Racks Quotes

We've searched our database for all the quotes and captions related to Racks. Here they are! All 100 of them:

I like living. I have sometimes been wildly, despairingly, acutely miserable, racked with sorrow; but through it all I still know quite certainly that just to be alive is a grand thing.
Agatha Christie
We are not all born at once, but by bits. The body first, and the spirit later... Our mothers are racked with the pains of our physical birth; we ourselves suffer the longer pains of our spiritual growth.
Mary Hunter Austin
When another blames you or hates you, or people voice similar criticisms, go to their souls, penetrate inside and see what sort of people they are. You will realize that there is no need to be racked with anxiety that they should hold any particular opinion about you.
Marcus Aurelius (Meditations)
Our revels now are ended. These our actors, As I foretold you, were all spirits and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp’d towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.
William Shakespeare (The Tempest)
Lunch." I said. "Immediately. I'm going to wither away to absolutely nothing. Then you'll be racked with guilt." "I doubt it.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I heard the man and woman cry a warning as I frantically racked my brain for some sort of throat-repairing spell, which I was clearly about to need. Of course the only words that I actually managed to yell at the werewolf as he ran at me were, 'BAD DOG!' Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me.... "You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I exist.’ In thousands of agonies — I exist. I’m tormented on the rack — but I exist! Though I sit alone in a pillar — I exist! I see the sun, and if I don’t see the sun, I know it’s there. And there’s a whole life in that, in knowing that the sun is there.
Fyodor Dostoevsky (The Brothers Karamazov)
the [coat] rack above his head like a javelin. On the other side of the door was Jace. He blinked. "Is that a coatrack?" Jordan slammed the coatrack down on the ground and sighed. "If you'd been a vampire, this would have been a lot more useful." "Yes," said Jace. "Or, you know, just someone with a lot of coats.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I think I could stand anything, any suffering, only to be able to say and to repeat to myself every moment, 'I exist.' In thousands of agonies -- I exist. I'm tormented on the rack -- but I exist! Though I sit alone in a pillar -- I exist! I see the sun, and if I don't see the sun, I know it's there. And there's a whole life in that, in knowing that the sun is there.
Fyodor Dostoevsky (The Brothers Karamazov)
Be near me when my light is low, When the blood creeps, and the nerves prick And tingle; and the heart is sick, And all the wheels of Being slow. Be near me when the sensuous frame Is rack'd with pangs that conquer trust; And Time, a maniac scattering dust, And Life, a fury slinging flame. Be near me when my faith is dry, And men the flies of latter spring, That lay their eggs, and sting and sing And weave their petty cells and die. Be near me when I fade away, To point the term of human strife, And on the low dark verge of life The twilight of eternal day.
Alfred Tennyson (In Memoriam)
You have the skills,” Chaol said, “but some of your moves are still undisciplined.” “That’s never stopped me from killing before,” she spat. Chaol chuckled at her agitation and pointed his sword at the rack, allowing her to get to her feet. “Pick another—something different. Make it interesting, too. Something that will make me sweat, please.” “You’ll be sweating when I skin you alive and squish your eyeballs beneath my feet,” she muttered, picking up the rapier. “That’s the spirit.” She practically threw the rapier into place, and drew the hunting knives without hesitation. My dear old friends. A wicked smile spread across her face.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
You’ve got a lot of responsibility now,” Jace said to Julian. “You’ll have to make sure Emma winds up with a guy who deserves her.” Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if he’d been slapped. “What about me?” Emma said, quickly. “Don’t I have to make sure Jules winds up with someone who deserves him?” “Absolutely. I did it for Alec, Alec did it for me — well, actually, he hated Clary at first, but he came around.” “I BET you didn’t like Magnus much, either,” said Julian, still with the same odd, stiff look on his face. “Maybe not,” said Jace, “but I never would have said so.” “Because it would have hurt Alec’s feelings?” Emma asked. “No,” said Jace, “because Magnus would have turned me into a hat rack.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Secrecy is the keystone to all tyranny. Not force, but secrecy and censorship. When any government or church for that matter, undertakes to say to its subjects, "This you may not read, this you must not know," the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man who has been hoodwinked in this fashion; contrariwise, no amount of force can control a free man, whose mind is free. No, not the rack nor the atomic bomb, not anything. You can't conquer a free man; the most you can do is kill him.
Robert A. Heinlein
For it falls out That what we have we prize not to the worth Whiles we enjoy it, but being lacked and lost, Why, then we rack the value, then we find The virtue that possession would not show us While it was ours.
William Shakespeare (Much Ado About Nothing)
I racked my brain trying to remember the names of all of Nut’s five children. Bit difficult without my brother, the human Wikipedia, around to keep track of such trivia for me.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Someone out there is looking for exactly what you've got…and will never try and undercut your value or question your worth. Some things in life just can’t be bartered over or placed on the sale rack – and your self-worth is at the top of the list.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
He grabbed for the coatrack that stood by the door, ripped the coats off it, and flung the door wide, the rack held above his head like a javelin. On the other side of the door was Jace. He blinked. "Is that a coatrack?
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
The second I encounter his erection, my jaw drops. “Oh my God, are you kidding me?” He looks startled. “What’s wrong?” “Are you taking human growth hormones or something? I snatch my hand back, fighting another rush of nervousness. “There’s no way that huge man monster is fitting inside me!” Garrett’s head abruptly drops in the crook of his arm as a shudder racks his body. At first I think he’s pissed off. Or maybe even crying. It takes several seconds before I realize what’s happening. He’s laughing. Scratch that – he’s in hysterics.
Elle Kennedy (The Deal (Off-Campus, #1))
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Bloodied and beat up like no tomorrow, Roth grinned at me as he dropped one of the Rack demons. “You’re still hot as a stone freak.” His gaze dropped. “Maybe even hotter. Damn.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Rack your brains, that should only take a couple of seconds.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
My mouth has gone dry as sawdust. I desperately find Cinna in the crowd and lock eyes with him. I imagine the words coming from his lips. 'What's impressed you most since you arrived here?' I rack my brain for something that made me happy here. Be honest, I think. Be honest.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The numbness of his loss had passed, and the pain would hit me out of nowhere, doubling me over, racking my body with sobs. Where are you? I would cry out in my mind. Where have you gone? Of course, there was never any answer.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The door buzzer sounded again. The two boys exchanged a single look before both bolting down the narrow hallway to the door. Jordan got there first. He grabbed for the coatrack that stood by the door, ripped the coats off it, and flung the door wide, the rack held aboe his head like a javelin. On the other side of the door was Jace. He blinked. "Is that a coatrack?" Jordan slammed the coatrack down on the ground and sighed. "If you'd been a vampire, this would have been a lot more useful." "Yes," said Jace. "Or, you know, just someone with a lot of coats.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I like watching people stretch in the park. It's my new favorite pastime since I bought a portable rack.
Jarod Kintz (This Book is Not for Sale)
Pretty much I would let Gemma know that she is a fat cunt and, um the shoes that she gave me were not something that I would particularly buy for myself. They were old maiden type of shoes, and she said that those shoes were meant to be worn on a beautiful woman So if that is the case she should have put them back on the rack and she should never even purchased them because she was UNQUALIFIED to own those shoes if that's the case and, um I think that Gemma is just a disgrace. She's a disgrace to women who are actually beautiful and classy and, um she just doesn't have the vernacular she thinks she possesses Somebody lied to her several times and told her that she was fly, hot and sexy and beautiful and she's nothing like that She's nothing of the sort
Tiffany Pollard
You aren't going to go crazy," I said firmly. "You're stronger than you think. The next time you feel that way, find something to focus on, to remind you of who are." "Like what? Got some magic object in mind?" "Doesn't have to be magic," I said. I racked my brain. "Here." I unfastened the golden cross necklace. "This has always been good for me. Maybe it'll help you." I set it in his hand, but he caught hold of mine before I could pull back
Richelle Mead
The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
Charles Dickens (Oliver Twist)
You’re optimistic one moment, only to be racked the next by the certainty that it will all fall to pieces. And in the end it does.
Haruki Murakami (Sputnik Sweetheart)
A sob racks my body again, and he wraps his arms around me so tightly I find it difficult to breathe, but it doesn't matter. My dignified weeping gives way to full-on ugliness, my mouth open and my face contorted and sounds like a dying animal coming from my throat. If this continues I will break apart, and maybe that would be better, maybe it would be better to shatter and bear nothing.
Veronica Roth (Insurgent (Divergent, #2))
I can't remember feeling this way... since well, ever. It's new. It's scary. It's exciting. It's nerve-racking. It's calming. It's every single emotion I've ever felt balled up into an intense urge to grab hold of her and never let go.
Colleen Hoover (This Girl (Slammed, #3))
O CAPTAIN! my Captain! our fearful trip is done, The ship has weather'd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up - for you the flag is flung - for you the bugle trills, For you bouquets and ribbon'd wreaths - for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor'd safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Leaves of Grass)
In the old days men had the rack. Now they have the Press.
Oscar Wilde (An Ideal Husband)
Only amateurs say that they write for their own amusement. Writing is not an amusing occupation. It is a combination of ditch-digging, mountain-climbing, treadmill and childbirth. Writing may be interesting, absorbing, exhilarating, racking, relieving. But amusing? Never!
Edna Ferber
You are pathetic, Rache," Jenks said, and my eyes darted to the top of the rack and I saw him standing there, hands on his hips and frowning at me, his wings a silver blur. "Rachel and Trent, sitting in a tree, K-I-S-S-I-N-G. No wait, it was a hospital room, and he had his hands on your ass and you had your tongue down his throat. I can see why you might be confused.
Kim Harrison (A Perfect Blood (The Hollows, #10))
No, see the slide’s too high. He could fall and get a concussion. (Wulf) Forget that. He could rack himself on the teeter-totter. (Chris) Teeter-totter nothing. The swings are a choking hazard. Whose idea was it for him to have this? (Urian)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
I promised I'd save him, take him home! I promised him!" . . . Thomas hugged Chuck to his chest, squeezed him as tightly as possible, as if that could somehow bring him back, or show thanks for saving his life, for being his friend when no one else would. Thomas cried, wept like he'd never wept before. His great, racking sobs echoed through the chamber like the sounds of tortured pain. (pg 358 hardback)
James Dashner (The Maze Runner (The Maze Runner, #1))
We were just talking about you," Jessamine said as Tessa found a seat. She pushed a sliver toast rack across the table towards Tessa. "Toast?" Tessa, picking up her fork, looked around the table anxiously. "What about me?" "What to do with you, of course Downworlders can't live in the Institute forever," said Will. "I say we sell her to the Gypsies on Hampstead Heath," He added, turning to Charlotte. "I hear they purchase spare women as well as horses." "Will, stop it." Charlotte glanced up from her breakfast. "That's ridiculous." Will leaned back in his chair. "You're right. They'd never buy her. Too scrawny.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
And I seem to have such strength in me now, that I think I could stand anything, any suffering, only to be able to say and to repeat to myself every moment, " I exist". In thousands of agonies - I exist. I'm tormented on the rack - but I exist! Though I sit alone on a pillar - I exist!! I see the sun, and if I don't see the sun, I know it's there. And there's a whole life in that, in knowing that the sun is there.
Fyodor Dostoevsky (The Brothers Karamazov)
I am a seeker of knowledge!’ Odin announced. ‘This has always been true. I hung from the World Tree for nine days and nights, racked with pain, in order to discover the secret of runes. I stood in line in a blizzard for six days to discover the sorcery of the smartphone.’ ‘What?’ I muttered. Blitzen coughed. ‘Just roll with it.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
To let the brain work without sufficient material is like racing an engine. It racks itself to pieces.
Arthur Conan Doyle (Die Teufelskralle (Sherlock Holmes Chronicles 24))
Honestly kiddo? You’re beautiful. You use your weight as an excuse but you’re just all woman. Not every woman has to look like a stripper. Or a model. Or Megan Fox. You’re petite, have a tiny waist, a fantastic rack, a devastating ass…what the hell more do you want? You should know it. Everyone else knows it…that’s why you’re getting all these asinine comments. Can’t you just see that it’s just jealously that’s ripping these people apart?
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
surprised his head doesn’t spin and his eyeballs don’t bug out. “Um.” His gaze bounces around the bathroom like a rubber ball. He looks at the towel rack, where his cargo pants are hanging. He looks at the bathtub, where I’m lounging like Cleo-fucking-patra. He looks at the bubbles surrounding my body like a fluffy white cloud. And then he looks at Winston. “Dude,” I blurt out. “It’s not what it looks like.” “Nope, nope, nope, I don’t want to know!
Elle Kennedy (The Score (Off-Campus, #3))
Some people find fall depressing, others hate spring. I've always been a spring person myself. All that growth, you can feel Nature groaning, the old bitch; she doesn't want to do it, not again, no, anything but that, but she has to. It's a fucking torture rack, all that budding and pushing, the sap up the tree trunks, the weeds and the insects getting set to fight it out once again, the seeds trying to remember how the hell the DNA is supposed to go, all that competition for a little bit of nitrogen; Christ, it's cruel.
John Updike (The Witches of Eastwick)
The summer stretched out the daylight as if on a rack. Each moment was drawn out until its anatomy collapsed. Time broke down. The day progressed in an endless sequence of dead moments.
China Miéville (Perdido Street Station (New Crobuzon, #1))
I met Anne in the autumn... Autumn, that wild season when rural men rack orchard trees with sticks and weep with the desire to kiss faraway Demeter’s supple breasts—to set lips to her travel-swollen eyes. They seek goddesses, but I desired only Anne.
Roman Payne (Rooftop Soliloquy)
Simon?” “Yeah?” “Can you tell me a story?” He blinked. “What kind of story?” “Something where the good guys win and the bad guys lose. A nd stay dead.” “So, like a fairy tale?” he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra. He’d had a crush on her when he was eight. Not that this seemed like the time to mention it. “No.” The word was an exhaled breath. “We study fairy tales in school. A lot of that magic is real—but, anyway. No, I want something I haven’t heard yet.” “Okay. I’ve got a good one.” Simon stroked Isabelle’s hair, feeling her lashes flutter against his neck as she closed her eyes. “A long time ago, in a galaxy far, far away…
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Look. This has been… fun.” Lie. This had been nerve-racking and I needed to go masturbate. “But I have to go. I’ve got stuff to do before I head out again.” Masturbate. “Wizard stuff. Like… secret wizard stuff.” Masturbate.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
People, the people we really love, where did they come from? What did we do to deserve them?
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
And who among us is not neurotic, and has never complained that they are not understood? Why did you come here, to this place, if not in the hope of being understood, of being in some small way comprehended by your peers, and embraced by them in a fellowship of shared secrets? I don't know about you, but I just want to be held.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
A tall, thin boy with choppy black hair stood next to her. He eyed Isobel as she approached, sizing her up, grinning like he found something funny. She glared at him in return, ready for him to say just one thing about her cheer uniform, because she knew he must have pulled the black jeans he wore straight from the girls' rack at Target.
Kelly Creagh (Nevermore (Nevermore, #1))
I cry intermittently, like a summer rain. I don't feel racked by the crying; in fact, it hydrates me. Then rage wells up in me, and I want to take a crowbar to all the cars in the neighborhood.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
I am easily moved to tears and rarely survive a visit to the cinema without shedding them, racked, as I am, by the most perfunctory, meretricious or even callously sentimental attempts at poignancy (something about the exterior of the human face, so vast and palpable, with the eyes and the lips: it is all writ too large for me, too immediate for me.)
Martin Amis (Experience: A Memoir)
No one starts as a self-hater. But rack up all of your mistakes and take a large enough number of wrong turns in life and soon you stop trying to forgive yourself. Everywhere you look you find shame or failure staring back.
André Aciman (Harvard Square)
And death shall have no dominion. Under the windings of the sea They lying long shall not die windily; Twisting on racks when sinews give way, Strapped to a wheel, yet they shall not break; Faith in their hands shall snap in two, And the unicorn evils run them through; Split all ends up they shan't crack; And death shall have no dominion.
Dylan Thomas
I wish that I could leave myself alone. I wish that I could finally feel that I punished myself enough. That I deserved time off for all my bad behavior. Let myself off the hook, drag myself off the rack where I am both torturer and torturee.
Carrie Fisher (The Princess Diarist)
And then . . . we’re going to get in my car.” I waited for him to elaborate on a destination. “And?” He gently kissed the nape of my neck. “What do you think?” I couldn’t help a small gasp of delight. “Oh, wow.” “I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.” I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me. “It’s okay, Sage. We’ve all got our turn-ons.” “You kind of ruined the surprise, though.” “Nah. It’s part of the gift: you getting to think about it for the next three days.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
The most racking pangs succeeded: a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and I came to myself as if out of a great sickness. There was something strange in my sensations, something indescribably sweet. I felt younger, lighter, happier in body; within I was conscious of a heady recklessness, a current of disordered sensual images running like a millrace in my fancy, a solution of the bonds of obligation, an unknown but innocent freedom of the soul. I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to my original evil and the thought, in that moment, braced and delighted me like wine.
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
Little Words When you are gone, there is nor bloom nor leaf, Nor singing sea at night, nor silver birds; And I can only stare, and shape my grief In little words. I cannot conjure loveliness, to drown The bitter woe that racks my cords apart. The weary pen that sets my sorrow down Feeds at my heart. There is no mercy in the shifting year, No beauty wraps me tenderly about. I turn to little words- so you, my dear, Can spell them out.
Dorothy Parker (The Portable Dorothy Parker)
Warmth slid through my veins as my body tensed in a welcomed, delicious way. My eyes fluttered shut as his lips brushed mine once and then twice, as if he was getting reacquainted with the feel of them. The slight, barely there touch was nerve racking. Cam shifted his weight onto his left arm and with his other hand, he spread his fingers along my cheek. He placed a kiss to the corner of my lips and the other side before sliding his hand back around the nape of my neck. His lips moved along my jaw, trailing a fiery path to my ear. A shiver danced along my skin, eliciting a deep, husky chuckle from him. His lips pressed against the sensitive spot under my ear, and a moan crawled up my throat. “Goodnight, Avery.” And then he kissed me—kissed me like he’d had right before he’d left the night of our date. Kissed me like he was a man starving for oxygen and I was the only air he needed to breathe. The hand around my neck held me there, raised up on my elbows as his mouth devoured mine. And that was the only word I could use to accurately explained how he kissed me. Cam devoured me.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
You must be blind." "Why?" he asked, coming over to her. "Well, I feel like such an ass for saying this." She smoothed the front of her off-the-rack-and-then-some slacks. "But I wish I had better clothes. Then I'd be beautiful." Rehvenge paused. And then he shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. "Don't you get it Ehlena." With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces of her cheapo Keds sneaker, he whispered, "No matter what you wear... to me, you will always have diamonds on the soles of your shoes.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Maybe the first time that you know you really care about something is when you think about it not being there,and when you know-you really know-that the emptinessis as much as inside you as outside you.For it falls out,that what we have we prize not to the worth whiles we enjoy it;but being lacked and lost,why,then we rack the value,then we find the virtue that possesion would not show us while it was ours.That's when I knew for the first time that I really did love my sister.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
An expectation was there, mixed in with so many other emotions - excitement, resignation, hesitation, confusion, fear - that would well up then wither on the vine. You're optimistic one moment, only to be racked the next by the certainty that it will all fall to pieces. And in the end it does.
Haruki Murakami (Sputnik Sweetheart)
For the first time his mind grasped the fact that when life has sentenced you to suffer, the sentence is neither a fancy nor a threat, but you are dragged to the rack, and you are tortured, and there is no marvelous rescue at the last moment, no awakening as from a bad dream. He felt it as a foreboding which struck him with terror.
Jens Peter Jacobsen (Niels Lyhne)
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
H. Rider Haggard (She (She, #1))
Jamie: Maybe you could stop being a neat freak and ease off with barking orders at me. Dante: I resent the neat-freak statement. And I do not bark. Jamie: Sure you don't, Popeye. Dante: And it wouldn't kill you to use the shoe rack. I mean, it's right by the door. Jamie: Stop putting my CD's in chronological order, and I'll work on the shoe rock thing. Dante: How about alphabetical order? Jamie: How about you go to therapy?
Suzanne Wrightt (Wicked Cravings (The Phoenix Pack, #2))
Though our brother is upon the rack, as long as we ourselves are at ease, our senses will never inform us of what he suffers. They never did and never can carry us beyond our own persons, and it is by the imagination only that we form any conception of what are his sensations...His agonies, when they are thus brought home to ourselves, when we have this adopted and made them our own, begin at last to affect us, and we then tremble and shudder at the thought of what he feels.
Adam Smith (The Theory of Moral Sentiments)
In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again,
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
We are all one question and the best answer seems to be love--a connection between things.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
These days when you kiss a prince you often run the risk of turning him into a frog. But don't let the ogres in shining armor get you down. There is no need for distress - you don't want to be anyone's damsel anyway. Simply remind yourself that you are busy racking up those 'frequent failure points' that will eventually pay for an all expenses paid trip to Mr Right.
Anthon St. Maarten
Now, there is a tendency at a point like this to look over one’s shoulder at the cover artist and start going on at length about leather, tightboots and naked blades. Words like ‘full’, ‘round’ and even ‘pert’ creep into the narrative, until the writer has to go and have a cold shower and a lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn’t about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling’s Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword. All right, maybe the boots were leather. But not black.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
For breakfast I eat convenience store bread, for lunch I eat convenience store rice balls with something from the hot-food cabinet, and after work I’m often so tired I just buy something from the store and take it home for dinner. I drink about half the bottle of water while I’m at work, then put it in my ecobag and take it home with me to finish at night. When I think that my body is entirely made up of food from this store, I feel like I’m as much a part of the store as the magazine racks or the coffee machine.
Sayaka Murata (Convenience Store Woman)
The essential is never to arrive anywhere, never to be anywhere. The essential is to go on squirming forever at the edge of the line, as long as there are waters and banks and ravening in heaven a sporting God to plague his creature, per pro his chosen shits. I've swallowed three hooks and am still hungry. Hence the howls. What a joy to know where one is, and where one will stay, without being there. Nothing to do but strech out comfortably on the rack, in the blissful knowledge you are nobody for eternity.
Samuel Beckett
December is celebrated quite heartily here in the United States. Aggresively, one might say. Every conceivable space is corseted with strands of twinkle lights, buildings are smothered beneath greenery, and a mass mania for erecting oversized, inflatable, waving "snowmen" in front of homes erupts amid the populace. It's quite a hysteria- and the evergreen trees are not just a myth, Vasile. People really do purchase them, in abundance. They are for sale everywhere. Imagine paying for the privilege of dragging a filthy piece of forest into your living area for the purpose of bedecking it with glass balls and staring at it. Why a tree? If one needed to display glass balls-and I highly discorage it-why not just a case of some sort? A rack?
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.” His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
Emily Henry (Book Lovers)
There's something I have to say," I said seriously, looking her in the eye. She smiled. "Oookay." She was mocking me-mocking my tone-but I didn't care. "Okay. Here it is. I love you," I said. "And I never, ever wanted to hurt you. It's like, the number one thing I never want to do, but somehow, I keep doing it. And I'm sorry, I just...that's all I wanted to say all this time. All I was trying to do...with that thing with your dad, not telling you...was not to hurt you. And I'm sorry that I did. Alley stared at me. "And I'm sorry that I did it again. With the Chloe thing. Which was stupid. Like, really, really, stupid. And I-" "Can you just stop, for a second?" Ally said, holding up a hand. "What?" I said. "Can you say the first part again?" she asked, rolling her fingers around for a rewind. I racked my brain. "Um...I love you?" I said. "That's the part, Cuz I love you, too.
Kieran Scott (He's So Not Worth It (He's So/She's So, #2))
This isn’t about karma. I’m not trying to rack up I’m-a-Good-Person points.” You shouldn’t donate to charity, help the elderly cross the street, or rescue puppies in the hopes you’ll be repaid later. I may not be able to cure cancer or end world hunger, but small kindnesses go a long way. Not that I’m saying any of this to Rufus, since all my classmates used to mock me for saying things like that, and no one should feel bad for trying to be good. “I think we made his day by not pretending he’s invisible. Thanks for seeing him with me.
Adam Silvera (They Both Die at the End (They Both Die at the End Series Book 1))
If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
Henry Miller
Suffering is part of life,' she said. 'All the parts of life are jumbled up together; you can't separate out just the one thing.' She parred his hand again, kindly. 'I could let you kill me now, lovely man, and have peace and good dreams forever. But who knows what I get instead, if I stay? Maybe time to see a new grandchild. Maybe a good joke that sets me laughing for days. Maybe another handsome young fellow flirting with me.' She grinned toothlessly, then let loose another horrible, racking cough. Ehiru steadies her with shaking hands. 'I want every moment of my life, pretty man, the painful and the sweet alike. Until the very end. If these are all the memories I get for eternity, I want to take as many of them with me as I can.
N.K. Jemisin (The Killing Moon (Dreamblood, #1))
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
S.E. Hinton (The Outsiders)
For the first time in my life, I was reading things which had not been approved by the Prophet's censors, and the impact on my mind was devastating. Sometimes I would glance over my shoulder to see who was watching me, frightened in spite of myself. I began to sense faintly that secrecy is the keystone of all tyranny. Not force, but secrecy...censorship. When any government, or any church for that matter, undertakes to say to it's subjects, This you may not read, this you must not see, this you are forbidden to know, the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man whose mind has been hoodwinked, contrariwise, no amount of force can control a free man, a man whose mind is free. No, not the rack, not fission bombs, not anything---you can't conquer a free man; the most you can do is kill him.
Robert A. Heinlein
The best customers are the ones who just have to buy a record on a Saturday, even if there's nothing they really want; unless they go home clutching a flat, square carrier bag, they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head ("If I don't find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do"), and suddenly sicken themselves with the amount of time they have wasted looking for something they don't really want.
Nick Hornby (High Fidelity)
The way young people speak about one another's bodies says a great deal about our society. In today's world, boys are much more likely to objectify girl's bodies than the other way around. Boys will say amongst themselves that so-and-so has a nice rack, while girls will more likely say that a boy is cute, a term that describes both physical and emotional characteristics. This has the effect of turning girls into mere objects, while boys are seen by girls as whole people-" And then Lara stood up, and in her delicate, innocent accent, cut Dr. William Morse off. "You're so hot! I weesh you'd shut up and take off your clothes." The students laughed, but all of the teachers turned around and looked at her, stunned silent. She sat down. "What's you name, dear?" "Lara,"she said. "Now, Lara." Maxx said, looking down at his paper to remember the line, "what we have here is a very interesting case study- a female objectifying me, a male. It's so unusual that I can only assume you're making an attempt at humor." Lara stood up again and shouted, "I'm not keeding! Take off your clothes." He nervously looked down at the paper, and then looked up at all of us, smiling. "Well, it is certainly important to subvert the patriarchal paradigm , and I suppose this is a way. All right, then.
John Green (Looking for Alaska)
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?
Richard Matheson (I Am Legend and Other Stories)
We think ourselves possessed, or at least we boast that we are so, of liberty of conscience on all subjects and of the right of free inquiry and private judgment in all cases, and yet how far are we from these exalted privileges in fact. There exists, I believe, throughout the whole Christian world, a law which makes it blasphemy to deny, or to doubt the divine inspiration of all the books of the Old and New Testaments, from Genesis to Revelations. In most countries of Europe it is punished by fire at the stake, or the rack, or the wheel. In England itself, it is punished by boring through the tongue with a red-hot poker. In America it is not much better; even in our Massachusetts, which, I believe, upon the whole, is as temperate and moderate in religious zeal as most of the States, a law was made in the latter end of the last century, repealing the cruel punishments of the former laws, but substituting fine and imprisonment upon all those blasphemies upon any book of the Old Testament or New. Now, what free inquiry, when a writer must surely encounter the risk of fine or imprisonment for adducing any arguments for investigation into the divine authority of those books? Who would run the risk of translating Volney's Recherches Nouvelles? Who would run the risk of translating Dupuis? But I cannot enlarge upon this subject, though I have it much at heart. I think such laws a great embarrassment, great obstructions to the improvement of the human mind. Books that cannot bear examination, certainly ought not to be established as divine inspiration by penal laws... but as long as they continue in force as laws, the human mind must make an awkward and clumsy progress in its investigations. I wish they were repealed. {Letter to Thomas Jefferson, January 23, 1825}
John Adams (The Adams-Jefferson Letters: The Complete Correspondence Between Thomas Jefferson & Abigail & John Adams)
I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books?
Ray Bradbury
The suspense is killin’ me, Pigeon!” Travis called. I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced. America elbowed him and he blinked. “Holy shit.” “Are you ready to be freaked out?” America asked. “I’m not freaked out, she looks amazing,” Travis said. I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress. “Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around. “You don’t like it?” I asked. “You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders. “She can’t wear that all night, Trav,” America chuckled. “You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior. Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!” I couldn’t help but smile. “That’s the way it’s made, Travis.” “Do you two live to torture each other?” Shepley frowned. “Do you have a longer dress?” Travis asked. I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.” “Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Shy burst out laughing. When he quit, he saw she was smiling up at him. and it hit him. All of it. Waking up to her. Going to bed with her. Making love to her. Eating with her. Laughing with her. Kissing her. Going shopping with her, and when she was in a store and wandering away, he saw her looking over the racks, looking for him, and when he came to her at her back, she'd turned to him, looking lost, and leaned into him the second he got there, suddenly found. Jesus, he had it. All of it. "I never dreamed any fuckin' dream," he whispered, and the smile faded from her face as tears filled her eyes. She understood him. "Shy-" "Didn't dream it, saw it, waited my time, and then you gave it to me." "Shy," her voice broke on his name. He looked into her blue eyes swimming with tears, feeling her fingers digging into his shoulders, her weight in his lap, the smell of her hair, the taste of her still on his tongue. Yes, he fucking had it. When he was twelve he lost it. Now he had it again. All of it. Everything.
Kristen Ashley (Own the Wind (Chaos, #1))
The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.
Don DeLillo (White Noise)
It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs. They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
You've come to say good-bye,I take it?" He arched an eyebrow. "You'll miss me terribly,I know,but if you want to avoid all that,you can always come with me." "That's quite all right,thank you." "Really?" Loki wrinkled his nose. "You can't actually be excited about the upcoming nuptials." "What are you talking about?" I asked, tensing up. "I heard you're engaged to that stodgy Markis." Loki waved his hand vaguely and stood up. "Which I think is ridiculous. He's boring and bland and you don't love him at all." "How do you know about that?" I stood up straighter, preparing to defend myself. "The guards around here are horrible gossips, and I hear everything." He grinned and sauntered toward me. "And I have two eyes. I've seen that little melodrama play out between you and that other tracker. Fish? Flounder? What's his name?" "Finn," I said pointedly. "Yes,him." Loki rested his shoulder against the door. "Can I give you a piece of advice?" "By all means.I'd love to hear advice from a prisoner." "Excellent." Loki leaned forward, as close to me as he could before he'd be racked with pain from attempting to leave the room. "Don't marry someone you don't love.
Amanda Hocking (Torn (Trylle, #2))
She discovers that it is possible to cry all day and all night. That there are many different ways to cry: the sudden outpouring of tears, the deep, racking sobs, the soundless and endless leaking of water from the eyes. That sore skin around the eyes may be treated with oil infused with a tincture of eyebright and chamomile. That it is possible to comfort your daughters with assurances about places in Heaven and eternal joy and how they may all be reunited after death and how he will be waiting for them, while not believing any of it. That people don’t always know what to say to a woman whose child has died. That some will cross the street to avoid her merely because of this. That people not considered to be good friends will come, without warning, to the fore, will leave bread and cakes on your sill, will say a kind and apt word to you after church, will ruffle Judith’s hair and pinch her wan cheek.
Maggie O'Farrell (Hamnet)
He caught a glimpse of that extraordinary faculty in man, that strange, altruistic, rare, and obstinate decency which will make writers or scientists maintain their truths at the risk of death. Eppur si muove, Galileo was to say; it moves all the same. They were to be in a position to burn him if he would go on with it, with his preposterous nonsense about the earth moving round the sun, but he was to continue with the sublime assertion because there was something which he valued more than himself. The Truth. To recognize and to acknowledge What Is. That was the thing which man could do, which his English could do, his beloved, his sleeping, his now defenceless English. They might be stupid, ferocious, unpolitical, almost hopeless. But here and there, oh so seldome, oh so rare, oh so glorious, there were those all the same who would face the rack, the executioner, and even utter extinction, in the cause of something greater than themselves. Truth, that strange thing, the jest of Pilate's. Many stupid young men had thought they were dying for it, and many would continue to die for it, perhaps for a thousand years. They did not have to be right about their truth, as Galileo was to be. It was enough that they, the few and martyred, should establish a greatness, a thing above the sum of all they ignorantly had.
T.H. White (The Book of Merlyn: The Unpublished Conclusion to The Once & Future King)
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
Henry Miller (Tropic of Cancer (Tropic, #1))
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))