Rain Gauge Quotes

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Can you imagine the hopelessness of trying to live a spiritual life when you’re secretly looking up at the skies not for illumination or direction, but to gauge, miserably, the odds of rain?
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
It's only thunder." "It just startled me," she said, her eyes on his. "I'm not afraid of storms.' "Let's see." Still, he moved slowly, taking his time as much to prolong this new moment as to gauge her reaction. He laid his hands on her hips as the rain beat and splashed, sliding them up her body, smooth and easy as he lowered his head, paused-one long breath-then fit his mouth to hers.
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
Far worse, though, was the low, powerful moaning at dusk. The wind off the sea and the odd interior stillness dulled our ability to gauge direction, so that the sound seemed to infiltrate the black water that soaked the cypress trees. This water was so dark we could see our faces in it, and it never stirred, set like glass, reflecting the beards of gray moss that smothered the cypress trees. If you looked out through these areas, toward the ocean, all you saw was the black water, the gray of the cypress trunks, and the constant, motionless rain of moss flowing down. All you heard was the low moaning. The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you Desolation tries to colonize you.
Jeff VanderMeer (Annihilation (Southern Reach, #1))
Still, he moved slowly, taking his time as much to prolong this moment as to gauge her reaction. He laid his hands on her hips as the rain beat and splashed, sliding them up her body, smooth and sexy as he lowered his head, paused - one long breath - then fit his mouth to hers. This, he thought as the took her face in his hands. Just this, so worth the wait. Soft, sweet, a yielding tremor, and her arms came up to wrap around his waist, to draw him into her.
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
Far worse, though, was a low, powerful moaning at dusk. The wind off the sea and the odd interior stillness dulled our ability to gauge direction, so that the sound seemed to infiltrate the black water that soaked the cypress trees. This water was so dark we could see our faces in it, and it never stirred, set like glass, reflecting the beards of gray moss that smothered the cypress trees. If you looked out through these areas, toward the ocean, all you saw was the black water, the gray of the cypress trunks, and the constant, motionless rain of moss flowing down. All you heard was the low moaning. The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you. As
Jeff VanderMeer (Annihilation (Southern Reach, #1))
The old women in black at early Mass in winter are a problem for him. He could tell by their eyes they have seen Christ. They make the kernel of his being and the clarity around it seem meager, as though he needs girders to hold up his unusable soul. But he chooses against the Lord. He will not abandon his life. Not his childhood, not the ninety-two bridges across the two rivers of his youth. Nor the mills along the banks where he became a young man as he worked. The mills are eaten away, and eaten again by the sun and its rusting. He needs them even though they are gone, to measure against. The silver is worn down to the brass underneath and is the better for it. He will gauge by the smell of concrete sidewalks after night rain. He is like an old ferry dragged on to the shore, a home in its smashed grandeur, with the giant beams and joists. Like a wooden ocean out of control. A beached heart. A cauldron of cooling melt.
Jack Gilbert (Refusing Heaven: Poems)
Depending on where it falls, the prognosis for a water molecule varies widely. If it lands in fertile soil it will be soaked up by plants or reevaporated directly within hours or days. If it finds its way down to the groundwater, however, it may not see sunlight again for many years—thousands if it gets really deep. When you look at a lake, you are looking at a collection of molecules that have been there on average for about a decade. In the ocean the residence time is thought to be more like a hundred years. Altogether about 60 percent of water molecules in a rainfall are returned to the atmosphere within a day or two. Once evaporated, they spend no more than a week or so—Drury says twelve days—in the sky before falling again as rain. Evaporation is a swift process, as you can easily gauge by the fate of a puddle on a summer’s day. Even something as large as the Mediterranean would dry out in a thousand years if it were not continually replenished. Such an event occurred a little under six million years ago and provoked what is known to science as the Messinian Salinity Crisis. What happened was that continental movement closed the Strait of Gibraltar. As the Mediterranean dried, its evaporated contents fell as freshwater rain into other seas, mildly diluting their saltiness—indeed, making them just dilute enough to freeze over larger areas than normal. The enlarged area of ice bounced back more of the Sun’s heat and pushed Earth into an ice age. So at least the theory goes. What is certainly true, as far as we can tell, is that a little change in the Earth’s dynamics can have repercussions beyond our imagining. Such an event, as we shall see a little further on, may even have created us.
Bill Bryson (A Short History of Nearly Everything)
Remembering what the Princess had told me about histories, I had to grin as I replaced the dusty book for what would probably be another hundred years. So now where? Of course I knew where. I turned toward the corner, staring at the tapestries to the little alcove where the memoirs for the heirs were stored. Bunching my skirts in either hand so they wouldn’t rustle, I moved stealthily to the tapestry and stood listening. No voices, certainly, and no sounds beyond the drumming of the rain against the near windows. So I lifted the tapestry--and looked across the room into a pair of familiar gray eyes. Dressed splendidly in black and gold, as if for Court, Shevraeth knelt at the desk, writing. For the third time that day, my face went hot. Resolutely reminding myself of my promise not to initiate any quarrels, I said, “Harantha Chamadis. Thirav Astiar. The Treaty of Seven Rivers. Is there a record?” Shevraeth didn’t say a word. He lifted his pen, pointed at a particular shelf, then bent his head and went right back to his task. For a moment I watched his pen traversing swiftly over the paper in close lines. Then my gaze traveled to the smooth yellow hair, neatly tied back, and from there to the lines of his profile. For the very first time I saw him simply as a person and not as an adversary, but I did not give myself the space to gauge my reactions. The curl of danger, of being caught at my observations and once again humiliated, caused me to drag my gaze away, and I trod to the shelf to which I’d been directed. A few swift glances through the books, and I found the memoirs of the queen of that time. A quick glance through showed the names I wanted repeated on a number of pages. Gripping the book in one hand and brushing back a strand of my wet hair with the other, I said, “Do you need my reason--” He cut in, lightly enough: “Just put it back when you’re done.” He kept his gaze on his writing, and his pen scarcely paused. Scrawl, dip, scrawl, dip. Two or three more words--then the pen stopped, and he glanced up again. “Was there something else?” he asked. Still polite, but very remote. I realized I’d been staring for a protracted time, my reactions frozen as if behind a layer of ice. I said in a rush, “The party, for Bran and Nee. Do you--should I send you--” He smiled just a little. “It would cause a deal of talk if you were to avoid inviting any of my family.” “Oh.” I gulped. “Yes. Indeed.” He dipped his pen, bent his head, and went back to his task. I slipped out the door and fled.
Sherwood Smith (Court Duel (Crown & Court, #2))
Old stories, those,” Thom Merrilin said, and abruptly he was juggling three colored balls with each hand. “Stories from the Age before the Age of Legends, some say. Perhaps even older. But I have all stories, mind you now, of the Ages that were and will be. Ages when men ruled the heavens and the stars, and Ages when man roamed as brother to the animals. Ages of wonder, and Ages of horror. Ages ended by fire raining from the skies, and Ages doomed by snow and ice covering land and sea. I have all stories, and I will tell all stories. Tales of Mosk the Giant, with his Lance of Fire that could reach around the world, and his wars with Elsbet, the Queen of All. Tales of Materese the Healer, Mother of the Wondrous Ind.” The balls now danced between Thom’s hands in two intertwining circles. His voice was almost a chant, and he turned slowly as he spoke, as if surveying the onlookers to gauge his effect. “I will tell you of the end of the Age of Legends, of the Dragon, and his attempt to free the Dark One into the world of men. I will tell you of the Time of Madness, when Aes Sedai shattered the world; of the Trolloc Wars, when men battled Trollocs for rule of the earth; of the War of a Hundred Years, when men battled men and the nations of our day were wrought. I will tell the adventures of men and women, rich and poor, great and small, proud and humble.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Vaughn, I am so not in the mood for your trust fund baby temper tantrums right now.” “Billie, turn around.” She stands still, silent. All I can hear is the rain falling heavily on the metal stairs. “Now.” I use my boardroom voice. She turns quickly then, one hand raised, “You know, go fuck yours…” I capture her wrist in my hand, push her up against the cold metal door, and press my lips onto hers, interrupting her fighting words in one hard, punishing kiss. She doesn’t respond or fight it, so I stop. I’m pinning one wrist above her head, when I pull my face back to gauge her reaction.
Elsie Silver (Off to the Races (Gold Rush Ranch, #1))
Chiefs Kingdom Forever” (Verse 1) We’re Kansas City Chiefs fans born and raised, True and blue, we stand amazed, Mahomes and Kelce, leading the way, With their trick plays, they light up the day. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Verse 2) From Arrowhead to the big stage, Our team’s the best, we set the gauge, With every pass and every run, We’re in it till the game is won. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Bridge) Through the highs and the lows, In the rain, in the snow, We’re Chief fans till the end, With our team, we’ll always stand. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Outro) So raise your voices, let it be known, In Chiefs Kingdom, we’ve found our home, Mahomes and Kelce, leading the way, We’re Chiefs fans, come what may.
James Hilton-Cowboy
Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?
Pattiann Rogers (Quickening Fields (Penguin Poets))
using the chrome and glass around me to gauge whether there was anyone to my rear trying to keep up.
Barry Eisler (A Lonely Resurrection (John Rain #2))
She spun around and I heard her inhale sharply. “What the hell?” she exclaimed in her Portuguese-accented English. I raised my hands, palms forward. “I just want to talk to you.” I used English because it was the language of the persona she’d initially met me in—the one she had initially trusted. She looked over her shoulder for a moment, perhaps gauging the distance to her door, then turned back to me, apparently reassured. “I don’t want to talk to you.” She emphasized the first and last words of the sentence, her accent thickening somewhat in her agitation.
Barry Eisler (A Lonely Resurrection (John Rain #2))
She winced. “I’m glad you came.” I didn’t know what to make of the inconsistency between her reaction and her words. “You must have a lot of questions,” I said. She shook her head. “I just want to make sure you enjoy yourself tonight.” “I think I know why you’re acting this way,” I started to say. She cut me off with a suddenly raised hand. “How about that lap dance?” she asked. Her tone was inviting, but her eyes were somewhere between serious and angry. I looked at her, trying to gauge what she was up to, then said, “Sure.
Barry Eisler (A Lonely Resurrection (John Rain #2))
For example, we can gauge the outside temperature combining the user’s current location with online weather information, and then use this data to offer phone numbers for nearby cab companies in addition to a walking route, assuming the user may not wish to walk to work in the rain.
Anonymous
Ask Tabby to hack into air traffic control and see which flight has those coordinates.” I point at the screen. “Find out where it’s going. And see if she can fiddle with the onboard flight management system to get it to slow down a little, or at least tamper with the fuel gauge readout or something else so the pilot has to make an unscheduled landing.” His brows lift. “Would you like her to make it rain, too, brother?” After a moment, I ask, “Can she do that?
J.T. Geissinger (Wicked Intentions (Wicked Games, #3))