage. Unsolved problems are gateways to the future. To those who have the courage to ask the question and the tenacity to hang on until they discover or create an answer belongs the future. Don’t allow the many good opportunities to divert your attention from the one opportunity that has the greatest potential. Learn to say no. There will always be more opportunities than there is time to pursue them. Leaders worth following are willing to face and embrace current reality regardless of how discouraging or embarrassing it might be. It is impossible to generate sustained growth or progress if your plan for the future is not rooted in reality. Be willing to face the truth regardless of how painful it might be. If fear causes you to retreat from your dreams, you will never give the world anything new. it is impossible to lead without a dream. When leaders are no longer willing to dream, it is only a short time before followers are unwilling to follow. Will I allow my fear to bind me to mediocrity? Uncertainty is a permanent part of the leadership landscape. It never goes away. Where there is no uncertainty, there is no longer the need for leadership. The greater the uncertainty, the greater the need for leadership. Your capacity as a leader will be determined by how well you learn to deal with uncertainty. My enemy is not uncertainty. It is not even my responsibility to remove the uncertainty. It is my responsibility to bring clarity into the midst of the uncertainty. As leaders we can afford to be uncertain, but we cannot afford to be unclear. People will follow you in spite of a few bad decisions. People will not follow you if you are unclear in your instruction. As a leader you must develop the elusive skill of leading confidently and purposefully onto uncertain terrain. Next generation leaders must fear a lack of clarity more than a lack of accuracy. The individual in your organization who communicates the clearest vision will often be perceived as the leader. Clarity is perceived as leadership. Uncertainty exposes a lack of knowledge. Pretending exposes a lack of character. Express your uncertainty with confidence. You will never maximize your potential in any area without coaching. It is impossible. Self-evaluation is helpful, but evaluation from someone else is essential. You need a leadership coach. Great leaders are great learners. God, in His wisdom, has placed men and women around us with the experience and discernment we often lack. Experience alone doesn’t make you better at anything. Evaluated experience is what enables you to improve your performance. As a leader, what you don’t know can hurt you. What you don’t know about yourself can put a lid on your leadership. You owe it to yourself and to those who have chosen to follow you to open the doors to evaluation. Engage a coach. Success doesn’t make anything of consequence easier. Success just raises the stakes. Success brings with it the unanticipated pressure of maintaining success. The more successful you are as a leader, the more difficult this becomes. There is far more pressure at the top of an organization than you might imagine.
Andy Stanley
He started at a sporting goods store, where he bought several models of steel tent stakes, icepicks ("sailors buy them," an employee told him), hammers, and rubber mallets. No one even raised a brow at his purchase of Homicidal Maniac Variety Pack - As Seen On TV.
Nina Post (Danger Returns in Pairs (Shawn Danger Mysteries Book 2))
Ethan’s parents constantly told him how brainy he was. “You’re so smart! You can do anything, Ethan. We are so proud of you, they would say every time he sailed through a math test. Or a spelling test. Or any test. With the best of intentions, they consistently tethered Ethan’s accomplishment to some innate characteristic of his intellectual prowess. Researchers call this “appealing to fixed mindsets.” The parents had no idea that this form of praise was toxic.   Little Ethan quickly learned that any academic achievement that required no effort was the behavior that defined his gift. When he hit junior high school, he ran into subjects that did require effort. He could no longer sail through, and, for the first time, he started making mistakes. But he did not see these errors as opportunities for improvement. After all, he was smart because he could mysteriously grasp things quickly. And if he could no longer grasp things quickly, what did that imply? That he was no longer smart. Since he didn’t know the ingredients making him successful, he didn’t know what to do when he failed. You don’t have to hit that brick wall very often before you get discouraged, then depressed. Quite simply, Ethan quit trying. His grades collapsed. What happens when you say, ‘You’re so smart’   Research shows that Ethan’s unfortunate story is typical of kids regularly praised for some fixed characteristic. If you praise your child this way, three things are statistically likely to happen:   First, your child will begin to perceive mistakes as failures. Because you told her that success was due to some static ability over which she had no control, she will start to think of failure (such as a bad grade) as a static thing, too—now perceived as a lack of ability. Successes are thought of as gifts rather than the governable product of effort.   Second, perhaps as a reaction to the first, she will become more concerned with looking smart than with actually learning something. (Though Ethan was intelligent, he was more preoccupied with breezing through and appearing smart to the people who mattered to him. He developed little regard for learning.)   Third, she will be less willing to confront the reasons behind any deficiencies, less willing to make an effort. Such kids have a difficult time admitting errors. There is simply too much at stake for failure.       What to say instead: ‘You really worked hard’   What should Ethan’s parents have done? Research shows a simple solution. Rather than praising him for being smart, they should have praised him for working hard. On the successful completion of a test, they should not have said,“I’m so proud of you. You’re so smart. They should have said, “I’m so proud of you. You must have really studied hard”. This appeals to controllable effort rather than to unchangeable talent. It’s called “growth mindset” praise.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
what makes the choice pressing for us now is the absence of any viable middle way. We owe the dearth of alternatives to neoliberalism: that exceptionally predatory, financialized form of capitalism that has held sway across the globe for the last forty years. Having poisoned the atmosphere, mocked every pretense of democratic rule, stretched our social capacities to their breaking point, and worsened living conditions generally for the vast majority, this iteration of capitalism has raised the stakes for every social struggle, transforming sober efforts to win modest reforms into pitched battles for survival. Under such conditions, the time for fence-sitting is past, and feminists must take a stand: Will we continue to pursue “equal opportunity domination” while the planet burns? Or will we reimagine gender justice in an anticapitalist form—one that leads beyond the present crisis to a new society?
Nancy Fraser (Feminism for the 99%)
With the fate of Roe v. Wade now hanging in the balance, I'm calling for a special 'pro-life tax.' If the fervent prayers of the religious right are answered and abortion is banned, let's take it a step further. All good Christians should legally be required to pony up; share the financial burden of raising an unwanted child. That's right: put your money where your Bible is. I'm not just talking about paying for food and shelter or even a college education. All those who advocate for driving a stake through the heart of a woman's right to choose must help bear the financial burden of that child's upbringing. They must be legally as well as morally bound to provide the child brought into this world at their insistence with decent clothes to wear; a toy to play with; a bicycle to ride -- even if they don't consider these things 'necessities.' Pro-lifers must be required to provide each child with all those things they would consider 'necessary' for their own children. Once the kid is out of the womb, don't wash your hands and declare 'Mission Accomplished!' It doesn't end there. If you insist that every pregnancy be carried to term, then you'd better be willing to pay the freight for the biological parents who can't afford to. And -- like the good Christians that you are -- should do so without complaint.
Quentin R. Bufogle (SILO GIRL)
What makes a story compelling? Any story. In basic terms." "Change." "Mystery." "High stakes." "Character growth." "Romance," the guy in the blue hoodie chimes in. "What?" It's true," he adds when several raised eyebrows turn in his direction. "Sexual tension, is that better? Also true." "Obstacles to overcome." "Surprises." "Meaning.
Erin Morgenstern (The Starless Sea)
Mzatal gave a decisive nod. “I will manage this. It cannot continue to interfere with his work. Too much is at stake.” I raised an eyebrow. “How do you intend to manage it?” “I will tell him the truth and outline the consequences.” I was surprised Mzatal didn’t shrivel away from the look I gave him. “Dude. Seriously? You expect him to stop crushing on me because you forbid it?” Mzatal frowned, contemplative. “Perhaps not ideal given the entanglement of human emotions, though there is no time for it to drag on,” he said, as if he actually knew what he was talking about. “If he knows you have no interest and sees how his distractions have affected his work, he will subside enough for now.” My withering look became glacial. “Boss, you’re completely awesome in many ways, but you are so off-base with this it’s not even funny.” I rolled my eyes. “I’ve already ramped ‘No Interest’ up to eleven on the dial and, at this point, he doesn’t care if his work suffers.” I took a big gulp of coffee, then ran my fingers through my tangled hair. “Let me deal with it. Normally I’m not into direct confrontation with this sort of shit, but there’s isn’t enough time for it to fizzle out on its own.” Mzatal regarded me with that damned unreadable mask which he’d slipped on as I was talking. Great. Lords weren’t much on being told they were wrong, but it had to be said.
Diana Rowland (Touch of the Demon (Kara Gillian, #5))
But far more than France was at stake, he added. He raised the specter of Britain, too, succumbing to Hitler’s influence and warned that a new and pro-German government might then replace his own. “If we go down you may have a United States of Europe under the Nazi command far more numerous, far stronger, far better armed than the New World.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Max raised the mallet. He stared into her face and wished he could say he was sorry, that he didn't want to do it. When he slammed the mallet down, with an echoing bang, he heard a high, piercing scream and almost screamed himself, believing for an instant it was her, still somehow alive; then realized it was Rudy. Max was powerfully built, with his, deep water-buffalo chest and Dutch farmer's shoulders. With the first blow he had driven the stake over two-thirds of the way in. He only needed to bring the mallet down once more. The blood that squelched up around the wood was cold and had a sticky, viscous consistency. Max swayed, his head light. His father took his arm. 'Goot,' Abraham whispered into his ear, his arms around him, squeezing him so tightly his ribs creaked. Max felt a little thrill of pleasure - an automatic reaction to the intense, unmistakable affection of his father's embrace - and was sickened by it. 'To do offense to the house of the human spirit, even after its tenant depart, is no easy thing, I know.' ("Abraham's Boys")
Joe Hill (20th Century Ghosts)
[The Khmer Rogue soldier] screams a loud, shrill cry, that piercing my heart like a stake, and I imagine that this, maybe, is how Pa died. The soldier's head hangs, bobbing up and down like a chicken's... The woman raises her hammer again. I almost feel pity for him. But it is too late to let him go, it is too late to go back. It is too late for my parents and my country.
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
We understand this well in every other book, movie, or television show—perhaps a little too well. Today’s filmmakers blow up entire populated planets just to raise the stakes for the hero’s climactic fight scene (something done in both the Star Wars and Star Trek science fiction franchises). In “Game of Thrones,” murder and torture are doled out with such abandon, over so many seasons, that they cease to be mere plot devices and become a central theme of the series. But heaven forbid Ayn Rand should write a scene where people suffocate to death to demonstrate the disastrous consequences of Big Government. As with most literary complaints against her, this one is applied selectively, only to the author with an unwelcome political and philosophical message.
Robert Tracinski (So Who Is John Galt, Anyway?: A Reader's Guide to Ayn Rand's "Atlas Shrugged")
If Sophie hadn’t used my magic in her body,” Elodie summed up, “she would’ve been dead like, ten times by now.” Okay, it was only twice, I grumbled inside. Elodie ignored me. “And no,” she said, raising my hand to cut off Jenna’s next question. “I can’t possess anyone else. Trust me, I’ve been trying to get inside Lara Casnoff ever since we got here. Which…sounds really wrong.” I felt my shoulders shrug. “Anyway, you looked like you were about to eat your own lip, and that’s totally gross, so I figured I oughta swoop in and put your mind at ease. Last night, when I was trying my hardest to possess anyone who’s not this freak, I overheard the Casnoffs talking. Apparently, turning a vampire into a demon seems like an awesome idea, so that’s why you’re here. No staking on the agenda.” Usling Elodie as a spy hadn’t even occurred to me. Oh my God, this is perfect! I shouted. Well, mentally shouted. Of course! They can’t see you unless you want them to; you can go anywhere in the school, and- Jeez, not so loud, she interrupted. I’m in your head, so use your inside inside voice. Elodie went to brush my hair out of my eyes, muttering, “God, how does she live like this?” If you promise to stop taking over whenever you feel like it, I promise to get a hot oil treatment, I replied, and she snorted. Jenna folded her arms tightly across her chest. “So, what-you’re like, helping us now?” My eyes rolled. “No, I’m on Team Take Over The World With A Demon Army. Of course I’m helping you. Mostly so that whenever this is over, Sophie can get back to important stuff. Like how to unbind me from her.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
In general, here is how it works: The teacher stands in front of the class and asks a question. Six to ten children strain in their seats and wave their hands in the teacher’s face, eager to be called on and show how smart they are. Several others sit quietly with eyes averted, trying to become invisible, When the teacher calls on one child, you see looks of disappointment and dismay on the faces of the eager students, who missed a chance to get the teacher’s approval; and you will see relief on the faces of the others who didn’t know the answer…. This game is fiercely competitive and the stakes are high, because the kids are competing for the love and approval of one of the two or three most important people in their world. Further, this teaching process guarantees that the children will not learn to like and understand each other. Conjure up your own experience. If you knew the right answer and the teacher called on someone else, you probably hoped that he or she would make a mistake so that you would have a chance to display your knowledge. If you were called on and failed, or if you didn’t even raise your hand to compete, you probably envied and resented your classmates who knew the answer. Children who fail in this system become jealous and resentful of the successes, putting them down as teacher’s pets or even resorting to violence against them in the school yard. The successful students, for their part, often hold the unsuccessful children in contempt, calling them “dumb” or “stupid.” This competitive process does not encourage anyone to look benevolently and happily upon his fellow students.77
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
It's been over a year since they've visited their son's market. As they walk through the parking lot they take in a number of improvements. Brian admires the raised garden beds made of cedar planks that flank the sides of the lot. There are stalks of tomatoes, staked beans, baskets of green herbs- oregano, lavender, fragrant blades of lemongrass and pointed curry leaf. The planter of baby lettuces has a chalkboard hung from its side: "Just add fork." A wheelbarrow parked by the door is heaped with bright coronas of sunflowers, white daisies, jagged red ginger and birds-of-paradise. Avis feels a leap of pride as they enter the market: the floor of polished bamboo, the sky-blue ceiling, the wooden shelves- like bookshelves in a library. And the smells. Warm, round billows of baking bread, roasting garlic and onions and chicken.
Diana Abu-Jaber (Birds of Paradise)
But this also raises a tricky point: Is it legal to mine the moon? Or to stake a claim there? In 1967, the United States, Soviet Union, and many other nations signed the Outer Space Treaty, which banned nations from claiming ownership of celestial bodies like the moon. It banned nuclear weapons from Earth orbit and from being placed on the moon or elsewhere in space. The testing of these weapons was also prohibited.
Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
But when vague rumours got abroad, that in this Protestant association a secret power was mustering against the government for undefined and mighty purposes; when the air was filled with whispers of a confederacy among the Popish powers to degrade and enslave England, establish an inquisition in London, and turn the pens of Smithfield market* into stakes and cauldrons; when terrors and alarms which no man understood were perpetually broached, both in and out of Parliament, by one enthusiast who did not understand himself, and by-gone bugbears which had lain quietly in their graves for centuries, were raised again to haunt the ignorant and credulous; when all this was done, as it were, in the dark, and secret invitations to join the Great Protestant Association in defence of religion, life, and liberty, were dropped in the public ways, thrust under the house-doors, tossed in at windows, and pressed into the hands of those who trod the streets by night; when they glared from every wall, and shone on every post and pillar, so that stocks and stones appeared infected with the common fear, urging all men to join together blindfold in resistance of they knew not what, they knew not why;—then the mania spread indeed, and the body, still increasing every day, grew forty thousand strong.
Charles Dickens (Barnaby Rudge)
Some equestrians were involved in the potentially lucrative business of provincial taxation, thanks to another law of Gaius Gracchus. For it was he who first arranged that tax collecting in the new province of Asia should, like many other state responsibilities, be contracted out to private companies, often owned by equestrians. These contractors were known as publicani – ‘public service providers’ or ‘publicans’, as tax collectors are called in old translations of the New Testament, confusingly to modern readers. The system was simple, demanded little manpower on the part of the Roman state and provided a model for the tax arrangements in other provinces over the following decades (and was common in other early tax raising regimes). Periodic auctions of specific taxation rights in individual provinces took place at Rome. The company that bid the highest then collected the taxes, and anything it managed to rake in beyond the bid was its profit. To put it another way, the more the publicani could screw out of the provincials, the bigger their own take – and they were not liable to prosecution under Gaius’ compensation law. Romans had always made money out of their conquests and their empire, but increasingly there were explicitly, and even organised, commercial interests at stake.
Mary Beard (SPQR: A History of Ancient Rome)
Is it not the same virtue which does everything for us here in England? Do you imagine, then, that it is the Land Tax Act which raises your revenue? that it is the annual vote in the Committee of Supply which gives you your army? or that it is the Mutiny Bill which inspires it with bravery and discipline? No! surely no! It is the love of the people; it is their attachment to their government, from the sense of the deep stake they have in such a glorious institution, which gives you your army and your navy, and infuses into both that liberal obedience without which your army would be a base rabble, and your navy nothing but rotten timber. All this, I know well enough, will sound wild and chimerical to the profane herd of those vulgar and mechanical politicians who have no place among us; a sort of people who think that nothing exists but what is gross and material, and who, therefore, far from being qualified to be directors of the great movement of empire, are not fit to turn a wheel in the machine. But to men truly initiated and rightly taught, these ruling and master principles which, in the opinion of such men as I have mentioned, have no substantial existence, are in truth everything, and all in all. Magnanimity in politics is not seldom the truest wisdom; and a great empire and little minds go ill together.
Edmund Burke (THOUGHTS ON THE CAUSE OF THE PRESENT DISCONTENTS VOL 1 CL (Select Works of Edmund Burke))
Chara often said that a daughter's love was fleeting. A girl's time with her family was spent preparing for the day she would leave home to become part of another's. A mother saw a daughter as a reflection of who she was -- a strabger in every home she occupied. It was only when a son was raised and wedded that the mother could at last stake her place in the world. Because then she was able to look upon the bride entering the home as the stranger, and she, at last, was the familiar one.
Sejal Badani (The Storyteller's Secret)
You’re a werewolf,” said Nemane. “Samuel Cornick.” There was a pause. “The Marrok is Bran Cornick.” I kept my gaze on Samuel. “I was just explaining to Dr. Altman why it would be inadvisable for them to eliminate me even though I’m sticking my nose in their business.” Comprehension lit his eyes, which he narrowed at the fae. “Killing Mercy would be a mistake,” he growled. “My da had Mercy raised in our pack and he couldn’t love Mercy more if she were his daughter. For her he would declare open war with the fae and damned be the consequences. You can call him and ask, if you doubt my word.” I’d expected Samuel to defend me—and the fae could not afford to hurt the son of the Marrok, not unless the stakes were a lot higher. I’d counted on that to keep Samuel safe or I’d have found some way to keep him out of it. But the Marrok… I’d always thought I was an annoyance, the only one Bran couldn’t count on for instant obedience. He’d been protective, still was—but his protective instinct was one of the things that made him dominant. I’d thought I was just one more person he had to take care of. But it was as impossible to doubt the truth in Samuel’s voice as it was to believe that he’d be mistaken about Bran. I was glad that Samuel was focused on Nemane, who had risen to her feet when Samuel began speaking. While I blinked back stupid tears, she leaned on the walking stick and said, “Is that so?” “Adam Hauptman, the Columbia Basin Pack’s Alpha, has named Mercy his mate,” continued Samuel grimly. Nemane smiled suddenly, the expression flowing across her face, giving it a delicate beauty I hadn’t noticed before. “I like you,” she said to me. “You play an underhanded and subtle game—and like Coyote, you shake up the order of the world.” She laughed. “Coyote indeed. Good for you. Good for you. I don’t know what else you’ll run into—but I’ll let the Others know what they are dealing with.” She tapped the walking stick on the floor twice. Then, almost to herself, she murmured, “Perhaps…perhaps this won’t be a disaster after all.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
raising chickens. It was almost as hard for Eisman to imagine himself raising chickens as it was for people who knew him, but he’d agreed. “The idea of it was so unbelievably unappealing to him,” says his wife, “that he started to work harder.” Eisman traveled all over Europe and the United States searching for people willing to invest with him and found exactly one: an insurance company, which staked him to $50 million. It wasn’t enough to create a sustainable equity fund, but it was a start. Instead of money, Eisman
Michael Lewis (The Big Short: Inside the Doomsday Machine)
The result is that while teenagers can make decisions that are just as mature, reasoned, and rational as adults’ decisions in normal circumstances, their judgment can be fairly awful when they are feeling intense emotions or stress, conditions that psychologists call hot cognition. In those situations, teens are more likely to make decisions with the limbic system rather than the prefrontal cortex. The presence of peers is one of the things that raises the emotional stakes, making it more likely that teens will seek out risk and short-term reward without pausing to consider the consequences.
Dashka Slater (The 57 Bus: A True Story of Two Teenagers and the Crime That Changed Their Lives)
For a second i was just a kid, a kid who had lived all his life in the same tiny town. Just a child, because i knew i would have to live a lot more, suffer a lot more, to ever understand the searing agony in Edwards eyes. He raised his hands as if to wipe sweat from his forehead, but his fingers scraped against his face like they were going to rip his granite skin right off. His black eyes burned in their sockets, out of focus, or seeing things that weren't there. His mouth opened like he was going to scream, but nothing came out. This was the face of a man who would if he were burning at the stake.
Stephenie Meyer
Sheepwalking I define “sheepwalking” as the outcome of hiring people who have been raised to be obedient and giving them a brain-dead job and enough fear to keep them in line. You’ve probably encountered someone who is sheepwalking. The TSA “screener” who forces a mom to drink from a bottle of breast milk because any other action is not in the manual. A “customer service” rep who will happily reread a company policy six or seven times but never stop to actually consider what the policy means. A marketing executive who buys millions of dollars’ worth of TV time even though she knows it’s not working—she does it because her boss told her to. It’s ironic but not surprising that in our age of increased reliance on new ideas, rapid change, and innovation, sheepwalking is actually on the rise. That’s because we can no longer rely on machines to do the brain-dead stuff. We’ve mechanized what we could mechanize. What’s left is to cost-reduce the manual labor that must be done by a human. So we write manuals and race to the bottom in our search for the cheapest possible labor. And it’s not surprising that when we go to hire that labor, we search for people who have already been trained to be sheepish. Training a student to be sheepish is a lot easier than the alternative. Teaching to the test, ensuring compliant behavior, and using fear as a motivator are the easiest and fastest ways to get a kid through school. So why does it surprise us that we graduate so many sheep? And graduate school? Since the stakes are higher (opportunity cost, tuition, and the job market), students fall back on what they’ve been taught. To be sheep. Well-educated, of course, but compliant nonetheless. And many organizations go out of their way to hire people that color inside the lines, that demonstrate consistency and compliance. And then they give these people jobs where they are managed via fear. Which leads to sheepwalking. (“I might get fired!”) The fault doesn’t lie with the employee, at least not at first. And of course, the pain is often shouldered by both the employee and the customer. Is it less efficient to pursue the alternative? What happens when you build an organization like W. L. Gore and Associates (makers of Gore-Tex) or the Acumen Fund? At first, it seems crazy. There’s too much overhead, there are too many cats to herd, there is too little predictability, and there is way too much noise. Then, over and over, we see something happen. When you hire amazing people and give them freedom, they do amazing stuff. And the sheepwalkers and their bosses just watch and shake their heads, certain that this is just an exception, and that it is way too risky for their industry or their customer base. I was at a Google conference last month, and I spent some time in a room filled with (pretty newly minted) Google sales reps. I talked to a few of them for a while about the state of the industry. And it broke my heart to discover that they were sheepwalking. Just like the receptionist at a company I visited a week later. She acknowledged that the front office is very slow, and that she just sits there, reading romance novels and waiting. And she’s been doing it for two years. Just like the MBA student I met yesterday who is taking a job at a major packaged-goods company…because they offered her a great salary and promised her a well-known brand. She’s going to stay “for just ten years, then have a baby and leave and start my own gig.…” She’ll get really good at running coupons in the Sunday paper, but not particularly good at solving new problems. What a waste. Step one is to give the problem a name. Done. Step two is for anyone who sees themselves in this mirror to realize that you can always stop. You can always claim the career you deserve merely by refusing to walk down the same path as everyone else just because everyone else is already doing it.
Seth Godin (Whatcha Gonna Do with That Duck?: And Other Provocations, 2006-2012)
In a free society, we do not imprison those who violate profound cultural taboos or burn them at the stake. But they must be identified as dangerous radicals, not fit to be counted among the priesthood. The reaction is appropriate. To raise the dread question is to open the possibility that the institutions responsible “for the indoctrination of the young” and the other propaganda institutions may be infected by the most dangerous of plagues: insight and understanding. Awareness of the facts might threaten the social order, protected by a carefully spun web of pluralist mysticism, faith in the benevolence of our pure-hearted leadership, and general superstitious belief. An
Noam Chomsky (The Essential Chomsky)
If you believe in the words of Christ, 'None of them is lost whom Thou hast given Me' (John 17:12), then, as a Christian, you must say: 'I acknowledge no saint here. I am a poor sinner deserving of death; but in defiance of sin and death I cling to Thee, and I will not let Thee go. I have taken hold of Thee, dear Lord Christ. Thou art my Life, and this is the Father's will, that all who adhere to Thee have eternal life and be raised from the dead. In the meantime let my fate be what it will. I may be beheaded or burned at the stake.' No other life - whether it be called the monastic life or the life of St. Augustine or of St. John the Baptist - will arm a person for victory. Only faith in Christ can do so.
Martin Luther (Luther's Works, Volume 23 (Sermons on Gospel of St John Chapters 6-8) (Luther's Works (Concordia)))
He heard hundreds of exhausted feet scraping the ground behind him, he saw the stray cats at his own feet as they scattered in fear before the silently advancing mass of raised iron stakes, but he felt nothing except the weight of the hand on his shoulder steering him through the army of fur caps and heavy boots. Don't be afraid, the other man repeated. Valuska gave a quick nod and glanced up at the sky. He glanced up and suddenly had the sensation that the sky wasn't where it was supposed to be; terrified, he looked up again and confirmed the fact that there was indeed nothing there, so he bowed his head and surrendered to the fur caps and boots, realizing that it was no use to search because what he sought was lost, swallowed up by this coming together of forces, of details, of this earth, this marching.
László Krasznahorkai (The Melancholy of Resistance)
The scene unfolded before him as though he were a ghost. His mother stood on the raised stump, her body tied to the tall stake behind her. A pile of wood encircled her feet. Only a small crowd had gathered in the courtyard, despite his father’s commands that all should attend. Alasdair sobbed at her feet, calling out to her. The young Alasdair climbed on the pile and clutched her flowing gown. She had been dressed in her finest, not stripped down to her chemise like the handmaid who stood tied to a post beside her. His father had always liked a display. Alasdair’s hands reached and passed over his mother’s large pregnant belly. With that, she sobbed, too. “Oh, Ali, be good for Momma. I’ll see you in the pearly white heaven that God has promised us. Be steadfast, son. Trust your heart.” “Light it,” his father ordered.
Jean M. Grant (A Hundred Kisses (The Hundred Trilogy, #2))
The link between belief and behavior raises the stakes considerably. Some propositions are so dangerous that it may even be ethical to kill people for believing them. This may seem an extraordinary claim, but it merely enunciates an ordinary fact about the world in which we live. Certain beliefs place their adherents beyond the reach of every peaceful means of persuasion, while inspiring them to commit acts of extraordinary violence against others. There is, in fact, no talking to some people. If they cannot be captured, and they often cannot, otherwise tolerant people may be justified in killing them in self-defense. This is what the United States attempted in Afghanistan, and it is what we and other Western powers are bound to attempt, at an even greater cost to ourselves and to innocents abroad, elsewhere in the Muslim world. We will continue to spill blood in what is, at bottom, a war of ideas.
Sam Harris
We can withstand a siege for some time,” Arin said. “The city walls are strong. They’re Valorian-built.” “Which means that we will know how to bring them down.” Arin swirled his glass, watching the water’s clear spin. “Care to bet? I have matches. I hear they make very fine stakes.” There was the quirk of a smile. “We aren’t playing at Bite and Sting.” “But if we were, and I kept raising the stakes higher to the point where you couldn’t bear to lose, what would you do? Maybe you’d give up the game. Herran’s only hope of winning against the empire is to become too painful to retake. To mire the Valorians in an unending siege when they’d rather be fighting the east. To force them to conquer the countryside again, piece by piece, spending money and lives. Someday, the empire will decide we’re not worth the fight.” Kestrel shook her head. “Herran will always be worth it.” Arin looked at her, his hands resting on the table. He, too, had no knife. Kestrel knew that this was to make it less obvious that she wasn’t to be trusted with one. Instead, it became more. “You’re missing a button,” he said abruptly. “What?” He reached across the table and touched the cloth at her wrist, on the spot of an open seam. His fingertip brushed the frayed thread. Kestrel forgot that she had been troubled. She had been thinking about knives, she remembered, and now they were talking about buttons, but what one had to do with the other, she couldn’t say. “Why don’t you mend it?” he said. She recovered herself. “That is a silly question.” “Kestrel, do you not know how to sew a button?” She refused to answer. “Wait here,” he said. Arin returned with a sewing kit and button. He threaded a needle, bit it between his teeth, and took her wrist with both hands. Her blood turned to wine. “This is how you do it,” he said. He took the needle from his mouth and pierced it through the cloth.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
and a heart that throbs most queerly. I’m queer for other queers, queer for their shapes and colors and sizes, queer for their tastes. I’m queer for the ruthless sea. I’m queer for all the little queer creatures in the tide pools. I’m queer for the light when it breaks the horizon and queer for it when it sinks behind the trees. I’m plain queer for these people and queer for this world. I’m downright queer in love with this wreck of a world, queer in love with love itself—love’s always queer, always arriving in our hearts from queer nowheres, queering everything—and there we are; wide awake all night, queer as queer can be; queer orphans, queer widows, queer boys, and queer girls; sorrel girls queer for ivory boys, daffodil boys queer for lilac girls; carmine girls queer for sable girls, cinnamon boys so very queer for boys of bluest milk. Wicked shepherds! Burn me at the stake and hang me from a tree. Clap me in the stocks; send me down the mine; set me in the burning fields. But I am queer. And I say, Here is water, bread, a dull penny. Here’re my old shirt, my plane and hammer, a roof I’ll help you raise above your head. Here is my queer old body, in a barn, behind a hedge, beneath a shadow, on a bare pallet—
Paul Harding (This Other Eden)
So? When do you want to be turned?” “I didn’t agree to turn,” Valerie squawked with amazement. “You haven’t, but you will,” he said with a shrug. “What makes you think that?” she asked warily. “Because if you don’t, I’m going to have to wipe your memories and have you returned to your life and neither of us wants that,” he said simply. “Anders said I could have time to decide,” Valerie protested, and then frowned and added, “And what do you mean, neither of us wants that? Why would you care?” “You saved my wife and children, Valerie. And Leigh adores you. You’re family now.” “Oh.” She stared at him nonplussed, wondering if he meant that. “I mean it,” he said firmly. “Leigh has decided it’s so, so it’s so. She’d be disappointed if you didn’t become one of us and I won’t have her disappointed.” Valerie scowled slightly. The last part sounded like a threat. “As for Anders saying you could have time to decide,” Lucian continued. “What do you need time for? The nanos have paired you, you’re meant to be together.” “You make it sound so simple,” she said wearily. “It is simple. Don’t make it hard.” “Great, the nanos paired us. But what about love?” she asked. Lucian shifted impatiently. “Do you like him?” “Yes,” she admitted. “Respect him?” She nodded. “Trust him?” “Of course,” she said without hesitation. Lucian nodded and said dryly, “I don’t need to ask if you want him sexually.” Valerie flushed and raised her chin. “All those things combined make up love,” Lucian assured her. “Whether you realize it or not, you already do love him.” Valerie swallowed, knowing in her heart he was right. She bit her lip, and then blurted, “But does he love me?” “Ah.” Lucian nodded. “So that’s the holdup, is it? He hasn’t said it yet.” Valerie sighed and looked away, muttering, “When he asked me to be his life mate he went on about finding peace and being able to relax and be at peace. It was all peace, peace, peace,” she added with frustration and glanced to Lucian, eyes narrowing when she caught his lips twitching. If he laughed at her, she would— “Don’t you feel at peace with him?” he asked, and then added, “When you’re not hot and bothered, I mean.” “Well, yeah, but—” “But you want to hear that he loves you,” Lucian said and shrugged. “I guess you’ll have to ask him then.” “Ask him if he loves me?” she asked with dismay. Lucian sighed with exasperation. “You took on Igor and staked him, saving yourself and six other women in the process—” “Four,” she corrected unhappily. “Two died, remember.” “And then,” he continued heavily, ignoring her interruption. “You took on Ambrose and saved my wife and unborn twins by crashing the van you were all in and repeatedly bashing the man over the head until help got there. You are not a coward, Valerie, so stop acting like one. Ask him. And when he says yes he loves you, I will personally oversee the turning and pay for the wedding.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Laura Poitras I knew as a documentarian, primarily concerned with America’s post-9/11 foreign policy. Her film My Country, My Country depicted the 2005 Iraqi national elections that were conducted under (and frustrated by) the US occupation. She had also made The Program, about the NSA cryptanalyst William Binney—who had raised objections through proper channels about TRAILBLAZER, the predecessor of STELLARWIND, only to be accused of leaking classified information, subjected to repeated harassment, and arrested at gunpoint in his home, though never charged. Laura herself had been frequently harassed by the government because of her work, repeatedly detained and interrogated by border agents whenever she traveled in or out of the country. Glenn Greenwald I knew as a civil liberties lawyer turned columnist, initially for Salon—where he was one of the few who wrote about the unclassified version of the NSA IG’s Report back in 2009—and later for the US edition of the Guardian. I liked him because he was skeptical and argumentative, the kind of man who’d fight with the devil, and when the devil wasn’t around fight with himself. Though Ewen MacAskill, of the British edition of the Guardian, and Bart Gellman of the Washington Post would later prove stalwart partners (and patient guides to the journalistic wilderness), I found my earliest affinity with Laura and Glenn, perhaps because they weren’t merely interested in reporting on the IC but had personal stakes in understanding the institution.
Edward Snowden (Permanent Record)
Every time the cataclysmic concept has come to life, the 'beast' has been stoned, burned at the stake, beaten to a pulp, and buried with a vengeance; but the corpse simply won't stay dead. Each time, it raises the lid of its coffin and says in sepulchral tones: 'You will die before I.' The latest of the challengers is Prof. Frank C. Hibben, who in his book, 'The Lost Americans,' said: 'This was no ordinary extinction of a vague geological period which fizzled to an uncertain end. This death was catastrophic and all inclusive. [...] What caused the death of forty million animals. [...] The 'corpus delicti' in this mystery may be found almost anywhere. [...] Their bones lie bleaching in the sands of Florida and in the gravels of New Jersey. They weather out of the dry terraces of Texas and protrude from the sticky ooze of the tar pits off Wilshire Boulevard in Los Angeles. [...] The bodies of the victims are everywhere. [...] We find literally thousands together [...] young and old, foal with dam, calf with cow. [...] The muck pits of Alaska are filled with evidence of universal death [...] a picture of quick extinction. [...] Any argument as to the cause [...] must apply to North America, Siberia, and Europe as well.' '[...] Mamooth and bison were torn and twisted as though by a cosmic hand in a godly rage.' '[...] In many places the Alaskan muck blanket is packed with animal bones and debris in trainload lots [...] mammoth, mastodon [...] bison, horses, wolves, bears, and lions. [...] A faunal population [...] in the middle of some cataclysmic catastrophe [...] was suddenly frozen [...] in a grim charade.' Fantastic winds; volcanic burning; inundation and burial in muck; preservation by deep-freeze. 'Any good solution to a consuming mystery must answer all of the facts,' challenges Hibben.
Chan Thomas (The Adam & Eve Story: The History of Cataclysms)
SCULLEY. Pepsi executive recruited by Jobs in 1983 to be Apple’s CEO, clashed with and ousted Jobs in 1985. JOANNE SCHIEBLE JANDALI SIMPSON. Wisconsin-born biological mother of Steve Jobs, whom she put up for adoption, and Mona Simpson, whom she raised. MONA SIMPSON. Biological full sister of Jobs; they discovered their relationship in 1986 and became close. She wrote novels loosely based on her mother Joanne (Anywhere but Here), Jobs and his daughter Lisa (A Regular Guy), and her father Abdulfattah Jandali (The Lost Father). ALVY RAY SMITH. A cofounder of Pixar who clashed with Jobs. BURRELL SMITH. Brilliant, troubled hardware designer on the original Mac team, afflicted with schizophrenia in the 1990s. AVADIS “AVIE” TEVANIAN. Worked with Jobs and Rubinstein at NeXT, became chief software engineer at Apple in 1997. JAMES VINCENT. A music-loving Brit, the younger partner with Lee Clow and Duncan Milner at the ad agency Apple hired. RON WAYNE. Met Jobs at Atari, became first partner with Jobs and Wozniak at fledgling Apple, but unwisely decided to forgo his equity stake. STEPHEN WOZNIAK. The star electronics geek at Homestead High; Jobs figured out how to package and market his amazing circuit boards and became his partner in founding Apple. DEL YOCAM. Early Apple employee who became the General Manager of the Apple II Group and later Apple’s Chief Operating Officer. INTRODUCTION How This Book Came to Be In the early summer of 2004, I got a phone call from Steve Jobs. He had been scattershot friendly to me over the years, with occasional bursts of intensity, especially when he was launching a new product that he wanted on the cover of Time or featured on CNN, places where I’d worked. But now that I was no longer at either of those places, I hadn’t heard from him much. We talked a bit about the Aspen Institute, which I had recently joined, and I invited him to speak at our summer campus in Colorado. He’d be happy to come, he said, but not to be onstage. He wanted instead to take a walk so that we could talk. That seemed a bit odd. I didn’t yet
Walter Isaacson (Steve Jobs)
Cannabinoids relax the rules of cortical crowd control, but 300 micrograms of d-lysergic acid diethylamide break them completely. This is a clean sweep. This is the Renaissance after the Dark Ages. Dopamine—the fuel of desire—is only one of four major neuro modulators. Each of the neuromodulators fuels brain operations in its own particular way. But all four of them share two properties. First, they get released and used up all over the brain, not at specific locales. Second, each is produced by one specialized organ, a brain part designed to manufacture that one potent chemical (see Figure 3). Instead of watering the flowers one by one, neuromodulator release is like a sprinkler system. That’s why neuromodulators initiate changes that are global, not local. Dopamine fuels attraction, focus, approach, and especially wanting and doing. Norepinephrine fuels perceptual alertness, arousal, excitement, and attention to sensory detail. Acetylcholine energizes all mental operations, consciousness, and thought itself. But the final neuromodulator, serotonin, is more complicated in its action. Serotonin does a lot of different things in a lot of different places, because there are many kinds of serotonin receptors, and they inhabit a great variety of neural nooks, staking out an intricate network. One of serotonin’s most important jobs is to regulate information flow throughout the brain by inhibiting the firing of neurons in many places. And it’s the serotonin system that gets dynamited by LSD. Serotonin dampens, it paces, it soothes. It raises the threshold of neurons to the voltage changes induced by glutamate. Remember glutamate? That’s the main excitatory neurotransmitter that carries information from synapse to synapse throughout the brain. Serotonin cools this excitation, putting off the next axonal burst, making the receptive neuron less sensitive to the messages it receives from other neurons. Slow down! Take it easy! Don’t get carried away by every little molecule of glutamate. Serotonin soothes neurons that might otherwise fire too often, too quickly. If you want to know how it feels to get a serotonin boost, ask a depressive several days into antidepressant therapy. Paxil, Zoloft, Prozac, and all their cousins leave more serotonin in the synapses, hanging around, waiting to help out when the brain becomes too active. Which is most of the time if you feel the world is dark and threatening. Extra serotonin makes the thinking process more relaxed—a nice change for depressives, who get a chance to wallow in relative normality.
Marc Lewis (Memoirs of an Addicted Brain: A Neuroscientist Examines his Former Life on Drugs)
As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved. Callum had always tended toward the assassins in the stories, the dutiful soldiers, those driven by personal reaction rather than on some larger moral cause. Perhaps it was a small role to serve on the whole, but at least it was rational, comprehensible beyond fatalistic. Take the huntsman who failed to kill Snow White, for example. An assassin acting on his own internal compass. Whether humanity as a whole won or lost as a result of his choice? Unimportant. He didn’t raise an army, didn’t fight for good, didn’t interfere much with the queen’s other evils. It wasn’t the whole world at stake; it was never about destiny. Callum admired that, the ability to take a moral stance and hold it. It was only about whether the huntsman could live with his decision—because however miserable or dull or uninspired, life was the only thing that mattered in the end. The truest truths: Mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn’t buy happiness, but nothing could buy happiness, so at least money could buy everything else. In terms of finding satisfaction, all a person was capable of controlling was himself.
Olivie Blake (The Atlas Six (The Atlas #1))
newer marshals,” Newman added. “I was glad when they invited them to teach you new guys. That much field experience shouldn’t go to waste.” “A lot of them are stake-and-hammer guys though,” Newman said. “Old-fashioned doesn’t begin to cover their methods.” “The hunter that taught me the ropes was like that.” “I thought Forrester was your mentor. He’s known for his gun knowledge,” Livingston said. “You get that off his Wikipedia page?” I asked. “No, he worked a case that a buddy of mine was on. My friend is a gun nut, and he loved Forrester’s arsenal. He said that Forrester even used a flamethrower.” “Yep, that’s Ted,” I said, shaking my head. “So, he wasn’t your first mentor?” “No, Manny Rodriguez was. He taught me how to raise zombies and how to kill vampires.” “What happened to him?” Newman asked. “His wife thought he was getting too old and forced him to retire from the hunting side of things.” “It is not a job for old men,” Olaf said. “I guess it isn’t, but I wasn’t ready to fly solo when Manny retired. I was lucky I didn’t get killed doing jobs on my own at first.” “When did Forrester start training you?” Livingston asked. “Soon enough to help me stay alive.” “Ted spoke highly of you from the beginning,” Olaf said. “He does not give unearned praise. Are you being humble?” “No, I don’t . . . I really did have some close calls when Manny first retired, or maybe I just missed having backup.” Hazel brought our coffee and my Coke. “I’ll be back to fill those waters up, and with the juice,” she said before she left again. I so wanted to start questioning her, but this was Newman’s warrant and everyone else besides Olaf was local. They knew Hazel. I didn’t. I’d let them play it for now. The coffee was fresh and hot and surprisingly good for a mass-produced cup. I did add sugar and cream, so it wasn’t great coffee, but I didn’t add much, so it wasn’t bad either. Olaf put in way more sugar than I did, so his cup would have been too sweet for me. He didn’t take cream. I guessed we could be snobby about each other’s coffee habits later. “But it was Forrester who taught you how to fight empty hand?” Livingston asked. “I had some martial arts when we met, but he started me on more real-world training that worked outside of a judo mat or a martial arts tournament.” “I thought he was out of New Mexico,” Livingston said. “He is.” “And you’re in St. Louis, Missouri.” “I am.” “Hard to train long-distance.” “I have people I train with at home.” “How often do you train?” Kaitlin asked. “At least three times a week in hand-to-hand and blade.” “Really that often?” Newman asked. “Yeah. How often do you train?” “I go to the range two, three times a month.” “Any martial arts?” I asked. “I go to the gym three times a week.
Laurell K. Hamilton (Sucker Punch (Anita Blake, Vampire Hunter #27))
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Remarkably, we still have a ‘wild’ Indian’s account of his capture and incarceration. In 1878, when he was an old man, a Kamia called Janitin told an interviewer: I and two of my relatives went down ... to the beach ... we did no harm to anyone on the road, and ... we thought of nothing more than catching and drying clams in order to carry them to our village. While we were doing this, we saw two men on horseback coming rapidly towards us; my relatives were immediately afraid and they fled with all speed, hiding themselves in a very dense willow grove ... As soon as I saw myself alone, I also became afraid ... and ran to the forest ... but already it was too late, because in a moment they overtook me and lassoed and dragged me for a long distance, wounding me much with the branches over which they dragged me, pulling me lassoed as I was with their horses running; after this they roped me with my arms behind and carried me off to the Mission of San Miguel, making me travel almost at a run in order to keep up with their horses, and when I stopped a little to catch my wind, they lashed me with the lariats that they carried, making me understand by signs that I should hurry; after much travelling in this manner, they diminished the pace and lashed me in order that I would always travel at the pace of the horses. When we arrived at the mission, they locked me in a room for a week; the father [a Dominican priest] made me go to his habitation and he talked to me by means of an interpreter, telling me that he would make me a Christian, and he told me many things that I did not understand, and Cunnur, the interpreter, told me that I should do as the father told me, because now I was not going to be set free, and it would go very bad with me if I did not consent in it. They gave me atole de mayz[corn gruel] to eat which I did not like because I was not accustomed to that food; but there was nothing else to eat. One day they threw water on my head and gave me salt to eat, and with this the interpreter told me that I was now Christian and that I was called Jesús: I knew nothing of this, and I tolerated it all because in the end I was a poor Indian and did not have recourse but to conform myself and tolerate the things they did with me. The following day after my baptism, they took me to work with the other Indians, and they put me to cleaning a milpa [cornfield] of maize; since I did not know how to manage the hoe that they gave me, after hoeing a little, I cut my foot and could not continue working with it, but I was put to pulling out the weeds by hand, and in this manner I did not finish the task that they gave me. In the afternoon they lashed me for not finishing the job, and the following day the same thing happened as on the previous day. Every day they lashed me unjustly because I did not finish what I did not know how to do, and thus I existed for many days until I found a way to escape; but I was tracked and they caught me like a fox; there they seized me by lasso as on the first occasion, and they carried me off to the mission torturing me on the road. After we arrived, the father passed along the corridor of the house, and he ordered that they fasten me to the stake and castigate me; they lashed me until I lost consciousness, and I did not regain consciousness for many hours afterwards. For several days I could not raise myself from the floor where they had laid me, and I still have on my shoulders the marks of the lashes which they gave me then.
James Wilson (The Earth Shall Weep: A History of Native America)
Those who tried to escape received the customary punishment, as Nicholson harrowingly described: After they had stripped the sufferer naked, they inserted the iron pointed stake into the lower termination of the vertebrae, and thence forced it up near his back bone, until it appeared between the shoulders, avoiding the vital parts. The stake was then raised in the air and the poor sufferer exposed to the view of the other slaves, writhing in…insupportable agony.
Michael B. Oren (Power, Faith, and Fantasy: America in the Middle East: 1776 to the Present)
How Do We Raise Our Test Scores? This is the most pervasive misguided (and misguiding) question. While high-stakes testing is an undeniable reality in public education, this fatally flawed initial question leads to the wrong answers for achieving deep levels of student learning.
Austin Buffum (Simplifying Response to Intervention: Four Essential Guiding Principles (What Principals Need to Know))
Britain indeed did not recede but rather, turning to Mexico, raised the stakes by urging Mexico to go to war with the United States over Texas.
Mark Stein (How the States Got Their Shapes Too: The People Behind the Borderlines)
Did you know he named his pistols?” she asked. He felt his jaw begin to tick and immediately forced himself to relax. “I think I’ve read that before.” “Well, I just read it recently. As if having a boy pistol and a girl pistol wasn’t bad enough, he goes and names them. Odysseus and Penelope.” She laughed. A full-throated, from-the-belly laugh. “But what can you expect from somebody named Lucious?” Over his four years as a Ranger, he’d traveled seventy-four thousand miles, made two hundred scouts, and one hundred eighty-two arrests. He’d endured cold, hunger, and fatigue without a murmur. He’d been said to have the eyes of a fox, the ears of a wolf, and the ability to follow scent like a hound. Yet this tiny bit of fluff could throw him off-kilter like no other. He counted to ten. “What’s wrong with the name Lucious?” She looked at him, incredulous. “What’s wrong with Lucious? It’s . . . it’s . . . I don’t know . . . silly, don’t you think? Sounds like luscious.” He was named after his father. The father whose life had been senselessly snuffed out by Mother Nature. Carrying his dad’s name was a great privilege and a source of pride for Luke. How dare she make fun of it. Anger simmering, he twisted the wires together and forced himself to respond as if he had nothing personal at stake. “Don’t guess I ever thought about it. Can’t say the name’s ever bothered me, though.” “That’s probably because it isn’t yours. I’m sure if it were, you’d think differently.” “Maybe so.” Picking up a cloth on the switchboard, he wiped his hands. “Did you get a look at this Lucious fellow?” “I did.” He raised a brow. “And was he luscious?” “Ha!” Folding the paper, she tossed it on the desk. “Hardly. If anybody was luscious, it was Frank Comer.
Deeanne Gist (Love on the Line)
PRECIOUS” The Hebrew word for “precious” means to carry weight, to be scarce or esteemed. When something is precious, one places more value on it than on other things, making it “weighty.” When “precious” appears in other Old Testament passages, it’s surrounded by danger, notions of redemption, the human soul, and the eyes of the beholder (1 Sam. 26:21; 2 Kings 1:13–14; Ps. 49:8 KJV; 72:14). The precious soul must be saved before it’s too late. When the word precious is called upon, it’s usually because something is at stake. What is at stake? According to Søren Kierkegaard, despair.3 When humans are overwhelmed by their finitude and blemishes, they lose sense of their God-given greatness. We need to be reminded, lest we forget. After all, we were created in God’s image; isn’t that enough? Why do we weep over our appearance, struggle with acceptance, and burn with envy toward others? We were created in God’s image! There’s nothing nobler, more beautiful, or more stunning than that. Yet we treat our souls as if they were garbage. We desperately need to be reminded of the weight that our souls carry before it’s too late. I was waiting in line behind a man and his son at a café. The man was middle-aged and fairly rugged. His teenage son had Down syndrome, but his eyes were bright and he wore excitement on his face. Dad was getting him hot chocolate with whipped cream. As the two were waiting for the barista to hand them their drinks, the dad reached out his arm and placed his hand on the back of his son’s hair. He gently folded his fingers into his son’s hair and said, “Hey, beautiful.” Both puzzled and innocent, the son answered simply, “What?” Staring deeply into his son’s face, the dad said, “I love you.” This father saw the weight of his son’s preciousness. In the world’s eyes, this boy would never be a great athlete or a top student. He would never attain the world’s standard of beauty. He’d probably live at home for longer than usual, depending on the care of his parents. He was most likely demanding and had surely required more of his parents as a baby. He probably had more than a few idiosyncrasies that tested his family’s nerves. He was probably messy.4 But his dad loved him. His dad didn’t label him as a burden, but as beautiful. His dad loved him just the way he was—I could see that plainly. Our souls are sick from head to toe, yet our Father finds a way to love us anyway. Picture God raising his hand to your head and sifting your hair between his fingers. He looks into your eyes—knowing full well what you are—and says, “Hey, beautiful. I love you.” That’s enough to melt my heart in joy. There are no conditions to meet in order to earn God’s love. He is in love with you just as you are. “You carry a lot of worth in my eyes, you are heavy-laden with beauty, and I love you.
Samuel Kee (Soul Tattoo: A Life and Spirit Bearing the Marks of God)
Listen, I haven’t even seen half of what there is to see in Hytanica. You could show me one day.” “You seem to be everywhere in this city,” I scoffed. “There can’t be much left for you to explore. Or have you just been following me around?” “Well, you’re the most interesting feature of the city I’ve come across.” He smirked, and I gave him a sideways glance. Was he admitting to stalking me? Then he chuckled. “As long as I’m assigned to oversee the city, we’re bound to run into each other. I would be lying, however, if I denied that I look forward to our encounters.” Heat again flooded my face. Saadi was making me uncomfortable. I was in danger of liking him too much. “That reminds me,” I said. “I owe you for a lock.” I glanced to see that Dahnath was still talking to Drael. He was holding her hands, preparing to depart. Knowing from the general length of their goodbyes that it would be at least five minutes more, I removed a coin from my pocket. Saadi grinned. “I thought you had forgotten.” “Not at all.” I pressed the coin into his hand. “But you have to go. My sister will be coming to find me at any moment. She can’t see us together or she’ll tell my mother and probably Cannan. We could both end up in dismal straits.” I expected him to ridicule me for being afraid of my mother, but he did not. “What do you say, Shaselle? Two days from now I’ll be off duty.” “You really want to see me?” “Yes,” he confirmed, pale blue eyes sparkling, his bronze hair sticking erratically up in front. “All right then.” “Wonderful. I can meet you whenever, wherev--” “On one condition.” His smile faded and his tone grew wary. “Which is?” “I’ll spend a day with you only if you can beat me in a horse race.” He laughed and shook his head. “Of course I can beat you.” “Then prove it. We’ll each pick a mount and race--I’ll need to borrow one from your Cokyrian stables. Take it or leave it. Either way, I have to go now. But I wouldn’t be so cocky if I were you, boy.” He smiled, intrigued by my challenge. “I’ll take it, but let’s raise the stakes. Make it more worthwhile.” Curious, I motioned for him to go on. “If I win, you agree to spend two days with me, when I’m off duty. If you win, you get to keep the horse you chose to ride.” I stared into his eyes for a long moment, until I was certain he wasn’t toying with me. He knew as well as I did that I would choose one of my father’s horses--one that had been stolen by his sister. He was giving me a chance to bring one of them home. My spirits soared, and I extended my hand. Saadi shook it, then shoved the basket at me, turning to stride away. Just in time, too, for Dahnath was approaching.
Cayla Kluver (Sacrifice (Legacy, #3))
So, what are the stakes for this little game?” She raised an eyebrow. “You want to turn a friendly game of miniature golf into a bet?” “I’m a guy. It’s what we do,” he said, his dark eyes sizzling with wicked intent. She rolled her eyes. “At least you recognize how ridiculous you are, acting so competitive about a fun game.” “Do you really mean to tell me you and Tatiana aren’t the least bit competitive with each other? Or that you haven’t tried to rig the windmill hole to close at least once before her ball could get in?” She laughed at his far-too-insightful question. “Well, maybe there was that one time she ‘accidently’ slipped on a ball in front of my shot that was sure to be a winning hole in one.” He shook his head. “Little sisters are a pain in the butt, aren’t they? But then again, I’m sure you got her back for that, didn’t you?” She gave him her most innocent look, before saying, “Who knew putting Vaseline on a golf ball would make it nearly impossible to hit straight?” “Now that I know how much the win means to you,” he said through his laughter, “I may have to do a full body search for any hidden jars of Vaseline before we start playing.
Bella Andre (Come A Little Bit Closer (San Francisco Sullivans, #7; The Sullivans, #7))
Owen did not understand “beholding the glory of God in the face of Jesus Christ” to be either an esoteric subject or something only for certain highly spiritual kinds of people. With great force he argued that no one “will ever behold the glory of Christ by sight hereafter who doth not in some measure behold it by faith here in this world.”287 This raises the stakes on prayer and meditation to high levels. Owen held that, unless you learn how to behold the glory of Christ, you are not actually living a truly Christian life in this world.
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
1. Stop leading with weak pairs. Don’t try the old check-call flop, bet turn small line. Don’t try the variation where you just bet small on the flop either. Just don’t do it. 2. Instead, go ahead and check your weak pairs. Call small early bets with them (like the $20 on the flop in the above example), but fold if your opponent starts betting big money. You might feel like you’ll be pushed around if you play this way, but you won’t. First, most of your opponents at the small stakes will be too timid to try to push you around, and while they’ll take a stab for $20, they won’t try to blow you off your hand for $60 or $100. Second, when your opponents are aggressive, you just help them out with your weak leads. You tell them when it’s safe to bluff. 3. If you see someone else make this play, raise! You know how some players will tell you, “I’ll fold if you raise?” Well, this weak lead play tells you the same thing non-verbally. When someone bets out like this, they’re saying they plan to fold if you raise. So do it.
Ed Miller (STOP! 10 Things Good Poker Players Don't Do)
I want you to lie beside me. His voice was a sinful caress, enticing, insistent. “I think you can manage all by yourself,” she answered, refusing to look into his dark, hypnotic eyes. Instead, she shut off her computer and the generator and locked the door. I have nightmares, little red hair. The only way to keep them at bay is to have you close beside me. He sounded very earnest, innocent, hopeful. Shea found herself smiling as she poured him another unit of blood. She was beginning to think the devil himself had shown up at her doorstep. Jacques was temptation incarnate. “I removed a stake from your heart just a couple of nights ago, and you have a major wound there. If I move around while I sleep, I could easily bump into you and start it bleeding again. You wouldn’t want that, would you?” He took the container from her hand, his fingers curling around the glass precisely over the spot where her fingers had been. He did things like that, intimate things that sent butterfly wings brushing deep within her. Not my heart, Shea. They did not get me in the heart, as they should have. It is here within my body— can you not hear it? Your heart beats with the same rhythm so that it matches mine. “Were you a playboy before they buried you?” she asked him, tossing a mischievous grin over her shoulder. Shea checked her gun to make certain it was clean and loaded. “You need to drink that, Jacques, not just hold it. And then go back to sleep. The more rest you get, the faster you’ll heal.” You persist in being my doctor when I so need my lifemate to come and lie beside me. Again his voice was temptation itself. “Drink, Jacques.” She tried to sound stern, but it was impossible when he was looking so desperate for her company. I am desperate. She couldn’t help but shake her head. “You’re outrageous.” He made an attempt to raise the glass to his mouth, but his arm wobbled. I cannot lift this without your aid, Shea. I am too weak. “Am I supposed to believe you?” She laughed aloud but crossed to his side.
Christine Feehan (Dark Desire (Dark, #2))
It is time to restore other values to primacy. That means honoring them, not just with words, but in ways that matter. For culture does not just happen. It must be nurtured. We do so by honoring people who build their lives around other priorities—ensuring they can earn a dignified living, even if we must pay more taxes ourselves to raise salaries for public servants. We do so by buying something handmade or hand grown when we possibly can, instead of at Walmart, or spending our own time and money on beauty and its creators. We do so by reducing our tolerance for ugliness.
Sarah Chayes (On Corruption in America: And What Is at Stake)
The five chairs of the power committees,” for example, “must contribute $500,000 [each] and raise an additional $1 million” for congressional campaign funds. Big donors thus get to choose not just who runs for office, but who, once elected, leads.
Sarah Chayes (On Corruption in America: And What Is at Stake)
In my last year on Wall Street my bonus was $3.6 million,” wrote Sam Polk in the New York Times, “and I was angry because it wasn’t big enough. I was 30 years old, had no children to raise, no debts to pay, no philanthropic goal in mind. I wanted more money for exactly the same reason an alcoholic needs another drink: I was addicted.” Polk
Sarah Chayes (On Corruption in America: And What Is at Stake)
He wanted her to have an abortion? After everything he did? Nicky raised an eyebrow. "Funny how your godly beliefs go out the window when it's your bastard kid and your reputation at stake.
C.J. Tudor (The Chalk Man)
Raise your game. Raise the stakes. Raise the heavens themselves.
Joe Dixon (The Ownership Wars: Who Owns You?)
A two-tiered caste system raised the stakes for whiteness, leading to court dockets filled with people on the borderline seeking admission to the upper caste.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
God of unrighteousness (compare Romans 9:14). Therefore, Paul clarifies collective identity in Romans 9 just as he does in Romans 2–4. To defend God’s honor, Paul rebuffs Jewish presumption. God’s election of Israel doesn’t imply that he is partial to Jews based on ancestral birth. The Pentateuch itself undermines that assumption. Although Abraham already had Ishmael, God chose Isaac (Romans 9:7). Likewise, God elects the younger Jacob over Esau despite social convention (Romans 9:12). To clarify who are God’s people, Paul engages in what appears to be doublespeak. He previously argued that both Jews and Gentiles are reckoned as “Abraham’s offspring.” Similarly, Paul challenges typical notions of the term Israel in Romans 9:6-8. Christ redefines Paul’s understanding of Israel. What’s at stake? In Romans 9:14, Paul asks, “What shall we say then? Is there injustice [adikia] on God’s part?” He replies, “By no means!” Verses 15-18 offer support: For he says to Moses, “I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion.” So then it depends not on human will or exertion, but on God, who has mercy. For the Scripture says to Pharaoh, “For this very purpose I have raised you up, that I might show my power in you, and that my name might be proclaimed in all the earth.” So then [ara oun] he has mercy on whomever he wills, and he hardens whomever he wills. God’s covenant promises depend on grace, not nationality or social position. This is Paul’s point in Romans 4:16 when speaking of justification: “That is why it depends on faith, in order that the promise may rest on grace and be guaranteed to all his offspring—not only to the adherent of the law but also to the one who shares the faith of Abraham, who is the father of us all.” God is not bound by external measures of justice/righteousness. Cultural norms do not constrain God either to save or condemn. Nor should we think God is only concerned for one expression of righteousness, whether “punitive,” “restorative,” or “covenantal” righteousness. The Creator does all things for his name’s sake. This includes raising up oppressive rulers like Pharaoh (Romans 9:17). Paul reinforces the point in Romans 9:22-24: What if God, desiring to show his wrath and to make known his power, has endured with much patience vessels of wrath prepared for destruction, in order to make known the riches of his glory for
Jackson Wu (Reading Romans with Eastern Eyes: Honor and Shame in Paul's Message and Mission)
[W]e do know that regardless of the source of the racial differences, the stakes are higher than hurt feelings or raised voices. An officer's language and the attitude it conveys could decrease a black driver's inclination to cooperate. That increases the likelihood that the interaction might escalate and lead to an altercation and a arrest--or worse--that could have been avoided.
Jennifer L Eberhardt
It’s hard to discuss motherhood because it is such an identity. However, when we get curious, we can shift from the focus on our own perspectives (and our own defensiveness) and think about the other person’s. The decisions mothers make about birth, breastfeeding, and whether to work beyond child-raising are intensely personal and are made against a backdrop of cultural messages that seem designed to make all of us feel selfish and inadequate. Our listeners’ ability to pause, recognize how their experiences were causing them to hear from a defensive posture, and come back to the discussion is extraordinary and instructive. We can’t get to the substance of Komisar’s research without first recognizing our stakes in our
Sarah Stewart Holland (I Think You're Wrong (But I'm Listening): A Guide to Grace-Filled Political Conversations)
Introduction Raised in the cloistered world of Brooklyn’s Satmar sect of Hasidic Judaism, Deborah Feldman struggled as a naturally curious child to make sense of and obey the rigid strictures that governed her daily life. From what she could read to whom she could speak with, virtually every aspect of her identity was tightly controlled. Married at age seventeen to a man she had met for only thirty minutes and denied a traditional education—sexual or otherwise—she was unable to consummate the relationship for an entire year. Her resultant debilitating anxiety went undiagnosed and was exacerbated by the public shame of having failed to serve her husband. In exceptional prose, Feldman recalls how stolen moments reading about the empowered literary characters of Jane Austen and Louisa May Alcott helped her to see an alternative way of life—one she knew she had to seize when, at the age of nineteen, she gave birth to a son and realized that more than just her own future was at stake. Questions and Topics for Discussion 1. The heroines in the books Deborah read as a girl were her first inspirations, the first to make her consider her own potential outside of her community. Which literary characters have inspired you? 2. As a girl, with two absentee parents and an outspoken nature, Deborah was systematically made to feel different or “bad.” How did the structure of Satmar Hasidic culture make her feel such shame, and how did this shame serve to subjugate her? 3. When Deborah learns that King David—a revered historical figure who supposedly did no wrong—is a murderer and a hypocrite, she writes, “I am not aware at this moment that I have lost my innocence. I will realize it many years later.” What is the line between innocence and willful ignorance? How did Deborah’s ability and willingness to question authority and think for herself change the course of her life? 4. The cloistered Satmar community is located on the outskirts of New York City, one of the most racially, spiritually, and culturally diverse places in America. How do aspects of the outside world enter Deborah’s consciousness, and how do you think these glimpses of life outside her insular community affected her development?
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
It turns the action in a new direction. It raises the central question again and makes us wonder about the answer. It often requires a decision or commitment on the part of the main character. It raises the stakes. It pushes the story into the next act. It takes the audience into a new arena, where a character’s actions may be seen with a new focus.
Linda Seger (Making a Good Script Great)
Over the course of writing this book, one thing I've heard over and over again from Dark Souls players is that, because of the high stakes, both victory and defeat feel more meaningful... Other games are exciting, sure, but I don't think I've ever leaped up and screamed at the television, arms raised in jubilation, whilst playing any other game. The way you feel during the final minutes of those tight boss fights, where both you and your foe are millimetres from death and you've been holding your breath for seemingly minutes at a time, is not something most video games are capable of eliciting.
Keza MacDonald (You Died: The Dark Souls Companion)
Biology designed the dance. Terror timed it. Dictated the rhythm with which their bodies answered each other. As though they knew already that for each tremor of pleasure they would pay with an equal measure of pain. As though they knew that how far they went would be measured against how far they would be taken. So they held back. Tormented each other. Gave of each other slowly. But that only made it worse. It only raised the stakes. It only cost them more. Because it smoothed the wrinkles, the fumble and rush of unfamiliar love and roused them to fever pitch.
Arundhati Roy (The God of Small Things)
At stake are the conditions that serve forms of power antithetical to democracy. The citizenry is reduced to an electorate whose potency consists of choosing among congressional candidates who, prior to campaigning, have demonstrated their “seriousness” by successfully soliciting a million dollars or more from wealthy donors. This rite of passage ensures that the candidate is beholden to corporate power before taking office. Not surprisingly, the candidate who raises the most money will likely be the winner. The vote count becomes the expression of the contributor.
Sheldon S. Wolin (Democracy Incorporated: Managed Democracy and the Specter of Inverted Totalitarianism - New Edition)
Negotiation is a gambler's game, and knowing when to show each stake-raising card requires skill.
Erin Summerill (Once a King (A Clash of Kingdoms, #3))
150 million more people would die from air pollution alone in a 2-degree warmer world than in a 1.5-degree warmer one. Later that year, the IPCC raised the stakes further: in the gap between 1.5 degrees and 2, it said, hundreds of millions of lives were at stake.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
Let’s raise the stakes. It requires more courage to say “I don’t read to my children because it’s not a priority.” If it’s true that it’s not a priority, then it’s true—even if that’s not politically correct to say. Be honest. Own that truth. Maybe you don’t enjoy reading with children. Maybe they don’t enjoy reading with you. Maybe you’d prefer to check your BlackBerry, or maybe you’d prefer to watch America’s Next Top Model. Maybe your spouse is already doing a bang-up job in this department. Maybe you honestly do think that the income you provide, the service you do for society, or the joy you gain by working during the entirety of your children’s waking hours is a bigger priority than interacting with them. There could be many good reasons for this. There are probably some bad ones, too. Nonetheless, it is a choice, and not a matter of lacking time. When you say “I don’t have time,” this puts the responsibility on someone else: a boss, a client, your family. Or else it puts the responsibility on some nebulous force: capitalism, society, the monster under the bed.
Laura Vanderkam (168 Hours: You Have More Time Than You Think)
Virtually unable to attract new capital to the foundering enterprise, the company seized the next year on a novel approach to raising money to fund the embryonic British Empire: a lottery. With the reluctant approval of King James and the Church of England, the Virginia Company sold lottery tickets to the public, discovering no shortage of gamers willing to hazard hard coinage for the chance to win the 01,000 grand prize, a fortune at a time when the typical working-class family scraped by on little more than a pound a month. Having begun as a corporation, Virginia had evolved into a gamblers' stake with a lively populist following back in England.
Bob Deans (The River Where America Began: A Journey Along the James)
Originally the Indians made their tepees of buffalo hides, but since the destruction of the buffalo herds by the white man, domestic cow hides have been used, as well as canvas. New buffalo-hide tepee covers were made every spring. The size of the tepee depended somewhat on the number of horses the tribe or family had, because it required several horses to transport a large tepee. The poles were made of lodgepole pine, cedar, spruce, or any other straight tree. Flexible poles were not used. The poles averaged about 25 feet in length and tapered from 4 to 1 inch in diameter. In warm weather the lower part of the tepee was raised up on the poles to allow the breeze to blow through. In cold weather the space around the bottom between the stakes and the ground was packed with sod to hold it down tightly and to keep out the snow and drafts. When the tepee was new it was nearly white. But by spring, the smoke and the weather had darkened it at the top and the skins became quite transparent. At night the campfires made the tepees look like large Japanese lanterns. On the Great Plains the wind is usually from the west and for that reason the tepees were set up with the smoke hole facing the east. The flaps, or smoke hole ears, as they are called, were used to control the drafts and to keep the wind from blowing down the smoke hole. In case of a storm they could be lapped over to close the smoke hole completely.
W. Ben Hunt (Indian Crafts & Lore)
Becoming an expert not only establishes you as a leader in your field, it will make you a trusted resource that people can rely on for new and innovative ideas. In addition to raising the stakes and helping you increase your income, your expertise will serve to make a powerful first impression, which will truly help you shine and stand apart from the crowd. Having fun and meeting interesting, incredible people along the way is an added bonus!
Susan C. Young (The Art of Preparation: 8 Ways to Plan with Purpose & Intention for Positive Impact (The Art of First Impressions for Positive Impact, #2))
that White people could be persuaded away from their racist ideas if they saw Black people improving their behavior, uplifting themselves from their low station in American society. The burden of race relations was placed squarely on the shoulders of Black Americans. Positive Black behavior, abolitionist strategists held, undermined racist ideas, and negative Black behavior confirmed them. Uplift suasion was not conceived by the abolitionists meeting in Philadelphia in 1794. It lurked behind the craze to exhibit Phillis Wheatley and Francis Williams and other “extraordinary” Black people. So the American Convention, raising the stakes, asked every free Black person to serve as a Black exhibit. In every state, abolitionists publicly and privately drilled this theory into the minds of African people as they entered the ranks of freedom in the 1790s and beyond. This strategy to undermine racist ideas was actually based on a racist idea: “negative” Black behavior, said that idea, was partially or totally responsible for the existence and persistence of racist ideas. To believe that the negative ways of Black people were responsible for racist ideas was to believe that there was some truth in notions of Black inferiority. To believe that there was some truth in notions of Black inferiority was to hold racist ideas. From the beginning, uplift suasion was not only racist, it was also impossible for Blacks to execute. Free Blacks were unable to always display positive characteristics for the same reasons poor immigrants and rich planters were unable to do so: free Blacks were human and humanly flawed. Uplift suasion assumed, moreover, that racist ideas were sensible and could be undone by appealing to sensibilities. But the common political desire to justify racial inequities produced racist ideas, not logic. Uplift suasion also failed to account for the widespread belief in the extraordinary Negro, which had dominated assimilationist and abolitionist thinking in America for a century. Upwardly mobile Blacks were regularly cast aside as unique and as different from ordinary, inferior Black people.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
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Mark Nathan (NERF: The Ultimate Reference)
It is a the belief of many brooding minds that almost as great as the direct guilt of the German war lords was the guilt of the whole political society of Europe, whose secret diplomacy (unrevealed to the peoples) was based upon hatred and fear and rivalry, in play for imperial power and the world's markets, as common folk play dominoes for penny points, and risking the lives of common folk in a gamble for enormous stakes of territory, imperial prestige, the personal vanity of politicians, the vast private gain of trusts and profiteers. To keep the living counters quiet, to make them jump into the pool of their own free will at the word "Go," the statesmen, diplomats, trusts, and profiteers debauch the name of patriotism, raise the watchword of liberty, and play upon the ignorance of the mob easily, skillfully, by inciting them to race hatred, by inflaming the brute-passion in them, and by concocting a terrible mixture of false idealism and self-interest, so that simple minds quick to respond to sentiment, as well as those quick to hear the call of the beast, rally shoulder to shoulder and march to the battlegrounds under the spell of that potion.
Philip Gibbs (Now It Can Be Told)
Gloria Ladson-Billings says that successful teachers of low-income, culturally diverse children know that their students are "school dependent." What she means is that while children from more privileged backgrounds can manage to perform well in school and on high-stakes tests in spite of poor teachers, children who are not a part of the mainstream are dependent upon schools to teach them whatever they need to know to be successful.
Lisa D. Delpit ("Multiplication Is for White People": Raising Expectations for Other People's Children)
I am going to kill you.” These six words may have triggered more high-stakes predictions than any other sentence ever spoken. They have certainly caused a great deal of fear and anxiety. But why? Perhaps we believe only a deranged and dangerous person would even think of harming us, but that just isn’t so. Plenty of people have thought of harming you: the driver of the car behind you who felt you were going too slowly, the person waiting to use the pay-phone you were chatting on, the person you fired, the person you walked out on—they have all hosted a fleeting violent idea. Though thoughts of harming you may be terrible, they are also inevitable. The thought is not the problem; the expression of the thought is what causes us anxiety, and most of the time that’s the whole idea. Understanding this will help reduce unwarranted fear. That someone would intrude on our peace of mind, that they would speak words so difficult to take back, that they would exploit our fear, that they would care so little about us, that they would raise the stakes so high, that they would stoop so low—all of this alarms us, and by design. Threatening words are dispatched like soldiers under strict orders: Cause anxiety that cannot be ignored. Surprisingly, their deployment isn’t entirely bad news. It’s bad, of course, that someone threatens violence, but the threat means that at least for now, he has considered violence and decided against doing it. The threat means that at least for now (and usually forever), he favors words that alarm over actions that harm. For an instrument of communication used so frequently, the threat is little understood, until you think about it. The parent who threatens punishment, the lawyer who threatens unspecified “further action,” the head of state who threatens war, the ex-husband who threatens murder, the child who threatens to make a scene—all are using words with the exact same intent: to cause uncertainty. Our social world relies on our investing some threats with credibility while discounting others. Our belief that they really will tow the car if we leave it here encourages us to look for a parking space unencumbered by that particular threat. The disbelief that our joking spouse will really kill us if we are late to dinner allows us to stay in the marriage. Threats, you see, are not the issue—context is the issue.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)