β
I meant what I said and I said what I meant. An elephant's faithful one-hundred percent!
β
β
Dr. Seuss (Horton Hatches the Egg)
β
We...we could be friends.'
We COULD be rare specimens of an exotic breed of dancing African elephants, but we're not. At least, I'M not.
β
β
Neil Gaiman (Coraline)
β
One morning I shot an elephant in my pajamas. How he got in my pajamas I'll never know.
β
β
Groucho Marx
β
If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality.
β
β
Desmond Tutu
β
Always be fearless. Walk like lion, talk like pigeons, live like elephants and love like an infant child.
β
β
Santosh Kalwar (Quote Me Everyday)
β
To be a baby elephant must be wonderful. Surrounded by a loving family 24 hours a dayβ¦. I think it must be how it ought to be, in a perfect world.
β
β
Daphne Sheldrick
β
Leo couldn't help smiling. "That could be fun."
"Fun" she said unhappily.
"Blue elephants."
"Blue elephants."
"Kiss me you fool."
"You fool.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
When two people are meant to be together, they will be together. It's fate.
β
β
Sara Gruen (Water for Elephants)
β
With a secret like that, at some point the secret itself becomes irrelevant. The fact that you kept it does not.
β
β
Sara Gruen (Water for Elephants)
β
Frank stared at him. "Unfair? You can breathe underwater and blow up glaciers and summon freaking hurricanes-and it's unfair that I can be an elephant?"
Percy considered. "Okay. I guess you got a point. But the next time I say you're totally beast-"
"Just shut up," Frank said. "Please."
Percy cracked a smile.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls. Last summer, I fought the Minotaur on top of Half-Blood Hill. This time what I saw up there was even worse: two bulls. And not just regular bulls - bronze ones the size of elephants. And even that wasn't bad enough. Naturally they had to breathe fire, too.
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
God is really only another artist. He invented the giraffe, the elephant and the cat. He has no real style, He just goes on trying other things.
β
β
Pablo Picasso
β
I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.
I want.
β
β
Sara Gruen (Water for Elephants)
β
Women and elephants never forget.
β
β
Dorothy Parker
β
Sometimes truths are what we run from, and sometimes they are what we seek.
β
β
R.D. Ronald (The Elephant Tree)
β
When Great Trees Fall
When great trees fall,
rocks on distant hills shudder,
lions hunker down
in tall grasses,
and even elephants
lumber after safety.
When great trees fall
in forests,
small things recoil into silence,
their senses
eroded beyond fear.
When great souls die,
the air around us becomes
light, rare, sterile.
We breathe, briefly.
Our eyes, briefly,
see with
a hurtful clarity.
Our memory, suddenly sharpened,
examines,
gnaws on kind words
unsaid,
promised walks
never taken.
Great souls die and
our reality, bound to
them, takes leave of us.
Our souls,
dependent upon their
nurture,
now shrink, wizened.
Our minds, formed
and informed by their
radiance,
fall away.
We are not so much maddened
as reduced to the unutterable ignorance
of dark, cold
caves.
And when great souls die,
after a period peace blooms,
slowly and always
irregularly. Spaces fill
with a kind of
soothing electric vibration.
Our senses, restored, never
to be the same, whisper to us.
They existed. They existed.
We can be. Be and be
better. For they existed.
β
β
Maya Angelou
β
Writers, like elephants, have long, vicious memories. There are things I wish I could forget.
β
β
William S. Burroughs
β
A man would rather be trampled by elephants on fire than tell you he's just not that into you.
β
β
Greg Behrendt
β
He wears a mask, and his face grows to fit it.
β
β
George Orwell (Shooting an Elephant)
β
Daemon was the pissy pink elephant in the room with a bad attitude.
β
β
Jennifer L. Armentrout (Onyx (Lux, #2))
β
There'a a phrase, "the elephant in the living room", which purports to describe what it's like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, "How could you let such a business go on for so many years? Didn't you see the elephant in the living room?" And it's so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth; "I'm sorry, but it was there when I moved in. I didn't know it was an elephant; I thought it was part of the furniture." There comes an aha-moment for some folks - the lucky ones - when they suddenly recognize the difference.
β
β
Stephen King
β
Keeping up the appearance of having all your marbles is hard work, but important.
β
β
Sara Gruen (Water for Elephants)
β
Life is the most spectacular show on earth β₯
β
β
Sara Gruen (Water for Elephants)
β
Dear God. Not only am I unemployed and homeless, but I also have a pregnant woman, bereaved dog, elephant, and eleven horses to take care of.
β
β
Sara Gruen (Water for Elephants)
β
Will looked up angrily, shaking his head in disbelief.
Will you shut up? he said tautly.
Horace shrugged in apology. 'I'm sorry' he said, I sneezed. A person can't help it when they sneeze.
Perhaps not. But you could try to make it sound a little less like an elephant trumpeting in agony; Will told him.
β
β
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
β
When will people learn that just because you can make something doesnβt mean you should?
β
β
Sara Gruen (Water for Elephants)
β
When thereβs an elephant in the room introduce him.
β
β
Randy Pausch
β
Words are cheap. The biggest thing you can say is 'elephant'.
β
β
Charlie Chaplin
β
A marriage is always made up of two people who are prepared to swear that only the other one snores.
β
β
Terry Pratchett (The Fifth Elephant (Discworld, #24))
β
You may control a mad elephant;
You may shut the mouth of the bear and the tiger;
Ride the lion and play with the cobra;
By alchemy you may learn your livelihood;
You may wander through the universe incognito;
Make vassals of the gods; be ever youthful;
You may walk in water and live in fire;
But control of the mind is better and more difficult.
β
β
Paramahansa Yogananda (Autobiography of a Yogi)
β
The more distressing the memory, the more persistent it's presence.
β
β
Sara Gruen (Water for Elephants)
β
You are obvious, boy. You are difficult to miss. If you came to me in company with a purple lion, a green elephant, and a scarlet unicorn astride which was the King of England in his Royal Robes, I do believe that it is you and you alone that people would stare at, dismissing the others as minor irrelevancies.
β
β
Neil Gaiman (The Graveyard Book)
β
I'm told I have the body of a god."
"A Greek god, or one of those gods with the horse heads or elephant's legs coming out of their chests?" Alan asked. "Next time someone tells you that, ask them to specify.
β
β
Sarah Rees Brennan (The Demon's Covenant)
β
He'd noticed that sex bore some resemblance to cookery: it fascinated people, they sometimes bought books full of complicated recipes and interesting pictures, and sometimes when they were really hungry they created vast banquets in their imagination - but at the end of the day they'd settle quite happily for egg and chips. If it was well done and maybe had a slice of tomato.
β
β
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
β
I'm sorry," he says.
"What? Why?"
"You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
"Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
Not that that would be so bad.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Oh, it's you," Curran's voice said quietly. "I thought it was an elephant.
β
β
Ilona Andrews (Magic Bites (Kate Daniels, #1))
β
Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.
β
β
Sara Gruen (Water for Elephants)
β
It was like there was an elephant in the room. An elephant that expected us to have sex.
β
β
Morgan Matson (Amy & Roger's Epic Detour)
β
They say that somewhere in Africa the elephants have a secret grave where they go to lie down, unburden their wrinkled gray bodies, and soar away, light spirits at the end.
β
β
Robert McCammon (Boy's Life)
β
At first, I could lie about my lack of sleep and she'd fall for it, but she started suspecting insomnia when I began seeing purple elephants in the air vents at the office. I knew I shouldn't have asked her about them. I thought maybe she'd redecorated.
β
β
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
β
It is important that you say what you mean to say. Time is too short. You must speak the words that matter.
β
β
Kate DiCamillo (The Magician's Elephant)
β
Even as your body betrays you, your mind denies it.
β
β
Sara Gruen (Water for Elephants)
β
Consider and then act, don't react. A worthy opponent will calculate his move to entice a response from you. Make your own play.
β
β
R.D. Ronald (The Elephant Tree)
R.D. Ronald (The Elephant Tree)
β
When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it.
β
β
Sara Gruen (Water for Elephants)
β
I want to see an elephant hunt down a man for the sole purpose of collecting his teeth, while a chorus of typewriters sings songs that praises the bananas for their wisdom, leadership, and their high levels of potassium.
β
β
Jarod Kintz (I Want)
β
Elephants can remember, but we are human beings and mercifully human beings can forget.
β
β
Agatha Christie (Elephants Can Remember (Hercule Poirot, #42))
β
Nature's great masterpiece, an elephant;
the only harmless great thing.
β
β
John Donne
β
Loyalty was a great thing, but no lieutenants should be forced to choose between their leader and a circus with elephants.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Do not fear death so much, but rather the inadequate life
β
β
Bertolt Brecht (Jewish Wife and Other Short Plays: Includes: In Search of Justice; Informer; Elephant Calf; Measures Taken; Exception and the Rule; Salzburg Dance of Death (Brecht, Bertolt))
β
Is where you're from the place you're leaving or where you have roots?
β
β
Sara Gruen (Water for Elephants)
β
Wallowing was for elephants, depressing people and depressing elephants
β
β
Cassandra Clare (The Bane Chronicles)
β
He had an intrusive gaze and quietly confident manner, that seemed to strip away the layers of protective deception Scott would usually adopt around strangers.
β
β
R.D. Ronald (The Elephant Tree)
β
Scott glanced at his watch but didn't register what it said. The notion of time had become as absurd as the quietly glowing trees.
β
β
R.D. Ronald (The Elephant Tree)
β
The craggy lines that made up the character in his face now seemed like scars of defeat, inflicted on him over time.
β
β
R.D. Ronald (The Elephant Tree)
β
We were left with nothing because of a love like acid that ate its way through our entire family.
β
β
R.D. Ronald (The Elephant Tree)
β
Solitude led to retrospective thinking, and if the past is what you are trying to get away from, then constant distractions in the present are needed.
β
β
R.D. Ronald (The Elephant Tree)
β
Jack laughed behind him, a mirthless sound from a man who had been on the wrong end of life's ironies too many times.
β
β
R.D. Ronald (The Elephant Tree)
β
Scott's mind was racing, struggling to comprehend the events unfolding around him. They were talking about disposing of Twinkle like he was a rusty old bike that no-one rode anymore.
β
β
R.D. Ronald (The Elephant Tree)
β
...if you expect people to try to do things your way, you're going to have to give some hints as to what that way is.
β
β
Sara Gruen (Water for Elephants)
β
As long as we keep the elephant in the room and we persist ignoring it, we wonβt be capable of unlearning people from βphubbingβ their way through life. ("Even if the world goes down, my mobile will save me")
β
β
Erik Pevernagie
β
It is a bad thing to have love and nowhere to put it.
β
β
Kate DiCamillo (The Magician's Elephant)
β
I showed the grown ups my masterpiece, and I asked them if my drawing scared them. They answered:"why be scared of a hat?" My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
He summoned you into the circle, Scott. For whatever reason, I don't know. But now you've left, you've become a loose thread. He won't sit back with the possibility you might cause his whole world to unravel around him.
β
β
R.D. Ronald (The Elephant Tree)
β
That's why Twinkle likes the place so much, Scott thought, looking around at the faded wood veneer tables, and the faded souls drinking at them. Misery was soaked through the place like the old beer soaked through its carpets.
β
β
R.D. Ronald (The Elephant Tree)
β
Remember this, for it is as true and true gets: Your body is not a lemon. You are not a machine. The Creator is not a careless mechanic. Human female bodies have the same potential to give birth well as aardvarks, lions, rhinoceri, elephants, moose, and water buffalo. Even if it has not been your habit throughout your life so far, I recommend that you learn to think positively about your body.
β
β
Ina May Gaskin (Ina May's Guide to Childbirth)
β
Mother,β Hyacinth said, pausing for slightly longer than normal to steal a bit of time to organize her thoughts, βI am not going to chase after Mr. St. Clair. Heβs not at all the right sort of man for me.β
βIβm not certain youβd know the right sort of man for you if he arrived on our doorstep riding an elephant.β
βI would think the elephant would be a fairly good indication that I ought to look elsewhere.
β
β
Julia Quinn (It's in His Kiss (Bridgertons, #7))
β
I realize now that the reality of things is not something you convey to people but something you make.
β
β
Haruki Murakami (The Elephant Vanishes)
β
Magic is always impossible.... It begins with the impossible and ends with the impossible and is impossible in between. That is why it's magic.
β
β
Kate DiCamillo (The Magician's Elephant)
β
After you're dead and buried and floating around whatever place we go to, what's going to be your best memory of earth? What one moment for you defines what it's like to be alive on this planet. What's your takeaway? Fake yuppie experiences that you had to spend money on, like white water rafting or elephant rides in Thailand don't count. I want to hear some small moment from your life that proves you're really alive.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
Strange how things turn out. Two birds, one stone and all that.' McBlane chuckled at his own impromptu joke. 'But things have worked out for the best and now we all get to work together,' he said, and a smile spread across his face as easy as a politician's lie.
β
β
R.D. Ronald (The Elephant Tree)
β
A shaft of moonlight illuminated a row of sentinel silver birch in a phosphorescent glow, appearing almost ethereal in the relative surrounding gloom. Boris had stopped again, his silhouette a stark black juxtaposition against the background of illuminated branches.
β
β
R.D. Ronald (The Elephant Tree)
β
...women are elephants and watch the way you say that in front of them because they'll think you're calling them fat and there's no coming back from that moment. But they hoard. They say they don't, but they do. We think that if something's not spoken about again, it goes away. It doesn't. Nothing goes away just like that...
β
β
Melina Marchetta (The Piper's Son)
β
Why the hell shouldn't I run away with the circus?
β
β
Sara Gruen (Water for Elephants)
β
As I sat dumbfounded, seemingly paralyzed in my corner, resorting to my old, reliable strategy of scribbling when unsure of how to respond to Sanjit, Sanjit appended his counsel with a dose of silence β one reminiscent to that of a few days prior. The students looked upward and downward, fans to notes to pens to toes, outward and inward, peers to souls, and of course, toward the direction of the perceived elephant in the room, Sanjitβs books. Simultaneously, Sanjit confidently and patiently searched among the students before finding my eyes; once connected, the lesson moved forward.
β
β
Colin Phelan (The Local School)
β
He had done nothing on Christmas day, just wandered around outside in the frozen woods. Hard ground, chill winds and bare branches that looked like they'd been dipped in sugar. None of it seemed real, like walking around in a desolate dream, but one he didn't want to wake up from.
β
β
R.D. Ronald (The Elephant Tree)
β
How will the world change if we do not question it?
β
β
Kate DiCamillo (The Magician's Elephant)
β
The only good cage is an empty cage.
β
β
Lawrence Anthony (The Elephant Whisperer)
β
It's just a crazy damned life, that's all ...
β
β
Sara Gruen (Water for Elephants)
β
There are some things about myself I canβt explain to anyone. There are some things I donβt understand at all. I canβt tell what I think about things or what Iβm after. I donβt know what my strengths are or what Iβm supposed to do about them. But if I start thinking about these things in too much detail the whole thing gets scary. And if I get scared I can only think about myself. I become really self-centered, and without meaning to, I hurt people. So Iβm not such a wonderful human being.
β
β
Haruki Murakami (The Elephant Vanishes)
β
Deciding to wait, Scott sat down with a pint away from the bar at a corner table and lit a cigarette. The clientele in there on Sunday afternoon were the same as most other afternoons. From middle-aged to old men, drinking and cursing at the world like it was the last bus which had just left the stop without them.
β
β
R.D. Ronald (The Elephant Tree)
β
Ew.'
'Yeah,' Claire said. 'I need a shower.'
'I don't think a shower's going to cut it. Maybe fire hoses, and those brushes they use on elephants.' Eve stepped back and offered Shane a hand up as he finally got untangled.
'Speaking of elephants, you sounded like a herd of something coming down the stairs,' he said. 'What the hell are your shoes made of? Hooves?
β
β
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
β
Being the survivor stinks.
β
β
Sara Gruen (Water for Elephants)
β
Although there are times I'd give anything to have her back, I'm glad she went first. Losing her was like being cleft down the middle. It was the moment it all ended for me, and I wouldn't have wanted her to go through that.
β
β
Sara Gruen (Water for Elephants)
β
General, your tank is a powerful vehicle
It smashes down forests and crushes a hundred men.
But it has one defect:
It needs a driver.
General, your bomber is powerful.
It flies faster than a storm and carries more than an elephant.
But it has one defect:
It needs a mechanic.
General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.
β
β
Bertolt Brecht
β
Fair enough, that's what most people look for to begin with, but money can be a sliding scale, the more you have, the more you want, the more you need,' McBlane said as he sharpened the ash on the tip of his cigar into a point against the rim of the ashtray. It gave him the appearance of wielding a dagger as he gestured with his cigar holding hand.
β
β
R.D. Ronald (The Elephant Tree)
β
Sometimes I think if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.
β
β
Sara Gruen (Water for Elephants)
β
The Enemy wants to bring the man to a state of mind in which he could design the best cathedral in the world, and know it to be the best, and rejoice in the fact, without being any more (or less) or otherwise glad at having done it than he would be if it had been done by another. The Enemy wants him, in the end, to be so free from any bias in his own favour that he can rejoice in his own talents as frankly and gratefully as in his neighbour's talents--or in a sunrise, an elephant, or a waterfall.
β
β
C.S. Lewis (The Screwtape Letters)
β
I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin. I lie motionless, savoring the feeling of her body against mine. I'm afraid to breathe in case I break the spell.
β
β
Sara Gruen (Water for Elephants)
β
If the onset of wrinkles in middle age were referred to as laughter lines, then to look at him, Scott thought, Twinkle's life must have been hilarious. He had sharp eyes that often seemed to visually contradict the lack of intelligence that could be derived from listening to him talk. There might not be a lot to respect in Twinkle, but Scott liked him. He just didn't want to end up like him.
β
β
R.D. Ronald (The Elephant Tree)
β
Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentlema. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschole with the ear trumpet loves old Mrs VErschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody.
β
β
James Joyce (Ulysses)
β
The city centre was still crawling with Christmas shoppers looking to add to their already burgeoning piles of gifts. To Scott they were like ants at a picnic, teeming from store to store, trailing oversized carrier bags and infants behind them as they went. Scott felt alien in this environment; pulling up his hood he hurried through the crowds, dodging pushchairs, lit cigarettes and charity collection tins.
β
β
R.D. Ronald (The Elephant Tree)
β
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol.
'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed.
Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
β
β
R.D. Ronald (The Elephant Tree)
β
I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Leeβs life of the poet. She died youngβalas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the crossβroads still lives. She lives in you and in me, and in many other women who are not here toβnight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or soβI am talking of the common life which is the real life and not of the little separate lives which we live as individualsβand have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sittingβroom and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Miltonβs bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeareβs sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
The place where the story happened was a world on the back of four elephants perched on the shell of a giant turtle. That's the advantage of space. It's big enough to hold practically anything, and so, eventually, it does.
People think that it is strange to have a turtle ten thousand miles long and an elephant more than two thousand miles tall, which just shows that the human brain is ill-adapted for thinking and was probably originally designed for cooling the blood. It believes mere size is amazing.
There's nothing amazing about size. Turtles are amazing, and elephants are quite astonishing. But the fact that there's a big turtle is far less amazing than the fact that there is a turtle anywhere.
β
β
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
β
And then I laugh, because it's so ridiculous and so gorgeous and it's all I an do to not melt into a fit of giggles. So what if I'm ninety-three? So what if I'm ancient and cranky and my body's a wreck? If they're willing to accept me and my guilty conscience, why the hell shouldn't I run away with the circus?
It's like Charlie told the cop. For this old man, this IS home.
β
β
Sara Gruen
β
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
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Nikki Giovanni
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Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many waysβthe strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled daysβthat's something else.
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Ernest Becker (The Denial of Death)
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Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside of her. But there was no release. Table, ivory, elephant charm, rainbow, onion, hairdo, mollusk, Shabbos, violence, cuticle, melodrama, ditch, honey, doily...None of it moved her. She addressed her world honestly, searching for something deserving of the volumes of love she knew she had within her, but to each she would have to say, I don't love you. Bark-brown fence post: I don't love you. Poem too long: I don't love you. Lunch in a bowl: I don't love you. Physics, the idea of you, the laws of you: I don't love you. Nothing felt like anything more than what it actually was. Everything was just a thing, mired completely in its thingness.
If we were to open a random page in her journal- which she must have kept and kept with her at all times, not fearing that it would be lost, or discovered and read, but that she would one day stumble upon that thing which was finally worth writing about and remembering, only to find that she had no place to write it- we would find some rendering of the following sentiment: I am not in love.
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Jonathan Safran Foer (Everything Is Illuminated)
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The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
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Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))