Queen Of Spades Quotes

We've searched our database for all the quotes and captions related to Queen Of Spades. Here they are! All 49 of them:

I was not the woman who breaks into pieces under the blows of abandonment and absence, who goes mad, who dies. Only a few fragments had splintered off, for the rest I was well. I was whole, whole I would remain. To those who hurt me, I react giving back in kind. I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
Elena Ferrante (The Days of Abandonment)
I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
Elena Ferrante (The Days of Abandonment)
Two fixed ideas can no more exist together in the moral world than two bodies can occupy one and the same place in the physical world.
Alexander Pushkin (The Queen of Spades)
I looked at the cards in my hand, the queen of hearts nestled between the king of clubs and the king of spades. No wonder she was smiling.
Megan Hart (Tempted (Alex Kennedy, #1))
I decided, enough pain. To the lips of their nocturnal happiness I would attach those of my revenge. I was not the woman who breaks into pieces under the blows of abandonment and absence, who goes mad, who dies. Only a few fragments had splintered off, for the rest I was well. I was whole, whole I would remain. To those who hurt me, I react giving back in kind. I am the queen of spades, I am the wasp that stings, I am the serpent. I am the invulnerable animal who passes through fire and is not burned.
Elena Ferrante (The Days of Abandonment)
...oamenii, nefiind niciodată mulțumiți de prezent, și învățând să aibă puține speranțe în viitor, înfrumusețează cu toate florile închipuirii tot ce a trecut și nu se mai întoarce.
Alexander Pushkin (The Queen of Spades and Other Stories)
I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She’s holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow. There’s a watch tattooed on his left wrist with ‘Fuck Time’ inscribed on its face. Fuck o’clock. He’s not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He’s beautiful, in the way that a knife is beautiful.
Kirsty Eagar (Raw Blue)
To those who hurt me, I react giving back in kind. I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
Elena Ferrante (The Days of Abandonment)
I would attach those of my revenge. I was not the woman who breaks into pieces under the blows of abandonment and absence, who goes mad, who dies. Only a few fragments had splintered off, for the rest I was well. I was whole, whole I would remain. To those who hurt me, I react giving back in kind. I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
Elena Ferrante (The Days of Abandonment)
the way, when I showed this to Leslie, I used real cards, not a bridge diagram. If you find it difficult to follow the diagrams, try using a real deck. For the first hand, you can also try dealing East the king of spades instead of West, and you will see why the finesse won't work. A finesse is a cool play that allows you to win two tricks with the ace and queen of a suit, even though one of your opponents holds the king. It has a 50 percent chance of success, depending on which one of your opponents holds that king.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
Бабушка, которая всегда была строга к шалостям молодых людей, как-то сжалилась над Чаплицким.
Alexander Pushkin (Queen of Spades (Illustrated) (Russian Edition))
Anyone can be a fool, but the one recognizes it and admits it is on the path to wisdom.
Queen Of Spades
Life is too short to hold back, so live It as if It's not guaranteed.
Queen Of Spades
— От приятеля известной вам особы, — отвечал Томский, — человека очень замечательного! — Кто ж этот замечательный человек?
Alexander Pushkin (Queen of Spades (Illustrated) (Russian Edition))
писем были им подписаны; никогда с ним не говорила, не слыхала его голоса, никогда
Alexander Pushkin (Queen of Spades (Illustrated) (Russian Edition))
I never want the art of reviewing to ever feel like a chore.
Queen Of Spades
Time is a very human concept, given your incredibly short life span. A couple of centuries is nothing to the stars.
E.J. Dawson (Awakening (Queen of Spades #1))
People fight to live, and everyone fears their own deaths.
E.J. Dawson (Awakening (Queen of Spades #1))
Regardless of whether it's me or someone else, there will always be a kingdom, a throne, and a queen.
Faridah Àbíké-Íyímídé (Ace of Spades)
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood. Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Herman stood before her. She drew back at sight of him, trembling violently. "Where have you been?" she asked in a frightened whisper. "In the bedchamber of the Countess. She is dead," was the calm reply. "My God! What are you saying?" cried the girl. "Furthermore, I believe that I was the cause of her death." The words of Tomsky flashed through Lisa's mind. Herman sat down and told her all. She listened with a feeling of terror and disgust. So those passionate letters, that audacious pursuit were not the result of tenderness and love. It was money that he desired. The poor girl felt that she had in a sense been an accomplice in the death of her benefactress. She began to weep bitterly. Herman regarded her in silence. "You are a monster!" exclaimed Lisa, drying her eyes. "I didn't intend to kill her; the pistol was not even loaded.
Alexander Pushkin (The Queen of Spades)
From atop his back, she could see the dazzling spires of Wonderland Palace and the red glow that the palace cast on the land around it. From here she could imagine the small lives taking place; Harris, asleep in the library, glasses sliding off the end of his nose; Sir Gorrann, tossing back some ale as he chuckled among fellow Spades; and Wardley, staring out across the land with a burdened heart, wondering how much he would give for his kingdom.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
For whom are you preserving your secret? For your grandsons? They are rich enough without it; they do not know the worth of money. Your cards would be of no use to a spendthrift. He who cannot preserve his paternal inheritance, will die in want, even though he had a demon at his service. I am not a man of that sort; I know the value of money. Your three cards will not be thrown away upon me. Come!” ... He paused and tremblingly awaited her reply. The Countess remained silent; Hermann fell upon his knees. “If your heart has ever known the feeling of love,” said he, “if you remember its rapture, if you have ever smiled at the cry of your newborn child, if any human feeling has ever entered into your breast, I entreat you by the feelings of a wife, a lover, a mother, by all that is most sacred in life, not to reject my prayer. Reveal to me your secret. Of what use is it to you? . . . May be it is connected with some terrible sin, with the loss of eternal salvation, with some bargain with the devil.... Reflect,—you are old; you have not long to live—I am ready to take your sins upon my soul. Only reveal to me your secret. Remember that the happiness of a man is in your hands, that not only I, but my children, and grandchildren will bless your memory and reverence you as a saint. . . .” The old Countess answered not a word. Hermann rose to his feet. “You old hag!” he exclaimed, grinding his teeth, “then I will make you answer!” With these words he drew a pistol from his pocket. At
Alexander Pushkin (The Queen of Spades and Other Stories)
The hip world, the vast majority of the acid heads, were still playing the eternal charade of the middle-class intellectuals—Behold my wings! Freedom! Flight!—but you don’t actually expect me to jump off that cliff, do you? It is the eternal game in which Clement Attlee, bald as Lenin, lively as a toy tank, yodels blood to the dockworkers of Liverpool—and dies buried in striped pants with a magenta sash across his chest and a coin with the Queen’s likeness upon each eyelid. In their heart of hearts, the heads of Haight-Ashbury could never stretch their fantasy as far out as the Hell’s Angels. Overtly, publicly, they included them in—suddenly, they were the Raw Vital Proles of this thing, the favorite minority, replacing the spades. Privately, the heads remained true to their class, and to its visceral panics … One trouble with this Kesey was, he really meant it.
Tom Wolfe (The Electric Kool-Aid Acid Test)
Lizaveta listened to him in terror. So all those passionate letters, those ardent desires, this bold obstinate pursuit—all this was not love! Money—that was what his soul yearned for! She could not satisfy his desire and make him happy! The poor girl had been nothing but the blind tool of a robber, of the murderer of her aged benefactress! . . . She wept bitter tears of agonized repentance. Hermann gazed at her in silence: his heart, too, was a prey to violent emotion, but neither the tears of the poor girl, nor the wonderful charm of her beauty, enhanced by her grief, could produce any impression upon his hardened soul. He felt no pricking of conscience at the thought of the dead old woman. One thing only grieved him: the irreparable loss of the secret from which he had expected to obtain great wealth. “You are a monster!” said Lizaveta at last. “I did not wish for her death,” replied Hermann: “my pistol was not loaded.” Both
Alexander Pushkin (The Queen of Spades and Other Stories)
We were a deck of cards, a club, a heart, a diamond and a spade, all of us made for dealing in death. I had my Joker, my Jack, my King, and my scruffy little pooch of an Ace. Somehow, I’d become the Queen of all that, and together we made a full house, even if it didn’t look like anyone else’s version, even if it was a jumble of suits and colours. It didn’t make us any less real.
Caroline Peckham (Society of Psychos (Dead Men Walking, #2))
thought the detective had believed
Kristi Belcamino (Queen of Spades (Queen of Spades #1))
the eighth widow taught me how to play blackjack; the eighth widow taught me the suits and what they meant: King means husband, queen means wife, spade is the shovel she buries him with.
K-Ming Chang (Gods of Want: Stories)
You were scared. Fear makes us do evil things.
Katelynn Wu (Queen of Spades)
If you read novels you sympathize with people who are different kinds of people than you are.
Oakley Hall (Ambrose Bierce and the Queen of Spades (Ambrose Bierce, #1))
It was music first of all that brought us together. Without being professionals or virtuosos, we were all passionate lovers of music; but Serge dreamed of devoting himself entirely to the art. All the time he was studying law along with us, he took singing lessons with Cotogni, the famous baritone of the Italian Opera; while for musical theory, which he wanted to master completely so as to rival Moussorgsky and Tchaikovsky, he went to the very source and studied with Rimsky-Korsakov. However, our musical tastes were not always the same. The quality our group valued most was what the Germans call Stimmung, and besides this, the power of suggestion and dramatic force. The Bach of the Passions, Gluck, Schubert, Wagner and the Russian composers – Borodin in ‘Prince Igor’, Rimsky and, above all, Tchaikovsky, were our gods. Tchaikovsky’s ‘Queen of Spades’ had just been performed for the first time at the Opera of St Petersburg, and we were ecstatic about its Hoffmannesque element, notably the scene in the old Countess’s bedroom. We liked the composer’s famous Romances much less, finding them insipid and sometimes trivial. These Romances, however, were just what Diaghilev liked. What he valued most was broad melody, and in particular whatever gave a singer the chance to display the sensuous qualities of his voice. During the years of his apprenticeship he bore our criticisms and jokes with resignation, but as he learned more about music – and about the history of art in general – he gained in self-confidence and found reasons to justify his predilections. There came a time when not only did he dare to withstand our attacks but went on to refute our arguments fiercely.
Richard Buckle (Nijinsky: A Life of Genius and Madness)
are you a Fool for love? aren't we all Fools for something? don't you wish we could be Kings and Queens be the Jack of All, but the Joker to None reign over foreign territories of diamonds, clubs, and spades but forever elusive; the heart a territory no one can claim
Jaay Vanmeer (...dark thoughts // they come in the light of day...)
Though a gamester at heart, he never touched a card, for he considered his position did not allow him—as he said— "to risk the necessary in the hope of winning the superfluous,
Alexander Pushkin (The Queen of Spades)
Their “love” for you is conditional, Ina. Never forget that.
Sarah Raughley (The Queen's Spade)
Take that anger, and use it. Use it for battle, use it to rule. Look how you subdued the captain of the Spades today! This anger is a gift, meant to keep you hard. Instead of suppressing it, embrace it. Let it fill your body, your mind, and your heart. It will be your best friend when none are there. Anger is righteousness, it is power, it has made kingdoms and heroes. Without anger, there is no passion, no life.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
My viciousness made Rui’s eyes glaze and his chest still. He bit his lip as if trying his best to tamp down something dangerously carnal rising up inside him. Then he smiled. “That’s my girl. . . .
Sarah Raughley (The Queen's Spade)
No one plans to get caught! If planning were all it took to get caught, spying would be a much easier job!
Clare Urbanski (Three of Clubs (Queen of Spades, #1))
guarded by me while we were within the walls of her mother’s empire. I was her shadow, positioned by Queen Aurora, into her personal guard.
J.H. Spade (Primeval Sacrifice (Immortal Shadow #1; Blood Thirst Affair #0))
Eve taught me to look at the overall picture, to read the cards as art and intuition as much as a science. Women were more in touch with that innate sense than men. Women resonated with the cards. Rather than read the cards in order, I let the entire pattern seep in. I understood the 8 of Clubs and the Ace of Spades. The Queen of Diamonds, I sensed, would be a real person to provide the essentials of life. Then my heart sank when I saw the two Jacks, the Pretenders, the Liars who would upset my balance on the one hand, and try to exert power over me on the other. They framed the 2 of hearts. The Jacks would jeopardize my love life. I’d have to be wary in that domain. It had been quite a while since I had taken a lover. With this news, I would wait. I’d return to New York City, and meet two people who would be my Ace and my Queen. I took the calendar from the wall near the telephone, and sat down on Nestor’s chair. I stared at it, unbelieving; it had been six months since Nestor’s passing. I had spent half a year sorting through Nestor’s things, working, making no new friends, and taking no lovers. I had performed my duties, including marking the calendar mechanically. I operated in a daze. Several people had asked me if they could help. I didn’t understand, but now I knew. I had lost all sense of time and of myself, and I needed to rejoin life. My nineteenth birthday was just six months away. I would stay in Key West until then. In the interim, I would decide what I wanted to keep from Nestor’s legacy and, as he wished, place the rest.
Robin Ader (Lovers' Tarot)
She was here, in the middle of the wilderness. She was starving, she was broken and bleeding, and there was a Spade literally standing on her back. All this and yet Dinah felt more in control of her fate than she had the past few months at the palace. There was a freedom in having nothing to lose.
Colleen Oakes (Blood of Wonderland (Queen of Hearts Saga, #2))
I decided, enough pain. To the lips of their nocturnal happiness I would attach those of my revenge. I was not the woman who breaks into pieces under the blows of abandonment and absence, who goes mad, who dies. Only a few fragments had splintered off, for the rest I was well. I was whole, whole I would remain. To those who hurt me, I react giving back in kind. I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
Elena Ferrante (The Days of Abandonment)
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