Rainy Morning Quotes

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Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgivable mistakes? Yes, given half a chance. Yes. - Rain
Raymond Carver (All of Us: The Collected Poems)
Colors shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only.
Haruki Murakami (Norwegian Wood)
These are bad times for people who like to sit outside the library at dawn on a rainy morning and get ripped to the tits on crank and powerful music.
Hunter S. Thompson (Songs of the Doomed: More Notes on the Death of the American Dream)
I am convinced that a light supper, a good night's sleep, and a fine morning, have sometimes made a hero of the same man, who, by an indigestion, a restless night, and rainy morning, would have proved a coward.
Philip Dormer Stanhope
Don’t predict the condition of the entire day by the state of the morning. You don’t judge a book by its cover. A cloudy morning is no guarantee for a rainy day!
Israelmore Ayivor (Leaders' Watchwords)
To look upon that landscape in the early morning, with the sun at your back, is to lose the sense of proportion.
N. Scott Momaday (The Way to Rainy Mountain)
I am thinking that I love you more than Ren and Stimpy, playing Sega on a rainy Saturday morning,
M.J. Fields (Jase and Carly: Summer Lovin' (Men of Steel, #1.5))
I think that her life was about finding the extraordinary in every day. It was how she could sit in her garden on a rainy day and see the beauty in it. It's what got her out of bed every morning.
Karen White (The Lost Hours)
Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning.
Raymond Carver
Started to go to the gym,” she said. “You know, to work off some of the baby fat. Only I couldn’t find my membership card and a new one was ten bucks. And since a doughnut and coffee was only three bucks, guess who saved seven bucks this morning?
Jill Shalvis (Rainy Day Friends (Wildstone, #2))
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End #1))
Cold feet under a warm blanket, steam over an empty mug--rain splatters on dry window pane--open journals of closed memories... tears of laughter and joy of pain... schmaltz of diametric morning.
Val Uchendu
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.
Harper Lee (To Kill a Mockingbird)
Any rainy summer morning, of course, has the seeds of gloomy alienation sown in. But a rainy summer morning far from home - when your personal clouds don't move but hang - can easily produce the feeling of the world as seen from the grave. This I know.
Richard Ford (Independence Day (Frank Bascombe, #2))
He made her happy and maede her laugh. She still enjoyed talking with him, watching TV with him, lying in bed with him on cold, rainy mornings. She still wanted him.
Liane Moriarty (Big Little Lies)
A cloudy morning does not signify that the entire day is gonna be rainy! What's pressing you down today has nothing to change about your great future! Let patience be your inspiration.
Israelmore Ayivor (The Great Hand Book of Quotes)
YOU You are that song that plays rarely on the radio, But when it does I have to sing it out loud… You are the water that formed a puddle on a rainy day,that I played in, When I was only eight years old. You are the first snowfall of the season, And the reason I like the morning... You’re a single seashell that washed up onto the shore. You are my set of old medals Hidden deep in a drawer… You are the sun, the moon, the stars, and all the planets. You are the first breath of a baby just born. Eres una dandelion que encuentro, I pull, make a wish, then blow. You are the sunrise that I tried to paint after I woke up in Eilat. You give the nights its meaning… to dream, while others just sleep. You are my 3rd grade valentine, Read, frayed and loved a thousand times. Eres perfección envuelto en humildad… Eres oro, plata, y diamantes… Eres mi querido viejito Pooh, que nunca lo abandonare. You are my first time driving my brother’s Impala, When I was just fourteen. You are the name hidden deep inside my name… And I’m the fingers interlaced with yours. Eres el PS: I love you at the end la carta, Y yo soy el PS: I love you too. Somos el principio, el medio y la ultima palabra De mi libro final. Eternamente nosotros, nosotros, nosotros… Porque nosotros siempre es mejor Que solamente… yo… YOU
José N. Harris
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
Jane Austen (Northanger Abbey)
The progress of the friendship between Catherine and Isabella was quick as its beginning had been warm...and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together.
Jane Austen (Northanger Abbey)
You will write because it is who you are. You will write on sunny mornings and rainy afternoons, in coffee shops and on street corners. You will write thousands of words that may never be read, but you will write them anyways. We write.
Kellie McGann
He awoke each morning with familiar shapes at the edges of his vision, could feel memories nearby, but by the time breakfast came, they were already fading. By dinner, they were lost. It left Troy with a sadness, a cold sensation, and a feeling like a hollow stomach--different from hunger--like rainy days as a child when he didn't know how to fill his time. It was the pain of a chronic boredom mixed with the discomfort of time wasted.
Hugh Howey (First Shift: Legacy (Shift, #1))
Dishrags have faces Flashlights have hate Pine trees are sweetest To sit and meditate The Holy Virgin of Heaven Saw us in the rainy first morning
Jack Kerouac (Book of Blues)
Mornings were good. Cold mornings, rainy ones. It didn't matter. They were new beginnings.
Aaron Starmer (The Storyteller: The Riverman Trilogy, Book III (The Riverman Trilogy, 3))
There were so many things one did not dare to know. And were they all patiently waiting, like demons in the dark, to spring from hiding, to reveal themselves, on some rainy Sunday morning?
James Baldwin (Another Country)
Spring is gray and miserable and rainy for three or four weeks while the snow melts. The ditches turn into creeks and everything you own is clammy as a frog belly. Then one morning, you walk outside and the sun is out and the clover has grown over the ditches and the trees are pointed with leaves, like ten thousand green arrowheads, and the air smells like..." and here he had to fumble for a phrase, "like a roomful of stately ladies and one wet dog.
Josiah Bancroft (Senlin Ascends (The Books of Babel, #1))
Did I ever tell you that my mother and father started out as pen pals? They wrote these long, unabashedly affectionate love letters to one another, peppered with clichés and pie-in-the-sky proclamations of eternal devotion. Despite my father’s eventual dishonesty and unfaithfulness, I have to believe he meant every word he wrote at that time, and it was admittedly romantic, uncovering my parents’ yellowed letters, all soft, crumbling corners and black ink stains, one rainy afternoon. Because how can anyone scrawl lies, really, in their own handwriting, the evidence of your own betrayal right in front of you? I sat cross-legged on the floor, holding my breath as I unfolded each letter, fragile and expectant, like a little girl opening her presents on Christmas morning. I sat there and soaked up my parents’ love for each other, and then I wondered where all those feelings had escaped to. I wondered where love went when it was lost—did it travel far, across miles and oceans and forests and deserts, or did it linger somewhere nearby, just waiting for a chance to be summoned again? Wherever it was, I could only hope it had ended up settling somewhere quieter, safer.
Marla Miniano (From This Day Forward)
The magnificent houses, the three old-money brick houses, each with a small turret and a wraparound porch, had been built uptown near the churches when the town was younger and smaller, before the Great War. The wraparound porches were there to hold rainy-day children and morning tea carts and quiet late-evening converstion, cosy, discreet conversation which could not easily take place in front rooms or kitchens or bedrooms, certainly not on the street.
Bonnie Burnard (A Good House)
In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers. Today the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky. The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house---do not pass by like a dream.
Rabindranath Tagore (Gitanjali)
As you either care about what the land is or not, so do you like or dislike quiet things—sailboats, or rainy green mornings in foreign places, or a grazing herd, or the ruins of old monasteries in mountains.…
John Graves (Goodbye to a River: A Narrative)
Lev took out a cigarette and stuck it between his lips and the woman sitting next to him a plump contained person with moles like splashes of mud on her face said quickly "I'm sorry but there is no smoking allowed on this bus." Lev knew this had known it in advance had tried to prepare himself mentally for the long agony of it. But even an unlit cigarette was a companion -something to hold on to something that had promise in it -and all he could be bothered to do now was to nod just to show the woman that he'd heard what she'd said reassure her that he wasn't going to cause trouble because there they would have to sit for fifty hours or more side by side with their separate aches and dreams like a married couple. They would hear each other's snores and sighs smell the food and drink each had brought with them note the degree to which each was fearful or unafraid make short forays into conversation. And then later when they finally arrived in London they would probably separate with barely a word or a look walk out into a rainy morning each alone and beginning a new life. And Lev thought how all of this was odd but necessary and already told him things about the world he was traveling to a world in which he would break his back working -if only that work could be found.
Rose Tremain (The Road Home)
Quinnipeague in August was a lush green place where inchworms dangled from trees whose leaves were so full that the eaten parts were barely missed. Mornings meant 'thick o' fog' that caught on rooftops and dripped, blurring weathered gray shingles while barely muting the deep pink of rosa rugosa or the hydrangea's blue. Wood smoke filled the air on rainy days, pine sap on sunny ones, and wafting through it all was the briny smell of the sea.
Barbara Delinsky (Sweet Salt Air)
The sun appeared between the twin spires of the cathedral as its light reflected off the crescent and star that rose out of the dome on top of the mosque. It was beautiful, and surreal. In one instant, the bells rang out from the cathedral and if I closed my eyes then I could easily imagine that I was back home in Europe, but in the next, the call to morning prayer sounded from the mosque, and it was a stark reminder of how far away I actually was from my true home.
Tucker Elliot (The Rainy Season)
If you were to look into our apartment in the late morning, or early afternoon, or toward suppertime, you might find us together sleeping. Of course a good rainy day is preferable, but even on sunny summer days, the dogs and I get into bed.
Abigail Thomas (A Three Dog Life: A Memoir)
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)
So now I lye by Day and toss or rave by Night, since the ratling and perpetual Hum of the Town deny me rest: just as Madness and Phrensy are the vapours which rise from the lower Faculties, so the Chaos of the Streets reaches up even to the very Closet here and I am whirl'd about by cries of Knives to Grind and Here are your Mouse-Traps. I was last night about to enter the Shaddowe of Rest when a Watch-man, half-drunken, thumps at the Door with his Past Three-a-clock and his Rainy Wet Morning. And when at length I slipp'd into Sleep I had no sooner forgot my present Distemper than I was plunged into a worse: I dreamd my self to be lying in a small place under ground, like unto a Grave, and my Body was all broken while others sung. And there was a Face that did so terrifie me that I had like to have expired in my Dream. Well, I will say no more.
Peter Ackroyd (Hawksmoor)
How many times I have wondered what my fate might have been had I accompanied my parents that rainy spring morning. Such musings, I recognise, are more than a trifle insane, for envisioning what might have been had no more connection to our own true reality than a lunatic has to a lemon.
Catherine Gilbert Murdock (Princess Ben)
Think of all the requirements writers imagine for themselves: A cabin in the woods A plain wooden table Absolute silence A favorite pen A favorite ink A favorite blank book A favorite typewriter A favorite laptop A favorite writing program A large advance A yellow pad A wastebasket A shotgun The early light of morning The moon at night A rainy afternoon A thunderstorm with high winds The first snow of winter A cup of coffee in just the right cup A beer A mug of green tea A bourbon Solitude Sooner or later the need for any one of these will prevent you from writing. Anything you think you need in order to write— Or be “inspired” to write or “get in the mood” to write— Becomes a prohibition when it’s lacking. Learn to write anywhere, at any time, in any conditions, With anything, starting from nowhere. All you really need is your head, the one indispensable
Verlyn Klinkenborg (Several Short Sentences About Writing)
She flickered then, as Ruby had that morning, and he saw her as she was on that rainy afternoon under his umbrella: almond-shaped dark eyes under long lashes, delicate in her pink cardigan, edges of her mouth upturned at one of her strange jokes. Unaware of the effect she had on people. On him, all these years later.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
A familiar melody suddenly drifts through the little living room. It makes me freeze, and I don't know why. And then I hear the silky, sweet sound of Karen Carpenter's voice. "'Rainy Days and Mondays,'" Alex says. I can't find my voice. I just stare ahead, fighting back the tears. Alex sits down beside me. I know he senses that something's wrong. "I'm sorry," he says quickly. "If you don't like it, I'll turn it off." "No," I say. "No. Please don't." I wipe a tear from my eye, just as another spills onto my cheek. "My husband loved this song." I smile. "Which made him the only straight man on earth to love the Carpenters." Alex grins. "The only two straight men on earth." I smile again. For some reason, I feel someone has lifted a great weight from my shoulders, just for a moment. "James died on a Monday," I say. We sit there for a moment listening to the song together, each alone in our own thoughts, until Alex reaches over and takes my hand in his. I don't let go.
Sarah Jio (Morning Glory)
It rained all Thursday morning, not a heavy downpour, but persistent rain. There had been no letup since the previous afternoon. Whenever it seemed about to stop it would start pouring again. June was half gone without a sign the rainy season would ever end. The sky remained dark, as if covered with a lid, and the world wore a heavy dampness.
Haruki Murakami (1Q84 (Vintage International))
Sami and I had exactly one day together in the old world. On Tuesday the jihadists came to our front door and knocked down our buildings. Our new world was hijacked planes, anthrax, and Afghanistan. Then we had snipers inside the Beltway. Then came Iraq. With every military action we were told reprisals were not just probable, but a foregone conclusion. An intelligence officer with a fancy PowerPoint briefed teachers on ‘our new reality.’ He called us ‘targets.’ He said ‘get used to it.’ He told our Webmaster ‘get off your ass’ and remove bus routes/stops from the school’s website. Johnny Jihad would find that information especially helpful if he decided to plow through our kids one morning as they stood half-asleep waiting for the school bus.
Tucker Elliot (The Rainy Season)
For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the while raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favorite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he road with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Canoes, too, are unobtrusive; they don't storm the natural world or ride over it, but drift in upon it as a part of its own silence. As you either care about what the land is or not, so do you like or dislike quiet things--sailboats, or rainy green mornings in foreign places, or a grazing herd, or the ruins of old monasteries in the mountains. . . . Chances for being quiet nowadays are limited.
John Graves
He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging.
Ben Bova
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
Harvard psychologist Daniel Gilbert talks about this phenomenon in his 2006 book, Stumbling on Happiness. “The greatest achievement of the human brain is its ability to imagine objects and episodes that do not exist in the realm of the real,” he writes. “The frontal lobe—the last part of the human brain to evolve, the slowest to mature, and the first to deteriorate in old age—is a time machine that allows each of us to vacate the present and experience the future before it happens.” This time travel into the future—otherwise known as anticipation—accounts for a big chunk of the happiness gleaned from any event. As you look forward to something good that is about to happen, you experience some of the same joy you would in the moment. The major difference is that the joy can last much longer. Consider that ritual of opening presents on Christmas morning. The reality of it seldom takes more than an hour, but the anticipation of seeing the presents under the tree can stretch out the joy for weeks. One study by several Dutch researchers, published in the journal Applied Research in Quality of Life in 2010, found that vacationers were happier than people who didn’t take holiday trips. That finding is hardly surprising. What is surprising is the timing of the happiness boost. It didn’t come after the vacations, with tourists bathing in their post-trip glow. It didn’t even come through that strongly during the trips, as the joy of travel mingled with the stress of travel: jet lag, stomach woes, and train conductors giving garbled instructions over the loudspeaker. The happiness boost came before the trips, stretching out for as much as two months beforehand as the holiday goers imagined their excursions. A vision of little umbrella-sporting drinks can create the happiness rush of a mini vacation even in the midst of a rainy commute. On some level, people instinctively know this. In one study that Gilbert writes about, people were told they’d won a free dinner at a fancy French restaurant. When asked when they’d like to schedule the dinner, most people didn’t want to head over right then. They wanted to wait, on average, over a week—to savor the anticipation of their fine fare and to optimize their pleasure. The experiencing self seldom encounters pure bliss, but the anticipating self never has to go to the bathroom in the middle of a favorite band’s concert and is never cold from too much air conditioning in that theater showing the sequel to a favorite flick. Planning a few anchor events for a weekend guarantees you pleasure because—even if all goes wrong in the moment—you still will have derived some pleasure from the anticipation. I love spontaneity and embrace it when it happens, but I cannot bank my pleasure solely on it. If you wait until Saturday morning to make your plans for the weekend, you will spend a chunk of your Saturday working on such plans, rather than anticipating your fun. Hitting the weekend without a plan means you may not get to do what you want. You’ll use up energy in negotiations with other family members. You’ll start late and the museum will close when you’ve only been there an hour. Your favorite restaurant will be booked up—and even if, miraculously, you score a table, think of how much more you would have enjoyed the last few days knowing that you’d be eating those seared scallops on Saturday night!
Laura Vanderkam (What the Most Successful People Do on the Weekend: A Short Guide to Making the Most of Your Days Off (A Penguin Special from Portfo lio))
The rest of the half-year is a jumble in my recollection of the daily strife and struggle of our lives; of the waning summer and the changing season; of the frosty mornings when we were rung out of bed, and the cold, cold smell of the dark nights when we were rung into bed again; of the evening schoolroom dimly lighted and indifferently warmed, and the morning schoolroom which was nothing but a great shivering-machine; of the alternation of boiled beef with roast beef, and boiled mutton with roast mutton; of clods of bread-and-butter, dog's-eared lesson-books, cracked slates, tear-blotted copy-books, canings, rulerings, hair-cuttings, rainy Sundays, suet-puddings, and a dirty atmosphere of ink, surrounding all.     I
Charles Dickens (David Copperfield)
Why was he constantly forming yet never executing good resolutions? Why was he so absent-minded, so lazy, so prone to daydreaming his life away? He vowed to read more seriously. He vowed to quit chewing tobacco. On July 21, 1756, he wrote: 'I am resolved to rise with the sun and to study Scriptures on Thursday, Friday, Saturday, and Sunday mornings, and to study some Latin author the other three mornings. Noons and nights I intend to read English authors... I will rouse up my mind and fix my attention. I will stand collected within myself and think upon what I read and what I see. I will strive with all my soul to be something more than persons who have had less advantages than myself.' But the next morning he slept until seven and a one-line entry the following week read, 'A very rainy day. Dreamed away the time.
David McCullough (John Adams)
Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.
Julie Otsuka (The Buddha in the Attic)
When I first started to run the Jingu Gaien course, Toshihiko Seko was still an active runner and he used this course too. The S&B team used this course every day for training, and over time we naturally grew to know each other by sight. Back then I used to jog there before seven a.m. — when the traffic wasn’t bad, there weren’t as many pedestrians, and the air was relatively clean—and the S&B team members and I would often pass each other and nod a greeting. On rainy days we’d exchange a smile, a guess-we’re-both-havingit-tough kind of smile. I remember two young runners in particular, Taniguchi and Kanei. They were both in their late twenties, both former members of the Waseda University track team, where they’d been standouts in the Hakone relay race. After Seko was named manager of the S&B team, they were expected to be the two young stars of the team. They were the caliber of runner expected to win medals at the Olympics someday, and hard training didn’t faze them. Sadly, though, they were killed in a car accident when the team was training together in Hokkaido in the summer. I’d seen with my own eyes the tough regimen they’d put themselves through, and it was a real shock when I heard the news of their deaths. It hurt me to hear this, and I felt it was a terrible waste. Even now, when I run along Jingu Gaien or Asakasa Gosho, sometimes I remember these other runners. I’ll round a corner and feel like I should see them coming toward me, silently running, their breath white in the morning air. And I always think this: They put up with such strenuous training, and where did their thoughts, their hopes and dreams, disappear to? When people pass away, do their thoughts just vanish?
Haruki Murakami (What I Talk About When I Talk About Running)
Blessed are those who trust in the Lord.… —Jeremiah 17:7 (NRSV) You’re sure you know where you’re going?” My wife’s voice made it obvious she had her own answer to that question. And she was right. I was lost. We were in Cambridge, Massachusetts, staying with friends before Kate ran the Boston Marathon. The last time she’d run it, five years before, we’d stayed in Boston and spent a morning wandering around Cambridge. I thought it might be fun to find the café where we’d had lunch that day. Actually I had another reason for this search. A freak heat wave was forecast for marathon day; officials were warning runners susceptible to heat to drop out. Kate was determined to run. I didn’t try to dissuade her. Instead, I channeled my nervousness into seeking something familiar. “Maybe it’s down this street,” I suggested. Kate frowned. She was supposed to be taking it easy today, not trudging all over town. Suddenly, a few blocks away, I spotted it. “There it is!” We stood outside, peering in at the rickety old tables and racks of pastries. We smiled at each other. “Wasn’t it great when we found this last time?” Kate said. I thought back to that rainy day and how God had cared for us, bringing us to this warm, dry place, guarding Kate through the cold, wet race. God had been with us then; He’d be with us now. “Shall we go in?” said Kate. “Definitely,” I said. Help me to trust You in all things, Lord. —Jim Hinch Digging Deeper: Ps 56:3; Na 1:7
Guideposts (Daily Guideposts 2014)
You will write because it is who you are. You will write on sunny mornings and rainy afternoons, in coffee shops and on street corners. You will write thousands of words that may never be read, but you will write them anyways. We write.
Jeff Goins, The Art Of Work
My Top Ten Reasons for Homeschooling: (10) Birthdays become school holidays. I love celebrations! (9) I always get to be the chaperone on field trips. Lucky me. (8) I can sleep in on rainy mornings. (Okay, I wrote that before my last two babies were born- no more sleeping in for Mom now.) (7) My pajamas are sometimes my work uniform until noon. Shhh! (6) The teacher-student ratio can’t be beat! (5) I can kiss the school principal in the faculty lounge. ♥ (4) Integrating God in our school lessons is always encouraged. (3) I do not have to stay up late at night helping my children study for tests and complete homework assignments. (2) I have the opportunity to instill the love of learning. (1) I am the recipient of hugs and kisses all day long.
Tamara L. Chilver
As a young man, the French philosopher Jean-Paul Sartre served as a sailor on a trading ship. One cold and stormy night the ship put into the port of Hamburg, Germany. Sartre got off the ship and made his way through the rainy windswept streets to the shelter of a seedy bar. He sat down at a table and ordered a drink. After a while a beautiful woman made her way towards his table, introduced herself and sat down next to him. They began to talk. Finally, after quite some time, the woman excused herself to go to the bathroom. As he sat alone, anticipating her return, Sartre imagined the night that he and the woman would spend together in a hotel room, the seduction, the sex, and ultimately their farewell the next morning. He imagined the letters they would send to one another in anticipation of reunion. He envisioned the story that lay ahead of them. Suddenly, as he awaited her return from the bathroom, Sartre experienced an epiphany. He realized that every moment of his life, including this one, offered a choice. He could either choose to live his life in the fabricated fiction of a story, or to embrace the discontinuous blips and bleeps of human existence and live without the security of a story. All at once Sartre made the decision. He stood up and walked out of the bar and into the storm and never saw the woman again.
Anne Bogart (A Director Prepares)
To set the scene: Madzy Brender à Brandis was a young mother with two small children, trying to survive through years of hardship and danger – and some unexpected pleasures. In May 1942, after her husband was suddenly taken prisoner and sent to a German camp, she began writing a diary to record the details of her life – for her husband to read when he returned, if he returned. She called it “this faithful book.” Here are some passages: 28 October 1944 [when the electricity was cut off because of lack of fuel for the generating plants]: “We have to use the daylight to its utmost, and we figure this out already in the morning. [At the end of the afternoon] We flew faster and faster to use the last bits of daylight, lay the table, lay everything ready so that at 5:30 we could eat in the dusk until we couldn’t find our mouths any more. Blackout and one candle, finished eating and washed the dishes. Read to children in pyjamas and then they to bed. Then unraveled a knitted baby blanket [so that the yarn could be used to knit other things] and at 9:00 blew out the candle and continued by moonlight. But now I’m going to bed, tired but satisfied with my efforts, though very sad about all the misery.” 1 November 1944 [after a threat of having the house demolished]: “Well, our house is still standing. I filled a laundry bag with many things, and everything is standing ready [in case there was a need to evacuate]. Because there is much flying again. At one moment an Allied fighter plane flew over very low; just then three German soldiers were walking past our house and one, “as a joke,” shot his gun at the plane. Tje! What a scare we had!” 24 December 1944 [addressing her husband, still in the camp]: “The whole house is in wonderful peace and I’m sitting by the fire, which gives me just enough light to write this. [The upper door of the small heater, when opened, gave a bit of light.] My Dicks, I don’t have to tell you how very much I miss you on this evening. It is a gnawing sense of longing. But beyond that there is a sorrow in me, a despair about everything, that pervades my whole being. Besides that, however, I’ve already for days seen the light of Christ coming closer and in these days that gives me hope. So does the waxing moon, the hard frost, the bright sun – in a word, all the light in nature after that endless series of misty, rainy, dark days. And so I sit close to my unsteady little light, that constantly abandons me, and think of you. It’s as though you are very close to me. I’m so grateful for everything that I have: your love, the two children, and everything around me.” 12 February 1945 [during the “Hunger Winter” of 1944-45, after one of her trips to forage for food]: “Today I went to Rika in Renswoude: 1¼ hours cycling there, 2½ hours walking back pushing a broken-down bicycle and with 25 pounds of rye [the whole grain, not flour] through streaming rain, while there was constant booming of artillery and bombing in the distance.
Marianne Brandis (This Faithful Book: A Diary from World War Two in the Netherlands)
Ford began building his first automobile after he moved to Detroit, in a workshop he set up in a brick shed behind his Detroit duplex. The quadricycle, as he called it, was more a four-wheeled, motorized bicycle than an automobile. With a two-cylinder, four-cycle, four-horsepower gasoline-fueled internal combustion engine installed under the bench seat, a tiller for steering, and no brakes, it weighed just five hundred pounds.1 It took him three years to design and build, by hand. (“Ford was working in a world that contained no automobile parts,” quips one of his biographers.2) He rolled the quadricycle out of the workshop—after enlarging the narrow brick doorway with a sledgehammer—at two o’clock on a rainy June morning in 1896.
Richard Rhodes (Energy: A Human History)
Monday morning at last! Sunday had seemed like the longest day of my life. I had finished Freaky Friday, read three more chapters of The Incredible Journey and written a story about a frog in a rainstorm called "Rainy Days and Froggy Nights." I had entertained Nicky and baked cookies with Margo. When all that was done, it was still only 4 o'clock in the afternoon.
Ann M. Martin (Hello, Mallory (The Baby-Sitters Club, #14))
Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.
Ashraful
I LEFT FULING on the fast boat upstream to Chongqing. It was a warm, rainy morning at the end of June—the mist thick on the Yangtze like dirty gray silk. A car from the college drove Adam and me down to the docks. The city rushed past, gray and familiar in the rain. The evening before, we had eaten for the last time at the Students’ Home. They kept the restaurant open late especially for us, because all night we were rushing around saying goodbye to everybody, and it was good to finally sit there and eat our noodles. We kidded the women about the new foreign devils who would come next fall to take our place, and how easily they could be cheated. A few days earlier, Huang Neng, the grandfather, had talked with me about leaving. “You know,” he said, “when you go back to your America, it won’t be like it is here. You won’t be able to walk into a restaurant and say, ‘I want a bowl of chaoshou.’ Nobody will understand you!” “That’s true,” I said. “And we don’t have chaoshou in America.” “You’ll have to order food in your English language,” he said. “You won’t be able to speak our Chinese with the people there.” And he laughed—it was a ludicrous concept, a country with neither Chinese nor chaoshou. After our last meal the family lined up at the door and waved goodbye, standing stiffly and wearing that tight Chinese smile. I imagined that probably I looked the same way—two years of friendship somehow tucked away in a corner of my mouth.
Peter Hessler (River Town: Two Years on the Yangtze (P.S.))
There's no stopping rainy days. They will come. It's choosing to remember that the sun will rise the next morning that makes them bearable.
-Mark Caster
There's no stopping rainy days. They will come. It's choosing to remember that the sun will rise the next morning that makes them bearable.
Mark Caster
The only dream come true I relish with a vengeance is whistling like a man. I was told a woman fit to be married should not whistle. I don't want to be married so the more they point at me, the louder I whistle. My load is still heavy on my head, but my heart is light, for I know, like the sun that I shall not fail to rise every morning. Be it cloudy, foggy or rainy, I shall not fail to rise. And I shall whistle as loud as I want. For me, it is the sound of freedom.
Lucy Michot (Chinongwa)
How? It was a cold, rainy morning. We could've been in bed if we were adults. Not fair!
Zuni Blue (The Mean Girl Who Never Speaks (Detective Mya Dove Book 1))
The foundation stones of Hindu music are ragas or fixed melodic scales. The six basic ragas branch out into 126 derivative raginis (wives) and putras (sons). Each raga has a minimum of five notes: a leading note (vadi or king), a secondary note (samavadi or prime minister), helping notes (anuvadi, attendants), and a dissonant note (vivadi, the enemy). Each of the six basic ragas has a natural correspondence with a certain hour of the day, season of the year, and a presiding deity who bestows a particular potency. Thus, (1) the Hindole Raga is heard only at dawn in the spring, to evoke the mood of universal love; (2) Deepaka Raga is played during the evening in summer, to arouse compassion; (3) Megha Raga is a melody for midday in the rainy season, to summon courage; (4) Bhairava Raga is played in the mornings of August, September, October, to achieve tranquillity; (5) Sri Raga is reserved for autumn twilights, to attain pure love; (6) Malkounsa Raga is heard at midnights in winter, for valour.
Paramahansa Yogananda (Autobiography of a Yogi (Complete Edition))
Oooo, I'm having a very esoteric morning!
Reed Abbitt Moore (Piggy Sense!: Save it for a rainy day)
All sorts of mornings are interesting, don’t you think? You don’t know what’s going to happen through the day, and there’s so much scope for imagination. But I’m glad it’s not rainy today because it’s easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It’s all very well to read about sorrows and imagine yourself living through them heroically but it’s not so nice when you really come to have them, is it?
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
DIRECTIONS TO YOU Rainy Dawn Ortiz Follow them, stop, turn around Go the other way. Left, right, Mine, yours. We become lost, Unsteady. Take a deep breath, Pray. You will not always be lost. You are right here, In your time, In your place. 1. North Star, guidance as we look up To the brightest white Hoping it leads you to where you want to go, Hoping that it knows where you should be. We find our peace here in the white, Gather our strength, our breath, and learn how to be. 2. East The sun rises, Red, Morning heat on our face even on the coldest morning. The sun creates life, Energy, Nourishment. Gather strength, pull it in Be right where you are. 3. South Butterfly flits Spreads yellow beauty. We have come to this moment in time Step by step, We don’t always listen to directions, We let the current carry us, Push us, Force us along the path. We stumble, Get up and keep moving. 4. West Sunsets, brings Darkness, Brings black. We find solitude, Time to take in breath and Pray. Even in darkness you Can be found. Call out even in a whisper Or whimper, You will be heard. To find, To be found, To be understood, To be seen, Heard, felt. You are, Breath. You are, Memory. You are, Touch. You are, Right here.
Joy Harjo (An American Sunrise)
With the slam of Russell’s car door, the morning birds begin to sing as if our whole world didn’t just fucking stop. My only friend.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
When breakfast was over you could tell by the long, long shadow of the fig tree that it was still very early in the morning. On sunny days Doña Teresa could tell the time almost exactly by its shadow, but on rainy days she just had to guess, because there was no clock in her little cabin. It was lucky that it was so early, because there were so many things to be done. The Twins and their mother were not the only busy people about, however, for there were two hundred other peons beside Pancho who worked on the hacienda, and each one had a little cabin where he lived with his family. There were other vaqueros besides [p 20 ] Pancho. There were ploughmen, and farmers, and water-carriers, and servants for the great white house where Señor Fernandez lived with his wife and pretty daughter Carmen. And there was the gatekeeper, José, 9 whom the Twins loved because he knew the most wonderful stories and was always willing to tell them. There were field-workers, and wood-cutters, and even fishermen. The huts where they all lived were huddled together like a little village, and the village, and the country for miles and miles around, and the big house, and the little chapel beside it, and the schoolhouse, and everything else on that great hacienda, belonged to Señor Fernandez. It almost seemed as if the workers all belonged to Señor Fernandez, too, for they had to do just what he told them to, and there was no other place for them to go and nothing else for them to do if they had wanted ever so much to change. [p 21 ] All the people, big and little, loved the fiesta of San Ramon. They thought the priest’s blessing would cause the hens to lay more eggs, and the cows to give more milk, and that it would keep all the creatures well and strong. Though it was a feast day, most of the men had gone away from their homes early, when Pancho did; but the women and children in all the little cabins were busy as bees, getting themselves and their animals ready to go in procession to the place where the priest was to bless them. As soon as breakfast was eaten, Doña Teresa said to Tonio: “Go now, my Tonio, and make Tonto beautiful! His coat is rough and full of burs, and he will make a very poor figure to show the priest unless you give him a good brushing. Only be careful
Lucy Fitch Perkins (The Mexican Twins)
So, this is heartbreak. The word seems weak in comparison to the feeling. Obliterated feels more fitting. Insignificant as well, in the sense that it seemed our time together meant fuck all to her—at least from where I stood this morning, watching her give her love away . . . to my brother.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
It’s the sight of Dom’s limp hand that has my throat closing as Sean’s agonized grunts fill the air. With the slam of Russell’s car door, the morning birds begin to sing as if our whole world didn’t just fucking stop. My only friend.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Happy Birthday, motherfucker, and good morning.” Releasing my smile, I run a thumb along her swollen lips. “You’re doing a good job of convincing me it could be both.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
You made me a crown. I can’t believe you made me a crown,” her voice wobbles. I palm the air in front of her. “Don’t make a big deal of it. I was waiting outside Peter’s house this morning and got bored.” “You were totally thinking about me,” she sighs. “Jesus,” I mutter, “no good deed goes unpunished. Seriously it’s not a big deal.” “Well, it is to me,” she whispers, “but you know that. Thank you.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Mornings they get up late, eat breakfast in their cottages, then cross the road and spend the day gathered on the beach in front of Pasco’s place, one of about a dozen clapboard houses set on concrete pylons near the breakwater on the east end of Goshen Beach. They set up beach chairs, or just lie on towels, and the women sip wine coolers and read magazines and chat while the men drink beer or throw in a fishing line. There’s always a nice little crowd there, Pasco and his wife and kids and grandkids, and the whole Moretti crew—Peter and Paul Moretti, Sal Antonucci, Tony Romano, Chris Palumbo and wives and kids. Always a lot of people dropping by, coming in and out, having a good time. Rainy days they sit in the cottages and do jigsaw puzzles, play cards, take naps, shoot the shit, listen to the Sox broadcasters jaw their way through the rain delay. Or maybe drive into the main town two miles inland and see a movie or get an ice cream or pick up some groceries.
Don Winslow (City on Fire (Danny Ryan, #1))
I'm not convinced," Dodds said. It was Thursday morning, just six hours after Bosch and Chu had ended their surveillance of Chang, with the suspect going to an apartment in Monterey Park and apparently retiring for the night. "Well, Cap, you shouldn't be convinced yet," Bosch said. "That's why we want to continue the surveillance and get the wire." "What I mean is, I'm not convinced it's the way to go," Dodds said, "Surveillance is fine. But a wire is a lot of work and effort for long-shot results." Bosch understood. Dodds had an excellent repu tation as a detective, but he was now an administrator and about as far removed from the detective work in his division as a Houston oil executive is from the gas pump, He now worked with personnel numbers and budgets, He had to find ways of doing more with less and never allowing a dip in the statistics of arrests made and cases closed. That made him a realist and the reality was that electronic surveillance was very expensive. Not only did it take double-digit man hours to carefully draft a fifty plus-page affidavit secking court permission, but once permission was granted, a wiretap room had to be staffed twenty-four hours a day with a detective monitoring the line. Often a single-number tap led to other numbers needing to be tapped and under the law each line had to have its own monitor. Such an operation quickly sucked up overtime like a giant sponge. With the RHD's OT budget seriously down because of economic constraints on the department, Dodds was reluctant to give any of it up for what amounted to an investigation of the mur der of a South Side liquor store clerk. He would rather save it for a rainy day-a big-time media case that might come up and that would demand it.
Michael Connelly (Nine Dragons (Harry Bosch, #14; Harry Bosch Universe, #21))
Srebrenka lived down at the end of my street. One morning I was supposed to get together with her for coffee, but it was raining like hell all day, so I never went. And that rainy afternoon, she actually did it: she committed suicide. But—when we Slavs do things, we do them big!—she committed not just single but quadruple suicide: She turned on the gas in the oven, cut her wrists, took sleeping pills, and hanged herself.
Marina Abramović (Walk Through Walls: A Memoir)
Loneliness is an aspect of the land. All things in the plain are isolated; there is no confusion of objects in the eye, but one hill or one tree or one man. To look upon that landscape in the early morning, with the sun at your back, is to lose the sense of proportion. Your imagination comes to life, and this, you think, is where Creation was begun.
N. Scott Momaday (The Way to Rainy Mountain)
They called each other by their Christian name, were always arm in arm when they walked, pinned up each other's train for the dance, and were not to be divided in the set; and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together.
Jane Austen (Northanger Abbey / Love and Freindship)
How much better does being alive get then sitting beside a warm fire amidst a misty rainy morning.
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
1. the Hindole Raga is heard only at dawn in the spring, to evoke the mood of universal love; 2. Deepaka Raga is played during the evening in summer, to arouse compassion; 3. Megha Raga is a melody for midday in the rainy season, to summon courage; 4. Bhairava Raga is played in the mornings of August, September, October, to achieve tranquillity; 5. Sri Raga is reserved for autumn twilights, to attain pure love; 6. Malkounsa Raga is heard at midnights in winter, for valor.
Paramahansa Yogananda (Autobiography of a Yogi (Illustrated and Annotated Edition))
Spring is gray and miserable and rainy for three or four weeks while the snow melts. The ditches turn into creeks and everything you own is clammy as a frog belly. Then one morning, you walk outside and the sun is out and the clover has grown over the ditches and the trees are pointed with leaves, like ten thousand green arrowheads, and the air smells like...” and here he had to fumble for a phrase, “like a roomful of stately ladies and one wet dog.” The
Josiah Bancroft (Senlin Ascends (The Books of Babel, #1))
In India, music as well as painting and the drama is considered a divine art. Brahma, Vishnu, and Shiva—the Eternal Trinity—were the first musicians. The Divine Dancer Shiva is scripturally represented as having worked out the infinite modes of rhythm in His cosmic dance of universal creation, preservation and dissolution, while Brahma accentuated the time-beat with the clanging cymbals and Vishnu sounded the holy mridanga or drum. Krishna, an incarnation of Vishnu, is always shown in Hindu art with a flute, on which he plays the enrapturing song that recalls to their true home the human souls wandering in maya delusion. Saraswati, Goddess of Wisdom, is symbolised as performing on the vina, mother of all stringed instruments. The Sama Veda of India contains the world’s earliest writings on musical science. The foundation stone of Hindu music is the ragas or fixed melodic scales. The six basic ragas branch out into 126 derivative raginis (wives) and putras (sons). Each raga has a minimum of five notes: a leading note (vadi or king), a secondary note (samavadi or prime minister), helping notes (anuvadi, attendants) and a dissonant note (vivadi, the enemy). Each one of the six basic ragas has a natural correspondence with a certain hour of the day, season of the year and a presiding deity who bestows a particular potency. Thus (1) the Hindole Raga is heard only at dawn in the spring, to evoke the mood of universal love; (2) Deepaka Raga is played during the evening in summer, to arouse compassion; (3) Megha Raga is a melody for midday in the rainy season, to summon courage; (4) Bhairava Raga is played in the mornings of August, September, October, to achieve tranquillity; (5) Sri Raga is reserved for autumn twilights, to attain pure love; (6) Malkounsa Raga is heard at midnights in winter, for valour. The ancient rishis discovered these laws of sound alliance between nature and man. Because nature is an objectification of Aum, the Primal Sound or Vibratory Word, man can obtain control over all natural manifestations through the use of certain mantras or chants.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
It must be exhausting to live with him, Holly mused, wondering how his mother and sister dealt with his relentless energy. He had such an active brain and so many interests, and his obvious appetite for life amazed her. One wondered if he ever made time to sleep. She couldn't help comparing him to George, who had loved long, lazy walks, and reading quietly with her beside the hearth on rainy afternoons, and lounging with her in the mornings to watch their baby play. She couldn't imagine Zachary Bronson ever sitting still to watch something as mundane as a child learning to crawl.
Lisa Kleypas (Where Dreams Begin)
I remember I thought that she smelled like something I had never smelt before, but it was the sweetest scent. I could not describe it, but it was like a picture. A painting I had wanted to see my whole life. She was rainy mornings, and the view of cars going by in blurs while you sat still. She was the moon, that was full, but you know could empty if there ever was a sadness. The emptiness is the part I hated. It was a feeling that made you empty to reciprocate hers, it was a feeling that when she was full she could make you full too.
Apollo Figueiredo (A Laugh in the Spoke)
You miss the early morning today? Wait for tomorrow and don’t miss this time! Foggy mornings, sunny mornings, chilly mornings, rainy mornings! All mornings represent the beginnings and all beginnings represent hope! Don’t miss the hope! Don’t miss the beginnings of the journeys!
Mehmet Murat ildan
She’d buy the tainted peppers this time. There was no way she was going back to the field down the road. Not for a while. Sunny held the umbrella over her head and stepped into the warm, rainy early morning.
Nnedi Okorafor (Akata Witch (The Nsibidi Scripts #1))
fate that brought him into her life, a matter of rank chance that did not seem to favor a further acquaintance, much less a future of appetizing meals, lovingly prepared. It came to pass on a rainy morning in spring. Busy with her graduate studies in psychology, waiting tables at night, overworked, exhausted, she was moving house, driving north on State Street in a rental van loaded with her household goods. As she prepared to change lanes from right
A.S.A. Harrison (The Silent Wife)
Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon 해당업체들에서는 각각 해당 장,단점이 존재하기 때문에 무엇이 어디가 좋고 옳고 그렇다고 판단하기는 조금 곤란하지 않나 싶습니다. 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 저희는 2015년도 부터 지금 2018년도 까지 온라인상 (구글)에서 만 4년간 판매를 해온업체입니다. 이때까지 단 한번의 가품으로 스캔들 난적도 없을뿐더러, 사고율 0% 재구매율 1등 추천율 1등 합리적인 패키지 가격으로 믿음과 신뢰가 두터운 업체 입니다. 24시간언제든지 연락주세요 Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Shorey Jay) Love is not as many times in your life as the number of letters. The more we think of ourselves now, More mysterious and magical encounters If I had not been there before then I wonder if I had met you before Sometimes it feels like there 's someone in heaven who' I do not need to listen to sad songs anymore. I'll give you a sunny morning instead of sleeping and a rainy night. And those flowers, I love your beauty, what do you like? When asked, the rainbow in the sky is not the color of a beautiful one. It's beautiful itself, just like you Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon 아이스,아이스 구입,아이스 구매,아이스 판매,아이스 가격,아이스 구매방법,아이스 구입방법,아이스 성분,아이스지속시간,아이스 증상,아이스 후기,아이스 처방전,아이스 구매처,아이스 구입처,아이스 판매처,아이스 팝니다,아이스 파는곳,아이스 효과,아이스 효능,아이스 삽니다,아이스 사는곳,아이스 구매사이트,아이스 판매사이트,아이스 인터넷구입,아이스 인터넷판매,아이스 복용법,아이스 사용법,아이스 사용방법,아이스 부작용,아이스 치사량,아이스 처방전,아이스 내성,아이스이뭔가요,아이스가 뭐에요,아이스 섭취방법,아이스 구입하기,아이스 용량,아이스정품판매처,아이스정품구매처,아이스정품구입처,정품아이스 Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Lettuce) Love is when you first hold my hand, Love is the thrill of the moment when the phone rings, I can not answer my question about why you laugh Love is like a tear of my heart Love is living in a dream, flying in the sky with you Knowing that giving is happier now, not in writing, but in the heart Endless excitement and happy waiting Many stories of crying and laughing under his name You are another name for love This melody and rhythm is for you love song You do not have to say love Love is to read the mind One smile on your smile Heart Love is not sad Love is the flow of tears I want to give you more everything I have. Name of chest pain
아이스드랍처,카톡【AKR331】아이스직구,필로폰파는곳,텔레【RDH705】필로폰가격,필로폰팝니다
For many years, Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
A postmodern womanist theology can explain why salvation is found both among black women braiding hair in a church on a rainy night and black women dancing to a drumbeat in an old warehouse on a sunny Sunday morning.
Monica A. Coleman (Making a Way Out of No Way: A Womanist Theology (Innovations: African American Religious Thought))
TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))