Racing For Pink Slips Quotes

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No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
The moment the door slipped away beneath Ranulf's fist as she opened it, his heart had stopped.It had been racing with anticipation, but the second he saw her,he froze and stared, in shcok. A pink crease line ran down her cheek. "You've been sleeping!" he bellowed, barging his way into the room. All this time, he had been frantic, concerned that Bronwyn was upset with him, worried about her feelings...and instead of weeping inconsolably,she had been blissfully unconscious.
Michele Sinclair (The Christmas Knight)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
My task to keep everyone focused wasn’t easy. A cartoonist pictured two workers in hard hats on a scaffold, one about to jump, holding a notice that he had been fired. The other guy was on a telephone, asking: “Can we get Gene Cernan up here to give Smith that ‘It’s not the end, it’s the beginning’ speech again?” There were a lot of Smiths out there, for some 13,000 Cape workers had lost their jobs over the past several years, and another 900 would get pink slips as soon as we blasted off. Many of the Grumman troops literally worked themselves into unemployment when our lunar module went out the door at Bethpage, and more would be gone at the moment of liftoff. But during one visit there, a supervisor told me, “We’re giving you our heart and soul on this one, Geno. This is the best LM that’s ever gonna fly.” That
Eugene Cernan (The Last Man on the Moon: Astronaut Eugene Cernan and America's Race in Space)
Darius looked inclined to stalk after her, but as he shoved away from the bar, his Atlas began to ring in his pocket and I caught sight of his father's name on the caller ID before he answered it. "I take it you won't disappoint me again tonight?" Lionel said in a cold voice which made the hairs along the back of my neck stand up. I probably shouldn't have been using my gifts to listen in on the conversation, but Darius probably should have used a silencing bubble if he didn't want me to anyway. "I'll get it done," Darius bit out. "Good. Because your brother is here in my office with me, waiting to hear from you about your success, aren't you Xavier?" "Darius?" Xavier's voice was pitched with fear but as I gave Darius a concerned look, he clearly realised I could hear his conversation and threw a silencing bubble around himself to hide the rest of it from me. It didn't matter though. I could tell from the way his heart was racing and his knuckles were whitening where he gripped his Atlas that he was afraid of something. "You see now why we have to do this?" Max growled in a low voice, his gifts clearly tuning him in to Darius's fear too and I nodded in acceptance. "Yeah," I breathed. "I get it." An excited squeal cut the air to shreds and I glanced around to find Geraldine Grus rushing through the room in a huge pink dress which looked like one of those old fashioned toilet roll doilies. She threw herself at Tory in excitement and the two of them hugged each other tightly in greeting. "Thank fuck she's okay," Max breathed beside me and I turned to him with a faint frown. "You been worrying about Grus, big boy?" I teased and he instantly tore his gaze from her and shrugged off the concerned look in his eyes. "Well it would have sucked if a Nymph got all of her power," he said. "Besides, she's one of the only Fae in our class who is even semi capable of using her magic against us so..." "So?" I pushed but at that moment Darius finished his call and dropped his silencing bubble. "Let's get on with this," he said darkly. "Where did Roxy go?" I picked her out among the crowd as she broke away from Geraldine and started heading for the exit, training my heightened senses on her and hearing her ask that hat kid if he knew where Darcy had gone. "The hat kid just told her to go look for her sister outside," I said, pointing at Tory just as she slipped out the door. (Caleb POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))