Associates Birthday Quotes

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On January 1, 1919, all the yearlings in the big stable celebrated their second birthday. It didn’t matter that all of them had some months to go before they were actually two years of age. Officially, in the eyes of the Thoroughbred Racing Association, they were two-year-olds, grown up and old enough to begin their racing careers the following spring.
Walter Farley (Man O'War (Black Stallion Book 16))
It is generally accepted that people enjoy surprises: hence the traditions associated with Christmas, birthdays, and anniversaries. In my experience, most of the pleasure accrues to the giver. The victim is frequently under pressure to feign, at short notice, a positive response to an unwanted object or unscheduled event.
Graeme Simsion (The Rosie Effect (Don Tillman, #2))
With any word, there are subconscious associations, which simply means that certain words make you think of certain things, even if you don't want to. The word 'cake,' for example, might remind you of your birthday, and the words 'prison warden' might remind you of someone you haven't seen in a very long time. The word 'Beatrice' reminds me of a volunteer organization that was swarming with corruption, and the word 'midnight' reminds me that I must keep writing this chapter very quickly or else I will probably drown.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
My birthday is in March, and that year it fell during an especially bright spring week, vivid and clear in the narrow residential streets where we lived just a handful of blocks south of Sunset. The night-blooming jasmine that crawled up our neighborhood's front gate released its heady scent at dusk, and to the north, the hills rolled charmingly over the horizon, houses tucked into the brown. Soon, daylight savings time would arrive, and even at early nine, I associated my birthday with the first hint of summer, with the feeling in classrooms of open windows and lighter clothing and in a few months no more homework. My hair got lighter in spring, from light brown to nearly blond, almost like my mother's ponytail tassel. In the neighborhood gardens, the agapanthus plants started to push out their long green robot stems to open up to soft purples and blues.
Aimee Bender (The Particular Sadness of Lemon Cake)
Birthdays, like women named Bertha, are not named after great Aunt Natalie. But you, Natalie, just might be. I’m named after my uncle Birthday, who never had one since he died in the womb.
Jarod Kintz (American Association for the Advancement of Aardvarks Presents: Dear Natalie)
He mentally perceived words as having various sizes, densities, depths; words were dark stars, some small and dull and solid, some immense, complex, subtle, with a powerful gravity-field that attracted infinite meanings to them. Freedom was the biggest of the dark stars.
Ursula K. Le Guin (The Birthday of the World and Other Stories)
The fox has a long history of magic and cunning associated with it. Because it is a creature of the night, it is often imbued with supernatural power. It is often most visible at the times of dawn and dusk, the “Between Times” when the magical world and the world in which we live intersect. It lives at the edges of forests and open land-the border areas. Because it is an animal of the “Between Times and Places,” it can be a guide to enter the Faerie Realm. Its appearance at such times can often signal that the Faerie Realm is about to open for the individual. In the Orient, it was believed that faxes were capable of assuming human form. In ancient Chinese lore, the fox acquires the faculty to become human at the age of 50, and on its hundredth birthday, it becomes either a wizard or a beautiful maiden who will ultimately destroy any man unlucky enough to fall in love with her. “There are several American Indian tribes that tell tales of hunters who accidentally discovered their wives were foxes.”52 This is very symbolic of the idea of magic being born within the feminine energies, and that unless a male can recognize the magic of the feminine-in himself or others-and learn to use it to shapeshift his own life, it will ultimately lead to destruction.
Ted Andrews (Animal Speak: The Spiritual & Magical Powers of Creatures Great & Small)
Which philosophers would Alain suggest for practical living? Alain’s list overlaps nearly 100% with my own: Epicurus, Seneca, Marcus Aurelius, Plato, Michel de Montaigne, Arthur Schopenhauer, Friedrich Nietzsche, and Bertrand Russell. * Most-gifted or recommended books? The Unbearable Lightness of Being by Milan Kundera, Essays of Michel de Montaigne. * Favorite documentary The Up series: This ongoing series is filmed in the UK, and revisits the same group of people every 7 years. It started with their 7th birthdays (Seven Up!) and continues up to present day, when they are in their 50s. Subjects were picked from a wide variety of social backgrounds. Alain calls these very undramatic and quietly powerful films “probably the best documentary that exists.” TF: This is also the favorite of Stephen Dubner on page 574. Stephen says, “If you are at all interested in any kind of science or sociology, or human decision-making, or nurture versus nature, it is the best thing ever.” * Advice to your 30-year-old self? “I would have said, ‘Appreciate what’s good about this moment. Don’t always think that you’re on a permanent journey. Stop and enjoy the view.’ . . . I always had this assumption that if you appreciate the moment, you’re weakening your resolve to improve your circumstances. That’s not true, but I think when you’re young, it’s sort of associated with that. . . . I had people around me who’d say things like, ‘Oh, a flower, nice.’ A little part of me was thinking, ‘You absolute loser. You’ve taken time to appreciate a flower? Do you not have bigger plans? I mean, this the limit of your ambition?’ and when life’s knocked you around a bit and when you’ve seen a few things, and time has happened and you’ve got some years under your belt, you start to think more highly of modest things like flowers and a pretty sky, or just a morning where nothing’s wrong and everyone’s been pretty nice to everyone else. . . . Fortune can do anything with us. We are very fragile creatures. You only need to tap us or hit us in slightly the wrong place. . . . You only have to push us a little bit, and we crack very easily, whether that’s the pressure of disgrace or physical illness, financial pressure, etc. It doesn’t take very much. So, we do have to appreciate every day that goes by without a major disaster.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
The older a woman got, the more diligent she had to become about not burdening men with the gory details of her past, lest she scare them off. That was the name of the game: Don’t Scare the Men. Those who encouraged you to indulge in your impulse to share, largely did so to expedite a bus. Like I felt the wind of the bus. I could even see a couple of the passengers, all shaken by a potential suicide. And out of nowhere, the guy rushes over, yanks me toward him, and escorts me out of the street.” “The birthday boy?” “No, different guy. You all start to look the same after a while, you know that? Anyway, we were both so high on adrenaline, we couldn’t stop laughing the whole night. Then he asked me out. Now one of our jokes is about that time I flung myself into traffic to avoid him.” “You were in shock.” “No, I wasn’t.” “Why isn’t the joke that he saved your life?” “I don’t know, Amos,” I said, folding my fingers together. “Maybe we’re both waiting for the day I turn around and say, ‘That’s right, asshole, I did fling myself into traffic to avoid you.’ I’m joking.” “Are you?” “Am I?” I mimicked him. “Should the day come when you manage to face-plant yourself into a relationship, you’ll find there are certain fragile truths every couple has. Sometimes I’m uncomfortable with the power, knowing I could break us up if I wanted. Other times, I want to blow it up just because it’s there. But then the feeling passes.” “That’s bleak.” “To you, it is. But I’m not like you. I don’t need to escape every room I’m in.” “But you are like me. You think you want monogamy, but you probably don’t if you dated me.” “You’re faulting me for liking you now?” “All I’m saying is you can’t just will yourself into being satisfied with this guy.” “Watch me,” I said, trying to burn a hole in his face. “If it were me, the party would have been our first date and it never would have ended.” “Oh, yes it would have,” I said, laughing. “The date would have lasted one week, but the whole relationship would have lasted one month.” “Yeah,” he said, “you’re right.” “I know I’m right.” “It wouldn’t have lasted.” “This is what I’m saying.” “Because if I were this dude, I would have left you by now.” Before I could say anything, Amos excused himself to pee. On the bathroom door was a black and gold sticker in the shape of a man. I felt a rage rise up all the way to my eyeballs, thinking of how naturally Amos associated himself with that sticker, thinking of him aligning himself with every powerful, brilliant, thoughtful man who has gone through that door as well as every stupid, entitled, and cruel one, effortlessly merging with a class of people for whom the world was built. I took my phone out, opening the virtual cuckoo clocks, trying to be somewhere else. I was confronted with a slideshow of a female friend’s dead houseplants, meant to symbolize inadequacy within reason. Amos didn’t have a clue what it was like to be a woman in New York, unsure if she’s with the right person. Even if I did want to up and leave Boots, dating was not a taste I’d acquired. The older a woman got, the more diligent she had to become about not burdening men with the gory details of her past, lest she scare them off. That was the name of the game: Don’t Scare the Men. Those who encouraged you to indulge in your impulse to share, largely did so to expedite a decision. They knew they were on trial too, but our courtrooms had more lenient judges.
Sloane Crosley (Cult Classic)
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Thirty-nine-year-old moderately successful Human Resources Director. Interests include regency romances, reality TV, and baking large novelty birthday cakes for other people’s children. Hobbies include drinking Tia Maria and eating Turkish delight in the bath and dining out with her mum and dad. Wanted to be a ballerina but didn’t end up with a ballerina body; however, has been told she is an impressive dirty dancer when drunk. Knows her wine, so please just hand the wine list over. Godmother to nine children, member of two book clubs, Social Club Manager for the Australian Payroll Officers’ Association. Suffers from a severe blushing problem but is not shy and will probably end up better friends with your friends than you, which you’ll find highly irritating after we break up. Has recently become so worried about meeting the love of her life and having children before she reaches menopause that she has cried piteously in the middle of the night. But otherwise is generally quite cheerful and has on at least three separate occasions that she knows of been described as ‘Charming’. Yep, that about summed it up. What a catch.
Liane Moriarty (The Last Anniversary)
Everything reminded him of something else: the fragrance of a peach-skin was like opening his stamp-album, the chack-chack of the wheatear not only recalled mist on the hills, but also reminded him of foxgloves, droplets of rain tapping from the mauve bells on to a dock leaf or fern. Ferns reminded him of his mother's soap, the luxurious tan-coloured lozenges that came to her in a box each christmas and birthday, and other scents too, the yellow of oriental jasmine, the pink of tea-rose, the green of mimosa. For all of these scents he could find a correlative within the spectrum of his own experience.
Jeremy Reed (Blue Rock)
In 1986, shortly after Chris’s fourteenth birthday, came a moment that would permanently alter drug enforcement polices moving forward. On June 19, just two days after being selected second overall by the defending champion Boston Celtics, Len Bias died from an overdose, and the world stopped. Bias was a basketball superhero. He had dominated college basketball at the University of Maryland with a combination of force, beauty, grace, and destruction that made him a true one-of-one. In joining the Celtics, he was pinned to become Michael Jordan’s greatest rival (the two had phenomenal duels in college) and prolong the dynasty in Boston, where Larry Bird had led the team to three titles in the last six years. Rumors spread in the press that Bias died after smoking crack. Cocaine, usually associated with lavish white communities and those living in the lap of luxury, was seen as an addiction. But crack was a crime. The drug, far cheaper than powder cocaine, was largely associated with Black communities and was being held significantly responsible for the erosion of society’s moral fabric.
Justin Tinsley (It Was All a Dream: Biggie and the World That Made Him)
Hoping is a vague, unsophisticated, and largely uninteresting state of mind. One associates it with children and their feelings about birthday presents and snow days. Compared to the surgical precision of sentence adverbs like presumably, ostensibly, and understandably, hopefully is a bowl of mush.
Ben Yagoda (When You Catch an Adjective, Kill It: The Parts of Speech, for Better And/Or Worse)
These birthdays were national holidays and all children were given treats and candies. From our youngest years we associated the Great Leader and Dear Leader with gifts and excitement in the way that children in the West think of Santa Claus.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Were the women of Trinity Avenue control freaks? Is that a serious question? Because we pulled together as a community to prevent crime? No, no, I know you didn’t mean to offend. Let me answer your question this way: if a control freak gets up every morning to dress and feed her children (herself too, if she’s really on form), take them to school and head straight to the station to cram onto a commuter train to Victoria and then a tube to the West End; if, after working a full-on day, she then comes home and gets on with the kids’ reading, bath-and-bedtime routine (sometimes still with her coat on for the first part), segueing seamlessly into making dinner while unloading and reloading the dishwasher, her email open on the iPad on the counter or, every now and then, a friend propped nearby with a glass of wine because it’s so hard to catch up any other time, even though she gamely signs up for book groups and residents’ association and, yes, meetings with community police officers; if she finishes the evening by making the kids’ packed lunches for the next day and sorting out the recycling and putting the laundry on and ordering groceries online or birthday presents or whatever else needs finding or replacing that day; if she climbs into bed thinking her greatest achievement of the day has been not to scream at her children, not argue with her colleagues, not divorce her husband… If that’s what a control freak does, then yes, I was one.
Louise Candlish (Our House)
Jessica Kim was one of them. A damn shame, she was one of those Asian worker-bee types. Always here past midnight. I heard she worked on Christmas. A real numbers whiz." "True, but she wasn't the best fit for client services. At her level, she needed to be a thinker, not a doer. I know this sounds crass, but her clothes never fit. They were a little too baggy for may taste." "Maybe you should have paid her more so she could hire a tailor." Laughter. "Wasn't she already being overpaid anyway, especially for a female associate?" My stomach lurched. I'd heard enough. My sadness vortexed into pure rage as I stomped over to them. "I gave blood, sweat, and tears for this company." I growled and pointed at Robert, my former group director. "You begged me to cover for you if your wife called when you were wining and dining that female client last year." Robert's face reddened. "But you didn't. I'm going through a divorce now." I went down the line to the next asshole. "Shaun, you tried to expense your escapade at a strip club by saying it was my birthday dinner and HR thought I was in on the scam. And Dan, you transposed all those numbers on the deal sheet and I caught them just before they were sent out, remember? You could have been fired for that, especially for showing up to work high. I went above and beyond for you. I saved your ass." Their jaws dropped. No, they weren't going to schmooze their way out of this one. "I know what you're thinking. How dare she say these things to us? She's just bitter because she was let go. Well, it's partly true. I'm bitter because I've wasted seven years of my life at this company that turned around and stabbed me in the back. If I wasn't leadership material, why didn't a female mentor coach me? Oh right, because there aren't any female execs here. But thank you, sincerely, for the wake-up-call. Now I can take my bonuses and severance and do something better with my time rather than covering for you and making you all richer.
Suzanne Park (So We Meet Again)
If we went to Les Agarves, which is twice the cost, but about as gourmet as we can get without actually being in France, that would qualify as a special evening out. Ronnie will do it on an anniversary or on a birthday, but I know his true opinion of it is that it’s not worth it. I’ve come to believe his taste buds can’t reach gourmet level so he can’t appreciate the difference. For him, then, it makes little sense. But it’s not only the food that is exquisite; it’s the ambience and the service. You feel you’re special, even if only for one night, one dinner. Ronnie likes to make it seem that only women want this. Sometimes I wonder if that’s not true. It’s certainly true when it comes to his friends or most of the husbands of my girlfriends. It’s almost as if there’s something unmanly about elegance. They’d rather associate themselves with Clint Eastwood than Cary Grant or George Clooney. Eastwood can be tough, virile and dangerous, and be grimy at the same time, except, of course, in a movie like The Bridges of Madison County, but men don’t talk about that film.
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
Confederate monuments have, throughout their history, represented white supremacy. These statues are not, and have never been, static symbols. They are not simply physical memorials made of bronze or granite; they represent a system of beliefs. The groups that erected them, whether postwar Ladies Memorial Associations (LMAs), the United Daughters of the Confederacy (UDC), or men’s organizations that have erected the most recent ones, did not just build them and walk away. They were, and still are, reanimated on an annual basis through rituals held on Confederate Memorial Day, the birthdays of Confederate generals, and during Civil War–era reenactments. For more than a century, white southerners have gathered at these memorial sites to recall the Confederate past and reassert their commitment to the values of their ancestors, the very same values that resulted in a war to defend slavery, as well as the right to expand the institution.
Kevin M. Kruse (Myth America: Historians Take On the Biggest Legends and Lies About Our Past)
An unfamiliar kind of break survived at that table. The three of us, Marcel, Olivia, including myself hunkered down on the steep southerly end of the table. Now that is ‘superb’ and scarier (in Emmah's case, unquestionably.) The Natalie siblings had finished. We were gazing at them; they're so odd, Olivia and Marcel arranged not to seem quite so intimidating, and we did not sit here alone. My other compatriots, Lance, and Mikaela (who were in the uncomfortable post-breakup association phase,) Mollie and Sam (whose involvement had endured the summertime...) Tim, Kaylah, Skylar, and Sophie (though that last one didn't count in the friend category.) Completely assembled at the same table, on the other side of an interchangeable line. That line softened on sunshiny days when Marcel and Olivia continuously skipped school times before there was Karly, and then the discussion would swell out effortlessly to incorporate me. Marcel and Olivia didn't find this minor elimination fragmentary or dangerous the way I would hold. They scarcely noticed this at all. Characters always felt remarkably hostile at leisure with the Barn’s, around anxious for some purpose they couldn't justify to themselves. I implied a unique exemption to that precept. Seldom confused Marcel whence very satisfied I was withstanding adjacent to him. He deemed he was dangerous to my health-a feeling I rejected vehemently whenever he uttered that. The midday moved briskly. School completed, and Marcel walked me to my truck as he customarily prepared. Disregarding this time, he held the pilgrim entrance open for me. Olivia must have obtained it using his automobile home so that he could restrain me from making a charge for this. I wrapped my arms and performed no move to get out of the downpour. ‘It's my birthday, don't I get to drive?’ ‘I'm faking it's not your birthday, just as you yearned.’ ‘If it's not my birthday, then I don't have to proceed to your home later…
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Wishes Mindfulness is nevermore a good thing, as any other accident-prone fumbler would accept. No one wants a floodlight when they're likely to stumble on their face. Moreover, I would extremely pointedly be asked- well, ordered really-that no one gave me any presents this year. It seemed like Mr. Anderson and Ayanna weren't the only ones who had decided to overlook that. I would have never had much wealth, furthermore, that had never more disturbed me. Ayanna had raised me on a kindergarten teacher's wage. Mr. Anderson wasn't getting rich at his job, either; he was the police chief here in the tiny town of Pittsburgh. My only personal revenue came from the four days a week I worked at the local Goodwill store. In a borough this small, I was blessed to have a career, after all the viruses in the world today having everything shut down. Every cent I gained went into my diminutive university endowment at SNHU online. (College transpired like nothing more than a Plan B. I was still dreaming for Plan A; however, Marcel was just so unreasonable about leaving me, mortal.) Marcel ought to have a lot of funds I didn't even want to think about how much. Cash was involved alongside oblivion to Marcel or the rest of the Barns, like Karly saying she never had anything yet walked away with it all. It was just something that swelled when you had extensive time on your hands and a sister who had an uncanny ability to predict trends in the stock market. Marcel didn't seem to explain why I objected to him spending bills on me, why it made me miserable if he brought me to an overpriced establishment in Los Angeles, why he wasn't allowed to buy me a car that could reach speeds over fifty miles an hour, approximately how? I wouldn't let him pay my university tuition (he was ridiculously enthusiastic about Plan B.) Marcel believed I was being gratuitously difficult. Although, how could I let him give me things when I had nothing to retaliate amidst? He, for some amazing incomprehensible understanding, wanted to be with me. Anything he gave me on top of that just propelled us more out of balance. As the day went on, neither Marcel nor Olivia brought my birthday up again, and I began to relax a little. Then we sat at our usual table for lunch. An unfamiliar kind of break survived at that table. The three of us, Marcel, Olivia, including myself hunkered down on the steep southerly end of the table. Now that is ‘superb’ and scarier (in Emmah's case, unquestionably.) The Natalie siblings had finished. We were gazing at them; they're so odd, Olivia and Marcel arranged not to seem quite so intimidating, and we did not sit here alone. My other compatriots, Lance, and Mikaela (who were in the uncomfortable post-breakup association phase,) Mollie and Sam (whose involvement had endured the summertime...) Tim, Kaylah, Skylar, and Sophie (though that last one didn't count in the friend category.) Completely assembled at the same table, on the other side of an interchangeable line. That line softened on sunshiny days when Marcel and Olivia continuously skipped school times before there was Karly, and then the discussion would swell out effortlessly to incorporate me.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Sighing, she leans contently against the door.  It’s great to be out of school. She hasn’t seen her aunt and uncle in almost three years and has been dreaming about this adventure for weeks.  Some of her friends don’t understand how she can be excited about spending so much time away from her computer and instant messaging. To be honest, her parents only allowed her to have a smart phone since her twelfth birthday, six months ago, and she finds all the drama associated with it stressful.
Tara Ellis (The Samantha Wolf Mysteries Box Set: Books 1-3)