R&b Love Quotes

We've searched our database for all the quotes and captions related to R&b Love. Here they are! All 100 of them:

In your honesty, I saw a reflection of myself. Or rather, of the man I longed to be. So I failed you. I didn’t stay away. Then, later, I thought if I had answers, it would be enough. I would no longer care. You would no longer matter. So I continued failing you. Continued wanting more. And now I can’t find the words to say what must be said. To convey to you the least of what I owe. When I think of you, I can’t find the air to b r e a t h e.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
You've always been there for me. Always. Even when I…" V "Even when you what?" B "You know." V "What?" B "Fuck. Even when I was in love with you. Or some shit." V Butch clasped his hands to his chest. "Was? Was? I can't believe you've lost interest." He threw one arm over his eyes, all Sarah Bernhardt. "My dreams of our future are shattered—" B "Shut it, cop." V Butch looked out from under his arm. "Are you kidding me? The reality show I had planned was fantastic. Was going to pitch it to VH1. Two Bites Are Better Than One. We were going to make millions ." B "Oh, for the love.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
When there's music in your soul, there's soul in your music.
Criss Jami (Healology)
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
up or down from the infinite C E N T E R B R I M M I N G at the winking rim of time the voice in my head said LOVE IS THE DISTANCE BETWEEN YOU AND WHAT YOU LOVE
Frank Bidart
MOST DAYS MY LIFE CAN BE SUMMED UP IN MOVIE QUOTES AND HIP HOP AND R&B LYRICS
Qwana Reynolds-Frasier (Friend In Your Pocket Conversations Session One)
Pink reminds me of my love for dance. My youth. The innocence of being young. Tutus. Strawberry frosting on a vanilla cake (my favorite). And lipstick. I love lipstick. It also reminds me that I should take pride in my feminine traits, in being a woman. There is nothing remotely wrong with enjoying femininity. Curves. Hips. Lips. Empathy. Vulnerability. Sensuality. Patience. Intuition.
R.B. O'Brien
Alex? Where’d you go? There’s a cookie here that’s labeled but my name is spelled wrong. Brent is spelled B-R-E-N-T, not A-L-E-X.” Alex rolled her eyes. “Don’t touch my cookie.
Megan Erickson (Dirty Deeds (Mechanics of Love, #3))
I have remembered things you said long before I ever met you.
B.R. Sanders (Ariah (Ariah, #1))
It’s easy to be shitty when someone loves you unconditionally.
B.R. Yeager (Negative Space)
Think of all those tortured people who ask us to speak to the dead. That’s what loving someone else gets you—deep, unending grief. If you never want to feel that pain, protect your heart.
B.R. Myers (A Dreadful Splendor)
To me the erotic is the relationship that organically manifests itself between people finding and exploring love. It is the universality of accepting the darkness that makes up human nature, the darkness I find so romantic within that dance, the inevitable opening up that lets in the light of sensuality between two human beings becoming one together without the confines of preconceived morality. In short, an exploration of all the facets of both the subconscious and conscious of light and dark. “Emotional connectedness.
R.B. O'Brien
...the most important aspects of someone’s life are the very things not listed in an index.' There were never entries for “memory,” or 'regrets,' or even 'love,' in the lowercase. It was always 'Education (post-secondary)' or 'Awards (see also: Best Debut R&B Country CD by a Female Artist, Solo).' Indexes never seemed to get to the heart of the matter. There was never a heading for hope or fear. Or dreams, recalled. Smiles, remem­ bered. Anger. Beauty. Or even images that lingered, glimpses of something that had made an impression. A doorway. A window. A reflection on glass. The smell of rain. Never any of that. Just a tally of proper nouns and famous names. And why only one life? Why not the web of other lives that define us? What of their indexes, their moments?
Will Ferguson (419)
Romance and romantic are different. Death, itself, can be romantic. Nature and a destructive snowstorm can be romantic. Lovers in love but giving that up can also be romantic. There is something aesthetically romantic in beauty itself. And beauty can even be pain. Therefore, pain is romantic, especially when the sufferer does so for love.
R.B. O'Brien
I saw a meme that goes: If the love doesn’t feel like 90’s R&B, I don’t want it. And I thought to myself, this is how hungry people are for sensuality. They don’t even know it!
Lebo Grand
Life and Death or Life and Love... We each decided how to view our world. RBA
R.B. Anderson (TwoWorlds: The Art of Dying/Love)
And that’s when I’m certain. The part of me that loved him no longer exists. Not even in memories, when he was someone else entirely, if only in my eyes.
B.R. Yeager (Negative Space)
Whenever I would see a photo of Big Ben I would think of Peter Pan. Not necessarily a boy in green tights but someone who would [grab] my heart and my hand as he took me away to his N e v e r l a n d.
J.B. English (Fireflies (Light, #1))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
The 'magic' is the known and unknown quiet, spiritual, invisible thread which links and reveals harmonic elements to a universe of high vibrational sensory. And our beloved Bro. Maurice David knew it's undeniable creative power, from within.
T.F. Hodge
SHE WAS A KNOCKOUT. A stoned fox. I’d never seen her before. Not one of the cutesy Irish Barbie Dolls I normally fell for, this was something of a different class altogether. No disco glam or sparkles or fashionably trashy stripper chic. No make-up or slutty, revealing outfit. No desperate, tits-in-your-face “notice me” B.S. This was something pure and earthy -- fresh as newly cut grass. The smoking-hot girl next door, but yet completely of another world and time. A true classic.
Quentin R. Bufogle (KING OF THE NEW YORK STREETS)
Real God and Love, too, I knew, must be more like the mother who stretches her mind around queerness and polyamory and all the limits of gender, and keeps inviting the children back who’ve hurt her or done what she never would have—a mom who believes in Love.
R/B Mertz (Burning Butch)
Someone had walked to me like a warm summer breeze, And left me like the cold days of December Leafless and all covered in white. I was lost under the depths of snow, Buried six feet under, Frozen and numb to the core, I was lifeless for a long, long time. - Grey
Grey R.B. (Eclipse: Trapped in Darkness)
A personality cult comes into being when a one-man dictatorship presents itself as a democracy. The goal is to convey the impression that due to the ruler’s unique qualifications and the unanimity of the people’s love for him, his rule constitutes the perfect fulfillment of democratic ideals.
B.R. Myers (The Cleanest Race)
I...love my curves and clothes and shoes; I love the way adrenaline from dancing or love-making reaches my cheeks. I love my long hair and the way his fingers feel running through it. I like to touch my lips and look at them look in several different shades of lipstick And yup...I love the color pink.
R.B. O'Brien
Relationships are physics. Time transforms things- it has to, because the change from me to we means clearing away the fortifications you'r put up around your old personality. Living with Susannah made me feel as if I started riding Einstein's famous theoretical bus. Here's my understanding of that difficult idea, nutshelled: if you're riding a magic Greyhound, equipped for light-speed travel, you'll actually live though less time than will any pedestrians whom the bus passes by. So, for a neighbor on the street with a stopwatch, the superfast bus will take two hours to travel from Point A to Point B. But where you're on that Greyhound, and looking at the wipe of the world out those rhomboidial coach windows, the same trip will take just under twenty-four minutes. Your neighbor, stopwatch under thumb, will have aged eighty-six percent more than you have. It's hard to fathom. But I think it's exactly what adult relationships do to us: on the outside, years pass, lives change. But inside, it's just a day that repeats. You and your partner age at the same clip; it seems not time has gone by. Only when you look up from your relationship- when you step off the bus, feel the ground under your shoes- do you sense the sly, soft absurdity of romance physics.
Darin Strauss (Half a Life)
THE CHRISTIAN ALPHABETS A = AMEN B = BAPTISM C = CHRISTIAN D = DISCIPLE F = FELLOWSHIP G = GOD H = HOLY SPIRIT I = INSPIRATION J = JESUS CHRIST K = KINGDOM L = LOVE M = MODERATION N = NEW BIRTH O = OBEDIENCE P = PRAYER Q = QUIET TIME R = RIGHTEOUSNESS S = SALVATION T = TESTIMONY U = UNDERSTANDING V = VISION W = WISDOM X = XMAS Y = YEA & AMEN Z = ZION BY : ADEWALE OSUNSAKIN
Osunsakin Adewale
I never really knew whether my parents loved me or not. I guess I knew later. But those first seventeen years only ever felt like tolerance. They knew I was their fault, and because their god ordered them to love me, they held back their knives. But I knew the stories of fathers who cut their children to pieces, so most often I tried to make them feel like I wasn’t there at all. Most often failing completely.
B.R. Yeager (Negative Space)
I was always the girl growing up who just wasn’t quite like the rest of them. I liked working hard. I liked contorting my body until I could feel the ache inside my bones, until I could feel the pain in my teeth. I liked to wear lipstick and nothing else and found myself fascinated with the shape of my lips and the different colors I could make them. I ate too little. Slept too much. Masturbated far too often and at far too young an age. I enjoyed the feeling of being naked alone behind closed doors, exploring my deepest secrets within my imagination, as I put my hand over the rapid pace of my heart to feel how nervous it made me. I blushed at the faintest mention of my name and almost perished when complimented. I loved to find the answers behind someone’s eyes. There’s nothing quite like the feeling of when someone REALLY looks at you. And I read. Every chance I got.
R.B. O'Brien
If Ave say " Plato loves Socrates," the word " loves" which occurs between the word " Plato " and the word "Socrates" establishes a certain relation between these two words, and it is owing to this fact that our sentence is able to assert a relation between the person's name by the words " Plato " and " Socrates." " We must not say, the complex sign ' a R b' says 'a stands in a certain relation R to b' ; but we must say, that ' a' stands in a certain relation to 'b' says that a R b" (3.1432)• Mr
Ludwig Wittgenstein (Tractatus Logico Philosophicus)
I therefore,  m a prisoner for the Lord, urge you to  n walk in a manner worthy of  o the calling to which you have been called, 2with all  p humility and  q gentleness, with  r patience,  s bearing with one another in love, 3eager to maintain the unity of the Spirit in  t the bond of peace. 4There is  u one body and  v one Spirit—just as you were called to the one  w hope that belongs to your call— 5 x one Lord,  y one faith,  z one baptism, 6 a one God and Father of all,  b who is over all and through all and in all.
Anonymous (Holy Bible: English Standard Version (ESV))
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (Holy Bible: English Standard Version (ESV))
He nods at the offering I haven't quite let go of, the note now crinkled in my death grip. Guess we're doing this. I thrust the cheese toward him, unable to look away from the wall behind him as I do. He takes it and when his head tips down to read the note, I watch the smirk fall from his face. B, Let's go on that date. When's gouda for you? R "Reese..." Benny looks up and meets my eyes, a series of expressions flashing across his face. Blankness bordering on confusion to surprise, then, finally, to absolute eye-twinkling, toothy-smiled elation. "I didn't know you were so cheesy.
Kaitlyn Hill (Love from Scratch)
I am the good shepherd. n I know my own and o my own know me, 15 p just as the Father knows me and I know the Father; and q I lay down my life for the sheep. 16And r I have other sheep that are not of this fold. s I must bring them also, and t they will listen to my voice. So there will be u one flock, v one shepherd. 17 w For this reason the Father loves me, x because y I lay down my life that I may take it up again. 18 z No one takes it from me, but y I lay it down a of my own accord. I have authority to lay it down, and b I have authority to take it up again. c This charge I have received from my Father.
Anonymous (Holy Bible: English Standard Version (ESV))
His Steadfast Love Endures Forever A Psalm for  o giving thanks.     PSALM 100  p Make a joyful noise to the LORD, all the earth!         2  q Serve the LORD with gladness!          r Come into his presence with singing!     3 Know that  s the LORD, he is God!         It is he who  t made us, and  u we are his; [1]         we are his  v people, and  w the sheep of his pasture.     4  x Enter his gates with thanksgiving,         and his  y courts with praise!         Give thanks to him;  z bless his name!     5  a For the LORD is good;         his steadfast love endures forever,         and his  b faithfulness to all generations.
Anonymous (Holy Bible: English Standard Version (ESV))
i’m very expressive. i deserve to feel pretty. i kissed the blarney stone. i am strong. i am brave. im a good friend. I’m a good sister. I’m a good wife. i am a good in-law. I’m a good daughter. i am a good niece. I’m a good beagle mother. i am a good granddaughter. i work hard for it, honey. im superfly TNT motherfucker. im a pilot of the airwaves. im a better third baseman that brooks robinson. I B-E-A-G-G-R-E-S-S-I-V-E. i have exceptionally beautiful feet, eyes, ears, hips, hair, teeth, breasts. and shoulders. and fingernails. in a different pen, she added, and eyelashes and eyebrows, plus in yet another pen, and nose. and chin.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
not your trust in princes,          r in a son of man, in whom there is  s no salvation. 4    When  t his breath departs, he returns to the earth;         on that very day his plans perish.     5  u Blessed is he whose help is the God of Jacob,         whose  v hope is in the LORD his God, 6     w who made heaven and earth,         the sea, and all that is in them,      x who keeps faith forever; 7         y who executes justice for the oppressed,          z who gives food to the hungry.      a The LORD sets the prisoners free; 8         b the LORD opens the eyes of the blind.      c The LORD lifts up those who are bowed down;          d the LORD loves the righteous. 9     e The LORD watches over the sojourners;          f he upholds the widow and the fatherless,         but  g the way of the wicked he brings to ruin.
Anonymous (Holy Bible: English Standard Version (ESV))
On the Craft of Writing:  The Story Grid: What Good Editors Know by Shawn Coyne The Elements of Style by William Strunk Jr. and E. B. White 2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love by Rachel Aaron  On Writing: A Memoir of the Craft by Stephen King Take Off Your Pants! Outline Your Books for Faster, Better Writing by Libbie Hawker  You Are a Writer (So Start Acting Like One) by Jeff Goins Prosperity for Writers: A Writer's Guide to Creating Abundance by Honorée Corder  The Artist's Way by Julia Cameron The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield Business for Authors: How To Be An Author Entrepreneur by Joanna Penn  On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser Writing Tools: 50 Essential Strategies for Every Writer by Roy Peter Clark On Mindset:  The One Thing: The Surprisingly Simple Truth Behind Extraordinary Results by Gary Keller and Jay Papasan The Art of Exceptional Living by Jim Rohn Vision to Reality: How Short Term Massive Action Equals Long Term Maximum Results by Honorée Corder The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change by Stephen R. Covey Essentialism: The Disciplined Pursuit of Less by Greg Mckeown Mastery by Robert Greene The Success Principles: How to Get from Where You Are to Where You Want to Be by Jack Canfield and Janet Switzer The Game of Life and How to Play It by Florence Scovel Shinn The Compound Effect by Darren Hardy Taking Life Head On: How to Love the Life You Have While You Create the Life of Your Dreams by Hal Elrod Think and Grow Rich by Napoleon Hill In
Hal Elrod (The Miracle Morning for Writers: How to Build a Writing Ritual That Increases Your Impact and Your Income, Before 8AM)
~We were here~ We were here years ago Dusk swept away the white day departing monotonous sun to sleep “You came out of abyss or on High?” The scent of her willingness breasts I breathe ! Eyes closed ! Naked bodies sailed in colour, sound and smell her swan-like arms coiled The shadowy light of lamp the flamboyant bits of dying coal sighed in air Blood depurated the tawny flesh of bodies Beside on a table words scattered like flock of birds grief, dejection and melancholy b r o k e n bones of free verse In contrivance of our sweetest submission words rupture; secret message deciphered unrhymed metamorphosed to rhymes they read our skins like first love poem besotted in warm delighted air flying high as kite You were coaxed to sing in flow; I danced wobbly Wary sky above the roof ceased in our devout brittle embrace.
Satbir Singh Noor
12He who is  ha hired hand and not a shepherd, who does not own the sheep, sees the wolf coming and  ileaves the sheep and flees, and the wolf snatches them and  jscatters them. 13He flees because  khe is a hired hand and  lcares nothing for the sheep. 14 mI am the good shepherd.  nI know my own and  omy own know me, 15 pjust as the Father knows me and I know the Father; and  qI lay down my life for the sheep. 16And  rI have other sheep that are not of this fold.  sI must bring them also, and  tthey will listen to my voice. So there will be  uone flock,  vone shepherd. 17 wFor this reason the Father loves me,  xbecause  yI lay down my life that I may take it up again. 18 zNo one takes it from me, but  yI lay it down  aof my own accord. I have authority to lay it down, and  bI have authority to take it up again.  cThis charge I have received from my Father.
Anonymous (ESV Classic Reference Bible)
If Ave say " Plato loves Socrates," the word " loves" which occurs between the word " Plato " and the word "Socrates" establishes a certain relation between these two words, and it is owing to this fact that our sentence is able to assert a relation between the person's name by the words " Plato " and " Socrates." " We must not say, the complex sign ' a R b' says 'a stands in a certain relation R to b' ; but we must say, that ' a' stands in a certain relation to 'b' says that a R b" (3.1432)• Mr Wittgenstein begins his theory of Symbolism with the statement (2. r) : " We make to ourselves pictures of facts." A picture, lie says, is a model of the reality, and to the objects in the reality correspond the elements of the picture : the picture itself is a fact. The fact that things have a certain relation to each ether is represented by the fact that in the picture its elements have a certain relation to one another.
Ludwig Wittgenstein (Tractatus Logico Philosophicus)
Walk in Love EPHESIANS 5  j Therefore be imitators of God, as beloved children. 2And  k walk in love,  l as Christ loved us and  m gave himself up for us, a  n fragrant  o offering and sacrifice to God. 3But  p sexual immorality and all impurity or covetousness  q must not even be named among you, as is proper among saints. 4Let there be  r no filthiness nor foolish talk nor crude joking,  s which are out of place, but instead  t let there be thanksgiving. 5For you may be sure of this, that  u everyone who is sexually immoral or impure, or who is covetous ( v that is, an idolater), has no inheritance in the kingdom of Christ and God. 6 w Let no one  x deceive you with empty words, for because of these things  y the wrath of God comes upon  z the sons of disobedience. 7Therefore  a do not become partners with them; 8for  b at one time you were  c darkness, but now you are light in the Lord.  d Walk as children of light
Anonymous (Holy Bible: English Standard Version (ESV))
Do not think that I have come to bring peace to the earth.  sI have not come to bring peace, but a sword. 35 rFor I have come  tto set a man against his father, and a daughter against her mother, and a daughter-in-law against her mother-in-law. 36 uAnd a person’s enemies will be those of his own household. 37 vWhoever loves father or mother more than me is not worthy of me, and whoever loves son or daughter more than me is not worthy of me. 38And  wwhoever does not take his cross and  xfollow me is not worthy of me. 39 yWhoever finds his life will lose it, and whoever loses his life for my sake will find it. Rewards 40 z“Whoever receives you receives me, and  awhoever receives me receives him who sent me. 41 bThe one who receives a prophet because he is a prophet will receive a prophet’s reward, and the one who receives a righteous person because he is a righteous person will receive a righteous person’s reward. 42And  cwhoever gives one of  dthese little ones even a cup of cold water because he is a disciple, truly, I say to you, he will by no means lose his reward.
Anonymous (Holy Bible: English Standard Version (ESV))
The LORD Is My Rock and My Fortress To the choirmaster. A Psalm of David,  f the servant of the LORD,  g who addressed the words of this  h song to the LORD on the day when the LORD delivered him from the hand of all his enemies, and from the hand of Saul. He said: PSALM 18 I love you, O LORD, my strength. 2 The LORD is my  i rock and my  j fortress and my deliverer, my God, my i rock, in k whom I take refuge, my l shield, and m the horn of my salvation, my n stronghold. 3 I call upon the LORD, who is  o worthy to be praised, and I am saved from my enemies. 4  p The cords of death encompassed me; q the torrents of destruction assailed me; [1] 5  p the cords of Sheol entangled me; the snares of death confronted me. 6  r In my distress I called upon the LORD; to my God I cried for help. From his  s temple he heard my voice, and my cry to him reached his ears. 7 Then the earth  t reeled and rocked; the foundations also of the mountains trembled and quaked, because he was angry. 8 Smoke went up from his nostrils, [2] and devouring  u fire from his mouth; glowing coals flamed forth from him. 9 He v bowed the heavens and w came down;  x thick darkness was under his feet. 10 He rode on a cherub and flew; he came swiftly on  z the wings of the wind. 11 He made darkness his covering, his  a canopy around him, thick clouds b dark with water.
Anonymous (Holy Bible: English Standard Version (ESV))
Stewards of God’s Grace 1 PETER 4 Since therefore  z Christ suffered in the flesh, [1]  a arm yourselves with the same way of thinking, for  b whoever has suffered in the flesh  c has ceased from sin, 2 d so as to live for  e the rest of the time in the flesh  f no longer for human passions but  g for the will of God. 3For the time that is past  h suffices  i for doing what the Gentiles want to do, living in sensuality, passions, drunkenness, orgies, drinking parties, and lawless idolatry. 4With respect to this they are surprised when you do not join them in the same flood of  j debauchery, and  k they malign you; 5but they will give account to him who is ready  l to judge the living and the dead. 6For this is why  m the gospel was preached even to those who are dead, that though judged in the flesh the way people are, they might live in the spirit the way God does. 7 n The end of all things is at hand; therefore  o be self-controlled and sober-minded  p for the sake of your prayers. 8Above all, keep loving one another earnestly, since  q love covers a multitude of sins. 9 r Show hospitality to one another without grumbling. 10 s As each has received a gift, use it to serve one another,  t as good stewards of God’s varied grace: 11whoever speaks, as one who speaks  u oracles of God; whoever serves, as one who serves  v by the strength that God supplies—in order that in everything  w God may be glorified through Jesus Christ.  x To him belong glory and  y dominion forever and ever. Amen.
Anonymous (Holy Bible: English Standard Version (ESV))
David's Song of Thanks     8  f Oh give thanks to the LORD;  g call upon his name;          h make known his deeds among the peoples!     9 Sing to him, sing praises to him;         tell of all his wondrous works!     10 Glory in his holy name;         let the hearts of those who seek the LORD rejoice!     11  i Seek the LORD and his strength;         seek his presence continually!     12  j Remember the wondrous works that he has done,          k his miracles and the judgments he uttered,     13 O offspring of Israel his servant,         children of Jacob, his chosen ones!     14 He is the LORD our God;          l his judgments are in all the earth.     15 Remember his covenant forever,         the word that he commanded, for a thousand generations,     16 the covenant  m that he made with Abraham,         his sworn promise to Isaac,     17 which  n he confirmed to Jacob as a statute,         to Israel as an everlasting covenant,     18 saying,  o “To you I will give the land of Canaan,         as your portion for an inheritance.”     19 When you were  p few in number,         of little account, and  q sojourners in it,     20 wandering from nation to nation,         from one kingdom to another people,     21 he allowed no one to oppress them;         he  r rebuked kings on their account,     22 saying, “Touch not my anointed ones,         do my  s prophets no harm!”     23  t Sing to the LORD, all the earth!         Tell of his salvation from day to day.     24 Declare his glory among the nations,         his marvelous works among all the peoples!     25 For  u great is the LORD, and greatly to be praised,         and he is to be feared  v above all gods.     26 For all the gods of the peoples are worthless idols,          w but the LORD made the heavens.     27 Splendor and majesty are before him;         strength and joy are in his place.     28 Ascribe to the LORD, O families of the peoples,          x ascribe to the LORD glory and strength!     29 Ascribe to the LORD the glory due his name;         bring an offering and come before him!      y Worship the LORD in the splendor of holiness; [2]         30 tremble before him, all the earth;         yes, the world is established; it shall never be moved.     31  z Let the heavens be glad, and let the earth rejoice,         and let them say among the nations,  a “The LORD reigns!”     32  b Let the sea roar, and all that fills it;         let the field exult, and everything in it!     33 Then shall the trees of the forest sing for joy         before the LORD, for he comes to judge the earth.     34 Oh give thanks to the LORD, for he is good;         for his steadfast love endures forever! 35 c Say also:     “Save us, O God of our salvation,         and gather and deliver us from among the nations,     that we may give thanks to your holy name         and glory in your praise.     36  d Blessed be the LORD, the God of Israel,         from everlasting to everlasting!”  e Then all the people said, “Amen!” and praised the LORD.
Anonymous (Holy Bible: English Standard Version (ESV))
I still felt a little bit sick for needing the help of a Librarian. It was frustrating. Terribly frustrating. In fact, I don’t think I can accurately—through text—show you just how frustrating it was. But because I love you, I’m going to try anyway. Let’s start by randomly capitalizing letters. “We cAn SenD fOr a draGOn to cArry us,” SinG saId As we burst oUt oF the stAirWeLL and ruSHED tHrough ThE roOm aBovE. “ThAT wILl taKe tOO Long,” BaStiLlE saiD. “We’Ll haVe To graB a VeHiCle oFf thE STrEet,” I sAid. (You know what, that’s not nearly frustrating enough. I’m going to have to start adding in random punctuation marks too.) We c! RoS-Sed thrOu? gH t% he Gra## ND e ` nt < Ry > WaY at “A” de-aD Ru) n. OnC $ e oUts/ iDE, I Co* Uld sEe T ^ haT the suN wa + S nEar to s = Ett = ING—it w.O.u.l.d Onl > y bE a co@ uPle of HoU[ rs unTi ^ L the tR} e} atY RATiF ~ iCATiON ha, pPenEd. We nEeDeD!! to bE QuicK?.? UnFOrTu() nAtelY, tHE! re weRe no C? arriA-ges on tHe rOa ^ D for U/ s to cOmMan > < dEer. Not a ON ~ e ~. THerE w + eRe pe/\ Ople wa | lK | Ing aBoUt, BU? t no caRr# iaGes. (Okay, you know what? That’s not frustrating enough either. Let’s start replacing some random vowels with the letter Q.) I lqOk-eD arO! qnD, dE# sPqrA# te, fRq? sTr/ Ated (like you, hopefully), anD aNn | qYeD. Jq! St eaR& lIer, tHqr ^ E hq.d BeeN DoZen! S of cq? RrIqgEs on The rQA! d! No-W tHqRe wA = Sn’t a SqnGl + e oN ^ q. “ThE_rQ!” I eXclai $ mqd, poIntIng. Mqv = Ing do ~ Wn th_e RqaD! a shoRt diStq + + nCe aWay < wAs > a sTrANgq gLaSs cqnTrAPtion. I waSN’t CqrTain What it wAs >, bUt It w! qs MoV? ing—aND s% qmewhat quIc: =) Kly. “LeT’s G_q gRA? b iT!
Brandon Sanderson (Alcatraz Versus the Knights of Crystallia (Alcatraz, #3))
The Ten Commandments EXODUS 20  z And  a God spoke all these words, saying, 2 b “I am the LORD your God, who brought you out of the land of Egypt, out of the house of slavery. 3 c “You shall have no other gods before [1] me. 4 d “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. 5 e You shall not bow down to them or serve them, for I the LORD your God am  f a jealous God,  g visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, 6but showing steadfast love to thousands [2] of those who love me and keep my commandments. 7 h “You shall not take the name of the LORD your God in vain, for the LORD will not hold him guiltless who takes his name in vain. 8 i “Remember the Sabbath day, to keep it holy. 9 j Six days you shall labor, and do all your work, 10but the  k seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the  l sojourner who is within your gates. 11For  m in six days the LORD made heaven and earth, the sea, and all that is in them, and rested on the seventh day. Therefore the LORD blessed the Sabbath day and made it holy. 12 n “Honor your father and your mother,  o that your days may be long in the land that the LORD your God is giving you. 13 p “You shall not murder. [3] 14 q “You shall not commit adultery. 15 r “You shall not steal. 16 s “You shall not bear false witness against your neighbor. 17 t “You shall not covet  u your neighbor’s house;  v you shall not covet your neighbor’s wife, or his male servant, or his female servant, or his ox, or his donkey, or anything that is your neighbor’s.
Anonymous (Holy Bible: English Standard Version (ESV))
Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.
Vince Antonucci (God for the Rest of Us: Experience Unbelievable Love, Unlimited Hope, and Uncommon Grace)
You do understand what I mean!” he exclaimed, pleased to see Maude responding to his song. “I chose Nina Simone to show you something else. Just like you, Nina Simone had a classical background. When she was younger, she wanted to become a concert pianist. Her skill was beyond measure and she used it in a wide repertoire of jazz, blues, and R&B songs. And I think you can do the same. Music knows no limits and I truly understand why James insisted on signing you, Maude.” Maude remained silent, still thinking about his rendition of Nina Simone. “All you have to do is dig deeper. Try finding some suffering in you. Don’t sing the Cenerentola with a smile. Although you look like a girl who’s had it all. You know, the nice girl from the North of France, who grew up in a quiet, small town with her loving mom and dad and brothers and sisters, always top of her class, quick-tempered when things didn’t go her way. A bit spoiled, I guess. You have to put all that—” “Spoiled?” Maude blurted in utter disbelief, the word echoing through her mind. Of all the things he could’ve said about her, spoiled was the last word that could have appeared remotely appropriate to describe her. As for suffering, she’d had plenty of that, too, which is why she didn’t want to think about it. Not while she was so happy in New York and Carvin and the Ruchets were the last thing she wanted in her head. She painfully pushed the Ruchets away from her mind and turned to Matt, eyes flaring up again. “You know nothing about me, Matt,” she said, her voice quivering with emotion. “And you obviously know nothing about suffering, or you wouldn’t idealize it the way that you do. You see it as a romantic notion that seemingly gives depth to songwriting. And it does. Not because the singers actually thought of woe in a purely aesthetic way, but because that’s how they actually lived. You will never understand that,” she finished, trembling from head to toe. And with that, she grabbed her bag, coat, gloves, scarf, and stormed out of Matt’s Creation Room, slamming the door behind her.
Anna Adams (A French Girl in New York (The French Girl, #1))
I have long since resolved to be a Jew ... I regard that as more important than my art," R.B. Kitaj and Arnold Schoenberg declared. Hannah Wilke said: "Feminism in a larger sense is intrinsically more important to me than art." No one ever called these men bad Jews.
Chris Kraus (I Love Dick)
The focus of that week was “learning how to listen to the voice of God” in what was dubbed “My Quiet Time with God.” You have to admire the camp leaders’ intent, but let’s be honest. Most pre-adolescents are clueless about such deeply spiritual goals, let alone the discipline to follow through on a daily basis. Still, good little camperettes that we were, we trekked across the campground after our counselors told us to find our “special place” to meet with God each day. My special place was beneath a big tree. Like the infamous land-run settlers of Oklahoma’s colorful history, I staked out the perfect location. I busily cleared the dirt beneath my tree and lined it with little rocks, fashioned a cross out of two twigs, stuck it in the ground near the tree, and declared that it was good. I wiped my hands on my madras Bermudas, then plopped down, cross-legged on the dirt, ready to meet God. For an hour. One very long hour. Just me and God. God and me. Every single day of camp. Did I mention these quiet times were supposed to last an entire hour? I tried. Really I did. “Now I lay me down to sleep . . . ” No. Wait. That’s a prayer for babies. I can surely do better than that. Ah! I’ve got it! The Lord’s Prayer! Much more grown-up. So I closed my eyes and recited the familiar words. “Our Father, Who art in heaven . . .” Art? I like art. I hope we get to paint this week. Maybe some watercolor . . . “Hallowed by Thy name.” I’ve never liked my name. Diane. It’s just so plain. Why couldn’t Mom and Dad have named me Veronica? Or Tabitha? Or Maria—like Maria Von Trapp in The Sound of Music. Oh my gosh, I love that movie! “Thy kingdom come, Thy will be done . . . ” Be done, be done, be done . . . will this Quiet Time ever BE DONE? I’m sooooo bored! B-O-R-E-D. BORED! BORED! BORED! “On earth as it is in Heaven.” I wonder if Julie Andrews and I will be friends in heaven. I loved her in Mary Poppins. I really liked that bag of hers. All that stuff just kept coming out. “Give us this day, our daily bread . . . ” I’m so hungry, I could puke. I sure hope they don’t have Sloppy Joes today. Those were gross. Maybe we’ll have hot dogs. I’ll take mine with ketchup, no mustard. I hate mustard. “And forgive us our trespasses, as we forgive those who trespass against us.” What the heck is a trespass anyway? And why should I care if someone tresses past me? “And lead us not into temptation but deliver us from evil . . . ” I am so tempted to short-sheet Sally’s bed. That would serve her right for stealing the top bunk. “For Thine is the kingdom and the power and the glory forever.” This hour feels like forever. FOR-E-VERRRR. Amen. There. I prayed. Now what?
Diane Moody (Confessions of a Prayer Slacker)
It is not easy to hold someone through their grief. It is hard to see someone you love in pain, in irreparable pain. It takes an extraordinary type of kindness, a rare patience, to let the loss run its course. We always want to help, but there are times when there is no help, and the pressure to take help only makes things harder on the ones trapped in mourning.
B.R. Sanders (Ariah)
I saw a meme that goes: If the love doesn’t feel like 90’s R&B, I don’t want it. And I thought to myself, this is how hungry people are for sensuality. They just don’t know it, yet!
Lebo Grand
I saw a meme that goes: If the love doesn’t feel like 90’s R&B, I don’t want it. And I thought to myself, this is how hungry the world is for sensuality. We just don’t know it, yet!
Lebo Grand
Q: Who are your influences? I was lucky as a kid to get to meet Paul Conrad who lived in my hometown. He is a giant in editorial cartooning, winner of three Pulitzers and even more impressively he won a place on Nixon‘s enemies list. He was a huge influence. Starting out I also spent a lot of time looking at Ron Cobb, an insane crosshatcher who drew for the alternative press in the ’60’s, as well as David Levine, Ed Sorel, and R. Crumb. I also love Steinberg‘s visual elegance and innately whimsical voice. Red Grooms is another guy who took cartooning wonderful places. There are also a number of 19th-century cartoonists whose mad drawing skills and ability to create rich visual worlds always impressed me. A.B. Frost, T.S. Sullivant, Joseph Keppler are often overshadowed by Nast, but in many ways they were more adventurous graphically. I also want to throw in here how great it is to work in D.C. There’s a great circle of cartoonists here and being in their orbit is a daily inspiration. Opening the Post to Toles and Richard Thompson (Richard’s Poor Almanac is the best and most original cartoon in the country and sadly known mostly only to those lucky enough to be in range of the Post;, Cul de Sac is pretty good too). And then there’s Ann Telnaes’ animations that appear in the Post online—-truly inspired and the wave of the future, as well as Beeler, Galifianakis, Bill Brown, and others. It raises one’s game to be around all these folks. (2010 interview with Washington City Paper)
Matt Wuerker
respect those who labor among you and n are over you in the Lord and admonish you, 13 and to esteem them very highly in love because of their work. o Be at peace among yourselves. 14[✞] And we urge you, brothers, admonish p the idle, 1 q encourage the fainthearted, r help the weak, s be patient with them all. 15[✞] See that t no one repays anyone evil for evil, but always u seek to do good to one another and to everyone. 16 v Rejoice always, 17 w pray without ceasing, 18 x give thanks in all circumstances; for this is the will of God in Christ Jesus for you. 19[✞] y Do not quench the Spirit. 20 Do not despise z prophecies, 21 but a test everything; hold fast what is good. 22 Abstain from every form of evil. 23[✞] Now may b the God of peace himself c sanctify you completely, and may your d whole e spirit and soul and body be kept blameless at f the coming of our Lord Jesus Christ. 24 g He who calls you is faithful; h he will surely do it. 25 i Brothers, pray for us. 26 j Greet all the brothers with a holy kiss. 27[✞] I put you under oath before the Lord to have k this letter read to all the brothers. 28 l The grace of our Lord Jesus Christ be with you.
Reformation Trust Publishing (ESV Reformation Study Bible)
No. Don’t be.” I leaned in and kissed his cheek. He tasted like salt and vegetable oil. “I love it.
B.R. Yeager (Negative Space)
in Australia, the air in the room around Ian wavered, liquefied then flashed a bright cold white. Ian vanished before he had time to question the strangeness
R.B. Anderson (TwoWorlds: The Art of Dying/Love)
My fruit is  p better than  q gold, even fine gold,         and my yield than  r choice silver.     20 I walk in the way of righteousness,         in the paths of justice,     21 granting an inheritance to those who love me,         and filling their treasuries.     22[^] [†]  s “The LORD  t possessed [2] me at the beginning of his work, [3]         the first of his acts  u of old.     23 Ages ago I was  v set up,         at the first,  w before the beginning of the earth.     24 When there were no  x depths I was  y brought forth,         when there were no springs abounding with water.     25 Before the mountains  z had been shaped,          a before the hills, I was brought forth,     26 before he had made the earth with its fields,         or the first of the dust of the world.     27 When he  b established the heavens, I was there;         when he drew  c a circle on the face of the deep,     28 when he  d made firm the skies above,         when he established [4] the fountains of the deep,     29 when he  e assigned to the sea its  f limit,         so that the waters might not transgress his command,     when he marked out  g the foundations of the earth,         30 then  h I was beside him, like a master workman,     and I was daily his [5]  i delight,         rejoicing before him always,     31  j rejoicing in his  k inhabited world         and delighting in the children of man.
Anonymous (ESV Study Bible)
Karma is life dramatized to suit the yearning and growing needs of the individual soul.
R.B. Anderson (TwoWorlds: The Art of Dying/Love)
I got this life, n I feel breathing Bcoz of u...... I left alone in d side of darkness N melted like a snow ball in d raising sun shine.. I had no past of u , N I had no memories of u But I still have a affection towards u.. U r not with me when d tym I need u badly N I feel empty when u r not beside me But I still feel to rely on u.... U didn't fullfiled all d dreams of mom N she may hates u... Every sec for leaving alone N she might have lost all her hopes bcoz of u But I promise I will fulfill all her dreams I have seen many fathers who gives support N cares like a hero of their child But I feel good if u become a shadow of mine To support me all d tym.....I need u Every 1 may hate u , N speak wrong abt u May b mom don't want u now... But ur son needs u badly N want to linger beside u U might have hold my hand U might have smooched me U might have hugged me U might have cared abt mek N i feel nothing abt it...N I don't hav a memory abt u But I still imagine every sec that U loved me... U care abt me... Just bcoz.......u r my FATHER uff, U r truly a wonderful part in my life .............................. < I miss u DAD >...............................
Yash
my worshipers, the daughter of my dispersed ones,         shall bring my offering.     11  z “On that day  a you shall not be put to shame         because of the deeds by which you have rebelled against me;     for then  b I will remove from your midst         your proudly exultant ones,     and  c you shall no longer be haughty         in my holy mountain.     12 But I will leave in your midst         a people  d humble and lowly.      e They shall seek refuge in the name of the LORD,         13  f those who are left in Israel;     they  g shall do no injustice         and speak no lies,      h nor shall there be found in their mouth         a deceitful tongue.      i For they shall graze and lie down,         and none shall make them afraid.” Israel’s Joy and Restoration     14[†]  j Sing aloud, O daughter of Zion;         shout, O Israel!     Rejoice and exult with all your heart,         O daughter of Jerusalem!     15 The LORD has taken away the judgments against you;         he has cleared away your enemies.      k The King of Israel,  l the LORD, is in your midst;         you shall never again fear evil.     16  z On that day it shall be said to Jerusalem:     “Fear not, O Zion;          m let not your hands grow weak.     17  l The LORD your God is in your midst,          n a mighty one who will save;      o he will rejoice over you with gladness;         he will quiet you by his love;     he will exult over you with loud singing.     18 I will gather those of you who mourn  p for the festival,         so that you will no longer suffer reproach. [3]     19 Behold, at that time  q I will deal         with all your oppressors.     And  r I will save the lame         and gather the outcast,     and I will change  s their shame into  t praise         and renown in all the earth.     20  u At that time I will bring you in,         at the time when I gather you together;     for I will make you renowned and praised         among all the peoples of the earth,      v when I restore your fortunes         before your eyes,” says the LORD.
Anonymous (ESV Gospel Transformation Bible)
NO!” she screamed, as the power of lightning pulsated through every fiber of her being and exploded through the room.
R.B. Anderson (TwoWorlds: The Art of Dying/Love)
Our consciousness is in a dream state right now, not fully in Gaia or Earth.
R.B. Anderson (TwoWorlds: The Art of Dying/Love)
All I know was that Dirva stayed with Liro in the days immediately after, and that it was Liro who slowly coaxed him back from the jaws of grief. Dirva had Liro, he had no one else, and it was then that I began to understand that the things we need from others make their own kind of sense, have their own logic, create their own legitimacy regardless of what we've been taught. If he hadn't had Liro, I am not sure Dirva would have been able to patch himself back together. I am grateful for this, but in the years since, I cannot help but wonder at the sacrifice it required of Liro. It is not easy to hold someone through their grief. It is hard to see someone you love in pain, in irreparable pain. It takes an extraordinary type of kindness, a rare patience, to let the loss run its course. We always want to help, but there are times when there is no help, and the pressure to take help only makes things harder on the ones trapped in mourning. I don't know what transpired between them. I don't. But I do know that Dirva left him without explanation, reappeared without warning, and that there was nothing for Liro to do but offer himself up. I never knew Liro well, but he seemed to me a very bright man. Like anyone who scraped a childhood by on the street and survived to adulthood, he had a watchfulness about him and an uncannily honed feel for other people. Liro knew the moment Dirva set foot in the City what he would need, and what he would take, and Liro let him take it anyway.
B.R. Sanders (Ariah (Ariah, #1))
Hi, honey, I’m home!” he hollered. “Did you bring flowers?” Lassiter shouted back. “Not for you.” “Damn it. Well, I’m on deck tonight with Tohr, so can we get moving? There’s a full list of appointments, but I want to get back for Hell’s Kitchen.” “Don’t you DVR that shit?” Wrath groused as he and George went into the old dining room. “Yeah, but I have poor impulse control. It was on at nine, okay? And I hate waiting. I put George’s fresh water down by your chair, b.t.dub.” “At least you’re a dog lover. That’s the only thing that saves you.” “Ha! I have wings and a halo, you cranky son of a bitch. I’m already perma-saved.” “Just our luck.” “Hey, my brother,” V said as he came through the archway and lit a hand-rolled. “Where’s your girl?” Lassiter cut in, “She’s got to be coming back soon, right?” Wrath had to smile as he took his seat. About the only time that annoying SOB got serious was when it came to Beth—and he had to admit, that was kinda endearing. “She back yet?” Rhage asked as he walked into the room. “How long can it take to order baby furniture?” Butch demanded while making his appearance. “Weeks,” Z answered. “You have no idea.” And so it went, everyone arriving with the same question, from Blay and Qhuinn to Phury and Rehvenge. The only one who didn’t ask it out loud was John—but he didn’t have to. Beth’s brother had been a quiet, worried presence since they’d made the announcement of the surprise pregnancy. And Wrath loved the guy for it.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
YOU R sO bRUEtifUL... how R U so BRUTEfUL and good?
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III
Nancy R.E. Meugens Bell (Architecture)
pitch axis theory, which I learned in high school from my music teacher Bill Westcott. It is a compositional technique that was actually developed at the turn of the last century, so this is something that had been around for a long time. I remember Bill saying, "I'm going to teach you this very cool compositional technique," and he sat me down at the piano, and he went, "Watch this: I'll hold this C bass note, and then I play these chords, and each chord will put me in a different key, but it will sound like C 'something' to you . . ." I was fascinated by it, because I thought, "That is the sound I'm hearing in my head." To me it sounded very "rock," because rock songs don't travel around in too many keys, and it was the antithesis of the modern pop music that had been around for fifty years. It was the total opposite of most commercial jazz, but not all jazz, as I learned when I started really listening closely to modern jazz. I realized, "Wow, John Coltrane is using pitch axis theory. Not only is he doing that, but he’s going beyond it with his 'sheets of sound' approach," where in addition to building modes in different keys off of one bass note, he was building modes off of notes outside the key structure as well. He had taken it a step further. But that’s not what I was looking for, except for in a song like "The Enigmatic," which has that sort of complete atonal-meetspsycho melodic approach. I was more interested in using the pitch axis where you really could identify with one key bass note, in a rock and R&B sort of fashion. Then all the chords that you put on top would basically put you in different keys. So on Not of This Earth, you have these pounding E eighth notes on the bass, and your audience says, "Okay, we're in the key of E." But the chords on top are saying, "E Lydian, E Minor, E Lydian, E Mixolydian in cyclical form." And I thought, "Well, this gives me great melodic opportunities, I'm not stuck with just the seven notes of one key. I've got seven notes for every different key that I apply on top of this bass note." And I just love that sound, so I applied it to quite a lot of my music.
Joe Satriani (Strange Beautiful Music: A Musical Memoir)
Jackie looked from me to Denise and back, and I could swear I saw comprehension dawning in his eyes and he was about to say something, but to everyone’s surprise, it was Jaymee who suddenly blurted out “Mommy! You’re sleeping with him?” “Jaymee!” Denise gasped, “What are you saying!? Where did you ever learn to ask such a thing!?” “From Grandma, Mommy! She said when two grownups love each other very much, they go to bed together!” How could I keep from bursting into laughter? Denise’s composure was completely gone, Jaymee was blushing brightly at the realization that something she’d said had come out wrong without quite realizing what it was, and the look on Jackie’s face from being beaten to the punchline was priceless.
B.R.L. Coryn (We Can't Rewind)
The way he tapped on the steering wheel; the way he hummed along to a song playing in the cassette deck. ‘Don’t Wanna Be a Player’ by Joe, as the tape sleeve said. Followed by ‘Natural Woman’ by Mary J. Blige and Shai’s ‘If I Ever Fall in Love’. ‘Wait, “Mo’s mix”?’ April parted her lips in mock astonishment. ‘I didn’t take Morag for an R&B type of gal.
Beatrice Bradshaw (Love on the Scottish Spring Isle (Escape to Scotland, #2))
I miss you like the melodies and love-driven lyrics of old R&B. I miss you like a long, lost love that I’ll never get back again. I miss you like I miss you – like only I could miss you.
Grey Huffington (Lyric (The Eisenberg Effect Book 2))
I am so busy thinking that I don’t realize When I give my heart away to her. - Grey
Grey R.B. (Eclipse: Trapped in Darkness)
What can be is not what it is, And what's possible is not the present. Things we can do is not how we act, And what we can be is not who we are.
Grey R.B. (Eclipse: Trapped in Darkness)
But your words, oh, just the things you say! You’ve pulled me closer to the truth again. And I know I’ll sink again, But that doesn’t stop me from admiring the fresh air as I float on the surface with you.
Grey R.B. (Eclipse: Trapped in Darkness)
And although my soul is devoid of hope, I don’t want things to get better, I don't wish to be happier, I won’t fall for false hopes ever again, I repeat to myself loud and clear - Never Again.
Grey R.B. (Eclipse: Trapped in Darkness)
I realized something important. The only thing that matters in this world is the love you have for the people in your life. Without love to give life meaning, life becomes a prison, a cage without bars, solitary confinement.
R.B. Schow (The Betrayal of Prague (Atlas Hargrove, #3))
It won’t be for long, but, I would be lost, too, In the moments I’ll look into your eyes, And know that it’s just me and you. - Grey
Grey R.B. (Eclipse: Trapped in Darkness)
Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber
Louise Erdrich (The Sentence)
For ADELARD TOOK, for his VERY OWN, from Bilbo; on an umbrella. Adelard had carried off many unlabelled ones. For DORA BAGGINS in memory of a LONG correspondence, with love from Bilbo; on a large waste-paper basket. Dora was Drogo’s sister and the eldest surviving female relative of Bilbo and Frodo; she was ninety-nine, and had written reams of good advice for more than half a century. For MILO BURROWS, hoping it will be useful, from B.B.; on a gold pen and ink-bottle. Milo never answered letters. For ANGELICA’S use, from Uncle Bilbo; on a round convex mirror. She was a young Baggins, and too obviously considered her face shapely. For the collection of HUGO BRACEGIRDLE, from a contributor; on an (empty) book-case. Hugo was a great borrower of books, and worse than usual at returning them. For LOBELIA SACKVILLE-BAGGINS, as a PRESENT; on a case of silver spoons. Bilbo believed that she had acquired a good many of his spoons, while he was away on his former journey. Lobelia knew that quite well. When she arrived later in the day, she took the point at once, but she also took the spoons.
J.R.R. Tolkien
I saw a meme that goes: If the love doesn’t feel like 90’s R&B, I don’t want it. And I thought to myself, this is how hungry most people are for sensuality. They just don’t know it, yet!
Lebo Grand
To feel safe, the child must maintain an idealized image of a parent who is loving, nurturing, and invincible. Recognition of real shortcomings in the parent would threaten to destroy the fantasy bond and the imagined self-sufficiency it provides. If children were to find fault with their parents and see them as lacking, their situation would truly be hopeless. To defend against the realization that their parents are inadequate or even threatening, children deny their parentsʼ limitations and failings and instead conceive of themselves as bad or unlovable. Children develop an internal split and come to view themselves as a combination of the good, omnipotent parent and the bad, needy child. The more they retain the division of this dualistic notion, the more dysfunctional their actual relations are with others. The more pseudo-independent and reliant on fantasy children are, the more dependent and helpless they become in the real world and the more they feel the need to be taken care of (R. W. Firestone, 1997a, 1997b).
Robert W. Firestone (Challenging the Fantasy Bond: A Search for Personal Identity and Freedom)
The Blasters proved to be the most prominent and popular of these acts by far. Originally a quartet, the band was bred in Downey, just down the freeway from East L.A. In their teens, brothers Phil and Dave Alvin were bitten by the blues bug; they became habitués of the L.A. club the Ash Grove, where many of the best-known folk and electric blues performers played, and they sought out the local musicians who could teach them their craft, learning firsthand from such icons as Big Joe Turner, T-Bone Walker, and Little Richard’s saxophonist Lee Allen (who would ultimately join the band in the ’80s). But the Blasters’ style was multidimensional: they could play R&B, they loved country music, and they were also dyed-in-the-wool rockabilly fans who were initially embraced by the music’s fervent L.A. cultists. Their debut album, 1980’s American Music, was recorded in a Van Nuys garage by the Milan, Italy–born rockabilly fanatic Rockin’ Ronnie Weiser, and released on his indie label Rollin’ Rock Records, which also issued LPs by such first-generation rockabilly elders as Gene Vincent, Mac Curtis, Jackie Waukeen Cochran, and Ray Campi. By virtue of Phil Alvin’s powerful, unmannered singing and Dave Alvin’s adept guitar playing and original songwriting, the Blasters swiftly rose to the top of a pack of greasy local bands that also included Levi and the Rockats (a unit fronted by English singer Levi Dexter) and the Rockabilly Rebels (who frequently backed Ray Campi). Los Lobos were early Blasters fans, and often listened to American Music in their van on the way to their own (still acoustic) gigs. Rosas says, “We loved their first record, man. We used to play the shit out of that record. Dave [Hidalgo] was the one who got a copy of it, and he put it on cassette.
Chris Morris (Los Lobos: Dream in Blue)
It’s easy to be shitty when someone loves you unconditionally
B.R. Yeager (Negative Space)
She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.
B.R. Yeager (Negative Space)
Martin’s Way is a poignant story of life and death, and—more importantly—the lessons learned along the way, told by a member of the Greatest Generation. It weaves an inspiring tale of friendship and values and love and heroes and loss, and how the simplest of lives can be the most important. It should be required reading for the next generation. Larry Elder, Talk show host / TV personality
B.R. O'Hagan (Martin's Way)
D-December never means E-end, it's the time to C-celebrate and rejoice E-express love and joy M-mesmerize the moments B- believe in blithe spirit E- enhance the end and R- rhyme with the beginnings.
Deepa Gera
The memory of our girls was woven into our hearts and our souls, love and pain stitched together and locked forever.
B.R. Spangler (The Crying House (Detective Casey White #4))
Same-sex love has often been relegated to the margins of art as problematic (and preferably tragic).
R. B. Parkinson
Same-sex love has often been relegated to the margins of art as problematic (and preferably tragic).
R.B. Parkinson (A Little Gay History: Desire and Diversity Around the World)
I'm there now. Tell me I will succeed. That it's the world blinking out and not me, like the ones I've loved and tried to pull back. Tell me he'll never set the world afire. Tell me so I can finally go to sleep. The woman buried beneath my candle won't let him. She props me up. Sits by my bed. She tells me my state isn't fixed; there is no rope binding my wrists; there is always a window to climb out of. She tells me I can save myself and find a place I love before the world dissolves. She stays, even when I turn cruel and out of phase. I learn to leave. I leave before he sets himself ablaze. The fire in his skin and hair. I can't see it but I know it's happening. I can't see it because I'm already so far away. I'm out of here now, forever.
B.R. Yeager (Negative Space)
If the love doesn’t feel like 90s R&B I don’t want it.
Lauren Asher (Collided (Dirty Air, #2))
his lifetime NRA membership in a blistering letter. It’s worth reading the whole text to get a sense of the totality of Bush’s fury: I was outraged when, even in the wake of the Oklahoma City tragedy, Mr. Wayne LaPierre, executive vice president of N.R.A., defended his attack on federal agents as “jack-booted thugs.” To attack Secret Service agents or A.T.F. people or any government law enforcement people as “wearing Nazi bucket helmets and black storm trooper uniforms” wanting to “attack law abiding citizens” is a vicious slander on good people. Al Whicher, who served on my [U.S. Secret Service] detail when I was Vice President and President, was killed in Oklahoma City. He was no Nazi. He was a kind man, a loving parent, a man dedicated to serving his country—and serve it well he did. In 1993, I attended the wake for A.T.F. agent Steve Willis, another dedicated officer who did his duty. I can assure you that this honorable man, killed by weird cultists, was no Nazi. John Magaw, who used to head the U.S.S.S. and now heads A.T.F., is one of the most principled, decent men I have ever known. He would be the last to condone the kind of illegal behavior your ugly letter charges. The same is true for the F.B.I.’s able Director Louis Freeh. I appointed Mr. Freeh to the Federal Bench. His integrity and honor are beyond question. Both John Magaw and Judge Freeh were in office when I was President. They both now serve in the current administration. They both have badges. Neither of them would ever give the government’s “go ahead to harass, intimidate, even murder law abiding citizens.” (Your words) I am a gun owner and an avid hunter. Over the years I have agreed with most of N.R.A.’s objectives, particularly your educational and training efforts, and your fundamental stance in favor of owning guns. However, your broadside against Federal agents deeply offends my own sense of decency and honor; and it offends my concept of service to country. It indirectly slanders a wide array of government law enforcement officials, who are out there, day and night, laying their lives on the line for all of us. You have not repudiated Mr. LaPierre’s unwarranted attack. Therefore, I resign as a Life Member of N.R.A., said resignation to be effective upon your receipt of this letter. Please remove my name from your membership list. Sincerely, [signed] George Bush
Stuart Stevens (It Was All a Lie: How the Republican Party Became Donald Trump)
Whatever music you were into, it was exploding in the Nineties. Guitar bands, hip-hop, R&B, techno, country, Britpop, trip-hop, blip-hop, ambient, illbient, jungle, ska, swing, Belgian jam bands, Welsh gangsta rap—every music genre you could name (or couldn’t)—(and a few that probably didn’t really exist) was on a roll that made the Sixties look picayune and provincial. We can argue all day whether Nineties music holds up, but fans devoured—and paid for—more music than ever before or since. The average citizen purchased CDs in numbers that look shocking now, and even shocking then. Every week, thousands of people bought new copies of the Grease soundtrack, from 1978, and nobody knew why. Even critics had trouble finding things to complain about (though we sure tried).
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
Are you one of those people who thinks hip-hop belongs to Black people?” I ask. “Of course it does.” He smooths the humor from his expression. “We made it. It’s ours in the same way jazz and the blues and R&B are ours. We innovated, making sound where there was no sound before. The very roots of hip-hop are in West Africa from centuries ago. But we share our shit all the time, so you’re welcome.” I lift a brow at his ethno-arrogance, but he throws his head back laughing at me, maybe at himself. “Art, specifically music, is a living thing,” he says. “It isn’t just absorbed by the people who hear it, but it absorbs them. So, we shared hip-hop with the world, and it isn’t just ours anymore. The Beastie Boys heard it. Eminem heard it. Whoever heard it fell in love with it, added to it, and became a part of it.” “And that’s a good thing?” “Mostly. If that hadn’t happened, if we hadn’t shared it and someone other than us loved it, it’d still be niche. Underground. Now it’s global, but that wouldn’t have happened if it hadn’t gone main- stream. Mainstream means more opportunities, so I’m all for white, Asian, Hispanic. We need everybody buying hip-hop, because ultimately, it’s about that green.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
. 5[✞] Keep your life a free from love of money, and b be content with what you have, for he has said, c “I will never leave you nor forsake you.” 6[✞] So we can confidently say, d “The Lord is my helper; e I will not fear; what can man do to me?
R.C. Sproul (ESV Reformation Study Bible)
x The glory that you have given me y I have given to them, t that they may be one even as we are one, 23[✞] z I in them and you in me, a that they may become perfectly one, b so that the world may know that you sent me and c loved them even as d you loved me.
R.C. Sproul (ESV Reformation Study Bible)
In a normal life there's an age that when seen none wanna come up to u for games,but in a hustling field no matter how old u r it's only gamers and time wasters one will b meeting. It's up to u to think do I or don't I. There's an age one needs to know where the hell their going, wasting time on temporal things is self damage and don't manage
Gugu Mofokeng (ACHIEVE YOUR GOALS: Avoid The Top 3 Mistakes That Keep Even Highly Ambitious Professionals & Entrepreneurs Procrastinating...Feeling Stuck Year After Year...& Unable To Breakthrough!)