“
We must strive to be like the moon.' An old man in Kabati repeated this sentence often... the adage served to remind people to always be on their best behavior and to be good to others. [S]he said that people complain when there is too much sun and it gets unbearably hot, and also when it rains too much or when it is cold. But, no one grumbles when the moon shines. Everyone becomes happy and appreciates the moon in their own special way. Children watch their shadows and play in its light, people gather at the square to tell stories and dance through the night. A lot of happy things happen when the moon shines. These are some of the reasons why we should want to be like the moon.
”
”
Ishmael Beah
“
Colors shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only.
”
”
Haruki Murakami (Norwegian Wood)
“
Knowing what Dan’s face had looked like in Kabul, the night they’d spent in the hotel room. What he’d said. My light, my life, my sanity, my love. Nothing of that had been wrong. Not the sex, the kisses, the teenager oaths of staying together, always, rain, shine, life, death. I’d die for you. Live for me. Hold me. Fucking hold me.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
”
”
Ernest Hemingway (A Farewell to Arms)
“
I make a point to appreciate all the little things in my life. I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. These small actions help remind me that there are so many great, glorious pieces of good in the world.
”
”
Dolly Parton (Dream More)
“
At times it seems as if arranging to have no commitment of any kind to anyone would be a special freedom. But in fact the whole idea works in reverse. The most deadly commitment of all is to be committed only to one's self. Some come to realize this after they are in the nursing home.
”
”
John D. MacDonald (The Lonely Silver Rain (Travis McGee #21))
“
But in a home where grief is fresh and patience has long worn thin, making it through another day is often heroic in itself.
”
”
Melanie L. Bennett (Learning to Dance in the Rain)
“
Because you’re very special, Brynne.”
“How special, Ethan?” I whispered because I was a little frightened to hear. I was frightened of my own feelings for him already. In such a short time he’d possessed me.
“For me? As special as it gets, baby.” He smiled his signature one side up twist and made my stomach flutter.
”
”
Raine Miller (Naked (The Blackstone Affair, #1))
“
At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside.
”
”
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
“
The icon is transparent as a representation of the special reality it depicts; an idol replaces and obscures that reality ... but the difference between icon and idol is purely subjective.
”
”
Kathleen Raine
“
When I was a child, I thought,
Casually, that solitude
Never needed to be sought.
Something everybody had,
Like nakedness, it lay at hand,
Not specially right or specially wrong,
A plentiful and obvious thing
Not at all hard to understand.
Then, after twenty, it became
At once more difficult to get
And more desired -- though all the same
More undesirable; for what
You are alone has, to achieve
The rank of fact, to be expressed
In terms of others, or it's just
A compensating make-believe.
Much better stay in company!
To love you must have someone else,
Giving requires a legatee,
Good neighbours need whole parishfuls
Of folk to do it on -- in short,
Our virtues are all social; if,
Deprived of solitude, you chafe,
It's clear you're not the virtuous sort.
Viciously, then, I lock my door.
The gas-fire breathes. The wind outside
Ushers in evening rain. Once more
Uncontradicting solitude
Supports me on its giant palm;
And like a sea-anemone
Or simple snail, there cautiously
Unfolds, emerges, what I am."
(Best Company)
”
”
Philip Larkin (Collected Poems)
“
Raw, gentle, and easy, it mizzled out of the high air, a special elixir, tasting of spells and stars and air, carrying a peppery dust in it, and moving like a rare light sherry on his tongue. Rain.
”
”
Ray Bradbury (The Martian Chronicles)
“
CHAPTER 2: INGLOURIOUS BASTERDS
ALDO THE APACHE
My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers.
Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis.
Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die.
Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance.
We will be cruel to the Germans, and through our cruelty they will know who we are.
And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us.
And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives.
And the German will be sickened by us, and the German will talk about us, and the German will fear us.
And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with.
Sooounds good?
”
”
Quentin Tarantino
“
He was reaching that age, he was at the edge of it, when the world becomes suddenly more beautiful, when it reveals itself in a special way, in every detail, roof and wall, in the leaves of trees fluttering faintly before the rain. The world was opening itself, as if to allow, now that life was shortening, one long, passionate look, and all that had been withheld would finally be given.
”
”
James Salter (Light Years)
“
Once in a lifetime, you meet that special someone. That someone that took your breath away every single time. That someone that caused your heart to shatter into a million shards and fall like rain.
”
”
Amy Lane (If I Must)
“
When I think of coffee, I think of fresh mornings, companionship, a book while it rains outside, a conversation with a best friend, comfortable silence shared with someone special and warm hugs. Coffee teaches us life lessons, like the importance of taking one sip at a time and pausing every now and then to reflect on life.
”
”
Mitali Meelan (Coffee and Ordinary Life)
“
George sat on his porch, and drank his Coke and made daydreams out of the rain. He wondered about the book he would write this year, and he wondered - not too desperately - whether love would find him at last and let him rest for a time. But he smiled all the while he was thinking about it, because at the core he was happy enough just to be alive and watching the storm, and this one thing made him special.
”
”
Matt Ruff (Fool on the Hill)
“
...you lifted the veil when you admitted you had no memory of that day - it was so special and your lack of recall so monstrous...
”
”
John Geddes (A Familiar Rain)
“
that special Manchester rain that manages to be both vertical and horizontal at the same time.
”
”
Mhairi McFarlane (You Had Me At Hello)
“
Well, if you ask me what’s so special about this place.. aku akan bilang, most of the time, beauty lies in the simplest of things.
Kayak semilir angin pagi dari teras kamar.
Minum air tanpa harus dijerang lebih dulu.
Makan sayuran hijau yang baru dipetik.
Mendaki kebun teh di siang hari, di tengah gerimis.
Menyeruput kuah dengan berisik, setelah kenyang menyantap rebusan rebung muda.
Sarapan di kedai mi sederhana yang pernah masuk program televisi.
Berjalan kaki sepanjang pasar malam yang dihiasi temaram lentera kertas.
Menuliskan doa di kuil.
Minum teh hangat di atap terbuka, di bawah hamparan langit berbintang.
Hiking di rain forest dan menikmati alam terbuka.
Ini hanya kisah perjalanan sederhana, dibumbui beberapa gigitan nyamuk, oleh-oleh sepasang sumpit kayu, dan petualangan kuliner yang nambah-nambahin bobot timbangan. Ini cerita tentang menemukan sesuatu yang nggak terduga, di tempat yang tidak disangka.
Semua dari sebuah desa kecil bernama air.
And that’s the beauty of small things.
Don’t you agree?
”
”
Winna Efendi (The Journeys)
“
So I went back in time and told her how I liked the smell of soil after the rain. It has a special place in my heart. It reminds me of my childhood days. Days spent in happiness and tranquility.
”
”
Avijeet Das
“
It used to be obvious that the world was designed by some sort of intelligence. What else could account for fire and rain and lightning and earthquakes? Above all, the wonderful abilities of living things seemed to point to a creator who had a special interest in life. Today we understand most of these things in terms of physical forces acting under impersonal laws. We don't yet know the most fundamental laws, and we can't work out all the consequences of the laws we do know. The human mind remains extraordinarily difficult to understand, but so is the weather. We can't predict whether it will rain one month from today, but we do know the rules that govern the rain, even though we can't always calculate their consequences. I see nothing about the human mind any more than about the weather that stands out as beyond the hope of understanding as a consequence of impersonal laws acting over billions of years.
”
”
Steven Weinberg
“
If God gave each person his own life, then He will give each person his own special resurrection. If God performed one miracle and gave me this rushed, elusive life, then he will think up a way to give me another that lasts. And there will be this Easter night there, too. And today's evening after the rain.
”
”
Mikhail Shishkin (Maidenhair)
“
The blue mountains are constantly walking." Dōgen is quoting the Chan master Furong. -- "If you doubt mountains walking you do not know your own walking."
-- Dōgen is not concerned with "sacred mountains" - or pilgrimages, or spirit allies, or wilderness as some special quality. His mountains and streams are the processes of this earth, all of existence, process, essence, action, absence; they roll being and non-being together. They are what we are, we are what they are. For those who would see directly into essential nature, the idea of the sacred is a delusion and an obstruction: it diverts us from seeing what is before our eyes: plain thusness. Roots, stems, and branches are all equally scratchy. No hierarchy, no equality. No occult and exoteric, no gifted kids and slow achievers. No wild and tame, no bound or free, no natural and artificial. Each totally its own frail self. Even though connected all which ways; even because connected all which ways. This, thusness, is the nature of the nature of nature. The wild in wild.
So the blue mountains walk to the kitchen and back to the shop, to the desk, to the stove. We sit on the park bench and let the wind and rain drench us. The blue mountains walk out to put another coin in the parking meter, and go down to the 7-Eleven. The blue mountains march out of the sea, shoulder the sky for a while, and slip back to into the waters.
”
”
Gary Snyder (The Practice of the Wild)
“
In our sangha, we have a porch we call, Listening to the Rain Veranda. We made it specially for that purpose— so we could sit there and listen to the rain and not need to think about anything. Listening to the rain can help the mind come to stillness.
”
”
Thich Nhat Hanh (The Art Of Living)
“
Years have passed, I suppose. I'm not really counting them anymore. But I think of this thing often: Perhaps there is a Golden Age someplace, a Renaissance for me sometime, a special time somewhere, somewhere but a ticket, a visa, a diary-page away. I don't know where or when. Who does? Where are all the rains of yesterday?
In the invisible city?
Inside me?
It is cold and quiet outside and the horizon is infinity. There is no sense of movement.
There is no moon, and the stars are very bright, like broken diamonds, all.
”
”
Roger Zelazny
“
When it rains, the streets start to get deserted! And the rain has a special sympathy for those who wander in the street despite the rain!
”
”
Mehmet Murat ildan
“
In your life, you get five, maybe ten, if God thinks you’re super special, people you call “home.” I have two of the best on the line right now and I love them like fields love rain, birds love tiny, loose twigs, and campers love breakfast (‘cause let’s face it, you know it tastes better there).
”
”
S.E. Hall (Pretty Instinct (Finally Found, #1))
“
To the Druidic mind, trees are sentient beings. Far from being unique to the Celts, this idea was shared by many of the ancient civilizations that lived in the vast virgin wildwoods of the past. The Celts believed a tree’s presence could be felt more keenly at night or after a heavy rain, and that certain people were more attuned to trees and better able to perceive them. There is a special word for this recognition of sentience, mothaitheacht. It was described as a feeling in the upper chest of some kind of energy or sound passing through you. It’s possible that mothaitheacht is an ancient expression of a concept that is relatively new to science: infrasound or “silent” sound. These are sounds pitched below the range of human hearing, which travel great distances by means of long, loping waves. They are produced by large animals, such as elephants, and by volcanoes. And these waves have been measured as they emanate from large trees.
”
”
Diana Beresford-Kroeger (To Speak for the Trees: My Life's Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest)
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
Resurrection plants are usually tiny, no bigger than your fist. They are ugly and small and useless and special. When it rains, their leaves puff up but do not become green for forty-eight hours because it takes time for photosynthesis to start up. During those strange days of its reawakening the plant lives off of pure concentrated sugar, an intense sustained infusion of sweetness, a year's worth of sucrose coursing through its veins in just one day. This little plant has done the impossible: it has transcended the wilted brown of death. The miracle is not sustainable, of course, and within a day or two things will inevitably go back to normal. Such a crazy life takes its toll, and in the long term, even a resurrection plant withers and dies completely. But for a brief, glorious moment it knows something that no other plant has ever known: how to grow without being green.
”
”
Hope Jahren (Lab Girl)
“
Friendship, like other kinds of altruism, is vulnerable to cheaters, and we have a special name for them: fair-weather friends. These sham friends reap the benefits of associating with a valuable person and mimic signs of warmth in an effort to become valued themselves. But when a little rain falls, they are nowhere in sight.
”
”
Steven Pinker (How the Mind Works)
“
She suffered temptations
But She's still a virgin
For her sacred path:
Rain doesn't count
She keeps her innocence
For a very special one
And seeks salvation
From a true emotion
”
”
Jazalyn (Rose: Future Heart)
“
Rain, rain, go away, come back when I am marathoning anime.
”
”
Holly Black (Lumberjanes 2017 Special: Faire and Square #1)
“
What makes humans special is our need to rationalize our actions.
”
”
Barry Eisler (Zero Sum (John Rain, #9))
“
Soon it becomes clear that we are not, after all, in control, not a high-functioning sailor standing stably on a nice calm deck, a deck that we have created through our virtue. The ship is pitching, and the deck is covered in ice, and we’re wearing special headphones that distort what our crewmates are shouting and special mouthpieces that distort what we’re shouting back in return.
”
”
George Saunders (A Swim in a Pond in the Rain)
“
How was she to believe man was anything special when he looked so much like any other animal in death? He was just a rained-on, ruined carcass, as if he had never kissed her, as if he had never danced.
”
”
Christopher Buehlman (Between Two Fires)
“
His stories were not always new, but there was in the telling of them a special kind of magic. His voice could roll like thunder or hush down into a zepherlike whisper. He could imitate the voices of a dozen men at once; whistle so like a bird that the birds themselves would come to him to hear what he had to say; and when when he imitated the howl of a wolf, the sound could raise the hair on the backs of his listeners' necks and strike a chill into their hearts like the depths of a Drasnian winter. He could make the sound of rain and of wind and even, most miraculously, the sound of snow falling.
”
”
David Eddings (The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit (The Belgariad, #1-3))
“
When Mary Anne first started knitting, the sound reminded me of soft rain on a cozy night. After awhile, it was like mice skittering on a tile floor. Now I was thinking about skeleton bones rattling in a grave.
”
”
Ann M. Martin (BSC in the USA (The Baby-Sitters Club Super Special, #14))
“
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
So you make a deal with the gods. You do these dances and they'll send rain and good crops and the whole works? And nothing bad will ever happen. Right.'…
"'No, it's not like that. It's not making a deal, bad things can still happen, but you want to try not to CAUSE them to happen. It has to do with keeping things in balance…. Really, it's like the spirits have made a deal with US…. We're on our own. The spirits have been good enough to let us live here and use the utilities, and we're saying: We know how nice you're being. We appreciate the rain, we appreciate the sun, we appreciate the deer we took. Sorry if we messed up anything. You've gone to a lot of trouble, and we'll try to be good guests.'…
"'Like a note you'd send somebody after you stayed in their house?'
"'Exactly like that. "Thanks for letting me sleep on your couch. I took some beer out of the refrigerator, and I broke a coffee cup. Sorry, I hope it wasn't your favorite one."'…
"It's a good idea,' I said. 'Especially since we're still here sleeping on God's couch. We're permanent houseguests.'
"'Yep, we are. Better remember how to put everything back how we found it.'
It was a new angle on religion, for me. I felt a little embarrassed for my blunt interrogation. And the more I thought about it, even more embarrassed for my bluntly utilitarian culture. 'The way they tell it to us Anglos, God put the earth here for us to use, westward-ho. Like a special little playground.'
"Loyd said, 'Well, that explains a lot.'…
"'But where do you go when you've pissed in every corner of your playground?'...
"To people who think of themselves as God's houseguests, American enterprise must seem arrogant beyond belief. Or stupid. A nation of amnesiacs, proceeding as if there were no other day but today. Assuming the land could also forget what had been done to it.
”
”
Barbara Kingsolver (Animal Dreams)
“
I went back every evening, after work, for nearly a year. I learned the meaning of the cud of a leaf and the glisten of wet pebbles, and the special significance of curves and angles. A great deal of the writing was unwritten. Plot three dots on a graph and join them; you now have a curve with certain characteristics. Extend that curve while maintaining the characteristics, and it has meaning, up where no dots were plotted.
In just this way I learned to extend the curve of a grass-blade and of a protruding root, of the bent edges of wetness on a drying headstone. I quit smoking so I could sharpen my sense of smell, because the scent of earth after a rain has a clarifying effect on graveyard reading, as if the page were made whiter and the ink darker. I began to listen to the wind, and to the voices of birds and small animals, insects and people; because to the educated ear, every sound is filtered through the story written on graves, and becomes a part of it.
("The Graveyard Reader")
”
”
Theodore Sturgeon (Weird Shadows From Beyond: An Anthology of Strange Stories)
“
For that was a very special sort of love, she realised—love given back to one who loved you; that love was like the first rain, the longed-for rain, which washed away the pain and sadness of the world so that you forgot that those things had ever been there.
”
”
Alexander McCall Smith (The Colors of All the Cattle (No. 1 Ladies' Detective Agency Series 19))
“
The cicada lies in the earth for seventeen years. It is warm and dark there, it is soft and wet. Its little legs curl underneath it, and twitch only once in a little while. What does the cicada dream when it is folded into the soil? What visions travel through it, like snow flying fast? Its dreams are lightless and secret. It dreams of the leaves it will taste, it composes the concerto it will sing to its mate. It dreams of the shells it will leave behind, like self-portraits. All its dreams are drawn in amber. It dreams of all the children it will make.
And then it emerges from the earth, shaking dust and damp soil from its skin. It knows nothing but its own passion to ascend - it climbs a high stalk of grass and begins to sing, its special concerto to draw the wing-pattern of its beloved near. And as it sings it leaves its amber skin behind, so that in the end, it has sung itself into a new body in which it will mate, and die.
The cicadas leave their shells everywhere, like a child's lost buttons. The shells do not understand the mating dance that now occurs in the mountains above it. The shell knows nothing of who it has been, it does not remember the dreaming of self, that was warm in the earth. The song emptied it, and now it simply waits for the wind or the rain to carry it away.
You are the cicada-in-the-earth. You are the shell-in-the-grass. You do not understand what you dream, only that you dream. And when you begin to sing, the song will separate you from your many skins.
This is the lesson of the cicada's dream.
”
”
Catherynne M. Valente (Yume No Hon: The Book of Dreams)
“
I took her face in my hands and brought her close so only she could hear. “This is the day we meet for the first time and the rest of forever.” “I still don’t understand,” she cried, so I kissed her lips and prepared myself for what came next. “You promised me a long time ago that when it was all over, you’d bring me to my knees.” I let go of her face and took her hand. “I hope one will do.” I lowered myself to one knee and looked her in her eyes. “You chased away the monsters and became my reason—my forever. I’m yours, Lake Monroe. Will you marry me today?” “Yes, I fucking will,” she screamed. Just then, a light showering of flower petals rained down on us, and when she looked up, her breath caught. Buddy sat on the edge of the monkey bars with a handful flowers, sprinkling them over us. “Buddy!” “You were my hero.” He grinned. She smiled up at him and then turned to face me, and I nodded at the priest to begin. “We are gathered together to celebrate the very special love between bride and groom, by joining them in marriage…
”
”
B.B. Reid (Fearless (Broken Love, #5))
“
how aliens had traveled from distant galaxies, across the vast where-no-man-has-gone-before reaches of space, to visit their B-list Earth, where the wild animals became frequently extinct but the domesticated ones got their own special matching rain boots and slickers, and their own wall plaque
”
”
Emily Jane (On Earth as It Is on Television)
“
One night, around the campfire after a dinner of bully-beef stew, someone opened an extra bottle of rum. ‘As it grew
darker, the men began to sing, at first slightly self-conscious and shy, but picking up confidence as the song spread.’
Their songs were not the martial chants of warriors, but the schmaltzy romantic popular tunes of the time: ‘I’ll Never
Smile Again’, ‘My Melancholy Baby’, ‘I’m Dancing with Tears in My Eyes’. The bigger and burlier the singer, Pleydell
noted, the more passionate and heartfelt the singing. Now the French contingent struck up, with a warbling rendition
of ‘Madeleine’, the bittersweet song of a man whose lilacs for his lover have been left to wilt in the rain. Then it was
the turn of the German prisoners who, after some debate, belted out ‘Lili Marleen’, the unofficial anthem of the Afrika
Korps, complete with harmonies: ‘Vor der Kaserne / Vor dem grossen Tor / Stand eine Laterne / Und steht sie noch
davor …’ (Usually rendered in English as: Underneath the lantern, by the barrack gate, darling I remember, how you
used to wait.) As the last verse died away, the audience broke into loud whistles and applause.
To his own astonishment, Pleydell was profoundly moved. ‘There was something special about that night,’ he wrote
years later. ‘We had formed a small solitary island of voices; voices which faded and were caught up in the wilderness.
A little cluster of men singing in the desert. An expression of feeling that defied the vastness of its surroundings … a
strange body of men thrown together for a few days by the fortunes of war.’
The doctor from Lewisham had come in search of authenticity, and he had found it deep in the desert, among hard
soldiers singing sentimental songs to imaginary sweethearts in three languages.
”
”
Ben Macintyre (Rogue Heroes: The History of the SAS, Britain's Secret Special Forces Unit That Sabotaged the Nazis and Changed the Nature of War)
“
Waiting
I am waiting for the special day,
when you will say "i will stay",
I am waiting for the night,
when you will be there and everything's right,
I am waiting for that magical rain,
that will wash away the distance, sepration and pain,
I am waiting for a change,
when everything will get arranged,
I am waiting for a meeting,
when i can see you, and my heart can start beating,
I am waiting for a fight,
after which i can hold you in my arms tight,
I am waiting for a blue moon,
when we can meet and i hope it will come soon,
I am waiting for the special day,
when you will say "i will stay",
”
”
Ratish Edwards
“
I sort through piles of sheets with gloved hands. The dirties are brought down by orderlies, morenas mostly. I never see the sick; they visit me through the stains and marks they leave on the sheets, the alphabet of the sick and dying. A lot of the time the stains are too deep and I have to throw these linens in the special hamper. One of the girls from Baitoa tells me she’s heard that everything in the hamper gets incinerated. Because of the sida, she whispers. Sometimes the stains are rusty and old and sometimes the blood smells sharp as rain. You’d think, given the blood we see, that there’s a great war going on out in the world. Just
”
”
Junot Díaz (This Is How You Lose Her)
“
I asked my dad that when he ran out in the rain to get the door for my mom. He said he did it for three reasons. One, it lets the other person know my focus is not on me; it’s on you. Two, it says what we’re doing, we’re doing together. Three, it shows any guy watching that you’re with me and I think you’re special enough to treat you right.
”
”
Christopher Greyson (And Then She Was Gone (Jack Stratton, #0))
“
All this attempt to control... We are talking about Western attitudes that are five hundred years old... The basic idea of science - that there was a new way to look at reality, that it was objective, that it did not depend on your beliefs or your nationality, that it was rational - that idea was fresh and exciting back then. It offered promise and hope for the future, and it swept away the old medieval system, which was hundreds of years old. The medieval world of feudal politics and religious dogma and hateful superstitions fell before science. But, in truth, this was because the medieval world didn't really work any more. It didn't work economically, it didn't work intellectually, and it didn't fit the new world that was emerging... But now... science is the belief system that is hundreds of years old. And, like the medieval system before it, science is starting to not fit the world any more. Science has attained so much power that its practical limits begin to be apparent. Largely through science, billions of us live in one small world, densely packed and intercommunicating. But science cannot help us decide what to do with that world, or how to live. Science can make a nuclear reactor, but it can not tell us not to build it. Science can make pesticide, but cannot tell us not to use it. And our world starts to seem polluted in fundamental ways - air, and water, and land - because of ungovernable science... At the same time, the great intellectual justification of science has vanished. Ever since Newton and Descartes, science has explicitly offered us the vision of total control. Science has claimed the power to eventually control everything, through its understanding of natural laws. But in the twentieth century, that claim has been shattered beyond repair. First, Heisenberg's uncertainty principle set limits on what we could know about the subatomic world. Oh well, we say. None of us lives in a subatomic world. It doesn't make any practical difference as we go through our lives. Then Godel's theorem set similar limits to mathematics, the formal language of science. Mathematicians used to think that their language had some inherent trueness that derived from the laws of logic. Now we know what we call 'reason' is just an arbitrary game. It's not special, in the way we thought it was. And now chaos theory proves that unpredictability is built into our daily lives. It is as mundane as the rain storms we cannot predict. And so the grand vision of science, hundreds of years old - the dream of total control - has died, in our century. And with it much of the justification, the rationale for science to do what it does. And for us to listen to it. Science has always said that it may not know everything now but it will know, eventually. But now we see that isn't true. It is an idle boast. As foolish, and misguided, as the child who jumps off a building because he believes he can fly... We are witnessing the end of the scientific era. Science, like other outmoded systems, is destroying itself. As it gains in power, it proves itself incapable of handling the power. Because things are going very fast now... it will be in everyone's hands. It will be in kits for backyard gardeners. Experiments for schoolchildren. Cheap labs for terrorists and dictators. And that will force everyone to ask the same question - What should I do with my power? - which is the very question science says it cannot answer.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
Whatever exists, he said. Whatever in creation exists without my knowledge exists without my consent. He looked about at the dark forest in which they were bivouacked. He nodded toward the specimens he’d collected. These anonymous creatures, he said, may seem little or nothing in the world. Yet the smallest crumb can devour us. Any smallest thing beneath yon rock out of men’s knowing. Only nature can enslave man and only when the existence of each last entity is routed out and made to stand naked before him will he be properly suzerain of the earth. What’s a suzerain? A keeper. A keeper or overlord. Why not say keeper then? Because he is a special kind of keeper. A suzerain rules even where there are other rulers. His authority countermands local judgements. Toadvine spat. The judge placed his hands on the ground. He looked at his inquisitor. This is my claim, he said. And yet everywhere upon it are pockets of autonomous life. Autonomous. In order for it to be mine nothing must be permitted to occur upon it save by my dispensation. Toadvine sat with his boots crossed before the fire. No man can acquaint himself with everthing on this earth, he said. The judge tilted his great head. The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate. I dont see what that has to do with catchin birds. The freedom of birds is an insult to me. I’d have them all in zoos. That would be a hell of a zoo. The judge smiled. Yes, he said. Even so.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
I invested them with a bogus nobility. To a suburban kid they seemed so special, enduring, wild and stiff-necked, in amongst the ancient rocks and gnarled trees, and while it was true enough they carried their secret places in their bodies and in their language, many simply wore their ordinary, dreary undigested pasts like rain-sodden greatcoats and lived like cripples.
”
”
Tim Winton (Island Home)
“
What a magnificent reality it is that rain falls equally upon the showy flowers as well as the attached thorns and wild bushes, as if it were a message from Nature that nurtures all manifestations of life with equal love. This harmony, which is embedded in every corner of Nature, creates a special wave of peace in the heart. Perhaps love is just like this; a sentiment beyond color, race, and regional distinctions that scatters its colors in every heart and makes it feel diverse states.
”
”
Muhammad Ijaz Ul Haq (The First Snowfall Of Winter: Love’s Eternal Light Amidst the Ruins of Despair)
“
There was a special Nolan idea about the coffee. It was their one great luxury. Mama made a big potful each morning and reheated it for dinner and supper and it got stronger as the day wore on. It was an awful lot of water and very little coffee but mama put a lump of chicory in it which made it taste strong and bitter. Each one was allowed three cups a day with milk. Other times you could help yourself to a cup of black coffee anytime you felt like it. Sometimes when you had nothing at all and it was raining and you were alone in the flat, it was wonderful to know that you could have something even though it was only a cup of black and bitter coffee.
Neeley and Francie loved coffee but seldom drank it. Today, as usual, Neeley let his coffee stand black and ate his condensed milk spread on bread. He sipped a little of the black coffee for the sake of formality. Mama poured out Francie's coffee and put the milk in it even though she knew that the child wouldn't drink it.
”
”
Betty Smith
“
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones
as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
”
”
Mariam Petrosyan (Дом, в котором...)
“
How can I describe Pippa? Pippa is the kind of person who would give 30p to a stranger at a train station so they could use the loo. The kind of person who isn’t afraid of the rain and enjoys a Sunday roast. She’s someone who seems like she might, but doesn’t actually, own a dog. A sandy one. Pippa is someone who makes her own earrings for special occasions, and who has hundreds of incredible paintings that have yet to be seen or sold because she hasn’t quite figured out how to use her own website yet.
”
”
Marianne Cronin (The One Hundred Years of Lenni and Margot)
“
The Legend of Rainbow Bridge by William N. Britton
Just this side of heaven is a place called Rainbow Bridge
When a pet dies who has been especially close to a person here on earth, that pet goes to a Rainbow Bridge.
There are beautiful meadows and grassy hills there for all our special friends so they can run and play together.
There is always plenty of their favorite food to eat, plenty of fresh spring water for them to drink, and every day is filled with sunshine so our little friends are warm and comfortable.
All the pets that had been ill or old are now restored to health and youth.
Those that had been hurt or maimed are now whole and strong again, just as we remember them in our dreams of days gone by.
The pets we loved are happy and content except for one small thing.
Each one misses someone very special who was left behind.
They all run and play together, but the day comes when one of them suddenly stops and looks off into the distant hills.
It is as if they heard a whistle or were given a signal of some kind.
Their eyes are bright and intent.
Their body beings to quiver.
All at once they break away from the group, flying like a deer over the grass, their little legs carrying them faster and faster.
You have been spotted, and when you and your special friend finally meet, you hug and cling to them in joyous reunion, never to be parted again.
Happy kisses rain upon your face.
Your hands once again caress the beloved head.
You look once more into the trusting eyes of your pet so long gone from your life, but never gone from your heart.
Then with your beloved pet by your side, you will cross the Rainbow Bridge together.
Your Sacred Circle is now complete again.
”
”
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
“
You’re a brilliant magician,” she said, “but there’s something you just don’t get.” He slumped back into his chair. “What’s that?” Lila smiled. “The trick to winning a fight isn’t strength, but strategy.” Alucard raised his brows. “Who said anything about fighting?” She ignored him. “And strategy is just a fancy word for a special kind of common sense, the ability to see options, to make them where there were none. It’s not about knowing the rules.” Her hand fell away, and the bottle crumbled again, falling in a rain of glass. “It’s about knowing how to break them.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Why does the night have to be so beautiful?
As I walked through the night, I remember what Mitsutsuka said to me.
"Because at night, only half the world remains."
I count the lights. All the lights of the night.
The red light at the intersection, trembling as if wet, even though it isn't raining. Streetlight after streetlight. Taillights trailing off into the distance. The soft glow of the windows.
Phones in the hands of people just arriving home, and people just about to go somewhere. Why is the night so beautiful? Why does it shine the way it does? Why is the night made up entirely of light? The music flows from the earphones filling my ears, filling me it becomes everything. A lullaby. A gorgeous piano lullaby. What a wonderful piece of music. It really is. It's my favorite piece by Chopin. Did you like it too, Fuyuko? Yeah. It's like the night is breathing. Like the sound of melted light. (The light at night is special because the overwhelming light of day has left us, and the remaining half draws on everything it has to keep the world around us bright.) You're right, Mitsutsuka. It isn't anything, but it's so beautiful that I could cry.
”
”
Mieko Kawakami (All the Lovers in the Night)
“
There was a special Nolan idea about the coffee. It was their one great luxury. Mama made a big potful each morning and reheated it for dinner and supper and it got stronger as the day wore on. It was chicory in it which made it taste strong and bitter. Each one was allowed three cups a day with milk. Other times you could help yourself to a cup of black coffee anytime you felt like it. Sometimes when you had nothing at all and it was raining and you were alone in the flat, it was wonderful to know that you could have something even though it was only a cup of black and bitter coffee.
”
”
Betty Smith
“
You must know that feeling when it’s raining outside and the heating’s on and you lose yourself, utterly, in a book. You read and you read and you feel the pages slipping through your fingers until suddenly there are fewer in your right hand than there are in your left and you want to slow down but you still hurtle on towards a conclusion you can hardly bear to discover. That is the particular power of the whodunnit which has, I think, a special place within the general panoply of literary fiction because, of all characters, the detective enjoys a particular, indeed a unique relationship with the reader.
”
”
Anthony Horowitz (Magpie Murders (Susan Ryeland #1))
“
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
”
”
P.C. Cast (Revealed (House of Night #11))
“
All the girls joined in.
'I was thirteen last April and it rained on my birthday and I didn't even get to wear anything special -'
'We turned ten - just two months ago -'
'I usually get a book for my birthday - but - this year -'
'You forgot my birthday, too.'
'And mine.'
The girls looked miserable. The King opened his mouth, then shut it.
'Sir!' whined Lord Teddie. 'You forgot my birthday, too!'
Bramble gave a surprised laugh, then slapped her hand over her mouth, as though shocked at letting it out. The tension broke. The girls laughed sheepishly, and Lord Teddie beamed. He probably did not have many ladies think him funny.
”
”
Heather Dixon Wallwork
“
Another rain-swept day leaves everything water-logged—ponds, drains, streets, and rivers—everywhere water is overflowing. The green blades of grass in the garden lie submerged under a rippling shallow sheet of water. Through refraction, they take on magical underwater seaweed shapes. Except here, the grass is evenly cropped, so it appears as a glazed woven mat of wet-green. Rain has also left the plants and trees gleaming, bursting in plentitude.
Natural irrigation in excess creates its own slow rot, a sublime slime of wet decay and birth, profusion and irresistibility. Rain has this special seductive appeal—its innocuous wet, its piercing strength, its gentle drizzle-caresses, its ability to douse and arouse. The entire charm lies in its simplicity.
”
”
Sudeep Sen (Rain)
“
At the same time, Kaufmann discovered that in developing his genetic networks, he had reinvented some of the most avant-garde work in physics and applied mathematics-albeit in a totally new context. The dynamics of his genetic regulatory networks turned out to be a special case of what the physicists were calling "nonlinear dynamics." From the nonlinear point of view, in fact, it was easy to see why his sparsely connected networks could organize themselves into stable cycles so easily: mathematically, their behavior was equivalent to the way all the rain falling on the hillsides around a valley will flow into a lake at the bottom of the valley. In the space of all possible network behaviors, the stable cycles were like basins-or as the physicists put it, "attractors.
”
”
M. Mitchell Waldrop (Complexity: The Emerging Science at the Edge of Order and Chaos)
“
We enter a large village. A few bedraggled garlands hang across the street. So many troops have passed through already that it is not worth while to make any special fuss about the last of them. So we must content ourselves with the faded welcome of a few rain-sodden placards loosely looped around with oak leaves cut out of green paper. The people hardly so much as look at us as we march by, so accustomed have they grown to soldiers returning. But for us it is a new thing to come here and we hunger for a few friendly looks, however much we may pretend we do not give a damn. The girls at least might stop and wave to us. Every now and then Tjaden and Jupp try to attract the attention of one, but without success. We look too grisly, no doubt. So in the end they give it up.
”
”
Erich Maria Remarque (The Road Back)
“
I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.
”
”
Natsume Sōseki (Ten Nights of Dream, Hearing Things, The Heredity of Taste)
“
A Light in the Moon"
A light in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even notwithstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain.
”
”
Gertrude Stein (Tender Buttons)
“
That’s when she saw him. Standing there on the edge of the cliff in his rain-slicked duster and weathered Stetson. She stared, numb inside. Partly from being back in this spot again, but mostly from seeing him here, now. The certainty of her decision began to sway inside her, but looking at him, loving him the way she did, she determined to follow through. James walked toward her. Handsome hardly began to describe him, especially with that half grin slowly edging up one side of his mouth. “Beg your pardon, ma’am. But do you need some help getting your luggage down?” “What are you doing here? How did you—” He pulled an envelope from his pocket. She recognized her handwriting. It was the envelope she’d mailed last night. Or thought she’d mailed. Ben Mullins . . . “I got a special delivery around midnight.” He stepped closer, the blue of his eyes turning more so in the sunlight. “Ben had a pretty good tussle with his conscience, but he finally decided this was something I might need to see before Monday.” He gave her a scolding look. “He was right.
”
”
Tamera Alexander (Beyond This Moment (Timber Ridge Reflections Book #2))
“
Darkling Summer, Ominous Dusk, Rumorous Rain"
A tattering of rain and then the reign
Of pour and pouring-down and down,
Where in the westward gathered the filming gown
Of grey and clouding weakness, and, in the mane
Of the light’s glory and the day’s splendor, gold and vain,
Vivid, more and more vivid, scarlet, lucid and more luminous,
Then came a splatter, a prattle, a blowing rain!
And soon the hour was musical and rumorous:
A softness of a dripping lipped the isolated houses,
A gaunt grey somber softness licked the glass of hours.
2
Again, after a catbird squeaked in the special silence,
And clouding vagueness fogged the windowpane
And gathered blackness and overcast, the mane
Of light’s story and light’s glory surrendered and ended
—A pebble—a ring—a ringing on the pane,
A blowing and a blowing in: tides of the blue and cold
Moods of the great blue bay, and slates of grey
Came down upon the land’s great sea, the body of this day
—Hardly an atom of silence amid the roar
Allowed the voice to form appeal—to call:
By kindled light we thought we saw the bronze of fall.
”
”
Delmore Schwartz
“
We feel, mostly, that our actions matter, and that earnest communication is happening, that we are real and permanent and in control of our fate. And under normal circumstances, these things are (mostly) true: we are sane sailors on a sturdy ship in a calm harbor. But every now and then the scrim drops (there’s a scrim in this metaphorical harbor) and out there: the open ocean, huge waves, fierce winds. And we find ourselves heading out. Soon it becomes clear that we are not, after all, in control, not a high-functioning sailor standing stably on a nice calm deck, a deck that we have created through our virtue. The ship is pitching, and the deck is covered in ice, and we’re wearing special headphones that distort what our crewmates are shouting and special mouthpieces that distort what we’re shouting back in return. And now the ship is going down and some action is required, some cooperation, some compassion. And we intend to be compassionate, we really do, but the intended compassion, passing out through those distorting mouthpieces and being received through those distorting headphones, is off; it doesn’t help, and may even hurt, or, worst of all, may make no difference at all.
”
”
George Saunders (A Swim in a Pond in the Rain)
“
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night.
“Because my cave’s better than their cave.”
“You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.”
“I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance.
When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.”
He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?”
“Mine has bats.”
She breathed, “If I stick with you, I’ll have nothing but the best.”
“Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side.
Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts.
She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.”
“Or I could help you.”
“I’ve had a bit of practice bathing myself and think I can stumble my way through this.”
“But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.”
“You give me privacy or I go without.”
“Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Mister Rogers’ Neighborhood won four Emmy awards, and Rogers himself was presented with a Lifetime Achievement Award at the 1997 Daytime Emmys, a scene that Junod describes movingly in his profile. After Fred Rogers went onstage to accept the award, he bowed and said into the microphone, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are? . . . Ten seconds of silence.” Then, as Tom Junod recounted, “He lifted his wrist, and looked at the audience, and looked at his watch, and said softly, ‘I’ll watch the time,’ and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn’t kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked . . . and so they did. “One second, two seconds, three seconds . . . and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, ‘May God be with you’ to all his vanquished children.
”
”
Maxwell King (The Good Neighbor: The Life and Work of Fred Rogers)
“
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.
✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man
✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room
✓There are many spokes on the wheel of life. First, we're here to explore new possibilities.
✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.
✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.'
✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music.
✓Just because you can't see anything , doesn't mean you should shut your eyes.
✓Don't go backwards - you've already been there.
✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine.
✓Sometimes my dreams are so deep that I dream that I'm dreaming.
✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose.
✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.'
✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you.
✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am.
✓Music is about the only thing left that people don't fight over.
✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.
✓Absence makes the heart grow fonder and tears are only rain to make love grow.
✓If you can play the blues, you can do anything.
✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good.
✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it.
✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human.
✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix.
✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
”
”
Ray Charles
“
Russia’s biggest transport helicopters flew around the clock dropping a special polymer resin to seal radioactive dust to the ground. This prevented the dust from being kicked up by vehicles and inhaled, giving troops time to dig up the topsoil for extraction and burial. Construction workers laid new roads throughout the zone, allowing vehicles to move around without spreading radioactive particles.218 At certain distance limits, decontamination points, manned by police, intersected these roads. They came armed with dosimeters and a special cleaning spray to hose down any passing trucks, cars or armoured vehicles. Among the more drastic clean-up measures was bulldozing and burying the most contaminated villages, some of which had to be reburied two or three times.219 The thousands of buildings that were spared this fate - including the entire city of Pripyat - were painstakingly sprayed clean with chemicals, while new asphalt was laid on the streets. At Chernobyl itself, all the topsoil and roads were replaced. In total, 300,000m³ of earth was dug up and buried in pits, which were then covered over with concrete. The work took months. To make matters worse, each time it rained within 100km of the plant, new spots of heavy contamination appeared, brought down from the radioactive clouds above.
”
”
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
“
What? Oh, I’m sorry; I didn’t mean to come on so jaded. What scene? This one, the rain, those geese up there with their hard-luck stories . . . this, this same world. They all tried to do something with it. Dante did his best to build himself a hell because a hell presuppose a heaven. Baudelaire scarfed hashish and looked inside. Nothing there. Nothing but dreams and delusion. They all were driven by the need for something else. But when the drive was over, and the dreaming and the deluding worn out, they all ended up with the same dull old scene. But, look, you see, Viv, they had an advantage with their scene, they had something we’ve lost . . .” I waited for her to ask what that something was, but she only sat silently, her hands folded on the black overcoat. “. . . They had a limitless supply of tomorrows to work with. If you didn’t make your dream today, well, there was always more days coming, more dreams full of more sound and fury and future: what if today was a hassle? There was always tomorrow to find the River Jordan, or Valhalla, or that special providence in the fall of a sparrow . . . we could believe in the Great Gettin’-up Morning coming someday because if it didn’t make it today there was always tomorrow.” “And there isn’t any more?” I looked up at her and grinned. “What do you think?
”
”
Ken Kesey (Sometimes a Great Notion)
“
Pauline Trio
One could sing October rain,
and one had a gift for plain
chant and prayer, a domain
unsettled by love or its
intimate other. What fits
with this theology no
one dares to say. These twins so
perfectly in tune must know
"the modesty of nature,"
the perfect art and texture
that sustains the other name.
Paris could not be the frame
for loyal Romans, their shame
worn upon their bodies light
as air, and nothing is quite
as endurable as death.
Those who have taken this path
move with an abiding breath.
Such a common dance this dense
intention of love's expense.
Keep this for that special hour
when the Roman drops his sour
gift for abandoned splendour;
et c'est la nuit, the footfall
that troubles that other Paul.
I have learned the felicity of fire,
how in its wake
something picks at buried seed.
Think this a most festive deed,
nature's mistake,
borrowed flare of a village dance, satire
of the sun's course, light you read
through waste, repair. Death had freed
that first opaque
habitation (what a widening gyre),
an aspen ache,
a lustrous scar that might lead
to a hidden grove, or breed
astonishment in its loss; all entire,
a shaping breath proposes its own pyre.
Solitude guides me
through this minor
occasion;
moon is my mentor,
one on a spree.
This notion,
night's philanthropy,
courts my favor.
Devotion,
love's predecessor,
sings its tidy
discretion.
Such gentility
reins all vigor,
all caution.
”
”
Jay Wright
“
There was, apparently, a nuclear reactor at a place called Indian Point, just thirty miles away in Westchester County. If something bad happened there, we were constantly being informed, the 'radioactive debris', whatever this might be, was liable to rain down on us. (Indian Point: the earliest, most incurable apprehensions stirred in its very name.) Then there was the question of dirty bombs. Apparently any fool could build a dirty bomb and explode it in Manhattan. How likely was this? Nobody knew. Very little about anything seemed intelligible or certain, and New York itself - that ideal source of the metropolitan diversion that serves as a response to the largest futilities - took on a fearsome, monstrous nature whose reality might have befuddled Plato himself. We were trying, as I irreverently analysed it, to avoid what might be termed a historic mistake. We were trying to understand, that is, whether we were in a pre-apocalyptic situation, like the European Jews in the thirties or the last citizens of Pompeii, or whether our situation was merely near-apocalyptic, like that of the Cold War inhabitants of New York, London, Washington and, for that matter, Moscow. In my anxiety I phoned Rachel's father, Charles Bolton, and asked him how he'd dealt with the threat of nuclear annihilation. I wanted to believe that this episode of history, like those old cataclysms that deposit a geologically telling layer of dust on the floors of seas, had sooted its survivors with special information.
”
”
Joseph O'Neill (Netherland)
“
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
”
”
Alaya Dawn Johnson (The Summer Prince)
“
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store.
Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches.
I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet.
"Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?"
We.
There is no we.
I know it.He knows it.And it bugs me that he tries to pretend otherwise.
The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more.
Acting like we won't really end long before our passports are stamped RETURN.
And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce.
"Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!"
I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?"
I gape.Surely he's joking.
"Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return.
Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life.
Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna."
Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Wait until the truffles hit the dining room---absolute sex," said Scott.
When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone.
The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office.
"In a safe? Really?"
"The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials.
"They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding."
"You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope."
"What happened to the female pigs?"
Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied."
I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate.
Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.
”
”
Stephanie Danler (Sweetbitter)
“
We can sacrifice ourselves in order to save lives, to spread messages of freedom, hope, and dignity. That is our Buddha Nature, our Christ Nature – people who have embodied the principles of love and compassion and have taken extraordinary measures to change the world for the better. We call them heroes and heroines - for example, Gandhi, Martin Luther King Jr., Nelson Mandela, and Malala Yousafzai, along with the nameless aid workers, neonatal surgeons, and ordinary parents who make extraordinary choices in life-threatening circumstances. And we admire them. Those are the people who we want to occupy our Jewel Tree, letting their nectar rain down upon us in a shower of blessing and inspiration. They are the people who have discovered interdependence, wisdom, and compassion, have seen through the illusion of separation and come out the other side with the hero‘s elixir for the welfare of others.
If we don‘t believe we can do it, if we don‘t have the confidence, that‘s the last hurdle. We believe there is something special about the hero and something deficient about us, but the only difference is that the Bodhisattva has training, has walked the Lam Rim, has reached the various milestones that each contemplation is designed to evoke, and collectively those experiences have brought confidence. Our natures are the same. It‘s in your DNA to become a hero. As heretical as it may sound to some, there is no inherent specialness to His Holiness the Dalai Lama. He is not inherently different from you. If you had his modeling, training, support, and devotional refuge, you too could be a paragon of hope and goodwill. Now, hopefully you will recognize cow critical it is for you to embrace your training (the Bodhisattva Path), so that we can shape-shift civilization through the neural circuitry of living beings. (pp. 139 - 140)
”
”
Miles Neale
“
Aurobindo’s orientation has yielded important new insights into the thought of the Vedic seers (rishi), who “saw” the truth. He showed a way out of the uninspiring scholarly perspective, with its insistence that the Vedic seers were “primitive” poets obsessed with natural phenomena like thunder, lightning, and rain. The one-dimensional “naturalistic” interpretations proffered by other translators missed out on the depth of the Vedic teachings. Thus Sūrya is not only the visible material Sun but also the psychological-spiritual principle of inner luminosity. Agni is not merely the physical fire that consumes the sacrificial offerings but the spiritual principle of purifying transformation. Parjanya does not only stand for rain but also the inner “irrigation” of grace. Soma is not merely the concoction the sacrificial priests poured into the fire but also (as in the later Tantric tradition) the magical inner substance that transmutes the body and the mind. The wealth prayed for in many hymns is not just material prosperity but spiritual riches. The cows mentioned over and over again in the hymns are not so much the biological animals but spiritual light. The Panis are not just human merchants but various forces of darkness. When Indra slew Vritra and released the floods, he not merely inaugurated the monsoon season but also unleashed the powers of life (or higher energies) within the psyche of the priest. For Indra also stands for the mind and Vritra for psychological restriction, or energetic blockage. Aurobindo contributed in a major way to a thorough reappraisal of the meaning of the Vedic hymns, and his work encouraged a number of scholars to follow suit, including Jeanine Miller and David Frawley.2 There is also plenty of deliberate, artificial symbolism in the hymns. In fact, the figurative language of the Rig-Veda is extraordinarily rich, as Willard Johnson has demonstrated.3 In special sacrificial symposia, the hymn composers met to share their poetic creations and stimulate each other’s creativity and comprehension of the subtle realities of life. Thus many hymns are deliberately enigmatic, and often we can only guess at the solutions to their enigmas and allegorical riddles. Heinrich Zimmer reminded us: The myths and symbols of India resist intellectualization and reduction to fixed significations. Such treatments would only sterilize them of their magic.
”
”
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
“
The school is teeming with activity. The rooms are small and large, many are special-purpose rooms, like shops and labs, but most are furnished like rather shabby living or dining rooms in homes: lots of sofas, easy chairs, and tables. Lots of people sitting around talking, reading, and playing games. On an average rainy day—quite different from a beautiful suddenly snowy day, or a warm spring or fall day—most people are inside. But there will also be more than a few who are outside in the rain, and later will come in dripping and trying the patience of the few people inside who think the school should perhaps be a “dry zone.” There may be people in the photo lab developing or printing pictures they have taken. There may be a karate class, or just some people playing on mats in the dance room. Someone may be building a bookshelf or fashioning chain mail armor and discussing medieval history. There are almost certainly a few people, either together or separate, making music of one kind or another, and others listening to music of one kind or another. You will find adults in groups that include kids, or maybe just talking with one student. It would be most unusual if there were not people playing a computer game somewhere, or chess; a few people doing some of the school’s administrative work in the office—while others hang around just enjoying the atmosphere of an office where interesting people are always making things happen; there will be people engaged in role-playing games; other people may be rehearsing a play—it might be original, it might be a classic. They may intend production or just momentary amusement. People will be trading stickers and trading lunches. There will probably be people selling things. If you are lucky, someone will be selling cookies they baked at home and brought in to earn money. Sometimes groups of kids have cooked something to sell to raise money for an activity—perhaps they need to buy a new kiln, or want to go on a trip. An intense conversation will probably be in progress in the smoking area, and others in other places. A group in the kitchen may be cooking—maybe pizza or apple pie. Always, either in the art room or in any one of many other places, people will be drawing. In the art room they might also be sewing, or painting, and some are quite likely to be working with clay, either on the wheel or by hand. Always there are groups talking, and always there are people quietly reading here and there. One
”
”
Russell L. Ackoff (Turning Learning Right Side Up: Putting Education Back on Track)
“
Although I am still far from this kind of interior understanding of myself, with profound respect for its significance I have sought to preserve my individuality―worshipped the unknown God. With a premature anxiety I have tried to avoid coming in close contact with those things whose force of attraction might be too powerful for me. I have sought to appropriate much from them, studied their distinctive characteristics and meaning in human life, but at the same time guarded against coming, like the moth, too close to the flame. I have had little to win or to lose in association with the ordinary run of men, partly because what they do―so-called practical life―does not interest me much, partly because their coldness and indifference to the spiritual and deeper currents in man alienate me even more from them. With few exceptions my companions have had no special influence upon me. A life that has not arrived at clarity about itself must necessarily exhibit an uneven side-surface; confronted by certain facts [*Facta*] and their apparent disharmony, they simply halted there, for, as I see it, they did not have sufficient interest to seek a resolution in a higher harmony or to recognize the necessity of it. Their opinion of me was always one-sided, and I have vacillated between putting too much or too little weight on what they said. I have now withdrawn from their influence and the potential variations of my life's compass resulting from it. Thus I am again standing at the point where I must begin again in another way. I shall now calmly attempt to look at myself and begin to initiate inner action; for only thus will I be able, like a child calling itself "I" in its first consciously undertaken act, be able to call myself "I" in a profounder sense.
But that takes stamina, and it is not possible to harvest immediately what one has sown. I will remember that philosopher's method of having his disciples keep silent for three years; then I dare say it will come. Just as one does not begin a feast at sunrise but at sundown, just so in the spiritual world one must first work forward for some time before the sun really shines for us and rises in all its glory; for although it is true as it says that God lets his sun shine upon the good and the evil and lets the rain fall on the just and the unjust, it is not so in the spiritual world. So let the die be cast―I am crossing the Rubicon! No doubt this road takes me into battle, but I will not renounce it. I will not lament the past―why lament? I will work energetically and not waste time in regrets, like the person stuck in a bog and first calculating how far he has sunk without recognizing that during the time he spends on that he is sinking still deeper. I will hurry along the path I have found and shout to everyone I meet: Do not look back as Lot's wife did, but remember that we are struggling up a hill."
―from_Journals_, (The Search for Personal Meaning)
”
”
Søren Kierkegaard
“
But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.
”
”
Hermann Hesse (The Glass Bead Game)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)—
SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon.
God bless the children of this picture, this bookmovie.
I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
As competition over land and control of its output became more intense, societies became more stationary. A division of labor became more apparent. Employment and slavery arose for the first time. Farmers and herders specialized in producing food. Potters produced containers in which food was stored. Priests prayed for rain and bountiful harvests. Specialists in violence, the forefathers of government, increasingly devoted themselves to plunder and protection from plunder. Along with the priests, they became the first wealthy persons in history.
”
”
James Dale Davidson (The Sovereign Individual: Mastering the Transition to the Information Age)
“
She said that people complain when there is too much sun and it gets unbearably hot, and also when it rains too much or when it is cold. But, she said, no one grumbles when the moon shines. Everyone becomes happy and appreciates the moon in their own special way.
”
”
Ishmael Beah (A Long Way Gone)
“
And you'll be able to tell whether or not this is an opal?"
"According to the baron's instructions, it should have a transparent or white body tone, then we must look at the background color, a slight tinge of color, like a spark of fire." Stefan gave a satisfied grunt and held it up to the light. "It has a wonderful luster and a play of color."
Della peered over his shoulder. "Where do they come from? How are they made?"
"Mother Nature at her best. Unique conditions first. Heavy seasonal rains in parched desert regions where the ground is rich in silica."
"What's sillyka?"
"A colorless chemical compound, one of the most common elements on earth after oxygen."
"Then what makes this so special? You'd think we trip over them all over the place. I ain't never seen one."
"Because the conditions must be just right. Rainwater trickles down into the earth and carries silica-rich solutions into the cavities between the rocks. Then hot summers dry the earth, and as the water evaporates the silica stays in place, and over millions of years the opals form. The purity, intensity, and brilliance of color increases the deeper the rock is penetrated."
"Before it just looked like a dirty white pebble."
"You're right. The actual color is a pearl gray; sometimes you see a little pale-red or yellow tint, but with reflected light it presents all the colors of the rainbow.
”
”
Tea Cooper (The Woman in the Green Dress)
“
Fighting it will not help, little Titan. Very few could be so powerful with opposing elements. You are special, Pandora.’ His voice had that seductive quality again, and I found myself stepping towards him, hope filling me.
”
”
Eliza Raine (Olympus Academy: The Complete Collection)
“
RALPH
When I was a child, my mother read me stories every night before bed, fantastic
stories of noble knights and wizards with blue beards and dragons who lived in
the earth, but she was careful with me. I had one of those imaginations, she said.
Overactive, I guess. Are elves real, Ralph? she’d ask, closing the book and
flattening one hand against its back cover. Are dragons? She’d peer into my eyes
as if my secret belief might swim up in them, visible to her as color or texture. I
knew what to tell her. The hill had told me what to say. I didn’t have to tell the
truth in the yellow house; I had the hill for that. The hill would carve a special seat
out of itself and let me nestle inside there to read and say and believe whatever I
wanted. The hill told me which stories were true, and which were not true. The hill built canopies for me when it rained, fed me water when it was dry. The hill
reached out and tripped the boys who followed me, jeering, after school, and
punished the ones who broke my glasses, or who stole. The hill hid me when my
father was angry, and later, when he became an empty sack, floating from chair
to car to chair to bed to chair to car to chair, the hill chattered away in my ear.
The hill has cared for me, I think. I have cared for the hill. But I am older now, you
know. My parents are gone. There is a girl who works at the ice cream parlor with
me, and when she talks, I can see her lips move.
”
”
Emily Temple
“
It was on one of these occasions that Seager was bent over the eyepiece that the Shangaan spoke for the first time since they began. He looked up at the moon, a bright solid disc in the night sky and said, “What a thing that is,” with some wonder in his voice. Seager looked up at him and then the sky. “It was barren without life or water or air,” he replied. “How do you know? Even the farlooker can’t show you that,” he said defensively. Seager looked back at him and smiled. “The Americans. They have put two men up there in a special aeroplane. They walked on the surface in special suits like a fireman.”
Chimkuyu looked at him quickly. “Is this true?”
Seager nodded. “How dare they? Is nothing sacred? Do you ask a woman why she will die for her child? Do you ask the earth why rain falls in one place and not another? Do you ask the sun why it rises?
”
”
Mike Lunnon-Wood (Somewhere Out There)
“
They weren't children; they knew this was a special time and a fleeting one, but there was nothing cynical in that recognition, nor at all resigned to eventual stagnation: they were, simply, in the first great thaw of spring, and they were enjoying the warmth of the sun, without demanding that it never rain or snow again.
”
”
Brent Weeks (The Burning White (Lightbringer, #5))
“
A special session of the legislature of the People’s State of Chile had been called for ten o’clock this morning, to pass an act of utmost importance to the people of Chile, Argentina and other South American People’s States. In line with the enlightened policy of Señor Ramirez, the new Head of the Chilean State—who came to power on the moral slogan that man is his brother’s keeper—the legislature was to nationalize the Chilean properties of d’Anconia Copper, thus opening the way for the People’s State of Argentina to nationalize the rest of the d’Anconia properties the world over. This, however, was known only to a very few of the top-level leaders of both nations. The measure had been kept secret in order to avoid debate and reactionary opposition. The seizure of the multibillion dollar d’Anconia Copper was to come as a munificent surprise to the country. “On the stroke of ten, in the exact moment when the chairman’s gavel struck the rostrum, opening the session—almost as if the gavel’s blow had set it off—the sound of a tremendous explosion rocked the hall, shattering the glass of its windows. It came from the harbor, a few streets away—and when the legislators rushed to the windows, they saw a long column of flame where once there had risen the familiar silhouette of the ore docks of d’Anconia Copper. The ore docks had been blown to bits. “The chairman averted panic and called the session to order. The act of nationalization was read to the assembly, to the sound of fire-alarm sirens and distant cries. It was a gray morning, dark with rain clouds, the explosion had broken an electric transmitter—so that the assembly voted on the measure by the light of candles, while the red glow of the fire kept sweeping over the great vaulted ceiling above their heads. “But more terrible a shock came later, when the legislators called a hasty recess to announce to the nation the good news that the people now owned d’Anconia Copper. While they were voting, word had come from the closest and farthest points of the globe that there was no d’Anconia Copper left on earth. Ladies and gentlemen, not anywhere. In that same instant, on the stroke of ten, by an infernal marvel of synchronization, every property of d’Anconia Copper on the face of the globe, from Chile to Siam to Spain to Pottsville, Montana, had been blown up and swept away.
”
”
Ayn Rand (Atlas Shrugged)
“
About Kindness,
This is just so much for my Soul, and to each one of you, beautiful Flickers of Light and Love.
On this Amazing Day of Christmas, I want to send you all a bunch of Happiness and a heartful of My Prayers but above all a Truth that I feel I had the privilege of knowing long back, when I fell in love with God Almighty.
The truth is Simple, Kindness is all that Matters. And by Kindness I don't mean the Kindness that looks differently on another but the One that comes with Empathy, the One that flows through Compassion, the One that roots in Love.
We just have to understand that everyone is a beautiful person at heart, and no matter how a person behaves or how someone treats you, we just have to stay Kind and know that Somewhere out there Everything we do, has ripples, so let us create ripples in Kindness, in Grace, in Forgiveness, above all in Love.
It is very very difficult to forgive a person who hurts us, but when you embody Kindness and practice Grace as an everyday habit, you soon understand how easy it becomes to forgive, because then you look at the Soul who hurt you as a Soul who is trapped in a blockchain of Karma, you understand that you need to release that Soul from your Karmic Cycle by forgiving and leaving it to God, and actually praying for the well-being of that Soul.
Every Single Time, you cross path with a Stranger, wear a Smile, it doesn't matter if it is reciprocated or not, just know maybe you just infected a Soul with your Smile, after all like Pain, Happiness is Contagious. Let your Energy be that of Happiness, of Sunshine, you never know who needs your Soul's Rainbow in a drought of rain.
Every time you find some way to do good, don't even think about it, just do it. Especially when you know that it cannot benefit you, because then you know in your Heart you did something just for Him. And that Feeling is beyond any achievement or success, because honestly nothing on Earth is as beautiful as the feeling of Kindness, of knowing that Every Single Day you wake up in this Earth to wear Kindness, that you have a reason to Exist, and that reason is to sprinkle Grace all around, to let every Soul you cross path with feel how Special they are, to Let the World know that Love is alive, that Kindness is the most beautiful prayer of God, the most amazing privilege granted to us.
And so I pray to God, today and always,
May the Spirit of Christmas be always the most Alive in the Act of Kindness, in the Very breath that we take, for Kindness is about Love and Love is the Root of this Universe in All Ways, Always.
Love & Light, always
- Debatrayee
”
”
Debatrayee Banerjee
“
My Roof Repair Malaysia is a roofing company in Malaysia. We provide professional and affordable services for all types of roofs, including repairing leaks, asphalt tiles, clay tiles, metal sheets, flat roofs etc. We specialize in waterproofing and protecting any type of roof from the elements: rain water penetration can be prevented with our services by sealing off cracks or holes that allow infiltration to occur.
”
”
My Roof Repair Malaysia
“
The northern lights are a rare sight, even up here in the Boundary Waters. They’re unpredictable, elusive, and mysterious. It takes time and patience and a willingness to wait, sometimes all night, to get to see them. Then at the most unexpected times, they show up, usually in the middle of the night. Out of nowhere, they appear, falling like silvery rain in the night sky, swirling and dancing across the northern horizon in complete silence—graceful, delicate, silent, and peaceful. They’re a beautiful surprise. When you experience them, you realize how lucky you are to get to witness such incredible beauty. They shine and glow for a while, and then they’re gone. The memory is all you have left, but it stays with you—amazing, special, and unique.
”
”
Leo Solstrom (Northern Lights)
“
When it rains, it pours'. They said with sadness. Yet some of us love the rain. So, we thrive in the midst of heavy rains. Not because we're built special, but because we perceive the rain differently.
”
”
Mitta Xinindlu
“
special acknowledgments
1. my sun & rain, who believed i could write this even when i didn't.
1. my father, who probably didn't know i was a writer but will hopefully be proud of me for writing this.
1. my sister-savior, who wouldn't imagine giving up on me even in the darkest of times.
1. the rest of my family, who always encouraged me to keep moving forward even if it meant pushing me out of my comfort zone.
1. my beta readers (christine, mira, danika, shauna, rob, mason & lauren), who cried while reading this & — most importantly — pointed out my inconsistencies & corrected most of my grammar mistakes.
”
”
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
“
Lies. You're special.
”
”
Eliza Raine (Of Blades and Wings (Flame Cursed Fae, #1))
“
Gdmng, everyone, Happy New Week! This week, I want to remind you of something awesome: YOU! You’re an amazing human being with a beautiful body, free will & the power to do incredible things..
Sweetheart, the point is, you are blessed 24/7, rain or shine. Super blessed. Like, ridiculously so. In fact we’re all so special, with unique talents & gifts. But the real question is: are we using our awesomeness & blessedness in the real sense? Are you living each day allowing yourself to reach higher, dig deeper, expand beyond the ordinary?
Darling listen – today, ditch the “same old, same old”… Use this day to break free! I want you to imagine yourself like a racehorse, bursting out of the gate & charging forward with all your might. Feel the wind in your hair & the ground beneath your feet as you chase your dreams! Hope you have understood the metaphor..
So, what are you waiting for? Make this week EPIC. Be all that you came here to be & do the thing you were born to do.. Happy Not-Another-Boring-Week!
Stay Happy, Healthy & Fulfilled! Blessings!
”
”
Rajesh Goyal, राजेश गोयल
“
From the Saturday afternoon Piper and her mother had gone to the animal shelter and spotted the little white dog with the floppy ears and a big brown patch around his left eye, they were goners. Piper had still been working on A Little Rain Must Fall, and it was the week before she attended her first---and last---Daytime Emmy Awards ceremony. She'd named the terrier Emmett in honor of the occasion, only later realizing how appropriate the moniker would be. The dog could just as easily have been named for world-famous clown Emmett Kelly.
Happy-go-lucky and friendly, Emmett was very smart and responded exceptionally well to the obedience training Piper's father had insisted upon. But it was Piper's mother who cultivated the terrier's special talents, teaching him a series of tricks using food as a reward.
The dog had already provided the Donovan family and their neighbors with hours and hours of delight and laughter when Terri came up with the idea of having Emmett featured in commercials for the bakery, which ran on the local-access cable channel. As a result, Emmett had become something of a celebrity in Hillwood.
”
”
Mary Jane Clark (To Have and to Kill (Wedding Cake Mystery, #1))
“
You either have it, or want it Nothing else will fly. Do you know any songs? What can you play? Can you sing? Do you have a piano, tuba, or strings? . . . The musicians began vamping, What can this Rabbit cat do? Is he going to blow hot air Or fart in the rain? Rabbit turned his back to the band Like that genius Miles Davis Pulled out his stick He made a horn with his hands. This stick is so special, bragged Rabbit. As he turned back to the jam No one else has one like this. You’ve never heard it before. It’s called a sax-oh-oh-phone. Rabbit’s newborn horn made a rip in the sky It made old women dance, and girls fall to their knees It made singers of tricksters, it made tricksters of players It made trouble wherever it sang after that— The last time we heard Rabbit was for my cousin’s run for chief. There was a huge feed. Everyone showed up to eat. Rabbit’s band got down after the speeches. We danced through the night, and nobody fought. Nor did anyone show up the next day to vote. They were sleeping.
”
”
Joy Harjo (An American Sunrise)
“
The senses were isolated in soundless dark; so, for that matter, was the mind; but one was stayed, while the other possessed the flight of a falcon; and the free choice and opportunity of the one everlastingly emphasized the poverty of the other. From the depth of my being would sometimes surge a fierce desire to be projected spectacularly
into the living warmths and movements the mind revisited. Usually the desire had no special focus. It sought no single thing. Rather it darted and wavered over a panorama of human aspects-my family at dinner time, the sound of voices in a downstairs room, the cool feeling of rain.
”
”
Richard Evelyn Byrd (Alone: The Classic Polar Adventure)
“
drought specialists, and while humid conditions prevailed, they had been confined to small patches of ground that had somehow been deprived of abundant rainfall. Now, not only were the tropical rains failing because of a global drying trend, but the North American plains were under a special disadvantage. With the Rockies in place, storms that rolled in from the Pacific tended to drop their precipitation as they swept up the western slopes. By the time they reached the plains, they were pretty much wrung out. But grasses don’t require much moisture, and this characteristic gave them a competitive edge. Over the next several million years (between about 24 million and 3 million years ago), grasses gradually became the dominant plants across the Great Plains.
”
”
Candace Savage (Prairie: A Natural History of the Heart of North America)
“
Maybe she has gone out to buy us special treats and got caught in the rain, Michael said hopefully.
It's London, Michael, No one ever 'gets caught in the rain.' It rains all the bloody time here.
”
”
Liz Braswell (Straight On Till Morning)
“
Sometimes they have out-of-date cornflakes and Weetabix on Special and get a run on customers who don’t believe in time.
”
”
Niall Williams (History of the Rain)
“
There are many ways to go home; many are mundane, some are divine. My clients tell me these mundane endeavors constitute a return to home for them[...] Rereading passages of books and single poems that have touched them. Spending even a few minutes near a river, a stream, a creek. Lying on the ground in dappled light. Being with a loved one without kids around. Sitting on the porch shelling something, knitting something, peeling something. Walking or driving for an hour, any direction, then returning. Boarding any bus, destination unknown. Making drums while listening to music. Greeting sunrise. Driving out to where the city lights do not interfere with the night sky. Praying. A special friend. Sitting on abridge with legs dangling over. Holding an infant. Sitting by a window in a café and writing. Sitting in a circle of trees. Drying hair in the sun. Putting hands in a rain barrel. Potting plants,being sure to get hands very muddy. Beholding beauty, grace, the touching frailty of human beings.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
Ben Franklin was renowned in his time for snatching “lightning from the sky and the scepter from tyrants.”49 Until he invented the lightning rod, ringing church bells specially baptized with water from the Jordan River were used to ward off lightning.50 This practice, which required humans to grasp a connection to a hunk of metal atop the highest structure in a town, killed more than 120 bell-ringers from 1750 to 1784, but was still believed to be effective.51 Many Christians did not believe humans had a right to defend themselves from divine attacks. Abbe Nollett, a man of the church, deemed it “as impious to ward off Heavens’ lightnings as for a child to ward off the chastening rod of its father.”52 Franklin retorted that “the Thunder of Heaven is no more supernatural than the Rain, Hail, or Sunshine of Heaven, against the Inconvenience of which we guard by Roofs & Shades without Scruple.”53 When organized Christianity failed to stop the spread of the useful invention, it blamed other natural phenomena, such as the 1755 Boston earthquake, on Franklin’s rods.54 John Adams condemned the religious opposition to Franklin’s rods, writing that they “met with all that opposition from the superstition, affectation of Piety, and Jealousy of new Inventions, that Inoculation to prevent the Danger of the Small Pox, and all other useful Discoveries, have met with in all ages of the World.”55 Franklin’s unholy invention was a blessing to humanity from the mind of a man, and religion fought it at every step.
”
”
Andrew L. Seidel (The Founding Myth: Why Christian Nationalism Is Un-American)
“
I thought the Vedas were a load of humbug and it didn’t matter which way you recited them. Some jobless Brahmin like my father, created them thousands of years ago. Instead of making themselves useful, the Brahmins prayed to the Gods they themselves invented for the rain, the sun, horses, cows and money and many other things. It must have been very cold, from whichever cursed places they came. Otherwise, why would they croak like frogs and appeal to the Gods after putting hundreds of assorted twigs into the fire? Perhaps I was prejudiced. I shouldn’t think that the work they were doing, as Yajnas, was useless. In fact, it served as a perfect tool to mint money and gain material favours. They were no fools-these Brahmins. They knew how to project even the mundane tasks of burning twigs as earth-shaking, scientific discoveries and claimed to tame the forces that controlled the world. And it was funny that the majority of people like the carpenters, masons and farmers who were doing something meaningful, had become supplicant to these jokers croaking under the warm sun, sweat pouring from their faces in front of a raging fire and chanting God knows what. They had a Yajna or a Puja for everything under the sun. If you had leprosy or a common cold, there was a God to whom you had to offer a special puja to appease him. You wanted your pestering wife to elope with your bothersome neighbour, there was a puja for that too. You wanted your cow to have a calf or your wife to have son, the Brahmin would help you. He would just conduct a Puja and a divine calf or son would be born. You curried favour with the Brahmins and your son would become the biggest pundit in the world by the age of sixteen. If not, he would perhaps become rowdy like me, who did not respect Brahmins or rituals. He would become a Rakshasa. I think there are many more Rakshasas among us now. Perhaps, it was because the ‘why?’ virus spread. Couldn’t the Brahmins conduct a puja so that our heads were cleared of sinful thoughts? This is something I have to ponder over when I have time.
”
”
Anand Neelakantan (Asura: Tale Of The Vanquished)
“
Freyr is the embodiment of the Third Function: “He controls the rain and the shining of the sun,”—this brings Aubéron to mind—“and through them all bounty of the earth. It is good to invoke him for peace and abundance. He also determines men’s success in prosperity.”11In fact, the Njörðr–Freyr–Freya triad is the result of a process of polymorphism: Nerthus has “exploded” into three distinct deities, each of whom specializes in a specific domain within the same function. Njörðr is the patron of sailing and fishing, and Freya oversees love and pleasure. By placing the elves under Freyr’s aegis, the ancient mythographers, with Snorri Sturluson at the forefront, placed them in the sphere of fertility and fruitfulness. It is quite possible that at one time in their historical evolution, elves were gods in their own right. It is tempting to accept this hypothesis in view of the triadic expressions that insert them alongside the Æsir and the Vanir. There is a good example of this in the Eddic poem För Skírnis (Skírnir’s Journey), where we read: “I am not one of the elves, nor one of the Æsir, nor one of the shrewd Vanir.”12 But as gods, the elves would not have been singled out, and they would reflect a complex of notions centered on the Third Function—a complex that the Vanir would have absorbed.
”
”
Claude Lecouteux (The Hidden History of Elves and Dwarfs: Avatars of Invisible Realms)
“
The reason they were so upset is that they had a belief that Yahweh “broke” the Sabbath. That is, Yahweh kept the world spinning in its orbit, kept the sun shining or the rain falling, even on the Sabbath day. Thus, in one sense, God was above the Sabbath law because He continued to “work” in maintaining the universe. You can see, then, why Jesus’ words offended them. He claimed the same right for himself! They are enraged that by calling God “Father” in a way that was unique and special to himself, He was making himself equal with God. They knew that to be the Son of God was to be deity. The son is always like the father, and if Jesus is the Son of the Father in a special and unique way, He must be deity.
”
”
James R. White (The Forgotten Trinity: Recovering the Heart of Christian Belief)
“
Zandra Rhodes
Zandra Rhodes is a British fashion designer who specializes in innovative textile design. Internationally recognized for her glamorous and dramatic style, she was honored by Queen Elizabeth II in 1997 and made a Commander of the British Empire. Currently in high demand by the rich and famous worldwide, Zandra designed many garments for Diana during the nineties.
Princess Diana married very young. She was a perfect, unspoiled flower with a strong, generous inner spirit, which she was probably unaware of when she married Prince Charles. She was thrust unprepared into the position of future queen of England. She had to grow up and mature in front of the public eye. That public eye was hard, judgmental, and unforgiving. Her strong inner spirit guided her to do things that normally someone in her position would not do--it would have been suppressed. Diana acted in a very genuine, caring, and natural way.
I was bicycling to work in London along the leafy Bayswater Road in very casual working clothes when a huge official limousine passed me. Against the rear window were two beautiful hats; the car was obviously going to Ascot. The two young girls in the car were waving at me (very enthusiastically), one with golden corn-colored hair and the other one blond. They looked exactly like Princess Diana and Sarah Ferguson, the Duchess of York. I thought, “It cannot be them, they would not be so friendly, casual, and outgoing, and anyway, it’s the wrong side of Kensington Palace, and cars going to Ascot do not come along this road.” I pretended I had not seen them and carried on cycling.
A few weeks later, I was fitting the Princess in Kensington Palace and she said to me, “Are you still riding your bike?” “Yes,” I replied. It was not until I left and drove my car out of the palace grounds that I realized the route took me exactly to the Bayswater Road, where I had seen the two waving girls!
Princess Diana always tried to make me feel at home when I was fitting her. She would talk about the problems of being recognized: how she came out of her gym in Kensington High Street in the pouring rain and bumped into a famous actor. As he entered the street, he hunched his shoulders and put on dark glasses. Princess Diana said to him, “I hope they disguise you more than they do me!
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
How much does this thing cost?” Travis says, walking closer to it.
Honestly, Travis is always like this. A negative nelly is what my mother would call him. He always has to ask the questions that nobody wants to answer because it ruins all the fun.
“Well, that’s a hard question. Are you talking about the rental price or the price of all the smiles on everyone’s faces as they are having the time of their lives?”
“The rental price.”
“Well, here’s the thing−” I start, but he holds his hand up and looks to Tina.
“$1599.00 plus deposit and taxes,” she says.
“WHAT?” Travis exclaims. “No way! Forget it. This is a veto.”
“You can’t use a veto for this!” I argue.
“Well, I just did,” he says, shrugging.
I can see he has already put the idea out of his mind, which is completely ridiculous. I mean, I know it is pretty expensive, but then I think of all the fun memories everyone will make together− and can you really put a price on that?
“Travis, you’re not seeing the bigger picture here!” I argue.
“We said a small party. A couple of friends, some food and wine. This,” he says, pointing to the obstacle course, “is not small.”
“Who wants small for a thirtieth birthday party? I mean, you only turn thirty once−” From the look on Travis’ face I decide to switch tactics. “What about if we charge people?”
“You’re crazy,” he says.
“Not our guests, but the neighbours and stuff. Kind of like a carnival.”
Actually, I just thought of that idea right here and now, but it’s not a bad one. Plus, it might be easier to have the neighbours agree to have it on the street if I let them join in the fun.
“Or we could just stick to the regular plan,” Travis says and turns to Tina. “I’m sorry we wasted your time.”
I already know the next part of this conversation is not going to go well.
“I kind of already put the deposit down,” I say, trying to get an imaginary piece of dirt off my sweater.
No one says anything and I am starting to feel pretty sorry for Tina because she looks beyond uncomfortable with the conversation.
“What kind of deposit?” Travis says in a low tone.
“The non-refundable kind,” I say, biting my lip.
“How much was the deposit?” he asks, looking from me to Tina. Tina’s eyes are wide and she looks to me desperately, asking me to rescue her from this awkwardness.
Honestly, if anyone needs a life jacket right now− it’s me.
“Nimfy perfin,” I mumble.
“What?”
“Ninety percent,” I say, meeting his eyes. “The remaining ten percent is due on delivery.”
“You really are crazy,” he says, shaking his head.
“I don’t know what you are getting all worked up about,” I say. “I’m paying for it!”
“Etty, this… thing… is your rent for the month!”
“I’ll take extra shifts,” I say, shrugging. “I wanted to make sure Scott’s day was really special.”
“It’s going to be special because he’s with his friends and family. You don’t need to do these things.”
“Yes, I do!” I say. “It’s how I show people that I care about them.”
“Write them a nice card,” Travis says slowly.
“I knew you wouldn’t understand. You’re always the storm cloud that rains on my parade!”
“No, I’m the voice of reason in a land of eternal sunshine and daisies,” he says, and turns to Tina. “Is there any way we can get her deposit back?”
Tina is now fidgeting with her skirt. “No, I’m sorry, but−”
“Don’t worry Tina, I don’t want my deposit back. What I want is my brother to have the best day ever with his friends and family on a hundred foot inflatable obstacle course,” I narrow my eyes at Travis while lifting my purse further up my shoulder. “Now, if you will excuse me, I have to go and start my first of twenty overtime shifts to pay for the best day of all of our lives.
”
”
Emily Harper (My Sort-of, Kind-of Hero)
“
Hardie Boys- Exterior Millwork That Provides Value Over Time
The outdoor areas on your property and the features on it, become the perfect backdrop for your home’s structure. They are also one of the first things that visitors to your property notice. The manner in which these features are designed and the finishing that’s used in them, go a long way in enhancing the overall appeal and value of your property. And so it follows that you ensure resilient materials are used in the work and hire expert technicians for the installation.
When you start researching products and materials for outdoor installations, you will find that wood; iron, aluminum, plaster, brick and foam are commonly used in exterior construction. And this may lead you to believe that they are the best option for these applications. It’s also natural for you to be unsure about using new materials such as the specialized cellular PVC materials we use in our millwork.
Some comparisons
But the fact is that there has been a significant advancement in the manufacture of exterior-grade, manmade materials and cellular PVC is one of them. However, the higher upfront cost can sometimes become the other deterrent for property owners, to opt for this innovative material. Take a look at how the cellular PVC material that we at Hardie Boys, Inc. use stands up against other traditionally-used materials:
1. Weather impact
Materials such as hardwood and metal are strong and durable, but need a significant amount of treatments before they can be used in exterior applications. For instance, untreated and unfinished wood features get affected by moisture and the sun’s rays and eventually crack and crumble.
They can also develop rot or moss; and if these conditions are very severe, extensive repairs or complete replacement of the feature is the only option you are left with. Metal too gets affected by moisture and exposure to rain and frost; and rusts and corrodes over time. In comparison the unique PVC cellular material that we use in our millwork is moisture and heat-resistant and doesn’t corrode over time.
2. Termite damage
Termites are extremely destructive creatures and they can bore through wooden features and cause extensive damage to them. In most cases, replacement is the only option you are left with, which represents a significant expense. Concrete surfaces get affected by the freeze and thaw cycles and crack over a period of time, and you end up spending considerable amounts on repair and replacements. On the other hand, cellular PVC doesn’t get impacted by termites or weather fluctuations at all.
3. Maintenance
While choosing materials for exterior applications, most property owners fail to factor the maintenance costs into the overall cost of the installation. For instance, wood, plaster, foam, brick and concrete require annual mold prevention maintenance as well as sanding and polishing or painting. Metal surfaces have to be sanded, and painted regularly too. In comparison, our cellular PVC material features require only basic cleaning and they won’t warp, crack, fade, corrode, develop rot or mold. In short, this is an extremely low-maintenance option that is worth every penny you spend on initial costs.
We at Hardie Boys, Inc. are the leaders in this space and provide excellent, customized, cellular PVC millwork solutions for residential and commercial settings. For any more information about our exterior millwork,
”
”
Hardie Boys
“
All the royal tales got their own special festivals. In honor of the Sleeping Beauty tale, Ever After High held the yearly Beauty Sleep Festival. Everyone put on their pajamas and lay down on their beds, and a magical sleep spell rained over the castle, putting them into a restful slumber for two days.
Briar rolled her eyes. "I'd prefer my story got a dance festival with some kicky music and a chocolate fountain."
"It's kind of like a massive slumber party, so that's cool," said Ashlynn.
"Kinda," said Briar. "But the best part of a slumber party isn't the part where you're unconscious. I'm already facing a hundred years of sleep. Worst. Festival. Ever."
"You recall that the royal festival for the Cinderella story is basically just an excuse to get the students to clean the high school," said Ashlynn.
Briar laughed, putting her arm around Ashlynn. "That's true! But at least your Spring Cleaning Festival ends with a Ball."
Apple always enjoyed the Apple Festival in her story's honor- so many pies and turnovers and breads, and none of them poisoned. The whole school smelled of cinnamon and nutmeg for days. The Spring Cleaning Festival was an excellent opportunity to clean out her sock drawer and then wear a ball gown and dance till midnight. The Little Mermaid Festival took place every summer at Looking Glass Beach with swimming, beach volleyball, and a clam dig.
”
”
Shannon Hale (Ever After High: The Storybox of Legends)
“
I don’t understand her. I treat her kindly, yet she still shakes with fear at the thought of being one with me. I try to make her happy and make her angry instead.”
Many Horses lifted an eyebrow. “Fear is not like a layer of dust on a tree leaf that washes away in a gentle rain. Give her time. Be her good friend, first--then become her lover. As for making a woman happy, you succeed sometimes, you fail sometimes. That is the way of it.”
Hunter took a deep breath and let it out on a weary sigh. “It’s not that I have another woman in mind to take as wife. It’s just--”
“That you are bullheaded?”
Hunter smothered an outraged laugh. “A little bit, yes?”
Many Horses shrugged. “One unto the other is not a bad thing for a man. I am sure enough glad I have only one tug rope coming into my lodge. Can you imagine how exhausting three or four wives would be?”
“My mother has been enough for you, but she is a special woman.”
Many Horses grinned. “She is a jealous woman. And I’m not a stupid man. I didn’t want to live in a wasp’s nest all my life.” He shrugged. “I like things as they are. Fewer sharp tongues nagging me. Fewer mouths to feed. And only one woman to try to understand. I brought her slaves to help her with the work.”
“My yellow-hair does not believe in having slaves.”
“Neither does she believe in many wives. Give her a choice, slaves or wives. See which she chooses.” Many Horses waved his hand before him to clear the air of ash. “You must also remember the yellow-hair may give you many more children than a Comanche woman. Take care or you could father more children than you can feed. I’ve never seen a white woman yet who wasn’t a good breeder.”
A slow grin spread across Hunter’s mouth. “You will tell her this, yes? So far she isn’t showing the proper enthusiasm.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
First, notice the weather. “Our Father . . . makes his sun rise on the evil and on the good, and sends rain on the just and on the unjust” (Matthew 5: 45). We need sun and rain in order to have food, and God doesn’t discriminate in doing basic good. Can you do that too? Second, notice how even bad people treat their friends right. “If you love those who love you, what reward do you have? Do not even the tax collectors do the same?”( Matthew 5: 46). Can you take it a step up from bad people? Third, notice how all people everywhere recognize a special bond between family members. “If you greet only your brothers, what more are you doing than others? Do not even the Gentiles do the same?”( Matthew 5: 47). Can you take it a step up from the us-them loyalty that comes naturally to everyone?
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David A. Powlison (Good and Angry: Redeeming Anger, Irritation, Complaining, and Bitterness)
“
She spun and faced me, one hand on her wounded posterior. Her eyes were wide, her nostrils flared with shock and anger. In my peripheral vision, I saw her weight shift to her back leg, and thought she was going to try for a ball shot with her forward foot. Instead, she stepped back. Her arms slipped to her sides and she drew up her shoulders and chin, the picture of suppressed regal rage. She looked at me. “Mo owari, okyakusama?” she asked, as contemptuously as she could. Are we finished, honorable customer? “Was that against the rules?” I asked, smiling into her eyes. She pulled up the dress and slipped her arms through the straps. Her face was still red with anger, and I couldn’t help admiring her composure in controlling it. She managed the zipper without assistance, then said, “That was three songs, so thirty thousand yen. And you should tip the doorman ten percent. Ken?” Ken must have been the Nigerian, because a second later the semicircular sofa was pulled aside and there he was. I took out my billfold and paid each of them. “Thank you,” I said to Naomi. I beamed like a well-satisfied customer. “That was… special.” She smiled back in a way that made me glad she didn’t have a weapon. “Kochira koso,” she replied. The pleasure was mine. She escorted me back to my seat.
”
”
Barry Eisler (A Lonely Resurrection (John Rain #2))
“
You are special and you will always remain.
You are amazingly made.
You are the first drop found on the dry ground.
Where a rainbow appears after a heavy rain
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Dr. Patricia Dsouza Lobo
“
suddenly felt frightened. He was reaching that age, he was at the edge of it, when the world becomes suddenly more beautiful, when it reveals itself in a special way, in every detail, roof and wall, in the leaves of trees fluttering faintly before a rain. The world was opening itself, as if to allow, now that life was shortening, one long, passionate look, and all that had been withheld would finally be given.
”
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James Salter (Light Years (Vintage International))
“
We discussed my retainer, and learned that the women had all pooled their money together to hire me. So I told her that I was having a special. The first two weeks were free. She seemed relieved and put her checkbook back. Now, I thought as she shuffled off, I just need to find the perv in two weeks.
”
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J.R. Rain (Hail Mary (Jim Knighthorse, #3))
“
Somehow I escaped punishment in that life, and so now, lifetimes later, a very special kind of hell is being rained down on me, the full rage of karmic justice.
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Lisa Unger (In the Blood)
“
there’s something special about watching a strong woman reduce a dirtbag to tears. Maybe
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J.R. Rain (Vampire Dawn (Vampire for Hire #5))
“
History had turned violent again and Mr MacGhiolla with a special gleam in his eyes had departed for the North. He left my father books with trapped strands of red hair and a faint sulphuric whiff of nationalism trapped within the pages.
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Niall Williams (History of the Rain)
“
no one is special or better than anyone else. This sentiment is echoed in the Christian scriptures: “[God] sends rain on the righteous and the unrighteous” (Matt. 5:45).
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Wayne W. Dyer (Change Your Thoughts - Change Your Life: Living the Wisdom of the Tao)
“
Ode 4
No man can pervert Your holy place, O my God; nor can he change it, and put it in another place.
Because he has no power over it; for Your sanctuary You designed before You made special places.
The ancient one shall not be perverted by those which are inferior to it. You have given Your heart, O Lord, to Your believers.
Never will You be idle, nor will You be without fruits;
For one hour of Your faith is more excellent than all days and years.
For who shall put on Your grace and be rejected?
Because Your seal is known; and Your creatures are known to it.
And Your hosts possess it, and the elect archangels are clothed with it.
You have given to us Your fellowship, not that You were in need of us, but that we are always in need of You.
Shower upon us Your gentle rain, and open Your bountiful springs which abundantly supply us with milk and honey.
For there is no regret with You; that You should regret anything which You have promised;
Since the result was manifest to You.
For that which You gave, You gave freely, so that no longer will You draw back and take them again.
For all was manifest to You as God, and was set in order from the beginning before You.
And You, O Lord, have made all.
Hallelujah.
”
”
Solomon
“
Paul Costelloe
One of the most established and experienced names in British fashion, Irish-born Paul Costelloe has maintained a highly successful design label for more than twenty-five years. He was educated in Paris and Milan, and has since become known for his expertise in fabrics, primarily crisp linen and tweed.
I remember another moment, in the pouring rain in Hyde Park, when Pavarotti was singing for an audience. Diana went up to him in a design of mine, a double-breasted suit consisting of a jacket and skirt. She was absolutely soaked and she was beautifully suntanned. To me, the most radiant photograph of her that has ever appeared anywhere was taken then. If you ever get a chance to look at it, you must. It is featured in a couple of books about her. It really is something special to me--I have it on my wall, in my studio, at this very moment. Whenever I look at it, I get a lump in my throat.
There was another occasion when she wore something of mine that stands out in my mind. Diana was wearing a very sheer skirt and jacket and was standing in the sun. She was in India, in front of the Taj Mahal, and her skirt was see-through. Of course, the press went full out on that.
My last memory of her is when she was wearing a linen dress of mine in Melbourne and was surrounded by a large group of Australian swimmers. That, for me, was a very exciting moment.
She was always incredibly polite, incredibly generous. There is simply no comparison. She had a completely different manner from everyone else. I have been to Buckingham Palace, and she was always far above the rest. I must have been the one and only Irishman ever to dress a member of the Royal Family!
”
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Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
But postal inspectors also solved crimes. James Holbook's Ten Years Among the Mail Bags; or, Notes from the Diary of a Special Agent of the Post-Office Department, published in 1855, became a best seller and is thought to have helped inspire the modern detective novel, with its tales of mail robbers and malefactors who tried to use the public mails for nefarious purposes. "A mail bag is an epitome of human life,"' Holbrook wrote in the opening section of his book. "All the elements which go to form the happiness or misery of individuals--the raw material so to speak, of human hopes and fears--here exist in a chaotic state." Someone had to protect it.
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”
Devin Leonard (Neither Snow nor Rain: A History of the United States Postal Service)
“
We were taking a DC-10 all the way across the country, from the east coast to the west. Together we flew into the Red Centre, the interior of the continent and the location of Ayers Rock--one of Australia’s most recognizable icons.
“Have a look at it,” Steve said when we arrived. “It’s the heart of Australia.”
I could see why. A huge red mountain rose up out of the flat, sandy landscape. The rock appeared out of place in the great expanse of the desert. The Aborigines knew it as Uluru, and they preferred that tourists did not clamber over their sacred site.
We respectfully filmed only the areas we were allowed to access with the local Aborigines’ blessing. As we approached the rock, Steve saw a lizard nearby. He turned to the camera to talk about it. I was concentrating on Steve, Steve was concentrating on the lizard, and John was filming. Bindi was with us, and she could barely take two steps on her own at this point, so I knew I could afford to watch Steve.
But after John called out, “Got it,” and we turned back to Bindi, we were amazed at what we saw. Bindi was leaning against the base of Ayer’s Rock. She had placed both her palms against the smooth stone, gently put her cheek up to the rock, and stood there, mesmerized.
“She’s listening,” Steve whispered. It was an eerie moment. The whole crew stopped and stared. Then Bindi suddenly seemed to come out of her trance. She plopped down and started stuffing the red sand of Uluru into her mouth like it was delicious.
We also filmed a thorny devil busily licking up ants from the sandy soil. The one-of-a-kind lizard is covered with big, lumpy, bumpy scales and spikes.
“When it rains,” Steve told the camera, “the water droplets run along its body and end up channeling over its face, so that if there is any rain at all, the thorny devil can get a drink without having to look for water!”
It’s a pity she won’t remember any of it, I thought, watching Bindi crouch down to examine the thorny devil’s tongue as it madly ate ants. But we had the photos and the footage. What a lucky little girl, I thought. We’ll have all these special experiences recorded for her to take out and enjoy anytime she wants to remember.
”
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Terri Irwin (Steve & Me)
“
What’s so special about age twelve?”
“Is there a better age to be an adult and a kid at the same time?”
I thought seriously for a moment and then laughed. “I don’t guess so.
”
”
Dan Nimak (Above the Rain)
“
At the end of the scene, when Kathy kisses Don, Cosmo objects, thereby provoking Kathy to kiss him as well, to which he responds with girlish abashment (the exchange replays the part of “Good Mornin’” when Kathy sits first on Don’s knee, then on Cosmo’s). 2.5 2.6 2.7 Yet Don and Kathy do not yet engage fully as romantic partners, which becomes clear during the following number, Kelly’s famous solo rendition of the title song, “Singin’ in the Rain,” introduced by his deliberately isolating himself (kissing Kathy good night and then waving off the cab driver). Alone on the rain-drenched sound stage (assuming we have learned to recognize it as such from “You Were Meant for Me”), he clarifies the MERM-related function of such effects, which seem in themselves to demand that he sing. The coordination of MERM and Hollywood-style special effects is particularly close in this number, as he soon leaves the song behind, first to explore the sets and props conveniently at his disposal, and then to match the music’s crescendo with an expansive embrace of the larger space. Here, the camera cranes outward, and Kelly breaks through into a moment of “dancing-sublime,” when his dancing seems either to revert or to come full circle, returning to the primitive urge that gave it birth (thus his stomping and jumping in the puddle like an adolescent boy).34 But the number, through its supreme narcissism, actually does more to inhibit than to advance the plot.
”
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Raymond Knapp (The American Musical and the Performance of Personal Identity)
“
But as if her mind protested to her thoughts, she sighted the sky, the enormity reminding her of Allah’s magnificence. She had prayed for such a man at Tahajjud, in the last hour of Friday, at the time of rain and when they’d been for Umrah all those years back. She’d prayed for him with utmost sincerity without letting the wait tire her, especially in those special times when it was recommended to make dua. So how could she doubt Allah when He was finally granting her what she asked for from the past half a decade, or more?
”
”
Sarah Mehmood (The White Pigeon)
“
When you get to Tatogga, or the cliffs of Cape Breton, or the Alberta badlands, pause long enough to find an open ridge where the sky seems to shelter the Earth, or a valley where horses shake manes that quiver like sheets of distant rain. Watch for pollen in the wind, an eagle circling, ice forming on a summer lake. When you find a place where the clouds and mist envelop the peaks, creating that special illusion of depth that grants meaning to all travel, tip your hat to those who have come before you, breaking trail.
”
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Wade Davis (Shadows in the Sun: Travels to Landscapes of Spirit and Desire)
“
We can sacrifice ourselves in order to save lives, to spread messages of freedom, hope, and dignity. That is our Buddha Nature, our Christ Nature – people who have embodied the principles of love and compassion and have taken extraordinary measures to change the world for the better. We call them heroes and heroines - for example, Gandhi, Martin Luther King Jr., Nelson Mandela, and Malala Yousafzai, along with the nameless aid workers, neonatal surgeons, and ordinary parents who make extraordinary choices in life-threatening circumstances. And we admire them. Those are the people who we want to occupy our Jewel Tree, letting their nectar rain down upon us in a shower of blessing and inspiration. They are the people who have discovered interdependence, wisdom, and compassion, have seen through the illusion of separation and come out the other side with the hero‘s elixir for the welfare of others.
If we don‘t believe we can do it, if we don‘t have the confidence, that‘s the last hurdle. We believe there is something special about the hero and something deficient about us, but the only difference is that the Bodhisattva has training, has walked the Lam Rim, has reached the various milestones that each contemplation is designed to evoke, and collectively those experiences have brought confidence. Our natures are the same. It‘s in your DNA to become a hero. As heretical as it may sound to some, there is no inherent specialness to His Holiness the Dalai Lama. He is not inherently different from you. If you had his modeling, training, support, and devotional refuge, you too could be a paragon of hope and goodwill. Now, hopefully you will recognize cow critical it is for you to embrace your training (the Bodhisattva Path), so that we can shape-shift civilization through the neural circuitry of living beings. (pp. 139 - 140)
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Miles Neale (Gradual Awakening: The Tibetan Buddhist Path of Becoming Fully Human)
“
To enter you have to enter a special keycode, which just happens to be the five-note sequence from Close Encounters of a Third Kind – a tongue-in-cheek joke Broccoli managed to achieve by personally asking Spielberg for permission. (Being a huge Bond fan, Spielberg agreed immediately, and many years later asked for the favour to be returned when producing The Goonies, asking Broccoli if he could use the 007 theme when Data swings through Mikey’s screen door.)
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John Rain (Thunderbook: The World of Bond According to Smersh Pod)
“
I can't get my head around Rain's question. Card's my best friend. No, he's more than that. After losing my father and brother, in a lot of ways, Cardyn has been everything to me. He's been with me through so much---even the secret stuff, like my training with Render. What Rain might think were amorous stolen moments between us in the woods in the Valta were actually some of the most special times in my life. Card and I talked about our hopes, our feelings, our fears. We supported each other when we were down and reveled in each other's happiness when things were going great. We had an intimacy then, a bond beyond Rain's limited ideas of what two people can mean to each other. Besides, when did 'just friends' get to be such a bad thing? Cardyn isn't 'just' anything to me. There's no way I'll let someone that close, that special, that indispensable in my life, be demoted to a 'just' anything.
”
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K.A. Riley (Recruitment (The Resistance Trilogy #1))
“
God invites us into the valley. The question is whether we will accept the invitation. The valley will always be in the shadow of the mountains. The mountains, with their dramatic peaks and pillars to the clouds, will always appear more special to the world around you. Becoming a valley is truly humbling. And yet this is the place where the rain soaks deep and fruit is truly produced. The valley is the place of life. It is the place of kingdom power.
”
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Jamin Goggin (The Way of the Dragon or the Way of the Lamb: Searching for Jesus’ Path of Power in a Church that Has Abandoned It)
“
In fact, there are many lines of evidence to suggest that apes were specially selected to have unusually low levels of physical activity to help them thrive in the rain forest. As we saw, apes usually don’t need to travel far to get food, and their highly fibrous diet requires them to spend much time resting and digesting between bouts of feeding. In addition, their adaptations to climb trees make them outlandishly inefficient at walking. A typical chimpanzee spends more than twice as much energy to walk a mile as most mammals, including humans.23 When walking is so calorically costly, natural selection inevitably pushes apes to spend as little energy as possible schlepping about the forest so they can devote as much energy as possible to reproduction. Apes are adapted to be couch potatoes.
”
”
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
“
A Special Mother
That is who you are
An Angel that once lived with us
Who now left for the Heavens
A loving parent
Such a rare gem
A true blessing
And a precious being
Truly exceptional
To us, you were like the sunshine
That made our days shine bright
You were like the flower
That gave us hope to blossom each day
Just like the rain
That came and washed away our pain
Much like an eagle
That soared against strong winds for our sake
Like a shield that ensures we are safe
Death never took you away
Because in our lives
You are somehow alive
Through the beautiful memories
We gratefully hold in our hearts
Indeed, you are our special Mother
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
Forever Grateful
For a loving Mother
From cradle to the grave
You have been so brave
With many children to raise
You did well, with no haste
You took away our pain
And turned the rain
Into bright sunny days in many special ways
You made us find reasons to celebrate always
You shared wise words
Your wisdom carried us to new heights
Lifted off our shoulders the heavy weight
Made life so great
Our lives, you changed
Each one of us, you embraced
The school of parenthood, you aced
Your Motherhood distinction cannot be erased
You ran your race with grace
For us, you created a safe space
To us, you have a special place
That no one can ever take
Mother, we are forever grateful
”
”
Gift Gugu Mona
“
She’d need to find room in her compact kitchen for a high chair. Her second bedroom, which she now used as an office and craft room, would become the baby’s. A sense of excitement filled her, unlike anything she’d ever experienced. This was her baby, her very own child. This time she’d do everything right. This time there wasn’t a man standing in the way. High on enthusiasm, she reached for the phone and dialed her sister’s number. She felt closer to Kelly than she had in years. The weekend getaway had brought them together again, all three of them. How wise her mother had been to arrange it. “I didn’t get you up, did I?” she asked when her sister answered. Tyler bellowed in the background. “That’s a joke, right?” Maryellen smiled. “You doing anything special for lunch?” “Nothing in particular. What do you have in mind?” “Can you meet me at the Pot Belly Deli?” “Sure.” Kelly had the luxury of being a stay-at-home mother. Paul and Kelly had waited years for this baby and were determined to make whatever sacrifices were necessary. That option—staying with her baby—wasn’t available to Maryellen. She’d have to find quality day care and wasn’t sure where to even start. Just before noon, Kelly arrived at the gallery, pushing Tyler in his stroller. At nine months, the little boy sat upright, waving his chubby hands, cooing happily and directing the world from his seat. “Let’s grab some soup from the deli and eat down by the waterfront,” Kelly suggested. It was a lovely spring day after a week of rain, and the fresh air would do them all good. “Sounds like a great idea,” Maryellen told her. Practical, too, since it would be easier to amuse Tyler at the park than in a crowded restaurant. Maryellen phoned in their order and her sister trekked down to grab a picnic table. Several other people had the same idea, but she’d secured a table for them by the time Maryellen got there. Sitting across from her sister, Maryellen opened her container of chicken rice soup and stirred it with a plastic spoon. Cantankerous seagulls circled overhead, squawking for a handout, but Maryellen and Kelly ignored them. “I
”
”
Debbie Macomber (204 Rosewood Lane (Cedar Cove #2))
“
Tally's journey from ugly to pretty to special and then out the other side is not just a physical journey. It's also a journey through language, as Tally takes on the slang of her various new cliques and then slowly comes to realize that when your body keeps changing, sometimes the way you speak is the only piece of you that you can hold on to.
”
”
Scott Westerfeld (Mind-Rain: Your Favorite Authors on Scott Westerfeld's Uglies Series)
“
Tally's body is constantly changing (much like a real teenager's body does) - going from ugly to pretty to Crim to special to ... whatever she is at the end of the series. How much of Tally's body is really hers and not just some smart plastic and ceramic bone? If even her brain is being operated on, then how does Tally stay Tally? How do we know, as readers, that it's still her in there? That she hasn't become totally pretty, or totally special?
Through her use of language. Through the things she says, the way she speaks, the slang she uses. When your brain, body, and lifestyle are in a constant state of change, language is your only constant. Language is the way you shape and express your identity.
”
”
Scott Westerfeld (Mind-Rain: Your Favorite Authors on Scott Westerfeld's Uglies Series)
“
Laura didn't run off with Ray because I bought her CDs she wasn't that keen on, and to pretend otherwise is just .. just... Psychowank. If she thinks that, then she's missing the Brazilian rain forest for the twigs. If I can't buy specially priced compilation albums for new girlfriends, then I might as well give up, because I'm not sure that I know how to do anything else.
”
”
Nick Hornby (High Fidelity)
“
I fall in behind him as he makes his way to the door, noticing several ceramic gnomes in the flower beds as we pass. I can’t help thinking how sad they look, worn by sun, wind, and rain, their paint faded to chalky-hued pastels. The sharp black eyes that once graced each face have worn away to cataracts, and the once-bright clothes have weathered, looking no better than the garments one might find on a neglected scarecrow. If my mother were here she’d probably wipe their faces with a damp handkerchief and bless them for good luck.
”
”
Spencer Kope (Shadows of the Dead (Special Tracking Unit #3))
“
My mind flipped back to the moment seventeen years earlier when we first met, me arriving late to her office, a little damp from the rain, Michelle rising up from her desk, so lovely and self-possessed in a lawyerly blouse and skirt, and the easy banter that followed. I had seen in those round, dark eyes of hers a vulnerability that I knew she rarely let show. I knew even then that she was special, that I would need to know her, that this was a woman I could love. How lucky I had been, I thought. “Barack?
”
”
Barack Obama (A Promised Land)
“
Smiling, Hearba offered her palms to the woman in greeting. “I thank you,” she said, when the greeting was completed, “for your kindness in coming to help us find our way about in this huge nid-place on this long day, which has left us quite exhausted. But perhaps you should quickly show us where we are to eat and sleep, as the night rains will soon begin and you will be unable to reach your own nid-place.” “You do not understand,” Ciela said. “My nid-place is here. I am assigned. You will find that with your special duties and responsibilities as the parents of a Chosen, you will have little time for such tasks as nid-weaving and food preparation.” “Valdo?” Hearba said questioningly, clearly asking him to intervene, and Raamo easily pensed her distress at the thought of sharing their nid-place with a stranger. But when Valdo responded by offering his thanks to Ciela, Hearba tried again. “We have always cared for our own—” she was saying when Ciela interrupted. “You have never had the care of so large a nid-place,” Ciela said, “nor the many responsibilities of a Chosen family. I think you will find that you need my help.” “Who is it that sends—” Hearba began haltingly, and then paused, troubled that the stranger might find her thoughtless and ungrateful. “By whom was I assigned?” Ciela asked. “By the Ol-zhaan. There is a helper assigned by the Ol-zhaan to the family of every Chosen, as I have been assigned to you.” Hearba bowed her head to signify her acceptance of the wisdom of the Ol-zhaan, the holy leaders of Green-sky. In the days that followed, Raamo remained with his family in the new nid-place. Just as before, his father and mother went daily to work as harvester and embroiderer, and Pomma returned to her classes at the Garden. But there were many differences. The D’ok family members were now persons of honor, and as such they found many differences in old familiar situations and relationships. People with whom they had long worked and played—friends with whom they had, only a few weeks before, danced and sung in the grund-halls, beloved friends with whom, in their Youth Hall days, they had once daily practiced rituals of close communion, even those with whom, as infants, they had once played Five-Pense—all these now stepped aside to let them pass and even asked them for advice in important matters—as if they had suddenly become authorities on everything from the nesting habits of trencher birds to the best way to cure an infant of fits of tearfulness.
”
”
Zilpha Keatley Snyder (Below the Root)
“
The first time occurred when a powerful alpha male, Yeroen, was in the midst of an intimidation display with all of his hair on end. This is nothing to make fun of. All other apes watch with trepidation, knowing that a male in this testosterone-filled state is keen to make his point: He is the boss. Anyone who gets in the way risks a serious beating. Moving like a furry steam locomotive that would flatten everybody and everything, Yeroen went with heavy steps up a leaning tree trunk that he often stamped on in a steady rhythm until the whole thing would shake and creak to amplify his message of strength and stamina. Every alpha male comes up with his own special effects. It had rained, however, and the trunk was slippery, which explains why at the peak of this spectacle the mighty leader slipped and fell. He held on to the trunk for a second, then dropped to the grass, where he sat looking around, disoriented. With a “the show must go on” attitude, he then wrapped up his performance by running straight at a group of onlookers, scattering them amid screams of fear.
Even though Yeroen’s plunge made me laugh out loud, as far as I could tell none of the chimps saw anything remotely comical. They kept their eyes on him as if this was all part of the same show, even though, clearly, it was not how Yeroen had intended things to go. A similar incident happened in a different colony, when the alpha male picked up a hard plastic ball during his display. He often threw this ball up in the air with as much force as possible—the higher the better—after which it would come down somewhere with a loud thud. This time, however, he threw the ball up and checked around with a puzzled expression because the ball had miraculously disappeared. He didn’t know that it was returning to earth by the same trajectory he had launched it on, landing with a smack on his own back. This startled him, and he broke off his display. Again, I found this a rather amusing sight, but none of the chimps showed any reaction that I could tell. Had they been human, they’d have been rolling around, holding their bellies with laughter, or—if fear kept them from doing so—they’d have been pinching one another, turning purple in an attempt to control themselves.
”
”
Frans de Waal (The Age of Empathy: Nature's Lessons for a Kinder Society)
“
Another sweet Saturday morning to curl up and read a book in the attic,
And what makes this morning super special, it's raining buckets.
”
”
Charmaine J. Forde
“
In 1927, the school started by the Africans, then known as the “Plateau Normal and Industrial Institute for the Education of the Head, Heart and Hands of the Colored Youth,” received a grant from the Rosenwald Fund to build a new, much larger school, with ten classrooms and living quarters for ten teachers. The fund was the brainchild of Booker T. Washington and Julius Rosenwald, the CEO of Sears, Roebuck and Co. The pair met in Chicago in 1911, after Rosenwald attended a speech by Washington. Rosenwald, whose fortune would have ranked him as a billionaire by today’s standards, was looking for a philanthropic cause to answer what he believed were “the special duties that capitalists and men of wealth owed to society.” Rosenwald provided an endowment for Washington’s Tuskegee Institute and embraced Washington’s dream of funding schools across the South to teach what the educator described as “industrial education.
”
”
Ben Raines (The Last Slave Ship: The True Story of How Clotilda Was Found, Her Descendants, and an Extraordinary Reckoning)
“
If you live in Europe, mature deciduous trees offer a special service to help you: a short-term weather forecast brought to you by chaffinches. These rust-red birds with gray heads normally sing a song whose rhythm ornithologists like to transcribe as "chip chip chip chooee chooee cheeoo." But you'll hear that song only on a fine day. If it looks like rain, the song changes to a loud "run run run run run".
”
”
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
“
You know what death smells like? Fish blood that someone has buried in a garden of night-blooming flowers. Or a field mortuary during the monsoon season in a tropical country right after the power generators have failed. Or the buckets that the sugar-worker whores used to pour into the rain ditches behind their cribs on Sunday morning. If that odor comes to you on the wind or in your sleep, you tend to take special notice of your next sunrise.
”
”
James Lee Burke (Jesus Out to Sea)
“
People say hate is a wasted emotion, a destructive force you can do nothing
useful with. They’re wrong. I’ve gripped rage, I’ve wielded it like a weapon. It takes someone special to make you feel it for the first time. A person you
would love, if they’d only let you. But their scorn shrivels you up, like a crape
gown in the rain. They show you an image of yourself, and it’s weak and
loathsome, even to your own eyes.
”
”
The Corset, Laura Purcell
“
These are things that only dogs and women understand because we tap into the pain directly, we connect to pain directly from its source, and so it is at once brilliant and brutal and clear, like white-hot metal spraying out of a fire hose, we can appreciate the aesthetic while taking the worst of it straight in the face. Men, on the other hand, are all filters and deflectors and timed release. For men, it’s like athlete’s foot: spray the special spray on it, they say, and it goes away.
”
”
Garth Stein (The Art of Racing in the Rain)
“
The Road to Excellence: A Traveler’s Experience on India’s Best Highway Infrastructure
Road trips are all about the journey, and nothing makes a trip more enjoyable than a smooth, well-maintained highway. On my recent travel, I had the opportunity to experience one of the finest examples of India’s best highway infrastructure. The seamless roads, well-planned amenities, and breathtaking landscapes made this journey one to remember. #modernroad
An Unmatched Driving Experience
From the moment I entered this highway, I knew I was in for a stress-free ride. The well-marked lanes, smooth road surface, and efficient toll system made driving feel effortless. Unlike older highways where frequent bumps and congestion slow you down, this stretch allowed for an uninterrupted journey.
Key features that stood out:
Spacious and clearly marked lanes ensured a safe drive.
Automated toll booths reduced waiting time significantly.
Minimal road diversions meant a consistent and smooth experience.
Whether you're driving for business or leisure, this highway ensures that you reach your destination faster and with less fatigue. #modernroadmakers
A Scenic Drive Through Nature
What makes a highway special isn’t just its infrastructure but also the experience it offers to travelers. Driving along this road felt like gliding through a scenic painting, with lush green landscapes stretching as far as the eye could see.
Eco-friendly green belts add to the beauty while reducing pollution.
Rest stops and food courts are well-placed for a comfortable journey.
Nearby towns and villages remain well-connected without disrupting highway traffic.
The balance between modernity and nature makes this highway stand out among India's best. #indiabesthighway
Safety and Efficiency at Its Best
A good highway isn’t just about smooth roads—it’s also about safety and maintenance. This one excels in both.
✔ Surveillance cameras and speed monitors ensure discipline on the road.
✔ Emergency response teams are available at short intervals.
✔ Smart drainage systems prevent waterlogging, even in heavy rains.
It’s clear that meticulous planning and highway technology have made this route one of the safest in India.
Boosting Connectivity and Growth
Apart from making travel easier, highways like this are driving economic progress.
”
”
amanblogger
“
One of the so-called minor holidays is “vodena nedelja” (Water Sunday) on May 13. As its name says, this holiday is dedicated to water; that is, water demons — spirits from which people need to induce mercy in the springtime when the snow is melting, rains are falling, and the possibility of floods is increased. It was sometimes believed that water spirits have special powers at this time of year, so the rituals related to them were performed then.
”
”
Radomir Ristic (Balkan Traditional Witchcraft)
“
Rain Tamer specializes in controlling and diverting water to protect residential and commercial properties in OKC and surrounding metros. We offer high-quality Seamless Gutter installations and French Drain systems designed to prevent pooling, foundation damage, and erosion. Our expert team delivers reliable solutions that stand the test of time, keeping your property safe, functional, and looking its best year-round. Trust Rain Tamer for all your drainage needs.
”
”
Rain Tamer
“
I don't believe you. We're fleeing for our lives in the rain-swept gloom of 16th century Scotland and you're still banging on about your bloody stupid bloody car?"
"Seriously?" he said. "You think I'm not going to be referring to it at regular intervals for the rest of your life? That I'm not going to drag it into every argument we ever have? That I'm ever going to let you forget? There will be 'Driving The Car Into The Lake' anniversaries. I shall commission a special card from Hallmark. There will be celebration cakes. We may even get a telegram from the King.
”
”
Jodi Taylor (A Symphony of Echoes (The Chronicles of St Mary's, #2))
“
In general it may be said that, when we speak of “common grace,” we have in mind, either (a) those general operations of the Holy Spirit whereby He, without renewing the heart, exercises such a moral influence on man through His general or special revelation, that sin is restrained, order is maintained in social life, and civil righteousness is promoted; or, (b) those general blessings, such as rain and sunshine, food and drink, clothing and shelter, which God imparts to all men indiscriminately where and in what measure it seems good to Him.
”
”
Louis Berkhof (Systematic Theology)
“
Dear Negi,
You're a very good girl, you are very special for us, so be near our heart. You are the cloud of rain of my dreams, I want to stay wet……
Listen
I have written a little Poem for you…. Maybe you like
एक पागल दीवानी सी लड़की,
ना किसी से ज्यादा बोलती चुप- चुप सी रहती,
जब भी बस बोलती धीरे -2 बोलती,
मानो बारिश के जैसे ना कोई शोर है उसमें, ना कोई सन्नाटा
बस सागर की तरह वो बहती वो,
तब कोई उस को ना पढ़ पाया, ना कोई उसको समझा,
छोटी -2 आँखें उसकी, ना जाने क्या-क्या कहती,
मेरी प्यारी सी सहेली ना किसी से ज्यादा बोलती, बस चुप- चुप सी रहती
जो शख़्स अक़्सर दिखता, कोई ना कोई उसको कई दर्द देता,
रखता उसको धोखे में जितने पल रूकती वो आकर,
उस पल में सिमटी रहती,
मेरी प्यारी सी सहेली ना किसी से ज्यादा बोलती,
बस चुप- चुप सी रहती,
अब वो गलत किसी का नहीं सुनती
वो लम्हा आ गया अब सहसा उसका मुस्कुराता
और सब के मन को जला देता….
प्यार भरा दिल है उसका
एक मासूम - सी प्यारी - सी लड़की है वो,
ना किसी से ज्यादा बोलती है, बस चुप- चुप सी रहती……
प्यारी-प्यारी आँखें है उसकी अब उन आँखों में मस्ती सी होती है
भोली सी सूरत उसकी हमेशा मेरी नज़रों के आगे है
हमेशा प्यार भरी आंखों से बातें करती है
ऐसी है मेरी प्यारी सी सहेली जो मेरे से बातें करती है
अगर आपको हमारी आज की पोस्ट पसंद आई है तो आप कमेंट करके बता सकते है
आप हमारी पोस्ट अपने दोस्तों से भी शेयर कर सकते है और
शेयर करके अपने दोस्तों को भी इसके बारे में बता सकते है | हम फिर नई कविता लेकर हाज़िर होंगे तब तक के लिए नमस्कार दोस्तों !
आपका दिन मंगलमय हो |
Anu Mehta
”
”
Anu mehta
“
My aunt's life was now practically confined to two adjoining rooms, in one of which she would rest in the afternoon while they, aired the other. They were rooms of that country order which (just as in certain climes whole tracts of air or ocean are illuminated or scented by myriads of protozoa which we cannot see) fascinate our sense of smell with the countless odours springing from their own special virtues, wisdom, habits, a whole secret system of life, invisible, superabundant and profoundly moral, which their atmosphere holds in solution; smells natural enough indeed, and coloured by circumstances as are those of the neighbouring countryside, but already humanised, domesticated, confined, an exquisite, skilful, limpid jelly, blending all the fruits of the season which have left the orchard for the store-room, smells changing with the year, but plenishing, domestic smells, which compensate for the sharpness of hoar frost with the sweet savour of warm bread, smells lazy and punctual as a village clock, roving smells, pious smells; rejoicing in a peace which brings only an increase of anxiety, and in a prosiness which serves as a deep source of poetry to the stranger who passes through their midst without having lived amongst them. The air of those rooms was saturated with the fine bouquet of a silence so nourishing, so succulent that I could not enter them without a sort of greedy enjoyment, particularly on those first mornings, chilly still, of the Easter holidays, when I could taste it more fully, because I had just arrived then at Combray: before I went in to wish my aunt good day I would be kept waiting a little time in the outer room, where the sun, a wintry sun still, had crept in to warm itself before the fire, lighted already between its two brick sides and plastering all the room and everything in it with a smell of soot, making the room like one of those great open hearths which one finds in the country, or one of the canopied mantelpieces in old castles under which one sits hoping that in the world outside it is raining or snowing, hoping almost for a catastrophic deluge to add the romance of shelter and security to the comfort of a snug retreat; I would turn to and fro between the prayer-desk and the stamped velvet armchairs, each one always draped in its crocheted antimacassar, while the fire, baking like a pie the appetising smells with which the air of the room, was thickly clotted, which the dewy and sunny freshness of the morning had already 'raised' and started to 'set,' puffed them and glazed them and fluted them and swelled them into an invisible though not impalpable country cake, an immense puff-pastry, in which, barely waiting to savour the crustier, more delicate, more respectable, but also drier smells of the cupboard, the chest-of-drawers, and the patterned wall-paper I always returned with an unconfessed gluttony to bury myself in the nondescript, resinous, dull, indigestible, and fruity smell of the flowered quilt.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Near as anyone can tell, the cuckoos don’t serve an otherwise unfilled purpose in any ecosystem. They just kill, and destroy, and break things for the pleasure of seeing the shards come raining down. Oh, and they do algebra. For fun. Their universal fascination with higher mathematics may be the least human thing about them.
”
”
Seanan McGuire (Midnight Blue-Light Special (InCryptid, #2))
“
It was a beautiful sunny day in March, made more special after three continuous days of rain. The bright day was one of the reasons that Marvin’s spirits were high, and the other reason was his four-year-old niece, Rose. Of the five older members of the Kauffman family, Marvin was the one with whom Rose spent most of the day. The little girl was the closest person to Marvin, who always loved to spend time with the little girl. Rose would always bring a smile to his face and Marvin thought her the most precious blessing. He thought about Rose and a smile played on his lips again. “Look who is smiling to himself. You finally found your better half, bruder?” a familiar voice broke Marvin from his thoughts. He turned back, startled by the sudden remark. “Eric, you’re here!” Marvin exclaimed as he rushed toward his childhood best friend and gave him a boyish hug. Eric seemed equally excited. It was the first time the boys were meeting since Eric’s wedding. Marvin had missed his best friend after he went on his honeymoon, but even now that he
”
”
Saraah Sowell (13 Amish Maidens Pursuing Love Boxed Set)
“
Fieldking rotavator is better as it saves fuel, Time, soil compaction & wear and tear of the tractor as it accomplishes better pulverization in no time. And with Robust Multi Speed now no need for multiple operations of the cultivator, disc harrow, and leveler. Fielding Rotary Tillers is economical series and it can be coupled with 30 to 60 HP tractors quite easily. It is mainly intended with a rigid structure, multi-speed Gearbox, Visual Oil Level Indicator,
Features of Fielding Rotavator
Innovation – neatly designed keeping in mind minimum diesel consumption & breakages
Better Production – It helps in holding wet of the soil and will increase soil porousness and aeration which boosts germination and growth of crops.
Hard truth – Rigid structure, Multi-speed shell, Mechanical oil seal, Advanced designed Front support and serious duty back guard (Trialing board) makes it appropriate and effectively on object yet as in wet and paddy condition.
Technically advanced – It specially installs with Spiral shapes of the rotor assembly to cut back the load on tractors, scale back fuel consumption and avoids tire slippage.
Smartly Placed – Visual oil level indicator, scale back the possibilities to breakage of gears thanks to inaccessibility of minimum oil level within gear transmission.
King of Crop – It makes the simplest bed to victimization at before and once rain. it’s in the main appropriate for every type of crops like cotton, castor, vegetable, sugarcane, banana, wheat, maize, and paddy.
Easy to use – It will simply take away residues components of the previous crop, cut into items and completely combine it them into the soil in kind of organic manure to extend productivity.
Long life – Powder coated glorious resistance to corrosion, maintains the machine in just-bought condition for a extended amount.
”
”
Julia Smith
“
It did rain again, of course, but never the same strange rain as that night. I slept scant hours each night, and then only from utter exhaustion. I fought sleep, because it was my enemy. I knew I would never forgive myself if the moment I nodded off turned out to be the precise moment the special rain began falling.
”
”
Bobby Underwood (The Memory of Rain)
“
prettiness and their cut showed off her neat figure. It was a pity that Paul wasn’t there to see the chrysalis changing into a butterfly. She had to make do with Queenie. She had to admit that by teatime, even though she had filled the rest of the day by taking the dogs for a long walk, she was missing him, which was, of course, exactly what he had intended. Mrs Parfitt, when Emma asked her the next day, had no idea when he would be back. ‘Sir Paul goes off for days at a time,’ she explained to Emma. ‘He goes to other hospitals, and abroad too. Does a lot of work in London, so I’ve been told. Got friends there too. I dare say he’ll be back in a day or two. Why not put on one of your new skirts and that jacket and go down to the shop for me and fetch up a few groceries?’ So Emma went shopping, exchanging good mornings rather shyly with the various people she met. They were friendly, wanting to know if she liked the village and did she get on with the dogs? She guessed that there were other questions hovering on their tongues but they were too considerate to ask them. Going back with her shopping, she reflected that, since she had promised to marry Paul, it might be a good thing to do so as soon as possible. He had told her to decide on a date. As soon after the banns had been read as could be arranged—which thought reminded her that she would certainly need something special to wear on her wedding-day. Very soon, she promised herself, she would get the morning bus to Exeter and go to the boutique Paul had taken her to. She had plenty of money still—her own money too…Well, almost her own, she admitted, once the house was sold and she had paid him back what she owed him. The time passed pleasantly, her head filled with the delightful problem of what she would wear next, and even the steady rain which began to fall as she walked on the moor with the dogs did nothing to dampen her
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Betty Neels (The Right Kind of Girl)
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Claire's memory flashed to their wedding day, to her vibrant happiness. To Kirk's loving hand around her, steadying her as they stood in front of the church full of people. To her, that day had beenperfect, despite the rain, the mix-up about flowers, her father's rambling speech. She and Kirk had been in love. They truly had.
And now he'd fallen in love with someone else. Their marriage had ended after just twelve years. The ramifications crashed through her mind. She was going to be on her own, raising three children. Would she have to go back to work? Put the girls in after-school care? Then in seven months…
Oh, God. What was she going to do?
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C.J. Carmichael
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may be down a pair of rain boots, she thought, but I’m definitely up in friends. Dunwiddle Magic School was fifth through eighth grades. The students were divided into the five magic categories: Flares, Flyers, Flickers, Fluxers, and Fuzzies. Then there was group of unusual kids like Nory: the fifth-grade Upside-Down Magic kids. Those kids studied with Ms. Starr, the Upside-Down Magic teacher. Ms. Starr taught literature, social studies, gym, math, and science—and she also had special training to help kids with upside-down magic. She wanted them to get in touch with their unusual talents. They did headstands in class. They hula-hooped. They did interpretive dance (though none of them liked it). They did trust exercises. They tried to feel their emotions and channel their magical talents productively. Today, after math, Nory slid her protractor into her desk. Her friend Andres Padillo was floating on the ceiling, attached to a long leash connected to his belt, as usual. Andres was an Upside-Down Flyer. He’d flown up, up, up on the day his magic came in, and he had never flown down. That’s why he had to be on a leash. He couldn’t stop flying. Nory had an idea she’d been wanting to try. “Pull Andres down,” she told Elliott. “Hey, Andres! Let’s do a gravity experiment. I’m going to sit on you, okay?” Marigold Ramos came over. “We’re going to sit on Andres?” “I’m not sure about this,” muttered Andres as Elliott reeled him down. “You’ll be fine!” Nory said. “It’s for science!” To Marigold, she added in a whisper, “Don’t shrink him.” Marigold wasn’t an upside-down talent. Or at least, no one had ever been able to put a label on her magic. She shrank things, but she couldn’t make them big again afterward. Andres was now floating level with the desks. He grabbed on to the back of a chair with one hand and on to Elliott’s shirt with the other. Elliott struggled with the leash, trying to keep him low. Andres’s feet kept floating up. Nory hopped onto a chair. She pulled Marigold up with her. “I’ll sit on his shoulders. Marigold, you sit on his back. And, Andres, we’re going to try to weigh you down. But maybe you’ll fly us up, instead. Either way will be excellent, okay?” “You might hit your heads on the ceiling,” warned Andres. “Students!” Ms. Starr said, walking over. “What in the world is going on?” “An experiment, Ms. Starr,” said Andres. Nory and Marigold were sitting on him, but he hadn’t lowered down to the floor. He was just about two feet off the ground, with Elliott still holding the leash tightly. “Girls, there will be no riding of Andres.
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Sarah Mlynowski (Showing Off (Upside-Down Magic #3))
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Sorry to be the one to tell you this, but mortal and Legacy cocks are exactly the same. The blood of a god does not make your dick more special.
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Melissa K. Roehrich (Rain of Shadows and Endings (Legacy, #1))
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I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. By keeping my eyes open for unexpected joys, I find the world gives back more than we sometimes think.
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Dolly Parton
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In Plum Village, the mindfulness practice center in France where I live, there used to be a veranda called the Listening to the Rain Veranda. We made it specially for that purpose—so we could sit there and listen to the rain and not need to think about anything. Listening to the rain can help the mind come to stillness. Bringing the mind to stillness is easy. You need only to pay attention to one thing. As long as your mind is listening to the rain it is not thinking about anything else. You don’t need to try to still your mind. You need only to relax and continue listening to the rain. The longer you are able to do so, the more still your mind becomes. Sitting in stillness like this allows us to see things as they truly are. When the body is relaxed
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Thich Nhat Hanh (The Art of Living: A Guide to Mindfulness, Personal Growth, and Peace with Transformative Meditations for Understanding Life's Deepest Questions and Experiencing Happiness and Freedom)
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Sign me the fuck up for having Raine put his hat on my head while looking at me with a special kind of depraved wickedness.
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Elliott Rose (Saving the Rain (Crimson Ridge #4))
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How do I reserve a hotel with rain shower by calling Expedia?
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Now I saw how upset Ruth was; how for once she was at a complete loss for words, and had turned away on the verge of tears. And suddenly, my behavior seemed to me utterly baffling. All this effort, all this planning, just to upset my dearest friend. So what if she'd fibbed a little about her pencil case? Didn't we all dream from time to time about one guardian or another bending the rules and doing something special for us? A spontaneous hug, a special letter, a gift? All Ruth had done was to take one of these harmless daydreams a step further; she hadn't even mentioned Miss Geraldine by name. I now felt awful, and I was confused. But as we stood there together staring at the fog and rain, I could think of no way now to repair the damage I'd done.
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Kazuo Ishiguro (Never Let Me Go)
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Looking for the Best Night Vision Security Camera《
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Johnwills45
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When rain finds you in the mountains, celebrate. Nature has favoured you in special ways.
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Gift Gugu Mona (Coming to Grips with the Mountains and Valleys of This World)
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Yeah… that was about something far more petty than a kiss.”
“Never had you down as the possessive type.” There’s nothing hurt or sad in her tone. “It’s always the ones you least suspect.”
“You get that way when you know how fucking special someone is. How they have no goddamn idea how much brighter they make everything. You’re like sunlight, Rory. I want to bask in everything you have. And I absolutely don’t want to share that with Clay. Not even for a minute.”
“I’m not those things.”
I hate that she doesn’t see it. “You are.”
“I don’t want to be sunlight, Russ. If you stand in the sun for too long, you get burned. I don’t want to be another person who burns you. Let me be moonlight.”
The look of vulnerability on her face steals my breath away.
“What if we get caught in the rain? You don’t get rainbows at night.”
“You don’t need rainbows when you have the northern lights,” she says softly. “And last time we got caught in the rain we did just fine. Incredible, in fact.
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Hannah Grace (Wildfire (Maple Hills, #2))
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ragu
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But I don’t like socks in general. I don’t like the feeling of them on my feet. It’s just…gross.
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Melissa K. Roehrich (Rain of Shadows and Endings (The Legacy))