Quotation In Double Quotes

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At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?" "That's right." Then I think of something to add. "And yours is orange." "Orange?" He seems unconvinced. "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once." "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you." But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces." Then I dive into my tent before I do something stupid like cry.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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Don’t complain against life, it may hear you and double your suffering
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Bangambiki Habyarimana (Pearls Of Eternity)
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Your favorite colour . . . it's green?" "That's right." Then I think of something to add. "And yours is orange." "Orange?" He seems unconvinced. "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once." "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you." But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms: * Avoid run-on sentences they are hard to read. * Don't use no double negatives. * Use the semicolon properly, always use it where it is appropriate; and never where it isn't. * Reserve the apostrophe for it's proper use and omit it when its not needed. * Do not put statements in the negative form. * Verbs has to agree with their subjects. * No sentence fragments. * Proofread carefully to see if you any words out. * Avoid commas, that are not necessary. * If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. * A writer must not shift your point of view. * Eschew dialect, irregardless. * And don't start a sentence with a conjunction. * Don't overuse exclamation marks!!! * Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents. * Writers should always hyphenate between syllables and avoid un-necessary hyph-ens. * Write all adverbial forms correct. * Don't use contractions in formal writing. * Writing carefully, dangling participles must be avoided. * It is incumbent on us to avoid archaisms. * If any word is improper at the end of a sentence, a linking verb is. * Steer clear of incorrect forms of verbs that have snuck in the language. * Take the bull by the hand and avoid mixed metaphors. * Avoid trendy locutions that sound flaky. * Never, ever use repetitive redundancies. * Everyone should be careful to use a singular pronoun with singular nouns in their writing. * If I've told you once, I've told you a thousand times, resist hyperbole. * Also, avoid awkward or affected alliteration. * Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death. * Always pick on the correct idiom. * "Avoid overuse of 'quotation "marks."'" * The adverb always follows the verb. * Last but not least, avoid cliches like the plague; seek viable alternatives." (New York Times, November 4, 1979; later also published in book form)
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William Safire (Fumblerules: A Lighthearted Guide to Grammar and Good Usage)
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Never," enjoins a women's magazine, "mention the size of his [penis] in public...and never, ever let him know that anyone else knows or you may find it shrivels up and disappears, serving you right." That quotation acknowledges that critical sexual comparison is a direct anaphrodisiac when applied to men; either we do not yet recognize that it has exactly the same effect on women, or we do not care, or we understand on some level that right now that effect is desirable and appropriate. A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.
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Naomi Wolf (The Beauty Myth)
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Because failure works double time, to get success, work triple time.
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Matshona Dhliwayo
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Double face in a person is no problem as long as both faces are more or less the same!
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Mehmet Murat ildan
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On National I WANT YOU TO BE HAPPY DAY may you be found existing in an abundance of its existence, emotion, and experience in your life without expiration, and long after the observance day appointment has been attended.
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Dr Tracey Bond
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The forms of direct-half-hidden and completely hidden quoting were endlessly varied, as were the forms for framing quotations by a context, forms of intonational quotation marks, varying degrees of alienation or assimilation of another's quoted word. And here the problem frequently arises: is the author quoting with reverence or on the contrary with irony, with a smirk? Double entendre as regards the other's word was often deliberate.
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Mikhail Bakhtin
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Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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The Manifestation Manifesto Meditation” "Right now, I find a quiet and comfortable space where I can easily concentrate on these words as I gently read them aloud. "With the sound of my voice I soothe my nervous system … calm my entire body and relax my thoughts. I speak slowly … with a gentle but resonant tone. And as I do, I start to relax now. "I keep my eyes open and let them blink naturally when they want to … and they might start to feel slightly heavy and droopy … as they would feel when I read a book before going to sleep. β€œI use my imagination so that with every word I become more relaxed and drowsier. (Imagine feeling drowsy.). I keep my eyes open just enough to take in the following words. "I turn my attention to my breathing, and use this opportunity to relax my mind and body more deeply. "As I count my exhalations backwards from five to one, I let each number represent a gradually deeper level of relaxation and heightened focus. (Draw a breath before reading each number, and count as you exhale.) "Five … I double my relaxation and increase my concentration. "Four … With every number and every breath, I relax. "Three … I count slowly as I meditate deeper … deeper still. "Two … I use my imagination to double this meditative state. "One … My body is relaxed as my mind remains focused. (Pause for five seconds and breathe normally.) "At this level of meditation, people experience different things. Some notice interesting body sensations … such as a warmth or tingling in their fingers. I might also have that experience. (Pause five seconds.) "Some people feel a floating sensation … with a dreamy quality. I may experience that. (Pause five seconds.) "Whatever sensations I experience are exactly right for me at this moment. Whether I feel something unusual now or at some other time, I let that process happen on its own as I focus on the following manifesto. β€œI allow my subconscious to absorb the manifesto as I read each affirmation with purpose and conviction. (Pause for five seconds.) β€œThe power to manifest is fully mine, here and now. β€œI acknowledge and embrace my power to manifest. β€œAll human beings have this power, yet I choose to use it consciously and purposefully. β€œFrom the unlimited energy of the Universe, I attract all that I need to experience joy and abundance. β€œI recognize and consider the consequences of all that I manifest. I take full responsibility. β€œWith awareness and intention, I apply my power for my highest good and for the welfare of others. β€œAll of my manifestations reflect my inner state of being. Therefore, I ever seek to grow in wisdom and to become a better person. β€œWith relaxed confidence, I employ the powers of Thought, Emotion and Vital Energy to manifest my desires.Β  β€œI let go of beliefs and ideas that suppress or encumber me and I cultivate those which empower me. β€œI accept what I manifest with appreciation and satisfaction. I am thankful. β€œI go forth with great enthusiasm with the realization that I manifest my life and circumstances. β€œI am ready to take charge of my manifestations from this moment onward.” β€œDay by day, I grow in awareness of my power to manifest my desires with speed and accuracy.” RECOMMENDED READING * Mastering Manifestation: A Practical System for Rapidly Creating Your Dream Reality - Adam James * Banned Manifestation Secrets - Richard Dotts * Manifesting: The Secret behind the Law of Attraction - Alexander Janzer * The Secret Science Behind Miracles - Max Freedom Long * The Kybalion - Three Initiates
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Forbes Robbins Blair (The Manifestation Manifesto: Amazing Techniques and Strategies to Attract the Life You Want - No Visualization Required (Amazing Manifestation Strategies Book 1))
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The brave with all of their weaknesses are better than the cowardly with all of their strengths. The influential with all of their weaknesses are better than the famous with all of their strengths. The diligent with all of their weaknesses are better than the idle with all of their strengths. The cautious with all of their weaknesses are better than the reckless with all of their strengths. The conscientious with all of their weaknesses are better than the thoughtless with all of their strengths. The crafty with all of their weaknesses are better than the senseless with all of their strengths. The talented with all of their weaknesses are better than the unskilled with all of their strengths. The intelligent with all of their weaknesses are better than the knowledgeable with all of their strengths. The wise with all of their weaknesses are better than the clever with all of their strengths. The enlightened with all of their weaknesses are better than the learned with all of their strengths. The generous with all of their weaknesses are better than the affluent with all of their strengths. The great with all of their weaknesses are better than the notable with all of their strengths. The polite with all of their weaknesses are better than the insolent with all of their strengths. The honorable with all of their weaknesses are better than the unethical with all of their strengths. The honest with all of their weaknesses are better than the deceptive with all of their strengths. The modest with all of their weaknesses are better than the conceited with all of their strengths. The kind with all of their weaknesses are better than the indifferent with all of their strengths. The compassionate with all of their weaknesses are better than the vengeful with all of their strengths. The confident with all of their weaknesses are better than the double-minded with all of their strengths. The faithful with all of their weaknesses are better than the disloyal with all of their strengths. The gentle with all of their weaknesses are better than the vicious with all of their strengths. The patient with all of their weaknesses are better than the impetuous with all of their strengths. The just with all of their weaknesses are better than the corrupt with all of their strengths. The forthright with all of their weaknesses are better than the insincere with all of their strengths.
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Matshona Dhliwayo
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4.02 Period 88 4.03 Comma 88 4.04 Semicolon 89 4.05 Colon 90 4.06 Dash 90 4.07 Quotation Marks 91 4.08 Double or Single
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American Psychological Association (Publication Manual of the American Psychological Association)
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Suddenly, the double doors of the parlor whooshed open. A large fleshy woman stood before me in full regalia. Her eyes were all made up, earrings and bracelets jangling. The sign in the window said Miss Sadie was a medium. From the look of her, I'd say that was a bit wishful.
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Clare Vanderpool
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Last night I was lying on the bed doing a double crostic and looked up a quotation in the paperbacked Quotation Dictionary that I carry around with me specifically for that purpose. I immediately became lost in the book and read all the Shakespeare ones right through very slowly. There was hardly a line there that I didn't immediately know but seeing the miraculous words in print again doomed me to a long trance of nostalgia, a stupor of melancholy, like listening to really massive music, music that moans and thunders and plumbs fathomless depths. i wandered through the book for a long time but no other writer hit me with quite the same regard as William S. What a stupendous God he was, he is. What chance combination of genes went to the making of that towering imagination, that brilliant gift of words, that staggering compassion, that understanding of all human frailty, that total absence of pomposity, that wit, that pun, that joy in words and the later agony. It seems that he wrote everything worth writing and the rest of his fraternity have merely fugued on his million themes.
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Richard Burton (The Richard Burton Diaries)
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If you want to double your happiness, pour it into someone else.
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Matshona Dhliwayo
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We call talking about other people’s personal lives β€˜gossip’ only if we aren’t or weren’t part of the conversation.
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Mokokoma Mokhonoana
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you really want to use single or double quotes to surround a string in Python, instead of three single quotes, you can add a backslash (\) before each quotation mark within the string. This is called escaping.
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Jason R. Briggs (Python for Kids: A Playful Introduction To Programming)
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Joy doubles your faith, strength triples your might, and love quadruples your power.
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Matshona Dhliwayo